Dune Remake Could Mean 3D Sandworms
bowman9991 writes "The new Dune remake is becoming as epic as Frank Herbert's Dune series itself. Now that director Peter Berg has been ousted, new director Pierre Morel has decided to throw out Peter Berg's script entirely, starting afresh with his own ideas and vision. 'We're starting from scratch,' said Morel. 'Peter had an approach which was not mine at all, and we're starting over again.' Morel also reveals that 'It's the kind of movie that has the scope to be 3D.' He's also keen on sticking to the original material and recognizes that he must try to delete the images associated with David Lynch's 1984 version of Dune from the public's consciousness."
I don't thinking remaking the movie in 3D would make the plot any less confusing. (To someone who never read the books, that is.)
Unless it is as close as the SciFi one or better we can do without. 3D is a neat effect at first, but just like explosions don't make Michael Bay movies watchable neither will 3D rescue an abortion of a film.
Maybe, because I was never really into 'Dune' in the first place that's why I'm not really excited one way or another except to say that it's pretty lame to do a remake of a movie that was fine enough the way it was just to be able to slap on some new effects and try and milk a few more dollars out of people so that they can get a rehash of a story they already know. This criticism isn't specific to Dune, but to a bunch of other films as well. Just sayin'.
Some of us LIKE that movie. Frankly, no Dune movie can succeed without Brad Dourif.
Populus vult decipi, ergo decipiatur...
"Force shits upon Reason's back." - Poor Richard's Almanac
"Dune" is probably the greatest 20th-century science fiction novel. It is, for better or worse, unfilmable.
Don't blame me, I voted for Baltar.
It will always be in the process of being created with the best 3D effects available to film?
The David Lynch interpretation was brilliant. It was artistic, it looked great, had excellent sets and cinematography. The literal stage play, I mean the SciFi production, was flat, dull lacking in emotion and life as it tried to accurately portray the novel. Nerds! Stop it! Movies are cinematic interpretations of a novel or another body of work, for it to work in the movie format, many things must change. The David Lynch version had a great score, had actually emotional scenes, the Baron was excellent, Sting brilliant. Yes you hate it because it wasn't accurate, fine but you don't respect excellent cinema either.
I hope this version pisses you particular nerds off by being cinematic, beautiful and daring in the liberties it takes with Herbert's fine novel. Really now it can't be any worse than what his son has managed to accomplish.
I thought the SciFi network mini series a few years back was pretty faithful. I'd watch a new 3D big effects version, but it hardly seems necessary.
" I don't care what's in the books - the Lynch movie is what the Dune universe is to me"
.uk domain. Sorry for being a grammer nazi when I'm far from perfect, but it's kinda a pain to quote the article and have Chrome tell me I'm misspelling words I didn't write.
You, good sir, are probably speaking for about 90% of the population that has seen the original 1984 Dune movie.
My issue is his quote " 'Peter had an approach which was not mine at all, and we're starting over again'...he recognises** that he must try to delete the images associated with David Lynch's 1984 version of Dune from the public's consciousness."
Probably not a good idea, to remake a movie completely different from the from the popular original. I'm just saying ain't broke, don't fix it. I'd watch the exact 1984 Dune redone with fresh graphics, but I'm not sure about erasing the original from our minds. I think we liked the original and would like to see more of that.
**it's recognizes, with a z, unless the guy's in britian but i don't see a
my karma will be here long after I'm gone
recognises that he must try to delete the images associated with David Lynch's 1984 version of Dune from the public's consciousness
Hell, erase the memories of a fantastic adaptation by a fantastic director and replace it by a freaking 3D toystory?
kind of movie that has the scope to be 3D
Has the scope? Geez, the world is 3D, genius, and everything in it has the scope to be 3D.
I've had my fair share of avatar movies for this decade thankyouverymuch.
Anyway, it seems we just should rest this "movie" thing for a few decades, since it seems they either just make movies that are crap or they think creating new ideas is uncool and just keep remaking worse and worse versions of previous movies.
It is an industry alright. So we should treat it as such: pay, watch, and if it doesn't deliver what was promised take it back and demand the money. Or do you keep a mower if it doesn't cut the freaking grass?
I am putting myself to the fullest possible use, which is all I can think that any conscious entity can ever hope to do.
recognises that he must try to delete the images associated with David Lynch's 1984 version of Dune from the public's consciousness.
The "images" were actually quite well-done. Lynch's Dune suffered from several problems, but the visual effects and costumes weren't one of them. And the Brian Eno score was really good (I even liked the end Toto instrumental).
Why is 3D mentioned? Who cares? I am so sick of people chasing carrots. Just make a fucking good movie and be done with it. Or at least try.
If your books are about half imagery and half story, when the movies end up having about an hours worth of plot and the rest as battle scenes and aforementioned imagery then I guess you have done a bang-up job. But Dune is a bit of a bigger undertaking. It's like trying to create a movie around The Foundation Saga. It's just not as easy as massive battle scenes full of cut and paste soldiers.
Gonna start a nerd holy war on that one. :) Lord of the Rings, both the movie and the book, was about more than just battles and imagery. Dune really is more of a psychological story than Lord of the Rings which was meant to be epic myth-making on an epic scale. Dune has a lot of character-driven conflict that could just as easily be played out on an empty stage. Lots of eye-candy and worldbuilding will be icing on the cake but there's nothing about the book that says the story has to remain in the book. The hard part, of course, is handling exposition in a fashion that is not an infodump but remains interesting and engaging.
The part I'm not entirely satisfied with in Dune is Leto II's interpretation of the Golden Path and the whole transformation into the god emperor. That was the point where the story felt like it slid off the rails and the following books cemented that feeling. The whole Honored Matres thing felt tacked on.
The other part that really bothered me was the whole other memory thing. The Dune universe is presented as materialistic and godless, at least with no more proof of God's existence or lack thereof than in our own world here and now. But there's evidence of supernatural things such as the other memories awakened within the bene gesserit by the spice. The baron's own personality lived on within Alia and consumed her. How is this so? Is there some sort of junian universal subconscious, a collective soul we're all connected to? Or is all of that memory supposed to preexist within the eggs of the female line? But then the male reverend mother they sought would have access to the male side of the memories as well so this means they're passed through sperm, too? Or is it really an external thing? And if there is such a thing, could it may as well be God for all intents and purposes? A god made manifest by the shared minds of humanity. And clones presumably only need the source DNA. But Herbert never explains it and the whole mystical side seems out of place given the otherwise hard scifi setting. I can buy superb mental conditioning and powerful developments of the human mind in the post-AI age. I can buy abilities that lie within the extremes of the physically possible. But the mystic stuff presupposes a mechanism to explain it and that raises a whole host of new questions. If I see a vampire, I now wonder if there are werewolves. If I see inexplicable psychic powers, now I wonder what else could be possible.
Kwisatz Haderach
Sell the spice to CHOAM
This Mahdi took Shaddam's Throne
**it's recognizes, with a z, unless the guy's in britian but i don't see a .uk domain. Sorry for being a grammer nazi when I'm far from perfect, but it's kinda a pain to quote the article and have Chrome tell me I'm misspelling words I didn't write.
Even the awful webster's dictionary RECOGNISES an alternate spelling. Furthermore, since you want to pick nits, "britian" is spelled "Britain" (proper noun with the right spelling) and "grammer" is spelled "grammar".
Time constraints aren't the whole story. Dialogue frequently needs tweaking to fit the new medium. The same lines that read beautifully in a book will sound clumsy and forced on film. Re-read LOTR sometime and try to picture Ian McKellan up on the screen saying Gandalf's lines, and it will become instantly clear why so much of it was changed for the movies.
Is anyone else sick to the back teeth of "IN 3D"!!!!!1!!!!!?
It seems to be that they think no one will go see any film unless it has IN 3D writ large at the end of the trailer and on every poster, and they the film makers think that some 3D element will somehow make their film great whether it is or not without being IN 3D.
I know such singleton action is meaningless in the grand scheme of things, but I for one will make an effort to get through 2010 without seeing any film that shouts the IN 3D gimick in its pitch.
Please tell me I'm not the only one. Please tell me the average cinema goer isn't a Bay fan wanting nothing more than EXPLOSIONS IN 3D who is going to be suckered into thinking this new gimmick is what makes films great...
It was much more a holy war than one of self-preservation - the humans didn't really want the Na'vi dead and the Na'vi could have gone
somewhere else - there were other Na'vi tribes on the planet.
Yeah, I'm sure the Indians on the Trail of Tears didn't mind moving either.
The humans saw the Na'vi as little better than cockroaches, and treated them the same way when they got in the way.
They were fighting to preserve ( and maintain their nearness ) to the Tree of Voices and the Tree of Souls - their closest
connections to their deceased and to their goddess.
They were fighting to preserve their entire ecology. The humans wouldn't have stopped with just one mining site, they would have continued until the moon was completely plundered.
The basic problem with "Dune" today is that it predates the Gulf War. We know what "desert power" looks like now - M1A2 Abrams tanks and A10 Warthogs. There were worries back in 1991 that mechanized armies couldn't operate in the desert.
Wrong. You go through more air filters. Some spare parts get used up. The tanks keep rolling.
Remember those Iraqi solders in the first Gulf War who were all dug in, armed, and ready to fight? THe US sent in a line of tanks equipped with bulldozer blades, rolled over them, and buried them alive in sand. Being out in the open desert against a modern army is death. I don't care how good your knife fighters are.
And a giant sandworm with a big open mouth looks like a good RPG target.
There are insurgency tactics that work, but they depend on having a friendly population to hide in. They also require an opposition that doesn't consider extermination of the entire population in the area an option.
Actually if you read the books it isn't an issue. The whole shield technology they developed made even a simple shielded human into a portable nuclear bomb. The shields rendered conventional ballistics useless but energy weapons hitting it made the shield go "giga-boom". Unlike desert storm Arrakis is pure sandy nothingness. Not bed-rock or compressed earth. Even an Abrams tank in that situation could litterally bury itself in the sand (Think sahara not the badlands. Dunes and sandbases that are at least as deep as a sand worm is tall.)
The worms themselves are pretty durable apparently and conventional ballistics had been long abandoned due to shield technology. What is left are energy weapons and the skin of the worms might be able to endure quite a bit of heat energy and with all that silica acting as refractory sufraces radiation may not be an issue.
The political aspect wasn't lost on Herbert. The Fremen were in control of Arrakis in reality with leverage against the Spacing Guild. The Emperor or any would-be house would suddenly find it hard to transport a real full army to Arrakis to wipe out the Fremen. Only after Paul rallied the Fremen did it appear that the Spacing Guild would allow a real full contingent of troops to arrive.
The books were more about politics rather then military or traditional SciFi.
Paul is a fictional icon that the BG held in reserve to "whip out" when needed. Paul was an abberation that fit the messiah template. Paul and his mother exploited it and the BG lost control of that cultural element. With access to the inner oracle (genetic memory) Paul with the messiah template was nearly unstoppable from a political standpoint due to the religious leverage he held.
That is the brilliance of the story is the complexity of the political, social, and religious interplay. Something Lynch completely ignored.
-=[ Who Is John Galt? ]=-
I'd read the book (and the National Lampoon parody Doon, which is EXCELLENT) before the movie and was annoyed that Lynch had cooked up unnecessary things, but I still loved the movie. It's beautiful and moody and the images do stick in your mind in a way that very few movies achieve.
But on the subject of the utterly unwatchable TV version, I'd like to point out a rule of film/TV analysis which is almost always correct and places blame where it should be placed: When one actor delivers a bad performance in a movie, that's a bad actor. When everyone does, that's bad directing.
A good director can get bad actors to deliver excellent performances. A bad director gets crap out of even good actors.