Slashdot Mirror


Jaron Lanier Rants Against the World of Web 2.0

hao3 writes "In his new book, You Are Not A Gadget, former Wired writer Jaron Lanier bemoans what the internet has become. 'It's early in the twenty-first century, and that means that these words will mostly be read by nonpersons,' it begins. The words will be 'minced into anatomized search engine keywords,' then 'copied millions of times by some algorithm somewhere designed to send an advertisement,' and then, in a final insult, 'scanned, rehashed, and misrepresented by crowds of quick and sloppy readers.' Lanier's conclusion: 'Real human eyes will read these words in only a tiny minority of the cases.' He goes on to criticise Google, Wikipedia, Facebook, Twitter, open-source software and what he calls the 'hive mind.'"

231 comments

  1. Can someone summarize this? by Anonymous Coward · · Score: 5, Funny

    I didn't read the article.

    1. Re:Can someone summarize this? by mrsurb · · Score: 1

      Me neither.

      But the title "Web 2.0" is definitely marketer speak. If it were titled by programmers it would be web0.2alpha. Definitely not ready for production use.

    2. Re:Can someone summarize this? by Anonymous Coward · · Score: 0

      Executive summary: the microcomputer (as opposed to the mainframe) world is an open sewer. Always has been, always will be.

    3. Re:Can someone summarize this? by happy_place · · Score: 3, Funny

      You know this is just a stunt to get someone to read his article. Well, we of the internet generation will not be duped so easily!!!

      --
      http://www.beanleafpress.com
    4. Re:Can someone summarize this? by Sockatume · · Score: 5, Funny

      Indeed, if web 2.0 leads to content being scanned, rehashed, and misrepresented by crowds of quick and sloppy readers then we're way ahead of the curve. Go Slashdot!

      I do wonder how many of his concerns are actually unique to web 2.0, and not common to the social use of the web in general. Maybe I should read it.

      --
      No kidding!!! What do you say at this point?
    5. Re:Can someone summarize this? by Anonymous Coward · · Score: 2, Funny

      But the title "Web 2.0" is definitely marketer speak. If it were titled by programmers it would be web0.2alpha. Definitely not ready for production use.

      Unless those programmers were the same guys behind KDE 4.0.

    6. Re:Can someone summarize this? by Gordonjcp · · Score: 2

      I'm already using Web 2.5TDi anyway. It's a bit slower flat-out but it's a lot more economical to run and easier to work on.

    7. Re:Can someone summarize this? by Anonymous Coward · · Score: 0

      My thought: "Well. With an attitude like that, fine, I *won't* read the article."

    8. Re:Can someone summarize this? by marcosdumay · · Score: 2, Interesting

      Nobody did. If we could just make a bot to check if the sumary matches TFA...

    9. Re:Can someone summarize this? by rishistar · · Score: 2, Funny

      I didn't read the article.

      no probs, i put the summary up as a twitter post.

      --
      Professor Karmadillo Songs of Science
    10. Re:Can someone summarize this? by Lumpy · · Score: 0, Redundant

      That's because you are not using ReadyBoost(tm) with AstroGlide technology on top of it.

      --
      Do not look at laser with remaining good eye.
    11. Re:Can someone summarize this? by SanguineV · · Score: 3, Funny

      This is /., you don't need a bot to tell you they don't match.

    12. Re:Can someone summarize this? by Chrisq · · Score: 1

      I think it is our duty not to read the article but to comment on it anyway. If we do that we will be proving his point of view correct. If we all read it carefuly and comment knowedgably on what it says then his theory will be first, it [i]will[/i] be well read by real people. You know sadly he has come across the self-destructing article: "Hardly anyone will read this". It is bound to be either largley unread or wrong.

    13. Re:Can someone summarize this? by Znork · · Score: 1

      Ok. It's actually a review of the book in question. And to sum up the review: Lanier feels the same way about creativity as most people do about hot dogs. You'd rather see the finished work than the million steps between. The earlier process didn't show these steps of inspiration so you could imagine things were more revolutionary than evolutionary.

    14. Re:Can someone summarize this? by Caption+Wierd · · Score: 1

      I appreciate and agree with his point, at least as far as I can tell. There are way too many articles out there to read. That's why I use the nonpersons to filter for topics that I care about and use the crowds or quick and sloppy readers to provide perspective and technical intrepetation. For example, I doubt that I would be interested in this book. Many thanks to the quick and sloppy readers for saving my time!

    15. Re:Can someone summarize this? by maxume · · Score: 2

      Some nerd is angry that the world is changing the internet more than the internet is changing the world.

      --
      Nerd rage is the funniest rage.
    16. Re:Can someone summarize this? by Anonymous Coward · · Score: 1, Funny

      You know this is just a stunt to get someone to read his article. Well, we of the internet generation will not be duped so easily!!!

      We on slashdot will probably be duped before lunch.

    17. Re:Can someone summarize this? by Tezcat · · Score: 3, Insightful

      I wouldn't call them unique to the internet. Paper journalists bemoaned the TV news as a bite-size summary of real news, and then as a torrent of summary when 24-hour news networks rolled around.

      In fact, weren't there plenty of people complaining about the growth of first the printing press and then mass-production novels and comic strips? Writers of all stripes seem to have a notion of the 'sanctity of information'... or at least the authority of their opinion.

    18. Re:Can someone summarize this? by Jondor · · Score: 1

      This is slashdot.. not reading the article is the norm..

      --
      Nobody expects the spanish inquisition!
    19. Re:Can someone summarize this? by ae1294 · · Score: 1

      My thought: "Well. With an attitude like that, fine, I *won't* read the article."

      Well first, this is /. so you won't going to read the article anyhow and second, being an AC, you are not really here for "news about stuff that maters". Your just sorta here...

    20. Re:Can someone summarize this? by Anonymous Coward · · Score: 1, Insightful

      You bring up an interesting point about journalism, but I read TFA and don't think what Lanier laments is about former gatekeepers of information losing their monopoly on a captive audience, but rather about elitism. The Internet has long ago become a kind of Walmart experience, where everything is for sale and moving through the place is like clawing your way through masses of slow, fat, trailer trash. Just look at Slashdot. We have right in front of us the perfect example of a suffocating mass of mediocrity absolutely drowning out any intelligence or uniqueness. If I don't come across an entry on the front page before it's reached a couple hundred comments, I don't even bother venturing in. I think what he's bemoaning is that the Internet has been utterly swamped by commoners. Masses of common hucksters trying to make a buck at every turn off masses of common idiots who want their uninspired and unoriginal thoughts heard at every turn.

    21. Re:Can someone summarize this? by thetoadwarrior · · Score: 1

      I don't read any of the other articles before commenting. I'm certainly not going to read his beforehand!

    22. Re:Can someone summarize this? by antijava · · Score: 2, Funny

      news about stuff that maters: http://www.tomatonews.com/

    23. Re:Can someone summarize this? by ae1294 · · Score: 1

      Adding the extra T was just to much work for my pay grade...
      . but what the hell man? A site about what's going on in the world of tomato processing?

      Your life must be rather boring...

    24. Re:Can someone summarize this? by dna_(c)(tm)(r) · · Score: 1

      You know this is just a stunt to get someone to read his article. Well, we of the internet generation will not be duped so easily!!!

      We on slashdot will probably be duped before lunch.

      Nah, it's the editors that make the dupes.

    25. Re:Can someone summarize this? by lupine · · Score: 1

      teh interweb is teh suxors

    26. Re:Can someone summarize this? by icebraining · · Score: 1

      I can prove your point: they don't. The article is a rebuttal of Lanier's arguments, not excerpts of the book as the summary leads to think.

    27. Re:Can someone summarize this? by mrmeval · · Score: 1

      Why would anyone want to buy such a whiny hatemongers book?

      --
      I'd go on a Vegan diet but the delivery time from Vega is too long. --brownkitty
    28. Re:Can someone summarize this? by Captain+Splendid · · Score: 1

      Nah, it's the editors that make the dupes.

      Wrong! On Slashdot, the dupes makes the editors.

      Seriously. It's the the second to last test a potential Slashdot editor must face. Taco has his own dojo, you know.

      --
      Linux, you magnificent bastard, I read the fucking manual!
  2. Regarding his comments on music by suso · · Score: 4, Interesting

    Lanier, being someone involved heavily in the music scene, should know that this isn't the first time music has stalled out. Back in the early 20th century, the classical world of music didn't know where to go, which is what led to atrocities like atonalism and serial music. I love nearly all kinds of music, but 12 tone rows really try my patience. By the late 19th century composers had exausted most of the possibilities with "academic" type of music thinking, forms like Ragtime became popular and it wasn't really until the arrival of early Jazz that it obvious where to go. Thus began an era less rooted in rules. Now we've nearly exhausted all the possibilities of this ruleless era of music and someone (Like Gershwin) will need to show us the way to another era in music. Its interesting that both musical "stallings" have happened around the same time as revolutions in technology. The first one at the height of the industrial era and this one at the height of the information era.

    1. Re:Regarding his comments on music by supercrisp · · Score: 1, Interesting

      Um, so what about Gorecki? Pärt? Riley? Adams? Glass? Schnittke? Yes, there are popular forms entering into "classical" music. But the stuff that happened at the turn of the last century is still very relevant. And your post suggests that people like the Bachs weren't into music theory, which is untrue; all the way back to the Middle Ages music was approached as a logical construct that can be theorized, often because its logics had metaphysical and ontological implications. And of course many jazz artists were not only incredibly intelligent about music theory but they also composed in a fairly academic way to achieve that "ruleless" effect--which is not ruleless at all, only seeming so to someone untutored in the operating set of rules. Consider Mingus. Anyway, the description you offer is so over-simplified that all it does is convey anti-intellectual prejudices. I will counter argue that in an age when information is so readily available that the ability to synthesize and offer synoptic perspectives via intellectual work is all the more important because that's what is in short supply, relative to the glut of dumb (unspeaking) facts.

    2. Re:Regarding his comments on music by DNS-and-BIND · · Score: 2, Insightful

      You know, when you criticize someone who has cited atonalism, Gershwin, and jazz for being anti-intellectual and prejudiced, I think you have a major persecution complex and you really need to look up what "projection" means as a psychological term.

      --
      Shutting down free speech with violence isn't fighting fascism. It IS fascism!
    3. Re:Regarding his comments on music by Alarindris · · Score: 1

      His post doesn't at all suggest that music theory is a new thing, I don't know where you got that.

      http://en.wikipedia.org/wiki/Twelve_tone_technique

      Seriously, I love classical music, but the turn of the century(ish) atonal stuff is barely music. And the twelve tone technique is barely theory. It's more of an algorithm to churn out annoying random sounding music.

    4. Re:Regarding his comments on music by dkleinsc · · Score: 2, Insightful

      Back in the early 20th century, the classical world of music didn't know where to go, which is what led to atrocities like atonalism and serial music. I love nearly all kinds of music, but 12 tone rows really try my patience.

      That's probably because the stuff you've heard that uses 12-tone rows sucks. Try Alban Berg's Lyric Suite, and just listen to it, don't try to read any of the analysis about pitch classes or what rows he used or any of that nonsense. The accusation is partially true, though. There was a period of about 30 years where some academic composers were trying to create mathematically perfect music. They failed utterly, and produced a lot of unlistenable junk, a lot of it sounding completely random.

      At the same time, in most musical eras, a lot of unlistenable junk was written and played. It didn't last until the present-day, though, because it was unlistenable junk. The stuff that has lasted this long has done so mostly because they were the best of the best, and I think it's fair to say that the best of the best of 20th century stuff will be with us a very long time as well. Stravinsky's Rites of Spring and Copland's Appalachian Spring are both going to be with us for a very very long time, just like Beethoven's 5th is still very much a part of our culture.

      (In the interests of disclosure: I studied composition with a student of Arnold Schoenberg, so I'm a bit biased towards 12-tone music)

      --
      I am officially gone from /. Long live http://www.soylentnews.com/
    5. Re:Regarding his comments on music by Anonymous Coward · · Score: 1, Insightful

      Since when is throwing buzzwords (and names) around considered intellectual?

    6. Re:Regarding his comments on music by CRCulver · · Score: 2

      I'd be wary of making blanket condemnations of twelve-tone music as something that universally repels people. That may be true for audiences in some places, but where I live in Finland, there's a 5-year Schoenberg project going on that draws the same subscriber audience that likes their Brahms and Beethoven. Furthermore, twelve-tone rows have popped up in a number of pieces considered crowd-pleasers, like Rautavaara's Third and Seventh Symphonies (a recording of the last having become a European best-seller and Grammy winner).

    7. Re:Regarding his comments on music by CRCulver · · Score: 3, Informative

      Seriously, I love classical music, but the turn of the century(ish) atonal stuff is barely music.

      Application of the twelve-tone method appeared well into the 20th century. Mahler is "turn of the century", Romantic-era Schoenberg is "turn of the century", but twelve-tone music really gets its start two decades in.

      And the twelve tone technique is barely theory. It's more of an algorithm to churn out annoying random sounding music.

      Schoenberg turned to twelve-tone rows to impose discipline on his music after some years writing freely atonal music. He felt that what he was doing up to that point was "random-sounding music", while twelve-tone rows make it less arbitrary. I for one find great gestalt in twelve-tone music, even the 1950s Darmstadt bleep-bloop stuff. The only truly random-sounding music in the modern-classical world I've encountered is some Ferneyhough, but at least his scores offer some pleasure for reading.

      It's funny that conservative music lovers think the Second Viennese School were hacks, yet they don't rage against the Japanese and Detroit noise music scenes, which arguably have a larger popular following and influence and are spreading widely. I've ever been to a couple of sold-out concerts in Beijing where it was just two hours of feedback. Compared to this stuff, Schoenberg's twelve-tone period might as well be late Romanticism.

    8. Re:Regarding his comments on music by suso · · Score: 1

      When I say rules, I'm talking about counterpoint and other accepted procedures for creating formal music prior to the 20th century. Bach wasn't really following rules so much as creating them for others to follow. He knew how to make music that worked well. There is a centuries old book called The Study of Counterpoint which some of the great composers learned from which lays out a lot of these rules so others can study them. You know, stuff like don't use parallel fifths and octaves. Music of the modern age is different though. Sure there are rules to follow, but at the same time, there basically are none and if you are a well practiced performer or composer, you can make music of any kind that gets some listeners.

      And what about Glass? I've actually met him a couple times and studied his music quite a bit. I also was into many other avant-garde composers of the 20th century so don't worry, I'm not forgetting about the many significant people from the last 100 years. What you are missing is that minimalism came about after people had given up on the classical world and started looking looking at new ways to approach music. When Glass and Reich arrived on the scene, Rock was already in full swing (sorry) and most of the population thought that the classical era was over. But they came back and gave it new life with ideas that fused their classically trained roots with fresh ideas from mainstream music and music from other parts of the world. And in turn their music influenced a lot of popular musicians from the 70s on. However classical music still is what it is and I feel sorry for all the music theorists still sitting in their conservatories trying to write atonal or 12 tone music when that era is decades over.

      Sure, I simplified 400 years of music into a paragraph for the purposes of a Slashdot comment and I'm not going to say I know it all, but I was a music ed. major a long time ago, so I do know something.

    9. Re:Regarding his comments on music by CRCulver · · Score: 3, Informative

      A claim that the classical music world was somehow taken over by atonalists is just an urban myth. See Joseph N. Straus's famous article "The myth of serial 'tyranny' in the 1950s and 1960s" in The Musical Times Vol. 83, No. 3. (Autumn, 1999), pp. 301-343. He carefully examines the statistics and finds that not only was twelve-tone music not prevalent among music in concert halls (tonal composers like Britten and Copland consistently holding sway), but even in academic ivory towers only a minority of instructors were pushing twelve-tone music.

      Consequently, the idea of minimalism coming in and saving the scene from itself just isn't how things were.

    10. Re:Regarding his comments on music by bennomatic · · Score: 1

      even the 1950s Darmstadt bleep-bloop stuff.

      [ears prick up] What? I've spent quite a bit of time in Darmstadt, and I'm guessing there's only one town by that name. Are you saying that there was a music movement based there? Even if it was trash, I'm intrigued if only for sentimental reasons.

      I'm about to do some googling, but if you've got any references you can post here, I'd appreciate it.

      --
      The CB App. What's your 20?
    11. Re:Regarding his comments on music by CRCulver · · Score: 2, Interesting

      Starting in the late 1940s, there were summer courses in new music composition held in Darmstadt, generously subsidized by the West German state. Most of the mid-20th century avant-garde met there and exchanged ideas, and "Darmstadt" is a common term in musical scholarship to review to that certain scene. See Internationale Ferienkurse für Neue Musik at Wikipedia.

    12. Re:Regarding his comments on music by 2obvious4u · · Score: 1

      height of the information era

      I don't think we are even close to the height of the information era. To many people are trying to keep their information private, there is no freedom of information. Once the information is free and people accept that it is free, then we will be at the height of the information era.

      The other option is that we passed the height back when Napster peeked and ever since we've been in a decline.

    13. Re:Regarding his comments on music by musicalmicah · · Score: 2, Interesting

      I hope this new era you're daydreaming about never comes. We live in an era where you making the craziest sounds ever still has an audience. That's diversity in art like the world has never seen before, and I'd hate to lose that to some monolithic set of rules. And remember, if you don't like it, you don't have to listen to it. I went to one atonal/serial concert and felt like clawing my ears out, but lots of artists I do like have been inspired by the dialogues that included atonal and serial music.

    14. Re:Regarding his comments on music by AthanasiusKircher · · Score: 1

      Seriously, I love classical music, but the turn of the century(ish) atonal stuff is barely music.

      I'm not sure what you mean by "classical music," but since you implicitly include "atonal stuff" in that term, you should include all the stuff that came after it up to the present day, which includes a lot of stuff much more crazy than Schoenberg. Ever listen to Babbitt, or more recently people like Ferneyhough? Some of it is serialism on steroids -- and some of it is gorgeous, while other stuff truly sounds like random nonsense. And that's not even going into trends in electronic music, aleatoric music, and appropriation of noise and environmental sounds. The world of music since Schoenberg had been a lot more experimental than that "turn of the century(ish) atonal stuff."

      And the twelve tone technique is barely theory. It's more of an algorithm to churn out annoying random sounding music.

      I completely agree that twelve-tone technique is barely theory. Well, it's as much "theory" as determining whether to write a tonal piece in E-flat minor or F major. Some of the combinatorial properties of the rows are occasionally interesting, but not all composers exploit them, even if they put them there by design. But, in general, the idea that "understanding" a piece of Schoenberg or Webern or Berg should start with row analysis is just nonsense. It's like trying to understand a piece of Bach by looking at what key it's in and then labeling chords with chord symbols. It's not unrelated to what's going on, but it will miss most of the interesting aspects of the music.

      Regarding the "random[-]sounding music," that's not what the technique is about, though admittedly part of it is about avoiding tonal tendencies. Yet Berg's music is proof enough that one can choose to write music that often has tonal moments and doesn't sound random at all, even when he's using 12-tone technique. As for Schoenberg, if you've spent any time listening to a lot of German/Austrian music of the late 19th century and first couple decades of the 20th century, you can hear his free atonal music as interacting and responding to that. The same thing often happens in his 12-tone music, with the gestures becoming more deformed or exaggerated, not entirely unlike various trends in visual arts of the same era. But once you hear it as responding to (and often avoiding in various ways) the gestures of late Romantic music, Schoenberg's music also has a lot of logic to it. Webern is yet another story and is perhaps more abstract in many of his works. Sonority is essential, rather than trying to follow the row. Schoenberg and Webern both explicitly told people not to worry about listening to the row at times... that's not what the music is about. It's just a technique to help limit the infinite possibilities that a composer would have without any restrictions. Without the gestures of tonality to guide composition, what would you use?

      When I first encountered this music, I absolutely detested it. I thought it was almost morally offensive that they wrote it and claimed that it was music, when (to me) it sounded like random noise, and I thought that people who listened to it and claimed to like it were participating in some sort of grand elitist scam. Today, though, I understand it better and recognize it within its historical context. Some of it I now love, some of it I find intellectually interesting, and some of it I still think is crap. Give it a chance, though -- once you stop worrying about 12-tone technique and start trying to listen to the rest of the music, many pieces begin to have their own logic.

    15. Re:Regarding his comments on music by AthanasiusKircher · · Score: 1

      Bach wasn't really following rules so much as creating them for others to follow. He knew how to make music that worked well. There is a centuries old book called The Study of Counterpoint which some of the great composers learned from which lays out a lot of these rules so others can study them.

      A few nitpicks. I assume by "a centuries old book called The Study of Counterpoint," you're referring to Fux's Gradus ad Parnassum ("Steps to Parnassus" -- the home of the Muses), a very short section of which was translated in the mid-20th century by Alfred Mann as "The Study of Counterpoint"? Fux's treatise is a lot more than the counterpoint section, even though that's all that people tend to know today.

      And while it is true that some of the "great composers" worked through exercises that were modeled on Fux (notably in late 18th century Vienna, where Haydn, Mozart, and Beethoven all knew of Fux), they had absolutely nothing to do with Bach. Fux was trying to lay out the rules based on the 16th-century modal style of Palestrina, with some adaptations to 18th-century practice. He wasn't trying to codify Bach's rules at all, particularly since at the time he wrote it, J.S. Bach was still a relatively young man who had only recently arrived at Leipzig, where he was yet to write many of his greatest works. Fux's messed-up version of 16th-century counterpoint doesn't reflect Bach's practice at all, in fact, other than in some general principles (like the one you mentioned to avoid parallels). And I'm not sure where you even get the idea that Bach was creating rules for others to follow either -- he had his own training in counterpoint, where he learned various rules and principles, and he probably used some, broke others, and expanded on most, just as any composer does.

      It's true that Bach had a facility with counterpoint that was very rare, but the "rules" he was using were developed over centuries -- for example, parallel fifths were first prohibited in treatises of the 14th century. Bach didn't make up most of the rules. He learned them, just as composers before him had learned them for centuries.

      However classical music still is what it is and I feel sorry for all the music theorists still sitting in their conservatories trying to write atonal or 12 tone music when that era is decades over.

      Well, very few composers these days write straight-ahead "12[-]tone music" except as exercises. Many still write various forms of atonal music, but the concept of music has been expanded so much that it seems odd to pigeonhole composers into Glass and Reich versus "atonal and 12-tone." Moreover, there's a large amount of crossover and influence between various forms of experimental art music and popular music. I suppose there are a few "music theorists" out there who still think that it's 1920, and Schoenberg's 12-tone method is the only way to go, but I've never met one. The actual composers I talk to do a lot of different things when it comes to experimental music.

    16. Re:Regarding his comments on music by sg_oneill · · Score: 1

      Yep. When I first started learning Jazz, I was amazed at how much theory you needed to know just to get in the front door. At the very least you need to know your scales (all of them!) , modes of scales, how chords actually work, the various tone cycles, and so on. Then you start on the rhythm, and your STILL only in basic jazz.

      Compared to the 'academic' 12 tone stuff (Create a 12 tone sequence, throw some inversions and stuff in there, shift em around and tweazle with the timing and your done) , jazz is immesurably more difficult to compose, let alone improvise in (You gotta do that theory in your head, AND in real time, possibly after a few beers , jazz being smoky bar stuff and all).

      I'll admit some early jazz variants where pretty simple minded (ie a lot of the tin-pan alley stuff) but its foolish to claim that jazz is 'rule-less'. Its a damn sight more academically structured than rock and roll.

      --
      Excuse the Unicode crap in my posts. That's an apostrophe, and slashdot is busted.
  3. Isn't It... by mim · · Score: 2, Insightful

    basically one big [social/research/collaboration] networking site...just as it was meant to be??

    1. Re:Isn't It... by gzipped_tar · · Score: 3, Insightful

      Web 1.0 was all about connecting people. It was an interactive space, and I think Web 2.0 is of course a piece of jargon, nobody even knows what it means. If Web 2.0 for you is blogs and wikis, then that is people to people. But that was what the Web was supposed to be all along. -- Tim Berners-Lee

      --
      Colorless green Cthulhu waits dreaming furiously.
    2. Re:Isn't It... by mim · · Score: 1

      Correct. Exactly the same...should have specified that in my original post. (:

    3. Re:Isn't It... by Velox_SwiftFox · · Score: 1

      Web 1.0 was all about connecting people. It was an interactive space,
      and I think Web 2.0 is of course a piece of jargon, nobody even knows
      what it means. If Web 2.0 for you is blogs and wikis, then that is
      people to people. But that was what the Web was supposed to be all along.
      -- Tim Berners-Lee

      Exactly. The original purpose was subverted by the Internet access providers -- I refuse to call them Internet providers -- who began selling people dynamic IP, or worse NATed addresses, hoarded outgoing bandwidth to themselves to sell to "web providers", even explicitly banned people from running servers others could access.

      But to be fair, much of this can be traced to simply providing Internet access to people who hadn't the knowledge to set up a server web space, or the desire to do so. Blogs, Wikis, et cetra are simply getting around this by letting web browsers be clients letting people put data on the web servers that have the big bandwidth.

    4. Re:Isn't It... by bonch · · Score: 1

      The argument is that the Web may have been that at one point but is now a generic, template-based advertising platform, where social connections are a means to an end.

      Enjoy Google OS running Google Chrome checking your Google Mail and updating your Facebook...

  4. I only read the summary... by erroneus · · Score: 3, Interesting

    ...that was probably enough though. This guy really missed the point. In today's copyright anything and everything climate, people start coming up with some really strange ideas about content and its value. "If someone reads it, I want to get paid!!" They get needlessly bothered when machines read it and process it for search engines. It rather reminds me of some "robot fears" that people may have had.

    Why not just come out and say it? "I'm afraid of things I don't understand! Let's kill it!"

    1. Re:I only read the summary... by Anonymous Coward · · Score: 2, Insightful

      "If someone thinks about reading it, I want to get paid!!"

      Fixed that for you.

    2. Re:I only read the summary... by hedwards · · Score: 1, Funny

      Robot fears? My grandmother died when a Robot ate her medication you insensitive clod.

    3. Re:I only read the summary... by Anonymous Coward · · Score: 1, Insightful

      by only reading the summary and not the article itself, you are simply proving the article's statement that most posts will not be read by more than a few people true.

    4. Re:I only read the summary... by IdiotBoy · · Score: 1

      that was probably enough though.

      Not even close. You might have more success in the future if you can figure out a way to relate your knee-jerk reactions to the actual content of the posted material. I know that expecting you to actually read it is out of the question. Maybe you could find some way to get Mechanical Turkers to poorly summarize it in such a way as to provide hooks for your hastily composed responses.

    5. Re:I only read the summary... by Anonymous Coward · · Score: 0

      This is the kind of thinking that killed Project Xanadu.

    6. Re:I only read the summary... by mdwh2 · · Score: 1

      So? Why would we expect any different? This has always been true, long before "web 2" or even the Internet. The number of people that will see or hear what most people will write or say is always fairly low, unless you're someone who is or becomes famous.

      The Internet has made things better in this regard (I bet more people will still read this comment of mine, compared with if all I could do is say it to a person near me in real life; similarly it's an awful lot easier to transmit information between all of my friends, than before the Internet), but it can't work miracles.

      If not many people read what he writes, that's his issue, not the medium's.

    7. Re:I only read the summary... by Anonymous Coward · · Score: 0
    8. Re:I only read the summary... by Anonymous Coward · · Score: 0

      Ohh comon this was funny

    9. Re:I only read the summary... by Narpak · · Score: 1

      Why not just come out and say it? "I'm afraid of things I don't understand! Let's kill it!"

      And eat it! Fried in batter! Yum yum

  5. Quit the whining by Anonymous Coward · · Score: 1, Insightful

    I have been on the net since late 70's/early 80s (though intermittent until late 80's). It is changing. SO WHAT? The problem is that you have somebody that works for MS gripping about Google and their associates again. Nothing worse than an illegally acquired/held monopoly that grips about a naturally acquired/held monopoly that can be EASILY toppled. THe only real issue is that MS is not trying to develop new ideas. They are working to topple "the Google" and make sure that only they control the net.

    1. Re:Quit the whining by bonch · · Score: 0

      I have been on the net since late 70's/early 80s (though intermittent until late 80's). It is changing. SO WHAT?

      The answer to "so what" is described in the article. Might try reading it sometime.

      The problem is that you have somebody that works for MS gripping about Google and their associates again.

      What the hell are you talking about? Lanier doesn't work for Microsoft.

    2. Re:Quit the whining by Anonymous Coward · · Score: 0

      (Different AC)

      He does, in fact, work for Microsoft. Hence his bitching about "decades-old Unix"; we should all be innovating the internet with Windows and Big Ass Tables, apparently.

  6. maybe.... by pitje · · Score: 4, Insightful

    it just could be that nobody is interested in what he has to say?

    1. Re:maybe.... by Plugh · · Score: 1

      it just could be that nobody is interested in what he has to say?

      Bingo!

      I read the guy's name, and immediately remembered a picture of him in the 1990's in full troglodyte Virtual Reality garb -- goggles and gloves -- ranting about how VR was to be the future of humanity, and his (presumably now-failed) startup efforts in that direction.

      He's lost the ability for his rants to be relevant, until such time as he himself produces a Big Thing, is part of the team that makes the Big Thing, or at least correctly calls a Big Thing before it happens. Till then... sorry Jaron, but tl;dr

    2. Re:maybe.... by Anonymous Coward · · Score: 0

      So what's your Big Thing, Plugh?
      Your rant about Jaron's irrelevancy is irrelevant until such time that you yourself produce a Big Thing, is part of the team that makes the Big Thing, or at least correctly calls a Big Thing before it happens.

    3. Re:maybe.... by Plugh · · Score: 1

      Ahhh... but I don't try to make a Big Name for myself as an Internet Prognosticator. In that respect, I am quite different from Mr. Lanier.

      As it turns out, however, I am part of a team making a Big Thing, but I can't talk to you about it unless you sign an NDA with my employer ;)

  7. Jaron Lanier gives me the creeps by LS · · Score: 4, Interesting

    This dude was the epitome of "digerati" poser hype acting as some kind of digital prophet spouting buzzwords and hot air during the web 1.0 bubble. He's been riding the 15 minutes he got from his work on the failed VRML for way too long.

    Anyone could sit back and smoke a lot of joints and come up with new ways of talking about old things, but it doesn't mean they are necessarily interesting. This dude is the poster boy for what everyone hated about the dotcom era - a lot of hype and no substance.

    --
    There is a fine line between being a cultivated citizen and being someone else's crop. - A. J. Patrick Liszkie
    1. Re:Jaron Lanier gives me the creeps by ceoyoyo · · Score: 1

      "This dude is the poster boy for what everyone hated about the dotcom era - a lot of hype and no substance."

      You say that like it ended with the dotcom era.

    2. Re:Jaron Lanier gives me the creeps by Flambergius · · Score: 1, Insightful

      Ad hominem, but correct. It doesn't happen often, so savour it, folks :)

      Jaron Lanier is full of shit and it's not even new shit. He's been on about the evils of the hive mind for a years now, but hey, I guess it pays the bills.

      --
      Computers are useless. They can only give you answers - Pablo Picasso
    3. Re:Jaron Lanier gives me the creeps by SimHacker · · Score: 1

      You have Jaron Lanier confused with Mark Pesche. Jaron didn't have anything to do with VRML (in fact he has a lot of disdain for it), and his work with VR at VPL predates VRML by many years. The stuff Jaron did was actually quite creative and ground breaking, and led to some interesting patents, while the VRML crowd, who came along much later, were a bunch of posers and cargo cult imitators.

      --
      Take a look and feel free: http://www.PieMenu.com
  8. He's right by Anonymous Coward · · Score: 2, Insightful

    He's right. In an alternative world, no-one would read his words at all, which would be much better. How far we've fallen.

    1. Re:He's right by Anonymous Coward · · Score: 0

      ronwell!??!!! ronny dobbs, is that you?

  9. Whining about folk-art webpages... by captainpanic · · Score: 5, Insightful

    In the early days when roads were invented, they were winding romantic sand paths through lush forests, over hills and through valleys, following the path of the creek.

    Now, 6-lane highways cut through mountains - but hey, they can get you from A to B in less than no time.

    If you like to make an original website, this is still possible. You CAN still have your own site, do all the html yourself. Alternatively, you can also spend less than 10 minutes to get your blog online, or less than 15 to have a photo album online.

    Thing is - where the masses previously had no websites, they now have a facebook account... which is equally empty as no website at all. But internet did not lose anything - it just didn't gain anything either.

    1. Re:Whining about folk-art webpages... by Anonymous Coward · · Score: 1, Insightful

      In the early days when roads were invented, they were winding romantic sand paths through lush forests, over hills and through valleys, following the path of the creek.

      Have you never seen a Roman road? They're every bit as straight and direct as anything we make today.

    2. Re:Whining about folk-art webpages... by rwv · · Score: 1

      If you like to make an original website, this is still possible. You CAN still have your own site, do all the html yourself. Alternatively, you can also spend less than 10 minutes to get your blog online, or less than 15 to have a photo album online.

      This is a good insight as there is a serious time commitment to (a) figuring out a good format for publishing your own website, and (b) figuring out the content that you want to put up there.

      The whole social networking bend takes the issue of deciding on format completely out of consideration, which is oftentimes a good thing because creating a visual appealing design is not a trivial thing to do.

      As an aside, I mange my own site and have recently committed heavily to letting Flickr and Del.icio.us handle important blocks of content that I make available through my site and I am *very* pleased with the way these services have streamlined my ability to run my site.

    3. Re:Whining about folk-art webpages... by Rhaban · · Score: 2, Insightful

      Romans didn't invent roads.

    4. Re:Whining about folk-art webpages... by betterunixthanunix · · Score: 4, Insightful

      "If you like to make an original website, this is still possible."

      I think his bigger issue is that nobody is doing that anymore, so it is becoming impossible to find such things. Maybe he has weird taste or memory distortion, though, because my memory of personal web pages from the 90s is of horrible marquee text, blink text, animated gifs, and black backgrounds without hundreds of different colors in the text.

      "Thing is - where the masses previously had no websites, they now have a facebook account... which is equally empty as no website at all. But internet did not lose anything - it just didn't gain anything either."

      Actually, it did lose something: openness. Facebook is closed off to anyone without a Facebook account, which is definitely a change from the way things used to be done. Sure, there were places that you had to log in to in order to participate during the 90s, but I have trouble remembering websites that required a login just to see what users had posted.

      --
      Palm trees and 8
    5. Re:Whining about folk-art webpages... by TheRaven64 · · Score: 1, Insightful

      Debatable. They built some of the first things that would be recognised as roads. Before the Romans, the closest things were tracks where the land had been eroded by a lot of people and horses walking over the same path.

      --
      I am TheRaven on Soylent News
    6. Re:Whining about folk-art webpages... by coryking · · Score: 1

      Facebook is closed off to anyone without a Facebook account

      That is a feature, not a bug. It is one of the things that make it rather successful. I dont want any random jackass viewing my profile.

      Yeah, yeah, yeah, information wants to be free and I shouldn't put it on the internet if I dont want all to see it. Well, guess what--I dont want everybody to see it, I only want people I invite to see it. If I can't use the internet for that purpose, what can I use?

    7. Re:Whining about folk-art webpages... by betterunixthanunix · · Score: 3, Insightful

      "That is a feature, not a bug. It is one of the things that make it rather successful. I dont want any random jackass viewing my profile."

      Well, I have to wonder what you are posting that has you so worried about individual people seeing it. Look, I am with you on privacy being important, but why focus on individuals? Facebook does not hide your information from the large organizations that really have the power to invade your privacy.

      "Yeah, yeah, yeah, information wants to be free and I shouldn't put it on the internet if I dont want all to see it."

      Pretty much; why would you post something online, with no encryption whatsoever, if you wanted to keep it between you and your friends? Also, why, if this is personal information between you and your friends, would you need to use the global Internet at all? Do you not see your friends in person? Are you and your friends incapable of using email?

      Really, the whole situation sounds bizarre from where I sit. You have this information that you believe should remain between you and your friends, so you post it on a massive, global network and rely on a massively popular, international website with hundreds of millions of users and a history of failing to respect privacy, to ensure that the data is only accessible by your friends. Yeah, I know Facebook is popular and trendy and whatnot, but I really cannot see why you would post information on Facebook that you did not want to spread beyond a close circle of friends.

      "Well, guess what--I dont want everybody to see it, I only want people I invite to see it. If I can't use the internet for that purpose, what can I use?"

      Well, you could do what I do: show your pictures off to your friends when they are sitting next to your computer, talk to them in person, and engage in non-electronic social interactions. For friends in far away places, there is email, IM, telephone, etc., none of which runs the risk of some "random jackass" stumbling across your conversation (unless the jackass is trying to eavesdrop, but do you really think Facebook is going to protect you from such people?).

      --
      Palm trees and 8
    8. Re:Whining about folk-art webpages... by Anonymous Coward · · Score: 0

      Before the Romans, the closest things were tracks where the land had been eroded by a lot of people and horses walking over the same path.

      What about the, Persians?

    9. Re:Whining about folk-art webpages... by Anonymous Coward · · Score: 0

      Could you please stop inventing history?

      What you said is complete bullshit.

      There were real roads thousands of years before the roman empire was formed.

      http://en.wikipedia.org/wiki/Road#Historical_road_construction

    10. Re:Whining about folk-art webpages... by Anonymous Coward · · Score: 0

      That is a feature, not a bug. It is one of the things that make it rather successful. I dont want any random jackass viewing my profile.

      I agree with you in principle: I like the idea of being able to have semi-private information that's shared only with friends (or even casual acquaintances) instead of the whole world.

      However, it sounds like Facebook's been dropping the ball on the privacy settings lately. Even their CEO managed to accidentally share a bunch of private pictures (although he claims it was on purpose) thanks to the screwed up permission changes that were rolled out.

    11. Re:Whining about folk-art webpages... by DriedClexler · · Score: 2

      Two words: China.

      --
      Information theory is life. The rest is just the KL divergence.
    12. Re:Whining about folk-art webpages... by CrackedButter · · Score: 4, Interesting

      I just pulled myself facebook, I got sick of all that faceless and meaningless interaction. I had nearly 300 friends and I informed everybody I would be leaving so they could give me their details and we could meet up in real life. Out of those 300 people, only 2 people gave me their details. That says a lot to me as it turns out nobody was really bothered, human interaction has become passive activity (when it should be much more important) and probably with a lot of people I was just a number.

    13. Re:Whining about folk-art webpages... by Quantumstate · · Score: 0

      Irrelevant to the current discussion. The discussion is about how winding roads developed into straight roads. Since China and Rome were in different geographical areas winding Chinese roads did not develop into straight Roman roads.

    14. Re:Whining about folk-art webpages... by zokuga · · Score: 1

      I just pulled myself facebook, I got sick of all that faceless and meaningless interaction. I had nearly 300 friends and I informed everybody I would be leaving so they could give me their details and we could meet up in real life. Out of those 300 people, only 2 people gave me their details. That says a lot to me as it turns out nobody was really bothered, human interaction has become passive activity (when it should be much more important) and probably with a lot of people I was just a number.

      I think Facebook is more paltable when you accept that for the majority of your acquaintances, you *are* a number, with or without Facebook. Before FB, did you really think you had the time in your daily life to have meaningful interaction with even just 20 people spread throughout the world? I don't claim to have close interactions with any but a dozen of the 12 out of 500-some FB contacts I have...but that's the way it would've been in real life too. So I do lose some time, maybe 10-15 min writing quick comments and voyeurstically checking out people who, without Facebook, I may not have given any thought to. But the tradeoff is that once in awhile I do make a valuable contact...say a long-absent acquaintance decides to move to my city...that would've only been knowable through Facebook. Sure, you can take the nostalgic-oldfashioned view that if that friendship was really worth something, that acquaintance would've put in the legwork to find my contact info and reach out to me when moving to the city. But that's like trying to argue that the old-fashioned way of meeting a girl by chatting her up at the bar or coffee shop is somehow more inherently meaningful and successful that Match.com. It is not necessarily so.

    15. Re:Whining about folk-art webpages... by CrackedButter · · Score: 1

      In real life we don't count our friends as easily as we can in facebook. A facebook group of friends can be easily represented as a nice factual summary, then categorise and organise them, we're people, but we're being turned into statistics that can be managed. I doubt anybody in real life has put pen to paper to find out the same answer or even thought about it in those terms. It has nothing to do with nostalgia either, its just places like are facebook dehumanising us. My trouble with facebook is that I valued everybody across that medium much to my shame and time wasted. Having had a profile on Match.com and chatted up girls in real life, I'll take the real life any day, its so much more expressive and human, that surely translates as being more meaningful? People can be more flippant and narrow minded while staring at a computer in the safety of their home. Oh ironies of ironies, here I am chatting to you here about it as well.

    16. Re:Whining about folk-art webpages... by Chess+Piece+Face · · Score: 1

      "But internet did not lose anything - it just didn't gain anything either."

      It lost people willing to visit those handmade websites. Creating your own site became pointless once everyone that was visiting your site got on Facebook and forgot how to use a bookmark.

    17. Re:Whining about folk-art webpages... by antdude · · Score: 1

      And FaceBook wants real datas too, no fake datas. I got booted off for using fake datas. :(

      --
      Ant(Dude) @ Quality Foraged Links (AQFL.net) & The Ant Farm (antfarm.ma.cx / antfarm.home.dhs.org).
    18. Re:Whining about folk-art webpages... by Anonymous Coward · · Score: 0

      "That says a lot about me as it turns out nobody was really bothered"

      Fixed that for you. Some of us use facebook to keep in touch with people far away, or to easily organize events with people near by. Why did you have 300 "friends" if you (obviously) barely knew any of them.

      I don't want to say there are "good" and "bad" ways to use facebook, but some are more conducive to "actual" friendships IMO.

    19. Re:Whining about folk-art webpages... by CrackedButter · · Score: 1

      You're wrong to suggest that I didn't know any of them when I in fact did know who they were.

  10. Is the summary a trick? by Anonymous Coward · · Score: 3, Funny

    Are they trying to guilt us into RTFA? I, for one, will carry on commenting on articles I haven't read.

  11. Music by Anonymous Coward · · Score: 0

    Why does music have to always evolve? What's wrong with enjoying music, indeed anything, the way it is now? I get so sick any tired that everything has to be on the zeitgeist, has to be so now that as soon as you realise it's now, it's already then! Enjoy what you have right now, then when you feel ready move on, don't feel pressured to move on.

    Sounds like Lanier is a sad old hippy fed up with trying to keep up with everything and burning out by shouting his mouth off. Sorry mate, but the world is bigger place, if you want to stay ahead of a game, you need to pick a smaller game, most of the games these days are too big for one individual!

    "More to life than increasing it's speed." - Mahatma Ghandi

    1. Re:Music by hedwards · · Score: 1

      Because there's only so many times you can listen to Bohemian Rhapsody without going nuts?

    2. Re:Music by sheph · · Score: 1

      Well yes, but that's because it's a crappy song to start with. You take something with a little more substance like all of the pre 80s Moody Blues, or Jars of Clay - Who We Are Instead / Good Monsters / Much Afraid. That right there is timeless and just flat out doesn't get old. I could cite several more examples, but if you've heard the albums I'm talking about you probably get the point. For all of the pomp and overachivement that marked Queen's music it never really got much below the surface of selling records. Slick production and much marketing hype does not a good album make. I see a lot of what is being put out today in the same way. I'm all for innovation, but the electronica just doesn't do much for me. I find it cold, lifeless, and without depth or meaning. It's not that no one is making good music it's just that marketing is what determines what is popular rather than what's good.

      --
      I don't believe in karma, I just call it like I see it.
  12. Beta Tag by Bicx · · Score: 0, Offtopic

    The shiny, reflective Beta tag: an all-inclusive license to publish pretty software with zero reliability

  13. Has the number of people reading really changed? by Anonymous Coward · · Score: 0

    The internet allows a lot of people with a short attention span to join a very large "library", but I guess only on occasion, do they seriously read.
    There's nothing wrong about reading processed magazines and entertainment. Most people are not intellectuals. Never have been, never will be.

  14. Insulting the people who made him by petes_PoV · · Score: 3, Insightful
    The hypocrisy!

    This guy got his reputation from our technology - now he goes around insulting the people who read his gushings.

    misrepresented by crowds of quick and sloppy readers

    It sounds like he has become altogether too precious about his own opinions and superiority (in his own mind, at least) and forgets that every printed word he's ever made money from has gone through exactly the same process of being edited, distributed and read (and possibly mis-understood - but isn't that HIS failure, not the reader's?) as the electronic texts he is so critical of.

    --
    politicians are like babies' nappies: they should both be changed regularly and for the same reasons
    1. Re:Insulting the people who made him by Anonymous Coward · · Score: 0

      > This guy got his reputation from our technology

      What do you mean by "our"?

    2. Re:Insulting the people who made him by Anonymous Coward · · Score: 1, Interesting

      I think he meant 'your mother's technology' as in 'I interfaced with your mother's technology all night long.'

    3. Re:Insulting the people who made him by selven · · Score: 2, Insightful

      Our as in "the people". Technology belongs to the people, and don't let any corporate shill tell you otherwise.

    4. Re:Insulting the people who made him by The+End+Of+Days · · Score: 1

      I hope this was a serious post. I get a real thrill out of knowing people actually think like this.

  15. Whah! by Anonymous Coward · · Score: 0

    So basically Lanier is pissed because he used to be the cutting-edge shamany type, and he wants to still be that person. Unfortunately (for him, not us) time has passed him by and he stagnated. He kind of reminds me of Uncle Rico, reminiscing and bemoaning about his glory days and how different things would be if only everyone else "got it"...but ultimately only Uncle Rico and Jaron give a damn about what they think. Ride off into the sunset, Jaron; there are some friends waiting there for you.

  16. Worse than DRM by jfenwick · · Score: 5, Interesting

    "He does propose a solution to the difficulty of how to compensate artists, artisans, and programmers in a digital era: a content database that would be run by some kind of government organization: "We should effectively keep only one copy of each cultural expression—as with a book or song—and pay the author of that expression a small, affordable amount whenever it's accessed." According to the article, Lanier wants a pay per use SOA, the very strategy Microsoft has been trying to implement as a strategy for years. It's the ultimate greed based mashup of DRM and cloud technology possible, all mandated by the government. I wouldn't be surprised if this happened in the near future.

    1. Re:Worse than DRM by vlm · · Score: 5, Insightful

      "We should effectively keep only one copy of each cultural expression--as with a book or song--and pay the author of that expression a small, affordable amount whenever it's accessed."

      I should pay my plumber every time I flush, forever. And, I should pay some carpenter every time I go up or down "their" stairs. Its not fair that they don't have a perpetual revenue stream from work they did in the past.

      --
      "Science flies us to the moon. Religion flies us into buildings." - Victor Stenger
    2. Re:Worse than DRM by ceoyoyo · · Score: 3, Insightful

      Maybe we need to go back to art's roots - a patron system. Except instead of a single rich guy to be your patron, you could have a legion of adoring fans who are all willing to give you $1 to finance your next album. Once it's finished, the music is released into the public domain.

      If you were a decent act I don't think you'd have too much trouble getting fans to donate. And when you lost your touch you'd be retired.

    3. Re:Worse than DRM by ElectricTurtle · · Score: 0, Offtopic

      My kingdom for some mod points!

      --
      I support the Slashcott and will not be reading or commenting from 2/10/14 to 2/17/14. Beta is steaming pile of dog shit
    4. Re:Worse than DRM by IBBoard · · Score: 1

      As a software developer (of sorts - technically a "researcher", but I program more) all I can say is this:

      How do I get persistent royalties when people use my work by running the programs I wrote? I wrote it, so surely it is a creative work like a book and I deserve royalties. Surely copying it to memory is making another copy and deserves more royalties? Surely I should be able to stop people copying it to memory as well, even if it is just because I don't like that person, since it is my work. Some form of restriction management system for digital content should be created so that I can control what people do with my creation, even after I've sold it to them for a one-time fee with no additional contract in place!

    5. Re:Worse than DRM by wytcld · · Score: 0, Troll

      I should pay my plumber every time I flush

      Funny thing. I have municipal water and sewer. They built all the plumbing from my house to the reservoir and treatment plant. I pay them every month based on metered gallons used.

      Now why am I doing this? I can collect rainwater for free! I have a yard where I can dig a hole and shit! I must be a moron to be paying these guys who put the plumbing in every month.

      --
      "with their freedom lost all virtue lose" - Milton
    6. Re:Worse than DRM by CRCulver · · Score: 2, Informative

      Maybe we need to go back to art's roots - a patron system. Except instead of a single rich guy to be your patron, you could have a legion of adoring fans who are all willing to give you $1 to finance your next album. Once it's finished, the music is released into the public domain.

      Most European films and art music recordings are made with a boatload of state funding (which is essentially a modern-day patronage system), and there's still quite a few productions that are financed mainly by some nice old man like in traditional patronage. Americans might not accept that -- remember the polemics about the NEA funding "pornography"? -- but it's just how things work in the EU. And yes, a lot of productions are made that have a small audience, but voters in many countries support heavy funding for the whole range of the arts. In Finland where I reside, a poll earlier this year showed overwhelming support among the people for subsidizing orchestral concerts and the like even if only a couple of hundred people attend.

      Incidentally, I've always wondered how the Hong Kong film industry not only survives but outright flourishes when it's really difficult to find authentic copies of anything in Hong Kong. How do films generate revenue there?

    7. Re:Worse than DRM by vlm · · Score: 1

      I pay them every month based on metered gallons used.

      I must be a moron to be paying these guys who put the plumbing in every month.

      Now, are you paying them for the plumbing or the gallons, make up your mind?

      Where I live, the plumbing is free, so they can profit off the bulk material commodity gallons that flow thru the pipes.

      I have a yard where I can dig a hole and shit!

      You should pay your landscaper every time you look out the window and admire the lawn. He deserves a permanent reoccurring revenue stream, for work done in the past, just like everyone else. At least have the landscaper remove the poison ivy and thistles first before you take a dump.

      By the way, back when I was in high school, I may have bagged your groceries one time, and it seems I have not received my 2009 yearly payment from you for that performance... You wouldn't be a pirate now, would you? Perhaps if I release the "directors cut"?

      --
      "Science flies us to the moon. Religion flies us into buildings." - Victor Stenger
    8. Re:Worse than DRM by Anonymous Coward · · Score: 0

      Apples to Oranges... You are not shitting out the same nuggets each day, or drinking the same water every day. If i listen to Roundabout by Yes ten times, there is nothing new there after the first time...it is the same song. I should pay once.

    9. Re:Worse than DRM by Mr.+Slippery · · Score: 1

      I can collect rainwater for free! I have a yard where I can dig a hole and shit! I must be a moron to be paying these guys who put the plumbing in every month.

      So dig a well and put in a septic tank. If you do so, no one will expect you to keep paying the installers a monthly fee.

      Except for the monthly fee you pay for the electricity to run the well pump, of course. And the fee for the service contracts, where they come and do the maintenance that keeps your well water treated and chemically balanced, and your septic tank from backing up and flooding you with shit.

      That's what you're paying your municipal water and sewer bureau for. Not a royalty on the pipe they laid down years ago, but for ongoing service and maintenance work.

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
    10. Re:Worse than DRM by Quantumstate · · Score: 1

      Hey how about we look at how much work people do and record it somewhere. Then we can gather up all of the money into a big pot and give everybody the right amount. Though trying to measure the amount of work is tricky. Maybe it would be better to just spread it around evenly?

    11. Re:Worse than DRM by selven · · Score: 0

      You're paying for the water and the service of filtering it and physically moving it to your house (and physically moving waste out of your house). You are, of course, welcome not to use their service and set up an alternate solution.

    12. Re:Worse than DRM by ceoyoyo · · Score: 2, Interesting

      I was thinking more about what happens post-production. The model now is to fund a project, produce it, then flog the thing for as much money as you can possibly get. Correct me if I'm wrong, but a lot of grant funded productions follow much the same model, do they not?

      A proper patron system would have the patrons contributing mostly because they wanted to see something made (which is kind of the case with grants but definitely not the case with corporations) but more importantly, the people involved with the project would make money from creating art and not from selling it afterward.

      So if you wanted to see Cameron make a new movie (say that one he calls Avatar that he's been pitching on his blog), you'd donate $5 (probably to be held in escrow). If enough people donated, he'd get to go ahead with production. When the movie was finished, everyone could see it or download it for the cost of running the theatre or providing the bandwidth. No need to worry about copyright, and (good) artists still have a way to make a living.

    13. Re:Worse than DRM by that+this+is+not+und · · Score: 1

      You clearly don't understand well water. I'm supposed to have some duff 'keep my well water treated and chemically balanced'? With a service contract?

      When the jet pump failed due to cellar flooding a few years ago, I spent $175 on a new pump and installed it myself. We've lived here 8 years now and have paid $100 once for someone to come pump solids out of the septic tank.

      Service contract? Is this the checkout lane at BestBuy??

    14. Re:Worse than DRM by mounthood · · Score: 0

      I should pay my plumber every time I flush, forever. And, I should pay some carpenter every time I go up or down "their" stairs. Its not fair that they don't have a perpetual revenue stream from work they did in the past.

      This is a terrible argument. Not to defend the **AA, but other workers could license their work so that you had to, for example, pay each time you flush. Nobody would buy a pay-per-flush toilet for their home, but the **AA has demonstrated that people will license their products, and is now asking for protection (pun intended.) This isn't the case for plumbers who could theoretically demand protection for a non-existent market. We could make an analogy to the auto industry and argue that people are required to have their emissions checked, so why shouldn't they be required to have their digital library checked?

      --
      tomorrow who's gonna fuss
    15. Re:Worse than DRM by RicardoGCE · · Score: 1

      You don't pay the artist every time you listen to a song, either.

      The plumber and the carpenter charge me one-time fees for the work they do for me. The artist charges me a one-time fee for the work he has on offer. Seems reasonable enough.

      The difference is that the artist doesn't need to record the song over again each time someone wants to buy it, whereas the plumber and carpenter have to get off their asses and "perform". You call the difference unfair. It's not, it's mere circumstance. Do you consider it unfair that our society so loves sports that the top participants command salaries in the millions? Or that movies are such a popular form of entertainment that studios will pay millions to have a certain name and face associated with their product? If the plumber or carpenter designs a tool that allows him to complete twice as many jobs in a given day, should he make less? Why is it "unfair" to have a good that's easy to mass-produce? Isn't that the argument pirates wield most often? "it's not theft, it's just a copy that doesn't deprive the author of the original". If people want to pay for access to such products, and willingly do so, how is that "unfair"?

    16. Re:Worse than DRM by psydeshow · · Score: 1

      Yes, patronage is exactly the solution, as it has been for most (all?) of human history.

      Music, stories, and other cultural expressions scratch societal itches, from aesthetics to diversion to immortality. People with resources will gladly support artists that help them scratch their particular itch. In doing so they also tend to benefit humanity, because cultural expression is something that it is both easy and satisfying to share with others.

      It is only in the last hundred years or so that cultural expression has been created for the exclusive purpose of making a lot of money for investor-distributors.

      I don't necessarily want to rely on Bill Gates' or George Soros' taste in entertainment to be entertained, but as you point out, patronage can be a co-op where each member puts a small amount toward the budget for producing a new "professional" work.

    17. Re:Worse than DRM by Anonymous Coward · · Score: 0

      Except accessing means making a copy. And we can predict that ~95% of the revenue won't go to the artist. This scheme, if implemented, should kill off commercialized art entirely, not Lanier's intent, but perhaps a good thing anyway.

    18. Re:Worse than DRM by Anonymous Coward · · Score: 0

      I should pay my plumber every time I flush, forever. And, I should pay some carpenter every time I go up or down "their" stairs. Its not fair that they don't have a perpetual revenue stream from work they did in the past.

      I'm not agreeing with Mr. Lanier here, but your analogy is horrible.

      Everyone who wants a staircase must pay the carpenter to build it. Not everyone who wants to read a book must buy it. I can borrow, or better yet, copy, a book you bought, thus bypassing having to pay the author. How do I do the same if I want a staircase like yours?

      Physical items are different than content. This is a point that Slashdotters are constantly making when someone starts talking about "stealing" music or movies. Your analogy, however, ignores this point.

    19. Re:Worse than DRM by jafac · · Score: 1

      Wow. Give a crooked politician access to this database, and the power to set the pricing model, and block the annoying voters from seeing how that's set, and you'd have. . . one very rich, crooked politician. I only mention this as a theoretical possibility, because nothing like this has ever happened in a free and open democracy like ours before.

      --

      These are my friends, See how they glisten. See this one shine, how he smiles in the light.
    20. Re:Worse than DRM by Anonymous Coward · · Score: 0

      *cough* Movie Theatre
      *cough* Commercial Radio

      There are cases where you sure do pay the "artist" for a single consumption. Sure, commercials have become a sort of alternative method to paying directly, but they are still getting paid per play. The only difference is that movies have figured out how to keep people from sitting through commercials for a "free" movie. They charge you more so you can sit through their commercials about their next movie.

    21. Re:Worse than DRM by ceoyoyo · · Score: 1

      Actually, the more I think about it, the co-op patronage model might be a big hit. It would get people more involved with the production of their culture. Like the latest chart topping hit? I had a part in making that.

    22. Re:Worse than DRM by RicardoGCE · · Score: 1

      *cough* Movie Theatre

      You're not simply watching the movie, you're doing so in a venue owned by a third party, which incurs expenses every time you want to sit down and watch a movie there. If I pay my plumber every single time I make him come over, why wouldn't I pay a theater every single time I use their facilities for my entertainment?

      *cough* Commercial Radio

      Do you object to an artist getting paid every time a radio station uses their music to attract listeners, and in turn, make money themselves? How does that affect you? It's a transaction that doesn't involve you in any way.

    23. Re:Worse than DRM by Anonymous Coward · · Score: 0

      "We should ... pay the author of that expression a small, affordable amount whenever it's accessed."

      Pay the AUTHOR? In DRM-land, only the COPYRIGHT OWNER gets paid anything! (Starving Author)

    24. Re:Worse than DRM by sydneyfong · · Score: 1

      First, your view of Hong Kong is at least a decade out of date. There aren't many illegitimate CD/DVD stores around these days (compared with the old), since the authorities have been cracking down on the stores and (more importantly) BitTorrent has taken over. Most people if they bothered to buy physical media would buy a legit copy.

      The reason why Hong Kong film industry flourished (note tense), I believe was the political and social mess in the mainland China for the better half of the 20th century. Not much art could be done in mainland China, and in a way that concentrated the talents into Hong Kong, which was a popular refuge.

      And then with the relative lack of competition (back then) of Chinese films, I think the market was much wider than the local market. Given the number of overseas Chinese [1], the market was regional if not international.

      These days though, the Hong Kong film industry basically sucks.

      [1] http://en.wikipedia.org/wiki/Overseas_Chinese

      --
      Don't quote me on this.
    25. Re:Worse than DRM by Anonymous Coward · · Score: 0

      and that's different from what we have now... how exactly?

    26. Re:Worse than DRM by Anonymous Coward · · Score: 0

      I object. They make me listen to commercials so that the record company gets paid. It's not a victimless crime, I genuinely suffer.

    27. Re:Worse than DRM by RicardoGCE · · Score: 1

      Then -wonder of wonders- you can go to this thing called a "store" (online or off), and exchange cash for the ability to listen to music commercial-free. Funny how that works, isn't it? Pay one time, listen to the music forever. That's a better deal than I get with my plumber!

  17. Not going to read it by paiute · · Score: 3, Insightful

    I did not RTFA, and I will not RTFA. My spidey sense tells me what is in it (and in the book, which I will also not R) - a needlessly long piece of prose which can be summarized as : Get off my virtual lawn. and Gee, everything was so much better when I was young.

    --
    If Slashdot were chemistry it would look like this:Cadaverine
    1. Re:Not going to read it by Anonymous Coward · · Score: 0

      It's Jaron Lanier:

      Get off my virtual reality lawn

      There, fixed that for you ;-)

    2. Re:Not going to read it by elrous0 · · Score: 1

      Things change. Young people embrace it, old people rooted in the old way bitch and moan about it. Rinse, repeat.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    3. Re:Not going to read it by paiute · · Score: 1

      Things change. Young people embrace it, old people rooted in the old way bitch and moan about it. Rinse, repeat.

      I'm not so sure that the meme of the young being early adopters and the old being Luddites is uniformly correct. Sure, some of it is familiarity, but there is a mindset which is independent of physical age. There is a willingness to try new things not related to calendar years. My mother has a website, she Twitters, she blogs, and she is pushing 80. My mother in law would not look at a computer and relied on an electric typewriter.

      At work, some of the fresh college graduates are happy to write down their lot records on paper and file them in manila folders.

      --
      If Slashdot were chemistry it would look like this:Cadaverine
  18. sad excuse to cash in as per usual by K10W · · Score: 1

    I really don't think anyone really cares what he has to say, I wonder if he believes his own bs after all these years. I have only used the internet since late 80's early 90's and it's change sure everything does but for the better if you ask me. Moaning about how things change in the world I mean come on what do you expect. Problem is a lot of these idiots want the growth and expansion without the rest that comes with that. So you hate twitter or facebook, simple don't use it. I've never even registered an account with those or many other networking style places like them never mind used them since I have no interest yet it really doesn't bother me one bit that maybe others find them useful. I think it's just an excuse to sell a book myself although granted some people do actually believe their opinions are some how more valid and superior to the rest of the human race and think mere mortals would simply love to pay to read what they should clearly be thinking too. End of rant ;)

  19. Whine by zieroh · · Score: 3, Insightful

    Jaron whines a lot. I think that's his main contribution to technology.

    --
    People who say "sheeple" have about as much sophistication as an AOL user, and in fact are probably actually AOL users.
    1. Re:Whine by Attack+DAWWG · · Score: 1

      Reminds me of another failed ex-Wired writer, Jon . . . Jon Ka . . . blech! I can't say it.

    2. Re:Whine by zieroh · · Score: 1

      Wow. I didn't expect to get modded +5 Insightful for snarkiness. So let's see if I can justify my karma with some minimal substance.

      Jaron Lanier has spent much of the last couple of decades since his flame-out telling everyone else they're doing it wrong. This would be perfectly acceptable if Jaron was actually doing it right, but the fact is that he has done essentially nothing since those early days of hype and promise. I would even argue that he's yet to contribute anything useful to the field of technology.

      --
      People who say "sheeple" have about as much sophistication as an AOL user, and in fact are probably actually AOL users.
    3. Re:Whine by Anonymous Coward · · Score: 0

      Wow. I didn't expect to get modded +5 Insightful for snarkiness.

      Wow. You must REALLY be new here.

  20. Very appropiate by gmuslera · · Score: 0, Redundant

    "scanned, rehashed, and misrepresented by crowds of sloppy readers"... he KNEW that this will be posted on slashdot.

  21. Open Source? by El_Muerte_TDS · · Score: 1

    I don't understand how Open Source fits into this list. Open Source isn't new. It's much older than 10 years.

    1. Re:Open Source? by Ltap · · Score: 1

      It doesn't, he's simply insulting a variety of things in the hope of getting a rise out of someone.

      I wouldn't be surprised if this was all just an attention grab.

      --
      Yet Another Tech Blog
      (but so much more, including game and movie reviews)
      http://yanteb.peasantoid.org
    2. Re:Open Source? by Anonymous Coward · · Score: 0

      He stated "open culture" not "open source". His point is that nothing has been improved upon, not really, other than minor tweaks, bots, automation, etc. That is, nothing has been improved upon to the extent that it is a great work of art|science in an of itself. I can see the Internet dying to a large part myself becoming what he talks about as a dark age. It shows it's head immediately with a single search. No longer do I get a list of links with relevant or semi-relevant information on a subject. It merely a list of who paid the most money to be first or second on the list and a bunch of automated pages filled full of **** such as "buy this domain"... To that extent the history and entire makeup of the Internet is gone. Not because it is gone physically but because there is no longer a link to the page. And it's all because of crap studies like this:

      http://www.mikes-marketing-tools.com/marketing-tips/search-engine-user-study.html

      Although it may very well be true, does that make all other pages after the third link irrelevant? Finally, the trouble with all of the users complaining about this article(except 5-8 of them) aren't old enough to understand what the Internet was like back in 1998 or before. I do. Do you want proof? Look at their userid. FYI being in the 1st or 2nd grade 10 years ago doesn't qualify you to comment. First you didn't read Wired back then and second you were to young to remember.

      P.S. Open source applications only made up about 1/2 of all code 10 years ago. At the same time the GPL made major revisions allowing for better use going forward. Is open source older? yes. Was it widely used or even accepted? no.

      P.P.S. Open source need not be capitalized unless it's at the start of sentence or you work for Microsoft.

  22. Re:Has the number of people reading really changed by Anonymous Coward · · Score: 0

    tl;dr, u troll

  23. The Borg by harry666t · · Score: 1

    welcomes you, dear sir.

  24. We are a gadget by gmuslera · · Score: 1

    we always are. You can say whatever about an individual person, but in big numbers we could be considered gadgets, either in virtual or in real world. Web 2.0 is just our last expression as crowd. Oh, there are exceptions, but we usually call them crazy, unfitting, unadapted, or even terrorists (but probably not genious, once a lot of people think that it becomes imitated and becomes a new kind of gadget)

    1. Re:We are a gadget by ceoyoyo · · Score: 1

      "but in big numbers we could be considered gadgets"

      Crappy battery life (have to be charged three times a day), won't fit in a pocket, crash a lot, requires constant maintenance, no wifi.

    2. Re:We are a gadget by ekgringo · · Score: 1

      Smaller screen than a Nomad. Lame.

    3. Re:We are a gadget by ceoyoyo · · Score: 1

      Less space too. Try getting one of those things to accurately store more than a few bytes.

    4. Re:We are a gadget by that+this+is+not+und · · Score: 1

      Former cocaine dealer as principal hypemeister. It's gonna sell millions!

  25. But of course by nicc777 · · Score: 0, Troll

    The dude works for Microsoft. So of course he has been brain washed by now to belief everything open is evil!

    --
    Need an ISP in South Africa?
  26. why do we care? by circletimessquare · · Score: 0, Offtopic

    this guy hasn't been relevant since the early 1990s

    its now the early 2010s

    2010s!

    holy crap... monday morning, january 4th, 20fucking10

    a new decade

    jesus, only now is it sinking in

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  27. Reminds me of Clifford Stoll by weave · · Score: 4, Insightful

    Clifford Stoll

    Remember him? And his book Silicon Snake Oil from the mid-90s about the evils of the new Internet.

    What does he do now? Makes weird bottles. Wow.

    Yesterday my boss was pissed because his new Mac laptop with Snow Leopard wouldn't work with his old Laserjet 1020. A few minutes on Google and I found the solution.

    I remember what it was like finding tech info in the 80s. A nightmare. For example, I wanted some tech books on CANDE, WFL, and ALGOL that a Burrough's mainframe that my university used and was told by the publisher that they'll only ship if I proved I was an employee of a firm that owned one.

    Keep your romance about the past to yourself. Adapt or die I say.

    1. Re:Reminds me of Clifford Stoll by Quiet_Desperation · · Score: 1

      As an EE, I have nothing but priase for the Web's ability to put billions of data sheets and application notes at my fingertips. I simply learn more and more as I get older, and being an over 40 engineer is no longer a treacherous thing. There's free and constant education out there.

      Some companies still don't get it, though. There's always one a month I run across that requires you to fill in six pages of information about yourself before they'll even let you look at a list of data sheet PDFs. Oddly, those companies seem to disappear. What's funny is that quite often I can go to DigiKey or Newark and get the PDF there. Der.

      But was Cliffy Stoll totally wrong? IMHO, the internet has made us more ideologically divided as a nation because the faithful can just go to their poison web sites and have their insanity reaffirmed on a daily basis.

  28. come again? by stiller · · Score: 1

    crowds of quip and floppy raiders?

    1. Re:come again? by 3dr · · Score: 1

      Yeah, and I didn't get the part about Web3.0, either.

  29. How many would have read, w/o the web? by Mathinker · · Score: 3, Insightful

    He rants, but one wonders how many human people he would have expected to read his words in a world before the Web, where he wouldn't get free publicity on Slashdot by spouting anti-techno rants.

    Disclaimer: I also didn't read. And unless some other poster here convinces me it's worthwhile, I probably won't.

    1. Re:How many would have read, w/o the web? by Larryish · · Score: 1

      SO many people have spouted about how they refuse to read the article, I have no choice now but to read the article.

      I AM A REBEL!!!11

    2. Re:How many would have read, w/o the web? by Night+Goat · · Score: 2, Insightful

      I did read, and there's a slight difference between his point and what you think his point is. He's actually against Web 2.0, not the web in general. According to the article, his point is basically that the modern Internet has taken the interesting parts of the early Internet away and left it sort of homogenized. Remixes have taken the place of new creations, basically. I kind of agree with him. I occasionally get "sick of the Internet" and after reading this article, I understand that it's more like I'm getting sick of the way the Internet is right now. Anyway, hopefully this piqued your interest and you skim the article. As for the book, it's probably filled with ideas you've heard elsewhere explained better. At least, that's what the author of the article indicates.

    3. Re:How many would have read, w/o the web? by Mathinker · · Score: 1

      OK, I did go to read the article, thanks for the info.

      Even though I might have been a little off-base, I feel my point still stands. It is silly to rant against all kinds of newer Internet developments like search engines becoming commercialized and clueless bloggers misrepresenting your position, when both of those actually add to your readership (if not directly, at least they are inevitable side effects of things which do).

  30. The New Printing Press by netsavior · · Score: 4, Insightful

    The Printing press made READING accessible to everyone (eventually), "web2.0" or whatever is making WRITING accessible to everyone, it is a giant leap, but unfortunately leads to a lot of crap published, like the article linked in parent.

    1. Re:The New Printing Press by TheRaven64 · · Score: 2, Interesting
      Making it easier to be published is a problem, because it decreases the signal to noise ratio. For every new, insightful, witty, piece of prose you now have 100 new pieces of dross. I didn't break tradition and RTFA, so I can't say which category it falls into. There are two solutions to this. One is to make it harder to publish again. The other is to build better filtering mechanisms to let people find the one in a hundred (or thousand or million) things that they want to read. The first option looks easier, but it's likely to throw the wheat out with the chaff.

      Einstein had difficulty getting published. Now he'd find it easy, but so does the Time Cube guy. Personally, I'm willing to put up with a few Time Cubes if it increases the availability of even one Einstein. People who aren't are perfectly at liberty to disconnect.

      --
      I am TheRaven on Soylent News
    2. Re:The New Printing Press by Lumpy · · Score: 2, Interesting

      No Web "2.0" is making blinky flashy animated to everyone. Writing was available with WEB 0.5Beta. There is NOTHING that Web2.0 does to enable it's all about looks and flashy. I was doing web"2.0" things back in the late 90's with that old "antiquated" tech.

      CSS does make it easier to change the look of a page quickly, I do like CSS. but Javascript has gone way overboard. I'm tired of having 20X the weight in JS loading for a page than the HTML,CSS and images combined. It's making the web bloated.

      --
      Do not look at laser with remaining good eye.
    3. Re:The New Printing Press by Foolicious · · Score: 2, Interesting

      There are two solutions to this. One is to make it harder to publish again.

      You're making the (incorrect, I would say) assumption that making stuff hard to publish meant that if something was published it was better. But something being published in the traditional and formal sense of the word simply means that, well, it was published. An agent liked it enough to bring it to a publisher who liked it enough to publish it. There are a millions ways that this can occur, such as a well-known author publishing a crappy work to a nobody author's dad being friends with an agent or publisher, etc.

      So your filtering idea is better.

      --
      Please don't use "umm" or "err" or "erm".
    4. Re:The New Printing Press by ChaosDiscord · · Score: 1

      I'm not convinced that the internet has made the signal to noise ratio worse. As Sturgeon reminded us in 1958, "Ninety percent of everything is crud." It's always been that way. Go to the library and blindly grab 10 novels in a genre you like; I'm betting about 9 are crap. Grab a random mainstream newspaper and check the quality; remember the ads are part of the newspaper! Watch ten hours completely randomly selected network television. Watch ten random mainstream movies; your choice of year.

      What the internet gives us is volume. If you're considering picking a magazine to read, and there is a selection of 20, of which only maybe 2 are good, it's not that hard to check them all out, or ask friends for opinions on the 20. When you're facing millions of web pages, it's more daunting. Fortunately it turns out that Web 2.0 is a good enough filter. My problem is a surplus of good stuff!

      The other danger of the internet is that it lets cranks find each other, reach critical mass, and convince each other that they aren't crazy, leading to insanity like the birthers, the 9-11 conspiracy theorists, the LHC will destroy the world nuts, that the earth is expanding, and more. I want to believe that good speech, in the form of science and reason, will keep them back, but I fear it's not enough. The knots of crazy form a protective shell to protect them from science and reason. Because understanding why the crazy is wrong can take a fair amount of time, they successfully put out "Isn't it odd that..." tendrils that spread like crazy. Fighting back with reason is hard, since "What you learned in high school is basically true" isn't as fun of a fact to share with friends as "Science is all a lie!" A random comic book artist "fighting the power" is a more compelling than a scientist repeating what everyone knows.

      *sigh*

    5. Re:The New Printing Press by Anonymous Coward · · Score: 0

      When people say "Web 2.0" in this context, they usually mean publishing technologies like twitter, delicious and facebook. Yes, people were writing their own apps in the 90s but the last 10 years have seen this publishing tech become available to end users. I'm not on your lawn.

  31. Clifford Stoll warnings weren't/aren't baseless by Qbertino · · Score: 2, Interesting

    Clifford Stoll is an internet sceptic, not a ludite. His arguments against expensive school IT programms financed by cuts in the teaching staff of public schools have solid points. As do his warnings about the Interweb isolating people rather than bringing them together.

    Some of his worries turned out to be unwarranted, others turned out to be quite valid.

    I'll take the advice and thoughts over an educated sceptic like Stoll over some permanent yay-sayer anytime.

    My 2 cents.

    --
    We suffer more in our imagination than in reality. - Seneca
    1. Re:Clifford Stoll warnings weren't/aren't baseless by pydev · · Score: 1

      I'll take the advice and thoughts over an educated sceptic like Stoll over some permanent yay-sayer anytime.

      (1) I'll first make decisions based on objective studies and controlled experiments.

      (2) Absent that, I'll look at what actually works in the market and what people are willing to spend money on.

      (3) Only if I can't get either of those, I'll consider the opinions of experts.

      For the Internet and related technologies, we have plenty of (1) and (2). Even if Stoll could be considered an "expert", that makes his opinions pretty much irrelevant to me.

    2. Re:Clifford Stoll warnings weren't/aren't baseless by axl917 · · Score: 1

      Some of his worries turned out to be unwarranted, others turned out to be quite valid.

      "Information available over the Internet is often stale, incomplete, misleading, unreviewed, or simply wrong. "

      Well, he sure nailed it regarding the Wikipdia.

    3. Re:Clifford Stoll warnings weren't/aren't baseless by weave · · Score: 3, Interesting

      I saw Stoll at a book signing in the mid 90s for that book. He said at the time he stopped using email totally, if you want to contact him, use the postal service.

      Maybe he's mellowed since then, but he was definitely heading to luddite realm back then.

      p.s., I agree that technology is no substitute for effective teaching. I work at one of those places and not too long ago a math teacher was freaking out that the Internet was down so she couldn't get the students into MyMathLab and didn't know what to do. So I replied "How about pick up some chalk?"

      Yeah, I got in trouble for that remark... but really, you can't teach math without the Internet? Gimme a break.

  32. Luddite thinking by roqetman · · Score: 0, Offtopic

    Many people succumb to Luddite thinking as they get older; this is just another example of it. Why these people feel the need to write articles/books about their fear, I don't know... oh, wait, it's for the money.

  33. Get off my lawn! by agentultra · · Score: 1

    Well I read the review and it seems that Jaron's just wrote another book full of ignorable generalizations and blow-hard postulating.

    It's not his fault. He's just given into the same delusions as every other human being. He thinks he's smarter than you. We all do.

    From what I can tell by the review, it's just another book on technology. Like most books on technology, it says a lot of things that don't really mean anything and hold only a tenuous grasp with reality. Sadly, it doesn't fall far from the generic-mainstream-technology-writing-tree. Most books written on the subject tend to be written by authors who think they know it all or know better than every one else. They think they can see the forest for the trees, but most of them fall into the same delusions and end up either rehashing the same points or showing their age.

    Everyone wants to be a visionary.

    I get the sense that Jaron's book is just this kind of drivel. Though he might have some salient points on Facebook and such, but I might just be seeing the glow after deleting my account. I might give the book a go if I happen across a copy at the library. I just won't expect much.

  34. what has he done? by pydev · · Score: 1

    Has Jaron Lanier actually ever produced anything useful? Does he have any significant skills or accomplishments? Why should I listen to him? Popularizing other people's ideas about virtual reality and a bit of so-so "classical" music doesn't really convince me.

    1. Re:what has he done? by Anonymous Coward · · Score: 0

      Well, he appears coherent and well read. That's leaps and bounds above most of the tripe you'll spend your time reading on the web. I'm not really sure what I think about the posters who need to publicly state they will not read the article/cover/book. My guess is that they feel threatened and are probably the most in need. The web is the very democracy that allows anyone to publish regardless of their connections or achievements and yet you bemoan this man for his lack of accomplishments. There's something deeply disturbing about that given that you evidently disagree with Lanier's perspective. Don't propagate the echos. It's more important to read about things that you hate or drive you nuts than to ruminate on the same old themes with the same old peers. Lanier does seem to be a jackass, but I'll probably try to troll the web for some of the columns he has included in his book.

    2. Re:what has he done? by Anonymous Coward · · Score: 0

      Well, he appears coherent and well read.

      So does your average English major. That doesn't make them good people to take advice from when it comes to technology.

      The web is the very democracy that allows anyone to publish regardless of their connections or achievements and yet you bemoan this man for his lack of accomplishments.

      I don't see a contradiction. I pay attention to what Stallman or Linus say on the web because of their accomplishments (even if I disagree with them); what has Lanier accomplished?

  35. It's all good by Anonymous Coward · · Score: 0

    Look, if not for the web crawlers, nobody would be reading my blog.

  36. These posts are a good example by beegeegee · · Score: 5, Insightful

    The article is a Slate review of a collection (book) of writings by Lanier. The review concludes in a non-sympathetic view of Lanier's thinking. In other words, if anyone on /. had bothered reading the article, their (by comparison) lame posts would not have been neccessary. Ironically, this is exactly the point Lanier is making. No one is reading the real words, no one is making real friends; it is all an artificial world constructed for advertising/marketing. Way to go slashdotters.

  37. Resistance is futile. by Anonymous Coward · · Score: 0

    You will be assimilated.

  38. Re:sorry Jaron i'm not reading your crap. by AlecC · · Score: 1

    and who the fuck names their kid "Jaron" anyway?

    A Jewish person, according to t'Intartubes

    --
    Consciousness is an illusion caused by an excess of self consciousness.
  39. TLDR. by Anonymous Coward · · Score: 0

    EOT

  40. Back in my day... by AlecC · · Score: 1, Insightful

    Having read the article, not the book, it looks like a classic "Good Old Days" rant. Yes, the internet is not what it was in the early 90s when this guy was at his peak. Things change, and as time passes, things change faster. So it is now possible for one person to go from the leading edge to the trailing edge by early middle age - which this guy seems to have done.

    OK, most web pages are read only by the author's friends and Google. But then web pages follow Sturgeon's Law (90% or everything is crap) in overdrive. Much of the web is crap. It is now, and it was then. Back then it was much smaller, and we weeded out the crap for ourselves; now we have Google to assist. The web is much bigger - but who is to be the self appointed censor to weed it down to its "right size" filled with only "the good stuff"? And you can ignore Web 2.0 if you want to - just disable javascript in your browser. But actually, quite a lot of that stuff is good

    --
    Consciousness is an illusion caused by an excess of self consciousness.
  41. You can be successful by Stregano · · Score: 0, Troll

    That dude is just mad because his idea flopped and more simple ideas, like social networking, worked.

    Hey, don't get mad at me that nobody wanted your $2000 vr goggles and would rather just sign in to facebook.

    Besides, whether you like the artist or not, Asher Roth is a rapper that had his starts on facebook and now is an incredibly successful rapper (last I heard he had a couple music videos on MTV and was doing just fine).

    Places like facebook are a breeding ground for people to get noticed, as with the Asher Roth example.

    Not everybody can be famous and no, I am still not buying your stupid, expensive vr goggles.

    --
    The world is how you make it
  42. Resistance is futile. by gestalt_n_pepper · · Score: 1

    You have *already* been assimilated and all you can do is whine about it.

    --
    Please do not read this sig. Thank you.
  43. Musical instruments by AlpineR · · Score: 4, Interesting

    I saw him speak at the University of Michigan around 1999. I knew him only from his Wired articles and was interested to hear what this guru had to say to an auditorium full of open-minded students.

    His most memorable point in that lecture was that digital music can never be as rich as analog music because whereas an analog instrument allows infinite variation in how each note is played, a digital instrument has only a finite number possible outputs. I saw several weaknesses in that argument: 1) The quantization of a digital device blurs into a continuum when the increments are small enough. 2) Analog devices operate by physics which is itself quantized. 3) Combinatorics means that even an instrument with only a dozen notes, ten amplitudes, and a hundred durations could produce immense numbers of different songs. Just look at what can be written with the few characters of ASCII. A finite vocabulary hardly limits what a language can express.

    Based on that lecture and everything I've read by him since, I'd have to moderate the guy as "Not interesting", "Not informative", and "Not insightful". His role in life seems to be to take a contrarian position on some point of modern culture and then act smug and enlightened about it. It would be poetic justice if it's only the gadgets that find his book interesting and we humans just ignore it as we continue creating and communing in our digital domain.

    1. Re:Musical instruments by selven · · Score: 1

      I saw several weaknesses in that argument: 1) The quantization of a digital device blurs into a continuum when the increments are small enough. 2) Analog devices operate by physics which is itself quantized. 3) Combinatorics means that even an instrument with only a dozen notes, ten amplitudes,

      Also, the human senses themselves cannot perceive beyond a certain resolution. For example, that feeling of 5760*3840 resolution being more visually pleasing than 2400*1920 is mostly the placebo effect.

    2. Re:Musical instruments by TheSync · · Score: 1

      For example, that feeling of 5760*3840 resolution being more visually pleasing than 2400*1920 is mostly the placebo effect.

      Only if the screen size remains the same. I've seen ultra-HD 7680 × 4320 on a screen the size of a wall. From where I was standing, pixels subtended the same angle as 3 picture heights in front of standard HD (720x1280), but the screen enveloped my entire field of view. Pretty awesome.

  44. Jaron's 50 this year.... by pyxl · · Score: 1

    ....and turning into SUCH an old curmudgeon.

    He's an entertaining curmudgeon, certainly. He's brilliant, and accomplished, and talented, and all that stuff.... ...but he's doing the crotchety-old-bastard thing more and more, and if he's not careful, it's going to be his vehicle into the twilight of irrelevance.

    I do hope he starts to talk directly to the folks he should be addressing: The people who realize all by themselves the problems of (regression to the mean)/(difficulties of expertise)/(relevancy of relevance and evaluation)/(academy vs/cum practice)/(and so on), and seek relevancy and insight accordingly. Amongst those folks are the grand wizards of technology, the people who are able to leverage knowledge into grand effect (engineers, hardware and software designers, genomicists, politicians, economists, large-corp executives, the very rich, etc), and THOSE are the minds he needs to be talking to and conversing with.

    Everyone else is pretty much irrelevant for such purposes.

    And....

    I hope he loses all that extra weight really damn soon and fixes his eating and exercise habits, he's going to die early (and his cognition will go down hill PDQ), and that would suck. I'm hoping to see his new ideas for quite some time to come. Take care of yourself, Jaron.

    --


    Given enough hydrogen, just about anything is possible.
  45. In other words.... by rochrist · · Score: 1

    Get off my lawn!!!!

  46. The Purpose of Life by happy_place · · Score: 1

    Sometimes when I read the ravings of the original technologists, I think that they saw the computer as something that would define the meaning of their lives and give purpose to all existence. After decades of the other guy getting the credit, and simplistic approaches and technologies winning the public eye over more complicated, while technically superior versions are obsolete, is it any wonder he's jaded? Turns out that technology, humanity and marketting seldom coincide.

    Computers are tools--even the social networking kind--and won't reveal anything about human nature that we haven't already suspected. They don't generate music that's grossly popular to all humans with ears. They won't make you swoon with passion. No matter how clever the programmer, it will never reveal the purpose of life. That's gotta be found by the individual using the computer.

    --
    http://www.beanleafpress.com
    1. Re:The Purpose of Life by Anonymous Coward · · Score: 0

      You're totally right. Oh look, a squirrel!

  47. A Web 1.0 solution exists to solve his problem by Anonymous Coward · · Score: 0

    If he doesn't like the fact that non-humans will read and digest his article many times over, there is a simple, pre-Web-2.0 solution to keep the bots off his lawn: robots.txt.

    Use it or shut up about bots sullying your golden prose with their attention.

  48. Jaron Lanier gives us clues by wytcld · · Score: 2, Interesting

    Jaron has a real knack for heading off in the right direction. He's also good at seeing beyond the scope of conventionally-worn blinders - in a number of fields. He's got great intuition on which way the truest future lies, and little patience for those who plod along with less vision - or even desire for vision - even where they are people who count as brilliant within the confines of neuroscience, or computer science, or a single genre of music.

    That said, he's also a good hand at writing for a popular audience. But he deflates a lot more bullshit than he puts out. That earns him a lot of retaliatory swipes - like the snidely negative book review that counts as the text for discussion here. Isn't there a sample chapter up somewhere we can more profitably discuss? Need we be derivative even in our criticism?

    --
    "with their freedom lost all virtue lose" - Milton
    1. Re:Jaron Lanier gives us clues by PachmanP · · Score: 1

      Jaron has a real knack for heading off in the right direction. He's also good at seeing beyond the scope of conventionally-worn blinders - in a number of fields. He's got great intuition on which way the truest future lies, and little patience for those who plod along with less vision - or even desire for vision - even where they are people who count as brilliant within the confines of neuroscience, or computer science, or a single genre of music.

      That said, he's also a good hand at writing for a popular audience. But he deflates a lot more bullshit than he puts out. That earns him a lot of retaliatory swipes - like the snidely negative book review that counts as the text for discussion here. Isn't there a sample chapter up somewhere we can more profitably discuss? Need we be derivative even in our criticism?

      Hi Jaron! Glad you could make it to the discussion!

      --
      You're thinking small. Why miniaturize the laser, when we could instead enlarge the sharks? -John Searle
  49. Worthless read by Xabraxas · · Score: 1

    If the book is like the rest of the examples given in the review all I have to say is "boo hoo". It's just another rant by someone who laments the commercialization of the internet like a child who had his playground destroyed. After reading his opinion on Linux he has absolutely no credibility in my eyes anyway. Anyone who says that Linux is no good because it is just a copy of UNIX is entirely missing the point of Linux, the innovations of Linux, and the progress of Linux. It's as if people like him think that Linux of today and a UNIX of 30 years ago are the same thing. If you think that then you haven't been paying attention.

    --
    Time makes more converts than reason
  50. And real life by AlpineR · · Score: 1

    Well, he also nailed real life:

    "Information gathered from personal conversations is often stale, incomplete, misleading, unreviewed, or simply wrong."

    I can't count the number of times that I've had a discussion about politics, art, or technology and been told something that sounded fishy. And then I looked it up on the Internet and found that the personally delivered information was misguided or just plain wrong. Without technology, I would have been stuck relying on the conversation for all my knowledge and then gone spreading the misinformation myself.

    Personal interactions are great for getting exposure to new ideas, getting advice tailored to personal situations, and rapid-fire two-way communication. But networked communications blow them away at getting information that is accurate and complete.

  51. He expects us to *read* the article? by cptnapalm · · Score: 1

    "scanned, rehashed, and misrepresented by crowds of quick and sloppy readers."

    RTFA? Surely, you jest. This is Slashdot.

  52. Re: a good example - mod back up! by wytcld · · Score: 2, Interesting

    That's a good, concise, accurate overview of both the review and the pile-on "discussion" here. And it gets beaten down as a troll. What's amazing is that, if you're literate and over 30, you've read some of Jaron's stuff by now. While it's hit-and-miss, the hits are amazing. I know some top, absolutely brilliant people (separate groups in both neuroscience and music) who know him well personally, and are strongly impressed by him. If you can read, say, 10 of his essays and not be richly rewarded by 2 or 3 absolutely-original ideas embedded in them, you plainly have neither talent nor taste for ideas. Which describes the average person of any time period. Nothing to be ashamed of. Please put your blinders on, your head down, and trudge on with your life.

    --
    "with their freedom lost all virtue lose" - Milton
  53. This quote says it all... by Dr_Ken · · Score: 2, Informative

    "Over the years, Lanier has become a skeptic of that amorphous thing called Web 2.0. He directs most of his ire toward the "anonymous blog comments, vapid video pranks, and lightweight mashups" that flit through our browsers and Twitter feeds. But he's also critical of bigger Internet landmarks, such as Wikipedia, the open-source software Linux, and the "hive mind" in general. It would be fitting to rue Lanier's fate as mere sausage for search algorithms if he had organized his opinions into a coherent thesis. The reality is that Lanier's stimulating, half-cocked ideas are precisely the kind of thinking that gets refined and enlarged on vibrant Web places like Marginal Revolution, Boing Boing, and MetaFilter." article link

    Just another cranky failed ex-hip guy who flamed out cuz he couldn't keep up.

    --
    "If you want to know what happens to you when you die, go look at some dead stuff."
  54. Hive mind? by ta+bu+shi+da+yu · · Score: 1

    Daniel Brandt, is that you?

    --
    XML is like violence. If it doesn't solve the problem, use more.
  55. human to computer ratio by northernfrights · · Score: 1

    Ok, so we'll remove all references to your work from Google, Slashdot, Twitter, and just about every source of exposure. That way, even though far fewer humans will end up reading the book, you can sleep soundly at night knowing that the human to computer ratio is extremely high.

  56. Manifesto? by hwyhobo · · Score: 1

    Jaron is the next stage in the development of a "futurist" - still a futurist, just disenchanted with the unfulfilled promises of his own concocted visions, and now he blames the world for the fact that he was wrong in the first place.

    --
    End anonymous moderation and posting on /.
  57. the irony by Anonymous Coward · · Score: 5, Insightful

    The irony here is that this thread is a perfect example of what Lanier's been talking about. A group of people with self-reinforcing attitudes making pronouncements based not on the actual book, but on a review of the book. Actually, I bet most of these "opinions"--since who can be bothered to read an entire review, let alone the book--aren't even informed by reading the review. I'm sure there are lots of valid criticisms to the book, but Lanier has you all dead to rights as far as the intellectual seriousness of this "debate" goes.

    1. Re:the irony by Anonymous Coward · · Score: 0

      E.M.Forster has already written about distributed content technology discouraging people to go to primary sources, check out this story from 1909;

      http://en.wikipedia.org/wiki/The_Machine_Stops

      http://www.plexus.org/forster/index.html

      "Even the lecturers acquiesced when they found that a lecture on the sea was none the less stimulating when compiled out of other lectures that had already been delivered on the same subject. 'Beware of first- hand ideas!' exclaimed one of the most advanced of them. 'First-hand ideas do not really exist. They are but the physical impressions produced by live and fear, and on this gross foundation who could erect a philosophy? Let your ideas be second-hand, and if possible tenth-hand, for then they will be far removed from that disturbing element - direct observation."

      "And in time' - his voice rose - 'there will come a generation that had got beyond facts, beyond impressions, a generation absolutely colourless, a generation seraphically free from taint of personality"

    2. Re:the irony by Anonymous Coward · · Score: 0

      yep.

      but irony goes beyond the audience here as well..

      national autistic day....

      jarons book is 5 years late to the game anyway.

      but hes right, and slashdot as any sort of medium confirms it.

    3. Re:the irony by Anonymous Coward · · Score: 0

      exactly!!!

  58. 2.0 by AlpineR · · Score: 1

    Yeah, that's kind of what "2.0" usually means. Thing 1.0 is what the developer thought was necessary to fulfill the vision of how something should work. Thing 2.0 is what he came up with after watching people actually try to use Thing 1.0 and realizing it didn't working as intended.

    Web 1.0 was only interactive for programmers. Web 2.0 is interactive for people, including programmers who want to spend more time on the message and less time on the mechanics of writing the message.

  59. Producer or Musicians ? by MooPi · · Score: 1

    Music in our recent past has been pumped to us not by musicians but producers and media moguls dripping in money. These fat cats got rich along with the artists and the public was inundated with thumping noise and flash. Give me substance and something truly worth cherishing. I have always pondered why musicians are paid these enormous sums of money and become god like for playing music. I'd be happy to see the age of the rock star evaporate.

  60. JL has become a dinosaur on "internet time" by peter303 · · Score: 1

    To borrow a term from the 1990s, few of even the most creative people like JL can get up with the changes on internet time, decade after decade. Last decade's pundits have become ths new cranks.

  61. Redundant?! by spun · · Score: 2, Funny

    Robots eat old people's medicine for fuel. It's a fact. People who deny this fact may themselves be robots.

    --
    - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
    1. Re:Redundant?! by Beelzebud · · Score: 1

      Good thing for Old Glory Insurance!

    2. Re:Redundant?! by spun · · Score: 1

      Now, for only $4 a month, you can achieve peace of mind in a world full of grime and robots, with Old Glory Insurance. So, don't cower under your afghan any longer.

      --
      - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
    3. Re:Redundant?! by SimHacker · · Score: 1

      You need Old Glory Robot Insurance, endorsed by Sam Waterson!

      --
      Take a look and feel free: http://www.PieMenu.com
  62. And his Point? by strangeattraction · · Score: 1

    I didn't know that his words were that well read by intelligent thoughtful readers to begin with. Some how he thinks that having a small thought thoughtful audience and a large thoughtless one is preferrable to just have no audience at all. This is primarily what he would have without the internet.

  63. Re:Whine? So what's been YOUR contribution then?? by Anonymous Coward · · Score: 0

    See subject-line above, & realize YOU contributed zero (until YOU show us otherwise, big talker). Perhaps You can talk down to others, but, perhaps only when YOU have done as much as they have @ least, so you are @ least their peer critiquing them (and, hopefully BETTER or MORE than they have to give YOU somekind of right to put down others). Until then? You're nothing but a jealous nobody little whining prick, which is worse than just being a whiner. People like you are the worst. You don't have a pot to piss in yourself, but you surely 'talk big' but, that's about it, and ANYBODY can just "talk a good game". Deeds separate the mere "wannabe critic talkers", like yourself, from the actual doers that affect changes.

  64. I have four words for Jaron Lanier by 0xdeadbeef · · Score: 1

    Get a job, hippie.

  65. [citations needed] by Quiet_Desperation · · Score: 2, Insightful

    He does make a small point about stuff just being copied. Too often these days when I search for information I get 1000 hits containing the exact same text, or 1000 sites that all link to the same original article. Hyperlinks are a great concept until you wind up with nothing but a digital mobius strip of links. I find this a lot when chasing down ideological talking points. It usually just leads to a rat's nest of articles with "they said" or "experts say" all pointing at one another, but any actual data by "they" or the "experts" supporting the original claim is nowhere to be found.

  66. In other words... by Custard · · Score: 1

    I used to be with it, but then they changed what 'it' was. Now, what I'm with isn't it, and what's 'it' seems weird and scary.

  67. You completely missed the point, RTFA by bonch · · Score: 0

    Wow, you completely missed the point. Lanier is complaining about how Web 2.0 uses personal connections as an advertising platform, and that few people are actually connecting to anything in a meaningful way. He wasn't talking about copyrights or monetary compensation. Why don't you try reading the damn article?

  68. Re: a good example - mod back up! by ChaosDiscord · · Score: 1

    If you can read, say, 10 of his essays and not be richly rewarded by 2 or 3 absolutely-original ideas embedded in them, you plainly have neither talent nor taste for ideas.

    I must say, I also find Lanier's writing to be absolutely original and agree that anyone who doesn't see his new clothes must have neither talent nor taste for ideas.

  69. How ironic by lokedhs · · Score: 1
    It's ironic that I read that in a Slashdot summary, as aggregated by Google Reader. And no, I have no interest in reading the original article.

    Thank you, Web 2.0.

  70. Copying not just for copying's sake by gorbachev · · Score: 1

    I really don't understand his argument.

    The "machines" aren't scanning/copying/rehashing the messages just because they can. They're doing it with to expose the content to as many people as possible. Without content aggregators and search engines the majority of online content would have only a fraction of consumers they have now.

    I also think it's naive to expect every single person out there to consume content the same way or the way he thinks is The Right Way. I consume information in multiple ways. Some I read very carefully word for word, and check references and related information. Some I glance through quickly. For some I only read the summary. Same for all types of content. I don't think I'm unique in any way the way I consume content.

    --
    In Soviet Russia, I ruled you
  71. Turn it around into cheapest digital paid copy by beachdog · · Score: 1

    On the anniversary of copyright extension and Jaron Lanier's comment about wanting a single site dispensing cultural expression files by payment -- there is a good idea that I think needs to come out.

    The idea I offer is: the price for downloading a file should be no more than the time apportioned cost of the downloader's proportional cost of using the internet. A user pays say $15 for an internet connection plus $15 for unlimited downloading of copyrighted digital data.

    This should be called statutory digital paid copy in lieu of copyright payment.

    This "cheapest digital copy" scheme is a compromise... the copyrighted file remains copyrighted and the owner gets a direct payment. But the copies are always reasonably priced and cheap, meaning whether you download 1 Avatar file or 10,000 files as part of a research project, you still pay only $15 per month, which is what I might average in book purchases anyway.

    At the library, the same copyright payment scheme would mean $.05 for the copier and $.05 to the copyright holder. That is not $2.75 for a scientific journal article but the low page fee means many more pages will be copied.

    Example, my fraction of the family internet bill is $15 this month. The same amount, another $15 would be distributed proportionally to all the sites I might visit and download from in a month. So if Avatar takes 1 hour to download, the Avatar producers would get 1 hour out of the month's total downloading. If I downloaded 24 hours per day, Avatar would get $.02. But no human can pay attention to that much material. But Avatar plus a few books and some newspapers might total 3 hours. Avatar still gets $5.

    The price == downloading cost is inspired by the physics of optimum power transfer. When the impedance of the sink equals the impedance of the source, the maximum power is transferred. The other inspiration is the recent point made that we are in an attention limited environment. Our lifetime of attention is the limit on what digital information we can receive.

    Marketing professionals are pricing digital works based on charging "slightly less than the price of a paperback book". This digital era needs a price based on "all that you can usefully pay attention to".

    Another way of looking at this payment scheme is from the server side. The server delivering copies of Avatar receives revenue of somewhere between $.02 and $15.00 for each connection-hour of operation.

    All the quality music and writing I would like to access is unavailable on the Internet at a reasonable price.

    One of the problems is the quality music and writing is available, but only through a Corporate copyright holder. The anecdote as I gather ( see Janis Ian's website, she escaped) is the payment formula used for many musicians pays a lot to the corporation and a trickle to the artist.