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An Appeal In the "Harry Potter Lexicon" Case

NewYorkCountryLawyer writes "RDR Books, the would-be publisher of the book version of the 'Harry Potter Lexicon' Web site, has filed an appeal from the judge's decision in Warner Bros. Pictures v. RDR Books, the case involving the Harry Potter Lexicon. The judge, after a bench trial, issued an injunction and awarded statutory damages of $6,750 (as we discussed at the time), holding that the Lexicon was not protected by fair use due to (a) sloppiness in attribution in sections, (b) the length of some of the quotes, and (c) imitation of J. K. Rowling's writing style in portions. I recently wrote an article criticizing the opinion, but doubting that an appeal would be taken in view of the small damages award. I guess I underestimated the resolve of the defendants and defendants' lawyers — who include the Stanford Law School Center for Internet and Society."

189 comments

  1. Harry Potter by Anonymous Coward · · Score: 5, Funny

    The story is about a boy who lives in a cupboard ("in the closet"). His Aunt and Uncle are ashamed of him because his parents were quite eccentric ("flaming") and they are deeply concerned and afraid that he will turn out just like them. On his 11th birthday (i.e. roughly at the onset of puberty), the boy discovers that he is actually a "wizard", different in both style and substance from straight people, or "muggles" (breeders).

    The boy is groomed into his new existence by a large, hairy bear of a man who shows Harry a hidden underground community of "wizards"(the gay subculture) living right under the noses of the general population . Harry's first visit to this subculture involves traveling through "Diagon Alley", a play on the word diagonally (not straight).

    1. Re:Harry Potter by FooAtWFU · · Score: 5, Funny

      All that and you couldn't link to bash.org?!

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    2. Re:Harry Potter by X0563511 · · Score: 2, Funny

      It has been a long time since I laughed to tears. That was perfect.

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    3. Re:Harry Potter by Anonymous Coward · · Score: 0

      Diagonal lines are straight.

    4. Re:Harry Potter by Darkness404 · · Score: 0

      Wow, that was just odd... I just finished reading that and lo and behold someone on /. links to it.

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      Taxation is legalized theft, no more, no less.
    5. Re:Harry Potter by Bobb9000 · · Score: 5, Funny

      Congratulations. You've noticed that the plot of Harry Potter has parallels to real-life persecuted minorities. You now qualify for a degree in obvious literary interpretation! If you like, you might want to go for a PhD - perhaps you could examine Christian symbolism in the Chronicles of Narnia. I see a bright future ahead of you.

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      Bobb9000 - raised by the wolves,
      Oxford education as phrased by the wolves.
    6. Re:Harry Potter by HeronBlademaster · · Score: 3, Insightful

      I really don't think his point was to point out a parallel to a real-life minority... He just wanted to call Harry Potter gay.

    7. Re:Harry Potter by Anonymous Coward · · Score: 0

      Does that mean Mudblood is a euphemism for someone who takes part in violent/dirty anal sex?

    8. Re:Harry Potter by jacquesm · · Score: 2, Funny

      you should get out more.

    9. Re:Harry Potter by meyekul · · Score: 1

      Since when is diagonal != straight? I think you're confusing diagonal with curved... Anyway, interesting comparison there, but do you think any pre/teenager would read that far in to it?

    10. Re:Harry Potter by Anonymous Coward · · Score: 0

      What are you, 12? That quote has been around for a decade.

    11. Re:Harry Potter by Golddess · · Score: 1

      It doesn't matter if preteens/teens would. The mere fact that someone is able to read Harry Potter in that way is enough for some people to ban it.

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    12. Re:Harry Potter by badkarmadayaccount · · Score: 1

      +1 Sadly Insightful

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  2. its kinda turning into... by Robin47 · · Score: 1

    a Magical Mystery Tour!

    1. Re:its kinda turning into... by Stormwatch · · Score: 1

      What a comparison... Magical Mystery Tour at least had a kickass soundtrack.

  3. imitation of J. K. Rowling's writing style... by JoeCommodore · · Score: 4, Interesting

    ...(c) imitation of J. K. Rowling's writing style in portions...

    Is that even an enforceable law? If so most authors should have their books contested, as people learn partly through imitation and experience. Throwing weak points out like that makes me suspect of the ruling.

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    "Enjoy what you're doing! If it becomes drudgery, you're doing it wrong!" - Jim Butterfield
    1. Re:imitation of J. K. Rowling's writing style... by Anonymous Coward · · Score: 2, Informative

      But that is the thing... you can.

    2. Re:imitation of J. K. Rowling's writing style... by binarylarry · · Score: 4, Informative

      Uhhh, wtf?

      You can do things in the same style, you just can't copy an original work (i.e. note for note, stroke for stroke).

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    3. Re:imitation of J. K. Rowling's writing style... by Anonymous Coward · · Score: 2, Interesting

      To be fair, you may learn through imitating another, its not right for you to profit by such work. To take an example from another art form - I may learn how to paint by copying an established painter, but that doesn't mean that I can create a painting in substantially the same style and profit from it.

      You can copy the style, but you can't copy the style and subject matter, and not clearly identify the true creator of the painting.

    4. Re:imitation of J. K. Rowling's writing style... by Anonymous Coward · · Score: 2, Informative

      and why not ? copyright law does not protect styles.

    5. Re:imitation of J. K. Rowling's writing style... by Anonymous Coward · · Score: 0

      To be fair, you may learn through imitating another, its not right for you to profit by such work. To take an example from another art form - I may learn how to paint by copying an established painter, but that doesn't mean that I can create a painting in substantially the same style and profit from it.

      And why not? Pointillism never had a copyright. Impressionism didn't. Even if they were around today, they wouldn't have one. Copyright doesn't cover things like that. Now, if you wanted to try for a patent on the representation of an image through a pseudorandom distribution of dots approximating the average color at a particular location blah blah blah blah you might be able to make a case, perhaps, maybe.

      It may not be particularly sophisticated or a sound way to build your career in the world of art, mind you, but legal/moral outrage it ain't, not by a long shot...

    6. Re:imitation of J. K. Rowling's writing style... by nog_lorp · · Score: 4, Insightful

      "Imitation of [Author X]'s writing style" would cover any written satire of the author. Since satire is universally accepted as protected and allowed under copyright law, imitation of style cannot be considered copyright infringement.

      As a matter of fact this extends beyond writing to all works that can be copyrighted. Imitation of style covers, essentially, any possible satire.

    7. Re:imitation of J. K. Rowling's writing style... by girlintraining · · Score: 3, Insightful

      Yeah, a writer's style is not supported by copyright to my knowledge -- only the actual words. And the "length of quotes" in the book... Have you ever read a research paper? Sometimes over half of each of the previous works are cited and included! That said, lack of proper attribution... That IS just sloppy, and they have every right to call them out on it. Though, being the Harry Potter lexicon, it's hard to imagine any other source than JK Rowling's works.... -_-

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    8. Re:imitation of J. K. Rowling's writing style... by K.+S.+Kyosuke · · Score: 2, Interesting

      I guess that unless the law has changed, you can protect no such thing as "writing style" under any kind of "IP protection". Even words, which are still "quite concrete", IMO do not constitute a copyrightable work, unless you really made them up. Well, this might be just the case, but I still believe it is in public interest not to prohibit usage of *words*, no matter how exquisitely refined a word is from the creative point of view. I guess the best thing you can do is to apply for copious trademarks.

      But - writing style? Do they really mean the thing that I would describe in my words as "a preference of particular words, collocations, phrases and syntactic structures specific to the author"? Ha ha. As I noticed, if there are people "ripping off someone's style", that someone is much more likely to be J. R. R. Tolkien, not a Joanne Rowling. Never seen Chris Tolkien or his old man complaining, though.

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      Ezekiel 23:20
    9. Re:imitation of J. K. Rowling's writing style... by moosesocks · · Score: 1

      ...(c) imitation of J. K. Rowling's writing style in portions...

      I propose a kdawson imitation thread.....

      1....2.....3.... Go!

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      -- If you try to fail and succeed, which have you done? - Uli's moose
    10. Re:imitation of J. K. Rowling's writing style... by erroneus · · Score: 2, Interesting

      It's not even part of the law at all! Copying "style" is not covered by copyright or patent or any other intellectual property laws that I am aware of. This judge is effectively ruling based on his OPINION and isn't even considering the law. I have to wonder if that is even legal. I think judges get away with far too much.

    11. Re:imitation of J. K. Rowling's writing style... by Hal_Porter · · Score: 1, Offtopic

      Not a copyright but Haliburton was granted a patent on Impressionism a few years back. They successfully sued the estate of Claude Monet.

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    12. Re:imitation of J. K. Rowling's writing style... by Spasemunki · · Score: 4, Insightful

      Fair use necessitates attribution- making it clear when text is being quoted or paraphrased, and when new material is being added by the author. One of the points cited by the judge was the sloppy attribution and long quotes. By imitating Rowling's style while including long, unattributed portions of her work the authors of the Lexicon are making it unclear where her text ends and theirs begins, making their work appear to be a new composite work derived from Rowlings text rather than a work that comments on, satirizes, etc. Rowlings material.

      The gist of the decision seems to be that if the Lexicon did a better job of clearly identifying what is Rowling's work and what is their own. That makes it hard to argue that they are commenting on or sampling Rowling's test in a manner compatible with fair use. Imitating Rowling's style is part of what creates the confusion.

    13. Re:imitation of J. K. Rowling's writing style... by mr_matticus · · Score: 1

      Is that even an enforceable law?

      Well, it's not a law, so no.

      As to whether it's relevant, absolutely it is. On its own, a writing style (much less a pedestrian, tortured one like Rowling's) is not eligible for copyright protection. However, no one has suggested that is the case--from either side. The relevance of the writing style speaks to the purpose and character of the allegedly infringing work, as well as to the amount and substantiality of the copying. These, as anyone actually involved or educated in the field would immediately know, are parts of the multifactor balancing test for fair use cases. The most important factor, and the deciding one in the case, is the market impact, coupled with the commercial nature of the endeavor.

      The ruling follows a trend of erring on the side of the author's right to prepare or license such derivative works, and isn't at all suspect, given that the website was not enjoined and Rowling made a specific point of stopping the commercial profit in the publication of the book. The low damages further reflect the court's rather balanced view of the offending work. The submitter's "criticism" of the opinion is a fairly generic and less-than-insightful critique of the case-by-case analysis of fair use cases--but as Learned Hand wrote decades ago, that's the way it is and the way it should be.

      If so most authors should have their books contested, as people learn partly through imitation and experience. Throwing weak points out like that makes me suspect of the ruling.

      It's only a "weak point" if you don't know what you're reading.

    14. Re:imitation of J. K. Rowling's writing style... by Hal_Porter · · Score: 5, Insightful

      I'm not sure you can compare the HPL and a research paper. The actual text in Harry Potter is the basis of a billion dollar industry and Rowling's publishers have very good lawyers. Fair use has rules about quote length and attribution and it seems like this guy broke them. Of course a lot of research papers may break those same rules but it would be very unlikely anyone would sue over that.

      Slashdot is schizophrenic about copyright, if someone had taken big chunks of GPL code and used them in a closed source application everyone would be baying for blood, but for some reason Harry Potter is considered entertainment and therefore OK to copy, a bit like movies and music. In a sense Harry Potter is open source - the text is freely available. It definitely isn't Creative Commons though, so while you are free to cite it you are not free to make derivative works, unless you have an agreement with Rowling herself.

      From what I've read this guy cut and pasted big chunks of the original text and didn't add much himself. While the whole thing was non commercial he was safe but as soon as he started to make money he wasn't. It's actually the literary equivalent of using GPL code in a commercial, closed source application.

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    15. Re:imitation of J. K. Rowling's writing style... by Anonymous Coward · · Score: 0

      [citation needed]

    16. Re:imitation of J. K. Rowling's writing style... by NewYorkCountryLawyer · · Score: 4, Informative

      ...(c) imitation of J. K. Rowling's writing style in portions...

      Is that even an enforceable law?

      No, it isn't, IMHO.

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      Ray Beckerman +5 Insightful
    17. Re:imitation of J. K. Rowling's writing style... by cpt+kangarooski · · Score: 4, Informative

      Fair use necessitates attribution- making it clear when text is being quoted or paraphrased, and when new material is being added by the author.

      No it doesn't.

      This particular defendant, however, claimed that he had written a reference guide. Since the novels are not reference guides, this would be a transformation of the copyrighted works, and it strengthens a fair use argument to show that the defendant has used the underlying work in a transformative manner. The court noted, however, that due to the lack of attribution, it wasn't actually a very good reference guide. This undercut the claim of it being a transformative work. That, in turn, weakened the fair use argument.

      If he had instead written a parody, he would not have had to include attributions, since parodies are a type of transformative work where attributions aren't really expected. Such a parody could easily be a fair use.

      Imitating Rowling's style is part of what creates the confusion.

      It might further harm the 'it's a reference guide' argument, but copyright does not protect mere writing styles, nor does copyright care about confusion. Copyright chiefly cares about copying. A novel written in Rowling's style that didn't copy anything protectable from her corpus of work, would not infringe her copyrights.

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      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    18. Re:imitation of J. K. Rowling's writing style... by Hal_Porter · · Score: 5, Funny

      I believe the case was Woosh vs Woosh 2006, Woosh County Court, State of Woosh

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    19. Re:imitation of J. K. Rowling's writing style... by cpt+kangarooski · · Score: 4, Interesting

      Fair use has rules about quote length and attribution

      No, it doesn't. Fair use ultimately boils down to 'you can use as much as is fair, given the overall circumstances.'

      When you time shift television, you're 'quoting' the entire thing, and stand a good chance of successfully claiming that it's a fair use. In other circumstances, however, excessive copying can sink a fair use argument handily.

      There's also no attribution requirement, but if you claim that you were engaged in a particular type of fair use, and that type of use normally involves attribution, failure to include the attribution may harm your argument, and ultimately, your defense.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    20. Re:imitation of J. K. Rowling's writing style... by Spasemunki · · Score: 1

      You're correct re: attribution- I was thinking of plagiarism. Copyright doesn't care about style or confusion, but they can definitely speak to the effect on the author's ability to exploit the original work. Rowling has an exclusive right to create derivative works- imitating the style used in the series and its associated works (Rowling has previously published in-world guidebook style works) undercuts Rowling's ability to profit from the work in a way that a guide book written using a different style would not.

    21. Re:imitation of J. K. Rowling's writing style... by Opyros · · Score: 2, Interesting

      But what did item (c) refer to? I've just searched through the decision at Groklaw, and I can't find the word "style" anywhere. Were you referring perhaps to the fact that the companion books were themselves references, and the judge found that Vander Ark's incorporation of material from them into another reference was insufficiently transformative? If not, I'm puzzled by the mention of "writing style".

    22. Re:imitation of J. K. Rowling's writing style... by Artifakt · · Score: 1

      There are some widely used methods of making it simple and straightforward for readers to determine which parts of a text are quoted material. The use of different fonts, font weights and sizes, indentation or italics are all practices which it seems fair to describe as industry standards, and are all simple to implement. While there are different methods, these reflect differences in how much material is being quoted, how much it resembles the non-quoted parts, and so on. Most publishers have policies that guide them in selecting one method from these several, but even if the 'wrong' method was picked, picking any method would show intent.
          If the lexicon couldn't, in fact, be bothered to use one or more of these methods, I'd think that very point hurts their case. If the authors didn't have a clear idea of what they were doing in some general senses, I don't think they should be given the normal benefit of a doubt that they had a clear idea of how what they did fell within the confines of fair use either. Instead, they should bear some burden of proof that they considered fair use and formed a reasonable opinion instead of just not giving a damn.
            In other words, this may not mean they are guilty of anything, but if it turns out they are, it would seem to be a possible aggrievating circumstance.
       

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    23. Re:imitation of J. K. Rowling's writing style... by NewYorkCountryLawyer · · Score: 4, Interesting

      I'm puzzled by the mention of "writing style".

      Me too. I don't know why the Judge considered that a factor at all. I think the 2nd Circuit will disapprove that.

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      Ray Beckerman +5 Insightful
    24. Re:imitation of J. K. Rowling's writing style... by girlintraining · · Score: 3, Interesting

      I doubt you could make the argument that some chunk of source code or a research paper, shared and used by a very small minority of people, should be subject to the same rules as a cultural icon shared by over a hundred million people. At what point do corporations stand aside so that the PUBLIC can own their own culture? By the law as you (and many others) interpret it -- never. In my opinion, corporations can suck a big one on this -- they don't own culture, and that's what harry potter has become, whether JK Rowling and the Publishers of Doom want it that way or not.

      Shall I give up telling my friends to "google the question"? Shall I avoid asking for a Kleenex? When my coworker does some hack job on a server, do I no longer get to call it a mickey mouse job? Seriously -- The book was designed by fans to serve as a companion to the books, quite ostensibly because after over ten thousand pages of text some people might be confused... That they quoted "large sections" of the text... how much material could they possibly have quoted compared to the original? 5%? 10%?

      Please.

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    25. Re:imitation of J. K. Rowling's writing style... by Artifakt · · Score: 1

      A parody could be fair use, but substantial quotation doesn't belong in parodies. To create a parody the author would have to rewrite those quotations somewhat, not use them straight. I suppose that a parody could use some text without alteration, but surely it can't be a very high percentage of the total work.
          David Gerrold once did a parody of E. E. (Doc) Smith's work, and accidentally transcribed an entire paragraph straight from Smith, based only on what he had read 10 years or more before. When he realized this, he went back and changed it before publication, thinking that an entire paragraph, in a short story sized work, was too much to justify. That's probably a pretty good rule of thumb.

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    26. Re:imitation of J. K. Rowling's writing style... by cpt+kangarooski · · Score: 4, Interesting

      Rowling has an exclusive right to create derivative works

      Which is not implicated in this case; the guidebook was not a derivative work. Rather, the author got in trouble for his excessive verbatim copying.

      imitating the style used in the series and its associated works

      Would also not constitute a derivative work.

      Derivatives are defined in the law:

      A "derivative work" is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted. A work consisting of editorial revisions, annotations, elaborations, or other modifications which, as a whole, represent an original work of authorship, is a "derivative work".

      As you can see, merely being based upon a preexisting work isn't enough. In practice, the derivative has to recast, transform, or adapt the preexisting work. An adaptation, like "Harry Potter: The Opera" would be a derivative. A sequel book, such as "Harry Potter and the Endless Revenue Stream" would be a derivative work. But as the court pointed out, a mere reference guide is not a derivative work, because it does not recast, transform, or adapt the thing to which it is a guide. This was covered pretty well in the Beanie Baby case, and the point was repeated in this case.

      Likewise, merely using the style of the Harry Potter books would not constitute a derivative work, because that doesn't recast, transform, or adapt the preexisting books.

      undercuts Rowling's ability to profit from the work in a way that a guide book written using a different style would not.

      So? Copyright does not include a right to profit. Imagine the absurd results that would occur if it did: A scathing review of the latest book or movie that caused it to be a big flop would constitute copyright infringement! Even if it didn't copy so much as a word. Likewise, a rival author who wrote a series of dreadful books about vampires which drew away the audience for Harry Potter could be accused of infringing on the basis that her (bad) original works were undercutting Rowling's profits, despite a total lack of copying anything.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    27. Re:imitation of J. K. Rowling's writing style... by Spasemunki · · Score: 1

      So? Copyright does not include a right to profit. Imagine the absurd results that would occur if it did: A scathing review of the latest book or movie that caused it to be a big flop would constitute copyright infringement! Even if it didn't copy so much as a word. Likewise, a rival author who wrote a series of dreadful books about vampires which drew away the audience for Harry Potter could be accused of infringing on the basis that her (bad) original works were undercutting Rowling's profits, despite a total lack of copying anything.

      Effect on the author's ability to profit from their work is one criteria in judging if a use is fair use.

    28. Re:imitation of J. K. Rowling's writing style... by Twanfox · · Score: 1

      Reference, please.

    29. Re:imitation of J. K. Rowling's writing style... by Spasemunki · · Score: 1

      As you can see, merely being based upon a preexisting work isn't enough. In practice, the derivative has to recast, transform, or adapt the preexisting work. An adaptation, like "Harry Potter: The Opera" would be a derivative. A sequel book, such as "Harry Potter and the Endless Revenue Stream" would be a derivative work. But as the court pointed out, a mere reference guide is not a derivative work, because it does not recast, transform, or adapt the thing to which it is a guide. This was covered pretty well in the Beanie Baby case, and the point was repeated in this case.

      But if you're going to publish a 'reference' book, you have to do so in such a way that it doesn't take on the qualities of a derivative work. If you take long quotes from a book and then insert additional explanatory text around them in the same style, you haven't created a guidebook, you've created a modified version of the source work.

    30. Re:imitation of J. K. Rowling's writing style... by Spasemunki · · Score: 1
    31. Re:imitation of J. K. Rowling's writing style... by cpt+kangarooski · · Score: 2, Insightful

      A parody could be fair use, but substantial quotation doesn't belong in parodies.

      That depends on the parody; every case is different. Besides, it is well-established that parodies have to copy quite a lot in order to make it clear just what they are parodying. This could involve verbatim copying, though it needn't necessarily, but there will be a lot of copying no matter what.

      but surely it can't be a very high percentage of the total work.

      First, the issue is how much was copied, not the ratio of copied:new material. Second, it's however much is fair, under the circumstances. Could be a lot, could be a little. Fair use is extremely vague, and deliberately so. Bright line rules don't mesh well with fairness.

      thinking that an entire paragraph, in a short story sized work, was too much to justify. That's probably a pretty good rule of thumb.

      Meh. I really wouldn't bother with rules of thumb for fair use. It's the overall circumstances of each case standing alone that matters. Any given rule of thumb is as likely to be wrong as it is right, because it does not take into account all of the surrounding issues. Go with your gut instincts instead, looking at the particular circumstances of the actual use in question.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    32. Re:imitation of J. K. Rowling's writing style... by cpt+kangarooski · · Score: 4, Informative

      That's true. But not really all that relevant here. The Lexicon was not supplanting the market for the novels. And as the court pointed out, "[n]otwithstanding Rowling's public statements of her intention to publish her own encyclopedia, the market for reference guides to the Harry Potter works is not exclusively hers to exploit or license, no matter the commercial success attributable to the popularity of the original works." There was a concern, however, that the lexicon might harm the market for some of the existing ancillary works it copied from, since it copied so much.

      And more generally, there still isn't a right to profit. Remember, fair use only arises where there is prima facie infringement of an actual right, such as the right to reproduce the work in copies. Writing a bad review would not be infringement at all, unless it included quotes or something. Writing a competing series of terrible books would not be infringement either. Only if there is some underlying infringement would a fair use argument (and the fourth, monetary, factor) come into play. In the case of a review, I would be utterly amazed if a court decided that the loss of sales attributable to the review was relevant under the fourth fair use factor. I certainly cannot recall such an absurd outcome ever having happened.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    33. Re:imitation of J. K. Rowling's writing style... by cpt+kangarooski · · Score: 3, Interesting

      But if you're going to publish a 'reference' book, you have to do so in such a way that it doesn't take on the qualities of a derivative work.

      That's usually pretty easy.

      If you take long quotes from a book and then insert additional explanatory text around them in the same style, you haven't created a guidebook, you've created a modified version of the source work./i>

      I suppose that's possible. But it would be an odd guidebook. You're essentially describing Cliff's Notes with extensive paraphrasing of the story between long verbatim quotes. That's an abridgment, and it would be a derivative.

      We can immediately see that the Lexicon in this case isn't like that; it's organized alphabetically, not chronologically. A lot of text about the man-eating Aardvark from book 4, followed by the entry for the magical Albatross from book 1 is hardly putting the original story back together out of snippets and paraphrases.

      Please remember that the court did not find the defendant to have infringed on the derivative right; the Lexicon is not a derivative work. Rather, the issue was verbatim copying, and too much of it.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    34. Re:imitation of J. K. Rowling's writing style... by Hal_Porter · · Score: 1

      But in the end the public don't own Harry Potter. J K Rowling does, because she created it. She's already said there are other lexicons she is fine with, she just doesn't like this one. And the guy that wrote it did it in such a way that it is classed as a derivative work which means she can stop it being distributed. From what I've read it was so blatantly plagiarised that the case for it being a derivative work was easy to make. Plus he sold it.

      It reminds me of a good quote from Victor Lewis Smith -"Imitation is the sincerest form of being an unoriginal thieving bastard" or the 4chan insult of newfag for people who solely exist to repost stuff by other people.

      And note that fair use quoting is OK for satire and lexicons like this. But you must follow the rules to do it and add some original content. Really the only people who get clobbered are people without anything original to say.

      --
      echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
    35. Re:imitation of J. K. Rowling's writing style... by ozmanjusri · · Score: 4, Insightful
      Slashdot is schizophrenic about copyright

      It's weird, isn't it?

      You'd almost think there was more than one person posting here.

      --
      "I've got more toys than Teruhisa Kitahara."
    36. Re:imitation of J. K. Rowling's writing style... by Hal_Porter · · Score: 2, Interesting

      A long time ago when I was in an class someone told that all quotes had to be attributed and you could only quote one paragraph from each source, and you had to add some sort of original commentary tying the quotes together to make a point that was not present in any of them individually. Apparently in the US the rule of thumb is 300 words maximum and attribution. Now these are usually designed for safety rather than maximizing the amount you can quote. They are style rules too, so they vary from institution to institution. And actually it was ruled that quoting 300 words from Gerald Ford's biography, the crucial part about pardoning Nixon, was not fair use.

      However if you've ever written anything formally you should have some idea about how to quote and not be at risk of a copyright lawsuit. You could probably work out a rule of thumb from research now.

      From what I can tell this lexicon quoted way, way more than plausible fair use, didn't attribute and did not add original commentary. That's why the author was in trouble.

      --
      echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
    37. Re:imitation of J. K. Rowling's writing style... by kae_verens · · Score: 2, Funny

      A long time ago when I was in an class someone told that all quotes had to be attributed and you could only quote one paragraph from each source, and you had to add some sort of original commentary tying the quotes together to make a point that was not present in any of them individually.

      -- this quote was originally uttered by Hal_Porter

      I notice you did not name this "someone". Does that mean that your quote is illegal?

    38. Re:imitation of J. K. Rowling's writing style... by pjt33 · · Score: 1

      Derivatives are defined in the law:

      A "derivative work" is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted. A work consisting of editorial revisions, annotations, elaborations, or other modifications which, as a whole, represent an original work of authorship, is a "derivative work".

      As you can see, merely being based upon a preexisting work isn't enough.

      Actually the very section you quote says that being based upon a preexisting work is enough. It then gives a list of examples lest anyone interpret "based upon" too narrowly.

    39. Re:imitation of J. K. Rowling's writing style... by 91degrees · · Score: 1

      Fair use has rules about quote length and attribution

      No, it doesn't. Fair use ultimately boils down to 'you can use as much as is fair, given the overall circumstances.'

      Fair point, but the guidelines are pretty strict.

    40. Re:imitation of J. K. Rowling's writing style... by 91degrees · · Score: 1

      There is? I thought I was the one writing all these comments? Who's the other guy?

    41. Re:imitation of J. K. Rowling's writing style... by Hal_Porter · · Score: 1

      I didn't quote I paraphrased. And there were several sources for this. One paragraph and the attribution seem to be conventional wisdom, the part about the commentary making points not present in any of the individual sources is my rule for academic stuff. Mostly because it makes it more interesting to write, but also because that's one of the things that separate quoting for critical purposes from plagiarism.

      --
      echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
    42. Re:imitation of J. K. Rowling's writing style... by clifyt · · Score: 1

      "A long time ago when I was in an class someone told that all quotes had to be attributed and you could only quote one paragraph from each source, and you had to add some sort of original commentary..."

      That is a good rule of thumb when you are trying to get students to do, say, a 3 page paper. I.e., something that could be knocked out in a half hour by a competent writer that has read the material and synthesized the information into something new.

      Then again, I've never actually quoted more than a sentence or two from a single source in a row, if I have to go more than that, I do the relevant sections '...' and then the end relevant area. I can't imagine the need to do an entire paragraph. In this instance, it it more about getting students to learn to quote relevantly as opposed to just using others words to pad the pages. In larger academic works where one is not judged by the paper length but by the accuracy and relevance of the information, a lot more quotes from single sources can be admitted under some circumstances (though I still can't imagine lifting large chunks of paragraphs at a time).

    43. Re:imitation of J. K. Rowling's writing style... by jonaskoelker · · Score: 1

      Slashdot is schizophrenic about copyright

      We're certainly hearing voices of people who aren't present; those of RMS, Larry Lessig and NYCL in particular.

      Our thoughts are incoherent: watch the word salad that some of the trolls spew out.

      We're also delusional: we hold the fixed belief that Microsoft are evil and Open Source is good, despite Novell selling out and Microsoft uhmm... well they do try to do something good.

      Social cognition is pretty impaired in all of us, and there's a lot of avolition going on: we all sit on our asses and complain instead of doing something about it.

      Yep, it matches pretty good ;)

      Perhaps you meant multiple or dissociative personality disorder?

      (laundry list of symptoms taken from wikipedia).

    44. Re:imitation of J. K. Rowling's writing style... by KillerBob · · Score: 1

      Fair Use does have limits.

      Limitations:

      Time:
              up to two years without permission
      Portion:
              Motion Media: 10% or three minutes, whichever is less
              Text: 10% or 1000 words, whichever is less (except poems)
              Music: up to 10%, but no more than 30 seconds
              Illustrations and photographs: less than five images per artist
              Data Sets: 2500 fields or cells or 10%, whichever is less
      Special cases:
              poems, email, online chats, LISTSERV discussions, Web cameras; see the guidelines for further information
      Copies:
              no more than two copies, which may be placed on reserve

      source: http://www.uic.edu/depts/accc/newsletter/adn20/copyright.html

      You can find the same information at dozens of websites around the world, though most of the first hits are from universities, because the whole concept of Fair Use was introduced to help universities and provide protection for academic use of copyrighted materials. To save you the trouble:

      http://www.google.ca/search?hl=en&q=fair+use+time+limits&btnG=Google+Search&meta=

      --
      If you believe everything you read, you'd better not read. - Japanese proverb
    45. Re:imitation of J. K. Rowling's writing style... by pbhj · · Score: 1

      Slashdot is schizophrenic about copyright, if someone had taken big chunks of GPL code and used them in a closed source application everyone would be baying for blood, but for some reason Harry Potter is considered entertainment and therefore OK to copy, a bit like movies and music.

      The same sort of business model as is used by those issuing code under the FOSS licenses (I know GPL !== FOSS) is available in all industries (though I'll admit it seems to fit well in only a few).

      I wonder if "Harry Potter Inc." only had the first run of book sales (as subsequent runs would be under competition) ticket sales (for movies at Cinema) and merchandising monies how many millions JK Rowling would still have made?

      Musicians that do shows/concerts can still make a living even if they provide the sheet-music for their songs/give away MP3's for free.

      It's actually the literary equivalent of using GPL code in a commercial, closed source application.

      Your logic is off. If Harry Potter is anything analagous to GPL code then so is the later work. So then it would be (continuing from your premise and applying standard logic) use of GPL code in a GPL work ... damn, why aren't the "zealots" up in arms??

    46. Re:imitation of J. K. Rowling's writing style... by drinkypoo · · Score: 1

      Slashdot is schizophrenic about copyright, if someone had taken big chunks of GPL code and used them in a closed source application everyone would be baying for blood, but for some reason Harry Potter is considered entertainment and therefore OK to copy

      What? You're on drugs. If they had just put the books up on their website, you might have a point. Since they were quoting from the books (with or without traditional attribution) in order to make illustrative points, the only rational argument here is over how much they should be quoting, and to what standards they should be held when it comes to attribution.

      You cannot own the facts. It is true that the Harry Potter books have certain characteristics. If you share these characteristics on the web, this is a totally legal act, because you are sharing facts about the work. If you quote relevant passages, then such quoting is protected.

      It definitely isn't Creative Commons though, so while you are free to cite it you are not free to make derivative works, unless you have an agreement with Rowling herself.

      That does not in any way however change whether you can make works about the books.

      From what I've read this guy cut and pasted big chunks of the original text and didn't add much himself. While the whole thing was non commercial he was safe but as soon as he started to make money he wasn't. It's actually the literary equivalent of using GPL code in a commercial, closed source application.

      No, it is the literary equivalent of using Open Source code (The term "Open Source" only means that you can see the code, all protestations from various egotistical bozos aside) in your Open Source program without permission; but it is clear that you cannot reasonably compare a traditionally licensed copyrighted work like a Harry Potter book, and GPL-licensed code.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    47. Re:imitation of J. K. Rowling's writing style... by Anonymous Coward · · Score: 0

      I'm the other guy.

    48. Re:imitation of J. K. Rowling's writing style... by cpt+kangarooski · · Score: 4, Informative

      That is all very nice, but it is terribly inaccurate. I mean, you could have at least looked at Wikipedia!

      Without getting bogged down with details, fair use was not created for the benefit of universities or academics, though they have certainly been beneficiaries. And as law that was essentially a creation of the courts, until quite recently, there wasn't even a statute. Congress didn't even formally take note of the doctrine until the 1976 Act (fair use dates at least to the mid-19th century) when they included a statute (17 USC 107) which I shall reproduce here, in its entirety:

      Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include--
      (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
      (2) the nature of the copyrighted work;
      (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
      (4) the effect of the use upon the potential market for or value of the copyrighted work.
      The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.

      That is fair use. And notice what it actually said: "[T]he fair use of a copyrighted work ... is not an infringement of copyright." The factors are just components in a test to figure out if a test is fair. And it's not a mathematical test, or a bright line test. You needn't succeed with all four factors. In some cases, you can do quite poorly on most, and still succeed. But it depends on the details of "any particular case." Just because it was fair for Alice to do something doesn't mean it will be fair for Bob, if their circumstances are not precisely identical.

      There are no numerical limits here, no 10% of this, or 2500 of the other, or any such nonsense. Those are not legal guidelines, those are the creation of laypeople who are flummoxed by the lack of clear guidance from the courts, since with the case-by-case nature of fair use, and the rules and interpretations (not included here; they'd be too much work than I'm prepared to invest in a /. post) there can never be clear guidance. Even canonical examples (parody, time shifting, etc.) are not really inevitably fair. It is a fuzzy, messy matter of equity, and apparently those folks just can't stand that, so they have guessed and unfortunately, you think their guesses are gospel.

      This is of course, not true, and I can immediately see instances where what they advise is probably fair (they don't know, of course, no one does) might not be, and where what they say is probably not fair might be.

      If you're interested in fair use, if you want to get a grasp on what it is, and where it comes from, and what the rules are, you will have to read a lot of cases regarding it. And then, like the courts, you will be left with a vague sense of it, which defies easy explanation, but at least you can look at a set of circumstances and have a good idea of whether it is fair or not. Because fair use must be able to accommodate any circumstances (the Folsom court could not have even imagined time shifting video tape) it can never be pinned down.

      In any case, you might want to stop spreading your misinformation. Those are just guesses by and for people who can't stand fuzzy rules, regardless of the fact that the rules actually are fuzzy, and need to stay that way.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    49. Re:imitation of J. K. Rowling's writing style... by drinkypoo · · Score: 1

      Even words, which are still "quite concrete", IMO do not constitute a copyrightable work, unless you really made them up. Well, this might be just the case, but I still believe it is in public interest not to prohibit usage of *words*, no matter how exquisitely refined a word is from the creative point of view.

      If you look in the dictionary you will find numerous words whose odd spellings or even their existence were invented by various English Authors; Chaucer springs immediately to mind. Granted, none of that would still be covered by copyright, but the point remains. If you want to protect the use of a word then you need to use Trademark law.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    50. Re:imitation of J. K. Rowling's writing style... by drinkypoo · · Score: 1

      To create a parody the author would have to rewrite those quotations somewhat, not use them straight.

      Weird Al made a parody of a Crash Test Dummies song, the best part of the whole thing was how his lyrics meshed with the parts of the song that didn't change. Please, get real.

      David Gerrold once did a parody of E. E. (Doc) Smith's work, and accidentally transcribed an entire paragraph straight from Smith, based only on what he had read 10 years or more before. When he realized this, he went back and changed it before publication, thinking that an entire paragraph, in a short story sized work, was too much to justify. That's probably a pretty good rule of thumb.

      It probably is, but in other cases the work might not even make sense without quoting the paragraph verbatim.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    51. Re:imitation of J. K. Rowling's writing style... by Anonymous Coward · · Score: 1, Funny

      And yet, all I can hear is
      "no no you see my song goes dundundundunde ding ding
      their song goes dundundundun de ding ding"

    52. Re:imitation of J. K. Rowling's writing style... by cpt+kangarooski · · Score: 1

      Yeah, the courts have more or less wound up treating the 'such as' clauses as a list of examples, and everything not specifically listed has to fall under the 'or any other form.' Basically, merely being based upon a preexisting work isn't enough; to be a derivative, a work must be a new version or variation at least some protected part of the underlying work. Talking about a work, as a guide does, is seems unlikely to qualify.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    53. Re:imitation of J. K. Rowling's writing style... by mcgrew · · Score: 2, Insightful

      Fair use has rules about quote length and attribution

      Not according to Stanford law professor Lawrence Lessig in his book "Creative Commons". What is and isn't "fair use" is a murky gray area.

      Lessig's book (available on the internet under a CC license) is written in a manner a layman can understand and is a must-read for anyone interested in copyright reform.

    54. Re:imitation of J. K. Rowling's writing style... by mcgrew · · Score: 1

      That's why we have appeals courts.

    55. Re:imitation of J. K. Rowling's writing style... by mcgrew · · Score: 2, Insightful

      An example is the Harvard Lampoon's Bored of the Rings (which I quote from decades old memory so the quote is probably inexact), passage lifted from Lord of the Rings in bold:

      ...but pity stayed his hand. "Its a pity I've run out of bullets"

    56. Re:imitation of J. K. Rowling's writing style... by russotto · · Score: 1

      Those guidelines were basically pulled out of the ass of a group called the "Consortium of College and University Media Centers". Neither the copyright holders nor the courts nor the legislature was involved in creating them. They don't have legal force.

    57. Re:imitation of J. K. Rowling's writing style... by NewYorkCountryLawyer · · Score: 2, Insightful

      Fair use has rules about quote length and attribution

      Not according to Stanford law professor Lawrence Lessig in his book "Creative Commons". What is and isn't "fair use" is a murky gray area. Lessig's book (available on the internet under a CC license) is written in a manner a layman can understand and is a must-read for anyone interested in copyright reform.

      You don't have to go to Lawrence Lessig for that. There isn't a lawyer in the country who thinks that "fair use" has straightforward, easy-to-follow rules. It is definitely a murky gray area. This vagueness favors the big content holders -- 6 motion picture companies and 4 record companies -- who like nothing more than litigation.

      --
      Ray Beckerman +5 Insightful
    58. Re:imitation of J. K. Rowling's writing style... by NewYorkCountryLawyer · · Score: 2, Insightful

      the rules actually are fuzzy, and need to stay that way

      Agreed that they are fuzzy. Do not agree that they need to stay that way.

      --
      Ray Beckerman +5 Insightful
    59. Re:imitation of J. K. Rowling's writing style... by ifwm · · Score: 0

      Congratulations, you hit on the essntial points the judge was making, only less intelligently and less coherently.

      Perhaps you should get smarter before you say nothing of value in the future, like you have done here.

    60. Re:imitation of J. K. Rowling's writing style... by Anonymous Coward · · Score: 0

      Fair use necessitates attribution- making it clear when text is being quoted or paraphrased, and when new material is being added by the author.

      No it doesn't.

      If you use part of someone else's work, especially using direct quotes or excerpts, and fail to attribute it to them, then that is plagiarism because you are then presenting it as YOUR work.

      Fair use does not mean you can plagiarize someone's material, which is what the 'author' of this guide did.

      As you pointed out parodies are more exempt, but they still need to be different from the original at least to a certain extent. I cannot republish the series with the name Harri Pawter and a few extra paragraphs thrown in & claim it is a Parody.

    61. Re:imitation of J. K. Rowling's writing style... by Anonymous Coward · · Score: 0

      Look up schizophernia... it has nothing to do with multiple/split personalities (dissociative identity disorder). What is wrong with saying "Slashdot is inconsistent about copyright..."??? Does that hurt your argument?

      It definitely hurts your attempt at humor at the expense of an the mentally ill to mislabel an extremely debilitating disease. You can't be bothered to do the smallest amount of research into what said disease's symptoms are?

      Stop watching "What about Bob?" and listening to Denis Miller stand-up. It's making you ignorant.

    62. Re:imitation of J. K. Rowling's writing style... by jeremyp · · Score: 1

      You can't compare a research paper and an HP lexicon. The whole ethos of research papers is to allow people to reuse the research in themand thus properly attributed quotes are considered a good thing and contribute to the writers' reputation. In fact, in the UK, the number of citations your research gets is used as a quantitative measure of its value and may affect your future fuding. Scientists probably look forward to seeing lots of lovely long quotes from their papers - as long at it's not plagiarised.

      --
      All I want is a secure system where it's easy to do anything I want. Is that too much to ask ~~ Randall Munroe
    63. Re:imitation of J. K. Rowling's writing style... by Hal_Porter · · Score: 1

      Did the voices tell you to write that?

      --
      echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
    64. Re:imitation of J. K. Rowling's writing style... by JD-1027 · · Score: 1

      This is exactly what I was going to stay. How can a law that could potentially wind up costing me everything I own be "fuzzy". Or in this case, costing someone lots of hard work without being able to publish their hard work (aren't we supposed to be promoting work like this?).

      Fuzzy laws just seem like a bad idea.

    65. Re:imitation of J. K. Rowling's writing style... by NewYorkCountryLawyer · · Score: 1

      Fuzzy laws just seem like a bad idea.

      Fuzzy laws are a bad idea. That is not what our country is supposed to be about.

      --
      Ray Beckerman +5 Insightful
    66. Re:imitation of J. K. Rowling's writing style... by skeeto · · Score: 1

      As I understand it, parody is fair (using the work to poke fun at the work itself) while satire is not (using the work to poke fun at something else).

    67. Re:imitation of J. K. Rowling's writing style... by porcupine8 · · Score: 1

      According to the testimony in the trial, 91% of the new book was direct quotations from JKR's work, most of it unattributed. Does it matter that that only amounts to 5% of the original work when he's basically just taking that 5%, adding a small amount of commentary, and then reselling it? Could you take a chapter from The DaVinci Code verbatim, add your opinion to the end, and then sell that?

      --
      Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
    68. Re:imitation of J. K. Rowling's writing style... by Artifakt · · Score: 1

      Right, that's basically how a text parody works. You use small bits, but normally you have to make changes. For print fiction, that's usually at below the paragraph level, often below the sentence level. BotR took examples such as where Tolkien had characters mention their ancestors, and parodied the geneological aspect by lists of overflung, odd sounding ancestors. Not once in doing that could they leave as much as an original sentence intact, instead it became "Arrowroot, son of Arrowshirt". They couldn't leave the first four verses of the ring poem intact, instead it was lines like "This ring and no other was made by the elves, who'd pawn their own mothers to get it themselves...". That's why it's a parody. You take things, such as Tolkien's tendency to sound biblical when he got in geneological mode, and you write something funny, satirical, or odd enough to draw attention to the 'flaws' or foibles of the original.
              It's kind of unrealistic, even for fantasy, that the Hobbits are so prim and proper that even the illiterate lower classes know their ancestors for 20 generations and nobody ever has to admit that mum couldn't tell them for sure who their father was, so you poke fun at it. If the original didn't have that 'flaw', there's nothing to parody about that particular point, and if you just quoted the original intact every time it gets into geneological territory, you are not parodying it, at least on that point. To parody a work, you have to pick something specific to parody about that work, and write something of your own that refers to that something. Otherwise, what's to stop somebody from taking a copy of Gone with the Wind, using the replace command to change Scarlett's name to Luke and Rhett's to Obi Wan, and claim it's a Star Wars parody?
            Anyone saying 'but the law theoretically allows this', can you name a single print parody that has whole paragraphs or above unaltered? "Bored of the Rings" and "Doon" certainly don't. Mad magazine typically did a parody every issue, and there wasn't a single sentence of the originals left unaltered in most cases, in fact they probably went 10 years without using a sentence from a source intact. Michael Moorcock prides himself on having never swiped a complete sentence or more in any of his parodical works, even when he parodied himself in "The Stone Thing". (And I doubt he would have sued himself).
            Isn't arguing that the law doesn't specifically say you can't have huge chunks of unaltered text in a print parody a bit like claiming there's no law specifically against painting stripes going the other way on a Zebra and selling it as a rare crosshatched Llama?

      --
      Who is John Cabal?
    69. Re:imitation of J. K. Rowling's writing style... by girlintraining · · Score: 1

      It all depends on the circumstance. If I argue the chapter point by point, paragraph by paragraph, it would make perfect sense to. On the other hand, if I just pasted the entire chapter and added at the end "... and it sucked." Then no, that would not be appropriate.

      --
      #fuckbeta #iamslashdot #dicemustdie
    70. Re:imitation of J. K. Rowling's writing style... by cpt+kangarooski · · Score: 1

      I absolutely have to disagree with you on this, Ray. Fair use is an equitable doctrine and catch-all, and it could not perform these functions if bright line rules were used. Just imagine if such rules had been adopted before Sony or Diamond, which expanded the types of fair uses known by quite a lot.

      Honestly, you should know that if you have specific uses in mind that you'd like to protect, the answer is to enact statutory exceptions which make the use noninfringing without anyone needing to argue fair use, or worse, alter it. We have loads already, why not more? First sale is a good example; it is lawful to resell used books, not because of fair use, but because of the unrelated first sale doctrine and statutory exception.

      I, for one, would like to see an exception legalizing any otherwise infringing activity by a natural person not acting commercially. But I wouldn't try to cram that into fair use.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    71. Re:imitation of J. K. Rowling's writing style... by julesh · · Score: 1

      A sequel book, such as "Harry Potter and the Endless Revenue Stream" would be a derivative work

      There's an interesting argument that it shouldn't be considered so, essentially because it generally wouldn't copy anything that was substantial enough to warrant copyright protection. Alluding to something isn't a protected right under copyright, so unless a sequel goes through lots of repetitions of things that have happened in previous books, whether there is really any logical reason for it to be protected by copyright is an interesting question.

      I could write, if I wanted, an entire Harry Potter sequel that didn't copy more than the occasional word from any of the official books. It wouldn't copy events (although it would be written such that it didn't contradict any) nor would it copy character histories (although I'd certainly _know_ and _be influenced by_ those histories while writing the book). In fact, if a lawyer were asked, it would be very hard for him to pin down anything I'd copied other than character names (and, generally speaking, such things have been held in the past to be not subject to copyright at all) and one-or-two invented words (again, not generally held as being copyrightable, at least not as far as I grok copyright law).

      What I would be doing, though, would be massive and willful trademark infringement, along with a fair helping of unjust enrichment.

    72. Re:imitation of J. K. Rowling's writing style... by julesh · · Score: 1

      I wrote:

      What I would be doing, though, would be massive and willful trademark infringement, along with a fair helping of unjust enrichment.

      And Slashdot's bottom-of-page fortune responded:

      You will gain money by an immoral action.

      Perhaps this is an omen that I should be moving into the unauthorized Harry Potter book business.

    73. Re:imitation of J. K. Rowling's writing style... by AK+Marc · · Score: 1

      Claiming to make a reference book, then using long unattributed quotes interspersed with writing style designed to match the quoted material does mean that "fair use" should take the writing style into account. The way it was done, it is a derivative work designed to more mimic the original work (usually not fair use) than describe the original work (usually fair use). The writing style isn't in itself illegal, but it is evidence that shows the "fair use" argument to be less clear.

    74. Re:imitation of J. K. Rowling's writing style... by NewYorkCountryLawyer · · Score: 1

      The writing style isn't in itself illegal, but it is evidence that shows the "fair use" argument to be less clear.

      You're wrong. Can you cite to a legal authority that supports that?

      --
      Ray Beckerman +5 Insightful
    75. Re:imitation of J. K. Rowling's writing style... by AK+Marc · · Score: 1

      Can you cite to a legal authority that supports that?

      Heck no. I can't cite what I had for breakfast. I can state that if I were on a jury and it looked to me that someone was copying a style in a confusing manner while including someone else's material cited (or not cited) in a way that made it confusing what parts were original and what was a copy, I would take that general confusion as a deliberate ploy to confuse the new work with the old work (yes, "confusion" is more a matter for trademarks than copyright). It would also be "proof" in my mind as a juror that the work isn't a reference work as this one is being presented, but a cretive work that is derivative and the extensive quotes used aren't fair use. A factual account that was, say, a map of wizard England overlaid on a real map of England would be a creative derrivative work that I wouldn't think would violate copyright.

      Fair Use is not well defined. It is almost done only on a case by case basis. Causing confusion isn't something listed in Fair Use, but it does go to show the reasons the work was copied. And I'm sure you can cite much better than me cases involving Fair Use where the reasons for the copying were relevant. And it's a matter of logic, not law, that would draw the line showing that writing style of the new work is related to the "why" of the copy, at least in this case.

    76. Re:imitation of J. K. Rowling's writing style... by NewYorkCountryLawyer · · Score: 2, Informative

      Defendant's occasional lapsing into emulation of Rowling's writing style was totally irrelevant to the fair use analysis. Judge Patterson was wrong on that and I expect the 2nd Circuit to point that out to him.

      --
      Ray Beckerman +5 Insightful
    77. Re:imitation of J. K. Rowling's writing style... by danw5k1 · · Score: 1

      Raw data sets are NOT copyrightable. This was settled by various yellow pages companies. http://www.unc.edu/courses/2006spring/law/357c/001/projects/dougf/node5.html

    78. Re:imitation of J. K. Rowling's writing style... by Anonymous Coward · · Score: 0

      I am Twitter!

    79. Re:imitation of J. K. Rowling's writing style... by westlake · · Score: 1
      When you time shift television, you're 'quoting' the entire thing, and stand a good chance of successfully claiming that it's a fair use.

      .

      No one much cares that you have time-shifted a video - so long as it stays within your own home.

      The real meaning of "fair use" of a Betamax VCR.

    80. Re:imitation of J. K. Rowling's writing style... by Anonymous Coward · · Score: 0

      No, I am Twitter! And I promise I'm not replying to myself, these are separate individuals. Who are persecuted by the /. community, themselves.

    81. Re:imitation of J. K. Rowling's writing style... by cpt+kangarooski · · Score: 1

      If you use part of someone else's work, especially using direct quotes or excerpts, and fail to attribute it to them, then that is plagiarism because you are then presenting it as YOUR work.

      If it's set off in quotes, I don't know if it would really be something you were claiming to have written (in which case, why the quote marks?) as opposed to something you just failed to attribute.

      In any case, it's a moot point. Plagiarism is not copyright infringement; as far as copyright law is concerned, plagiarize away. Whereas, if you quoted excessively, even if you never failed to mark it as a quotation and properly attribute it, it would not be plagiarism, but it might very well be copyright infringement.

      Fair use does not mean you can plagiarize someone's material, which is what the 'author' of this guide did.

      Fair use doesn't care about plagiarism one way or the other. And in any event, this author didn't plagiarize; he didn't claim to be the author of Rowling's works, and only an idiot would think he was. He merely undercut his argument at having written a reference guide because it was such a terribly lousy reference guide. He quoted when he didn't need to, and when he did, the lack of citations made it difficult for readers to refer back to the passages in the books being referenced. That's kind of the point of a reference guide.

      As you pointed out parodies are more exempt, but they still need to be different from the original at least to a certain extent. I cannot republish the series with the name Harri Pawter and a few extra paragraphs thrown in & claim it is a Parody.

      Although the underlying work was not copyrighted, L.H.O.O.Q. would probably be a fair use despite the fact that all that Duchamp did was draw a couple of lines with a pencil, and write the title of the piece on the border. He made a number of copies of it; one hangs in the Pompidou Center, because it's a legitimate and relatively important work of art. You really don't need all that much to get a transformative work.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    82. Re:imitation of J. K. Rowling's writing style... by cpt+kangarooski · · Score: 1

      No, facts are not copyrightable. Data may be, if it's not factual, or at least not an independently existing fact, or presented as one. E.g. a database of what I think a good price would be for various models of used cars would be copyrightable. A database of what they actually sold for would not be. Errors in the latter database would be presented as facts, so they would also not be copyrightable. That treatment of false facts usually comes up with historical interpretation: If I write a book aiming to prove that Hitler's brain is alive, and well, and living on the Moon, and I present it as fact, other people are entitled to take me at my word, and use those facts like any others, even if I'm wrong.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    83. Re:imitation of J. K. Rowling's writing style... by nog_lorp · · Score: 1

      I definitely should have used the word parody instead, although I'm not sure I agree with your analysis.

    84. Re:imitation of J. K. Rowling's writing style... by Anonymous Coward · · Score: 0

      One could, should, and would say the same of bright-line laws. The bottom line is that fair use is about what is fair and equitable to permit under the circumstances, and given that circumstances are situational and fact-specific, and what's fair and equitable is the same, there can be no clear boundaries. Any attempt to make them would inherently create islands of inequity on one or both sides and would hamper judges in the exercise of their discretion.

      What you seem to be angling for isn't clear boundaries for fair use, but rather torturing the doctrine instead of directly implementing exceptions for personal use, which can be a great deal clearer, but in any case still fuzzy around the edges.

  4. Summary of Previous Posts by Anonymous Coward · · Score: 3, Informative

    What does her wealth have to do with it?

    I was not aware that society's subjective judgment of whether someone has made "enough" money from one's intellectual property was a factor in copyright law. Either there's a copyright infringement or there isn't. Rowling's wealth and success are irrelevant.

    --

    Hold your horses!

    J. K. Rowling didn't make enough money on Harry Potter, so she had to make sure that the 'Harry Potter Lexicon' was shut down.

    Whoa, whoa, whoa. Back up a moment! NewYorkCountryLawyer, I normally respect your posts, but this one is in need of some serious scrutiny.

    As it happens, I was listening to the details of the case this morning on NPR. The problem with this specific book is not that it focuses on the Harry Potter series. The problem is that nearly every description was lifted from the books in a reasonably clear case of plagerism and/or derivitive works. Most reference books contain unique descriptions and commentary above and beyond the information presented in the source material. However, this particular lexicon made no effort to add such value over the books themselves.

    In effect, it was merely a reorganization of J.K. Rowling's books into a dry reference. Something for which only the author has a legal right to grant.

    THAT is why the judge found against the lexicon. And he did so with a strong warning that this book is an exception to the usually legal practice:

    Issuing an injunction in this case both benefits and harms the public interest. While the Lexicon, in its current state, is not a fair use of the Harry Potter works, reference works that share the Lexicon's purpose of aiding readers of literature generally should be encouraged rather than stifled. As the Supreme Court suggested in Campbell, "[b]ecause the fair use enquiry often requires close questions of judgment as to the extent of permissible borrowing" in cases involving transformative uses, granting an injunction does not always serve the goals of copyright law, when the secondary use, though edifying in some way, has been found to surpass the bounds of fair use. Campbell, 510 U.S. at 578 n.10. On the other hand, to serve the public interest, copyright law must "prevent[] the misappropriation of the skills, creative energies, and resources which are invested in the protected work." Apple Computer, 714 F.2d at 1255. Ultimately, because the Lexicon appropriates too much of Rowling's creative work for its purposes as a reference guide, a permanent injunction must issue to prevent the possible proliferation of works that do the same25 and thus deplete the incentive for original authors to create new works.

    --

    Erm...What?

    Why the bad attitude in the submission post?

    Someone was trying to release a commercial product whose premise was stealing content from an established work.

    If they didn't get hit hard on copyright infringement, they'd get hit hard on trademark infringement, and rightly so.

    Like it nor not, J. K. Rowling created the series, and decided to turn it into a commercial enterprise. It's well within her moral and legal rights to make sure a bunch of idiots don't cling to her coattails trying to milk dollars from a popular franchise that they have no legitimate claim to.

    --

    Amazingly slanted summary

    I heard J.K. Rowling interviewed on NPR about this. She listed many of the books that are derivative works that she is thrilled about. The commonality with acceptable books is that they add original thoughts. The targeted book contained no original thoughts but just indexed material from her books, in many cases copying the content and even indexes from her books verbatim.

    The lawsuit was to stop the publication of the book; it had nothing to do with the $6k.

    1. Re:Summary of Previous Posts by shentino · · Score: 1

      Wealth may have little to do with the issue of copyright infringement, however, it probably has everything to do with what's going to *actually* happen in the legal system.

      If she's rich enough to afford lawyers, then she can probably extract a huge settlement, or even steamroll an outright victory if the defendant fails to jump through a critcal hoop. Money is might, and might makes right. It usually doesn't matter who's morally right, or even legally right. The rich have a far better chance than the poor to win a lawsuit as either plaintiff or defendant. Incidentally, this is probably why they are more prone to abuse the legal system in the first place, as they can do so with relative impunity.

      Consider also, that this was a bench trial. Why the defendants didn't assert their right to a jury trial is beyond me, and may or may not have any relevance as to the veracity of NYCL's summary.

      Also, considering that the defendant is apparently Warner Bros. and not Rowling, attributing the original suit to rowling may even be patently erroneous itself.

      Considering how thrilled she usually is with creative derivative works, I wouldn't put it past Warner to be the plaintiff instead of rowling. NYCL has once said that it was "A particularly litigious company".

    2. Re:Summary of Previous Posts by Enderandrew · · Score: 1

      Here is the problem.

      Rowling sued the book before ever seeing a single rough draft of it. Her lawyers insisted it copied verbatim without rewriting any passages based off the web site.

      The book's publisher claims that those entries were largely rewritten for the lexicon.

      Given that neither of us have read the lexicon (as it is not published) we are left to believe one side or the other. What I find curious is how Rowling was so sure of her side of the story without having read the book herself.

      The lexicon was made available to her during the trial, but most of her claims came before then.

      She has also threatened law suits at cases clearly covered by parody. I don't think she is evil, so much as she is strongly attached to the world she created. She said it physically pained her to kill off her characters. That being said, for the purposes of legal precedent, I think reference works should be protected and fair use preserved. There are plenty of lawyers volunteering on the side of the lexicon by people who have read it and insist it should be covered by fair use. I can't imagine they would volunteer their time to protect a work so full of plagiarism. It just doesn't make sense.

      --
      http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
    3. Re:Summary of Previous Posts by gnasher719 · · Score: 1

      Consider also, that this was a bench trial. Why the defendants didn't assert their right to a jury trial is beyond me, and may or may not have any relevance as to the veracity of NYCL's summary.

      Correct me if I'm wrong, but I thought the purpose of a jury trial is to have the jury decide what the facts of a case are. Like if one side claimed that 10,000 copies of the book were sold, and the other side claimed it was only 200 copies, and if this mattered, then the jury would decide what the correct number is. In this case, the facts are clear: The defendant wrote this lexicon, and everyone agrees what words were used in the lexicon. These are the facts. Whether writing this lexicon using these words is copyright infringement or protected by fair use or no infringement at all, that would be a matter of law and for the judge to decide.

    4. Re:Summary of Previous Posts by Anonymous Coward · · Score: 1

      She has also threatened law suits at cases clearly covered by parody.

      When has she done this?

    5. Re:Summary of Previous Posts by Anonymous Coward · · Score: 0

      In other words, you didn't get enough self-righteous indignation in at NYCL last time so you want a rehash of the same bullshit.

    6. Re:Summary of Previous Posts by UnknowingFool · · Score: 3, Informative

      Rowling sued the book before ever seeing a single rough draft of it. Her lawyers insisted it copied verbatim without rewriting any passages based off the web site.

      Citation Needed. From the actual decision written by the judge, there were numerous example of verbatim copying in the manuscript. How did Rowling know that? Because Rowling was aware of the site. The site had verbatim copying. She was fine with that when it was a non-profit website. The minute they tried to make money off her writing, she objected.

      The book's publisher claims that those entries were largely rewritten for the lexicon.

      Despite the publisher's claims, the judge found that the majority of the book would have been in quotes had the Lexicon properly attributed the work to Rowling.

      Given that neither of us have read the lexicon (as it is not published) we are left to believe one side or the other. What I find curious is how Rowling was so sure of her side of the story without having read the book herself.

      Again, she was aware of the website which had verbatim copying. You don't have to believe one side or the other. The judge having read Lexicon made a determination that the Rowling was correct: Lexicon copied a lot from her book. The question is if you believe the judge.

      She has also threatened law suits at cases clearly covered by parody. I don't think she is evil, so much as she is strongly attached to the world she created.

      Given the fact that Rowling has not sued other companion books like MuggleNet.com's and the Complete Idiot's Guide to Harry Potter, Rowling isn't against companion books per se. She was against this particular one.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    7. Re:Summary of Previous Posts by Spasemunki · · Score: 3, Informative

      Given that neither of us have read the lexicon (as it is not published) we are left to believe one side or the other.

      The judge got to read it. His ruling mentioned specifically that there were lengthy verbatim excerpts. The combination of this with the practice of poor footnoting/attribution with the imitation of Rowling's style made the Lexicon appear to be a derivative work rather than a text incorporating passages in a way acceptable under fair use.

    8. Re:Summary of Previous Posts by NewYorkCountryLawyer · · Score: 2, Funny

      In other words, you didn't get enough self-righteous indignation in at NYCL last time so you want a rehash of the same bullshit.

      Thank you for pointing that out. Such an obvious troll.

      --
      Ray Beckerman +5 Insightful
    9. Re:Summary of Previous Posts by cpt+kangarooski · · Score: 3, Insightful

      I was not aware that society's subjective judgment of whether someone has made "enough" money from one's intellectual property was a factor in copyright law. Either there's a copyright infringement or there isn't. Rowling's wealth and success are irrelevant.

      Oh, it's not. It's a big factor in copyright policy, however, so perhaps that's where the confusion arises. After all, if copyright is meant to promote the public good by encouraging authors to create and distribute works by means of granting them a limited economic monopoly on the work for a limited period of time, how much money authors make, and how often they make it, and how, etc., becomes pretty important.

      The problem is that nearly every description was lifted from the books in a reasonably clear case of plagerism and/or derivitive works.

      Plagiarism isn't infringing, or even illegal. Plagiarism is when you copy someone's ideas (which are not protected by copyright) and claim them as your own (which copyright doesn't care about). Copying someone's written work verbatim, even with plenty of attribution, and disclaiming any credit for it would not be plagiarism, but could quite easily be copyright infringement.

      As for derivatives, this isn't one, and the court pointed that out. The infringing work doesn't retell or recast the story or adapt it in another medium; it's just a reference guide for the books. It merely copied, and it copied enough, and in such a way, that they lost their fair use argument.

      However, this particular lexicon made no effort to add such value over the books themselves.

      That might be relevant insofar as one would claim that it's a reference guide, and thus transformative, but generally it is irrelevant. What matters is how much you copy, not how much you add. Besides which, the court rejected the argument that the lexicon had to be a work of literary criticism or some such. A mere guidebook is okay.

      In effect, it was merely a reorganization of J.K. Rowling's books into a dry reference. Something for which only the author has a legal right to grant. ... The targeted book contained no original thoughts

      No, doing that is perfectly fine. This particular author was a little quote-happy is all. Had he been a bit more careful, he would have been well within his rights to write a dry reference. And again, dry references are not inherently infringing. Original thoughts aren't necessary.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    10. Re:Summary of Previous Posts by MagusSlurpy · · Score: 1

      What does her wealth have to do with it? I was not aware that society's subjective judgment of whether someone has made "enough" money from one's intellectual property was a factor in copyright law. . . Rowling's wealth and success are irrelevant.

      Obviously, you have never voted Democrat.

      --
      My sister opened a computer store in Hawaii. She sells C shells by the seashore.
    11. Re:Summary of Previous Posts by pbhj · · Score: 1

      What does her wealth have to do with it?

      I was not aware that society's subjective judgement of whether someone has made "enough" money from one's intellectual property was a factor in copyright law. Either there's a copyright infringement or there isn't. Rowling's wealth and success are irrelevant.

      If you think the application of law is to be completely dissociated from the purpose of the same law then you're right. If not, I contend, that you're wrong.

      Her wealth has a lot to do with it - her wealth was provided by the state (that's the general public's combined force of will) protecting her work from being copied to ensure that she gain financial remuneration in return for the public's future free enjoyment of her creative works.

      Many people appear to believe that once someone has gained more from their work than they could ever need in a lifetime of luxury (without working again) that they should be cut loose of the apron-strings of state protection and allowed to fend for themselves.

      Protecting hugely wealthy peoples wealth from being impinged by the public's enjoyment is never a popular call.

    12. Re:Summary of Previous Posts by halcyon1234 · · Score: 1

      Given that neither of us have read the lexicon (as it is not published) we are left to believe one side or the other.

      The judge got to read it.

      Sooo... can I file a Freedom of Information Act request and get a copy of the Lexicon now? I wonder if they offer free shipping on orders over $39?

  5. diagonally (not straight) by Anonymous Coward · · Score: 5, Insightful

    Diagonal lines are as straight as any other lines.

    1. Re:diagonally (not straight) by Arthur+Grumbine · · Score: 3, Funny

      Don't marginalize diagonals!

      I, for one, embrace the perpendicularly-challenged, and do NOT deny them the root of their diversity.

      --
      Now that I think about it, I'm pretty sure everything I just said is completely wrong.
    2. Re:diagonally (not straight) by rubycodez · · Score: 1

      but put them one next to another, going this way then that, and now they're a *kinky* line

    3. Re:diagonally (not straight) by hachi-control · · Score: 1

      Parentheses however, leave me confused and feeling alone. )

    4. Re:diagonally (not straight) by Anonymous Coward · · Score: 0

      Diagonal lines are as straight as any other lines.

      hey guys! i found one! :D

    5. Re:diagonally (not straight) by poot_rootbeer · · Score: 1

      Diagonal lines are as straight as any other lines.

      Not on a raster display, they're not.

    6. Re:diagonally (not straight) by halcyon1234 · · Score: 1

      Diagonal lines are as straight as any other lines.

      Yup, but longer.

    7. Re:diagonally (not straight) by M-RES · · Score: 1

      Even MORE so on a raster display, because then they're a series of lots of small straight lines! ;)

  6. Wealth is relevant, at least in theory by langelgjm · · Score: 5, Insightful

    What does her wealth have to do with it? I was not aware that society's subjective judgment of whether someone has made "enough" money from one's intellectual property was a factor in copyright law. Either there's a copyright infringement or there isn't. Rowling's wealth and success are irrelevant.

    I remember seeing this comment in the earlier discussion some time back.

    While wealth might not be a factor in whether there's an infringement or not, wealth is relevant to the theory of copyright law. Copyright doesn't exist to make people lots of money. It exists to provide incentive for people to create things they otherwise wouldn't have created.

    In terms of economics, paying a dollar more than is required to provide that incentive, or providing a day more copyright, is inefficient. If the author would have created it without that extra little bit, then that extra little bit is a waste. Society is overpaying for creativity.

    Of course, determining the exact amount of incentive in each case isn't feasible, so there will always be some overpaying. However, the point is that if copyright were making every rights holder wealthy, it would probably indicate that society was in general overpaying for its creativity. And, as in the case, if one rights holder becomes very wealthy, society is probably overpaying in that instance.

    Would Rowling still have written her books if the work only got her half her current earnings? Probably. A quarter or a tenth? Still probable. Would she have written the books if copyright only lasted 15 years, instead of decades? Probably. Society is undoubtedly overpaying for this creativity.

    --
    "Anyone who [rips a CD] is probably engaging in copyright infringement." - David O. Carson
    1. Re:Wealth is relevant, at least in theory by Robin47 · · Score: 1

      I have to disagree with this. Copyright is there to protect the creator from the theft of what he creates. The vast majority of copyrighted material makes no money for the creator. Intellectual property is property none the less and copyright law provides a mechanism for protection of that property.

    2. Re:Wealth is relevant, at least in theory by GoodNicksAreTaken · · Score: 1

      Your argument is circular. You can't steal something that is intellectual property as it is not physical. There is nothing to steal. The only way this is theft is if you say that it is theft to somehow duplicate this material. You then have created the idea of copyrights if only in practice if not in name, and are basing your argument upon that.

    3. Re:Wealth is relevant, at least in theory by GodKingAmit · · Score: 2, Informative
      Hint: No.

      You have swallowed the RIAA/MPAA version of copyright and ignored the vast body of history and theory surrounding copyright law. The GP is correct, copyright is to provide incentive to the production of creative works. In the US at least, it has nothing to do with "moral" or "property" rights: that is why it expires after a fixed time.

      Informative link

    4. Re:Wealth is relevant, at least in theory by Robin47 · · Score: 1

      Ok, good point. I stand corrected.

    5. Re:Wealth is relevant, at least in theory by LateArthurDent · · Score: 4, Informative

      have to disagree with this. Copyright is there to protect the creator from the theft of what he creates.

      No, it is not. Copyright is there to encourage the creation of more works into the public domain. The idea is that if we delay its entry into the public domain, the public's gain (incentive for artists to create more work) outweights the public loss (the temporary monopoly on the right to make and distribute copies).

      After all, the idea that you can't do anything you wish with something you bought and paid for (actual, physical property), including copying the content and handing out the copies to everyone you want is ludicrous. The public would only accept it if we had something to gain for it, and that's why the constitution specifically qualifies the right of congress to establish copyright with for limited times, and indicates that it's purpose is to promote the progress of science and useful arts. It doesn't say, "to protect property," because if it had been considered property, there would be no reason to limit the length of the copyright.

      And to those of you who will undoubtedly claim that US constitution is invalid because Rowling is British, the lawsuit in question is in US jurisdiction.

    6. Re:Wealth is relevant, at least in theory by rohan972 · · Score: 2, Informative

      I have to disagree with this. Copyright is there to protect the creator from the theft of what he creates.

      Maybe where you live, but not according to the US Constitution. I'm not a US citizen, but this case is in the US so the US constitutions article that authorises copyright law is the supreme relevant law.

      Section 8
      The Congress shall have Power ...

      To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;


      So langelgjm is correct, "Copyright doesn't exist to make people lots of money. It exists to provide incentive for people to create things they otherwise wouldn't have created."

    7. Re:Wealth is relevant, at least in theory by NewYorkCountryLawyer · · Score: 2, Insightful

      Her wealth has nothing to do with whether it's a copyright infringement. It has everything to do with her being greedy and selfish and forgetting from whence she came.

      --
      Ray Beckerman +5 Insightful
    8. Re:Wealth is relevant, at least in theory by msuarezalvarez · · Score: 1

      How come you did not bother to do a minimum amount of research on the matter before making such patently wrong assertions? It is not like this information is that hard to find...

    9. Re:Wealth is relevant, at least in theory by bigstrat2003 · · Score: 2, Insightful

      Just because that's what the current laws are based on does not mean one can't be of the opinion that copyright is a good thing because of moral/property rights. Your statement is correct, but does not refute the GP's statement that copyright law should be there to protect the creator.

      --
      "16MB (fuck off, MiB fascists)" - The Mighty Buzzard
    10. Re:Wealth is relevant, at least in theory by Captain+Sarcastic · · Score: 4, Insightful

      Her wealth has nothing to do with whether it's a copyright infringement. It has everything to do with her being greedy and selfish and forgetting from whence she came.

      And this relates to the lawsuit how?

      I mean, I understand that you don't like Ms. Rowling, because you see her as a money-grubbing miser who is trying to milk as much out of her work as possible. Fine with me.

      However, your arguments are starting to sound as though you wish that there were be a legal mechanism to say, "OK, you've made enough money from this, now shut up and let us have at it."

      Your posts are usually cogent on other areas... actually, your posts are unusually cogent in other areas, and I admire your expertise in copyright law. Could you give this topic a rest?

      --
      Strike while the irony is hot! -- The Freethinker
    11. Re:Wealth is relevant, at least in theory by NewYorkCountryLawyer · · Score: 3, Informative

      Could you give this topic a rest?

      I didn't bring it up, someone dredged up his comments from the older story. I was just clarifying that the wealth issue has nothing to do with the copyright issue, it's just a dig.

      --
      Ray Beckerman +5 Insightful
    12. Re:Wealth is relevant, at least in theory by Grond · · Score: 3, Insightful

      Would Rowling still have written her books if the work only got her half her current earnings? Probably. A quarter or a tenth? Still probable. Would she have written the books if copyright only lasted 15 years, instead of decades? Probably. Society is undoubtedly overpaying for this creativity.

      Luckily, we invented a way to redistribute some of that excess wealth back to society: taxation. Of course, the tax regime isn't perfect, but it's overall a much more efficient way to correct overpayment than trying to determine, ex ante or even ex post, how much money a given author deserves for a given creative work. I'll give you that the copyright term is too long, but we shouldn't try to cap how much money an author can make from a work. Instead, we should just set appropriate, progressive income taxes.

    13. Re:Wealth is relevant, at least in theory by Captain+Sarcastic · · Score: 1

      Fair enough. Sorry if I goofed on the context.

      --
      Strike while the irony is hot! -- The Freethinker
    14. Re:Wealth is relevant, at least in theory by GodKingAmit · · Score: 1
      He said:

      Copyright is there ...

      No mention about should

    15. Re:Wealth is relevant, at least in theory by bigstrat2003 · · Score: 1

      Yes, but "is" can mean "the reason it was put into place", or "the reason I think it should be in place". It's ambiguous, and the post reads to me like he meant the latter.

      --
      "16MB (fuck off, MiB fascists)" - The Mighty Buzzard
    16. Re:Wealth is relevant, at least in theory by GodKingAmit · · Score: 1

      I think the fact that he admitted he was wrong indicates that my reading of his comment was correct.

      Ok, good point. I stand corrected.

      Link

    17. Re:Wealth is relevant, at least in theory by bigstrat2003 · · Score: 1

      Fair enough. I guess I'm quibbling, too, my point was really to point out that just because copyright law was enacted for reason A, doesn't mean reason B isn't a valid reason to want to keep it around.

      --
      "16MB (fuck off, MiB fascists)" - The Mighty Buzzard
    18. Re:Wealth is relevant, at least in theory by shentino · · Score: 1

      At least he has the decency to admit when he's wrong.

      Given that editing is forbidden, a clarifying retraction is the best he could have done.

    19. Re:Wealth is relevant, at least in theory by Jane_Dozey · · Score: 1

      And it provides this incentive by making sure authors are protected from having their work copied and claimed by someone else.

      Originally copyright law was created in Britain in order to protect authors from the completely unregulated copying of books. It was just for protecting authors from getting their work copied without their consent. It was later that law in the US made it more specifically to do with making an incentive (by way of giving the creators a time limited legal monopoly to make profit).

      So you're both right. Copyright is meant to protect authors, give them control over their works AND provide an incentive to continue creating via financial benefit.

      --
      Silly rabbit
    20. Re:Wealth is relevant, at least in theory by pbhj · · Score: 1

      How come you did not bother to do a minimum amount of research on the matter before making such patently wrong assertions? It is not like this information is that hard to find...

      Hahahaha ...

    21. Re:Wealth is relevant, at least in theory by pbhj · · Score: 1

      I mean, I understand that you don't like Ms. Rowling, because you see her as a money-grubbing miser

      I don't think that (I'm not the GP).

      who is trying to milk as much out of her work as possible.

      Her or her publisher; I kinda think that.

      starting to sound as though you wish that there were be a legal mechanism to say, "OK, you've made enough money from this, now shut up and let us have at it."

      Bingo! I do think that. We should have a shortened monopoly for any work which makes (say) {2 x average life expectancy x the national average wage} in profits available for the author. In other news I'd also tax 100% above this threshold for anyone earning money from a UK institution (not necessarily domiciled).

      ---
      Top earnings then would be (pretax, UKP) 2 x 79 x 25k, about £ 4 Million per work per author.

    22. Re:Wealth is relevant, at least in theory by drinkypoo · · Score: 1

      How come you did not bother to do a minimum amount of research on the matter before making such patently wrong assertions?

      You must be new here.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    23. Re:Wealth is relevant, at least in theory by hey! · · Score: 1

      Well, I agree with your analysis of the economic purpose of copyright. However, in the US, at least, the power to grant copyright is not limited to the intent for which the Constitution grants that power to Congress. Were that so, then copyright extension would be unconstitutional. Since there is no way to send information back in time, there is no way to incent authors of pre-existing works by copyright extension.

      The state of the law, as I understand it, is that the bit about "To promote the progress of science and useful arts" is considered "dicta", in other words an extraneous expression of opinion that is not binding. Once the power is granted, then Congress can use it for any purposes, even to retard the advancement of science. Furthermore, this means that the term of "limited times" mentioned in the next clause is unlimited, at least by considerations of economics. I do not think the state of the law is clear on this; the Constitution clearly states there must be limits but doesn't set a limit on those limits. Possibly a bald faced attempt to establish de facto perpetual copyright, say by specifying terms of millions of years, would fail Constitutional scrutiny, but extensions with the pretense of justification, say bringing terms into agreement with international agreements might.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    24. Re:Wealth is relevant, at least in theory by NewYorkCountryLawyer · · Score: 4, Funny

      Fair enough. Sorry if I goofed on the context.

      No problem. I understand. You're a purist, you don't like your issues blended. :)

      --
      Ray Beckerman +5 Insightful
    25. Re:Wealth is relevant, at least in theory by TechnicalPenguin · · Score: 1

      Interestingly, I believe the US Supreme Court has ruled that first part of the clause, "To promote the Progress of Science and useful Arts," is merely explanatory and does not limit the Congress's power to "[secure] for limited Times ... the exclusive Right[s]." In other words, Congress is free to grant these exclusive rights in any way they see fit, for any length of time they see fit (provided it is "limited" in some sense of the word), but Congress does not need to show, prove, or even necessarily argue that their exercise of that power does anything to promote any sort of progress.

      So, for example, Congress is free to extend copyright for an extra 20 years past the author's death without showing how doing so would cause more authors to create more works.

    26. Re:Wealth is relevant, at least in theory by JD-1027 · · Score: 1

      your arguments are starting to sound as though you wish that there were be a legal mechanism to say, "OK, you've made enough money from this, now shut up and let us have at it."

      That can be argued to be one possible method for limiting the terms of copyright. It may be obvious to some that isn't the right way to do it, but to people with an open mind, it sure has some merits for discussion.

    27. Re:Wealth is relevant, at least in theory by porcupine8 · · Score: 1

      It has everything to do with her being greedy and selfish and forgetting from whence she came.

      How do you reconcile this opinion with the fact that she has allowed many other guidebooks, analyses of her work, etc to be published, and in fact openly praised some of them in the courtroom during this trial? If she were just jealously guarding her work/money, why would she single out only this book and allow the dozen others?

      --
      Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
    28. Re:Wealth is relevant, at least in theory by NewYorkCountryLawyer · · Score: 1

      It has everything to do with her being greedy and selfish and forgetting from whence she came.

      How do you reconcile this opinion with the fact that she has allowed many other guidebooks, analyses of her work, etc to be published, and in fact openly praised some of them in the courtroom during this trial? If she were just jealously guarding her work/money, why would she single out only this book and allow the dozen others?

      Nothing on this scale had been done before. This one meant $$$.

      --
      Ray Beckerman +5 Insightful
    29. Re:Wealth is relevant, at least in theory by porcupine8 · · Score: 1

      I could believe that it might outsell any single reference book that's been written so far, although I don't think that that's a foregone conclusion. But I'm sure that a lot more money has been spent on those books total than this one book could possibly make. Hell, John Granger has practically made a career out of writing Harry Potter analysis/reference books.

      Yes, it would be in direct competition with a book she plans to write - one whose profits she intends to give entirely to charity, as she has other books, which kind of negates your personal greed theory. But it also has been widely recognized that this book couldn't possibly wipe out sales of that future book, given that she will be including new information that this author is not privy to, and if HP fans are rabid about anything, it's new information from JKR!

      --
      Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
    30. Re:Wealth is relevant, at least in theory by julesh · · Score: 2, Insightful

      While wealth might not be a factor in whether there's an infringement or not, wealth is relevant to the theory of copyright law. Copyright doesn't exist to make people lots of money. It exists to provide incentive for people to create things they otherwise wouldn't have created.

      In terms of economics, paying a dollar more than is required to provide that incentive, or providing a day more copyright, is inefficient. If the author would have created it without that extra little bit, then that extra little bit is a waste. Society is overpaying for creativity.

      Yes and no. It's worth considering that Rowling's windfall in terms of the Potter royalties has effects on other people too. There are plenty of people who are inspired to write because of one or two high earners. It raises the profile of writing as an art form and generally encourages more people to try it.

      Besides, the cost to society hasn't been any higher for Harry Potter than it was for, say, Robin Hobb's Farseer books (to pick an example from my desk). The cost in both cases was granting the author a monopoly over their work for a fixed period of time. What that author manages to achieve with the monopoly is not society's issue.

    31. Re:Wealth is relevant, at least in theory by AK+Marc · · Score: 1

      I was just clarifying that the wealth issue has nothing to do with the copyright issue, it's just a dig.

      Wealth may have nothing to do with this copyright issue, but it does have something to do with copyright. I would suspect that a well crafted law (not that there has ever been one) could be worded in such a way that copyright expired by either elapsed time or net income. That is to say, the Constitution allows for protections for a limited time, but not what constitutes the end of the limited time. The time when the work has brought in $1,000,000 in gross revenue for all activities related to it should be sufficient to meet the needs of the artists and the people, while satisfying the Constitution. The law will be promoting the arts and sciences by protecting them for some limited time. Add a hard cap of 20 years, and the system would be much better than it is now. And still fulfill the original primary goal of promoting the useful arts and science.

      Or, stated another way, she has earned enough such that any additional income or loss by another making a book that infringes her copyright will not affect her production of creative works, and thus it could be argued shouldn't be illegal because the promotion of the useful arts and science are still protected.

    32. Re:Wealth is relevant, at least in theory by NewYorkCountryLawyer · · Score: 1

      Well you could say that about any activity where some people make a whole lot of money compared to other people. But that's what capitalism is; it doesn't limit how much money people can make.

      I'm just saying, not as a legal matter but as a human morality matter... a little humankindness wouldn't hurt now and then.

      --
      Ray Beckerman +5 Insightful
    33. Re:Wealth is relevant, at least in theory by AK+Marc · · Score: 1

      But that's what capitalism is; it doesn't limit how much money people can make.

      Copyright itself is anti-capitalistic. It's a government enforced monopoly (non-capitalistic) that is granted after someone promises to give something to all people for free (non-capitalistic). It's a merging of two completely anti-capitalistic ideas to get a public benefit and help reduce the tragedy of the commons, while operating in a nominally capitalistic framework.

    34. Re:Wealth is relevant, at least in theory by rohan972 · · Score: 1

      You are probably right, unfortunately. I do not agree with that interpretation and see it as just another method the government has used to destroy the rule of law, just as in my own country.

      The plain reading of it is that Congress is authorised "To promote the Progress of Science and useful Arts" using this method, the tenth amendment requires that they use it for nothing else. Getting a bunch of lawyers and Judges to conspire together to reinterpret that does nothing to change the actual meaning of the words, just to change the nature of the government.

    35. Re:Wealth is relevant, at least in theory by Captain+Sarcastic · · Score: 1

      You're a purist, you don't like your issues blended. :)

      Or my whiskeys! :)

      --
      Strike while the irony is hot! -- The Freethinker
  7. Copyright == Temporary Monopoly by Anonymous Coward · · Score: 0

    What does her wealth have to do with it?

    Copyright exists to incentivize content creators to create more content by granting them a temporary monopoly.

    When someone amasses "enough" wealth and declares their intentions to retire they break their end of the deal. Therefore, additional wealth would not be a motivator for the creation of more content and the copyright monopoly is no longer serving its purpose.

    People smarter than I should establish what "enough" wealth is and when a monopoly is no longer necessary but that's what we have courts for.

  8. WTF??..... by IHC+Navistar · · Score: 1

    "(c) imitation of J. K. Rowling's writing style in portions"

    Fictional? Creative? Fantasy?

    So.....Now *WRITING STYLES* are copyrightable??

    If Rowling and the publishers are hoping to protect their reputation, I think it is safe to say they just shot themselves in the foot. Repeatedly.

    --
    Knowing Google's lust for data collection, the Soviet Union is still alive and well inside the psyche of Sergey Brin....
  9. Wholesale copying by Anonymous Coward · · Score: 0

    I'm not well versed in the case, but if the defendant was indeed producing a lexicon (a complete catalog of terms), then IMHO this constitutes more than just a fair-use smattering of examples being quoted and, hence, would constitute copyright infringement.

    1. Re:Wholesale copying by NewYorkCountryLawyer · · Score: 2, Interesting

      Even this judge recognized that a reference work to a copyrighted fictional work is indeed a fair use.

      --
      Ray Beckerman +5 Insightful
    2. Re:Wholesale copying by TimSSG · · Score: 1

      "a complete catalog of terms" is not the problem. The problem seems to be that they used her material to define the terms without the proper use of source citation. Fair use implies that some new materiel is being added and you can tell difference between old/sited and new materiel. Tim S

    3. Re:Wholesale copying by porcupine8 · · Score: 1

      As did JKR, when she allowed many other reference works to be published. Ones that properly attributed their quotes and added substantial value above and beyond simply rearranging direct excerpts of her work.

      --
      Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
    4. Re:Wholesale copying by NewYorkCountryLawyer · · Score: 1

      As did JKR, when she allowed many other reference works to be published. Ones that properly attributed their quotes and added substantial value above and beyond simply rearranging direct excerpts of her work.

      Including this one. It was only when the defendant decided to put his financially unrewarding web site into the form of a remunerative book that Ms. Rowling suddenly had a problem with it.

      --
      Ray Beckerman +5 Insightful
    5. Re:Wholesale copying by porcupine8 · · Score: 1

      So somehow, the fact that she was nice about it for a while when she *could* have sued makes it worse that she's suing now? It makes her greedy? Would she be less greedy if she'd gone after the site immediately? Somehow I don't think most people would have seen it that way.

      --
      Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
  10. Hey, Fallwell by bill_mcgonigle · · Score: 2, Funny

    You forgot the hot-n'-heavy scene with Tinky Winky.

    --
    My God, it's Full of Source!
    OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
  11. Quick question by Anonymous Coward · · Score: 0

    How can you write something that includes more information than what is available in the source material when you are writing a reference guide on the same material?

  12. Facts are not copyrightable by Anonymous Coward · · Score: 0

    So it would follow that a description of how Harry Potter looked in the book would be non-copyrightable. Once she set it down as a fact, it lost it's copyright protections.

    1. Re:Facts are not copyrightable by M-RES · · Score: 1

      Harry Potter has a zigzag scar on his forehead right? I wonder where she got that idea from?

    2. Re:Facts are not copyrightable by snspdaarf · · Score: 1

      Harry Potter has a zigzag scar on his forehead right? I wonder where she got that idea from?

      It came from a guy that does not live on an island, who does not fight pirates, but does have a ring with a lightning bolt on it, and he punches people in the forehead. Oh, and he carries two Lugar pistols.

      --
      Why, without your clothes, you're naked, Miss Dudley!
    3. Re:Facts are not copyrightable by julesh · · Score: 1

      So it would follow that a description of how Harry Potter looked in the book would be non-copyrightable. Once she set it down as a fact, it lost it's copyright protections.

      (1) Facts, as you observe, cannot be copyrighted. However, it is generally held that a particular expression of facts (e.g. the words used to relate them to somebody) may be copyrightable.

      (2) Statements that are made in a work of fiction are generally held to be, you know, fiction. Not fact.

      (3) Following your logic to its extreme, nothing can be copyrighted. You have to draw the line somewhere.

  13. The critical article is hardly an article by Excelcia · · Score: 1

    If you read the article referenced in the synopsis, you'll find that it is hardly a critical article. It spends about 80% of its length simply recapping the case, a few lines of saying the decision should have gone the other way, then the last 20% bemoaning the fact that because of the decision, the fair use is more muddy. In a critical article, I was hoping for more meat. Why should the decision have been different? What errors of law were there?

    Basically the guy wrote a paper that said "oh I wish it were different", the defendant happened to then appeal, and the writer is cashing in on that by saying "hey, I criticized the decision and now it's being appealed". Like he had something to do with that.

  14. well, there's a separate sympathy issue by Trepidity · · Score: 1

    Even if no legal difference, if we're just discussing things on the web there's a bit of a difference between the four possibilities of:

    legally right, but a jerk;
    legally wrong, and furthermore, a jerk;
    legally right, and we're all on your side; or
    legally wrong, but I can sympathize.

  15. Substitution by daveime · · Score: 2, Funny

    If he made a parody of the thing, he'd be safe ?

    1. s/Harry Potter/Hairy Putter/g
    2. ???
    3. Profit !

    1. Re:Substitution by Opyros · · Score: 1

      Or try s/Harry Potter/Hari Puttar/g for a Bollywood film! Of course, they were sued by Warner Bros., but unsuccessfully.

  16. Shut up by Anonymous Coward · · Score: 0

    The guy who wrote the Lexicon is a fucking leech. If he were a true fan, no matter whether he felt he was right or not, he would have quietly ended this controversy long before now, out of respect for Rowling. But obviously he's just an avaricious turd with no original ideas.

    1. Re:Shut up by M-RES · · Score: 1

      "But obviously he's just an avaricious turd with no original ideas." So THAT'S how he's copied Rowling's 'style'.

  17. Maybe... by rgviza · · Score: 1

    ... if the author of the lexicon had gotten permission from JK Rowling to repackage her work in printed form, and worked out a deal for part of the income that would be generated due to all the material in the lexicon from *her* books, there wouldn't have been a problem.

    Too bad greed got the best of them...

    I can't fault J.K. Rowling for not laying down and watching it happen. Everyone involved is entitled to a stake in the profits, and they sidestepped the fountain that made it all possible. JK is definitely involved and deserves (as well as being legally entitled to) a piece of the pie.

    The lexicon author and would be publisher got what they deserved for being greedy stupid little monkeys. Everybody wants a free ride...

    They knew better and can't play dumb and pretend they didn't. I'm not a book publisher or attorney and I know better than to try some shit like that with someone else's franchise.

    -Viz

    --
    Don't kid yourself. It's the size of the regexp AND how you use it that counts.
    1. Re:Maybe... by NewYorkCountryLawyer · · Score: 1

      You way overstate the holding of the case. Judge Patterson fully recognized that defendant was entitled to do a reference work on the Harry Potter stuff, and that it could be a simple 'encyclopedia' or 'lexicon', without asking anyone's permission. The only thing Judge Patterson had a problem with was with some of the sloppiness.

      --
      Ray Beckerman +5 Insightful
    2. Re:Maybe... by rgviza · · Score: 1

      He said there were quotes that were too long, and they were improperly attributed. That's repackaging IMHO, outright theft actually, whether or not it's intentional.

      If you question inmates in a prison 99% are there because of something they didn't mean to happen.

      ; )

      Then there's the whole issue of civility. It's not polite to rip someone off and make money from their ideas without their permission. Expect a reaction.

      I can grab a bunch of acapella Madonna vocals off the internet and remix a medly song from it, using a few seconds here and there, and call it "the madonna lexicon".

      Think I'd get away with it, even if I attributed the vocals to her?

      I doubt it, the attack dogs would be on me within hours after I released it. In fact, defending myself would cost more than I'd make from the track at the end of the day, regardless of whether or not a judge decided I was covered by fair use.

      However I could remix every song in her catalog, and if I sent them to her record company, asked for permission, and worked out a deal ahead of time, and paid them, there would be no problem, provided the work enhanced the catalog and they liked it.

      That's how it's supposed to work. Trying to skirt this process claiming "fair use" and proceeding full steam ahead is begging for trouble.

      They are being more than a little disingenuous pretending that they thought it was ok, otherwise the judge would have just told them to fix the problems and publish it, right?

      I'd be pretty pissed too if I was Rowling... Had they done the polite thing, they'd be enjoying profit now instead of court battles.

      It's likely her tithe would have been trivial compared to not being able to publish anything because of this injunction. They'd have been able to work something out too since they already had a working relationship with her. As it is they betrayed their relationship and rudely stabbed her in the back.

      I can't believe they didn't get an attorney involved before trying to do this. If they did, they should be suing their attorney for giving them bad advice. I know better and I'm a dumb schlep off the street. I could have told them that they'd be much better off talking to Rowling about it and working out a deal.

      Everyone knows there's legal, and then there is right. If you do the right thing, you get a lot less resistance and trouble. If you screw people, just staying within the limits of the law, expect to make attorneys a *lot* of money and don't be surprised if you find yourself where these people are since it takes really good attorneys to keep you walking the fine line between legal and illegal without falling on the wrong side. As well you are virtually guaranteeing a suit. Whether you win or not isn't as important as what the net cost of doing business that way is. It's just pure stupidity. Sure you may come out ahead, but is it really worth it?

      It reminds me of those people that just walk into traffic, knowing that if they get hit within the crosswalk that they can sue the driver, whether or not the light is green. My driving teacher joked that sometimes they are dead right.

      Personally I hope they never get to publish it; actually I hope JK steals their lexicon idea and publishes one herself, then releases it at cost, out of spite, while this one is tied up in court.

      It would serve them right. Whether or not what they did was legal, at least in my mind, and apparently Rowlings', is secondary to the fact that it was downright slimy, especially after all the work and effort JK put into helping the owner of the site make sure the electronic online version was absolutely correct and accurate.

      They are reaping what they have sown.

      -Viz

      --
      Don't kid yourself. It's the size of the regexp AND how you use it that counts.
    3. Re:Maybe... by NewYorkCountryLawyer · · Score: 1

      I hope JK steals their lexicon idea and publishes one herself, then releases it at cost, out of spite, while this one is tied up in court.

      Looks like you're getting your wish. (Although why you wished for it escapes me.)

      --
      Ray Beckerman +5 Insightful
  18. Not attributed? by M-RES · · Score: 1

    It's called the Harry Potter Lexicon for f*cks sake... how much more attribution do you need than the publication's title? I'd imagine anyone buying a copy would have some idea of who wrote Harry Potter - and many people know who originally wrote the ideas that Ms Rowling ripped off (without attributing those ideas and 'styles' to their relevant owners)!

  19. Opinions are opinions by NewYorkCountryLawyer · · Score: 1

    I don't know why everyone's arguing with me. Everyone's entitled to their personal opinions. We all have different values and outlooks.

    In my personal opinion the vagueness of the law surrounding "fair use"
    has a chilling effect on creativity, and
    was exacerbated rather than ameliorated by Judge Patterson's opinion.

    And in my personal opinion a lady who was once on welfare and is now super-rich should have it in her heart to let the guy slide, even if she is advised by her attorney that a copyright infringement may have occurred, especially where (a) she expressed such reverence and adoration for, and gave such encouragement to, his project when it was only a web site, and (b) the guy's web site helped to increase and promote the success of her underlying works.

    My legal opinion is that the decision was incorrectly decided. When the Second Circuit reaches its conclusion on the appeal, we'll find out if I was right or wrong.

    --
    Ray Beckerman +5 Insightful
    1. Re:Opinions are opinions by shentino · · Score: 1

      The particular nastiness of the plaintiffs leads me to believe that it is Warner Bros., rather than J.K.Rowling, leading the primary offensive.

      What I would like to know is how much influence Rowling actually has in this case.

    2. Re:Opinions are opinions by NewYorkCountryLawyer · · Score: 1

      Warner Bros. only owns the movie rights. I don't think they would have brought this case unless J.K. was on board with them. And there is no way they could have forced her to do this.

      --
      Ray Beckerman +5 Insightful