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Testimony Wraps In RIAA Trial

Eskimo Joe writes "A federal judge surprised observers in the Captiol v Thomas file-sharing trial yesterday by barring RIAA president Cary Sherman from testifying. 'After a brief recess this afternoon, plaintiffs' counsel Richard Gabriel and defendant's counsel David Toder made their cases before the judge as to the relevance of Sherman's testimony. Toder argued that Sherman's testimony was not relevant to the question at hand, the fact of whether Thomas was liable for copyright infringement. Gabriel said that Sherman would be able to tell the jury why this case was significant, and more importantly, describe the harm the RIAA believes piracy has caused to the music industry. "I don't want to turn this case into a soap box for the recording industry," Toder argued in response.' Testimony wrapped up today [Wednesday] with closing arguments expected Thursday morning." Ars has up a summary, filed a few hours earlier, of other testimony in the trial. The jury could come back with a verdict later today.

132 comments

  1. ummmm Tasty... by Churla · · Score: 4, Interesting

    This whole seemingly systematic smackdown being applied by the judicial system to the RIAA on what looks like multiple fronts is really getting close to making me have faith in our judicial system again... almost.

    --
    I'm a fiscal conservative, it's a pity we don't have a political party anymore
    1. Re:ummmm Tasty... by omeomi · · Score: 5, Insightful

      getting close to making me have faith in our judicial system again... almost.

      And they're finally starting to look into the Gitmo Habeas Corpus thing. It's almost like the courts are remembering it's their job to respect the rule of law...

    2. Re:ummmm Tasty... by LoonyMike · · Score: 1

      Maybe that's what they want you to think

    3. Re:ummmm Tasty... by Anonymous Coward · · Score: 0

      Yes, I was thinking the same thing...

      getting close to making me have faith in our judicial system again... almost.

      And they're finally starting to look into the Gitmo Habeas Corpus thing. It's almost like the courts are remembering it's their job to respect the rule of law...


      and then the alarm clock went off and I woke up.

      -mcgrew

      PS- kudos for the capcha, nobody but us nerds would get "gigawatt". Not only does it keep out the bots, but dweebs as well.

    4. Re:ummmm Tasty... by moseman · · Score: 0

      Shot them all, then we will only have corpus' - ha ha.

      --
      Those who cannot remember the past are condemned to think "profiling is worse than the slaughter of innocent people..."
    5. Re:ummmm Tasty... by Anonymous Coward · · Score: 0

      Don't worry. When ever judges "get out of line" by taking justice into account, congress can always step in an mandate insanity. They've done it before and all they need is this radical Supreme Court to agree.

    6. Re:ummmm Tasty... by Myopic · · Score: 1

      Yeah, it's too bad, but it's in line with the court's history. In America in times of war courts often drag their feet on issues for a while, letting the other two branches of government duke it out or try to reach a solution, before really coming in and giving an opinion. It's remarkable constraint, really. American legal history makes the courts the most powerful branch in theory, because for the most part everyone else follows court orders all the time. So the fact that courts don't jump in all over the place and run things is a small surprise. There are those, of course, who think the courts do too much of that, but I'm comparing it to how much they could do if they wanted to.

    7. Re:ummmm Tasty... by Anonymous Coward · · Score: 0

      And they're finally starting to look into the Gitmo Habeas Corpus thing. It's almost like the courts are remembering it's their job to respect the rule of law...

      since when is stealing music respecting the rule of law?

    8. Re:ummmm Tasty... by squiggleslash · · Score: 1

      So, erm, where was this smackdown?

      The RIAA won this one. Can those who keep irresponsibly encouraging people to think they can get away with P2P copyright infringement using "The dog did it" excuses please STOP now?

      --
      You are not alone. This is not normal. None of this is normal.
    9. Re:ummmm Tasty... by Batchain · · Score: 1

      It continues to look as if there's an agreed-upon silence about what would be a troubling matter once again: No one has any difficulty calling this theft yet it is tried as civil matter and not criminal matter. But theft is a criminal act by its nature and the organization that pursued it as a civil matter has not one legal possession of a single copyright-protected item. Fifteen years ago I had a self-delusional belief that as crazy as the other two branches of government got the judicial branch was likely to remain as close to reason and balance in its findings. Well, one final self-delusion was blown to hell. "Respect the rule of law"? Well, now that the law itself has become an untempered circus of absurdity with no accountability I'm certain no court anywhere will have any trouble obeying in its findings what law it decides its findings are based on. But what law? I don't know but I have a few wild guesses not worth their mention. But I do still have the entertaining fantasy of bringing a goose into a bakery to see how a court would adjudicate that act legally and, in fact, I would do exactly that were it practicable. Possibly something else of equal importance that is actually is feasible is what I ought to be looking into, whatever that might be.

      --
      "Ultimately, who gives a fuck anyway?" -- Frank Vincent Zappa (Composer, Musician, Social Satirist, fl. 1940 - 1993)
  2. Typo by Enlarged+to+Show+Tex · · Score: 0, Offtopic

    I hope it's Capitol v. Thomas, not Captiol v. Thomas...I have no idea who Captiol is!

    1. Re:Typo by Mr.+Underbridge · · Score: 3, Funny

      Yeah, I don't think anyone would have figured that out minus your help. Thanks.

    2. Re:Typo by Cheapy · · Score: 1

      Whoever it is, it sure looks like they are about to lose.

      --
      Would you kindly mod me +1 insightful?
  3. I think... by Anonymous Coward · · Score: 0

    ...this is as close as we're ever going to get to a judge issuing the almighty four letter STFU.

    However it's plenty good enough for me ;)

  4. Uncertain either way by radarjd · · Score: 5, Interesting
    Ars has had really good coverage on the whole trial -- one of their reporters has been there the whole time. I think there are a couple of things to keep in mind:

    1) We don't know how it's going to turn out. I think the RIAA has actually done the best job they could do to present their case. They have strong circumstantial evidence that this particular defendant uses the Kazaa user name in question, and that she was likely the only person using the computer. The standard in a civil case is proof by a preponderance of the evidence. That is to say, that it's more likely than not that she did what is claimed. It doesn't have to be lock solid, or beyond a reasonable doubt. On the flip side, the defense has also done an excellent job controlling who gets to testify, and appears to have argued for good jury instructions. The most important thing to come from this case may well be the "making available" jury instruction, as that will likely be a major issue for future cases.

    2) This is going to be appealed. If the defendant wins, the RIAA will appeal. They have to. If the RIAA wins, I imagine the defendant will appeal so long as she can afford it. As likely, both sides will have parts of the ruling that they're unhappy with, and they will cross-appeal. This decision won't end the case.

    It's a very interesting and important case. I look forward to more developments.

    1. Re:Uncertain either way by Mr.+Underbridge · · Score: 1

      It's a very interesting and important case. I look forward to more developments.

      I really don't want this to be the case that the community rallys around, because she clearly (in my mind) did what is claimed. I think this is a slam-dunk for a civil trial and I'd say it would have a pretty good chance even for criminal (if that were the case).

    2. Re:Uncertain either way by neoform · · Score: 4, Interesting

      Even if the RIAA wins, they will have to prove damages. That's another game entirely.

      --
      MABASPLOOM!
    3. Re:Uncertain either way by radarjd · · Score: 1

      I really don't want this to be the case that the community rallys around, because she clearly (in my mind) did what is claimed. I think this is a slam-dunk for a civil trial and I'd say it would have a pretty good chance even for criminal (if that were the case).

      Yeah, I tend to agree from the evidence I've heard, but the jury instruction is what is really important to me. The best outcome might even be that the judge refuses to give the "making available" jury instruction. The RIAA wins the case, and then neither side appeals. That would let this defendant set an important president for the instruction, and keep it from being appealed. Just a thought...

    4. Re:Uncertain either way by radarjd · · Score: 2

      Even if the RIAA wins, they will have to prove damages. That's another game entirely.

      I assume they would elect to take statutory damages.

    5. Re:Uncertain either way by neoform · · Score: 1
      It would be an interesting precedent.. but..

      (2) In a case where the copyright owner sustains the burden of proving, and the court finds, that infringement was committed willfully, the court in its discretion may increase the award of statutory damages to a sum of not more than $150,000. In a case where the infringer sustains the burden of proving, and the court finds, that such infringer was not aware and had no reason to believe that his or her acts constituted an infringement of copyright, the court in its discretion may reduce the award of statutory damages to a sum of not less than $200. The court shall remit statutory damages in any case where an infringer believed and had reasonable grounds for believing that his or her use of the copyrighted work was a fair use under section 107, if the infringer was:

      (ii) a public broadcasting entity which or a person who, as a regular part of the nonprofit activities of a public broadcasting entity (as defined in subsection (g) of section 118) [1] infringed by performing a published nondramatic literary work or by reproducing a transmission program embodying a performance of such a work.


      She wasn't making any money from the sharing, and technically speaking, her leaving the p2p app open could be construed as "public broadcasting" of the music, since she didn't have any prejudice when it came to who she shared with.
      --
      MABASPLOOM!
    6. Re:Uncertain either way by jedidiah · · Score: 2, Interesting

      Not really.

      They've only established that they could personally commit an act of computer
      tresspass and take files off of her machine. They have not established that
      anyone else ever downloaded anything from her. They have not established that
      she pirated the music files that were in her possession.

      Infact, she was able to document a VERY robust music purchasing history at Best Buy.

      At worst, they could demonstrate that she's the sort of person that would spend money
      like a drunken sailor at Best Buy and then go home and offer all of the CD's she bought
      online.

      Modern software has taking something along the lines of putting up an 80's era pirate BBS
      and turned it into something completely automated, completely casual and something that
      the clueless could do by mistake.

      Intent certainly hasn't been established, even if they did manage to prove that she had
      a copy of Kazaa on her computer.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    7. Re:Uncertain either way by GooberToo · · Score: 1

      She wasn't making any money from the sharing, and technically speaking, her leaving the p2p app open could be construed as "public broadcasting" of the music, since she didn't have any prejudice when it came to who she shared with.

      I'm not sure where we are on legal grounds here but broadcasting requires active effort. Sharing is a passive effort. They are completely different.

    8. Re:Uncertain either way by Mr.+Underbridge · · Score: 1

      They've only established that they could personally commit an act of computer tresspass and take files off of her machine.

      I don't think it would be considered trespassing if it's on a kazaa share. That sounds like people griping because you 'steal' info they've stuck in their /var/www/htdocs directory

      They have not established that she pirated the music files that were in her possession.

      True.

      At worst, they could demonstrate that she's the sort of person that would spend money like a drunken sailor at Best Buy and then go home and offer all of the CD's she bought online.

      Unfortunately, that's bad in itself. I can't remember - how did that legal argument go where they claimed that offering something for download counted as infringement? I can't recall the outcome of that.

      Modern software has taking something along the lines of putting up an 80's era pirate BBS and turned it into something completely automated, completely casual and something that the clueless could do by mistake.

      Possible...I don't use Kazaa - does it actually share the 'Music' folder by default? Devil's in the details there, but I haven't seen them. I'd assumed from the nature of the defense that the prosecution had them on that one. Bonus points for BBS nostaligia. Ah, the good old pre-AOL days.

      So if she can show that a default install of Kazaa would cause her Music folder to be shared without action on her part, then I buy it. But if she has to do something to cause it to be shared, she's going to have some trouble.

    9. Re:Uncertain either way by Sancho · · Score: 1

      The thing is, most of the accused people have been doing this. Hate them all you want, but except for this case, when people have stuck to their guns and said, "I don't have any music on my computer," or "It was my roommate," or "I don't even have a computer," the RIAA has backed down.

      In fact, this case is exactly the kind that the RIAA should pursue because it's so obvious (from the facts presented in the Ars articles) that she did it. Even with this inevitable win for the RIAA, it's unlikely to matter. This case hasn't been about whether or not file sharing should be illegal, or whether or not she was the infringer (it takes two to copy on the Internet.) They seemingly haven't brought Fair Use in at all. So this was never going to be the groundbreaking case that stopped the RIAA in their tracks, and even if it turned out to be, the RIAA could just buy another law to fix whatever loophole was used in this case.

    10. Re:Uncertain either way by cpt+kangarooski · · Score: 2, Insightful
      Ordinarily I just get annoyed with people who fail to read the definitions of words in the law, instead substituting their own fantasy definitions to make themselves feel unjustifiably good about themselves.

      You, I'm going to go a bit further and call you an idiot.

      You actually quoted this: a public broadcasting entity (as defined in subsection (g) of section 118) But you failed to actually look to see what the definition was. I can't let that pass.

      But let's now do the work you should have done before posting like an idiot.

      The definition of a public broadcasting entity is to be found at 17 USC 118(g). It says:

      the term "public broadcasting entity" means a noncommercial educational broadcast station as defined in section 397 of title 47 and any nonprofit institution or organization engaged in the activities described in paragraph (2) of subsection (c).


      So there are two things that can qualify. Noncommercial educational broadcast stations as defined at 47 US 397, and nonprofit institutions or organizations doing the things described at 17 USC 118(c)(2).

      47 USC 397 says, at subsection (6):

      The terms "noncommercial educational broadcast station" and "public broadcast station" mean a television or radio broadcast station which--
      (A) under the rules and regulations of the Commission in effect on November 2, 1978, is eligible to be licensed by the Commission as a noncommercial educational radio or television broadcast station and which is owned and operated by a public agency or nonprofit private foundation, corporation, or association; or
      (B) is owned and operated by a municipality and which transmits only noncommercial programs for education purposes.


      17 USC 118(c)(2) is the subsection where she has to be a nonprofit institution or organization doing:

      production of a transmission program, reproduction of copies or phonorecords of such a transmission program, and distribution of such copies or phonorecords, where such production, reproduction, or distribution is made by a nonprofit institution or organization solely for the purpose of transmissions specified in paragraph (1)


      Which humorously brings us to:

      performance or display of a work by or in the course of a transmission made by a noncommercial educational broadcast station referred to in subsection (g)
      And thus full circle.

      But in any event, it is clear enough that this woman does not apply for a part of the law that is intended to protect PBS stations and the like. For someone posting on a geek board, you don't seem very good at it.
      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    11. Re:Uncertain either way by neoform · · Score: 0, Troll

      Have a fun life, I didn't bother reading your post (nor will anyone else).

      You think talking to people like they're idiots is going to get you an audience, you're very mistaken. Don't forget to take out the trash, your grandmother doesn't like it when you let it pile up like that.

      --
      MABASPLOOM!
    12. Re:Uncertain either way by tomz16 · · Score: 1

      I read his post... it was informative... as far as the law goes, the devil is often in the details.

    13. Re:Uncertain either way by geekboy642 · · Score: 1

      Have a fun life, I didn't bother reading your post (nor any other post you may ever make).

      I thought GP's post was a very well-informed smackdown on what was clearly an idiotic attempt to defend a clear-cut case of copyright infringement.

      --
      Just another "DOJ fascist authoritarian totalitarian bootlicker" -- Zeio
  5. How much harm exactly? by Cryophallion · · Score: 4, Insightful

    Gabriel said that Sherman would be able to tell the jury why this case was significant, and more importantly, describe the harm the RIAA believes piracy has caused to the music industry.

    A. It is important to them because it may mean the end of them using shotgun tactics (hope to hit someone) to try and curb piracy.

    B. It is important to him because they pay what I assume is a substantial salary to him, and he will not look good to the media companies backing him if revenue drops even further because they don't have money coming in from lawsuit settlements

    C. They "believe" the piracy has caused harm. I've yet to see credible evidence that is has (at least using realistic numbers, instead of their inflated ones, plus I don't even really know if piracy is any worse than the tape swapping days). I believe that their methods have caused the Consumer and Taxpayers harm. Does that mean I can testify?

    The lawyer was exactly right, as was the judge. It was not relevant to the question at hand, it would have been emotional rather than factual, and it would make the case an even bigger circus and soapbox. Plus, I want it to be our soapbox where we expose the RIAA for the slimy weasels they are.

    Oh, and I don't like the RIAA, in case I hadn't made it clear yet.

    1. Re:How much harm exactly? by J_Omega · · Score: 0

      I'll probably get modded down as a troll. I wish I had the time to look up the references here, but...

      B: The media companies don't have revenue coming in from settlements. I think that in this specific case, earlier testimony indicates that the lawsuits (usually settled out of court) haven't made or lost money. Lawyer's fees and such have offset the returns paid out.

      C: Do you really need to see credible evidence - yourself, outside of a court - that indicates piracy/copyright infr/sharing has increased since the CD came into popular use? Tape swapping required physical media as the transport mechanism and, being analog, the quality degraded every generation of swap. You can very easily jump on multiple P2P networks to grab whatever you with, nearly instantly, compared to the tape swapping days - sometimes in lossless bit perfection. Regardless, didn't the recently leaked MediaDefender emails show that most "piracy" (80%+) is from people lending CDs to friends who then rip them? (So easy, a caveman's grandmother could do it.)

      Not that I like the RIAA either, mind you.

    2. Re:How much harm exactly? by TALlama · · Score: 1

      It is important to [the RIAA] because it may mean the end of them using shotgun tactics

      Man, I thought people were just downloading stuff, but people are shooting at the RIAA, now?

      --

      - The Amazina Llama

    3. Re:How much harm exactly? by Anonymous Coward · · Score: 0
      describe the harm the RIAA believes piracy has caused to the music industry.

      Shiver me timbers, matey! Thar be great harm to them thar bleedin' fools! At least, if by "piracy" you mean "using a P2P application". Here are the things that can happen when someone uses P2P:
      1. Someone hears Hinder's Go Home Get Stoned and thinks "wow, maybe these guys really are a rock band, and this is the one minor key whiney song, like Dream On on Aerosmith's first album; the song they played on the radio that sucked, unlike the rest of the album which got no air play at all. I mean, they're singing about getting stoned.

        They plug "hinder" into Morpheus, find out that Hinder sucks donkey balls, and Hinder's label loses a CD sale as the P2P user deletes the files in disgust.

      2. User hears from a friend that Radiohead's tune The Fog is killer, so he plugs "the fog" into Kazaa, but instead of Radiohead's The Fog they get an indie band's completely different song by the same name, and it KICKS ASS. They spend their CD budget on my friends' band instead of Radiohead, costing Radiohead's label a sale.

      3. They want an old out of print song from the 1950s, and download it with eDonkey. Unfortunately for them, the RIAA busts them for downloading the song they have copyright on that is out of print and not for sale, and sue. P2P user vows never again to buy another RIAA CD as long as he lives, costing all the labels LOTS of sales.
      Now, if he just want's Hinder's Get Stoned song, all he has to do is sample the radio for two hours and he'll have it and every other minor key so-called "rock" song the so-called "rock" station is playing.

      The major labels are thrashing about in their death throes, unfortunately causing great harm to anyone within reach. Nobody needs them any more; a band can produce its own CD (and historically, only a tiny percentage of RIAA bands ever get "hits" and this is an argument the labels use for their high prices). A band can market it over the internet. The band can make more money selling a few thousand CDs at shows than they can selling a few million under a major label, and doesn't have the label stealing from them, AND they keep their copyrights (in the US, recordings are "works for hire" and the label owns copyright).

      Anybody want to buy a good buggy whip? Brand new, never been used. I'll give you a good price!

      -mcgrew

      PS- here's where you can download a live version of The Fog in Flac, Ogg Vorbis, or MP3 format. NOT the Radiohead song, guys...
    4. Re:How much harm exactly? by jedidiah · · Score: 1

      > C: Do you really need to see credible evidence - yourself, outside of a court -
      > that indicates piracy/copyright infr/sharing has increased since the CD came into popular use?

      HELL Yes.

      Music pirates are "buying for zero cost". So issues of "quality" aren't relevant.

      Yes, people pirated music with wanton abandon even before the CD. You do realize that
      blank audio cassettes were widely available during the "analog age". What do you think
      people did with those?

      What do you think people did with all of those 2dual tape decks that were pretty much
      standard on stereo systems before CDs?

      Even putting a cheapass 70's era mono tape recorder in front of a speaker will do the trick.

      When most people will be content with 128 bitrate or lower mp3, you really can't sanely
      make the argument that "perfect copies matter".

      It's the rise of ubiquitous network computing that did in the radio star. If not CD's then
      it would be vinyl and audio tapes recorded off of a mic attached to a Sound Blaster 8.

      BTW, I still have VHS movie soundbites recorded in that fashion that I still have and use.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    5. Re:How much harm exactly? by Anonymous Coward · · Score: 0

      C: Do you really need to see credible evidence - yourself, outside of a court - that indicates piracy/copyright infr/sharing has increased since the CD came into popular use?

      That wasn't the question. The question was whether the piracy has caused harm. Most studies show that it does the opposite. People are exposed to wider varieties of music and end up purchasing more.

    6. Re:How much harm exactly? by J_Omega · · Score: 1

      >> HELL Yes.

      My apologies. I thought it was rather apparent, esp. to the /. crowd, that piracy certainly has increased since the CD/MP3/P2P age. (In court, I want "proof" as well.)

      I think that quality certainly IS relevant - at least it is important to the music industry. They didn't push the tape-swap issue this (mp3) hard due to the degradation of each swap. It also seems relevant on the hardware side, since more DAP devices (iPod, Zune, etc.) are implementing lossless decoders.

      Not that I ever made the comment, suggestion, or put forth the argument that "perfect copies matter." (However, they do for me, when possible.) But the fact that pirates do indeed buy-at-zero-cost does not imply that quality does not matter. If someone takes a 32 kbps mp3 at zero-cost, that does not necessarily mean that they'd not prefer a 64 kbps rip ... or 128, or 256, etc. Sometimes people just grab the best thing that they can find at the moment.

      >>Yes, people pirated music with wanton abandon even before the CD.

      My point being: And now, due to digital technology (much better SNR, networking, etc.) even MORE people do so.

      >>You do realize that blank audio cassettes were widely available during the "analog age". What do you think people did with those?

      Of course I do - which is how I was able to discuss them in my first reply. I also mentioned what they did with them - were forced to trade physical media (much like how CDs are the transport mechanism for most "theft" nowadays.)

      And since the rest seems to imply that I'm clueless about the tape-swapping days: Dual decks' only purpose were to copy original or copied tapes and/or make mix-tapes. Think back to those good-old days. Sure, a mono Realistic cassette recorder could "copy" audio if placed next to a speaker - if that's all that was available. However, if someone had a copy made that way and was then given a copy of a stereo recording using a patch cable, they'd prefer it. Similarly, people would junk their 12th generation mix-tape if they had access to the first one. (Noise and such is also a factor when comparing quality - not just bit-perfection.)

      >>BTW, I still have VHS movie soundbites recorded in that fashion that I still have and use.

      And, given the opportuniy, wouldn't you use better recorded samples if you had the chance? (FWIW, I've recorded stuff with mono tape decks next to the built in speaker of an ancient turntable. Heck, I've got some reel-to-reel recordings as well.)

      >>It's the rise of ubiquitous network computing that did in the radio star.

      So... you're basically agreeing with me then: it is patently obvious to the technologically knowledgeable that P2P networks made this super simple and have increased music copyright infringement. You wanted proof that this was the case, and then you concur? All I added was that most of the current piracy seems to (still) be people continuing to trade physical media (and using software that comes with their OS or DAP devices to make the copies.)

    7. Re:How much harm exactly? by Cryophallion · · Score: 1

      I for one do not consider your post as a troll, as you try to use factual and well thought out arguments (I use the word try not to say you didn't succeed, but because you didn't have time to do proper research, which I didn't either, but which you attempt to present without having the backup I'm sure you'd normally want). I thought you therefore deserved a response:

      B. I wasn't sure if they made money directly or not, I did not have the chance to look up references either. I think in some way they benefit, if not directly. Therefore, I'll flip it. If the RIAA loses this, then the media companies stand to lose more money (paying lawyers fees for defendants, damages to defendants, etc), although they are spending tons on the lawyers already, you could more or less double it if they had to pay for the other side (although I'm sure the RIAA lawyers make more). I was just trying to show that of course they feel it is important - it is their lifeblood.

      C. I understand your point. First though, I am surprised. Most people wouldn't admit that the majority is by single person "distributing" to single person. I believe the general belief is that it is one or two "distributing" to thousands, via the net. You mention both, and use the ubiquity of p2p as you main argument, but then let us know that that is not where the majority of the piracy happens.
      I would be ok with audio tape copies for quality of sound. And I know several that prefer vinyl even. And while it was more time consuming to "rip" back then, I know TONS of people who did it constantly. I TRULY am not sure that it is all that more prevalent, but I believe it IS more widely known (just as I'm sure that there were tons of molesters back in the day, but many were hiding in anonymity, whereas today with info access, we are aware to much more of it. Doesn't necessarily mean it is happening more, although it may be, but we are aware of it more). I wouldn't be surprised to see that it was more prevalent now or then, I just want to see proof instead of conjecture. Give me a study that has been checked a few times and rerun to verify results from an independent party, and I'll tend to agree. But for now, the figures could be as made up as their supposed losses (which range in the thousands per song I believe), and I would rather know for sure than just taking their word on it. I'd be happy to be proven wrong... but I do want proof first.

      An emotional plea that has to do with this guys well being in many ways will however affect the jury, and he has a lot riding on the jury agreeing with his point of view. Either way, his testimony would be prejudicial.

      Hope that cleared things up.

    8. Re:How much harm exactly? by Cryophallion · · Score: 1

      The only problem is that they keep missing...

    9. Re:How much harm exactly? by Sancho · · Score: 1

      Of course, since copyright has been around in the US, proving harm has been almost irrelevant. Copyright is about control, not money.

      I'd be a lot happier with copyright (and the media cartel's tactics) if it was a lot shorter.

    10. Re:How much harm exactly? by jedidiah · · Score: 1

      No. I still think you're full of shit.

      You are attempting to conflate ubiquitous computer networking with the formats that music come in.

      People download plenty of crap that looks or sounds like shit already. The theoretical availability of "perfect digital copies" hasn't changed this. Lazy people will continue to do what seems easy and what doesn't cost any money. Many people have low standards/expectations (see McDonalds, Microsoft, Walmart & GM)

      Kazaa is the important element here, not the CD format.

      Some special device (which exist and are sold at thinkgeek) to copy straight off of vinyl or cassette could be used.

      Stuff was pirated across the world long before the net became ubiquitious. The propagation rate was just a little slower and there were tighter limits on what you could send around.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    11. Re:How much harm exactly? by J_Omega · · Score: 1

      Conflate? no. Point out the relationship between two independent technologies? Yes.

      Digital music & Digital devices. They already speak the same language. It is most assuredly easier to copy/trade/pirate music now. Simple. No "special device" (patch cable?) needed. No lengthy time required. Plop a CD into PC - open some app up - press "rip" - wait 5 mins - voila, done.

      Ignore my initial mentioning of bit-perfect copies if you need to. It was a side-note in my original response.

      >>Kazaa is the important element here, not the CD format.
      Again, the music industry seems to think that 80%+ of illegal copies are made directly from CD sharing, not P2P nets. Kazaa is the important element in the trial; music sales in digital formats are the important element in modern trading overall.

      Regardless, to narrow it down, what I commented on from your original post:
      >>I don't even really know if piracy is any worse than the tape swapping days
      And now:
      >>The propagation rate was just a little slower and there were tighter limits on what you could send around.

      Today, (Much much) faster propagation (other side of the planet in seconds) and almost zero limits on trading (ownership of a PC?) Common sense indicates that piracy is worse (more prevalent) now.

    12. Re:How much harm exactly? by wardk · · Score: 1

      >> Again, the music industry seems to think that 80%+ of illegal copies are made directly from CD sharing, not P2P nets. Kazaa is the important element in the trial; music sales in digital formats are the important element in modern trading overall.

      Curious, I don't see or hear of the RIAA suing anyone for this massive theft of sharing CD's. I don't even hear them talking about it.

      This is an industry plan to wipe out Fair Use, plain and simple. everyone should be opposed to it in whatever form it shifts to and this splitting of hairs over digital copies being "perfect" vs analog tape copying "degrading". hell, I bet a tape would have to be copied more than a couple times before it's got as much loss as the typical "pristine copy" of an MP3.

      and if I spoke like the RIAA, everything above this line would be an absolute truth.

      the government needs to enforce Fair Use, and if recording industry wants to nail copiers, let em find a CD swapper, at least a CD hasn't yet been degraded into a virtually worthless mp3

      what's hilarious about all this is that the best music is already free. anyone ever heard of archive.org ?

    13. Re:How much harm exactly? by J_Omega · · Score: 1

      >>Curious, I don't see or hear of the RIAA suing anyone for this massive theft of sharing CD's.

      It was in the leaked Media Defender emails, IIRC. Actually, I think that the numbers were closer to 85% CD trading, 15% P2P transfers.

      True though, that you don't see big lawsuits from physical trades - but mind you how difficult that would be to enforce. How would you catch people? Sting operations? Surveillance? It is gobs easier to have computers do automated searching and track IP addys. There's a trail to track - unlike you taking your best friend's CD home overnight.

      >>I don't even hear them talking about it.

      But you do hear about them doing things that would hinder it, right? DRM? Sony rootkit?

      >>This is an industry plan to wipe out Fair Use, plain and simple.
      Well... that might very well be (esp. with the witness saying that copying one's own property for one's own use is piracy,) but the lawsuit is definitely targeting the idea of actual copyright infringement.

      (Aside, the tape-vs-mp3 thing... it'd depend on the cassette quality, the hardware, etc. It really doesn't take that many tape generations to notice significant degradation. Tape tends to stretch and wear out (physical contact with the read head) over time. Also it'll depend on the bitrate of the mp3. Quality doesn't just mean loss, but includes it as well as noise, encoding artifacts, etc... but I'm wandering.)

      The lawsuit isn't questioning true Fair Use. It is about transferral of songs that people don't have bought ownership to. Think old-school... Libraries. You are allowed to photocopy a couple pages of a book (Fair Use) but not allowed to copy huge sections of it - the photocopies are also lossy. Same idea here. Fair Use should let you use/copy/transfer 30-secs (or whatever) of any song - not entire songs, certainly not entire albums.

      A virtually worthless MP3 is subjective. But ... argh, hate to bring it up ... its not too hard to trade lossless CD bit-perfect quality over the net anymore. ( http://www.mininova.org/search/?search=flac Note: dig the ones EAC was used on!)

      Again, the "best" music is subjective. Some people love Brittany Spears, while others (like myself) find her to be completely devoid of any musical ability, let alone innovation. (btw, I do love archive.org.)


      Hey, I'm not trying to defend the actions of the RIAA. I think they're some of the biggest wankers out there. They screw us over with their tactics and, perhaps more importantly, they screw the artists over with their contracts.

      I didn't think my initial post would lead the talk this way. *sigh* I'm done with this thread... flame on!

  6. He shouldn't had to try. by aadvancedGIR · · Score: 4, Insightful

    The RIAA already had anti-pirating laws voted, so why would he have to testify that pirating is bad?
    Probable answer: because thet cannot prove the guilt of the defendant so they tried to move the trial away from the determination of the truth.

  7. There's a place for such testimony by Anonymous Coward · · Score: 3, Informative

    It's called a victim impact statement. http://en.wikipedia.org/wiki/Victim_impact_statement It gives victims of violent crime the opportunity to let the court know how they were affected by the crime. It is given at sentencing after the verdict has been reached.

    Letting the suit spout before the verdict is delivered (in a case that didn't involve violence) would be an abuse of process but hey this is the RIAA. The judge did the right thing. My guess is that if the testimony had been allowed, the resulting appeal would have been successful.

    1. Re:There's a place for such testimony by DDX_2002 · · Score: 2, Interesting

      You do realize this is a civil suit and not a criminal case? Victim impact statements are used in criminal cases and the laws that create them are intended to give the victim a chance to speak and be heard - which is important because they're not a party to the litigation and wouldn't otherwise have any right to be heard. It is not, after all, The Victim vs. The Accused in a criminal case, it's The People, or the State, or The Queen(depending on the jurisdiction) vs. The accused. Prosecutors fight cases and seek justice on behalf of the sovereign for a breach of the sovereign's laws - that breach may have injured someone, but that's beside the point, really. Even in the area of criminal law, there are many types of crime where you have to prove damage/injury- theft (show deprivation), agg assault/assault causing bodily harm (show the victim was wounded/maimed/caused serious bodily harm, as the case may be), or more obviously, murder and manslaughter (prove the victim is dead - no dead body, no prosecution).

      There are, broadly speaking, two issues in every civil suit: quantum/remedy and liability. Quantum means, what is the appropriate remedy (usually money) to right the alleged wrong; liability is, is the defendant actually responsible, legally speaking, for the loss? Generally, in civil suits, you do the quantum and liability issues together in one trial unless the parties have already settled that issue, which isn't uncommon. In many car accidents the insurance company will admit their insured driver screwed up but denies to the bitter end that the plaintiff suffered whiplash thereby; in other cases, the parties agree that the deal falling through resulted in a certain value of loss to the plaintiff but don't agree that it was the fault of defendant's breach of contract. When nobody admits anything, you have a full blown, knock down drag out trial.

      So, the place for telling the court about the damages you've suffered in a civil case is very much before the court enters judgment, not afterward. You can't succeed in negligence without damages. You can't win in misrepresentation/fraud without showing you actually relied upon the misrepresentations of the defendant, and moreover, that you relied on them to your detriment. There are a great many types of suit where if you don't prove you were damaged, you can't win your case. Here, damages doesn't just go to quantum, it's a key issue in liability too.

      To digress further, there are also some claims that require no proof of damage - these usually involve intentional torts (assault/trespass) and the court considers the affront to your personal integrity/property rights to be worthy of remedy regardless of any damages... though the remedy they give you may not cover a venti starbucks if the court thinks you're being a litigious prick and wasting everyone's time over a trivial affront. De minimis non curat lex, after all. In some suits, like copyright infringement cases, there may be statutory damages set out in the law - usually because it is almost impossible to quantify the loss but the state believes there is a loss and that despite the difficulties of proof society would be better off by the creation/enforcement of that type of lawsuit and encourages it by creating statutory damages without the plaintiff having to actually prove they were injured.

      --
      MHO. YMMV. Any resemblance between this post and real persons, or reality in general, was accidental.
  8. WTF? by FredDC · · Score: 3, Funny
    From TFA:

    When the first CD was done, she announced the time as 2:36.18. Gabriel immediately objected saying that they timed it at over four minutes. The apparently-amused judge said that the jurors could figure out the time for themselves. The second CD ripped in 2:17.71 according to the defendant's timing (I timed the second demonstration in 2:18.97). Gabriel again objected, saying that he had it at three-and-a-half minutes.


    My theory is that one lawyer is 'spinning' the truth alot faster than the other. Therefor resulting in the major difference in elapsed time.
    --
    09 f9 11 02 9d 74 e3 5b d8 41 56 c5 63
    1. Re:WTF? by Zocalo · · Score: 1

      Hey, the RIAA clearly has different concepts of enumerating CD drives and the value of copies of individual songs than everyone else, why should we expect them to have a grasp of time that is grounded in reality either? The discrepancy is about 1m20 in both cases, so it's likely to be something along the lines of the RIAA's lawyer was including the time taken to fetch each CD from the other side of the room and take it back again afterwards or something asinine like that.

      --
      UNIX? They're not even circumcised! Savages!
    2. Re:WTF? by Anonymous Coward · · Score: 0

      Not enough time
      For all that I want to download
      Not enough time for every rip
      And every search and all the nights
      I wanna be pirating you

    3. Re:WTF? by norminator · · Score: 2, Interesting
      My favorite part about that was this exchange:

      "Is it still your testimony that the music on the defendant's computer was copied from a hard drive?" asked Toder. "Given new versions of software, you could rip this fast," conceded Jacobson.
      Would newer, more bloated ripping software have any chance of ripping faster? Are there any newer, enhanced "ripping technologies" that they didn't have in earlier versions of WMP, iTunes, etc.? I know the guy is A) talking out of his butt, and B) trying to pretend that maybe it wouldn't have been possible to rip that fast back when the "offense" occurred, but shouldn't the lawyer at least be required to admit that the evidence not only showed that it was possible that all those tracks were ripped from CDs, but actually proved that they were ripped from CDs?

      (The evidence being the time stamps on the mp3 files, which, for tracks from the same album were marked 15-20 seconds apart, followed by a bigger space of time before tracks from the next album... if they were all copied from another hard drive, as the guy claims, and which shouldn't be an offense anyway, then all the timestamps would be much closer together, with no larger gap between tracks from different albums.)
    4. Re:WTF? by Herkum01 · · Score: 2, Funny

      The second CD ripped in 2:17.71 according to the defendant's timing (I timed the second demonstration in 2:18.97). Gabriel again objected, saying that he had it at three-and-a-half minutes.

      I would assume that Mr Gabriel is using the same clock that uses for billing his clients as that would account for the time differences.

  9. p2p is losing users to social media anyway by hedkandee · · Score: 1

    Most casual users downloading music and video from p2p networks aren't looking for permanent copies they just want to listen to a track or watch a tv show so more and more people I know are now using websites for their music and video. youtube.com has a ton of deals in place for legal content sharing and for music imeem.com has advertising sharing deals with music industry titans like Sony, Warners and BMG. Why download when you can just go to a website, type in a band's name and instantly listen to their music for free?

    --
    Up for it.
    1. Re:p2p is losing users to social media anyway by Anonymous Coward · · Score: 0

      Why download when you can just go to a website, type in a band's name and instantly listen to their music for free?

      Lemme rephrase that for you:

      Why watch ads in a browser, when you can type in a band's name and instantly download their music for free.

    2. Re:p2p is losing users to social media anyway by illectro · · Score: 1

      I tell you what, I'll race you, I'll go to imeem.com and search for music by say.... Peanut Butter Wolf, and at the same time you go on p2p and look for the same. I'll wager I'll be finished listening to her latest single before your download even start

    3. Re:p2p is losing users to social media anyway by Anonymous Coward · · Score: 0

      >I'll wager I'll be finished listening to her latest single

      Good luck with that: Peanut Butter Wolf is a male. So, if you want to listen to "her" latest single, you'd have to wait until he got a sex change.

      http://www.stonesthrow.com/pbwolf/

      Enjoy.

  10. Good for Cary Sherman by jonathan3003 · · Score: 4, Funny

    The judge probably saved him from perjury.

  11. Re:What are the limits on "making available"? by ptbarnett · · Score: 3, Interesting
    The most important thing to come from this case may well be the "making available" jury instruction, as that will likely be a major issue for future cases.

    If the defense doesn't succeed and "making available" becomes the standard for prosecution, I'm wondering what the limits will be.

    I have a USB memory key that fits into an MP3 player. Back when MP3 players (and flash memory) were more expensive, I was able to buy the player for about $25 and use the 1GB memory key I already had.

    I ripped a few albums onto the memory key and would listen to them on the plane when I was traveling. At a relatively low bit-rate, the MP3s took up very little space, so I just left them there as I used the memory key for moving data files to and from the clients I was working with.

    At one point, I gave the memory key to a client to transfer a file. He took a long time to do it, so I checked back to see if something was wrong. I found him adding all my MP3's to his collection. I politely asked him to delete the files, and subsequently deleted the MP3's off my memory key.

    So, did I "make [those files] available" to him by giving him a memory key that happened to have the files on it?

  12. A (semi) Contrarian View by R2.0 · · Score: 2, Insightful

    While I loathe the recording industry and hope they lose this case, I believe it may have been a tactical error on the part of the defense to object to this particular witness. Once on the stand, and after spouting of about damages to the industry as a whole, etc., it would then be the defense's turn. And since the subject matter of the whole industry had been brought up by the plaintiffs, the defense would be free to ask about the industry as a whole - for instance, what is the industrywide average revenue earned by individual artists on a CD sale? What are the terms of the industry standard contract artists regarding copyrights? Did the industry not collude to fix CD prices, as evidenced by their conviction in Federal court?

    Oh yes - I think the jury would love to hear an industry representative answer questions about his industry.

    --
    "As God is my witness, I thought turkeys could fly." A. Carlson
    1. Re:A (semi) Contrarian View by Zontar_Thing_From_Ve · · Score: 2, Insightful

      And since the subject matter of the whole industry had been brought up by the plaintiffs, the defense would be free to ask about the industry as a whole - for instance, what is the industrywide average revenue earned by individual artists on a CD sale? What are the terms of the industry standard contract artists regarding copyrights? Did the industry not collude to fix CD prices, as evidenced by their conviction in Federal court?

      None of which have any relevance to the matter of the trial, which is whether she did or did not install Kazaa and thus share music with others on the internet. All that would have to happen is that the RIAA attorney would argue that the questions are irrelevant and have the judge agree. The plantiff's attorney made the right call in arguing against the testimony of the RIAA guy.

      You might remember the Menedez brothers trial of some years ago where they were originally acquitted of murdering their parents at their first trial, but then re-tried and convicted. At the first trial their lawyer had them testify that they were supposedly sexually abused by the father, which is why they killed him, and the jury bought it. In the second trial, the judge ruled that whether or not they had been abused was irrelevant to the case at hand and denied them the ability to testify about it, so without a "justification" for the crime, they were convicted.

      You obviously have never served on a jury if you think that a jury would necessarily find it relevant whether or not the RIAA has engaged in all the things you mention. A jury might hear such testimony and decide that while all those things are bad and believe that the RIAA did them all, they have nothing to do with whether or not the plantiff broke the law. Juries are rarely made up of well educated people with a grasp of technology and technological issues.

    2. Re:A (semi) Contrarian View by Overzeetop · · Score: 1

      No, there would have been no useful testimony extracted by the defense. Sherman is not an expert in the accounting systems, financial records, or contractual agreements of the member corporations. None of that would be information he could be expected to know, or to provide in any detail under a cross examination.

      He would really only be qualified to answer questions about the organization and its projects in general forms. About the best you could do would be to get him to admit that he hasn't any data on the sales of music due to increased publicity from filesharing. It was alleged that such marketing was occuring in the recently leaked emails, but I'm sure he would claim no knowledge.

      No, it's best that a propaganda witness was not allowed to testify.

      --
      Is it just my observation, or are there way too many stupid people in the world?
    3. Re:A (semi) Contrarian View by R2.0 · · Score: 2, Informative

      "None of which have any relevance to the matter of the trial, which is whether she did or did not install Kazaa and thus share music with others on the internet. All that would have to happen is that the RIAA attorney would argue that the questions are irrelevant and have the judge agree. The plantiff's attorney made the right call in arguing against the testimony of the RIAA guy."

      Ahh, but that is the point! If the plaintiff believes that wider issues are relevant, and they get to present them, then they are precluded from objecting when the defense does the same. You have your pi and delta mixed up - the Planitiff (Capitol) was the one wishing to have the executive testify as to the wider impact of filesharing, and the Defendant (Thomas) objected on the grounds of relevance. I am arguing that, it might have been a tactically better position to allow Capitol to make an irrelevant but emotional appeal to the jury, since that would allow the Thomas to use the same topics with a greater emotional impact. If the Capitol guy says on the stand "Industry profits are down by 10%", it would be just as legitimate for the defendant's lawyer to ask "And what percentage of those profits goes to artist royalties?"

      As for the rest, a) I have served on juries, and b) what are you smoking if you think that juries aren't swayed by emotional arguments? Look at the news, fer chrissake.

      I also wonder about your reasoning - "Juries are rarely made up of well educated people with a grasp of technology and technological issues.", so "A jury might hear such testimony and decide that while all those things are bad and believe that the RIAA did them all, they have nothing to do with whether or not the plantiff broke the law. " So, juries are stupid and that makes them LESS vulnerable to an emotional appeal?

      --
      "As God is my witness, I thought turkeys could fly." A. Carlson
    4. Re:A (semi) Contrarian View by R2.0 · · Score: 1

      "No, there would have been no useful testimony extracted by the defense. Sherman is not an expert in the accounting systems, financial records, or contractual agreements of the member corporations. None of that would be information he could be expected to know, or to provide in any detail under a cross examination."

      Which, I think, could act as a wedge to get that information is as written evidence, or rebutal witnesses.

      Defense Lawyer: "Could you tell me what percentage of industry profits goes to artist royalties?"

      Sherman: "I don't know"

      DL: Introduces the relevant documents and has Sherman read them, and attest that they are indeed documents from Capitol or the RIAA.

      No, I'm not sure this would be allowed. Where's NYCL when you need him? (probably working for people that actually need him)

      --
      "As God is my witness, I thought turkeys could fly." A. Carlson
    5. Re:A (semi) Contrarian View by Sancho · · Score: 2, Informative

      It would be a useful tactic if the jury knew about Jury Nullification. As it stands, it seems unlikely that they do. When they're told to go back and decide whether a law was broken, they're going to be told that they have to determine if the defendant broke the law. All the rigamarole about the industry as a whole is going to be pointless, unless they can understand that the current laws are unjust and that they are allowed to find in favor of the defendant despite the fact that she broke the law.

    6. Re:A (semi) Contrarian View by CodeBuster · · Score: 1

      Is it permitted for the advocates (i.e the lawyers for the plaintiff(s) and the defendant(s)), in their proposed jury instructions, to remind the Jury that they have the right to nullify?

    7. Re:A (semi) Contrarian View by Sancho · · Score: 1

      I've heard that a judge can declare a mistrial if the lawyers do this, but I have nothing to back this up.

  13. "making available" argument allowed by Dr_Art · · Score: 1

    Sadly, according to the update at the end of the Ars Technica article (see http://arstechnica.com/news.ars/post/20071004-debate-over-making-available-jury-instruction-as-capitol-v-thomas-wraps-up.html), the "making available" argument will be provided to the jury.

    This is sad, because the "making available" argument has no basis in law except when a person is actively promoting infringement (see the Grokster case). There's no proof Jammie ever encouraged infringement.

    Here's hoping that Jammie prevails!!!

    Regards,
    Art

    1. Re:"making available" argument allowed by NewYorkCountryLawyer · · Score: 1

      Sadly, according to the update at the end of the Ars Technica article (see http://arstechnica.com/news.ars/post/20071004-debate-over-making-available-jury-instruction-as-capitol-v-thomas-wraps-up.html [arstechnica.com]), the "making available" argument will be provided to the jury. This is sad, because the "making available" argument has no basis in law except when a person is actively promoting infringement (see the Grokster case). There's no proof Jammie ever encouraged infringement. Here's hoping that Jammie prevails!!! Regards, Art I guess that's why they wanted to go to war in Duluth. They knew they couldn't convince a Manhattan judge to buy into that nonsense, but hoped they might get a midwestern judge, with less copyright law experience, to fall for it. What a shame. And probably Ms. Thomas doesn't have the dough for an appeal.
      --
      Ray Beckerman +5 Insightful
    2. Re:"making available" argument allowed by Dr_Art · · Score: 1

      Is there a way we can contribute $$$ to help her with legal costs?

      Regards,
      Art

    3. Re:"making available" argument allowed by HTH+NE1 · · Score: 1
      Though it appears it became instruction number 15, not 14:

      JURY INSTRUCTION NO. 15

      The act of making copyrighted sound recordings
      available for electronic distribution on a peer-to-peer
      network, without license from the copyright owners,
      violates the copyright owners' exclusive right of
      distribution, regardless of whether actual distribution has
      been shown.

      Why couldn't this have been left as an item for the jury to determine for themselves? It is a matter at the heart of the case that effectively predetermines the verdict. Under what precedent is that instruction a decided matter of law?

      I hope the jury sees that something that a computer purports as being available doesn't necessarily mean that it is actually available. The RIAA itself hires people to set up systems that purport to share files which are not in fact available to poison the well. Until actual distribution has taken place, you can't prove availability. I could put up a web page hyperlinking thousands of song tiles to file paths, but unless and until someone clicks on one, you don't know whether you'll get the file or a 404.

      Otherwise, letting a pie cool on a windowsill becomes an explicit invitation to theft, leaving a door unlocked is an invitation for burglary, and wearing revealing clothing (or just being nude) is an invitation to rape.
      --
      Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
    4. Re:"making available" argument allowed by Dr_Art · · Score: 1

      I think it will make great justification for an appeal, if the jury finds for the RIAA.

      It's also interesting if you think about MediaSentry and it's use of Kazaa to fish for people. As soon as they download the song, now they are making it available. Can you say "attractive nuisance"? :-)

      Regards,
      Art

    5. Re:"making available" argument allowed by NewYorkCountryLawyer · · Score: 2, Informative

      Certainly. Send checks to her lawyers, earmarked for the Virgin v. Thomas case. Here is her lawyer's information:

      Toder, Brian N., Chestnut & Cambronne, P.A. 204 North Star Bank 4661 Highway 61 White Bear Lake, MN 55110

      --
      Ray Beckerman +5 Insightful
    6. Re:"making available" argument allowed by CodeBuster · · Score: 1

      Excuse me sir, but isn't it possible that a certain midwestern judge might take that as a slight to his competence concerning matters of law? I must confess that I have not known many judges in my time but if I were a writer, for example, and someone obliquely suggested that I was a hack then I might be inclined to take it personally. Perhaps an Amicus Curiae brief to draw the attention of the judge to certain relevant copyright laws, commentaries, and precedents would be more appropriate?

  14. Re:What are the limits on "making available"? by Shadow+Wrought · · Score: 3, Funny
    So, did I "make [those files] available" to him by giving him a memory key that happened to have the files on it?

    Yes you did. We'll be contacting you soon.

    - The RIAA

    --
    If brevity is the soul of wit, then how does one explain Twitter?
  15. Is it really better? by Wylfing · · Score: 3, Interesting

    I am split on whether it would be better or worse for the defense to have Mr. Sherman on the stand. I mean, my legal experience is more-or-less limited to doing Mock Trial in high school, but even I can think of ways to absolutely shred Mr. Sherman on cross. Surely during direct the counsel for plaintiff would simply open the door for him to preach and then get out of the way. Mr. Sherman's rant would probably include the old favorites, like "Internet piracy is to the music industry what the Boston Strangler is to women" etc.

    So on cross you take it all apart:

    • You base your claims of harm from piracy on empirical research, correct?
    • So surely you know that there have been many impartial studies that show piracy is not, in fact, harming the music industry?
    • (Sherman gets evasive. Will witness please answer the question, yes or no. He opts for what he sees as the lesser of two evils and says No.)
    • Oh, you don't know that? Given that your responsibilities as RIAA president involve making statements to the public that can affect the share price of RIAA member companies, wouldn't it be your job to be aware of all the available research?
    • (Sherman gets evasive again. Will witness please answer the question, yes or no. It doesn't matter which way he answers. If he says No, then we get to explore why he ignores scholarly research on the subject. If he says Yes, then we also get to explore why he ignores scholarly research on the subject.)

    At that point, you've got him by the balls and can play it any way you like. I suppose Mr. Toder may not feel up to the task of going head-to-head with Mr. Sherman. Or maybe there is some calculation of legal risk that I am not seeing, e.g., Mr. Toder already feels like his case is in great standing, but I don't perceive that as an outside observer. I would have preferred to see all the RIAA bull trotted out and slaughtered in front of the jury.

    --
    Our intelligent designer has never created an animal that we couldn't improve by strapping a bomb to it.
    1. Re:Is it really better? by Mr.+Underbridge · · Score: 1

      I'm not a lawyer either, but I think all of those 'questions' you addressed would be objected to, and stricken, based on the fact they they're all hearsay (the various studies) or leading the witness.

      There's a reason lawyers don't play that game with expert witnesses - if you ask them 'does everyone in your field agree with you?' he will answer 'everyone who knows what they're doing.' If you want to counter Sherman's hypothetical testimony, you're going to have to bring in the expert parade - you can't just hand him a stack of research papers and badger him about them because that's not going to be admissable.

      Whether you would want to bring in other experts to address the actual harm committed by piracy is another matter, but I think her defense is still that she didn't do it.

      Otherwise, the best thing you can do is ask him about the claims he's making, who reached the conclusions he's repeating, and who funded the research. That's about all.

  16. No more music by vierpsyche · · Score: 1
    I have decided a long time ago not to buy any new music. This is a matter of principle. When I spend money on a product, I own it. Thats it! I will use it for my own uses.

    Unfortunately, the record industry wants me to buy and buy the same music over and over again. That is not right and in fact is a form of usury and extortion.

    Where is the scales of justice? Perhaps in someone's pocket.

    My only regret: I can't buy music from new talent. Everyone seems to lose here (i.e., record industry, fans and musicians).

    1. Re:No more music by Beckston · · Score: 1

      Vierpsyche, You're right, you do own it. In fact by law you have the right to make a backup copy of any disc you have purchased. The RIAA tried to sue my son (13 years old). I was able to prove that they had penetrated my firewall (fixed that exploit) and browse my network. 5 days after recieving notice from RIAA we filed countersuite claiming intentional unauthorized access to a private network. Boooooooooya...they dropped their claim against my son and I dropped mine. From that I learned the tactics they use to prove their cases are themselves ILLEGAL.

    2. Re:No more music by Anonymous Coward · · Score: 0

      You may not be able to buy new music, but many times you can listen to it (legally) for free anyway. In some cases downloading tracks from upcoming or recent CDs directly from the band's website or streaming it from their site directly on demand.

      For myself, with the 200 odd CDs I've collected over the last 4 years, I've made the decision not to purchase anything released by an RIAA member ever again. Many bands I listen to aren't released by them anyway, but it does mean I'll never stoop to pick up a CD from a band I heard on the radio ever again, and there are some bands that I use to listen to that are being affected by it now. For instance I was waiting on the new Nightwish album, but since Road Runner is RIAA, it stays at the music store.

      In short I'm just sick of their antics and abuse of the law, the price fixing, the marketing of otherwise crap CDs with just 1 or 2 good songs (Which are the only ones you'll ever hear by the band on the radio of course) etc.

      I'm not losing out of music by any means. I'm saving a lot of money that otherwise would have gone to them (And I've bought some CDs that have cost close to 30 dollars). The only ones losing out are the RIAA, and the musicians that sign with them. No, I'm past caring about what happens to the poor musicians. They have all sorts of alternatives to get their music out there these days, and any of them with a half a brain should know how badly the RIAA will rip them off as testified by other musicians that have walked the path before them. :)

    3. Re:No more music by Anonymous Coward · · Score: 0

      And because you didn't do your DUTY of fighting evil on PRINCIPLE someone else got raped by the RIAA penetrating their firewall and browsing their files.

      This is where the RIAA can lose big class action dollars. Where did they get permission to browse in folders that are not specifically shared beyond a firewall point? The RIAA, or any legal authority, should never have access beyond a specified shared folder, even in discovery, even if a warrant is obtained. Files sitting on a hard drive aren't evidence of how those files got there, or *who* put them there.

      Are individual IP addresses in botnets liable for Denial of Service attacks?

    4. Re:No more music by Anonymous Coward · · Score: 0

      >From that I learned the tactics they use to prove their cases are themselves ILLEGAL.

      So's copyright infringement - I gather you allow your son to use your home computers and network for this, and have no problem with it.

    5. Re:No more music by cpt+kangarooski · · Score: 1

      In fact by law you have the right to make a backup copy of any disc you have purchased.

      That's not actually true.

      In fact, you don't have the right to make any copies of copyrighted works on a CD without permission, per 17 USC 106. There is an exception to this at section 107, but it does not always apply it depends on the circumstances and is very vague. There is another quasi-exception to this at section 1008, but it only works under very specific circumstances, though not vague ones, and virtually no one ever bothers to do what is necessary to be protected by it.

      And even if you did manage to fall within the protection of sections 107 or 1008, you still might be breaking some other laws, e.g. circumvention in section 1201, with which neither 107 nor 1008 helps you.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    6. Re:No more music by Beckston · · Score: 1

      I suppose music and videos and audio books would fall into that "do not copy" category per 17 USC 106 but I don't think software does. The copy on your computer's hard drive is always vulnerable to a crash or other system disaster, and software companies recognize this as well as anyone--especially since their software often causes the problem. But as you pointed out by following one law your more than likely breaking another. I almost feel guilty copying legit software we purchased but music and videos I will gladly give a copy to anyone who wants one. I was against P2P music sharing until the RIAA starting filing lawsuits against children, now I encourage it and even provide technical support to those who need a little help in downloading and sharing their files.

    7. Re:No more music by cpt+kangarooski · · Score: 1

      I suppose music and videos and audio books
      would fall into that "do not copy" category per
      17 USC 106 but I don't think software does.


      We had been talking about music and sound
      recordings, but actually, software does as well.
      There is an exception in section 117 permitting
      the owner of a copy (as distinct from the
      copyright holder) to make copies and adaptations
      in order to run the software, and to make any
      number of backup copies. However, the widespread
      (and bizarrely pointless, IMO) practice of
      licensing software precludes this. If I were you,
      I wouldn't treat most software developers so
      generously.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  17. Don't get your hopes up by KingSkippus · · Score: 2, Informative

    Don't get too excited.

    Reading over the summary of testimony at Ars Technica, they have Jammie Thomas dead to rights. The fact is, she was downloading and sharing music over Kazaa, and unless the jury is made up of idiots, they're going to find for the RIAA.

    The RIAA aren't idiots, they deliberately chose this case because it was extremely low-risk. They're looking to get some momentum back in their sue-everyone campaign, and by winning this case, they may very well do it. Of course, the down side is that if they had lost this case that is about as slam-dunk as it can get, they never would have been able to win another, period, but given how unlikely that outcome is, I think they acted correctly. ("Correctly" meaning in the interest of their idiotic short-term near-sighted goals, that is, not correct in a moral or ethical sense.)

    I really kind of wish that Toder (Thomas's lawyer) had gone for jury nullification instead. He really didn't have that much to lose. Anyone remotely technically competent will know that she is guilty of infringement, and anyone who isn't remotely technically competent will believe so even more. At least with nullification, problems with the law itself could be addressed instead.

    The BEST we can hope for out of this is that the jury awards the RIAA some token amount of damage like a dollar. Something that says that they are technically correct, but that the rules that they've exploited fly in the spirit of what the law is intended to do.

    Please, don't be discouraged when Ms. Thomas loses this case. That's exactly what the RIAA wants to happen. Keep fighting the good fight, and hopefully someday, this stupidity will end. Just because they may win this battle doesn't mean that they have to win the war.

    1. Re:Don't get your hopes up by MindStalker · · Score: 2, Insightful

      Actually no it appears she owns most of the music she was sharing. So she was ripping, and possibly sharing those rips on Kazaa. Of course the RIAA has always been more concerned with the sharers than the downloaders anyways. Just wanted to correct you on that point.

    2. Re:Don't get your hopes up by CRCulver · · Score: 1

      If an attorney calls for jury nullification, the judge can have him jailed for contempt of court.

    3. Re:Don't get your hopes up by speaker+of+the+truth · · Score: 1

      The fact is, she was downloading and sharing music over Kazaa Of course she was. The majority of the people that have been sued did, in all likelihood, download what the RIAA claims they did (or at the very least someone they allowed to use their internet connection was, such as their children).
      --
      Using openSUSE instead of Windows since 9th of October, 2007 and liking it.
    4. Re:Don't get your hopes up by anagama · · Score: 0, Troll

      Win or lose it is publicity for the RIAA, particularly the reports that Thomas has paid $60k in attorney fees so far. Even if she wins, people will hear how much it cost her to win. But, if the reports are to be believed, she ain't winning this one -- she put on no experts (couldn't afford them) nor did she offer anyr testimony to substantiate alternative reasons for how the files got shared if it wasn't her.

      I expect the jury to come back with a damage award of some kind -- probably not $750 per song because the math is hard. It'll use $1000 or some multiple where the two leftmost digits are divisible by 5 because the math is easy: 24 * (x*10 or 0) + (1/2 * 24 * 10).

      There's my prediction, mod me troll if wrong.

      --
      What changed under Obama? Nothing Good
    5. Re:Don't get your hopes up by el+americano · · Score: 1

      Actually no it appears she owns most of the music she was sharing.

      Most of it?? You don't really understand how the law works, do you?

      --
      Those are my principles. If you don't like them I have others. -Groucho Marx
    6. Re:Don't get your hopes up by MindStalker · · Score: 1

      I probably shouldn't have said most, either way she has a huge CD collection and apparently has ripped them all. Of course I can't say all as I'm not involved with the trial, but they don't seem to be able to show any evidence of downloading.

    7. Re:Don't get your hopes up by hgriggs · · Score: 2, Interesting

      > either way she has a huge CD collection

      A couple hundred cds is not a huge CD collection. A couple thousand CDs is a big CD collection, 10,000 CDs is a huge CD collection. A couple hundred CDs is just a few songs.

    8. Re:Don't get your hopes up by anagama · · Score: 2, Informative

      Mod me troll, Jury came up w/ 222,000 for 24 songs or 9250 per song.

      --
      What changed under Obama? Nothing Good
  18. It's irrelevant. by SatanicPuppy · · Score: 3, Insightful

    The question is not, "Should file sharing be ethical or legal" but "Did the defendant systematically violate the copyrights owned by the plaintiff?"

    The law states that file sharing is copyright infringement. If they can prove she did it, or very probably did it, she's liable. That's all there is to it. The RIAA has a bunch of IP address data, and some username stuff, but they habeus no corpus because of a conveniently dead hard drive. The defendant is claiming that their data collection methods are shoddy, that the IP data is inconclusive, and that there is, in effect, no proof of infringement.

    The whole trial (it being a civil trial) will come down to who the jury likes more.

    Arguing the constitutionality of copyrights applied to music, etc, would have to go to the Supremes, which would involve a case where someone actually admits to doing the filesharing, and argues that it's a constitutional right, and that the laws against it should be ruled unconstitutional. Since admitting to doing the sharing is silly since you're far more likely to get off by denying it, no one (to my knowledge) has yet tried this method.

    --
    ad logicam Claiming a proposition is false because it was presented as the conclusion of a fallacious argument.
    1. Re:It's irrelevant. by jedidiah · · Score: 1

      > The law states that file sharing is copyright infringement.

      Yes. For that to be the case the file actually has to be shared.

      This isn't some pirate BBS we're talking about here where there
      is a Banner message that says "come one come all, take what you
      like and upload what you can". We can't tell Kazaa from the rest
      of the clutter that ends up on a normal person's PC.

      You put mp3 files where Windows shares files by default. Now you
      must pay me 10 gazdillion dollars.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    2. Re:It's irrelevant. by Joe+Jay+Bee · · Score: 0

      The RIAA has a bunch of IP address data, and some username stuff, but they habeus no corpus because of a conveniently dead hard drive.

      Hello, I am your friendly neighbourhood pedant. The lack of evidence has no link to habeus corpus, even ignoring the poor use of Latin grammar there. The writ of habeus corpus simply means that you should be tried in court, and has nothing to do with evidence or the lack thereof.

    3. Re:It's irrelevant. by Anonymous Coward · · Score: 0

      The question is not, "Should file sharing be ethical or legal"

      Which is what Mr. Sherman would have done by coming out and whining about their bleeding pocketbook.

      the Supremes, which would involve a case where someone actually admits to doing the filesharing, and argues that it's a constitutional right, and that the laws against it should be ruled unconstitutional.

      Believe it or not, there are not hundreds of constitutional crises keeping the Supreme Court justices busy all year round, they also deal in a number of cases of mundane points of federal law and procedure, and "even if nobody makes a copy, making a copyrighted work available in a way that a copy could have been made is or is not equivalent to copying a copyrighted work without permission" is exactly the kind of point of federal law the Supreme Court would be within their capabilities to address.

      The law states that file sharing is copyright infringement.

      "It takes two to Tango". The question is, does it take two to share?

    4. Re:It's irrelevant. by Anonymous Coward · · Score: 0

      There's also Jury Nullification.

      In other words, the jury knows the defendant is wrong, but believes the law is unfair, and thus votes not guilty.

    5. Re:It's irrelevant. by SatanicPuppy · · Score: 1

      I think all it really takes is you having a copy of something you didn't buy, though the RIAA would never stand for that, as it would invalidate their massive damage claims if they just billed you for what was in your possession.

      --
      ad logicam Claiming a proposition is false because it was presented as the conclusion of a fallacious argument.
  19. Suing your customers by Xebikr · · Score: 3, Insightful
    From a related article: http://arstechnica.com/news.ars/post/20071003-defendants-counsel-hammers-away-at-piracy-picture-painted-by-riaa.html

    During his cross-examination of Geek Squad member Ryan Maki, Toder was able to use Best Buy's sales history of Toder to show that she was an avid music fan that bought a lot of music from the store, both before and after February 2005. "Best Buy's records show that she bought hundreds of CDs before February 2005, did she not?" asked Toder.

    "There are quite a few CDs and DVDs purchased," replied Maki. "She's a good customer."
    Way to drop the legal hammer on one of your best customers.
    1. Re:Suing your customers by jedidiah · · Score: 1

      How does telling the jury "she probably rightfully owns
      every music file on her computer" "lay the legal hammer"
      on anyone?

      That establishes proper custody of the music that they are
      claiming she's "sharing". It takes the "download" part out
      of their claims that she downloaded and then uploaded music.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    2. Re:Suing your customers by portnoy · · Score: 1

      Um, he's helping her, not dropping the hammer on her. The fact that she has bought hundreds of CDs from Best Buy corroborates her testimony that the files on her replacment disk drive are ripped from CDs she already owns, not pirated from the 'net.

    3. Re:Suing your customers by Charlie+Kane · · Score: 1

      But has anyone ever been sued for "downloading" music? These cases typically hinge on distribution, or "making available." There is a big difference, because "downloading" a track means you, the defendant, downloaded an MP3 for free instead of paying 99 cents to iTMS (or wherever). The industry has lost, flatly, 99 cents. But if you "share" that track, you have suddenly made it available to God only knows how many other miscreants. In essence, you are distributing it -- and that is, rightly, a whole 'nother kettle of fish compared to the original download. The industry can't prove how many people you distributed it to, but it could have been dozens. Given enough time online, it could have been hundreds. I think that's a legitimate issue.

      All that said, for me, the legal strategy really boils down to the fact that this woman is said to have purchased "hundreds" of CDs from Best Buy alone. If the RIAA wanted a slam-dunk case for its first trial, it should have waited until it could put in front of a jury real scofflaws who pirated substantially all of the music they owned. It'll be very interesting to see how the jury reacts to both sides of this case, but this "suing your own best customers" business is really disconnecting the industry from the young people it should be nurturing as its future.

      And, oh yeah, go Radiohead!

    4. Re:Suing your customers by Anonymous Coward · · Score: 0

      Parent is referring to the RIAA suing one of its best customers. Responses seem to have misunderstood that detail.

    5. Re:Suing your customers by Anonymous Coward · · Score: 0

      Someone who is distributing your music for free to others is not a good customer.

    6. Re:Suing your customers by Xebikr · · Score: 1

      To clarify, in the article, the testimony was from a defence witness. I didn't mean to imply that Best Buy was suing a good customer, but that the RIAA was.

    7. Re:Suing your customers by Xebikr · · Score: 1

      You're right. Someone advertising your products for free and buying a whole lot of it themselves is not a good customer. They're a great one.

    8. Re:Suing your customers by jedidiah · · Score: 1

      That's not the point.

      They have made a claim in a court of law that has been rather effectively contradicted by testimony.

      The truth of claim B tends to be undermined by the fact they were full of shit when it came to claim A.

      --
      A Pirate and a Puritan look the same on a balance sheet.
  20. Re:What are the limits on "making available"? by laughingcoyote · · Score: 1

    You "politely asked him to delete the files?"

    I imagine he looked at you like you were from another planet, and politely told you where you could put that memory stick. Or at least, I hope he did. What harm does that do to you?

    --
    To fight the war on terror, stop being afraid.
  21. Makes RIAA Look Greedy by maz2331 · · Score: 1

    It just makes the RIAA look like greedy "evil businessmen" and can sway the jury a bit. It would be one thing if she hadn't bought all kinds of CDs, but she did.

    Jury could well feel that "hey, they made their money off her already." Combined with their position that all copying is theft, they really look bad. None of this paints the RIAA in a favorable light as victims needing to be made whole, it makes them look like just flat out greedy evil bastards. Juries tend to hate greedy evil bastards.

  22. Is that Freedom Rock, Man? by Anonymous Coward · · Score: 0

    They have not established that she pirated the music files that were in her possession. They didn't establish any music files, or any files whatsoever, were in her possession.

    They allege files were available from a certain IP address, that's it.

    They have not established that anyone else ever downloaded anything from her. They haven't established that *she* uploaded anything.

    At best they could accuse her of making *one* illegal copy. Every "download" is a separate individual that is making their own copy, is a separate instance. She didn't burn 1,000 cds and distribute them, for free or for profit. And every person who downloaded any file ever had no previous knowledge whether what they were downloading was as advertised or was actually a copyrighted work. At best, they could only have that knowledge after they downloaded whatever file they downloaded. And they could only know something was copyrighted if they had secondary knowledge that the file was copyrighted.

    All you'd have to do is switch the content of different copyright files with the titles of those files, and every copyright holder attempting to police their content would be downloading copyright works by other copyright owners.

    Screen shots of file titles aren't proof of file contents.

    IP addresses aren't proof of specific individual action. If a friend borrows your car, with or without your knowledge and commits a bank robbery with your vehicle, you are not liable for bank robbery.

    If you boot your computer you are not responsible for all executable commands which occur as the operating system loads. You are not responsible for the effects malware programs have. You are not responsible if your computer is hacked and used as a bot.

    In short, the RIAA has no specific proof against any specific individual. Hopefully, her attorney point blank asked the RIAA on cross examination if they ever saw the individual in court uploading or downloading any files from any computer. Then your closing argument is a repetition of one asked question with the answer "No."

    This is why copyright will be shown to be more and more ridiculous on the internet. Suppose you were to make videos of yourself reading a book? Violate copyright? Then how about schoolchildren reading out loud in class? How about sharing a book in class? How about the teacher copying a problem example from a book on a blackboard? On an overhead projector? "Making available" is a legitimate fair use.

    There's no many convoluted twisted knots of logic in the copyright system that all you have to do is pull a few of their strings to unwind the whole "intellectual property" thing.

    Was any of this "evidence" show for the jurors? Were all of the alleged .mp3 tracks played aloud for members of the jury? Of course, the defense attorney should afterwards ask the RIAA member on the stand if they are going to pursue charges against the judge and members of the jury for hearing something which they did not pay for, even if the RIAA attorney objects and the judge sustains, the question will have been asked, and the jury will have heard, even if the Judge tells the jury to "disregard" the exchange.

    So I ask anyone who was at the trial? WAS A SINGLE SONG PLAYED AS EVIDENCE?
  23. More on the moronic plantiff's "expert" by jgoemat · · Score: 2, Interesting

    From an article:

    Once cross-examination began, Toder started asking Jacobson about things such as MAC address spoofing, cracking, P2P pollution, and multipeer contamination, intimating that one of those things could have been in play when Media Sentry detected the shared folder at the IP address in question. He then questioned Jacobson about his assertion that the music currently on Thomas' computer had to have come from a hard drive and announced that he wanted to demonstrate to the jury that it was possible to rip CDs as quickly as the timestamps from the forensic examination showed (the timestamps were approximately 15-20 seconds apart with a longer 30- to 45-second gap between CDs).

    This would tend to prove that the CDs were ripped, and not copied from another hard drive. 15-20 seconds? If they are normal 128kbit MP3 quality, the files are around 5 megabytes. If your hard drive can only copy at 300 kilobytes per second, you need another hard drive. Also that wouldn't account for the extended gap between CDs. If she was copying files from another hard drive, there should be no extra gap. The expert said that speed of ripping wasn't possible, so the defense went on to demonstrate the ripping of a CD and timed it. They came up with 2:36.18, the plaintiff's attorney objected saying it was over 4 minutes. He ripped another coming up with 2:17.71 (the reporter timed this one too and got 2:18.97), and the plaintiff's attorney objected again saying it was over 3 and a half minutes. I hope the jury "got" this. If an "expert" f-ed up this badly, I would disregard everything he said on the stand as unreliable.

  24. A bit off topic... by Neo_piper · · Score: 1

    Small point.
    If you WERE in the trial you wouldn't even be allowed to read the article summary.
    So unless you are saying that you would make a very bad juror, it goes without saying that you aren't one.

  25. Wireless defense was shot down by el+americano · · Score: 1
    It's sad that the defense lawyer couldn't have invented a couple of half-way plausible scenarios where the person sharing the files was not her. $60,000 doesn't buy much legal representation it seems.

    Take note, those who would use the wireless defense:

    Evidence against Thomas included her internet protocol address matching the address where the files were shared, as well as her Charter Communications' cable modem MAC address. A wireless intrusion was also ruled out, because the private internet protocol address of that router would have been present in the Kazaa traffic.

    So, you'd need to be on the same subnet as your wireless router and have a random MAC address - no, not random, but a pseudo random address that could be a legitimate issued address that a wireless stumbler might use. Psuedo random username too. Oh, and if the script that does this is found, then that could indicate intent. Also you'd need dual level encryption to be able to represent that some other contents - which you will be forced to reveal - are the actual current contents of your hard drive, and update the fake contents on a regular basis, just for show.

    Not nearly as easy to blame it on an ordinary wireless user as I thought it was. The malicious hacker who hijacks your computer only to share your music is less believable.

    --
    Those are my principles. If you don't like them I have others. -Groucho Marx
    1. Re:Wireless defense was shot down by KingSkippus · · Score: 2, Informative

      This was one of the least of her worries.

      She used an e-mail address that is the same e-mail address that she used for her screen name on a bunch of other sites. (Even match.com, which had her profile that was shown in court.) She also had one and only one computer on her network, and it was password-protected with a password that only she knew. (No "someone else was using my computer" defense.) The songs that showed up on KaZaa were, lo and behold, the exact same songs that were on her computer.

      I mean, seriously, I can't think of any plausible defense that she could have had. When the judge decided to include jury instruction 14, where he said that making files available for download was infringement, that was it, game over.

    2. Re:Wireless defense was shot down by Anonymous Coward · · Score: 0

      She used an e-mail address that is the same e-mail address that she used for her screen name on a bunch of other sites. Oh she did, did she? The RIAA presented taped video evidence of *her* (and not just some IP address)

      A.) Downloading the Kazaa program

      B.) Registering an e-mail address on that Kazaa program

      C.) Creating a shared folder with shared copyrighted files in that folder

      When the judge decided to include jury instruction 14, where he said that making files available for download was infringement, that was it, game over. Game over, how? I didn't see any proof that the individual made any files available for download. There were music files on her computer which the defendant claims she ripped from bought cds.

      There was no Kazaa program on the computer. There was no shared file on the computer showing available downloads on the Kazaa network. I didn't hear of anyone hearing a single music file played in court that shows any copyrighted content was even copied or "made available". Titles of files are *evidence* of content?

      The RIAA has just as much *proof* that she made files available as she has *proof* that the RIAA hacked her computer and themselves made her files available for public download so that they could sue her.
    3. Re:Wireless defense was shot down by jacksonj04 · · Score: 1

      I might be getting terminology wrong here, but isn't "C.) Creating a shared folder with shared copyrighted files in that folder" the same as making files available for download? If not, I'm curious to know how people download stuff in everyone else's shared Kazaa folders.

      Alternatively, which makes more sense, you mean "The RIAA presented taped video evidence of 'her' (and not just some IP address)" instead of *emphasising* it.

      --
      How many people can read hex if only you and dead people can read hex?
  26. Not Guilty by Evets · · Score: 1

    There are a lot of people saying she is guilty. I don't necessarily buy that from an objective point of view according to what I have read of the trial summaries.

    Starting from the beginning, the RIAA would have to prove:
    1) They own the copyright to the songs in question.
    2) Somebody besides MediaSentry downloaded the songs in question.

    Pretty basic. The RIAA case is as follows:
    1) The defendant had Kazaa installed
    2) She used the same username elsewhere so it had to be her
    3) Some sort of magical evidence stating only one MAC address used that cable modem.
    4) MediaSentry downloaded the songs in question
    5) Piracy is a big financial problem for the music industry

    The defense has pointed out
    1) The expert witness testimony is boring and questionable at its most basic foundations.
    2) Primary prosecution assumptions are blatently wrong.
    3) RIAA copyright paperwork is not in order.
    4) The defendant spends a lot of money on music.

    I know we aren't going for "reasonable doubt", rather a "preponderence of evidence". From the basic summaries, I have a hard time even seeing a preponderence of evidence. From what I remember from other RIAA readings, their song selection is music that I would question has ever been downloaded by an anonymous music searcher.

    I also haven't read anything that says the RIAA went into how long the music was shared for. Was it shared for an hour or for 6 months? If it was an hour, I have to say that given the song lists, it is unlikely that anybody got the song. If it was 6 months then it is more likely, but then again, I have to go back to the basics and question whether or not they've provided a preponderence of evidence that someone downloaded those songs.

    The fact that MediaSentry downloads don't count weighs very heavily, as does the fact there is a lot of technical information. When there's a lot of hard to understand technical information, you have to take the summarized results at face value and you have to consider the source. Given that the technical experts that the RIAA provided were weak under cross examination I don't think I would give them much weight.

    In a jury room, I'm sure the question would come up - did she have Kazaa installed? I don't know. The boyfriend says she didn't. There is no evidence that she had it installed - just an expert witness who proved to be wrong about a few things. Can you really even objectively believe that the defendant had Kazaa installed? I suppose you can if you believe all the expert testimony, but I would be reluctant to believe all of it myself.

  27. Re:What are the limits on "making available"? by ptbarnett · · Score: 1
    I imagine he looked at you like you were from another planet, and politely told you where you could put that memory stick. Or at least, I hope he did. What harm does that do to you?

    He copied those files without even asking my permission. If you don't understand why that's wrong, then I can't explain it to you -- because we are indeed from "different planets".

  28. She has been found guilty by jbonkowski · · Score: 1

    The jury found her liable for $220,000. $9250 each for 24 songs.

  29. Jury's In. She lost. RIAA awarded $220k by MrFrank · · Score: 1

    The Startribune is reporting the jury found the Jammie Thomas had willfully committed copyright infringement.

    Sucks to be her. I hope she appeals and doesn't get a jury of backwater hicks this time. I'm from MN and can say that :P.

  30. Verdict is in: Guilty, $220,000 in damages by MikePlacid · · Score: 2, Informative

    http://arstechnica.com/news.ars/post/20071004-verdict-is-in.html

    fter just four hours of deliberation and two days of testimony, a jury found that Jammie Thomas was liable for infringing the record labels' copyrights on all 24 the 24 recordings at issue in the case of Capitol Records v. Jammie Thomas. The jury awarded $9,250 in statutory damages per song, after finding that the infringement was "willful," out of a possible total of $150,000 per song. The grand total? $222,000 in damages.

  31. Revise your premises... by sabt-pestnu · · Score: 1

    > ... Somebody besides MediaSentry downloaded the songs in question.

    The jury instructions included the "making available" argument. That is, that no, they didn't have to prove that someone other than MediaSentry downloaded the songs. ... and the jury has rendered a verdict, mentioned on http://recordingindustryvspeople.blogspot.com/.

    The forces of established capitalism won this round.

  32. She was found guilty by spence2680 · · Score: 1

    And owes the RIAA $222,000. About $9000 a song. http://minnesota.publicradio.org/display/web/2007/10/04/downloadingday3/

  33. She lost by GSwarthout · · Score: 1
    --
    It is the 21st century and the time for Klax has passed.
    1. Re:She lost by pjoyce1 · · Score: 1

      An unfortunate ruling for her personally and, more importantly, for its broader impact. First, we will have to endure may incorrect reports in the media around the "crime" of "downloading." Both of these fallacies are repeated endless by reporters reading off of RIAA talking points. Second, while not over-stating the value of precedent in this case, the judge seems to have ruled in crafting the jury instructions that it does not matter that there was any indication a shared file was downloaded by anyone else. Isn't that supposed to be the harm?

      My only hope is that beyond the sensationalist headlines are some mentions of outcomes that haven't gone as well for the RIAA, like Capitol v. Foster.

  34. Verdict is in by Anonymous Coward · · Score: 0
  35. what exactly are the facts of this trial? by victorvodka · · Score: 1

    I read lots of articles about this trial but what are the facts, and most importantly, how did the RIAA obtain information on this citizen? How did they get access to her hard drive? What did she do to make herself vulnerable. Most of the literature about these sorts of cases write about how the defendant "downloaded" and that was their crime, but isn't the truth that the RIAA can only take action against people who make files available for download? If I download a file from an RIAA server, it might be that I'm doing something legitimate with it, like using it to make 30 second samples or testing to see if a file made available violates copyright. So isn't the crime here the "providing of files?"

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    The flag just makes more sense than the constitution. - Judas Gutenberg

  36. Re:What are the limits on "making available"? by Actually,+I+do+RTFA · · Score: 1

    What harm does that do to you?

    Well, all my homemade pornography is labeled "Weezer - Buddy Holly music vid" etc. So my anti-piracy stance helps me yell at people who want to copy it.

    Also, yes, since I post on Slashdot, you may safely assume I am the only one appearing in my homemade porn.

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  37. $222,000? by hcmtnbiker · · Score: 1

    Investigators for the plaintiffs provided jurors evidence that the IP address (a number assigned to a subscriber connected to an Internet Service Provider), a modem Media Access Control address and Thomas' username all link her to the pirating.

    Pretty strong evidence, lets take a look at the defense...

    Toder has also suggested that computer hacking or IP spoofing could as explanations. Spoofing is someone pretending to be somebody else by taking over their IP address.

    As I assume most slashdotters know, IP spoofing is a "blind attack" it would be impossible to pull off connecting to kazaa, and then share files using her IP. As for computer hacking, it would be very easy to find a virus or rootkit upon examination of the HDD. A simple Virus Scan and a check of the MBR would find 99% of virii/rootkits, yet no direct evidence was presented.

    It's one of those rare cases that even though the RIAA is still a group of douchebags, they are right. My question is how did they come up with $222,000 of damages? Using an iTunes estimate she would have had to upload ~224,242 songs, or at 4-5MB/file, almost 1100 GB worth of data.

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    If i had one dollar for every brain you dont have, i would have $1.
  38. Well by king-manic · · Score: 1

    Regardless of the legal implication, the moral implication is that a greedy middle many who produces very little itself, has taken $220,000 from someone in a way I do not believe to be right. I shall no longer be purchasing any capitol records nor their parent company EMI.

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    "There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy."
  39. Re:What are the limits on "making available"? by laughingcoyote · · Score: 1

    I understand it pissed you off. But really, anything on my flash drive (especially anything on a flash drive I intend to hand around at any point) that I consider in any way to be secret or private is encrypted. I doubt you're the copyright holder of the music files you copied to the flash drive either, and if I hand a drive with several songs on it to someone to copy a file off, I figure they'll probably copy any music they like while they're at it.

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    To fight the war on terror, stop being afraid.