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Make Your Own Fonts, In a Web Browser

Dekortage writes "Although it's been up for a few weeks, today is the official launch of FontStruct, a web-based font creation tool. That's right: in your web browser, you can build your own typeface, and download it as a TrueType font. The site's user agreement requires you to release your creations online under one of the Creative Commons licenses. The typefaces tend to be a little blocky, but it's still impressive (and a great way to pass time)."

147 comments

  1. kinda clunky, but LOTS of fun! by Ralph+Spoilsport · · Score: 3, Interesting
    I went there, signed up and built a very basic font. Very pleased. It's NOT great font work, but it's fun and could be very useful in an intro to type and typography class, or for high school students.

    RS

    --
    Shoes for Industry. Shoes for the Dead.
    1. Re:kinda clunky, but LOTS of fun! by Dekortage · · Score: 1

      Creating fonts is fun. I remember getting my hands on Fontographer when it first came out... now that was cool. Heck, creating bitmap fonts in ResEdit was fun at times. At times, I've had to customize a typeface for a client, when a specific letter just seemed off (typically in a logotype, or for a very niche purpose like recreating a Renaissance manuscript style in a brochure, but still trying to keep it legible). Or just playing practical jokes on people (like flipping all of the characters in Chicago upside down, back when the System 6 used it for the UI).

      --
      $nice = $webHosting + $domainNames + $sslCerts
    2. Re:kinda clunky, but LOTS of fun! by Anonymous Coward · · Score: 0

      a lot of tools already.
      http://wenq.org/index.cgi?Canvas an online tool

      http://code.google.com/p/fontindustry/wiki/FontIndustry

    3. Re:kinda clunky, but LOTS of fun! by Heian-794 · · Score: 1

      Or just playing practical jokes on people (like flipping all of the characters in Chicago upside down, back when the System 6 used it for the UI).

      The much-less-labor-intensive, Unicode-based cousin of your plan is available here:

      http://www.sherv.net/flip.html

      Now, if only Slashdot supported characters beyond the masic ASCII plane...

  2. Great by Anonymous Coward · · Score: 5, Funny

    Just what we need ... the ability for websites to easily create their own font, ignoring the hundreds of years that have gone into perfecting typography.

    1. Re:Great by CRCulver · · Score: 2, Interesting

      Furthermore, creating a typeface that is actually in this day and age when the Internet goes beyond North America and Western European countries requires wide Unicode coverage, but I imagine (I haven't RTFA) that the people toying around with this are producing only ASCII/Basic Latin fonts, exactly what we don't need.

    2. Re:Great by Vectronic · · Score: 4, Interesting

      Who is "we"?...

      You just typed out about 50 words using what you "don't need"...

      Granted, nothing ground breaking as far as font creation goes is going to come of this website... but if anyone is serious about making typography isn't going to be using some web-based font creating tool... as the original/first poster said, this is great for younger people/inexperienced users as an introduction to typography...

      Besides, since the actual site is slashdotted (at this moment) maybe it can handle more advanced typesets... I watched the little video, and I was impressed that it wasn't just 1-0, A-Z, a-z but what seemed to be the full set...

      However, I do find this sort of disturbing, or "cheap" because it desregards the hundreds (thousands?) of years that have gone into designing fonts... and that it is still rather limited until its vector-based...

      As a side note: http://www.helveticafilm.com/ is an interesting documentary on the history of a single font (at least i found it interesting)

    3. Re:Great by CRCulver · · Score: 5, Informative

      You just typed out about 50 words using what you "don't need"...

      Because I was responding to a poster in English with just English words. However, most of the writing I do online requires the use of multiple languages, many requiring letters present in Unicode Latin Extended A and B and the upper ranges of the Cyrillic block. I'd rather see more people using e.g. the DejaVu fonts, which look just as good as the Bitstream Vera the Free Software community already took to its heart, but which at least has that Unicode coverage there if you should ever need it.

    4. Re:Great by smittyoneeach · · Score: 0

      This is not meant to be too pedantic, but... ;)
      In "actually in this day and age", the prepositional phrase had me looking for an adjective subsequent to the adverb.
      Possible rephrase: "creating a contemporary typeface, when..."
      Long day in a long week in a long (already) year.

      --
      Get thee glass eyes, and, like a scurvy politician, seem to see things thou dost not.--King Lear
    5. Re:Great by CRCulver · · Score: 0

      I was typing too fast. There should be the word "appropriate" after "actually". Sorry.

    6. Re:Great by smittyoneeach · · Score: 0

      'Sall good

      --
      Get thee glass eyes, and, like a scurvy politician, seem to see things thou dost not.--King Lear
    7. Re:Great by YourMotherCalled · · Score: 4, Funny

      I end each of my sentences with an ellipsis... Even the questions?... Yes...

    8. Re:Great by noidentity · · Score: 1

      I think it's great; just imagine when everyone is designing their own programming languages too!

    9. Re:Great by Anonymous Coward · · Score: 0

      Where's my 16pt fixed-width font then. Pixel density has gone up these days, and setting windows to anything other than 96dpi breaks stuff. Therefore I look for larger fixed-width (terminal) fonts.

    10. Re:Great by Ed+Avis · · Score: 3, Funny

      It's either that or they just go back to using Comic Sans.

      --
      -- Ed Avis ed@membled.com
    11. Re:Great by tepples · · Score: 1, Flamebait

      creating a typeface that is actually in this day and age when the Internet goes beyond North America and Western European countries requires wide Unicode coverage Why would I need to create glyphs for Chinese characters if I'm not selling my product in Japan, China, or Taiwan? Or Tamil, if I'm not selling my product in South India?
    12. Re:Great by Nimey · · Score: 3, Insightful

      Yes, as if MySpace wasn't ugly enough!

      --
      Hail Eris, full of mischief...

      E pluribus sanguinem
    13. Re:Great by The+MAZZTer · · Score: 1

      You are more than welcome to make fonts which incorporate letters from whatever alphabets you want. I dunno if this tool lets you do this since the site has been given a thorough slashdotting (but it should).

      Besides, it's not like someone is going to make "Comic Sans 2" and it will take the world by storm overnight and MS will start shipping it with Vista.

    14. Re:Great by CastrTroy · · Score: 1

      Who cares if your website font supports unicode when all your content only contains unaccented characters from the English alphabet.

      --

      Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    15. Re:Great by CastrTroy · · Score: 2, Funny

      Or Tamil, if I'm not selling my product in South India
      Because you're selling your product in Sri Lanka?
      --

      Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    16. Re:Great by sammy+baby · · Score: 1

      Just what we need ... the ability for websites to easily create their own font, ignoring the hundreds of years that have gone into perfecting typography. Yes, resulting in tons of inter-office e-mails being formatted in Comic Sans.

    17. Re:Great by insertwackynamehere · · Score: 1

      Is that a challenge?

    18. Re:Great by Anonymous Coward · · Score: 1, Insightful

      Why wouldn't you want to sell your product in China, Japan, Taiwan and India? China and India have over 1/3 of the world's population.

      If you design in support for those languages early, it's really not too difficult or expensive, considering the possible reward.

    19. Re:Great by JackieBrown · · Score: 1

      Maybe I sell tiny United States flags...

    20. Re:Great by thannine · · Score: 1

      Those are in high demand in some areas around the world. You can only burn them once you know...

    21. Re:Great by vidarh · · Score: 1

      Apparently most flags are a bitch to get to burn, so someone who starts selling flags that are meant to be highly flammable might be on to a winner ;)

    22. Re:Great by JuanCarlosII · · Score: 1

      Who cares what your content is when your users will only ever view your content in fonts they have installed anyway?

      On the web at least, something like this is only ever realistically be used for logotypes, and if your logotype needs the entire UTF-8 character set then really you have bigger issues than what font to use.

      The only place I could see this possibly being an issue is if you were trying to run UGC in a Flash based site, but then again the moment "Flash site is not accessible!" is big news then I'll go home in my flying car to play Duke Nukem Forever.

    23. Re:Great by CastrTroy · · Score: 1

      Which is why when I design sites, I usually just specify Sans-Serif, Serif, Monospace, and that's it. I leave it up to the client computer to figure out which font is best. You can't really expect users to have any specific font installed, and even beginning to think they will is just a waste of time. Even specifying Helvetica I find to be a little much, since even though they might have it installed, they might prefer Arial as their sans-serif font.

      --

      Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    24. Re:Great by Anonymous Coward · · Score: 0

      DejaVu, like Latin Modern and it seems all the other 'non-pro' fonts, lacks some niceties like small caps, bold small caps, bold italic small caps, etc etc - so it's really hard to avoid having to use e.g. Minion Pro or Garamond Pro (and paying Adobe quite a bit for the privilege) to get these faces if needed. TeX at least is fussy about such things, even if Word is willing to bodge SCs. It would be great if even ONE free font could just match up to the glyph coverage of the Pro fonts, so there is a choice.

    25. Re:Great by urcreepyneighbor · · Score: 1

      As a side note: http://www.helveticafilm.com/ is an interesting documentary on the history of a single font (at least i found it interesting) It's a damn good doc. For a couple days after watching it, you'll notice the typeface everywhere.
      --
      "The fight for freedom has only just begun." - Geert Wilders
    26. Re:Great by cnoocy · · Score: 1

      The site has the ability to produce fonts that access an impressive set of Unicode blocks. Not Unihan, but most of the alphabets and syllabaries.
      People may not create the characters for those blocks, but that is not the fault of the site.

      --
      This sig is not the Zahir. Lucky for you.
  3. They can't do that by QuantumG · · Score: 4, Interesting

    There's no part of copyright law that allows a tool creator to dictate how the output of the tool can be licensed.. unless, of course, there's some significant amount of copyrightable material being added to the output above and beyond what the user of the tool is supplying. For example, a compiler compiler will generate code from the input CFG and embed additional code in the output that was written by the author of the tool, so this could be claimed as his copyright, but the generated code, no matter how well it was generated, is a result of the CFG writer, and is therefore his copyright.

    Of course, none of this has been tested in court.

    --
    How we know is more important than what we know.
    1. Re:They can't do that by Anonymous Coward · · Score: 0

      Couldn't it just be part of the EULA or something?

    2. Re:They can't do that by Oligonicella · · Score: 3, Informative

      The site is /.ed at the moment, so I can't tell if you have to use their servers for the processing or even read their user agreement. But, all they have to do is tell you that whatever you create on their site they will keep a copy of and release, and if you agree, you relinquish copyright.

      If you want to retain full ownership, do it at home.

    3. Re:They can't do that by QuantumG · · Score: 1, Informative

      Click through contracts are rarely enforcible.

      --
      How we know is more important than what we know.
    4. Re:They can't do that by Anonymous Coward · · Score: 0

      Well, at least its just a CC license. You can separately work out an agreement with any third party for commercial use anyways. Most importantly, no one is forcing you to use their website if you dont agree with their terms.

      On a related subject, read what item #11 of the google terms of service says (http://www.google.com/accounts/TOS) and weep.

    5. Re:They can't do that by Bogtha · · Score: 4, Insightful

      There's no part of copyright law that allows a tool creator to dictate how the output of the tool can be licensed

      Who needs copyright? If you don't agree to the terms, they simply won't generate the font file for you. Just because they don't have copyright over the final result, it doesn't mean they are compelled to provide you with service.

      --
      Bogtha Bogtha Bogtha
    6. Re:They can't do that by Anonymous Coward · · Score: 3, Insightful

      I think part of the reason for requiring the CC license is because as part of the site, your font shows up as a font that was recently created. In other words, by creating the font, you're submitting that user-created content to the community. If you're submitting it to the community, they require that it be released under a license where people can actually use the font.

      (So, essentially, "if you don't like it, don't post" except that when you create, it posts automatically.)

    7. Re:They can't do that by Lanoitarus · · Score: 2, Informative

      You'd be correct if they were SELLING the tool, which they are not.

      However, if their agreement for use says in exchange for free use of the tool, the result is XYZ license, and you agree to that, then yes, its legal for them to require it.

      This is aside from the other replies addressing the fact that the server side probably does have some amount of creative input.

    8. Re:They can't do that by Culture20 · · Score: 4, Insightful

      Click through contracts are rarely enforcible. ... if the click is expected after delivery of end product and receipt of payment. This would be a contract you click before you get the end product... and there's not even any payment!
    9. Re:They can't do that by fishbowl · · Score: 2, Informative


      >Of course, none of this has been tested in court.

      Hardly anything has been more thoroughly tested in court than the rights reserved under copyright law,
      and the effect of licensing those rights.

      --
      -fb Everything not expressly forbidden is now mandatory.
    10. Re:They can't do that by Anonymous Coward · · Score: 1, Informative

      IANAL, but my understanding is that fonts cannot be copyrighted, I had previously believed that it was for free speech reasons (what if someone copyrighted every font? also, what's the real difference between a letter in a font and a letter spoken in a certain way?), but googling found that to not be the reason they aren't copyrightable here.

    11. Re:They can't do that by Bogtha · · Score: 1

      fonts cannot be copyrighted

      This is incorrect. A typeface cannot be copyrighted (in the USA), but the implementation of that typeface in a scalable font can be, as the Copyright Office considers them to be computer programs. This means that you can take a TTF font, draw your own that looks exactly like it and distribute the result, but you cannot distribute the original font file.

      --
      Bogtha Bogtha Bogtha
    12. Re:They can't do that by rs79 · · Score: 0, Offtopic

      The canonical referece of font copyright status was written by Chuck Bigelow (of Lucida fame) back in the late 80s on comp.fonts (brag) which I created (/brag).

      --
      Need Mercedes parts ?
    13. Re:They can't do that by v(*_*)vvvv · · Score: 1

      Right, and that is what User Agreements are for, to create your own rules.

      There is also no part in copyright law that says computers can copy anything because they aren't human. Every time a browser renders a document, Google caches a web site, a printer "receives" a document, or a graphics card transfers data, they are violating copyright law. Even this FontStruct app is copied and run on your computer, and it cannot be done any other way. The illusion of non-violation is created by abstraction, but there is no exception clause in copyright law that says any of this is OK. Of course, unless there is a loss, theoretically no one can cause "damages", and computers cannot "own" anything, but "deleting it later" is legally not a good enough excuse.

      Laws do not enforce themselves, so how they are enforced and who enforces them is a bigger part of law enforcement than the specific nature of the laws themselves. This is often contrary to the intent of those that made them.

    14. Re:They can't do that by tepples · · Score: 1

      But, all they have to do is tell you that whatever you create on their site they will keep a copy of and release, and if you agree, you relinquish copyright. Ouch. I'd be willing to license my work under GPL/CC-BY-SA with the standard font exception. I just see too many problems with the Creative Commons licenses, especially the provision allowing an author to force downstream distributors to remove any copyright notice that credits the author. (I can explain this provision in more detail if you wish.)
    15. Re:They can't do that by jbengt · · Score: 1

      . . .fonts cannot be copyrighted . . .
      but they can get a design patent:http://www.martinezgroup.com/articles/1997aigaprotectfont.html/
    16. Re:They can't do that by jbengt · · Score: 2, Informative

      Every time a browser renders a document, Google caches a web site, a printer "receives" a document, or a graphics card transfers data, they are violating copyright law
      No, in the USA at least, the law explicitly allows the transient copies made by computers, network transfers, etc. Google cahces are a little les clear, though.
    17. Re:They can't do that by Anonymous Coward · · Score: 0

      Every time a browser renders a document, Google caches a web site, a printer "receives" a document, or a graphics card transfers data, they are violating copyright law.

      Untrue, even if you assume those documents, websites, graphics etc are all copyrighted and unlicensed. Copyright is not the blanket ban on copying you seem to think it is. There are all kinds of exceptions to it.

      Even this FontStruct app is copied and run on your computer, and it cannot be done any other way.

      Copying software for the purpose of using it is not copyright infringement, provided that the copying is necessary in order to use it.

      The illusion of non-violation is created by abstraction, but there is no exception clause in copyright law that says any of this is OK.

      Yes there is, in fact there are several. The situations you describe are called ephemeral recordings, and they are covered by Title 17 112, and even if that exception didn't exist, they would be covered by fair use.

    18. Re:They can't do that by SoupIsGoodFood_42 · · Score: 1

      But who says this is a tool? Isn't it also a copyrighted work? And if so, anything created by it could be considered a derived work.

    19. Re:They can't do that by QuantumG · · Score: 1

      And if so, anything created by it could be considered a derived work. No, or at least, not yet.

      That was sorta the point of my post.

      --
      How we know is more important than what we know.
    20. Re:They can't do that by SoupIsGoodFood_42 · · Score: 1

      And why not, was more my point.

    21. Re:They can't do that by v(*_*)vvvv · · Score: 1
      Where specifically does it say this? I couldn't find anything specifically about how computers can retain perfect copies within the processes required to manipulate data for the end user, or how anything published online can be retained. title 17 section 112 talks about "phonorecords". In fact it says such things like:

      117.F.2(B) the digital version of the work that is available to the institution is subject to technological protection measures that prevent its use for section 110(2). Maybe these laws can be "reinterpreted", but again that would happen in court, and the laws themselves are what they are.
  4. METAFONT by Hatta · · Score: 4, Informative

    Why not use Metafont? Vastly more powerful, and available for free on any platform TeX is.

    --
    Give me Classic Slashdot or give me death!
    1. Re:METAFONT by stubear · · Score: 5, Informative

      Apparently you've never created a font before. It's not a process where you set a few parameters and cross your fingers. A proper type face has specially styled italics characters, not just skewed ones, proper kerning, different weights and sizes for captions and headlines, etc. OpenType has opened up the type world to many new alternative possibilities with swashes, stylistic alternatives, tabular and old-style lined numerals and a whole slew of other options for designers to take advantage of in their work. I just don't see metafont making the process of font creation any easier than say FontLab.

    2. Re:METAFONT by Anonymous Coward · · Score: 1, Informative

      All that's really needed to create a font is a piece of paper and a pencil. Oh, and some creativity. Of course, after you have the basics done, then you get to have the joy of digitizing it and setting all of the kerning pairs, creating ligatures, contextual alternatives, lining and/or tabular figures, tweaking the stresses, etc etc etc. Or you could just doodle a bit in the online equivalent of MS Paint and call yourself a "type designer", which I'm sure is what many here at slashdot will do.

    3. Re:METAFONT by Darinbob · · Score: 1

      But Metafont does those things. Maybe you're confusing it with some generic X Windows fonts that didn't have kerning or italics and such?

      One snag with Metafont is that you have to be spend a lot of time with it and it's not designed for the casual user. You define fonts mathematically with it, so even graphic artists used to creating fonts may not like it. The other snag is that it doesn't easily convert to the commonly used vector-outline fonts (Postscript, TrueType, etc) since it uses pen strokes instead of outlines.

    4. Re:METAFONT by stubear · · Score: 0, Offtopic

      Very true, and nothing I specified was necessarily exclusive to the digital world. In fact, one of the best type designers I've ever met still uses pencil and paper to design his fonts and logos (http://doyaldyoung.com/).

    5. Re:METAFONT by zsau · · Score: 2, Informative

      That's precisely the point behind METAFONT. It's meant so that you can specify the basic shape of the letters and a shitload of parameters, and you'll get a lot of italic letters ("n" or "i", but not "a" and "z"), weights, sizes etc. essentially for free. Obviously some things still need to be done manually; I doubt you could generate old style or lining figures from the same source.

      The problem with METAFONT is that most people can't design something graphical without seeing it; and that there's a lot of work involved in correctly parameterising a font. But as evidence that it's possible, that's precisely how Computer Modern is designed, which comes with bold, italic and small caps fonts and distinct sizes from very small to title case. I personally don't like the look of Computer Modern — or any "modern" font — but Knuth's done it.

      --
      Look out!
    6. Re:METAFONT by Anonymous Coward · · Score: 0

      Why not use Metafont? Vastly more powerful, and available for free on any platform TeX is. Because I'd like to actually have the font finished before the Unix clock rolls over.

  5. Awww! by pete-classic · · Score: 5, Funny

    My font looks like a database connection error. :-(

    -Peter

    1. Re:Awww! by thewils · · Score: 1

      Yeah, but it's still "a great way to pass time" though...

      --
      Once I was a four stone apology. Now I am two separate gorillas.
    2. Re:Awww! by deniable · · Score: 1

      It could just be a sample, like "The quick sly fox jumps over the slashdotted web server."

    3. Re:Awww! by Reziac · · Score: 1

      "The quick Firefox jumps over the slashdotted web server."

      There, fixed it for ya ;)

      --
      ~REZ~ #43301. Who'd fake being me anyway?
  6. Re:Stupid, Stupid, Stupid! by QuantumG · · Score: 2, Funny

    Copyright owners being megalomaniacs? Never!

    --
    How we know is more important than what we know.
  7. Would've Been Cool by vertigoCiel · · Score: 5, Informative

    About 10 years ago, when pixel fonts were all the rage. If you didn't check the site out, it allows you to create fonts in a NxN grid, using predefined primitives (circles, stars, rounded corners, etc). Not a whole lot of variety possible. If they came up with a vector-based online font creation tool, that would be something I could get excited about.

    1. Re:Would've Been Cool by rs79 · · Score: 1

      " If they came up with a vector-based online font creation tool, that would be something I could get excited about."

      Um, yeah. Call me when they do PS Type 1 fonts with hinting.

      --
      Need Mercedes parts ?
    2. Re:Would've Been Cool by amirulbahr · · Score: 1

      How about some software that you train with scans of your handwriting and it generates a vector font based on your own handwriting.

      Now that would be cool.

    3. Re:Would've Been Cool by Laur · · Score: 1

      If they came up with a vector-based online font creation tool, that would be something I could get excited about.
      Why don't you just download FontForge? Really, what is the advantage to doing it online? Creating a good font takes a lot of work, and you really wouldn't want to spend it all in a web browser. Creating a quick crappy font could be done in a web browser, but I'm still unsure why it would be better than a dedicated font creation program. Heck, you can even draw your fonts in a vector drawing program like Inkscape and then import them into FontForge.
      --
      When you lose something irreplaceable, you don't mourn for the thing you lost, you mourn for yourself. - Harpo Marx
    4. Re:Would've Been Cool by Laur · · Score: 1

      How about some software that you train with scans of your handwriting and it generates a vector font based on your own handwriting. Now that would be cool.
      You can already do that pretty easily, but unfortunately not automatically. Either scan in your handwriting and vectorize it in Inkscape, or just input your handwriting directly in Inkscape with a tablet. Save each glyph as a separate svg. Import the glyphs (one at a time, unfortunately) into FontForge. Add some basic kerning and you're done. Of course there is a lot more work that needs to be done to create a good font, but to create something simple and fun isn't that hard. Give it a try!
      --
      When you lose something irreplaceable, you don't mourn for the thing you lost, you mourn for yourself. - Harpo Marx
    5. Re:Would've Been Cool by vertigoCiel · · Score: 1

      Font Forge is a complex program with a moderately steep learning curve. This website aims to help someone who simply wants to create a unique font for light personal use. That person probably won't take the time to learn Font Forge.

      What I have in mind is simple vector outline support, with a Postscript/Illustrator/Flash import function, and maybe a few templates (generic serif, generic sans-serif) to start from. That would greatly expand the capabilities of the site, without requiring much more effort on the part of the user than it does now.

  8. Why would anyone post this on slashdot? by astrashe · · Score: 3, Insightful

    There's no way a site like this could withstand heavy traffic. I don't know why the editors would sink it like this.

    It will probably be dead for days now.

    1. Re:Why would anyone post this on slashdot? by Bragador · · Score: 5, Funny

      You must be new here...

      Slashdot is now an experimental weapon to take over the intertubes. Its aim is to supplant even the biggest of botnets.

      We are succeeding... one website at a time.

    2. Re:Why would anyone post this on slashdot? by pablomme · · Score: 5, Funny

      Spot the irony:

      Bragador (1036480) to astrashe (7452): You must be new here...
      --
      The state you are in while your HEAD is detached... - wait, what?
    3. Re:Why would anyone post this on slashdot? by fbjon · · Score: 1

      You must certainly be new here.

      --
      True confidence comes not from realising you are as good as your peers, but that your peers are as bad as you are.
    4. Re:Why would anyone post this on slashdot? by Omestes · · Score: 1

      You must be new here.

      --
      A patriot must always be ready to defend his country against his government. -edward abbey
    5. Re:Why would anyone post this on slashdot? by DMUTPeregrine · · Score: 2, Funny

      Everyone is new here. Even CmdrTaco. The universe is about 14 billion years old, it's hard to not be new here.

      --
      Not a sentence!
    6. Re:Why would anyone post this on slashdot? by Hal_Porter · · Score: 1

      Umm, I don't mean to worry you but slashdot is a botnet. It's just the bots are carbon based rather than silicon based.

      --
      echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
  9. Now you see it... by The+Ancients · · Score: 1

    ...now you don't.

    Pointing /. at a user-interactive site like this is going to cause tears. Lots of tears. Well, tears, or lots of heat from their servers.

    The home page is now serving up:

    404. Not found The requested address was not found on this server.

    I guess I'll bookmark it and come back tomorrow.

    1. Re:Now you see it... by YukiCuss · · Score: 2, Funny

      I guess I'll bookmark it and come back tomorrow. You and the rest of the world, unfortunately. The second Slashdotting, as it were.
  10. This is great. by arthurpaliden · · Score: 3, Insightful

    This is great. You no longer just have to waste time trying to find the font that is just right. Now, you can waste even more time by building it exactly the way you want.

    1. Re:This is great. by Anonymous Coward · · Score: 2, Insightful

      I don't know how many times font forge has made for many an unproductive day.

  11. because 90% of the world cant use it by Anonymous Coward · · Score: 4, Insightful

    But this being a web application (like gmail/calendar/docs) it only needs a dom based browser to have fun with (which is "everyone",more or less right?) and supports the most common font format on the planet by default, truetype .ttf

    Metafont isn't like any of those easy requirements, it doesnt "just work" for "everyone", it could, but it doesn't, so it fails.

    thats why not METAFONT

    1. Re:because 90% of the world cant use it by dasuser · · Score: 1

      But this being a web application (like gmail/calendar/docs) it only needs a dom based browser to have fun with (which is "everyone",more or less right?) and supports the most common font format on the planet by default, truetype .ttf
      But it also needs Flash. The entire UI is in Flash, which isn't exactly a "Web Standard". For a .ttf maker that actually uses nothing but Javascript, try the BitfontMaker.
  12. Passing time by maxume · · Score: 1

    Is it a great way to pass time in the same way that your urethra is a great way to pass a kidney stone?

    Just wondering. Different strokes for different folks and all that.

    --
    Nerd rage is the funniest rage.
  13. Re:pl0s 4, Troll) by Eco-Mono · · Score: 2, Funny

    Mod whoever modded this -1 Redundant +1 Funny please.

    --
    (rot13) rpbzbab@tznvy.pbz
  14. In other news... by Anonymous Coward · · Score: 0

    innovative site called FontStruct has been slashdoted in a record time of 3 seconds since posting the story.

  15. but .. but .. why ? by Anonymous Coward · · Score: 1, Insightful

    No, rly, it boggles my mind. Why would one ever want to create another font ? About ten of them is roughly enough for all sane intents and purposes.

    1. Re:but .. but .. why ? by Hatta · · Score: 3, Insightful

      Apparently you don't know any graphic designers. After you use the same font about a thousand times, you get sick to all hell of it. Using the same font over and over again makes your work look repetetive, boring, and not as much fun as it should be. Using unique fonts can put some originality back in your work.

      Of course, that mainly applies to display fonts. Text fonts are pretty limited in their design because they need to be legible.

      --
      Give me Classic Slashdot or give me death!
    2. Re:but .. but .. why ? by cowscows · · Score: 1

      Probably the same reason why there are fourteen thousand different text editors out there that I could download. Because curiosity leads people to create things.

      --

      One time I threw a brick at a duck.

    3. Re:but .. but .. why ? by Anonymous Coward · · Score: 1, Interesting

      Which is why I hate graphic designers. They put the shiny above the usable.

      Not that you don't need them, or that they don't do good work, but a lot of design should be boring. "I got bored" is not a good reason to use one font rather than another.

      Graphic designers do a job. If they want to create art, that's something they can do on their own time.

    4. Re:but .. but .. why ? by zsau · · Score: 1

      There is a huge range of legible text fonts. The limits are more by tradition and custom — no-one would set a book in Courier or (nowadays) fraktur, and sans-serif fonts are used only rarely; this is not because they're illegible, but because these styles are not common in extensive text.

      But even limiting ourselves to conventional serif fonts, there's still a massive range of fonts. Anyone who can't see the difference doesn't care. Not a problem for the reader, but it is a problem for the book's designer. (Personally, I hate so-called modern fonts. Fortunately, you mostly only ever see them in stuff produced by TeX.)

      --
      Look out!
    5. Re:but .. but .. why ? by Dekortage · · Score: 2, Insightful

      There's a troll if I ever read one.

      A bad graphic designer puts the shiny above the usable. A good graphic designer recognizes when a bit of shiny actually enhances the results -- and for a designer and fonts, it may be that too many other people are using a font, so it no longer stands out. When WIRED Magazine launched, they made the then-fresh Myriad typeface popular, and Apple adopted it not long afterwards. Now it's everywhere (and is even the default chosen typeface in many Adobe apps). So what was fresh before, is boring and mundane now.

      --
      $nice = $webHosting + $domainNames + $sslCerts
    6. Re:but .. but .. why ? by DMUTPeregrine · · Score: 1

      I like Computer Modern Roman for articles, but for literature I love Weiss. It's well balanced (different letters seem about the same size), very even in colour balance (different letters have about the same amount of black-white), easily legible, and yet the letters are stylized enough to be interesting. The italics are especially good. Linotype sells the family for $95, I've not found it cheaper.

      --
      Not a sentence!
    7. Re:but .. but .. why ? by zsau · · Score: 1

      Maybe it's just the images and the size they're enlarged too, but I really don't like the look of its upright font! Based only on what I can see, the "a" is too stylised with its straight top, and the difference between the thickest and thinest strokes is much too much, with both too (absolutely) extreme. Also, the widest strokes are at horizontal and the thinest at vertical (i.e. the pen is held flat), whereas most Latin fonts put the pen at an angle. This is what gives it the "stylised" appearance you notice, but I think it's too garish. Like earlier versions of Mac OS X's apparance, compared to the Mona Lisa.

      But you're right, the italics look pretty good.

      Computer Modern is impractical for (journal) articles. The thinest parts are too likely to be rendered illegible in a photocopy, and journal articles are likely to be photocopied. It is also quite a wide font, so that it will take up a lot of space in a format where space is usually at a premium. It worked okay in the Art of Computer Programming — I was surprised when I saw it, and realised that — but otherwise it falls flat.

      --
      Look out!
  16. Screencast / Blog Post Mirror by Anonymous Coward · · Score: 1, Informative

    The screencast was hosted on Vimeo, so it's still up. NetworkMirror grabbed a copy before it got Slashdotted, which is over at http://www.networkmirror.com/WIuEKLdPPckjgiEb/fontstruct.fontshop.com/news/2008/05/05/introductory-screencast/index.html

    (AC = no karma whoring)

  17. Time to make a Mohammet Font by jameskojiro · · Score: 4, Funny

    That will be banned in many middle east countries and the Netherlands and will cause as Fatwa against me.

    Ever letter will be an image of old mo' and if you change your default web browser font to it you will make all 72 virgins in heaven cry.

    --
    Tsukasa: All I really want, is to be left alone...
    1. Re:Time to make a Mohammet Font by spungebob · · Score: 1

      Fantastic idea! I'm sure the Pentagon will be extremely interested in your Mo' font as their newest anti-terrorism tool. By using the font for their sensitive battlefield communications they can eliminate the need for clunky and time-consuming encryption as the Islamic extremists would never be able to allow themselves to read any of the messages.

      A new twist on the old adage that the best place to hide is in plain sight.

      --
      It takes an idiot to do cool things - that's why it's cool!
    2. Re:Time to make a Mohammet Font by rossz · · Score: 1

      I'd like a copy of that when you finish making it. Any opportunity to annoy hypersensitive religious assholes is time well spent.

      --
      -- Will program for bandwidth
    3. Re:Time to make a Mohammet Font by bugfreezer · · Score: 1

      Heh - as long as you print the communications - those pesky taliban just might have someone who can use a hex editor or otherwise change the font.

    4. Re:Time to make a Mohammet Font by jameskojiro · · Score: 1

      Simple just embed it is a PDF file and make the font maditory for the PDF reader software to use the font.

      --
      Tsukasa: All I really want, is to be left alone...
    5. Re:Time to make a Mohammet Font by quarterbuck · · Score: 1

      That comment is funnier than was intended.
      Arabic probably has the greatest history of calligraphy it is considered a holy art because it allows the preservation of the words of the Quran. And the reason for such great development of this art ? The book writers were not allowed to paint any pictures in their books - so writing beautifully was the only creative outlet.

      --
      http://slashdot.org/submission/1062723/Cheap-mobile-data-plan?art_pos=2
    6. Re:Time to make a Mohammet Font by zobier · · Score: 1

      Someone already made a Jesus font, maybe you cound draw some inspiration from that.

      --
      Me lost me cookie at the disco.
  18. Tried it and... by Anonymous Coward · · Score: 3, Funny

    I tried creating a font and the typeset downloaded only included the following characters:

    S L A H O T E D

    What words can I compose with that... dunno.

    1. Re:Tried it and... by Anonymous Coward · · Score: 0

      ae ah al ale ales aloe aloes als also alt altho alto altos alts as ash at ate ates east eat eath eats eh el els es et eta etas eth ethos eths ha hae haes haet haets hale hales halest halo haloes halos halt halts hao haole haoles has haslet hast haste hat hate hates hats he heal heals heat heats helo helos helot helots hes hest het hets ho hoe hoes hole holes hols holt holts hose hosel host hosta hostel hot hotel hotels hots la las lase lash last lat late lath lathe lathes laths lats lea leas leash least lest let lets lo loath loathe loathes lose lost lot lota lotah lotahs lotas loth lots oast oat oath oaths oats oe oes oh ohs ole olea oles os ose osteal sae sal sale salt sat sate sea seal seat sel selah set seta setal sh sha shale shalt shat she shea sheal shelta sheol shoal shoat shoe shot shote slat slate sloe slot sloth so sol sola solate sole sot soth stale steal stela stoa stoae stole ta tae tael taels tale tales tao taos tas tea teal teals teas tel tela telos tels tesla thae the tho thole tholes those to toe toea toeas toes tola tolas tole toles tosh

      ad ado ados ads ahold aholds dah dahl dahls dahs dal dals dash dato datos dhal dhals do doat doats dol dols dolt dolts dos dost dot dotal doth dots had hadst hod hods hold holds lad lads load loads od ods old olds sad shad shod sod soda sold tad tads toad toads tod tods told

    2. Re:Tried it and... by lysse · · Score: 1

      Dead hosts lose?

    3. Re:Tried it and... by Kozz · · Score: 2, Funny

      A shat lot, Ted! Lead the teal hats to LA. Does he taste hot slots? At least slated, eh...

      --
      I only post comments when someone on the internet is wrong.
    4. Re:Tried it and... by TobyRush · · Score: 1

      I tried creating a font and the typeset downloaded only included the following characters: S L A H O T E D What words can I compose with that... dunno. I'm curious... why did you wait until the end to make the D? I would have designed it after finishing the H, but that's just me.
      --
      Sam! If you will let me be,
      I will try them.
      You will see.
  19. nothing wrong with pixel fonts... by Animaether · · Score: 5, Interesting

    especially if you can make them really, really tiny but still 'legible' (often requiring context of nearby letters, granted). I made one - it's used in graphics and licensed by one party for print ('read the fineprint' takes on a whole new meaning when the font is baseline 3 pixels tall.)

    Other than that, pixel fonts are still routinely used in games - simply because rendering a vector font is more expensive than rendering a sprite.

  20. AHHHH!!! by littlerubberfeet · · Score: 1

    Due Consideration strikes again!!

    --
    Sig (appended to the end of comments you post, 120 chars)
  21. Works great for me... by Namlak · · Score: 0, Redundant

    It's a little slow but, so far, it has output the following characters for me:

    S e r v N o t R s p n d i g

  22. Fonts are hard work by StreetStealth · · Score: 3, Insightful

    Indeed, indeed.

    There's a reason that professionally designed, usability-centered type families cost hundreds of dollars -- they take many months of careful planning, experimentation (often through scientific trials), and adjustment to bring from concept to completion.

    It is no more possible to quickly design a good typeface online than it is to quickly design a good CRM system and database backend using an easy online construction kit.

    --
    Your mind is clear / The things that you fear / Will fade with how much you / Believe what you hear
    1. Re:Fonts are hard work by Carnildo · · Score: 1

      It is no more possible to quickly design a good typeface online than it is to quickly design a good CRM system and database backend using an easy online construction kit.


      That doesn't stop people from trying. Fortunately, you usually don't need to deal with the results of do-it-yourself fonts.
      --
      "They redundantly repeated themselves over and over again incessantly without end ad infinitum" -- ibid.
    2. Re:Fonts are hard work by gnupun · · Score: 0

      There's a reason that professionally designed, usability-centered type families cost hundreds of dollars [fonts.com] -- they take many months of careful planning, experimentation (often through scientific trials [clearviewhwy.com]), and adjustment to bring from concept to completion.
      If history is any indicator, cheap, especially free, is often preferable to a higher-priced quality product.
  23. Don't Like The Forced CC License by Nom+du+Keyboard · · Score: 2, Insightful
    Much as I like OSS, I don't like the forced approach here to requiring you to license your creative work for free. Encourage it sure, but to force it? Suppose you just want your own personal font? It won't be yours here, since anyone else can have it too.

    Even if they had just said you can't make it here for free and then sell it for money on your own I'd feel better about that. That way my own font could remain my own.

    So while it's a nice idea, couldn't they have been a little less heavy-handed about it?

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
    1. Re:Don't Like The Forced CC License by gnupun · · Score: 0

      Much as I like OSS, I don't like the forced approach here to requiring you to license your creative work for free.
      Few things in life are free and FontStruct wants you to work for free in return for access to this tool... a bad deal. Fonts sell for $20 to $50 per user, per font. If this site gets popular, we'll be stuck with mediocre fonts designed by amateurs while the creators of quality fonts will be out of business. Thanks, OSS.
    2. Re:Don't Like The Forced CC License by stewf · · Score: 5, Informative

      Hi. I'm part of the FontShop team responsible for FontStruct. We're down right now (for obvious reasons -- ouch!) or I'd link you directly to the FAQ page on licensing, but I'll try to clarify it here.

      There is no requirement to license your work. New FontStructions are private by default and you can download it for yourself to your heart's content. Only when you choose to make it public do you need to select a CC license.

    3. Re:Don't Like The Forced CC License by stewf · · Score: 1

      I'm very sorry the site's not live right now so you can see that very few fonts made with FontStruct can be replacements for commercial fonts. It's a tool for creating modular typefaces -- a very specific genre of type design.

    4. Re:Don't Like The Forced CC License by SoupIsGoodFood_42 · · Score: 1

      Uh, if you are serious about selling a typeface, I doubt you'd be using this tool. I also don't see anything heavy-handed about it -- that is your own perception on how things should be.

  24. Re:They can't do that-gcc example by Nom+du+Keyboard · · Score: 2, Interesting

    There's no part of copyright law that allows a tool creator to dictate how the output of the tool can be licensed.

    You make a good point. Suppose it was demanded that everything compiled under gcc had to be open-sourced? That probably wouldn't go over too well with everybody.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  25. Re:Stupid, Stupid, Stupid! by gnupun · · Score: 0

    ...or demanding fair value for their product, you cheapskate.

  26. But why CC? by tepples · · Score: 2, Interesting

    If you're submitting it to the community, they require that it be released under a license where people can actually use the font. Then why Creative Commons, when the GNU GPL for fonts is better known and more clearly allows embedding of the font in, say, a Free computer program?
    1. Re:But why CC? by davolfman · · Score: 1

      Because CC is the standard range of licenses for the artistic rather than coding community?

    2. Re:But why CC? by Richard_at_work · · Score: 1

      Define 'Free computer program' - can a GPLed font be embedded in a BSD licensed application? CDDL licensed? LGPLed?

    3. Re:But why CC? by tepples · · Score: 1

      Define 'Free computer program' - can a GPLed font be embedded in a BSD licensed application? CDDL licensed? LGPLed? Yes. Like Guile and GNU libstdc++, GPL fonts generally come with a linking exception. This weakens the copyleft such that the GPL applies to the font and not to the rest of the program, allowing compatibility with other weak-copyleft licenses such as the MPL.
  27. Papyrus and Comic Sans.... by Ardeaem · · Score: 1

    Who needs to create new fonts? Papyrus and Comic Sans are the only fonts we need!

  28. Offline by Anonymous Coward · · Score: 0

    This should be made into some sort of offline software. It doesn't really need to be online at all.

    1. Re:Offline by stewf · · Score: 1

      The editor doesn't need to be online, but half the point of FontStruct is the sharing, cloning, and collaboration tools that make the most sense on the web.

    2. Re:Offline by Anonymous Coward · · Score: 0

      Sure but these could easily be built into the client. Even better, we could have a separate folder that could have a dedicated client which shares files of interest with others, such as a P2P program. That way we could still use the programs we need when we don't have internet access or when the site itself is down or simply bogged down. This really, really doesn't need to be online.

    3. Re:Offline by cnoocy · · Score: 1

      I suspect that if this were an offline tool, the number of users would be less by 2-3 orders of magnitude. It's also easier to make it compatible with mutiple OSes, since you can put the UI stuff in Flash and do the heavy font work on the server where you control the environment.

      --
      This sig is not the Zahir. Lucky for you.
  29. Re:They can't do that-gcc example by CastrTroy · · Score: 1

    What about everything using the QT libraries to be open source, unless you pay them a hefty license fee? Or what about programs linking to MySQL client libraries that are required to be open source?

    --

    Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
  30. But you can't download them in the browser by Animats · · Score: 2, Interesting

    But you still can't download fonts in the browser as part of an HTML document.

    That used to work, back in the early days of Mozilla. Microsoft refused to put it in IE, and came up with their own, incompatible system. Mozilla then took theirs out.

  31. Re: would be cool . . . by jbengt · · Score: 1

    . . . and illegible

  32. OT: Question by NotQuiteReal · · Score: 3, Funny
    I would really like to standardize on a Comic font, but a bit more formal than Comic Sans.

    Can someone direct me to an open source Comic Serif font?

    Thanks!

    --
    This issue is a bit more complicated than you think.
    1. Re:OT: Question by ginbot462 · · Score: 1

      Me too!

      --
      Atlas Shrugged : Thematic Story :: Battlefield Earth : Organized Religion
  33. Re:They can't do that-gcc example by Kadin2048 · · Score: 1

    There's a pretty fundamental difference between linking to somebody else's code, which makes it an essential part of the new work, and using a tool to produce something that stands alone.

    It's that difference that lets TrollTech and Oracle/MySQL dictate licensing terms when you link to their libraries, but doesn't let the creator of an IDE (or, for that matter, a text editor) automatically have a copyright claim to anything you make with it.

    However, this is all sort of an irrelevant point. The way FontStruct is going to enforce its restriction isn't just through copyright law, it's almost certainly going to be through simple contracts. If you want to use the tool, you'll need to agree to the terms, and one of the terms will be that you give permission to FontStruct to keep a copy of the finished product under a free license.

    Independent of any copyright concerns I think that contract ought to stand just fine. Since it's not being presented after the time of sale, it avoids the 'clickthru' issue (where by the time you get to the agreement, you've already purchased and opened the software, meaning you can't return it), and there's pretty clear "consideration" involved: you agree to the terms, and you get to use the software as a result. None of that seems any more egregious than a lot of other contracts that are deemed enforceable every day.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
  34. Mod parent up! by Anonymous Coward · · Score: 0

    holy shit, is that informative or what!

  35. El Ten Eleven by gr8dude · · Score: 1

    I too thought of mentioning "Helvetica", it is a great movie indeed.

    You might also want to check out the music of the band "El Ten Eleven", many of their songs were used in that movie.

  36. But where's the money in that? by tepples · · Score: 1

    Why wouldn't you want to sell your product in China, Japan, Taiwan and India? China and India have over 1/3 of the world's population. True, but what China and India have in population they lack in money per capita. How likely is it that localizing the strings and speech of a product for each of two dozen languages of India will bring in enough marginal revenue to make the costs worthwhile? I haven't seen a Tamil edition of any video game from a major publisher.
  37. Incompatibility of art and code licenses by tepples · · Score: 1

    Because CC is the standard range of licenses for the artistic rather than coding community? But that's the core problem. The licenses used by the artistic community are incompatible with the licenses used by the coding community, making it difficult for anybody to publish a work that integrates art and code. This could range anywhere from icons and splash screens inside a computer program to a full-blown video game.
    1. Re:Incompatibility of art and code licenses by feijai · · Score: 1

      The licenses used by the artistic community are incompatible with the licenses used by the coding community
      Nonsense. They're incompatable, if at all, with exactly one license: GPL. Because GPL has onerous, ridiculous licensing compatability rules. Rules so malformed that they shoved out by far the best open-source license out there (AFL) because FSF found its modern, well-considered patent and lawyer's fees terms "incompatable" with GPL's dark-ages approach to the legal system.
  38. Where's the money in that? by tepples · · Score: 1

    Because you're selling your product in Sri Lanka? I might design an application to support Sinhala once there is enough support from the Sinhala-speaking community. But first I'd have to find the money for a translator, and a GDP of under 1,300 USD per capita (source: The World Factbook) does not a market make. Yet.