Can Cable Companies Store Shows For Us?
NewYorkCountryLawyer writes "Last August I reported that the US Court of Appeals for the 2nd Circuit had defeated the MPAA's attempt to label as copyright infringement a cable operator's storing video for later reuse at the request of its subscribers, in Cartoon Networks v. CSC Holdings. The MPAA has petitioned the US Supreme Court to review that holding. According to a recent interview with Gigi Sohn of Public Knowledge, the High Court has not yet decided whether to grant the MPAA's petition seeking review. What I found odd about the 2nd Circuit decision (PDF) is that (a) although 'fair use' was the most logical defense to be employed in view of the Supreme Court's holding in SONY Betamax, upholding a VCR's 'time shifting' of a broadcast television show as a 'fair use,' the defendant in Cartoon Networks has stipulated to waive 'fair use,' and (b) although the easier legal theory for plaintiff to prove would have been secondary, rather than primary, copyright infringement (i.e. Cablevision's encouraging and inducing its customers to make unauthorized copies), the MPAA has stipulated to waive that line of attack. I.e. neither plaintiffs nor defendants seized the 'low hanging fruit.' In her interview, Ms. Sohn discusses the fair use defense, but I'm not sure why she does, since as I recall the defendant has waived it."
Cable companies tend to be large media conglomerates. Surprisingly, it looks like the *AAs finally picked a target that can afford to defend itself. It'll be interesting to see how they fare when the playing field isn't asymmetric.
It is a miracle that curiosity survives formal education. - Einstein
If I'm either party, and I want the Supreme Court to decide an issue for me that I think I'll win, I'm going to work with the other side to waive the legal doctrines which best protect me. I don't want them to say "fair use" or "secondary infringement." Perhaps Cablevision wants to set up a decision granting more protection to content providers, just as the MPAA wants to set up a decision expanding the definition of primary infringement to include what Cablevision did.
With the Supremes taking so few cases, it makes sense to give them an extremely narrow legal issue, on a platter, freed, as much as possible, of its factual trappings.
Previous decisions have ruled in favor of personal time shifting.
Cable companies are licensed distributors over their networks, this includes on demand.
I don't get how their "case" even got this far.
VLC FOR MAC IS DYING! IF YOU DEVELOP, PLEASE SAVE IT!!
They know they can win with the "fair use" defense, but they're going for an even stronger ruling. If that fails, they will appeal on fair use grounds. That's my guess, anyway.
A slashdotter who didn't build his own computer is like a Jedi who didn't build his own lightsaber.
Bad enough my cable company can figure out what I watch: I don't want them storing my stuff for me. Even if it's legal to do so, it is not wanted, and I am sure the cable company will figure out how to make mincemeat of privacy once I allow them to store my TV shows and movies. The more you allow others to do for you, the more you let others control you.
We had a symposium on this issue, and a lawyer talked from the plaintiff's side. Much of their theory dealt with the length of the cable, based purely on a statutory reading. While I understand he has a duty to attempt to apply the statute in his client's best interests, his construction made little sense. Still, he had to rely on that construction to get around Sony. Essentially, it is legal for me to time shift in my house. So why can't I put my time shift device outside of my house, say in a warehouse with a lot of other time shift devices? And what if I make those time shift devices virtual devices on a single server? His point was that moving the device outside of my house was the difference-it became a transmission. He could not provide a length of cable that would trigger that definition, though. And, of course, he was speaking for his client at the time. I will be curious to see how this case works out if SCOTUS does take it. The statutes need some re-writing, honestly.
http://bgcommonsense.blogspot.com
The MPAA has every intention of limiting your access so it can sell you it bit by bit. They want to sell you a different copy for each medium you use it in. If they can sell you more than one copy in a given medium (standard edition and then 2 years later director's cut), they certainly will. They want you to pay for a movie ticket, buy it on Blu-Ray, pay for DRM protected copy for your laptop and then pay for higher resolution DRM protected copy for your next laptop. Of course different countries will have different price scales.
It's not just piracy that threatens this, it's DRM free content. The reason they don't want the cable company to buffer content is that you should pay extra for that, preferably in a Blu-Ray box set. And then again for a DRM-protected version for portable use.
Could it be that the reason both parties have waived their most obvious arguments is that they really want to the court to address the deeper questions and create a landmark ruling? In the long run such a ruling would reduce the amount of litigation surrounding (re)distribution of movies & music.
Could this, in fact, be a cry for help? Could both parties be saying, "Please, your Honor, give us a ruling that makes sense! Let us understand where the limits of copyright law really are!"
Nah. Sounds too logical to be true.
[Sir Garlon] is the marvellest knight that is now living, for he destroyeth many good knights, for he goeth invisible.
Maybe it's too late, but I wonder what would have happened if someone had filed an Amicus curiae in this case stating either (or both) of the low hanging fruit defenses.
When I save something on my DVR, that is for personal use. It is by me for me.
When I get something from the cable company, that is distribution. If that is not distributed in the manner as the owner of the copyright desires, that is a copyright violation on face. Copyright is ABOUT distribution.
There are grey areas, like hold and release, 5 second delay, in-between servers, but this use of a private fair-use technology as a distribution technology, is definitely worth suing over.
It changes the value that the audience aggregator is charging the advertiser. The audience aggregator is unable to charge for another ad, and is unable to control the distribution method. When Adult Swim is on, they want you to watch Adult Swim. GO SHAKE!
Back in the 90s I would trade "bootleg" music with people for free via ads in magazines where we would recycle envelopes and mail tapes to each other.
Today, I have a Netflix subscription where I pay to mail recycled envelopes with Blue-Ray/DVDs (never underestimate the bandwith of a truck full of tapes).
Today, I trade "bootleg" music and video via bittorent.
Tomorrow, I'll pay for such a service.
Personally, I find the underground method more fun, and I expect lower quality from the underground, I expect higher quality from the "above ground" methods. The quality is spotty in both avenues, and the cost is the same or actually more for the underground methods (storage, time, electricity, etc).
I thought the US supreme court only heard cases that were real.
If both sides in this case waived reasonable arguments, then it sounds to me like a show trial designed specifically to get a ruling.
This is why over the last year, I've acquired around 10 Super VHS VCRs (total cost around $1000). Two I'm using right now, and the rest are kept as spares. I was afraid folks like the MPAA would make it impossible to time-shift our favorite shows, and this case demonstrates my fear is slowly-but-surely materializing. The old analog VCRs ar not under anyone's control but my own. They allow me to record DVD quality video directly off digital television, so that I can view my favorite shows whenever I feel like it and without restriction.
They can take our lives but they can never take away our freedom!.....er, VCRs.
"I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
Why is it OK for cable companies to "store video for later use by subscribers"... but MP3.com was shut down for doing the exact same thing?
I guess MP3.com needed better lobbyists.
I've had enough abrasive sigs. Kittens are cute and fuzzy.
What else is new?
All I saw was reuse and yet another way of recording something. If you've already had legal access to a TV series or whatever, you've already seen it, or at least have already paid for it in some way.
We are all God's parents.
I'd feel shunned if they didn't seize my low hanging fruit ;)
By the way, here's an article I wrote for the Journal of Internet Law, which discusses, at page 19, the main issue in the Cartoon Networks case which is "When is a copy transitory?" And here's an editorial comment I wrote for my blog after learning of the Cartoon Networks decision.
Ray Beckerman +5 Insightful
... but the first rule won't allow me to elaborate.
+0 Meh
And I always thought a cable IS a time-shifter... you can even compute the data-capacity (in Gbytes contained) per unit length, by using the bandwidth, cable length, and the velocity of the signal.
I think that they probably waived fair use because they, themselves don't want to strengthen fair use case laws.
Perhaps they have some content themselves that they don't want other people sharing [full, entire] version of their stuff through time shifting mechanisms.
I mean, if it's fair use that a cable network can time shift stuff for you then logically other companies and individuals can also get into that game.
And let me tell you, my friends, that way least to anarchy! Or at least a lot less profit for both cable operators as well as content holding companies.
The situation is really pretty simple and depends entirely on contract law.
The cableco's sign one contract to redistribute live TV. They sign another contract (possibly involving another hefty fee) to redistribute video on demand, VOD. The revenue streams are separate starting at the contract and flowing all the way through the business to the customer's bill which has separate line items for HBO and HBO-On-Demand.
Obviously, the cableco's should want to scrap the extra contract and extra cost of the VOD contract and just give us all "virtual DVRs". Or perhaps they could scrap the VOD contract, and continue to charge the customers the same amount of money for their "DVR with infinite rewind", keeping the money that would have gone to the channel for VOD. Or perhaps, since VOD is kind of a pain, the cablecos would get to embrace and extinguish the entire product all at once by changing the numerous VOD relationships into an insourced DVR product which can later be scrapped.
Also its a control issue. The channels want to control their product. Just because the SciFi channel used to broadcast science fiction a long time ago, does not mean they want to now. Now, they want to broadcast ghost hunters, wrestling, and horror flicks. They would not appreciate a cablecos "DVR with infinite rewind" messing up their current oh so carefully designed marketing message that they like the name, but no longer have any interest in scifi content.
Finally its liability. If CBS had the superbowel halftime on some cableco's virtual-infinite-rewind-DVR, who is liable when its played back over and over? CBS because the cableco didn't delete it? The cableco because they're a common carrier? The local franchise because they are easier to sue? If a channel screwed up and transmitted something they didn't pay for, can they force the big corporate virtual DVRs to delete it? Or if they screwed up their perfect record of bland mediocrity and accidentally broadcast something that generated complaints, could they force the big corporate virtual DVRs to delete it to limit complaints?
"Science flies us to the moon. Religion flies us into buildings." - Victor Stenger
All use of digital media involves temporary buffer copies. Copies, thus the involvement of copyright law. But these copies have no impact on the purpose of copyright. Where those copies are stored, is equally irrelevant.
Implementation of "promoting the progress of arts" that should no longer be concerned with copies. It should concentrate on preserving a monopoly for that work in the marketplace. Quit trying to fuck around with the playback technologies du juor; in the context of the goal none of that stuff matters at all. Yo, Congress, get on this.
Everybody agrees that I can have a DVR in my house. Is it okay if I move it to my garage?
Is it okay if I buy a plot of land and get satellite and put my DVR there, and relay to my house over the Internet?
Is it okay if I let a friend put his dish and his DVR on my plot of land?
What if I charge some strangers to put their dishes and DVR on my land?
What if I have 200 people, but I rent DVRs to them?
What if I replace the hard drives in individual DVRs with a huge RAID array?
What if I virtualize the DVRs?
What if I sell the satellite connection to begin with?
At what point is it no longer legal?
Go green: turn off your refrigerator.
I think there was at least one case on this involving hotels. Back in the early VHS era, many hotels provided VHS players for guests, and lent out tapes at the front desk. No problem there, at least in the US; that's just the "first sale" doctrine.
Better hotels would deliver tapes via room service. This was labor-intensive. Some hotel then realized that it would easier to centralize all the VCRs, and just have someone in an office put the requested tape in the VCR when requested. This was the beginning of "video on demand".
That was held not to be a copyright infringement, even though the hotel was in a sense "distributing" the content.
Now, of course, there are "video on demand" systems for hotels. But they usually have contractual relationships with all their sources; they're not just buying VHS tapes at retail.
View something "on demand" is an example of distributing video. By the way, Cartoon Network already have such agreements in place with Comcast that do not offer centralized recording of shows.
However, this is more about moving the storage device from the subscriber's home to a central server. My understanding is the set-top box still operates as a DVR and you only have access to the shows that you asked to be recorded prior or during its broadcast. Since you contracted the cable provider to record the show for you, and you are the only one able to view the show then the cable company is TRANSPORTING your recording to you for your viewing.
Now if the cable company recorded all the shows in anticipation that you may want to view it later (without your active participation) than that would be distribution, since they are creating a product with the intent to make available to potential viewers.
Not really. This is the same as you recording the show on a VCR. In fact, this helps Cartoon Network since their rating is based on your desire to record or have your television tuned to their broadcast not by you actually watching the show. Not that Cartoon Network has that much value to lose. ;)
These comments are my own and do not necessarily reflect the views or opinions of my employer or colleagues...
This is probably not about fair use, or rights, or anything mundane. It's about the money.
Which is, admittedly, a facile argument. But, if these on-demand services are to thrive, they need to be more universal, and that means essentially storing all the content the cable cos can possibly identify. And that means the providers will have to sign off on viewers being able to time-shift, repeat, and edit (skip commercials). This is about money. Does the SciFi Channel get more $ per subscriber when it allows on-demand delivery? Should it? Will I pay more?
And though this is not thought of often, the cable cos don't want us to have hard-drive-based DVRs. These things are going to become a nightmare support issue when the hard drives start failing, like every few years. And new software causes more problems, stranding weeks' worth of shows I wanted to watch, and encouraging me to bitch out my cable co rep for losing my shows... And new features make them obsolete by the many thousands. A set-top without a hard drive has many advantages. Spinning things are not desireable.
This is all about the money, and maybe both sides think they have a good case to compel the other side to give in. We'll see, but in the end one thing is certain.
We pay.
deleting the extra space after periods so i can stay relevant, yeah.
Apparently the "On Demand" part of cable services isn't protected at this point in time. That actually makes sense, as it's a "new" service being offered by the cable cos that bypasses the whole idea of prime-time scheduling.
I don't blame them for skipping the time shifting argument. Prior cases against web companies haven't succeeded in using that argument to justify their provisioning of torrent caps of TV shows for members to view.
I believe the *AA wants to ensure they get another licensing slice for allowing VOD. I doubt they're actually foolish enough to want to make the practice illegal, so they're not using the "big guns" that might force the cable cos to drop the service.
Personally I still think direct subscription to shows over the internet is the way the future will go. Rather than subscribing to a "channel", you'll subscribe to the particular show you want. Channels will only exist in the future if they provide a heavily discounted bundle of shows to be watched on demand.
Let's face it -- with PVRs, VOD, and torrents, we're already half way there. They just need to figure out how to monetize it, and standardize the streaming services so they can be built into TVs.
I do not fail; I succeed at finding out what does not work.
I'm surprised that there isn't more interest in the main issue in the case, the question of what is a "transitory" copy.... especially among you software developers out there!
Ray Beckerman +5 Insightful
I find it disturbing you think watching pop culture kitsch is a topic so important you stockpile gear like one would for Armageddon...
The cable company is waiving the "Fair Use" defense because they don't want to win a case that then strengthens the "Betamax" decision.
Just drop by your Blu-Ray collections to me. I will watch them occasionally to make sure they work.
At what point is it no longer legal?
Here: If I sell the satellite connection to begin with?
When you become the actual distributor of content. In all the other cases, you're essentially an apartment landlord renting furnished apartments with TV and VCR, but requiring the renters to establish their own cable accounts.
You can morph any innocuous action (politely telling somebody you can't talk to them right now) by small steps (being rude, being angry and insulting, making threats if they don't leave you alone) to stuff that's totally illegal (using force to make them go away, using deadly force...) and downright heinous (setting off a bomb that kills them and a lot of other people). It can be hard to define precisely the boundaries between legal, illegal, really illegal, and crimes against humanity — hence all the legal hairsplitting. But they do exist.
Which is not to defend the legal abuses that owners of IP have indulged in. But that comes from legal principles based on assumptions about the technology that no longer apply. (Plus, of course, their extreme influence over the people who make and interpret the law involved.) But there's no "slippery slope" situation here.
We need a -1 Wrong moderation.
I think we need a -1 factually incorrect modification and if you use use it you can be asked to back it up.
If other issues do want to be raised, then I thought the defendant could simply give multiple reasons why the action cannot succeed, and ask the court to rule on them all....
Donte Alistair Anderson Roberts - hi son!
Karma: Chameleon
It's illegal at whatever point it increases your enjoyment, because you shouldn't get anything without paying them more.
With a DVR and an external drive, I can keep a cable TV show as long as a video tape in theory.
If a cable company can keep a digital copy of "Wolverine" indefinately, then why would I buy a copy?
It seems reasonable to me that a cable company could save a copy of a show for a few days or a week but not indefinitely.
She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
When I wrote "if I sell the satellite connection to begin with" my intention was to ask at what point it becomes illegal for an organization legally selling the satellite connections under contract with the media providers to perform these steps.
Go green: turn off your refrigerator.
Are these stipulations against fair use defense and secondary infringement claim an attempt to bypass the "case or controversy" doctrine and get what amounts an advisory ruling from the court about a somewhat different point of law than the case would more obviously turn on? Is that a common tactic? Should the court throw out the case on account of it?
some systems sent out VOD as clear qam so it is public in that way
> Everybody agrees that I can have a DVR in my house. Is it okay if I move it to my garage?
[citation needed]
> Is it okay if I buy a plot of land and get satellite and put my DVR there, and relay to my house over the Internet?
MPAA: No, You need special (expensive) licensing.
> Is it okay if I let a friend put his dish and his DVR on my plot of land?
MPAA: No, You need special (expensive) licensing.
> What if I charge some strangers to put their dishes and DVR on my land?
MPAA: No, You need special (expensive) licensing.
> What if I have 200 people, but I rent DVRs to them?
MPAA: No, You need special (expensive) licensing.
> What if I replace the hard drives in individual DVRs with a huge RAID array?
MPAA: No, You need special (expensive) licensing.
> What if I virtualize the DVRs?
MPAA: No, You need special (expensive) licensing.
> What if I sell the satellite connection to begin with?
MPAA: No, You need special (expensive) licensing.
> At what point is it no longer legal?
MPAA: Whenever we say.
1984 was not supposed to be an instruction manual.
The MPAA did not assert a violation of the distribution right. It wouldn't apply anyway, because no copies were distributed. Instead, they asserted a violation of the public performance right... and got shot down as the performance wasn't public.
I love it, but I doubt it will happen. Ever.
Ever notice how all cable and satellite providers offer massive bundles, which include the one channel you need and fifty or so you don't?
Yeah... not going to try to go through the mental contortions to why they like that, but clearly, they do. No way they'd let me subscribe to a single show at a reasonable price -- certainly not if it skips the ads, the way DVDs do.
Don't thank God, thank a doctor!
Here.
And here.
Both from a viewer's perspective and a rightsholder-who-gets-paid-when-content-plays perspective.
FYI, while time shifting was declared to be a right of the user, recording "for keeps" (which was called "librarying" in the decision) was not. It was purposefully not decided either way, so it could theoretically be declared illegal later. (There was a book about the case written many years ago.)
tOM
Epitaph: At last! Root access!
As to the advertiser question. The problem becomes one of WHEN I am going to watch the add. If I am watching it I am not watching ANOTHER ad at the same time. I may very well skip the ad, and never pay attention. I may watch the recording a thousand times and never go back to the channel. I may ONLY watch the DVR and skip it every time.
The problem is, that an advertiser pays for an event. And the event it paid for, is not what you are doing when it is dvr'd. It is definitely not the same when it is "on-demand".
This of course doesn't apply to Planters Peanuts during the World Series of Poker.