Slashdot Mirror


Old Software or Open Source?

Pakled writes "I teach a high school multimedia course. We were scheduled to get new software this year but due to several pointy haired bosses, no software was ordered. The software I have to teach is Flash 5, Dreamweaver 2000, Photoshop 7 and (god help me) Movie Maker. The question is: is it better to teach old commercial software or their open source counterparts (Komposer, Gimp, etc.)? Is the steep learning curve and slightly less uniform design worth a little student frustration to teach them software written in the past 5 years?"

78 of 454 comments (clear)

  1. Wow shortest Ask Slashdot ever. by notaspunkymonkey · · Score: 5, Funny

    Yes, next question?...

    1. Re:Wow shortest Ask Slashdot ever. by trainman · · Score: 5, Funny

      Agreed. This person came to slashdot to ask such a question?

      It'd be like asking Larry Ellison, "So, I have this old version of Oracle we use in the classroom, but I want to upgrade to something newer. Tell me about this MySQL thing I keep hearing about...."

      Heaven help us if RMS ever gets wind of this article....

    2. Re:Wow shortest Ask Slashdot ever. by notaspunkymonkey · · Score: 5, Insightful

      Having been modded as redundant I feel need to elaborate. (Sorry was in a strange rush to get my first ever first post) We are talking about high school children now - and as such the emphasis is surely on the do's and don't of good graphic design, its about teaching kids good techniques, and style. This in my opinion is best performed using tools which are freely available to the children so that they can go away and practice what they have been taught. Using the latest version of Photoshop is likely to hinder their ability to practice as not many highschool kids in my experiance have the money to drop on the latest and greatest Adobe produce, sure they can go and download a copy from a torrent site - but is this something which we should encourage, all be it indirectly. If you use GIMP and the other Open Source software which are freely available, they can practice techniques and gain a good insight into the design - before they go on and perfect those skills in higher education. Where they may have the budget to purchase the latest over priced packages.

    3. Re:Wow shortest Ask Slashdot ever. by claytonjr · · Score: 3, Insightful

      I think the purpose of high school is to prepare young adults for the so called real world. That being said, I would recommend using Photoshop. It would be a real disappointment to know that you taught the kids all about GIMP, but they could not take their GIMP skills to the local web design company.

      However, I think it is also wise to teach diversity. I would recommend also teaching GIMP and maybe a few other software packages, for the purpose of literacy for many different graphics packages available.

    4. Re:Wow shortest Ask Slashdot ever. by Not+The+Real+Me · · Score: 2, Insightful

      "...Using the latest version of Photoshop is likely to hinder their ability to practice as not many highschool kids in my experiance have the money to drop on the latest and greatest Adobe..."

      Technically, there's nothing wrong with Photoshop 5. Version 10/CS3 has many more bells and whistles but for high school students learning the ropes they could use Photoshop LE (aka v5 OEM), which was included when I purchased a $50 graphics tablet and again when I bought a $75 scanner.

    5. Re:Wow shortest Ask Slashdot ever. by nuelo · · Score: 5, Insightful

      You are talking about high school here? This isn't a College prep course for the "real world". They aren't going to get a job at a high paying graphic design firm right out of 12th grade! Come on! Just use what you have and if you want to introduce the free tools as well - go ahead. PhotoShop is a highly specialized tool used by professionals IN THE FEILD. If they want to learn PhotoShop they should have to take a corporate course or graphic design college.
      Besides that fact, Whether you do get PhotoShop CS3 or not, in 4 years when they start looking for a job it will be obsolete anyway. The only difference between PhotoShop 7 and CS2 is a couple more features to convert it to bloatware and THAT'S IT! Say thank you that you even have those older programs. Students in Africa and Asia struggle to find a computer running Windows 95!!!

    6. Re:Wow shortest Ask Slashdot ever. by aonaran · · Score: 3, Insightful

      There is a lot to be learned about the GIMP that also applies to Photoshop. ...and these in my opinion are the skills they ought to be learning. Learn how to use layers, masks, channels, the pen tool, not which keyboard shortcut does what (you can change those anyway, this isn't 1987).

      Besides, they can't take just a high school diploma to most design firms anyway, they are only just learning the basics, and design concepts that you could apply with paint and construction paper if needed. The high level nitty gritty details of how to smooth one's workflow by learning the specifics of a certain version of software isn't something they really need to worry about at this stage.

      Besides, by the time they are finished their education CS3 will be just as outdated as PS7 is now, so there is no real advantage to upgrading when the features they'd gain aren't really what they should be concentrating on anyway.

      Use the GIMP or use PS7 it doesn't matter really, they both have the features the kids need, but I am with the others who say using the GIMP in the classroom makes it easier for the kids to get and use the same software at home.

    7. Re:Wow shortest Ask Slashdot ever. by thoughtlover · · Score: 3, Insightful

      "You are talking about high school here? This isn't a College prep course for the "real world". They aren't going to get a job at a high paying graphic design firm right out of 12th grade! Come on!"

      Actually, you are horribly wrong. Anyone can get a job in the creative field, even with little or no 'academic or professional experience'. Why? Because if your portfolio is f#*&ing kick-ass, any company will see that and hire that person, period. I know several people that have tons of experience, but their portfolios stink. Thus, that's probably why they're having problems getting a job in the field they studied in. I was having the same problem, so I reworked my portfolio, added some newly-created content and I finally got a job in the field I studied to work in. One of the better artists that is in our department was hired fresh out of high school, so, I'd say you're completely wrong.

      --
      No sig for you! Come back one year!
    8. Re:Wow shortest Ask Slashdot ever. by Comboman · · Score: 4, Funny
      Sorry but I feel obliged to opint out that the word is albeit

      Sorry, but I feel obliged to point out that the word is point.

      --
      Support Right To Repair Legislation.
    9. Re:Wow shortest Ask Slashdot ever. by Deejayqueue · · Score: 2, Interesting

      I'm a graphic designer, professional and all. One of the biggest and most important things that I learned in school, both High and College, was that it's not about the version of the software, it's not about the software at all. It's about the end result. It's about good design. If you're comfortable using Photoshop 3, and you can do the same stuff and get the same results as someone using CS3, then keep at it. Just like an artist who uses the same brushes and paints and canvas for years at a time because they feel right, or just like that old catcher's mitt, some people get accustomed to software, they know it inside and out, it feels good to them, it works well and it does what they want it to. That's the important thing. The software is a tool, just like a paintbrush or a ruler. It's just a means to an end.

    10. Re:Wow shortest Ask Slashdot ever. by Anonymous Coward · · Score: 4, Funny

      Sorry, but I feel obliged to point out that the word is point.

      I am obliged to you for pointing that out, but I feel obligated to point out that the word is obligated.

    11. Re:Wow shortest Ask Slashdot ever. by gbulmash · · Score: 2, Informative

      For what it's worth, I recently upgraded from Illustrator 7 to Illustrator CS2. I found the interface to be nearly, if not exactly, identical.

      That's because the main differences are things that Adobe has added, like LivePaint and LiveTrace. The main difference between Illustrator 7 and CS2 is that 7's menus are shorter and its dialogues have fewer options.

      OTOH, aside from the fact that it handles fewer file formats (open, import, export), I like Inkscape's drawing tools a lot better than Illustrator's, especially some of their path intersection handlers. They're adding cool new stuff almost every month, it seems, but you're sort of taking your life in your hands by trying to do real work with the latest development build, because it can crash on you unexpectedly, like when you're trying to save an hour's worth of work. Still, even 0.45.1 (the most recent stable build) is a great program.

      - Greg

    12. Re:Wow shortest Ask Slashdot ever. by Keith_Beef · · Score: 2

      The software is just a tool.

      Classes at this level should be teaching technique and understanding of the underlying theory.

      Asking the question "Photoshop or Gimp for computer art class" is like asking "Stanley or Estwing hammer for woodwork class".

      The woodwork teacher teaches the kids how to hit the nail squarely on the head, not what brand of hammer to swing.

      Beef.

  2. Either/Or by s_clarke1 · · Score: 5, Insightful

    In my opinion, a gathering of both would be far better... I mean, realistically in the commercial world, it tends to be the "high flyers" which companies go for, (Photoshop, Flash etc) however, teaching students the opensrouce alternatives, gives them a better feel for newer software, and shows them how adaptions have been made.

    1. Re:Either/Or by goombah99 · · Score: 5, Interesting

      I'd second this but for a different reason. First an anecdote. Long ago when I was taking freshman physics lab, they gave us the worlds crappiest equipment to do classic physics experiments. Why? Not because they were cheap. On the contrary, keeping that crap working must have cost a lot. No the point was this was about education on how to do science not proving the results of those experiments.

      There were two reasons. 1) we needed to learn how to do data analysis in the presence of noise. 2) the next big science experiment is always done on tools not quite right to do it.

      So it depends on what you want to teach your kids. You might be interested in the graphic arts product. You might be interested in vocational training on current industrial standard tools. Or you might be interested in teaching them how to coax an application to do something it was not really meant to do. Or even you might want them to lift the hood and build the next great graphics art tool.

      If it's either of the latter then open source. If it's the first then both. If it's the vocational training then go with the older but more standard tools.

      --
      Some drink at the fountain of knowledge. Others just gargle.
    2. Re:Either/Or by ddelaneyMDW · · Score: 2, Insightful

      I agree. I learned to program on paper using flow charts and psuedo code. By doing so allowed me to learn the principles behind software development and not just Java or C++. Now learning a new language is pretty much learning the syntax. I agree that the students should learn about the tools the professionals use, but at the same time, need to understand how to do the work before using the shortcuts.

  3. Suggestion by scubamage · · Score: 4, Insightful

    Well, is a little of both an option? For some of them at least. Flash 5 is almost a completely different program from the modern versions of flash, the actionscript has changed almost entirely, and the layout is very different. The other legacy programs still have *some* semebelence to their newer versions, so letting them get their feet wet might be a good idea. However, you can present it in a way "this is what photoshop looked like a couple years ago and it still looks pretty similar. Due to restrictions we can't show you a current copy, however here is a free alternative called gimp that can do all of the same things, and you can play with it at home!"

  4. Teaching Graphic Design by king-manic · · Score: 4, Informative

    Although Gimp resembles Photoshop it isn't the same. Some skills are transferable but if you are teaching graphic design it's silly to teach anything other then what industry uses. It means they must relearn many skills once they enter the job market. If your teaching at a higher more theoretical level then it might be acceptable because more of it transfers. But if it's a trades school or technical college you're better off teaching the actual industry tools regardless of cost.

    --
    "There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy."
    1. Re:Teaching Graphic Design by geekoid · · Score: 5, Insightful

      A person who understands theory can figure out anything. A person who learns how to click a specific button in a specific place is useless.
      It's not a vocational school, so don't teach to a vocation.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    2. Re:Teaching Graphic Design by Rob+the+Bold · · Score: 4, Insightful

      A person who understands theory can figure out anything. A person who learns how to click a specific button in a specific place is useless. It's not a vocational school, so don't teach to a vocation.
      Exactly. I was about to say about the same thing. The original question seems to imply -- and by "seems to imply" I really mean "states clearly" -- that the class in question is a high school multimedia class. There are a lot of commenters saying that these kids won't be ready to earn a living as web designers, graphic artists and video editors with the skills they learn if they don't get "trained" on the right software. But I suspect that the majority of them will not actually pursue such a career, and those who do will go on to additional schooling before looking for a job. Additionaly, learning FOSS software would be very helpful for those that don't, since your average amateur dabbler can't afford/justify the costs of professional software just for an avocation.
      --
      I am not a crackpot.
    3. Re:Teaching Graphic Design by MightyYar · · Score: 5, Interesting

      Combative, but an excellent point. I learned how to word process using DOS-based programs like WordStar and Apple ][e programs like AppleWriter. They resemble MS Word only inasmuch as they both eventually are used to send stuff to the printer. But I still learned about styles, tab stops, etc. I dare say that I know how use Word in a more "correct" way then 90% of my co-workers. When I co-write a paper, I generally get hard tabs, double spacing after periods, double returns to pad paragraphs, and other relics of the typewriter age. Stuff that works just fine until you go to change the format of your document.

      I learned Excel in version 4 for Macintosh. It sort-of resembles modern MS Excel, at least as far as the formula notation, but that's about it. Macros, editing, printing, graphing, etc... all different.

      It is far more important to understand the concepts than to understand which button to click. If it weren't, we'd all be screwed when they released Office 2007. Oh, wait, a lot of people ARE screwed because they know what button to press, but not what it really does "under the hood". I just got off of the phone with a friend who wanted to know how to make the footer stop after page 3... ugh. If he ever took a word processing class using ANY program, he would have understood the concept of a section break. Sure, it was called a "format code" in WordPerfect, but the concept is the same - change the formatting starting at this point in the document. (Oh, how I miss "show codes"...)

      Open source is lovely, too. I'd use it when the old programs no longer are adequate. There is no reason to buy thousand-dollar programs unless you are a vocational school, in which case the kids aren't planning on college and need to learn where to click.

      So use the old crappy stuff - it's like complaining about the age of the Bunsen burners in the Chemistry lab. They may look different, but the concept is still the same.

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    4. Re:Teaching Graphic Design by heckler95 · · Score: 2, Interesting

      I agree completely. Look at Computer Science curricula in high schools and colleges - they use obscure languages like SML/NJ and Pascal to teach concepts and theories that can be applied to any "modern" language. I'm a web application developer and the company I work for uses ASP.NET and SQL Server primarily. I had never touched either either when I was in high school or college, but learning the fundamentals of data structures, RDBMS's and Object-orented programming through Java/C++ and MySQL allowed me to pick them up very easily. If you focus on the concepts (layers, paths, filters, etc.) they'll be much better prepared for the future than if they learned that [keyboard shortcut] activates the [tool] in Photoshop vX.X. And don't even get me started on WYSIWYG editors...

    5. Re:Teaching Graphic Design by YourExperiment · · Score: 2, Funny

      Sorry to reply to your sig rather than the story, but I just wanted to say that your sarcasm punctuation mark is a really great idea.~

    6. Re:Teaching Graphic Design by swillden · · Score: 2, Insightful

      if you are teaching graphic design it's silly to teach anything other then what industry uses.

      What you'd really like to teach is what industry will be using when the students hit the workforce in 2-7 years. But obviously you can't use what doesn't exist, so the next best thing (according to your philosophy) is to teach what industry is using now. Except that's not an option either. Instead, all that's available is either the open source tools or what industry was using 5 years ago. So, you can teach on commercial tools that will be a decade (!) out of date by the time the kids hit the job market, or you can use something roughly equivalent that (perhaps) will never be used in industry.

      Seems like the commercial tool is still the best choice, until you consider the fact that the kids' learning time with the commercial tool will be limited to their time in the classroom. No fiddling around at home. Given that you can't teach what is being used in the industry now, it seems to me you're better off at least teaching with a tool that they can use at home.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
  5. Depends on what you're trying to do... by garcia · · Score: 4, Insightful

    The question is: is it better to teach old commercial software or their open source counterparts (Komposer, Gimp, etc.)?

    What are you trying to accomplish? Are you trying to teach them design or are you trying to train them in the use of software programs to accomplish any old goal?

    If you're trying to teach them design principles in general, then I don't see what the difference is between outdated commercial software and their OSS counterparts. If you're trying to teach them to use software skills in software packages they are likely to see in the real world/college after graduation then that's not the best way to go about it.

    If you're trying to teach both, I really don't know what to tell you. Probably retool a bit to put more emphasis on the design part and less on the use of specific software. Design skills change but not like specific software needs.

    Good luck.

    1. Re:Depends on what you're trying to do... by AmaDaden · · Score: 4, Insightful

      I think the key is that he/she is trying to teach. I just recently graduated from college and had to use A LOT of very expensive impressive software. I would have loved to do some of it from home and to continue to learn about things on my own. But I was not going to spend $1000 to play with some software. So the result? I STOPPED LEARNING THAT STUFF. Go for things the kids can continue to learn from on their own. Plus when working on my own I've gotten better (and free) help on Open Source stuff then on other types of software. So unless you plan to be their only teacher on the subject, use as much Open Source as you can. Only if you cant find an Open Source version should you use the pay for stuff.

  6. Concepts by kevin_conaway · · Score: 5, Insightful

    Use whatever software allows you to teach the concepts to your students in the easiest manner. The tools change much faster than the concepts so don't fret too much about which tool to use. Whichever one is easier for you to use and teach with, use that

  7. With Gimp and Photoshop, there is little question. by Anonymous Coward · · Score: 3, Informative

    Gimp clearly cannot compare with Photoshop, and you'd be hard pressed to find Gimp in any professional office. If these students intend to find work with their skills, then Photoshop by far is the best option of the two.

  8. doesn't matter by Anonymous Coward · · Score: 4, Insightful

    it doesn't matter, just don't teach them the program, but teach them what the program does.
    It doesn't matter if its gimp or photoshop, just as long as you know what the diffrent between ansharpen mask, blur and gaussian blur is.

  9. Both... by Bert64 · · Score: 5, Insightful

    It's probably worth teaching the students on a selection of software, concentrating on "how to get stuff done" rather than on what particular apps to use.

    People who were only taught a single app for a single purpose often have problems adjusting to other programs, they don't understand what features to look for but rather just where to look for them which ofcourse falls over if the software changes, even between different versions of the same application.

    It's also worth considering, even if you teach the most up to date and widely used software today... A lot can change very quickly in software, the apps you teach may not be used anymore when your students go out into the world of work, or there may be much newer versions in use. Conversely, many companies keep using even older versions of apps because they still get the job done.

    So basically teach the widest selection of apps you can, explain the differences and similarities and focus on the job that needs doing rather than the tools for doing it. Also for anything that is open/free provide your students with a copy of it so they can take it home.

    --
    http://spamdecoy.net - free throwaway anonymous email - avoid spam!
  10. Teach the commercial software by joshv · · Score: 3, Insightful

    Oh come on. Is PS7 really that different than more recent versions? Not really. Better to teach them on old commercially viable software, where there is a real market for the skillset. Very very few people get hired for their skills with the Gimp.

    1. Re:Teach the commercial software by McNihil · · Score: 2, Insightful

      I dunno but I'd rather hire someone that can do design with whatever tools they can. Heck they can do it by hand and then scan it in if they feel more comfortable doing so and meeting various deadlines.

      Photoshop, Gimp and other tools are just that TOOLS nothing more nothing less. Knowing the tool does help BUT to impose a specific tool on any artist is a BAD idea. Not only is it in the way of their creativity but also unnecessary.

      For instance I know many programmers that are better in VI and Emacs than in Eclipse or NetBeans not to mention VC++.

      People should have the option to gravitate towards what THEY feel being the most efficient for THEM and not something imposed by AUTHORITY that usually has no CLUE about the art at HAND.

      ok... I am off the soap box now.

    2. Re:Teach the commercial software by joshv · · Score: 4, Funny

      I stand corrected, the fact they there exists one person who was hired for their Gimp skills clearly obviates my claim that very very few people get hired for their skills with the Gimp.

    3. Re:Teach the commercial software by BeaverCleaver · · Score: 2, Funny

      Uh, I don't think he was talking about the software...

  11. Principles by TheMeuge · · Score: 5, Insightful

    How about teaching your students the principles of what they are going to do, so that (with some acclimatization) they can adapt to any software within the category you've taught.

    For instance, as far as image editing is concerned, it would be nice to talk about brushes and layers, and filters, all the while showing that while different software can have various options, located in various menus, the work can be accomplished on either, as long as the person knows exactly what they are trying to do.

    That way, your students would be more than just click-monkeys, who know little more than what sequence of buttons to push according to a flowchart.

    Because otherwise they will wind up like our Pathology department administrator who, when I suggested that to save the school tens of thousands of dollars a year they should use OpenOffice and discontinue the MSOffice site license, turned to me and asked: "But without MSOffice, how will our people do any work?"

  12. Movie Maker by svo · · Score: 2, Interesting

    Just out of spite, what would be the free/opensource alternative?

  13. OS is better by Pvt_Ryan · · Score: 2, Interesting

    I would go with the OpenSource. It is free (mostly as in beer) and there is generally great community support. You could trial it for a year and if it fails then go back to the old software..

    The biggest hurdle in open source software imo is getting people out of their comfort zone in order to use it.

    In saying that I am slightly bias as I disagree with people using the likes dreamweaver for anything other than RAD. Better to code by hand, you learn more. The number of people I have using dreamweaver/contribute that come to me with problems that they could have solved if they had even a basic understanding of HTML.

    A lot of apps have OS counterparts that do the job as well or better.

    Even in work I use OOo instead of MS Office while everyone else uses MS office.

  14. Hardware by Major+Blud · · Score: 2, Insightful

    How old is the hardware? Something to keep in mind is that an older version of Photoshop may run better on older hardware than the latest version of Gimp.

    --
    If you post as Anonymous Coward, don't expect a reply.
  15. Teach the ability to learn by ispeters · · Score: 3, Interesting

    I'd hope the class is more about how to use software than it is about how to use this software and, as such, I'd use whichever software you're more comfortable with. If you already have notes and lessons planned around the existing, old software, use that. If you have to make new notes anyway, why not introduce your class to the world of Open Source?

    Ian

  16. In short.. by SocialEngineer · · Score: 2, Insightful

    The older software will be your best bet - why? Many places still use older versions of the industry standards. It wasn't until recently that my place of employment upgraded to CS2 on every primary production machine - some machines still had Photoshop 6, and I think we've got one with 5.5 still that some sales reps use (this is at a newspaper). Second, the UI will still be relatively uniform and familiar in subsequent versions.

    It sucks, but better to teach them something they are more likely to encounter in some version or another. Don't hesitate to introduce them to open-source alternatives, but keep in mind that they will rarely be used in a professional environment (cue flames here - I'm an open source user myself, but I have yet to encounter any place that uses The GIMP in any sort of professional high volume production)

    --
    "Better to be vulgar than non-existent" -Bev Henson
  17. Re:What on earth is the point by smittyoneeach · · Score: 4, Insightful
    Which is more important, the pen, or the thought driving it?
    Why not teach students how
    • to think along procedural and functional lines
    • to consider the information in the abstract
    • to decompose the system and troubleshoot the gazintas and the gazoutas
    • to RTFM and search the web when the politician hits the fan
    • to calmly view ideas that one finds objectionable (Creationism, proprietary licensing)
    • to implement sound practices (version control, unit testing)
    Binding the conversation to specific software versions seems a cop-out.
    --
    Get thee glass eyes, and, like a scurvy politician, seem to see things thou dost not.--King Lear
  18. Dear Choir: by Jimmy_B · · Score: 4, Funny

    Dear Choir:
            I teach a high school theology course. We were scheduled to get new books this year but due to several pointy haired bosses, no books were ordered. The books I have to teach are (god help me) pagan scrolls from the 3rd century BC. The question is: is it better to teach old religions or their open text counterparts (Christianity, Hinduism, etc)? Is the steep learning curve and slightly less uniform world view worth a little damnation to teach them religion founded in the past 5000 years?

  19. Re:Throw in a little school-angst... by Anonymous Coward · · Score: 2, Informative

    Get a fucking job and you'll instantly understand why all these *idiotic* "just refuse" comments that invariably pop up like stinkweed whenever a professional conundrum is posed to Slashdot make the adults laugh bitterly. Refuse for a stupid reason (like this one) and you're likely gone. If you're not gone, you're pegged as being "difficult," and your future with the company is limited. The only situation in which you can refuse to do anything at work and *usually* come out unscathed is if it's due to immediate physical danger. That's all there is to it. Some day, you'll understand.

  20. Find a Flash replacement first... by nowhere.elysium · · Score: 2, Insightful

    Seriously: if you can find a F/OSS package that's analogous to Flash in behaviour and output, then yes, by all means, teach them the F/OSS stuff - they'll learn to think outside the GUI, which will do them no end of good. If, however, you can't find a suitable replacement, then don't. Flash 5 is not even remotely appropriate any more - it bears little to no resemblance to the current versions of Flash. Photoshop 7 is fine, although the layering method has changed a bit: you can now nest them, as well as play about with layer comps, which you can't do in pre-CS versions. Dreamweaver - well, do you really need to ask? As for Movie Maker: you can download a free version of Avid, or try and get hold of Kino or something along those lines. Teaching them Movie Maker will not do anyone any favours.

    --
    http://xkcd.com/313/
  21. Consider This by sherriw · · Score: 5, Insightful

    Since you are talking about highschool and not college, I'd say go with the open source option and touch on the older versions of the commercial software. Here's why...

    -If they find that they enjoy what you are teaching, knowing an open source (and FREE) software tool will make it easy for them to continue tinkering with it at home. They can download the same tool they used in the classroom and continue to hone their skills at home if that really is their area of interest/career path. In the end, it's their eye and talent as an artist that will determine if their career at this early stage, learning the software is secondary. Practice is key. Chances are a student can't afford a legal copy of Photoshop for their home computer.

    -Odds are that it will be a few years before they get into the working world anyway, so even if the school board gave you the latest versions of the commercial software, chances are that what they end up using in the working world will be several versions in the future anyway.

    - Once you've learned one tool, it's usually easy to learn another of the same type. Like learning programming languages. Once you have the basics, the icons for the tools and the menus are trivial.

    - Many artists do freelance work when they are first trying to break into the graphic design/art world. Knowing a free tool will keep their costs down.

    - It will help support the free/open source software movement, and make them aware of the wide variety of awesome free/open apps available to them.

    - Many employers even if they provide a commercial graphics program, will allow you to install and use your own preferred tool if it's free/legal/legit/compatible.

    - Giving them an additional taste of the old version commercial software you have will mean they've been exposed to two different tools- an advantage in the long run. Choice is good.

  22. Stick with Photoshop by porcupine8 · · Score: 2, Interesting
    I don't know about the others, but if you want them to actually be able to easily apply what they're learning outside of the classroom (possibly even in jobs), an older Photoshop is better than GIMP. GIMP just isn't Photoshop, and Photoshop is the standard.

    And yes, they might actually use these skills. I took a desktop publishing class for fun in high school and learned to use PageMaker. I then got a job during college that involved creating publicity materials for an academic department (flyers for events, etc) in PageMaker, and from there got a job doing layout at a local paper also in PM. And no, I'm not a graphic design major or anything - I was a cognitive science major and am now in a PhD program, but layout is a hobby of mine (and possibly the only visual art-type-thing at which I have any skill). And that newspaper job paid much better than anything else I could have gotten at the time.

    If some of the other open-source programs are more similar to the standard clossed-source ones, they might be valid alternatives. Or you could let them explore with both programs (for example, more advanced students might be able to do projects comparing the capabilities of two different programs).

    --
    Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
  23. Stop encouraging piracy. by Average · · Score: 4, Insightful

    Yes, the percentage of your class that will be in the industry will be using Photoshop and Dreamweaver (although those programs will be totally different in 5 years).

    But, I think you're better off encouraging students' curiosity for use *at home*. Which would you rather hire to use Photoshop, someone who's spent 100 hours using Photoshop 5 in a classroom a several years ago, or someone who's played with everything in GIMP for 600+ hours, built some webpages, entered some silly photo-editing contests, etc, and is still using it?

    In reality, of course, if you subtly imply that Photoshop is the only way to go, they'll just pirate it to work at home. This is pernicious. I'm betting 'moral education' is a part of your school's mission statement. Live it.

    Teach students to use Open Source software. Hand out discs with the PortableApps files. Accept ODF/RTF/TXT/PDF files as well as DOC.

  24. Free Software: Yes. Also, yes. by erlehmann · · Score: 2, Insightful

    From a short-term practical standpoint, i don't see a problem with teaching e.g. GIMP instead of an old Photoshop version - as long as you don't require features the free alternative doesn't have (GIMP has no HDR) you should be fine. Additionally, kids can also use the software at home and when they have completed the course, which is a big benefit - I am required to learn Maple [1] and didn't pay up for the draconian license which would require me to wipe it off disk as soon as i am no longer an university student. Also, old Photoshop knowledge most certainly won't help them in the job.

    Ethically speaking, as a good teacher you should absolutely abstain from proprietary concepts: Your obligation is to teach them something useful for society, not to teach them something useful for Adobe. Proprietary software essentially says that research into the functions and cooperation between people is forbidden, while free software actually encourages sharing knowledge and cooperation for a mutual goal. Read Stallman's essay on the topic [2] and decide what would be the ethically correct alternative.

    [1] http://en.wikipedia.org/wiki/Maple_(software)
    [2] http://www.linux.com/articles/32587

  25. Wake up by krog · · Score: 3, Insightful

    Your students are far better off using tools that people used 8 years ago, than tools that no one uses today.

    In particular, anyone who suggests using the GIMP over any moderately recent version of Photoshop for serious work should be sacked, tarred, feathered and shipped to Guantanamo. Photoshop 7 is light years ahead of GIMP today, and I will bet anyone here $5 that it's way ahead of where GIMP will be in ten years. (GIMP will then be twice as old, and if it's twice as good then it will still suck rod.)

    Dreamweaver and Flash are also non-negotiable components of any web authoring introduction.

    The students who are good candidates for open-source software will usually find their own way there. Don't force them to use OSS tools which are practically assured of leaving a bad taste in their mouths.

    1. Re:Wake up by PitaBred · · Score: 5, Insightful

      $5? Wow, you certainly are sure of your convictions.

      Just because you don't like GIMP doesn't mean that it's useless. I find it easier to use than Photoshop. The only problem with it is if you think the Windows way of thinking is the only way to think. But hey, that's what schools are for, right, teach kids what to do, rather than how to think.

    2. Re:Wake up by TheRaven64 · · Score: 4, Insightful

      I agree with much of what you say, but disagree with the conclusions. If you do not expose your students to tools they are likely to be using in the workplace, you are likely to do them a disservice, but it depends a lot on how long it will be until the use them professionally. What age does high school start? In the USA, I believe it's age 14. Assuming the students then go on to do a degree (typically 4 years in the USA) then they will be 22 by the time they are looking for a job. Eight years is a long time in software. There is about the same difference between the office apps I was taught at age 14 and OpenOffice as there is between them and Microsoft Office. I was taught Paint Shop Pro (3, I think) at school and it has about as much in common with The GIMP as it does with a recent Photoshop.

      Teaching two or more tools will put students in much better position to learn new tools later. If they understand what they are doing, rather than how the tool is used, then they will be much better able to adjust later.

      Dreamweaver and Flash are also non-negotiable components of any web authoring introduction. Remember, this is high school, not a vocational college. An understanding of HTML would serve them a lot better than using any WYSIWYG tool, particularly an understanding of the CSS box model. The tools change, but the basic assumptions remain valid. I was taught some WYWIWYG tool that no longer exists, but I was also taught the basics of SGML. Guess which I've found more useful.
      --
      I am TheRaven on Soylent News
    3. Re:Wake up by krog · · Score: 3, Insightful

      GIMP has certainly advanced over the years, but retains a fundamental brokenness of UI design. If the UI were fed into a chipper-shredder and some good human interface designers stepped in, GIMP might well roll over Photoshop, or at least come to be considered a legitimate alternative to Photoshop, rather than a Photoshopalike For Zealots.

    4. Re:Wake up by krog · · Score: 2, Interesting

      Thanks for the thoughtful response. I agree with you that learning multiple tools is far preferable to learning only one; however, the reality of teaching dictates that there usually isn't time for that.

      I just think that to choose the GIMP is a contrived, pious decision which short-changes the students in order to blindly "stick it to the man". I used to be a GIMP supporter as well. In 1997 we all wanted the GIMP to succeed. Ten years later, the GIMP UI is still uglier than a meth whore and there is still a legion of FOSS-zealot GIMP apologists. I appreciate that it's better to have a bad OSS alternative rather than none at all, but I have to call a spade a spade, even when it sends me into -1, Troll city.

    5. Re:Wake up by GooberToo · · Score: 4, Interesting

      You know I see this stated every time someone mentions GIMP. And rarely is it backed it up with anything factual. At best, people say it sucks because it's not photoshop. Well, by that lame definition, every application in the world sucks, save only one. Hardly a defensible position.

      What is so bad about GIMP?? I've used it for very simple purposes. I'm not a professional. I'm equally lost in GIMP as I am Photoshop. And unless you use one or the other every day, you are too; unless you are spinning one for us.

      Maybe it's because I'm not a professional artist, I remain ignorant of the details for more complex, day to day operations? But then again, that should tell you the interface isn't fundamentally broken. Why? Because otherwise people wouldn't be able to intuit the interface as experience grows, just as people do with Photoshop. And frankly, I have used it enough now to do all the basic things I need to do without any trouble.

      As a side note, I know professional photographers (they get paid big bucks for their work) which use GIMP without trouble. Does this mean it's ready for all photographers? No. What he does is a niche for sure. Nonetheless, with a zero digital editing background, he figured how to do what he needs to do with little effort or pain. This again suggests you're fighting a common bias rather than a fundamental UI flaw.

      To be clear, I am not advocating GIMP's interface is the best thing since sliced bread. All I'm saying is it's different but I'm certainly not seeing anything bad; which is in stark contrast to the commonly offered opinion here.

    6. Re:Wake up by compro01 · · Score: 4, Informative

      If the UI were fed into a chipper-shredder and some good human interface designers stepped in that's being done for 2.6. they've hired a UI design company called MMIWorks to redesign the GUI.

      and the switch to GEGL will take care of the 8-bits-per-channel limit.

      then again, this all could be excessive optimism and nothing will really change in 2.6.
      --
      upon the advice of my lawyer, i have no sig at this time
    7. Re:Wake up by krog · · Score: 3, Interesting

      Read paragraph 2 of this post for but one example of GIMP's UI travesty.

      To me, the GIMP UI is just too clumsy and labyrinthine to prefer it over Photoshop. Just about all the features I want exist in GIMP; getting to them and using them is where I get angry. This mostly stems from GIMP's rootless design, a central decision which has hindered GIMP's adoption more than any other single attribute of the program.

      Again, I would like to make clear that I am glad GIMP exists. In fact, I will even go so far as to say that Script-Fu kicks huge ass, and I miss its absence in Photoshop. I just find the GIMP to be a far less user-efficient tool than Photoshop in all other cases.

    8. Re:Wake up by localman · · Score: 2

      As someone with mod points at the moment, I considered undoing the "-1 Troll" on your previous post because most of what you said is true. But I didn't because your language _is_ trollish. You sound a bit like Sean Hannity, and whether I agree with you or not it's terribly annoying. If you have a point to make, just make it. The "shipped to Guantanamo" rhetoric and phrases like "sucks rod" just make you sound uneducated and trollish. Which lowers the quality of the discussion.

      Just thought I'd give feedback instead of modding you.

      "uglier than a meth whore"? C'mon man... you're not Dennis Leary.

      Cheers.

    9. Re:Wake up by krog · · Score: 2, Informative

      No problem; I don't run Linux.

    10. Re:Wake up by dgatwood · · Score: 2, Insightful

      I love the groupthink here. I post a well thought out opinion from having extensively used both pieces of software, and some jackass moderates me redundant not because when I said actually was said elsewhere in the thread, but because he/she didn't agree with me.

      Unfortunately, this is why projects like GIMP rarely (if ever) become as good UI-wise as commercial products like Photoshop. Instead of responding to critics intelligently with reasons why they are wrong or giving critics due consideration and implementing their suggestions, the egos of open source developers get in the way, and they write their critics off for daring to disagree with their narrow, developer-centric view.

      By contrast, in addition to reading and evaluating direct user feedback, companies like Adobe spend truckloads of money doing focus group research on an ongoing basis to study every last detail of user workflow. If they realize that something in a submenu is used too frequently, they move it up to a top level menu. If they realize that half of their icons aren't distinguishable from each other at a glance, they add color, drop shadows, and higher quality icon renderings so that their pencil tool and paintbrush tool and magic wand are easily distinguished at a glance. And so on.

      UI research requires careful study, iteration, careful study, iteration, careful study, iteration, ad infinitum. It is not a one-time thing, or even a periodic thing. It has to be a continuous process. That's expensive to do correctly, and it is fundamentally impractical for open source to do this at the same scale as a commercial outfit. However, even limited user testing can have huge benefits. Count how many click sit takes for a skilled user to do something, and figure out ways to reduce the number of clicks. Do naive user testing on people who have never used it before and figure out what mistakes they make.

      Most importantly, realize that every single mistake a naive user makes should be considered a probable UI flaw unless the user is actually new to graphics software in general. While it may take a new user a couple of hours to find menu items in a new tool, if the user is skilled at another graphics package, he or she should not make a significant number of actual mistakes in the process. If they do, it means that you as a developer did something very wrong. Further, if the learning curve takes much longer than that, it means that your menus might not be logically organized. And so on.

      To the moderator who modded me down, get over yourself. Open source software does many things well. UIs are inherently not one of them, and this problem isn't easily solved because open source projects simply don't have the financial or human resources to do proper testing on the scale that is needed. What we really need as a community is an open source UI research foundation. Set up an organization to do UI testing and analysis and make it freely available to open source projects. Try to get somebody like Google to help back it. That would do more to improve the perceived quality of open source software than anything we as a community can do at this point.

      If nothing else positive comes from my comment, hopefully at least it will get people thinking about the problem.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    11. Re:Wake up by krog · · Score: 2, Funny

      To the moderator who modded me down,

      Dude, you dissed GIMP. On Slashdot.

      Grab your ankles and get comfortable.

    12. Re:Wake up by raddan · · Score: 4, Insightful

      Part of the problem is that very few professional designers (e.g., print designers) are also cognizant enough about software design to explain to a GIMP developer what the problems are. I am only vaguely aware of some of these issues; my main problem wihth the GIMP boils down to palettes not being truly floating. I can live with the right-click-to-do-anything mode. But designers need to do some additional things: full control of color space (RAW, CMYK, spot colors), they need color space histograms, they need to be able to easily produce color separations, they need to be able to easily put together batch transformations, they need some sophisticated marquis tools, they need to be able to mix raster and vector art, have access to Postscript, TrueType, and now OpenType fonts, and so on. I do not know if these things are available in the GIMP, because I am not a designer, nor do I regularly use the GIMP. But that's just to point out that designers do need specialized tools.

      Also-- the GIMP is ugly to these people. As a programmer, I find certain elements very elegant. Most designers couldn't care less that you can write GIMP plugins in Perl; they're irritated that when they double-click on an image in InDesign, it doesn't automatically come up for editing in the GIMP. Some of these issues are petty-- but in my experience, designers tend to work in a more immediate-feeling, less rational domain. Appearance is important-- after all, they're paid because they have a highly developed aesthetic sense. Programmers are so horrendously square to many of them.

      Adobe's stuff is expensive, and in many cases overrated, but they have indeed put a lot of thought into the workflow (e.g., integration between DTP app and photo editor) and appearance, and for a lot of people, this is all that matters. These facts combined with certain mailing list posts that lead me to believe that some GIMP developers suffer from a bit of a 'high horse' syndrome lead me to believe that this is why GIMP is not universally accepted, despite the fact that it is a highly capable application.

    13. Re:Wake up by GooberToo · · Score: 2, Insightful

      I have to agree with you. It all sounds like baseless bashing. We all know about the printing side things but that doesn't really have anything to do with the UI.

      One comment I've seen several times is the lack of context menus. This mean people expect a right click to do something else based on the currently selected tool? Even so, that sounds like basis to argue there is room for improvement and not that the UI is completely foobared and unusable. One of the rational replies I received basically said common actions are more tedious. My question is, is this a difference in interface idioms or truly a design deficiency? All I know is it is hard to separate the emotion from fact.

      For example, I can do some things much faster in XEmacs than most VI users. The inverse is also true. That hardly means both are horribly flawed and broken. Nor does it mean one is superior over the other. It just means each has differences in their interface goals and the way they implemented a particular idiom. On the other hand, if I apply most GIMP comments to these editors, they are both unfit for professional use. Which is exactly why I keep pondering the legitimacy of the often spouted anti-GIMP comments.

      Thus far all I'm hearing is it is bad because it is not photoshop. And despite the constant criticism, the UI is plenty functional with room for improvement. Which seemingly matches my own impression of the product. I guess the remaining variable is exactly how much and in what way improvement is required.

    14. Re:Wake up by Em+Adespoton · · Score: 2, Informative

      Again, perhaps I'm out in left field here, but why is clicking a window, as a user does with any other application, cause such strife when it's a fact of life for users who don't use focus follows mouse? Seems like you're damning a specific application because of a personal usability bias; which can be observed in every other application the user runs on that system. What am I missing?

      As someone who uses a number of graphics design and retouching programs, I'll tell you:

      First off, I rarely use the mouse, except as a selection/manipulation tool. All actual transformations and tool selections I do from the keyboard. With the Gimp, this is almost impossible, as your keybindings keep changing as your mouse focus changes.

      Second, when working on polishing up a graphic, having a cluttered screen is an anathema. This is why people maximize windows to full screen: so they can concentrate on the image at hand. This doesn't mean they don't multitask; it's easy to use alt-tab, Expose (on Macs), virtual desktops, etc. to switch tasks/windows; this doesn't mean that all those little toolbars always have to be visible on the screen.

      I rarely click windows when I multitask; it is all done from the keyboard, which is much faster and more efficient. I don't use focus follows mouse for one significant reason: usually when I'm moving the mouse, I'm moving it to get it out of the way of what I'm working on. If focus and keybindings changed because of this, this would be VERY frustrating. As a result, every time I've attempted to switch to FFM, I've turned it off after a couple of days of getting very frustrated with it.
    15. Re:Wake up by lifebouy · · Score: 4, Insightful

      I gotta say, as a professional, Gimp is not there yet. It's not photoshop, and it's not close. I'm a big supporter of Gimp. I use it all the time. I use it because it's Free. But Photoshop is simply better, from a usability standpoint. It's not that I cannot do in the Gimp what I can do in Photoshop, because for the most part I can. It's that the Gimp is not as intuitive as Photoshop. As a consequence, getting things done is much slower in the Gimp, generally speaking. On top of that, there's always something wrong with the Gimp. I've never had it Just Work(TM), not under windows, not under linux. Now, I've been using them almost equally (I've actually used the Gimp more, honestly) for at least 7 years, and Gimp for longer than that. So I'm not just coming out of left field.
      The main two issues with the Gimp are that the various windows not in a single container (Yeah, GimpShop. It sucks, too) and the lack of a good layer system. Nested layers and layer folders are a must, no room for debate. Acting on multiple layers is inconsistent, and that most definitely is unacceptable. For any aspect of the Gimp, as soon as you find yourself fighting the interface, the interface is broken and needs to be fixed. I find myself constantly fighting the window sizes, and constantly find myself looking for pieces of the interface that dropped behind another window. That sucks, and is bad design. I know it's a Unix-ism. But it's still bad design.
      Having said all that, let me just say I love the Gimp, and kudos to all who have worked to make it what it is. Which is pretty awesome, but not good enough for professional design, considering the competition.

      --
      Drop me a line at:
      Key ID: 0x54D1D809
  26. Debatable by corychristison · · Score: 2, Interesting
    This is such a debatable question, especially on Slashdot.

    I do web development/design for a living, so I will try to provide a little bit of insight.

    I use Photoshop CS2 for the majority of my work... the problem being that I use Gentoo Linux. I have a WinXP install running under VMware just to use it... this is mostly because I learned how to use Photoshop when I was young, and I just stuck. I use gimp for the quick edits, and it does this VERY well. Examples: Crop/Resize, Add Text, maybe add a drop shadow, etc.

    When it comes to Dreamweaver, I've always hated it. It was slow, and a painful mess last I used it (version 4 or 5). I'm a programmer, so I suppose I am a little biased, but I code all of my X/HTML by hand. Teach your students how to code HTML by hand. Students tend to use Dreamweaver as a crutch. They learn how to point and click with it, but never really understand what exactly they are doing. When I was in high school, I used to attend a national competition called "Skills Canada". Every year in the national round, there was always at least ONE person who freaked out and dropped out of the competition because Dreamweaver was not set up the same as they used to have it back home. Now, I, and others, used notepad or notepad++, etc (Ya-ya! I know Dreamweaver has an IDE built in -- I still don't like it). We had no issues because we saw, and built the code whereas the competitor who dropped out did so because they were dependent on the visual interface ("It's different, what the hell do I do!?").

    When it comes to Flash, there isn't much of an alternative... Flash is what you need. I personally own Flash MX2004 and I like it fine. I'm planning an upgrade to the next release (CS4 I think it will be?) or if there is a nice update to the latest version (like a service pack)... I've heard it has some issues (mostly interface stuff).

    As for my recommendation, someone above mentioned for you to teach until you receive the required materials.

  27. Well I'll be hard pressed by tepples · · Score: 3, Insightful

    Gimp clearly cannot compare with Photoshop, and you'd be hard pressed to find Gimp in any professional office.

    Well I'll be haarrd-pressed![1] I work for a small business, and I use GIMP to prepare product images for the web store.

    [1] Said in the tone of "Well I'll be dog-gone!"

    1. Re:Well I'll be hard pressed by carpe_noctem · · Score: 2, Funny

      Yes, and judging from how your personal website looks, the results must be simply breathtaking....

      --
      "Quoting famous computer scientists out of context is the root of all evil (or at least most of it) in programming." - K
  28. A reason for OSS by DoofusOfDeath · · Score: 2, Insightful

    If you teach them to use Gimp, then they can legally and without cost do their assignments at home. They could also use the skills you've taught in order to, from home, make nice art for friends' web pages, etc.

    If you only teach them PhotoShop, they may be forced to (a) use a pirated copy at home or (b) not use their home computer at all.

  29. You do realize this is a school teacher, right? by wattrlz · · Score: 2, Interesting

    Making a stand in the primary school system isn't easy to do if you don't have tenure. Even with tenure there's a pretty good chance they'll replace you with the worst possible candidate and shuffle you off into a corner somewhere.

  30. Dept of redundancy department by sm62704 · · Score: 4, Insightful

    Having been modded as redundant I feel need to elaborate

    That was priceless! Thanks, you made my day! As to your point, I agree completely. What's wrong with pencils and rulers? The newest software will be out of date by the time these kids get out of college.

    All a REAL artist needs is mud and a stick, and he can do without either in a pinch. You have to learn to see before you can learn to render.

    -mcgrew

    --
    mcgrew's razor: Never attribute to stupidity that which can be explained by greedy self-interest
  31. What about trials? by mnslinky · · Score: 2, Insightful

    You *could* have each student download a trial copy of the software, namely Flash and Dreamweaver, and use that. It gives you 30 days to play with it.

    HTH

  32. First problem by SCHecklerX · · Score: 2, Insightful

    Don't teach 'software.' Teach concepts. Whatever you use that lets the kids be productive with the concept should be fine, right?

    In college we used some sort of cad software that I don't even remember the name of. That didn't mean that the concept of snapping, lineto, center, tangent, etc didn't translate when I used autocad (which I most certainly did not take a class on) for a few things before becoming a full time computer geek. Same applies to firewalls and routers and such. If you know TCP/IP and Routing and such, how to configure the stuff is simply a matter of looking up how to do it on that particular device in the manual (how do I define a tunnel, how do I define a route, etc). I *hate* working with cisco guys who took their class, and can't think beyond the ciscoese (bringing up partner IPSec VPNs being the best example of this).

  33. Simple question with a simple answer by DaveV1.0 · · Score: 3, Insightful
    Ask yourself this:

    When the student is able to make the leap to the new software, what will be easier for the student to make the transition from?

    Which will be the easier transition: Photoshop 7 to Photoshop CS3, or GIMP to Photoshop CS3?

    If the answer is the old version of the commercial software, then you should teach the old version of the commercial software.
    --
    There is no "-1 offended" or "-1 you don't agree with me" mod options for a reason.
  34. Not as straight forward... by xtracto · · Score: 4, Insightful

    NO. My answer is NO. Do not teach DreamWeaver 5, or Quanta or NVu or Photoshop or GIMP. Do not do it, STOP doing it.

    What you should do instead is to teach about web developing (HTML, etc), image manipulation, etc. If you teach only how to press x or y button you will be robbing the students because when the next version of X program goes out they wont do how to achieve that misterious effect the teacher shown them how to achieve which made the picture look better.

    You do not need to teach them the science of what they are doing (i.e., no need for an extensive programming class, just HTML and the basics of web design). But you could very well teach them the concepts and apply the conecpts in your "old" propietary software and the "new" open source. In that way, they will be able to onder the benefits and disbenefits of each tool.

    --
    Ubuntu is an African word meaning 'I can't configure Debian'
  35. teach both by Darth+Cider · · Score: 2, Insightful

    You could use both types of software, commercial and open source, to reinforce the abstract concepts. In Photoshop, for example, the basic concepts are layers, selections, filters, brushes, levels, curves, etc., but when a digital artist plans an image, it's an abstract process, wholly independent of software interfaces (although familiarity with a particular interface can boost productivity). Many of those same concepts transfer to web design and film editing.

    Also, the commercial versions of the software you mentioned are expensive, so your students might like to know that there are freeware alternatives to piracy.

    Because you are faced with a time constraint, though, it might be better to go with the commercial products. There will be fewer technical snags, more options for further education, more employment opportunities and so on. Besides, as others here have said, the commercial versions available to you are quite advanced. More recent versions have cool tools, but artists got by without them for the longest time, and had to be very creative to get past those limitations.

  36. Concrete examples of GIMPS flaws by BcNexus · · Score: 3, Informative

    I can't easily draw outlines of geometric shapes such as circles and squares. Right click menus aren't very context sensitive.

  37. Re:Don't pull a FOSSie bait-and-switch by danbert8 · · Score: 2, Interesting

    That's a load of crap. Many of these applications differ from business to business... I learned AutoCAD in high school and college. My company uses Bentley. They still saw my extensive AutoCAD experience and knew that I learned to draft. Yes the commands are different, but so are the company policies, structure, and missions. You have to transition in any environment. Hence teaching should be about concepts, NOT software.

    --
    Yes it's an anecdote! Were you expecting original research in a Slashdot comment?
  38. Adobe bloatware! by Jeremy_Bee · · Score: 2, Interesting

    I think you're missing the point a bit here.
    This is a high school class.

    Pretty much every new feature you just touted is completely irrelevant in the context of what a high school student needs or is going to find useful.

    I think the point being made is that except for a few high-end features and tweaks like you mention and the horrible, horrible, "integration" of the CS suite, Photoshop is virtually identical today to the product it was then.

    IMO experience for users who are not professional photographers and not stuck in a production house CS suite integration and things like the "Bridge" are worse than useless. They actually cause severe problems in using the software and slow down your computer to a crawl.

    Adobe CS 2 installed about 250 Megs of "support" files in my Library folder comprising about a quarter million separate files. At home I have CS 3 and it installed something like 1.8 Gigabytes of "support files." Almost all of these files are there for things like Bridge and VersionCue and Adobe's online picture marketing service that the average PhotoShop user (even the average *professional* user) has no use for at all.

    I'm a professional user and I don't need help taking pictures or finding clipart for my projects. I also don't need help managing my file versions to the point that I need memory eating "helper" apps running in the background all the time or trying to connect me to the Adobe "marketplace."

    CS suite is the kind of crass, overpriced bloatware of the kind that only a monopolist could get away with.