$90 Asus Sound Card Whips Creative's Best
EconolineCrush writes "Sound card giant Creative caught plenty of flak for its recent driver debacle, and has long been criticized for bullying competitors and stifling innovation. But few have been willing to compete with Creative head-on, allowing the company to milk its X-Fi audio processor for more than two and a half years. Now the SoundBlaster has a new challenger in the form of Asus' $90 Xonar DX, which delivers much better sound quality than the X-Fi, PCI Express connectivity, and support for real-time Dolby Digital Live encoding. The Xonar can even emulate the latest EAX positional audio effects, providing the most complete competition to the X-Fi available on the market."
I don't know why people spend tons of money on a computer only to throw in a cheap sound card, or even worse - rely on onboard sound.
My sound card - a Turtle Beech Catalina cost about what this does and was worth every penny, especially when teamed up with Bose PC speakers and sub.
Am I paranoid to think that these hardware companies who are stingy with their drivers are mostly on Microsoft's tit, being subsidized to keep drivers out of the hands of free software developers?
Freedom is free.
Does it work in Linux? X-Fi on Linux is terrible at best and doesn't exist at normal. Can someone some insight as to whether it works in Linux or not?
Since EAX doesn't work in Vista anymore, does this really matter anymore?
Can anybody clue me in on the state of ALSA support for this card?
Have you got your LWN subscription yet?
i haven't been able to tell the difference between my old live and my brandnew supposed "HD" soundcard. maybe on some seriously expensive speakers and a full THX system i could, but who needs to spend $300 on one of these cards creative put out?
If you mod me down, I will become more powerful than you can imagine....
Seriously. I'm tired of sound cards basically being an all Creative market. While this newspost is basically a slashadvertisement, I'll buy it as soon as I dig up another review or two that echo the results of this one.
since we seem to be slashvertising, I vote for M-Audio:
Audiophile, or
http://www.m-audio.com/products/en_us/Audiophile192-main.html
Gamer/Home Theatre
http://www.m-audio.com/products/en_us/Revolution71-main.html
Words to men, as air to birds.
It must be press release Tuesday at Slashdot.
Good heavens Miss Sakamoto - you're beautiful!
Please don't mod me funny, I'm asking quite seriously. If it runs with open source drivers, does 7.1 and has hardware mixing so that I don't have to bother with dmix, I'm buying it tomorrow morning.
The article's author has posted a short follow up piece after someone pointed out that some of the RightMark Audio Analyzer results don't make any sense. The X-Fi's frequency response is all over the place in the loopback (and only the loopback) tests, which causes most of the RMAA results to come in far lower than they should, or indeed where they did score when the card was initially reviewed a couple of years ago. The Xonar still does well regardless, but the RMAA results are effectively useless right now. I suspect the issue is that they used Vista; RMAA is a very peculiar program and has not been certified for use on Vista in all cases because of the UAA screwing with things.
Also, for the sake of being pedantic, the X-Fi they used isn't Creative's best (hence the submission title is wrong); the Xtreme Music was the low-end model and was discontinued last year, to be replaced by the Xtreme Gamer. The Elite Pro is still Creative's highest-end X-Fi.
Improved sound quality? What for? I've got tinnitus you insensitive clod.
To do something right, you often have to roll up your sleeves and get busy.
WTF? Two girls one cup? On YouTube? That ain't going to last long. I think what you meant to post was this: http://www.youtube.com/watch?v=9sJUDx7iEJw
Why shouldn't all decoding be moved out to the speakers? Just send them binary data and let
the analog rendering be done as far from the noisy elements of the computer as possible.
I like good sound and I haven't bought a sound card in 6 years or so (Nforce came out with very good integrated sound). Since then I run a single optical cable from my motherboard to my AV receiver; PERFECT sound. Even the HP at work driving my headphones from analog sounds great.
I really see zero need to get a soundcard these days.
Eh, at least it's ASUS and not another Apple spoogefest.
Buckle your ROFL belt, we're in for some LOLs.
And how many people are latched onto them. Just look at all the Microsoft-friendly interlopers who are trying to subvert the free software movement. These people are suckling at the M$ teats.
Freedom is free.
The new release of Ubuntu comes with PulseAudio by default; it's a much better software mixer than ESD, and has ALSA and OSS emulation. Give it a shot.
The noise floor is going to be at least -66dB, so 57dB of dynamic range is lost to noise. That means the noise level is at least 724 times higher than the lowest discernable sound the card can process. If you're going to spend a penny to improve your computer's sound, it should go towards an external USB or Firewire device.
And don't get me started on "computer speakers". Try this: knock on the sides of your speakers. That resonance is added to every sound emitted from your speakers. Think a better sound card is gonna help?
War as we knew it was obsolete
Nothing could beat complete denial
- Emily Haines
How much CPU does it use up like on an old Athlon 64 X2 4600+ 939 system with Windows XP Pro. SP2 (IE6.0 SP2; all updates)? The reason I bought an Audigy 2 ZS card was because of games that use EAX, especially v4.0.
Ant(Dude) @ Quality Foraged Links (AQFL.net) & The Ant Farm (antfarm.ma.cx / antfarm.home.dhs.org).
Lemme guess, you can hear the difference in the sound when using the gold plated optical fiber cables.
The Auzentech cards do not support "Dolby Dolby Live" or "DTS Interactive" under Linux. Source: Auzentech FAQ.
That means if you are using multichannel audio from a non-DVD source, such as a game, you will be stuck with using the ol' spaghetti mess of analogue cables.
AFAICT the Creative X-Fi doesn't do realtime digital encoding at all.
I can only hope that ASUS provides support by the way of linux drivers, but, considering their lacklustre driver support for all their other hardware I have purchased, I'm not going to hold my breath.
There are better devices available for recording. They typically include a high quality preamp, which is not something you'll find on a sound card. I use Konnekt 8 from TC Electronic. It's less than 300 bucks, it provides multichannel recording, XLR inputs with phantom power and monitor out.
I've followed Creative Labs and the PC sound card evolution since the early 80's, before there was an ADLIB and I was trying to get my PC speaker to produce music. My first sound card was a Sound Blaster like a lot of people at the time. The card worked great, replaced ADLIB as the de facto standard, of which I never owned, and brought PC games into realistic sound reproduction.
..... STEREO, minor multi out functionality and a 16 bit slot.
Fast forward 5 years, creative still dominates the market with their sound blaster offering and now there are a few competitors that claim 'sound blaster compatible' to work with existing games, still DOS games mind you. Most of these cards were fine replacements for the creative offering at the time, an ISA slot Sound Blaster 16 (which was stereo!), some were garbage, but most worked just like the creative card.
Along comes windows95 and DirectX API to unify sound programming in games for windows! Yay, no more need for 'sound blaster compatible' any card with a functioning windows driver will work for any game. During over a decade of existence creative thus far has done nothing to make their sound card better than offer 'stereo' and a 16 bit ISA adapter to replace their original 8bit adapter. Now at this point the only 16bit card you've got in your system is the stupid creative SB LIVE!, or another competitor's card that might be PCI but otherwise the same.
Everything is about to change though, a new company enters the scenes, Aurel. Right off the bat the Aureal sound card is obviously superior to every sound card on the market. They only have PCI cards and they boast something that no other card has had thus far, real time effect processor! Now you can have reverb and parametric EQ's and time delays and any sort of crazy effect you can dream up! AND IT REAL TIME! All the processing is done on the card, so no extra CPU overhead, multichannel in/multichannel out, multichannel SPDIF out, the friggin works, and this is going up against the sound blaster live which boasts
This is where the story gets juicy and I'm sure quite a few people recall it. Creative backwards engineered or maybe just ripped off the processor design of the Audigy card, got sued for doing so, bought Aureal, stuck the almost EXACT same chip in their emuX series (Audigy) cards and haven't done a god damn thing since then and that was almost 10 years ago! All they seem to be able to do is make continuous copies of the chip Audigy designed almost a decade ago and sit on their asses while another company surpasses them in whatever the next PC sound evolution will be, then I guess they will buy them out and stop the innovation!
are the answer, and most motherboards have one or both of these built-in these days.
Never output an analogue signal from a PC, if you've got a choice. Internal D/A sucks, so do it externally. Either use decent powered speakers or an inexpensive integrated receiver, and the PC is removed from the sound quality equation completely.
Why would anyone engrave "Elbereth"?
Same thing with a monitor. If you are using an old CRT, ok sure the Integrated video is probably fine. However if you have a new professional LCD, maybe it is worth the money to buy a graphics card that properly supports it (for example has enough RAM to run at native rez and has a DVI port).
I get your audio argument, but that doesn't really fly with graphics. Integrated graphics don't have any problems driving large LCDs, and some even have HDMI on top of DVI outputs. That particular chipset easily beats a bunch of discrete video cards on the market, and you won't notice any difference between it and a high-end video card in most cases, no matter what monitor you use. In the audio world, you will always notice the difference between on-board and discrete audio, if you use a good pair of headphones.
Never underestimate the bandwidth of a 747 filled with CD-ROMs.
Neat! I look forward to the day when the electrolyte capacitors go the way of the Dodo.
(Emphasis added.)
I think I just now died a little bit on the inside.
You're missing the main point, which was central to Shannon's theorem from way back in 1948: an optimal digital encoding process will achieve 100% quality up to, but not exceeding, channel capacity as dictated by the noise model.
Corrupted bits are easy to detect on the receiving side of any digital channel with a relatively trivial modicum of error correction.
If the receiving end of the digital channel sucks so bad it doesn't have a way to report that bits are being dropped or corrupted due to a substandard link, why not just randomly spend three to ten times as much to buy a possibly superior cable, and still be uncertain at the end of the day if you solved the problem, or even if the problem originally existed.
While you're at it, take a walk through the wild side.
http://en.wikipedia.org/wiki/List_of_cognitive_biases
Now why is it that all this high end digital audio equipment can't be equipped with a little orange LED that signals digital link fault (lost or corrupted bits)?
Gosh, could it be that it's just not possible to run a mid-grade LSFR in silicon at audio data rates to detect channel bit errors?
The consumer audio industry is built on the fundamental premise: at every juncture, remain subjective.
My DVD player doesn't report bad frames or bit recovery statistics. Internally, the stupid thing knows. It just refuses to say. If I could stick a balky DVD into a couple of different players to see if I get the same error profile, it would be pretty easy to figure out whether the disk or the player was at fault. I guess that would only benefit the consumer, not the vendor.
I don't care whether your amp cost $20k. If it doesn't have an indicator for link faults concerning its digital inputs, the company isn't in the business of enabling objective decisions.
A properly engineered digital channel exists in an objective evaluation space. It's impossible to stress this strongly enough. No matter how much the equipment costs, if the quality of the digital channel is not reported objectively, either the equipment was badly engineered, or engineered to an agenda that conflicts with objectivity.
If you find that hard to swallow, consider the PRML algorithm used to recover bits from the analog signal reported by your drive head. Bit error rates of 10^-14 from an analog signal that is at best only a weak facsimile of the signal originally recorded, extracted at Gbits/s by a chip the size of your fingernail, in a product costing under $100.
The disk drive people find solutions, where the audio people facing a problem three orders of magnitude less difficult manufactures vagueness.
Guess which group read and understood Shannon's theorem, and wished their customers to benefit from this excellent piece of work. Before Shannon's paper, smart engineers did suffer from confusion about whether digital perfection was a reality or a chimera. Sixty years later, it's sadly ignorant that this is still debated.