The Law and Politics of Battlestar Galactica
privacyprof writes "Fans of the show Battlestar Galactica might be interested in our interview with writers and producers Ron Moore and David Eick. Three law professors at the blog Concurring Opinions have an hour-long interview with Moore and Eick about the legal, political, moral, and economic issues raised by the show. The interview is available in audio files; alternatively, people can read a transcript of the interview (Part I) and (Parts II and III). Part I examines the lawyers and trials in the show, how torture is depicted, as well as how the humans must balance civil liberties and security. Part II examines politics and commerce. It explores how the cylon attack affected the humans' political system, and it examines how commerce works in the fleet. Part III examines issues related to cylons, such as the humans' treatment of cylons, how robots should be treated by the law, how the cylons govern themselves politically."
Most of you will be warely of a link from an AC, but definitely avoid this one!
Is this a rhetorical question?
people seeing a need for balance on these issues in the abstract
but in real life, i bet a lot of these people who see a need for balance turn into kneejerk privacy fundamentalists or kneejerk security fundamentalists
there are limits on everything folks, even [insert principle you hold most dear]
intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
Yes, a little offtopic but if you're going to talk
about politics and law, why not religion too, right?
The image is slick...
Battlestar Galactica Last Supper
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What I'd like to see is more details of how and why the Cylons broke free of Human control in the first place. Not what they did afterwards. How did the 12 Colonies screw up so badly with their robots from the beginning?
"It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
The best science fiction is always used as a tool to explore the current issues of the day. Whether it's aliens subbing for commies in the 50's, or cylons standing in for terrorists in the 1st season of the new Battlestar Galactica, using science fiction always lets you take a step back from the subject and explore it indirectly in a way that you never could if you made a show that deal with it directly.
SJW: Someone who has run out of real oppression, and has to fake it.
I realize Dirk Benedict is a very handsome man, but I think it would have been a little inappropriate. Oh, wait...
moderation in everything... including moderation ;-)
intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
... is that the only character that follows clear moral principles is karl "helo" agathon; every other character on the show has obvious flaws (which are necessary to create tension), but he is the only one that does what he deems right without doubt.
i like the message transported through this: in the end, there are no heroes.
I know a number of fans, but quite frankly, I haven't really watched it since the end of season 2. Yes, the beginning of season 3 got more into the moral issues of occupation and resistance, but it did it at the expense of storyline, internal consistency, and even believability. I mean for crying out loud, who brought 20th century trucks from Old Caprica to New Caprica?
But the main reason I started to first TiVo instead of watching, then not watching the episodes on my TiVo, and finally not taping them at all, is that in my opinion, the quality of the writing went way down. Season 1 and 2 had terrific, well timed dialog, Season 3 and later descended to shouting, ranting, and screaming.
I stopped watching the series after it stopped being about running away from the hoard of robots trying to murder everyone. I'm not terribly interested in complicated relationships. That's what soap operas are for.
Briefly in the early part of the series, things started running out. Simple commodities like whiskey and playing cards. I was upset when that issue disappeared. A random assortment of military and civilian vessels might be well stocked, but they certainly would not have a full assortment of manufacturing capabilities. Especially for specialized good like pharmaceuticals. They eventually addressed a shortage of antibiotics, and the development of a black market. But realistically. They would be able to produce no antibiotics at all.
And really. Why would a passenger vessel capable of hopping between stars in the blink of an eye have manufacturing centers? Or fuel refineries? Or food production capabilities.
I was hoping to see Cloud Nine, the dome greenhouse like ship be converted into agricultural land.
I know these issues aren't nearly as exciting as -getting into bed with your imaginary genocidal robot-
Think about it though. The main goals following some sort of catastrophe like this would be.
1.Stability: Stop whatever killed everyone from still doing so. Stop the panic. Get people working together instead of looting from each other.
2.Preserving technology, infrastructure and supplies. If you've got something that works, you can't replace it. Do whatever you can to keep it working.
3.Rebuilding infrastructure. Need to grow food to live once the supplies run out. Can we built farming workers? No. Can we build tractors? No. Can we build shovels? Yes. Start from there, and learn what we need to make it work.
4.(optional) Preserving knowledge. After everyone's farming, hunting, gathering, or whatever is needed to stay alive. We realize that we still know how to make all sorts of advanced technology, even if we don't have a large enough society to make use of it. It would be valuable to archive all the knowledge so that it is accessible after the last battery runs out of juice.
just my thoughts...
Science Fiction uses fantastic elements as window dressing to cover up the fact that they are trying to get you to think about the human element. All good science fiction (Star Trek, Asimov, BSG, B5, Firefly (definitely not all of it, but examples)) is less about the science and more about the people and the choices they make.
You're looking for Space Opera (Star Wars and its ilk), two doors down on your left.
And also, who's to say that it is meant to be USA specific. Maybe you are just extrapolating based on what you are seeing. Like how many people see the conflict between God/Nature vs. Man in Moby Dick when Melville had stated it's just a story about a whale.
In which case, that makes BSG excellent science fiction.
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I think the series is scripted to provoke exactly the kind of conflictual emotions you have mentioned - it's an old trick and it works well for retaining viewer interest. The interesting thing is that you feel the writers haven't considered these issues - I don't think they show the humans in an uncritical light at all, in fact many of the worst acts in the war are committed by humans (rape, torture, etc), I think you're feeling exactly what you're supposed to feel - i.e. 'Hang on a minute, that's not right'.
By showing both sides of the conflict, they're shedding light on the tricks we play on ourselves to make warfare acceptable. Rather cleverly, they've cast the robots as more human than the humans in many ways (religious, questioning, constantly seeking resolution), and difficult for the viewer to tell apart from humans. People are being tortured right now in the name of the US and the UK, so I think it's rather apposite that they show humans trying to justify this by dehumanising their enemy - now perhaps they still show torture working sometimes, and they fail to show the effects it has on the torturers in terms of twisting their moral sense, but torture does happen in most wars, and they're right to show it. Nicknames like toaster etc are very common in times of war (see names for Germans or Japanese used in the states in WWII)- it's the first step in preparing to wipe out an enemy; suppress empathy. I'm sure you could find people who applauded the fire-bombing of Dresden, because of being dehumanised by war.
Now the scripts are far from perfect, and in many ways it's a standard sci-fi pot-boiler, but there are elements which are definitely interesting, and I don't believe for a minute that the writers are not aware of the buttons they are pushing, or that they somehow feel all the actions of the humans are justified. Much time is spent discussing whether in fact these actions are correct or acceptable in any circumstances, and the introduction of several cylon characters into the human fleet is designed to bring home this distinction - personally I don't agree with their justification of torture, but it's not as naive as something like '24' at least, where jack gets out his pistol and whacks evil super-villains on the head with it a few times till they give up the secret code to their nuclear weapons. They've also played with insurrection and when/whether it is justified, which I thought was a very useful topic to examine right now in the west.
I agree the politics can be caricatured at points, though the revolt of workers was not unusual in its outcome - If you look at the history of industrialised nations, you will see many cases of exactly this behaviour - the 1848 revolutions in several other european countries fizzled out before they got going, and the earlier frame breakers/luddites have even become a byword for stupidity, even though their grievances were real and their movement brutally repressed. When workers are not organised or allied with the middle classes they're going to have a hard time fighting a heavily armed government determined to impose order, and often the best option is to give up and bide their time.
I just wish they based more of their scripts on historical events, to give it a bit more grit and a bit less of the trite pablum which passes for political discourse in America at the moment - at times I felt like I was watching the first episode of the West wing, particularly when that president opens her mouth, or they had that journalist woman being defused by being allowed access to the military (a nice idea, and stylistically quite fun with the grainy footage, but again came out a bit trite). I finally got bored with it all after the 3rd series, and gave up on it - it turned into a soap opera, and not a very good one, and the mixture of shallow political/social analysis and faith was just too much for me. There's a lot there that could be good, but unfortunately they went for the easy options too many times, and felt it necessary to add lots of trite filler and romantic stuffing that didn't really belong. But perhaps that's why they didn't get cancelled and Firefly did.
I don't feel the show is encouraging xenophobia though, quite the opposite, it's encouraging you to think about it.
True story: back during the Soviet invasion of Afghanistan, I had lunch with a well educated, mild-mannered, drug and gun running mujehaddin working in India. When he found out I wasn't going to be a customer, he relaxed and we talked religion. He asserted that there were more Buddhists than any other religion. I scoffed and began quoting the other statistics in this thread, but he replied:
"Few christians are actually christian, and few muslims are actually muslim... but most buddhists are actually buddhist."
Damn those pesky terrorists
A lot of people complain about shows getting preachy and derailing the quality of the entertainment to make some sort of moral statement. Some people consider any amount of preaching derailment, no matter the quality. I don't mind preaching but I do hate it when that sort of thing knocks the show off the rails. Derailment comes in the form of making people out of character, contorting the internal logic of the show to bring the issue up, and knocking the flow of the overall series off the tracks.
Galactica has been guilty of all of those. I gave up when they decided to do the whole Iraq occupation thing. For starters, settling on a planet makes no sense when your enemy is space-borne and can hunt you down. That violates sound military doctrine in the context of the show. Second, how do you apply terror tactics against an enemy who is effectively immortal? While somewhat cheesy and seemingly a wasted effort, suicide bomber Cylons make sense in that they are immortal and will come back after they die. It would still seem more sensible for them to conduct a larger sabotage given how far they've infiltrated into the Colonial military. But for humans to suicide attack Cylons? Again, it's one thing if you're talking about a Viper pilot pressing home an attack against a basestar. Losing a capital ship should hurt, they don't grow on trees, and such a move could provide the opening for the Galactica to escape a sticky situation. But strapping on a dynamite vest and walking into a Cylon bar? "Bugger, I got blown up. Well, let me crawl out of this tank, put on something slutty and we can resume at some other bar."
None of that made any context within the confines of the show, the writers just wanted to do something they saw in the headlines. Yawn. Might as well throw in stem cell research, teen pregnancy, female genital mutilation, and rants about Vista.
Kwisatz Haderach
Sell the spice to CHOAM
This Mahdi took Shaddam's Throne
I don't know whether they are hippies or not, but they did display something that could even be seen as borderline stupidity or naivety regarding such a strong theme of bare survival of the last remains of a human kind.
Nobody seems to notice a simple fact: there were 12bn people at the beginning of the show, and in couple of minutes after that they were down to mere 40+ thousand. It's about 0.0004 percent - it's not even a statistical error, it's a rounding error! And it's the second war with Cylons who very effectively showed to all that they are into exterminating the human species. You cannot make peace treaties with somebody who annihilated your entire species - you fight until one side does not exist anymore. Period.
The normal thing any government would do in situations far, far, far, far, far... better than that is to implement marshal law through and through. And here we have some idiots who are trying to still stick to the 'ole democracy principles' like it's some scholarly issue?! The workers' strike? At the only facility that produces fuel for all the ships, including fighters (in other words, the most important element in human survival there)? Facilities like this are part of the military in such conditions - the workers there are effectively soldiers under command in war - disobeying orders in wartime situations by the soldiers usually ends up by putting ringleaders against the wall in front of the firing squad, if not all of them. And soldier ('Halo' Agathon) who intentionally sabotages the activity that would bring the ultimate victory in this war of annihilation, even it could be seen as genocidal by some, is not a brave and moral individual - he is a traitor of his own species, and should be punished as any traitor in war was before him! Human rights and morals in situations like that are voluntarily resigned because they can (and usually do) prevent the system to function optimally! It's not about way of life, or this or that religion or political idea prevailing, it's about bare survival of an entire species!
After all, there's an old saying: if democracy works, why doesn't military implement it within its own ranks...
That's real life. BSG isn't even a good description of reality in fictional universe. I don't dispute that authors of the show wanted to raise some genuine questions, but they did it in a totally wrong setup, which only made these questions less genuine and more artificial, and whole show barely watchable.