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EMI Caught Offering Illegal Downloads

Hypocricy, LLC writes "While the RIAA is swift to punish any person caught offering illegal downloads, they're not very swift with outrage when a member company like EMI offers illegal downloads. Not only did the band King Crimson's contract never allow digital distribution to begin with, but band member Robert Fripp claims that EMI offered their music for sale even after their contract ended entirely."

182 comments

  1. Seriously, by Samalie · · Score: 1

    If the MAFIAA actually went after this, they would actually get some respect from me. Not much, but some.

    Come on, do it, or we will use it in our defenses!

    --
    09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    1. Re:Seriously, by lawrenlives · · Score: 5, Funny

      Actually, this looks like a case for the Court of the Crimson King. Yeah, I said it.

      --
      Frankly, I prefer the company of nitwits.
    2. Re:Seriously, by Conspiracy_Of_Doves · · Score: 2, Informative

      I don't think that you understand. The RIAA isn't a seperate organization from companies like EMI and Sony Music. The RIAA is the big record labels. They invented the name to catch the bad PR so the evil things they do wouldn't reflect badly on the record labels themselves.

    3. Re:Seriously, by antek9 · · Score: 1, Funny

      Come on, it's not a crime, it's a 21st century schizoid business scheme!

      --
      A World in a Grain of Sand / Heaven in a Wild Flower,
      Infinity in the Palm of your Hand / And Eternity in an Hour.
    4. Re:Seriously, by mrsteveman1 · · Score: 4, Insightful

      Thats true and also irrelevant, this is not a situation where EMI just decided to participate in P2P, this is a situation where they were never given the rights to publish this bands music online in the first place, and continued to do so even after ALL their rights were revoked by the end of the contract.

    5. Re:Seriously, by Conspiracy_Of_Doves · · Score: 2, Insightful

      The point was that something should be done, but it's not going to be done by the RIAA. The group should sue EMI themselves.

    6. Re:Seriously, by poot_rootbeer · · Score: 4, Informative

      The RIAA is the big record labels. They invented the name to catch the bad PR so the evil things they do wouldn't reflect badly on the record labels themselves.

      Evil things like certifying gold and platinum record sales, and standardizing pre- and post-emphasis equalization formulas so that an LP pressed by any label will sound correct when played back on any turntable manufacturer's device?

      You need to brush up on your RIAA history, man.

    7. Re:Seriously, by ShatteredArm · · Score: 1

      Yeah, they need to proteKct Fripp's copyrights. Otherwise, he won't have money to have sex, sleep, eat, drink, dream.

    8. Re:Seriously, by canajin56 · · Score: 4, Informative

      The RIAA has never gone after anybody, they just like it when people think they do, especially when news companies do. News companies usually aren't stupid and don't get it wrong like that. Slashdot does though. Even when the linked articles mention which specific corporation is ACTUALLY SUING, the /. summary and title all magically replace EMI, Universal, Sony, or whichever other company with "RIAA SUES", which is a complete lie. So the real reason the RIAA won't go after EMI is because the RIAA doesn't go after anybody, ever. Plus, beyond that, King Crimson isn't a member of the RIAA, and they haven't signed an agreement with the RIAA allowing the RIAA to sue in their stead. You'll note that the BSA and the MPAA won't go after EMI for this, either, because they have no legal standing to do so, being as how it is not their copyright.

      --
      ASCII stupid question, get a stupid ANSI
    9. Re:Seriously, by Sancho · · Score: 5, Insightful

      It was also, almost certainly a mistake. Compare to most copyright infringement, which is almost always willful.

      The band absolutely deserves every cent that EMI made selling their music. They might even deserve a bit extra. But to suggest that this was intentional without knowing for sure is really pretty silly. "Never attribute to malice that which is easily attributed to stupidity," and all that jazz.

      What's more interesting to me is the intellectual masturbation that this can generate. The customers didn't know that they were buying illegal songs. They expected, due to the distribution mechanism, legal downloads.

      What about people on p2p? They tend to expect illegal downloads, but some bands such as NIN have released music on these networks. How can anyone differentiate between legitimate and illegitimate downloads?

    10. Re:Seriously, by QRDeNameland · · Score: 1

      ...what was deluxe becomes debris, I never questioned royalties,

      But this dead end demolishes the dream of an open information highway...

      Dig me...but dont...steal from me

      --
      Momentarily, the need for the construction of new light will no longer exist.
    11. Re:Seriously, by Stormwatch · · Score: 5, Insightful

      The band absolutely deserves every cent that EMI made selling their music. They might even deserve a bit extra.
      Wasn't there recently a woman who shared a bunch of tunes on P2P and was fined in some dozen thousand dollars? This company should pay in the SAME proportion. That would be, what, enough to bankrupt the company?
    12. Re:Seriously, by FuzzyDaddy · · Score: 1
      TFA:

      The bad news, he writes, is that it's not in the record companies' interests to sort it out. In this case: "Efficiency is not seen as being in the direct interest of the record company - because it profits from its carelessness."

      It's like an insurance company accidently losing claims you file - it's egregious because they benefit from their own incompetence.

      --
      It's not wasting time, I'm educating myself.
    13. Re:Seriously, by cheater512 · · Score: 4, Insightful

      If it was a mistake then they would be trying to prevent the sale of the music now that its been brought to their attention dont you think?

      Instead they are still selling it. That means that its willful.

    14. Re:Seriously, by mrsteveman1 · · Score: 1

      I don't see them doing much of importance anymore.....ever

    15. Re:Seriously, by Anonymous Coward · · Score: 0

      Wow you're an idiot. The RIAA (Recording Industry Association) does hire people to monitor illegal downloads. They weigh the evidence, then turn it over to the proper Recording Industry Member (RIM). If Universal holds more of the rights, they give it to Universal.

      The key here is that the RIAA polices things and arranges for lawsuits to happen. That's one of the benefits pf being a member of the Association.

      In your terms, the RIAA does "go after" people - but the actual lawsuit comes from the copyright owners.

      I see your point, but you have made it poorly.

    16. Re:Seriously, by Anonymous Coward · · Score: 4, Funny

      "The RIAA (Recording Industry Association) does hire people to monitor illegal downloads. They weigh the evidence, then turn it over to the proper Recording Industry Member (RIM). If Universal holds more of the rights, they give it to Universal."

      So what you're saying is that no one gets sued by the RIAA, they just get RIMmed?

    17. Re:Seriously, by Danse · · Score: 2, Insightful

      What about people on p2p? They tend to expect illegal downloads, but some bands such as NIN have released music on these networks. How can anyone differentiate between legitimate and illegitimate downloads? You don't see the RIAA suing people for downloading, do you? Because it's not illegal. It's the uploading (distribution) that is illegal.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    18. Re:Seriously, by RobertM1968 · · Score: 1, Insightful
      You don't see the RIAA suing people for downloading, do you? Because it's not illegal. It's the uploading (distribution) that is illegal.

      Wrong. You DO see the RIAA suing people for just downloading - by claiming they are uploading (distributing) by equating "making available" the same thing as "actually doing" - for instance in the lawsuit they recently won (as reported on /.)

      They are trying to convince judges that one is the other (and suceeded in at least that one case) when the facts are to the contrary.

      For instance, should every one of us who has a car and drives it be convicted of vehicular manslaughter because our cars can be used to do so? Or if you forget to lock your house door, and a burglar walks in and steals everything, should they be allowed to walk because you were "making available" the contents of your home?

    19. Re:Seriously, by RobertM1968 · · Score: 1

      Puhleez!

      Evil things like certifying gold and platinum record sales, and standardizing pre- and post-emphasis equalization formulas so that an LP pressed by any label will sound correct when played back on any turntable manufacturer's device?

      There have already been artists out there who have garnered those certified sales level by the RIAA's associated company, and then been dropped by their labels because ACTUAL sales were abysmally lower than their gold or platinum certification actually claimed. Probably because on bands they are trying to heavily promote, those numbers are more akin to copies sold (to retailers) as opposed to copies purchased by consumers (much like Vista numbers during its initial weeks - where CompUSA sold a few HUNDRED copies to consumers on the release night NATIONWIDE, but MS was claiming a few hundred THOUSAND because thats how many CompUSA bought nationwide).

      If you trust any of their numbers, you are being idiotic... they've proven (in many areas) they'll play with any number whatsoever if they think it will further whatever cause suits them [sales numbers, $$$ lost to piracy, % of music pirated online, # of CD sales (you add up their artist claims to their total sales figures and see), amount of damages (umm... irreperable? c'mon! Really?) for distributing a few songs... on and on]

      Please feel free to believe them as much as you want. While they make many claims in areas they say are improved, reality is a different thing.

    20. Re:Seriously, by roguetrick · · Score: 2, Funny

      I agree with your platform of cutting off criminal's legs to prevent them from walking into your house and stealing everything. Only problem with it is, the lefties will force us to make our houses wheelchair accessible. That is why I'm making the suggestion that you edit your presidential platform to include banning of all imported wheelchairs, just to be safe.

      --
      -The world would be a better place if everyone had a hoverboard
    21. Re:Seriously, by Kingrames · · Score: 4, Insightful

      "Never attribute to malice that which is easily attributed to stupidity."
      I'm becoming more and more convinced that it was Satan himself who was quoted saying this.

      --
      If you can read this, I forgot to post anonymously.
    22. Re:Seriously, by Courageous · · Score: 4, Insightful

      The band absolutely deserves every cent that EMI made selling their music.

      Ah, they deserve a bit more than that, as the law provides for certain punishments for this sort
      of thing, including substantial fines. An "accident" is simply no good excuse for a company
      of this sort, where due dilligence in their actions is especially important.

      C//

    23. Re:Seriously, by shark72 · · Score: 4, Informative

      Sorry, the GP is correct.

      He was correcting an earlier post claiming that the RIAA named themselves thusly to avoid bad press, presumably from lawsuits. The GP was explaining that for most of the RIAA's existence, it's been responsible for rather mundane things like certifying gold and platinum record sales and publishing the equalization standards. Ever seen one of those gold records framed in a black shadow box? It has a big "RIAA" label on it. Remember the "RIAA equalization curve" term from your analog hi-fi days? The very same RIAA.

      You appear to be very concerned with accounting chicanery on behalf of the record companies -- as well you should be, particularly if you are a signed artist. But I am not sure how it is germaine. And your "puhleez" and your hostile tone seem misguided here.

      --
      Sitting in my day care, the art is decopainted.
    24. Re:Seriously, by VGPowerlord · · Score: 1

      It was originally Virgin v. Jammie Thomas, but later changed to Capitol Records v. Jammie Thomas.

      However, I do believe that all 5 were involved to some extent.

      --
      GLaDOS for President 2016! "Well here we are again. It's always such a pleasure." -- GLaDOS, 2011
    25. Re:Seriously, by GuyverDH · · Score: 1

      That was yesterday. Today's RIAA is all about making money - period. They don't care how they make it, who they make it off of, or who they have to screw over to make it. They screw over their bands, their customers, the government and think they can get away with it. So far, they have gotten away with it, although it's the little people (consumers) that are finally standing up to them in the court rooms. Now the band needs to take them on and go for the max penalty for each and every download and song of their's that they offered. Now, where are those sales figures?

      ROFL - confirmation image was "thieve" how appropriate.

      --
      Who is general failure, and why is he reading my hard drive?
    26. Re:Seriously, by SiChemist · · Score: 4, Interesting
      There are mistakes and there are "mistakes". Did you read the post on Fripp's blog? He says:

      A general comment on large record companies: inefficiency in departments can rarely be remedied by outside parties who lose because of it. This is a full-time job, is very expensive, a major distraction from the creative life, and almost wholly a negative experience. This is the good news.

      The bad news: this is known by the company, and allowed for within its operating structure. That is, efficiency is not seen as being in the direct interest of the record company - because it profits from its carelessness.
      If this is true then at the very least EMI is deliberately not carefully accounting for the music they sell-- because they profit from sloppy accounting. In any other industry, this would be considered fraud. Somehow, the record labels can get away with it.
    27. Re:Seriously, by Sancho · · Score: 1

      Suing individual downloaders is just impractical. There has yet to be a precedent in the courts determining whether or not downloading is also making a copy of a copyrighted work.

    28. Re:Seriously, by MacWiz · · Score: 2, Interesting

      You appear to be very concerned with accounting chicanery on behalf of the record companies -- as well you should be, particularly if you are a signed artist. But I am not sure how it is germaine.

      This story actually comes from Robert Fripp's diary., "On this day, specifically, the EMI audit."

      The entire story is about accounting "chicanery" at EMI. Unsigned artists need to be aware of this more than the signed artists, who already know but it was too late when they found out. They had already signed.

      What is not germaine is the past insignificant history of the RIAA. The RIAA equalization curve is a straight line. The gold records are spray-painted.

    29. Re:Seriously, by Danse · · Score: 1

      Wrong. You DO see the RIAA suing people for just downloading - by claiming they are uploading (distributing) by equating "making available" the same thing as "actually doing" - for instance in the lawsuit they recently won (as reported on /.) Yes, and they are being sued for the "making available" part, not the downloading. If someone was just leeching and not uploading, they wouldn't have a case.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    30. Re:Seriously, by blind+monkey+3 · · Score: 1

      It was also, almost certainly a mistake. Compare to most copyright infringement, which is almost always willful.
      Perhaps you should ponder on this:
      "Never attribute to malice that which is easily attributed to stupidity," and all that jazz.
      I'm sure you can reconcile it..... one way or another.
      BM3

      --
      BM3
    31. Re:Seriously, by Bee1zebub · · Score: 1

      The IRS, SEC, and any other auditors around should be thrown at these people (even if they just choose the one which gave the smallest bribe, it would be a start). If there was even a credible threat of punishment for these companies, they might do something about it.

      If some cracker wanted to do some good, he should try to get some spyware onto a record company senior beancounter's computer and publish as much of their information as possible. Of course, if he were caught he would be in a lot of trouble, and it would almost certainly need social engineering to get the software installed, preventing anyone attacking from the safety of a foreign country. Note that I am not suggesting that this is a good idea, but they are a far more worthwhile target than most companies.

    32. Re:Seriously, by aproposofwhat · · Score: 1
      And Eric Nicoli (chairman of EMI) is probably snacking on larks tongues in aspic, while talking to the trees (possibly why he took his eye off the ball and allowed his company to infringe the copyright of Mr Fripp).

      :P

      --
      One swallow does not a fellatrix make
    33. Re:Seriously, by Lunarsight · · Score: 1

      There's no amount of spin-doctoring that can repair the RIAA's tarnished image at this point.

      They've earned their place in hell.

      Of course, I'm talking a proverbial hell, not the literal hell. I don't think the devil would want to be stuck with them for eternity.

      I do agree that the big four record labels hide behind the RIAA banner. Furthermore, they have a myriad of label names under their umbrella, to further hide their identities. (So, if somebody is pissed with Univeral Music Group, they may still be buying UMG products from sub-labels, and be completely oblivious to it.)

    34. Re:Seriously, by TheJasper · · Score: 1

      It was also, almost certainly a mistake. Compare to most copyright infringement, which is almost always willful. Why was this almost certainly a mistake? For that matter, even if it was a mistake willful negligence can be explained in the same way.

      But to suggest that this was intentional without knowing for sure is really pretty silly. considering the hardline stance from the record companies vs their target audience then all of a sudden it doesn't sound so strange. The fact is a big company has to be held to higher standards than an individual because there is a massive inbalance in the power of a company vs an individual. Therefore companies cannot simply pull out the cop out mistake excuse. Furthermore, they broke the law. At this point it is for them to prove that it was accidental.
    35. Re:Seriously, by digitig · · Score: 1

      It was also, almost certainly a mistake. Even when their own lawyers told them that they were acting illegally and told them to withdraw the downloads? Ignoring their own legal advice was just another mistake? Well, I hope it proves to be, but not in the sense you meant.
      --
      Quidnam Latine loqui modo coepi?
    36. Re:Seriously, by tinkerghost · · Score: 1

      It was also, almost certainly a mistake.

      In which case the proper response would have been "Oh SHIT!", not "Deal with it".

      This is definitely EMI showing it's true colors regarding copyright - it's not about the law, it's not about the integrity of the business, and it's certainly not about the artists, it is all about how much money they can stuff in their pockets. Did the music get included in a license by accident, possibly. I can certainly understand how the music got on the list, what I can't understand is how it stayed on the list when it was vetted by the EMI lawyers. Someone should have seen that there was no download agreement in the contract, and EMI certainly should have yanked the music the day the contract expired - regardless of anything else.

      EMI is in deep shit here - or more accurately they should be. The statutory is $750 - $15K / song. Probably larger is actual & putative damages - every penny EMI collected for those songs + 3X in penalty. The problem is it's not going to be handled any differently that SONY & their rootkit - kill the individual, but ignore the corporation.

    37. Re:Seriously, by Anonymous Coward · · Score: 0

      I remember reading a Zappa interview where he said something to the effect of: "As an Artist, if you think you are getting hosed by the record company, you probably are. Get an audit going - you will most likely find that the money probably isn't right - and the record company is ALWAYS the one that the discrepancy is in favor of".

    38. Re:Seriously, by vtscott · · Score: 2, Informative

      Wasn't there recently a woman who shared a bunch of tunes on P2P and was fined in some dozen thousand dollars? This company should pay in the SAME proportion. That would be, what, enough to bankrupt the company?

      This is beyond P2P sharing. This is commercial copyright infringement, which is a criminal offence. For those too lazy to click, in the "Criminal offences" section it says (emphasis added by me):

      For the most part, the criminal law is only used for commercial copyright infringement with one exception, and an offence is committed when, knowing or reasonably suspecting that the files are illegal copies, and without the permission of the copyright owner, a person: * makes unauthorised copies e.g. burning music files or films on to CD-Rs or DVD-Rs; * distributes, sells or hires out unauthorised copies of CDs, VCDs and DVDs; * on a larger scale, distributes unauthorised copies as a commercial enterprise on the internet;
      According to the article, EMI was informed that they were distributing the music without authorization, yet they continued. At that point they were knowingly disributing unauthorized copies on the internet for a profit. Let's not waste time in civil court, this should be tried as the criminal offence that it is.
    39. Re:Seriously, by Yewbert · · Score: 1

      21st Century Litigious Man? I Talk to the Lawyers? Is he looking for some Easy Money? Oh, gawd, this could go on for hours. The Power to Sue? As dotty as he sometimes comes across, Fripp's one of the smartest ol' guys in the industry, and has made some killer music. I hope he'll get his league of crafty attorneys together and subject EMI to some discipline.

    40. Re:Seriously, by sm62704 · · Score: 2, Interesting
      Geezer song explained:
      In the '70s, the word "straight" meant not "heterosexual", but "drug-free". A homosexual was straight if he was sober, and heterosexual wasn't straight if he was stoned. As to "late", well, you're all nerds and have all met Slartibartfast.

      The song is about tripping on acid, which often made one think he was dead or dying. The LSD experience is such that you can no more explain it to someone who has never dropped acid than you can explain the color red to a man blind at birth. I Talk To The Wind (on the album referenced by the parent poster) is an attempot to explain the color red to a man blind from birth.
      ; Said the straight man to the late man
      Where have you been
      Ive been here and Ive been there
      And Ive been in between.

      I talk to the wind
      My words are all carried away
      I talk to the wind
      The wind does not hear
      The wind cannot hear.

      Im on the outside looking inside
      What do I see
      Much confusion, disillusion
      All around me.

      You dont possess me
      Dont impress me
      Just upset my mind
      Cant instruct me or conduct me
      Just use up my time

      I talk to the wind
      My words are all carried away
      I talk to the wind
      The wind does not hear
      The wind cannot hear.

      -mcgrew
      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
    41. Re:Seriously, by The+Angry+Mick · · Score: 1

      "Never attribute to malice that which is easily attributed to stupidity."

      We are talking about a corporation here.

      Perhaps it's time to modify the quote to something more timely:

      "Always attribute to malice that which is easily attributed to corporatism."
      --

      I'm not tense. I'm just terribly, terribly, alert.

    42. Re:Seriously, by RobertM1968 · · Score: 1

      There is NO clause in the DMCA that mentions MAKING AVAILABLE. The DMCA specifically states DISTRIBUTING. The two are different things entirely.

      Nor is MAKING AVAILABLE the same as UPLOADING.

      Proper application of the law would be proving (1) distribution occurred, and (2) how much distribution occurred, especially since those are two of the REQUIRED steps the RIAA is SUPPOSED to be following, and especially because #2 is supposed to be one of the criteria used to determine fines/compensation/copyright holder's potential loss.

      The RIAA should be required to prove the relevant points of fact AS REQUIRED by the DMCA... which is that actual distribution occurred... instead, a judge allowed them to prove that the files were available but show no indication if they were actually distributed.

    43. Re:Seriously, by Danse · · Score: 1

      There is NO clause in the DMCA that mentions MAKING AVAILABLE. The DMCA specifically states DISTRIBUTING. The two are different things entirely.
      Nor is MAKING AVAILABLE the same as UPLOADING. I'm not arguing that the judge is correct in equating the two. I am saying that you're wrong when you said that they were being sued for downloading. That's not what happened. They were sued because they were making the files that they downloaded available for others to download. Whether that's technically illegal or not, that is what they are being sued for, not for downloading. This only started because the gp post was talking about "illegal downloads", so I pointed out that they weren't.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    44. Re:Seriously, by RobertM1968 · · Score: 1

      I think you totally misread or misunderstood my post.

      Wrong. You DO see the RIAA suing people for just downloading - by claiming they are uploading (distributing) by equating "making available" the same thing as "actually doing" - for instance in the lawsuit they recently won (as reported on /.)

      Basically, they catch someone running a P2P client, catch them downloading, sue them for "making available" and pretend that "making available"="distributing" and hopes they can find a judge that believes them.

      Otherwise, they'd just simply prove distribution (but cant in such cases as noted on /. where there was no distribution). That leave the method of finding the person a combination of finding "making availables" or MUCH MORE LIKELY BASED OFF THE EVIDENCE PRESENTED, finding people who are DOWNLOADING music (go look at the case yourself, look at the "evidence"), and then (as said earlier in this post by me) pretend that "making available"="distributing" and hopes they can find a judge that believes them.

      Thus, it's the downloading that got the people in trouble, regardless of what the RIAA claimed was the "illegal" action in the suit.

      Hope that explains what I was trying to say better. To sum up, just in case (it's been a long day, and I dont know how intelligible I am), they find someone downloading a bunch of music, they look for shares, then sue them for something that isnt even covered under the DMCA (making available) when they cant find any actual distribution to anyone else from those shares.

      Virtually all the P2P software for Windows that any average user is aware of will set up the stuff to share... and I am sure that the RIAA doesnt care... they (mis)use the DMCA as a tool to go after people who download by suing for making available.

    45. Re:Seriously, by Danse · · Score: 1

      Basically, they catch someone running a P2P client, catch them downloading, sue them for "making available" and pretend that "making available"="distributing" and hopes they can find a judge that believes them. Actually, I think you're misunderstanding how they're catching them. They don't generally catch them downloading, they simply search for files just like anyone else, and find out who is offering them, then they pressure that person's ISP to give up their information. There have been honeypot downloads too, but that's not generally what they do because they need to see that the person is making the file available for download at the very least if they are to have any hope of convincing a judge to throw the book at them.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    46. Re:Seriously, by Anonymous Coward · · Score: 0

      No. This is not a mistake. This is a failure of EMI to do their due diligence and verify that what they willfully put up was something they had the right to. Whether they did it intentionally or not does does affect their liability. Just like "I did not mean to not put any money in the parking meter I just made a mistake." does not absolve someone from a parking ticket.

    47. Re:Seriously, by RobertM1968 · · Score: 1

      Hmmmm... well, let's say you are right in 100% of the "RIAA Attack a Consumer Instances"(but that's not generally what they do" - which I do agree with... but even once is a misuse of the law)... or I am 100% right.... or it's you right for certain cases, me for others, and/or some that fit both scenarios...

      I still think that boils down to one thing... they are making a mockery of the law by misleading technically inept judges, bringing fake evidence (ie: not evidence of anything, but they claim it is), etc... I think the truth is combination of what you and what I am saying (as I think you agreed to in the statement I quoted above). See, I believe they, just like anyone else, should be held liable for (even) that (one) time they engaged in such activity and frivoulously brought suit based off nonsense (or based off something that wasnt covered by the DMCA, etc). I wasnt trying to claim they always do it. Doing it a few times is a few more times than they ever should have been allowed to.

      Oh well... I guess the important thing is that judges (universities, defense lawyers, the average consumer, etc) are getting wiser, and the RIAA is staying quite stupid. I guess time will tell...

    48. Re:Seriously, by Danse · · Score: 1

      they are making a mockery of the law by misleading technically inept judges, bringing fake evidence (ie: not evidence of anything, but they claim it is) I definitely agree with that. I also think that even when they are catching people uploading, they often use misrepresented evidence as a way to obtain information on who a certain IP address belongs to. If the judges understood the technology better, they would probably need more evidence to even obtain a name. Then if the defense attorneys understood the technology better, they could mount a much better defense, which is something that we've seen happen only rarely.
      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    49. Re:Seriously, by TheoMurpse · · Score: 1

      There is NO clause in the DMCA that mentions MAKING AVAILABLE. The DMCA specifically states DISTRIBUTING. The two are different things entirely.
      It doesn't matter what the DMCA says. The DMCA defines (among other things) things for which you can be taken to court. It doesn't enumerate tactics the opposition must employ to win a case.

      In the common law of the US, there is a doctrine which states that the courts may assume that the actor intended the likely consequences of his actions. For example, if you point a gun at someone's head and pull the trigger, then the courts may impute intention to kill the person. The courts don't actually have to get in your head and see the firing neurons that say, "Gee whiz, I sure want to kill this person!"

      Similarly, the likely consequence of sharing a file is the desire to distribute it. The only natural consequence of "making available" is distribution. In any case, in copyright law, no mental state is necessary to win a case for copyright infringement. For example, if I (wrongly) think a song is in the public domain and thusly distribute it, I can be sued for copyright infringement. Now, if it was willful, I can be sued for treble damages, but without even a guilty thought, I can still be sued.

      Listen, I'm against P2P lawsuits as much (actually, probably more so) than the average Slashdotter, but there's just no use arguing your position when a great number of centuries of case law goes the other way. Here's an explanation in criminal law in Wikipedia's mens rea article.
  2. TFA proceeds on a false assumption.... by idontgno · · Score: 5, Insightful

    It's not illegal if a corporation is doing it. Or The President (same thing). Or the CIA. Or if the Attorney General or Secretary of Homeland Defense say it's OK.

    --
    Welcome to the Panopticon. Used to be a prison, now it's your home.
    1. Re:TFA proceeds on a false assumption.... by lpevey · · Score: 1

      I wish I could meta-mod this. This post is not a troll. It's funny. Laugh.

    2. Re:TFA proceeds on a false assumption.... by empaler · · Score: 1

      Try dipping in a dozen times over the next few weeks. You just might get your wish, as there seems to be a lack of users willing to metamod.

    3. Re:TFA proceeds on a false assumption.... by sm62704 · · Score: 1

      Its neither funny or a troll, and the mods did indeed fix it; it's now a "5, insightful". The only way a rich powerful man goes to jail in America is if a richer, more powerful man wants him in jail.

      Look how long Illinois' last Governor, George Ryan has stayed out of prison for the "professional drivers' licence bribery" scandal, where whole families died horrible burning deaths because Ryan (as Secretary of State at eth time) was selling CDL's (professional drivers licenses; what you need to drive a semi) to people who couldn't even speak or read English, let alone pass a CDL exam.

      Or look at OJ Simpson (I wonder if Springfield's alderman is related to OJ or Homer? Does Bart call Ward 2 alderman Simpson "Aunt Gail?")

      -mcgrew

      --
      mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
  3. Good for King Crimson. by The+Iso · · Score: 5, Interesting

    Contrary to common practice, KC owns the copyrights to their work.

    --
    "You don't need a weatherman to know which way the wind blows." - Bob Dylan
    1. Re:Good for King Crimson. by dpilot · · Score: 1

      Well this has simply got to be stopped!

      Haven't they heard that we're now an ownership society?

      Stuff like this is supposed to be owned by publishers!

      --
      The living have better things to do than to continue hating the dead.
    2. Re:Good for King Crimson. by ehaggis · · Score: 4, Funny

      and KFC owns the rights to their 11 herbs and spices secret formula.

      --
      One ring to bind them - should probably have more fiber and less rings in their diet.
    3. Re:Good for King Crimson. by Anonymous Coward · · Score: 1, Funny

      Yes, yes, that's all well and good, but what about The Sunshine Band?

    4. Re:Good for King Crimson. by Sleepy · · Score: 1

      Ah. Perhaps that explains EMI's actions then. Punishment.

    5. Re:Good for King Crimson. by xPsi · · Score: 2, Funny

      Yes, yes, that's all well and good, but what about The Sunshine Band? That finally explains the hits "That's the Way (I Like It in the Court of the Crimson King)" and "I'm Your 21st Century Boogie Man."
      --
      i\hbar\dot{\psi}=\hat{H}\psi
    6. Re:Good for King Crimson. by shark72 · · Score: 4, Informative

      "Contrary to common practice, KC owns the copyrights to their work."

      It's more common than you might think. Plenty of musicians own the publishing and performance rights to their work. If they don't, the rights are often owned by a management company that's not connected to a label.

      The interesting thing is that this difference between distribution rights and publishing rights was a major hitch in online music sales getting off of the ground. Record companies couldn't simply put legacy stuff up for sale without breaking the law (as we apparently see in this EMI case); they had to get permission from the singer and/or songwriter or their agent or heirs. As recently as a couple of years ago it was common to find eight of ten tracks of a CD available for download; the other two were held up because, say, the lyricist for that song wouldn't give permission.

      A common reaction among P2P users at the time was "Well, if the [bad word here] record company won't make the music available for legal download, they deserve what they get and I'll exercise my God-given right to have the entire Turtles catalog for free." But ironically enough, it was often the [bad word here] artist who was holding things up.

      Nowadays, virtually all new recording contracts include digital distribution clauses. But as EMI has found out the hard way, there are still a few holdouts.

      --
      Sitting in my day care, the art is decopainted.
    7. Re:Good for King Crimson. by Anonymous Coward · · Score: 0

      it was often the [bad word here] artist who was holding things up.

      How dare the artists ask for a fair share of the extra revenue that online distribution of the back catalog brings to the labels! You'd think that the honor of being on iTunes and pleasing their fans by giving them the opportunity to buy the MP3 would be enough to get the go ahead from the artists, but no, the [bad word here] artists must negotiate and delay the record labels' endeavor of making the world a happier place. No amount of luxury can compensate for having to deal with those #%&*!

    8. Re:Good for King Crimson. by ScrewMaster · · Score: 3, Insightful

      I would think they probably don't. Isn't it a trade secret, much like the formula for Coca Cola?

      --
      The higher the technology, the sharper that two-edged sword.
    9. Re:Good for King Crimson. by Anonymous Coward · · Score: 0

      A common reaction among P2P users at the time was "Well, if the [bad word here] record company won't make the music available for legal download, they deserve what they get and I'll exercise my God-given right to have the entire Turtles catalog for free." But ironically enough, it was often the [bad word here] artist who was holding things up. I'm not sure how much you can blame this on the artist, when more often than not, the terms they are given are unacceptable and in a "label's way or the highway" kind of way. What's the artist's take on this stuff? 2c per track? Now the label? 70c? For doing what?

      You can't blame the little guys for not agreeing to outrageous terms. I really feel that it was only through the runaway success of iTunes that more artists signed up (ie 2c x 1M = $200k).
    10. Re:Good for King Crimson. by gstoddart · · Score: 1

      and KFC owns the rights to their 11 herbs and spices secret formula.

      Good, they can keep it.

      That stuff is nasty. It's like olestra meets chicken. :-P
      --
      Lost at C:>. Found at C.
    11. Re:Good for King Crimson. by Anonymous Coward · · Score: 0

      (ie 2c x 1M = $200k)

      I think you need a remedial math course.

    12. Re:Good for King Crimson. by Anonymous Coward · · Score: 0

      -- User=4551;karma=51;posts=574;somehow never picked for moderator duty...


      Metamoderate daily, then. There are some really bad mods, as you know...
    13. Re:Good for King Crimson. by TheoMurpse · · Score: 1

      Recipes cannot be copyrighted or patented. You cannot own the rights to a recipe. Now, you can keep it a secret and sue someone who finds out under contract law. But I guarantee you that KFC doesn't own the rights to any recipe.

  4. Bring on the prison terms. by Anonymous Coward · · Score: 0

    Commercial piracy?

    What's good for the goose is good for the gander.

  5. But since by JamesP · · Score: 5, Insightful

    this is "official piracy" there is no DMCA, there is no "thousands of dollars lost per song", etc, etc

    Record companies do this ALL THE TIME.

    Thay will most likely get a slap in the wrist and carry on with their criminal activies as usual.

    --
    how long until /. fixes commenting on Chrome?
    1. Re:But since by hyades1 · · Score: 5, Funny

      They need to reassemble the court/jury that convicted that woman and fined her a gazillion dollars. See whether they'd have the parts to go after somebody who can fight back.

      --
      I've calculated my velocity with such exquisite precision that I have no idea where I am.
    2. Re:But since by YukonTech · · Score: 1

      I think KC sue them, and get 18k for each download that was stolen from them by EMI. Wow even in a sarcastic tone I have a hard time calling copying an mp3 file stealing..

    3. Re:But since by Quantam · · Score: 3, Informative

      Allow me to briefly explain to you how the laws regarding awarding of damages for willful copyright infringement work.

      Infringement by an individual: $150,000 per infringement
      Infringement by a corporation: $750 per infringement

      --
      You have tried to support your argument with faulty reasoning! Go directly to jail; do not pass Go, do not collect $200!
    4. Re:But since by rabiddeity · · Score: 1

      So you're saying if I incorporate MYSELF, I'm less liable for potential infringement? Well, that's a bizarre twist of the law books.

    5. Re:But since by Astro+Dr+Dave · · Score: 1

      Wouldn't the criminal penalties for commercial copyright infringement apply here?

    6. Re:But since by cfulmer · · Score: 4, Informative

      Lest somebody take you at face value, you're just being cynical -- the statute does not differentiate. A corporation can also be found liable for $150,000 per infringement and an individual can be found liable for $750.

    7. Re:But since by Quantam · · Score: 4, Informative

      Yeah. It was a joke (though sometimes it sure seems like the truth), although it hitting "5 informative" so fast ended up being a joke on me. :P If I understand correctly (IANAL), $750 is the minimum and $150,000 is the maximum for willful infringement.

      --
      You have tried to support your argument with faulty reasoning! Go directly to jail; do not pass Go, do not collect $200!
    8. Re:But since by freezingweasel · · Score: 1

      Is the infringement each download that occurs, or each time it is downloaded? This could make a huge difference. Watch them get a law passed that says "making available" is ok in their case, and once that is done, all responsibility is on the downloader who didn't know it wasn't the record company's music.

    9. Re:But since by mpe · · Score: 1

      Wouldn't the criminal penalties for commercial copyright infringement apply here?

      What kind of criminal penalties are actually applicable to "corporate people" either on paper or in practice. e.g. anyone ever seen (or heard of) a corporation even being arrested and taken to a police station for "questioning".

  6. Shit like this happens all the time. by julesh · · Score: 4, Informative

    One writer I know got seriously pissed when her publisher's parent company gave google permission to include her entire book in google books. No, they didn't have the rights required to do that. Did they care? Not really, no.

    1. Re:Shit like this happens all the time. by empaler · · Score: 4, Informative
      From http://books.google.com/support/bin/answer.py?answer=43756&topic=9011

      What if I find one of my books in Google Book Search and would like it removed?

      We're happy to remove your book from our search results at any time, just as we do for website publishers and our web search results.

      If you're a current Google Books partner, you can simply add it to your uploadable list of books that you don't want scanned through the Library Project. Just log in to your account and follow the instructions here. If the book is already findable on Google Book Search, please also send an email to books-support@google.com or contact your account manager.

      If you're not a Google Books partner and you want us to remove a book, you'll need to provide us with a small amount of information about yourself as well as the specific name of the book you don't want included in Google Book Search. Unless you specify otherwise, we'll use your information only to verify that you are indeed the owner of that particular book. Please see our privacy policy for more details. To begin this process, please start here to identify yourself as the owner. If the book is already findable on Google Book Search, please also send an email to books-support@google.com with this information.


      HTH.
    2. Re:Shit like this happens all the time. by Penguinisto · · Score: 1

      One writer I know got seriously pissed when her publisher's parent company gave google permission to include her entire book in google books. No, they didn't have the rights required to do that. Did they care? Not really, no.

      Both publisher and Google would end up caring when they wind up having to shell out a metric ton of cash (assuming she had full distribution rights and say-so over same), no?

      Hell, the number of lawyers dying to get a 30% cut of the resulting judgment would for a really long line to her door...

      /P

      --
      Quo usque tandem abutere, Nimbus, patientia nostra?
    3. Re:Shit like this happens all the time. by king-manic · · Score: 2, Interesting

      One writer I know got seriously pissed when her publisher's parent company gave google permission to include her entire book in google books. No, they didn't have the rights required to do that. Did they care? Not really, no. Depending on how the laws are interpreted in the future, Google didn't have to ask permission to archive, index and present excerpts of her book for search purposes as it is generally accepted to fall within research based fair use rights. It's a huge deal in the book industry and library industry but legally it's mostly going in Googles favor. Should it become possible to take more then small excerpts then Google might be in trouble but generally Google attract business so your friend may want to investigate how Google effects her fortunes.

      Not to say the issue has been decided. I think litigation is ongoing.
      --
      "There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy."
    4. Re:Shit like this happens all the time. by Anonymous Coward · · Score: 0

      And exactly how is she damaged by this? It can only help to increase exposure of her book.

    5. Re:Shit like this happens all the time. by julesh · · Score: 1

      What if I find one of my books in Google Book Search and would like it removed?

      We're happy to remove your book from our search results at any time, just as we do for website publishers and our web search results. [...] To begin this process, please start here to identify yourself as the owner.


      According to Google, though, they'd had permission to include the book from its publisher, so wouldn't remove it in this case. Despite the fact that the publisher didn't have lawful authority to grant that permission. They wouldn't identify the author of the book as being the owner, because they'd already identified the publisher as "owning" it. The entire fiasco could only be solved by the publisher informing Google that they didn't want the book included.

    6. Re:Shit like this happens all the time. by julesh · · Score: 1

      And exactly how is she damaged by this? It can only help to increase exposure of her book.

      Right. And being an author who has other books in the Baen free library, there are probably few people more aware of this than she is. But that doesn't mean that her publishers should get a free pass to do what they want with her book.

    7. Re:Shit like this happens all the time. by julesh · · Score: 1

      Depending on how the laws are interpreted in the future, Google didn't have to ask permission to archive, index and present excerpts of her book for search purposes as it is generally accepted to fall within research based fair use rights.

      They weren't presenting excerpts; they were providing large sections of the book for online reading (i.e., the "opt-in" option).

    8. Re:Shit like this happens all the time. by sgtrock · · Score: 1

      At that point, and assuming that your friend had hung on to all of the rights and had not actually misread her contract with her publisher, it sounds to me as if she's got a case that any copyright attorney would drool over. So, has she contacted any attorneys yet?

    9. Re:Shit like this happens all the time. by Anonymous Coward · · Score: 0
      So you agree it increases exposure. So exactly why is she upset?

      But that doesn't mean that her publishers should get a free pass to do what they want with her book.

      I see, it's the principle of the thing, along with her sense of entitlement that she should be able to completely control every aspect of everything that anyone does with her work, unconditionally. Oh, her work is SO important, la di da. However, there is such a thing as fair use, as part of the copyright bargain, that she conveniently ignores. If she wants absolute draconian control over her work, then she shouldn't release it to the public.

    10. Re:Shit like this happens all the time. by julesh · · Score: 1

      However, there is such a thing as fair use, as part of the copyright bargain, that she conveniently ignores.

      Fair use does not extend to copying substantial portions of a work and presenting them to the public for profit.

  7. Looks like EMI will be eating... by msauve · · Score: 2, Funny

    some Crow's Tongue in Aspic.

    --
    "National Security is the chief cause of national insecurity." - Celine's First Law
  8. it seems to be hypocrisy, but it's not by circletimessquare · · Score: 4, Insightful

    you are assuming the message of the RIAA is "don't trade digital music because it doesn't abide by good ethical or legal standards or common business sense"

    you are giving the RIAA way too much credit if you think that thought ever motivated them

    the RIAA's message has really always been "do whatever the hell we tell you to do because we have more lawyers than you"

    with such a realization, you can come to understand the RIAA is operating in perfect consistency, without any hypocrisy about its behavior at all

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:it seems to be hypocrisy, but it's not by neersign · · Score: 1

      their message is really, "we can't make money off of you if we cannot control the downloads." and this quote from the article is great: "Fripp says the EMI licence was subsequently not renewed because he and the band were not willing to approve download rights, "because the royalty terms offered sucked."" - once again proving that the members of the RIAA are only out to pad their own pockets...if it means toes get stepped on, so what. I wouldn't be surprised if they account for litigation/pay-offs in their budget, and take that in to account when they calculate what their take of each sale should be.

  9. In Germany, too by saibot834 · · Score: 4, Interesting

    The GVU (The German Federation against Copyright Theft) actively used and supported illegal Filesharing by setting up their own servers from which users could download copyrighted stuff. Of course they didn't bother asking the copyright owner if this was ok, they just did it, until Heise.de revealed the story (German Site) and the Office of Public Prosecutor came...

  10. sex pistols by xPsi · · Score: 3, Interesting

    would be happy with the (apparent?) hypocrisy of EMI:
    Don't judge a book by the cover
    Unless you cover just another
    And blind acceptance is a sign
    Of stupid fools who stand in line
    Like
    E.m.i

    --
    i\hbar\dot{\psi}=\hat{H}\psi
  11. Own medicine! by Renraku · · Score: 1

    If they can't find a way out of it, they should be liable for the exact same amounts they try to charge regular people, only more, because they profited directly from the sale.

    --
    Job? I don't have time to get a job! Who will sit around and bitch about being broke and unemployed then?
  12. Troll??? by Anonymous Coward · · Score: 0

    It appears one of the corporate variety is using his mod points to grind his axe. Don't worry, little troll, others will come along and reverse your abuse of the moderation system.

  13. Re:Own medicine! - double dose! by TaoPhoenix · · Score: 1

    No, this goes far beyond "exact same penalties".

    Maybe someone can summon the Friendly Neighborhood New York Lawyer for his take.

    If this can stick, I want to see the sub-companies of the RIAA absolutely crushed by this and the other not-yet-found examples.

    --
    My first Journal Entry ever, in 8 years! http://slashdot.org/journal/365947/aphelion-scifi-fantasy-horror-poetry-webzine
  14. As a friend of mine in the biz says... by dkleinsc · · Score: 4, Insightful

    The way the music industry is set up right now, the big 4 companies screw the label execs, who screw the label talent managers, who screw the band managers, who screw the musicians. (His career so far has been moving slowly up the chain, so that he's now responsible for more screwing people over than being screwed. Also, he's honest enough that when he was managing a band he wasn't simply taking the money and telling drunk band members they'd spent it all on drugs.)

    The fact that EMI assumed that King Crimson had agreed to the one-sided contracts that they have for most everyone else is a clear indication of how screwed up the industry is.

    --
    I am officially gone from /. Long live http://www.soylentnews.com/
  15. fail by Anonymous Coward · · Score: 0

    I fail to see what this has to do with the RIAA

    What does the last A stand for again?

  16. How much by pinguwin · · Score: 0

    Ok, $9250 times....add the six...carry the four. Wow, that's a lot of money. Well, should be a lot of money they should be fined...I doubt it will happen.

  17. Quoth the Sex Pistols by UbuntuniX · · Score: 1

    I can't stand those useless fools (EMI)

  18. Empathy for EMI? by DTemp · · Score: 1

    Hey, I give EMI a little more leeway than the others. EMI is the one that has been speaking about having to change their business model, and is the one offering DRM-free music on iTunes, etc. There were a couple more recent factoids that were slashdotted that showed they were different than the rest of the RIAA.

    So try to hate EMI a little less than the rest. Thanks.

    1. Re:Empathy for EMI? by Anonymous Coward · · Score: 0

      Yeah, and for testing this new drm-free download business model they use music they don't have rights to?
      Its actually a pretty clever way to cut their losses.

  19. Re:fail - "Google's hard" by multisync · · Score: 1

    You might want to check this link. Unless, of course, you know of another company that goes by the name of "EMI Records."

    --
    I don't care why you're posting AC
  20. I hope existing laws and court precident... by iamacat · · Score: 1

    Will be strictly followed in this case, and EMI will pay at least $10K for each count of offering a song for download, that is a visit to their website when the user had an opportunity to search and buy songs.

    1. Re:I hope existing laws and court precident... by plasmacutter · · Score: 1

      or each of the upper management involved can call up the "settlement" center and have all charges dropped for a lenient 1/6th of their yearly income.

      --
      VLC FOR MAC IS DYING! IF YOU DEVELOP, PLEASE SAVE IT!!
  21. Isn't 'the act of making available' a crime? by VorlonFog · · Score: 1

    If the simple act of making files available for download constitutes sufficient evidence for a guilty verdict against the common man, it should be more than enough to rip EMI a new arsehole.

    1. Re:Isn't 'the act of making available' a crime? by rossdee · · Score: 1

      But we are not talking about the common man, we are talking about the 21st century schizoid man.

  22. Re:fail - "Google's hard" by Anonymous Coward · · Score: 0

    you might want to do a google on King Crimson

  23. You Don't Understand by Nom+du+Keyboard · · Score: 2

    EMI offered their music for sale even after their contract ended entirely.

    You simply don't understand. Only We can own music. You can create it, and we'll pay you a pittance, but We actually own it. We own the whole Concept of music.

    We used to own you as well, but some troublemakers and something about a fracas in 1860 changed too much of that. Oh, for the good old days.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
    1. Re:You Don't Understand by Anonymous Coward · · Score: 0

      You, sir, are a scumbag.

  24. We all knew this.. by eniac42 · · Score: 1

    But thanks to Mr Fripp for restating it. Back in his day, people could record the odd bit of music they liked from radio/LP onto tape, and if they *really* liked it, and had a bit of cash, you would go out and buy the LPs - which many of us did, and the record companies & artists made cash. The record companies did not go around with lawyers beating up on Joe Public, because they wanted Joe to keep liking both the labels & the artists, and keep buying the LPs. (I did buy some Fripp LPs).

    By the way, whilst not wanting to turn this into Digg, Fripp is an awesome guitarist and musician..

    --
    "A nation that forgets its past is doomed to repeat it." - Churchill
    1. Re:We all knew this.. by MightyMartian · · Score: 4, Interesting

      To paraphrase Joni Mitchell, the record companies used to be owned by greedy bastards who liked music, now they're just owned by greedy bastards.

      This is what happens when the accountants and lawyers seize complete control, and the old-fashioned A&R guys are basically put in the position of the quickest bang for the buck. The record companies, by and large, are parts of big vast corporate machines owned by shareholders that could care less whether they made records, washing machines or F14 landing gear. Some guy up on the nine-millionth floor Big Bloated Monster Corp. says "the unit that owns recording and condom manufacturering isn't performing well this quarter, what's the explanation?" "Well, Mr. President of Big Bloated Monster Corp., people seem to be fucking less and there's this Internet download thing." "Get the lawyers. Sue everyone who downloads music and doesn't fuck."

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    2. Re:We all knew this.. by n+dot+l · · Score: 1

      "Get the lawyers. Sue everyone who downloads music and doesn't fuck." What? You mean they're coming after us Slashdotters?!
    3. Re:We all knew this.. by Tsunayoshi · · Score: 1

      Nope, means they are coming after married people!

      --
      "Get a bicycle. You will not regret it, if you live." - Mark Twain, "Taming the Bicycle"
  25. Sounds like.... by jejones · · Score: 1

    ...there's a vampiric relationship between record labels and artists.

    1. Re:Sounds like.... by MsGeek · · Score: 1

      "I'm a dinosaur...Somebody's been diggin' my bones..."

      --
      Knowledge is power. Knowledge shared is power multiplied.
    2. Re:Sounds like.... by unitron · · Score: 1

      A guy on alt.audio.pro or rec.audio.somethingortheother had a sig that said that recording companies are concerned about artists the way that ranchers are concerned about cattle.

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

  26. Utter fiction (mods please note) by Anonymous Coward · · Score: 5, Informative

    (RIAA) invented the name to catch the bad PR so the evil things they do wouldn't reflect badly on the record labels themselves.

    The above statement is complete and utter fiction.

    The RIAA was formed in 1952 as a technical consortium to create standards for compatabililty for phonograph recordings such as the RIAA equalization curve.

    What they later became is another matter altogether.

    1. Re:Utter fiction (mods please note) by monsted · · Score: 1

      SCO used to produce fairly useful products too... :)

  27. I Talk to the Wind... by jumperboy · · Score: 5, Funny

    RIAA:

    Get thy bearings, practice some discipline, or you're in for one more red nightmare. Learn to eat your own cat food, great deceiver, before your coda is a requiem for a fallen angel. We'll let you know if we lament your passing in an epitaph. You may be walking on air now, but soon you'll have only the sheltering sky to protect your easy money, you dinosaur. One big happy family? It is for you, but not for us. If you think the fracture you get when Neal and Jack and me beat you with no warning will leave us sleepless, well, we'll let you know. You should be happy with what you have to be happy with.

    1. Re:I Talk to the Wind... by Naurgrim · · Score: 1

      Wow! Good one! I've no mod points to give you, but here's hoping you dine on lark's tongues.

      --
      .......You Are,
      ...What You Do,
      When It Counts.
    2. Re:I Talk to the Wind... by 44BSD · · Score: 1

      A waiting man would need two hands, or at least a heartbeat, to understand what sort of red trio of indiscipline could allow such elephant talk. One time, EMI were walking on air, but now they can only get their easy money from this slaughter of the innocents. Peace -- A theme ladies of the road to Asbury Park might tell as a Sailor's Tale to this moonchild -- will now have its cadence and cascade replaced by B'boom. THRAK!

    3. Re:I Talk to the Wind... by macs4all · · Score: 1

      Best. Comment. Ever.

      "Here comes right now", indeed!

  28. whoa by nomadic · · Score: 2, Funny

    King Crimson is still around??

    1. Re:whoa by Nasarius · · Score: 3, Funny

      If we define King Crimson as "some band Robert Fripp plays in", then yes.

      --
      LOAD "SIG",8,1
    2. Re:whoa by lendude · · Score: 1
      No offence, but how is this an informative comment? It sounds far more like a glib throw away that a few mods have swallowed.

      King Crimson have consisted of a core of players Robert Fripp, Adrian Belew, Tony Levin and Bill Bruford (Bill from 1974) since 1980, and later joined by Pat Mastelotto and Trey Gunn in the early '90s 'Power Trio' configuration. Several of these members have not been present for some albums during that period until present, and the current line-up is Fripp, Belew (whose has been on every release since 1981's 'Discipline'), Levin and Mastelotto, but it has been these six members only across that time.

      Whilst the band member situation was certainly more dynamic in the period 1969 (ITCOTKC) to 1974 (Red - the band's last album until 1981), with considerable member turnover, this is hardly representative of the history of the band in total.

      --
      "Get off the cross - we need the wood" - Tori Amos
    3. Re:whoa by Anonymous Coward · · Score: 0

      and add "...is actually quite a lot better than some of the incarnations over the years".

  29. OK... by jcr · · Score: 4, Funny

    When asked about the incident, and EMI executive reportedly said "what's the big deal? Everybody does it! I mean, if the bands just charged reasonable prices, we wouldn't have to steal their suff, would we? I mean, come on!"

    -jcr

    --
    The only title of honor that a tyrant can grant is "Enemy of the State."
    1. Re:OK... by Minwee · · Score: 1

      "...And besides, maybe my dog did it!"

  30. Who is the bad? by Anonymous Coward · · Score: 1, Funny

    So EMI and RIAA bad, but the guy is the composer of Vista's sound so he is bad too. Who should i support?... ahhhhgg!!

    ** head explodes**

  31. No, that's not the way the justice system works by boombaard · · Score: 0

    Seriously. the RIAA (or mediadefender) generally has hardly any evidence at all when they push their 'claims', and are only accepted, well, probably because they've got expensive tweed jackets to wear (or isn't this britain? well, some silly fabric anyway)
    Assuming the same thing would happen when a single band sues for something that could be (argued to be, anyway) a 'mistake' would be well, a mistake.
    EMI *might* be forced to make reparations, but that won't cost them more than a few mil at most, and i doubt it'll be even that much.
    assuming malicious intent from something as friendly and emotion-free as a 'corporation' would be a pragmatic CiT, after all

    1. Re:No, that's not the way the justice system works by Anonymous Coward · · Score: 0

      maybe their claims are accepted because judges (and juries) consider all arguments.

    2. Re:No, that's not the way the justice system works by Anonymous Coward · · Score: 0

      > because they've got expensive tweed jackets to wear (or isn't this britain? well, some silly fabric anyway)

      bugger off. you git.

    3. Re:No, that's not the way the justice system works by Bee1zebub · · Score: 1

      It's silk, wool, and horsehair, anyway, not tweed, that British lawyers wear. And anyway, I think I have seen men wearing tailcoats for everyday wear (i.e. not a wedding or funeral, just an ordinary day, AFAICT) in 9 months in Adelaide, Australia, than in a few years in England.

  32. This is out of scope for the RIAA by redcaboodle · · Score: 1

    or whatever Ass.'s terrortory this was in. Since the rights to the music obviously did not belong to a member (EMI) why should any Ass. get involved. Those rights were the property of indiviudals which no Ass. cares about.

    --
    -- Put crudely, the world is an extremely large problem instance. (Russel/Norvig Artificial Intelligence)
  33. Well...yes, but not quite by El+Lobo · · Score: 1

    KC owns the copyright BUT I'm sure they don't have the distribution rights. Often when a band or solo artist (even big ones like Metallica or Madonna) are under some label, say Sony, EMI, Music for NAtions (RIP), etc, they are giving the distribution rights to those companies, effectively losing the right to publish, sell or market the albums themselves. Yes, they own the copyright, but that's all. And if some band tries to get out that format, the consequences ARE often very bad. Just ask Prince.

    --
    It's time to realise that Abble's products are the biggest abomination these days. Just say NO to the dumb iAbble way!!
    1. Re:Well...yes, but not quite by Anonymous Coward · · Score: 2, Funny

      I'll bet if you had actually read the article you wouldn't have written that post.

  34. EMI was looking for Easy Money by progprog · · Score: 1

    But they'll have to be happy with what they have to be happy with, instead of walking on air. That's just the facts of life. Remember, they're dealing with 21st century schizoid men who talk to the wind here. Let's hope this entire affair is one more red nightmare for the RIAA.

  35. Goose? Gander? by erroneus · · Score: 1

    I say the offended party should should make a HUGE example of them. "Making available doesn't constitute piracy" right? EMI is responsible not only for their direct sales (which is a LOT more obvious piracy than P2P and certainly more accountable) but for every conceivable incarnation of copying that may have occured by the purchasers.

    A jury trial should be demanded and I want to be on it!

    1. Re:Goose? Gander? by qzulla · · Score: 1

      We all bitch and moan and groan about the lady who lost to a supposedly impartial jury and you want to be on one with your mind already made up?

      I wouldn't want you on any jury if I was on trial.

      qz

  36. Re:Anything is okay if the "Decider" says it's oka by Torvaun · · Score: 5, Insightful

    If I can find Iraq on a map, will you stop lumping all Americans together as morons? If I send video of a protest, will you stop lumping us all together as murderers?

    --
    I see your informative link, and raise you a pithy comment.
  37. Wasn't "lumping". by Anonymous Coward · · Score: 0

    Strategy? 1) Imagine that you are the target of something that doesn't involve you. 2) Be angry about the fact that you ran in front of your imagined arrow.

    1. Re:Wasn't "lumping". by AK+Marc · · Score: 1

      You were lumping. You started with "If you pay taxes..." which catches all people in the USA except for the most poor, children, and some nutcases in Montana. You shot the arrow in his direction, even if later qualifications gave you deniability.

  38. Re:fail - "Google's hard" by Anonymous Coward · · Score: 0

    Okay. What's your point?

  39. But you don't understand by lelitsch · · Score: 4, Insightful

    RIAA is the Recording Industry Association of America, so why should they give a hoot about band copyrights. Their job is to defend the rights and further the goals of the recording industry. This is like expecting the National Cattlemen's Beef Association to defend the rights of cows.

  40. Wow..... by IHC+Navistar · · Score: 1

    Who wrote this article?! A third grader??

    --
    Knowing Google's lust for data collection, the Soviet Union is still alive and well inside the psyche of Sergey Brin....
  41. What is the value of the songs made available? by obeythefist · · Score: 1

    KC should sue them in court. They should use the same legal practices as the RIAA (no evidence required etc). The suspected value for one tune should be, well, approximately 4 billion dollars. Now, multiply that by the number of times that song could have been downloaded...

    --
    I am government man, come from the government. The government has sent me. -- G.I.R.
  42. Re:fail - "Google's hard" by stainlesssteelpat · · Score: 1

    Hey wow this is cool, they even offer a report piracy servicehttp://www.riaa.com/reportpiracy.php. So if anybody finds any KC on a commercial music website they know who tell. Wonder what would happen if they got a couple hundred reports, can the RIAA actually sue it's own board for infringement?

    --
    War is the statesman's game, the priest's delight, the lawyer's jest, the hired assassin's trade.- Shelley
  43. Glory Be Unto Godwin by Anonymous Coward · · Score: 0

    And the Nazis made the trains on time.

    WOO-HOO!! Go Go Gadget Godwin!

    1. Re:Glory Be Unto Godwin by Minwee · · Score: 1

      I'm sure there's a special version of Godwin's Law that only applies when Mussolini's name comes up.

      I'm not sure which one applies here. Perhaps I should just apply Godwin's Law but credit it to someone else.

    2. Re:Glory Be Unto Godwin by technos · · Score: 1

      reductio ad Mussolinum

      In english, it means 'Real fucking funny, putz. I'm calling Godwin on you anyway."

      --
      .sig: Now legally binding!
  44. The solution is simple by mpsmps · · Score: 1

    EMI should offer KC $150,000 for each song downloaded. After all, turnabout is fair play.

  45. Re:Anything is okay if the "Decider" says it's oka by McFadden · · Score: 1

    If I can find Iraq on a map, will you stop lumping all Americans together as morons?
    I'm sure he'd be delighted. Although he may reserve that title for you, given that you completely missed his point and instead trotted out some kind of knee-jerk response to perceived (and inaccurate) anti-Americanism.
  46. Re:Anything is okay if the "Decider" says it's oka by Torvaun · · Score: 1

    There's plenty of anti-Americanism on /. His post looked close enough to piss me off. Apologies to the OP for the misunderstanding.

    --
    I see your informative link, and raise you a pithy comment.
  47. Bad analogy. by Anonymous Coward · · Score: 0

    Wrong. You DO see the RIAA suing people for just downloading - by claiming they are uploading (distributing) by equating "making available" the same thing as "actually doing" - for instance in the lawsuit they recently won (as reported on /.)


    Imagine saying to a judge, "No, your honor. I didn't distribute those books. I just left them on a table with a sign that says 'Free. Take one.'" Distribution is distribution. "Making available" something that is subsequently downloaded is uploading and it is distribution. There may be some question as to intent (and really, as to whether the defendant was even aware of the act), but that doesn't change the fact of uploading.

    For instance, should every one of us who has a car and drives it be convicted of vehicular manslaughter because our cars can be used to do so? Or if you forget to lock your house door, and a burglar walks in and steals everything, should they be allowed to walk because you were "making available" the contents of your home?


    These are horrible analogies that have no relation what-so-ever to what is happening with file sharers. A closer analogy is claiming you are not fencing because you do not actually deliver the property; they come pick it up.

  48. go max by Anonymous Coward · · Score: 0

    I say, go for the max and sue EMI for $1.65 trillion!

  49. Does this mean EMI gets the boot from the RIAA? by 9mm+Censor · · Score: 1

    "Eligibility for corporate membership in the Recording Industry Association of America, as described in the association's bylaws, is open to legitimate record companies with main offices in the United States that are engaged in the production and sale, under their own brand label, of recordings of performances for home use. Eligibility is not extended to companies that are currently engaged in, have within five years of application been engaged in, or are controlled by any person, firm or corporation which has within 5 years of application been engaged in the unauthorized creation, duplication, sale, importation, or other use of sound recordings in violation of state or federal law."
    http://www.riaa.com/aboutus.php?content_selector=aboutus_members

    1. Re:Does this mean EMI gets the boot from the RIAA? by Anonymous Coward · · Score: 0

      So what... EMI has to be kicked out of the RIAA for 5 years now? :)

      I guess that depends on whether or not the RIAA respects it's own rules as much as it does national law!

  50. Edit your text. by Anonymous Coward · · Score: 0

    Well, if the [bad word here] record

    s/[bad word here]/Fucking/g

    --AC

    Edit: Enable javascript 2 and you now have a fucking edit button in slashsdot. Isn't life great!

  51. Difference between Paid and Unpaid Downloads? by Evets · · Score: 1

    It doesn't seem to me that the law makes a distinction between "making a download available" and "making a download available for a fee". In fact, profiting from the theft of a copyrighted work seems much more sinister than giving one away.

    If EMI is offering to give the entire revenue from online downloads available as restitution for their theft, should not consumers caught up in the Kazaa lawsuits be able to make the same restitution offer?

    From what I've seen of the RIAA lawsuits, the targetted tracks seem to be largely inconsequential music - perhaps because the RIAA doesn't want to drag big names into these lawsuits, perhaps because their bigger name clients have the legal power to push for a portion of the lawsuit proceeds, or perhaps because they choose to prosecute music downloads where the transfer of rights to the RIAA is more clearly documented.

    I really don't see how anybody gets caught up in those suits, and frankly I don't see why the attorneys involved don't just blow these cases out of the water.

    1) MAYBE the IP Address belonged to the user. Say a 90% chance.
    2) MAYBE an unauthorized individual downloaded the music. Say a 90% chance.
    3) MAYBE the RIAA owns the rights to the music. Again, say a 90% chance.
    4) MAYBE the RIAA was right and there was no router involved. Say a 90% chance.

    The list of maybes could go on, but even if you just put up for MAYBE's along the way - even 90% maybe's you can interpret that to mean there was a 65% chance of their allegation being true - without bringing out any contrary evidence at all.

    Why focus so much on proving negatives when you can just focus on the fact that their stack of assumptions adds up to a bunch of nothing? Instead focus on the fact that their allegations of damages are incorrect - how much of the music allegedly stolen was legitimately sold the year before, the year during, and the year after the alleged theft? Make them legitimately prove they have the rights to the work and therefore the right to sue. Find out about contractual problems between the original author and the music producer. Find out about the contractual problems between the producer and the label. Find out about the contractual problems between the label and the rights management firm.

    Focus on the fact that the RIAA has received revenue to this allegation previously (KAZAA settlement). Focus on the fact that the RIAA's stance on theft echoes their concerns about recordable cassettes which turned out to be a bunch of baloney. Focus on the fact that the RIAA is not a legitimate for-profit corporation, but an organization which has been operating with nearly constantl breaches of the law and ethics.

    It's very difficult to disprove something that didn't happen. Instead the lawyers should be focusing on everything they can prove that did happen - all of the unethical behavior associated with the RIAA and the labels themselves, and on the absurdity of their allegations and the giant leap of faith that it takes to consider a defendant guilty considering the probabilities and potential for human mistake involved along the way. The fact that they've sued dead people, children, people who don't even own internet connections, and people with zero interest in music should be a good example that when you string so many if's and maybe's together the odds that your end result is a legitimate one are extremely poor.

    1. Re:Difference between Paid and Unpaid Downloads? by mpe · · Score: 1

      I really don't see how anybody gets caught up in those suits, and frankly I don't see why the attorneys involved don't just blow these cases out of the water.

      Possibly because very few of these cases ever get near a court.


      1) MAYBE the IP Address belonged to the user. Say a 90% chance.
      2) MAYBE an unauthorized individual downloaded the music. Say a 90% chance.
      3) MAYBE the RIAA owns the rights to the music. Again, say a 90% chance.
      4) MAYBE the RIAA was right and there was no router involved. Say a 90% chance.

      The list of maybes could go on, but even if you just put up for MAYBE's along the way - even 90% maybe's you can interpret that to mean there was a 65% chance of their allegation being true - without bringing out any contrary evidence at all.


      Actually it's closer to 66% with the example numbers. In practice some of these may rather less than 90%... You only need to get the agregate below 50% to win.

  52. EMI already did the same with the Beatles by mathsdx · · Score: 1

    This is not the first time that EMI has been associated with such deeds - whether by design or accident. The New York Times, Billboard, Digital Music News and South China Morning Post have all reported Beatles digital tracks being sold by an EMI endorsed vendor before. More details here in the article entitled 'Is EMI profiting from Beatles digital piracy?' at http://www.music2dot0.com/archives/8

  53. Re:fail - "Google's hard" by someone1234 · · Score: 1

    Add 'buy' and 'download' to the search terms.

    --
    Patents Drive Free Software as Hurricanes Drive Construction Industry
  54. I'm sure the EMI lawyers ... by Anonymous Coward · · Score: 0

    Are Sleepless at night over this one.

  55. what to do with the download by radarsat1 · · Score: 1

    Here's an interesting aspect of this:

    If one were to follow one's moral principles to a T, what should happen to everyone who bought an illegal copy of these songs?
    Correct me if I'm wrong, but I believe that if you end up with stolen goods, the moral thing to do is to turn it into the police so it can be given back to the original owner. Yes, you end up losing over this --- as if the thief stole from you.
    Now in this case, since copying is not the same thing as stealing, what is the right thing to do?
    Bring it to the police on a USB key?
    Email it back to EMI?
    Just delete it?
    Or just... shrug.. and keep it... because nobody lost anything here.
    (Assuming EMI will eventually pay the band for the downloads..)

    I feel this just further points out the distinction between theft and copyright infringement.

    1. Re:what to do with the download by Yewbert · · Score: 1

      An interesting angle just occurred to me - not necesarily directly in reply to your thoughts, but more to some commonly used copyright memes.

      Fripp/King Crimson have a much firmer ground for claiming specific monetary damages in this case than ANY record company/RIAA taking on a P2P sharer. The RIAA award sizes are based on speculation because someone who downloads a free copy through P2P may or may very well not have ever bought a legal download (if it were even available).

      The folks who went after these EMI KC downloads OBVIOUSLY would have bought the same downloads directly from Fripp/KC - presuming at least comparable pricing. And, hell, Fripp/KC even have their own website with GB after GB of legal downloads of their own live recordings - both MP3 and lossless FLAC formats.

      On that basis, this case IS more similar to theft than many copyright violations, because the monetary damages are much less a matter of speculation.

      Fripp has been a forward-thinker way longer than just about any suit in the music industry; it'll make me smile if he gets a big fat settlement out of this.

  56. Re:fail - "Google's hard" by Anonymous Coward · · Score: 0

    Okay ... I'm still not getting what this has to do with EMI being an RIAA member.

  57. That's Okay by wezeldog · · Score: 2, Funny

    I repeat myself when I'm distressed.

    lameness filter prevents repetition...damn...this is a dangerous place...

  58. Re:Anything is okay if the "Decider" says it's oka by Anonymous Coward · · Score: 0

    Don't apologize, you're first impression of the moron was correct. It was an anti-American slight. And an ignorance, and childish on at that.

  59. +1 Insightful by jZnat · · Score: 1
    This is one of the most insightful comments I've ever read on Slashdot. There's no way all these cases of "stupidity" are truly stupidity and not malice. It reminds me of the reverse quote I've seen occasionally:

    Never attribute to incompetence/stupidity what can be easily attributed to malice.
    --
    'Yes, firefox is indeed greater than women. Can women block pops up for you? No. Can Firefox show you naked women? Yes.'
    1. Re:+1 Insightful by mortonda · · Score: 1

      Advanced malice is indistinguishable from stupidity...

  60. Re:Anything is okay if the "Decider" says it's oka by Anonymous Coward · · Score: 0

    "TROLL? Yes."

    there ya go. all fixed for ya.

  61. Hopefully, CK gets shafted. by maciarc · · Score: 1

    As much as I think Crimson King should get every bit of cash for EMI's willful copyright violations, I hope EMI manages to get out of it for pennies on the dollar. Not because they deserve to get off, not because CK doesn't deserve the money, but so the next time the RIAA gets to trial and asks for $150,000 for each download, the defendant can enter EMI's payment scheme into evidence.
    "Look, your honor, when the shoe is on the other foot, each download was worth three cents and there was no price for 'continuously making available.' Since this is what they say music is worth, we are offering 78 cents for these 26 songs."
    Unfortunately, we don't have the law whereby the winner of a suit has to pay for the court costs for everything after a settlement was offered that equals or exceeds the judgment.

  62. "Pain in the Aris" by Anonymous Coward · · Score: 0

    I'm shocked - no Septics asking for a translation yet. We must be learnin' 'em.

  63. jesus fucking christ by Anonymous Coward · · Score: 0

    It's "couldn't care less", not "could care less". What the fuck does it take to get you stupid cunts to use the correct expression?

    Goddamn fucking dildo-brains. Jesus fucking christ.