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"Innocent Infringement" Defense May Reach Supreme Court

NewYorkCountryLawyer writes "Several years ago a federal court in Texas ordered the RIAA, in an 'innocent infringement' case against a teenager, to either accept $200 per infringed work, or to go to trial over the innocent infringement issue, in Maverick Recording Co v. Harper. Recently, an appeals court reversed, saying that the defendant could not avail herself of the innocent infringement defense since there were CDs, bearing copyright notices, available in stores, even though the copies she had made were from MP3 files which bore no such notice. Now, a petition for certiorari has been filed on the defendant's behalf, arguing that the 5th Circuit's ruling would make it impossible for anyone to interpose an innocent infringement case, even where they had never seen a copyright notice. The lawyers filing the petition on defendant's behalf are the same firm that represented Jammie Thomas in her second trial, and the motion which resulted in her verdict being reduced from $1.92 million to $54,000."

213 comments

  1. First... by vikingpower · · Score: 1

    ...subpoena ??

    --
    Religous speak to God. Insane are spoken to by God. When all shut up, one can finally hear Shostakovich in peace
  2. Hmmmmm, you really gotta wonder... by 3seas · · Score: 2, Insightful

    ...how many licenses can the same piece of software be under?

    And could not such an example apply to music?

    1. Re:Hmmmmm, you really gotta wonder... by Anonymous Coward · · Score: 0

      Doesn't matter, really. Licenses _can't_ automatically apply to you, they require some "agreement" on your part (more on this below). Since the _default_ conditions for a copyrighted work (absent a license) are "all rights reserved", i.e. no copying (except as excepted, e.g. fair use) is permitted unless you agree to a license authorizing such copying. You can't claim additional rights unless you have seen and agreed to some specific permissive license -- any licenses you haven't seen are irrelevant, since you can't possibly have agreed to them. Any restrictive licenses are likewise valid only if you have seen and agreed to them...

      Permissive licenses (such as the GPL, or any other open-source license) that let you copy in ways not permitted by "all rights reserved" may be presumed agreed to by such copying -- after all, you either agreed to the license (and are bound by its terms) or didn't (and are infringing by copying).

      Restrictive licenses (such as innumerable EULAs) are more tricky -- if you don't agree, you get to do things (e.g. reverse engineering (at least where such is legal -- DMCA bans all general-purpose computers, so let's ignore it)) that would be forbidden if you agree. Whether such things clicking "accept" on a sneakwrap EULA do in fact constitute legal agreement is murky at present -- certainly if they are valid, it seems you'd still be permitted to do reverse engineering on the original installer, bypass the agree-to-my-EULA-or-quit screen, and then install the software without ever seeing or agreeing to the EULA.

      The only question with music is ordinarily whether it's copyrighted, because music companies can't push a EULA at you through most media. It's possible that music is released on one disk as "all rights reserved", and on another with, say, a creative commons license -- in such case, it does legally matter which you copy from (even if the tracks are bit-for-bit identical), but unless they can show evidence you've copied from the wrong one, you're fine. I suppose malicious or ignorant suing is possible (wouldn't be the first time one end of a corporation didn't know what the other end was doing), and you might have to provide evidence that they did release it under CC if they denied it, but given factual knowledge of their releases, it's not complicated.

    2. Re:Hmmmmm, you really gotta wonder... by mea37 · · Score: 1

      I'm not so sure that "innocent infringement" can mean "I assumed I had a license". I think it's intended to mean "I didn't realize the material was copyrighted in the first place". Presumably that's why the statutes NYCL pointed to say that you can't claim innocent infrigement if you "had access to" a properly marked copy of the work (which is a typically lovely bit of vague wording).

      Of course, that's not to say that you can never legally make a copy of a work for which you've seen a copyright notice. You can if you really do have a license - but you wouldn't claim innocent infringement in that case (and you wouldn't want to - if you did you'd still be on the hook for $200 or more at the court's discretion); instead you'd claim no infringement on the grounds that the copying was authorized.

    3. Re:Hmmmmm, you really gotta wonder... by Anonymous Coward · · Score: 0

      ...how many licenses can the same piece of software be under?

      Exactly one. The reason is that every real publisher will insist on exclusive contract which will prevent author of the work to grant licenses of the work to someone else.

  3. And that, kids.... by Techranman · · Score: 1

    It seems like copyright notices on CDs and those damn unstoppable and horrendous notices during DVD previews are just preaching to the choir. However, I am glad there are some people working to return sanity to the penalties of the RIAA.

    1. Re:And that, kids.... by h4rr4r · · Score: 1

      Use a better DVD player, $20 chinese ones will skip that crap, so will any competent DVD player software on an HTPC.

    2. Re:And that, kids.... by stonewallred · · Score: 3, Funny

      I have never seen this crap you speak of. Must be removed by the nice people who give me movies and music and programs for free from the torrent thingee.

  4. how about when same thing changes licenses terms m by Joe+The+Dragon · · Score: 1

    how about when same thing changes licenses terms many times.

  5. The defense... by girlintraining · · Score: 5, Insightful

    The arguments will go like this:

    RIAA: Ignorance is no excuse from the law. Respect ma authoria'!
    Defense: How can anyone reasonably know what is and isn't copyrighted or what the terms are if it's not included with the work?

    And by a 5-3 margin, they'll say mp3s have a 'copyright bit' embedded in the ID3 tag and bypassing it is a violation of the DMCA. Common sense surrenders.

    --
    #fuckbeta #iamslashdot #dicemustdie
    1. Re:The defense... by dlgeek · · Score: 2, Informative

      There are 9 justices on the bench...

    2. Re:The defense... by Kjella · · Score: 2, Informative

      A trivial search will show the Supreme Court will rule with only 8 voting members, example of a 5-3 decision.

      --
      Live today, because you never know what tomorrow brings
    3. Re:The defense... by Anonymous Coward · · Score: 0

      $1.92million dollars in damages, originally. American law is truly broken. Whatever democratic purpose it was supposed to serve, has been utterly undermined. If I was a "politician of the people" I'd be inclined to start holding my own courts, even if the judgment couldn't be enforced immediately.

    4. Re:The defense... by Wyatt+Earp · · Score: 1

      Thats fine, but the poster was correct, there are nine members of the Supreme Court.

      From your own link - Chief Justice John Roberts, who participated in the case while serving on the DC Circuit Court of Appeals, did not take part in the decision.

    5. Re:The defense... by dlgeek · · Score: 1

      Yes, but my point was that your assertion of a 5-3 decision either required an unargued belief that a specific justice would sustain or a misunderstanding of the court's composition.

    6. Re:The defense... by Anonymous Coward · · Score: 1, Informative

      There's a reasonable party standard at work here.

      If a reasonable party (in practice the court) would assume the work is copyrighted, then you are liable for damages if you copy it.
      If a reasonable party would assume the work is NOT copyrighted, and NEITHER DID YOU, then you have an innocent infringement defense.

      Also note that an innocent infringement defense isn't actually exculpatory. It simply bears on damages.

      So if you violate my copyright, and the court agrees it was innocent infringement, you STILL violated my copyright and are STILL liable for damages. The court will generally reduce the damages in such a case as opposed to willful infringement, but its legally analogous to the difference between murder and manslaughter.

    7. Re:The defense... by ThePhilips · · Score: 2, Informative

      How can anyone reasonably know what is and isn't copyrighted [...]

      Every work by default is copyrighted.

      The question here is that lots of content is passed around without a proper licenses, so technically one cannot really know under which terms they receive the work and what they are allowed to do with it.

      It's kind of Internet age thing. Before, public domain and free content was scarce at best, so there was a little of legal confusion around it. Now it is quite commonplace and one may not expect that all people can tell the difference.

      --
      All hope abandon ye who enter here.
    8. Re:The defense... by tlhIngan · · Score: 1

      And by a 5-3 margin, they'll say mp3s have a 'copyright bit' embedded in the ID3 tag and bypassing it is a violation of the DMCA. Common sense surrenders.

      Actually, I think the MP3 header has a copyright bit in it from the very beginning. The old players used to display it, but everyone's pretty much forgotten about it. I think LAME still has an option to set the bit if you really wanted to.

      MP3 header/stream options:
            -c mark as copyright

    9. Re:The defense... by nine-times · · Score: 1

      Every work by default is copyrighted.

      Maybe it is "by default", but it's not true that every work is protected by copyright. There is public domain work out there, and so it doesn't quite seem reasonable to legally require people to assume a certain set of copyright restrictions under *all* circumstances.

      It's kind of Internet age thing. Before, public domain and free content was scarce at best, so there was a little of legal confusion around it. Now it is quite commonplace and one may not expect that all people can tell the difference.

      It is an Internet-Age thing, but it's not just because there might be a lot of public domain stuff floating around. Part of the problem is certainly that copying is so easy and cost-free, and often outright necessary. When I view a webpage, I have already copied a whole lot of copyrighted material without reviewing any license. That material might include audio, video, and writing.

    10. Re:The defense... by Shagg · · Score: 1

      Every work by default is copyrighted.

      No, every work is copyrighted when it is created. That doesn't mean that every work is STILL under copyright. I realize that there are many who would like it to be otherwise, but copyright is not permanent (yet).

      --
      Unix is user friendly, it's just selective about who its friends are.
    11. Re:The defense... by Shagg · · Score: 1

      When I view a webpage, I have already copied a whole lot of copyrighted material without reviewing any license

      Nor do you need one just to view it. On the other hand, start distributing copies of that webpage to others and you'll find out what the license is for.

      --
      Unix is user friendly, it's just selective about who its friends are.
    12. Re:The defense... by ThePhilips · · Score: 1

      True. Again mixed it up with authorship...

      --
      All hope abandon ye who enter here.
    13. Re:The defense... by nine-times · · Score: 2, Informative

      Yes, but I don't need to copy a book to read it, and I do need to copy a webpage to read it. By the time a webpage has reached my eyes, I have probably caused a couple of copies of that page to be created, and therefore I have copied a copyrighted work.

    14. Re:The defense... by Shagg · · Score: 1

      Those copies are not covered by copyright (incidental copies created during normal use are not infringement), therefore you don't need a license. Using/receiving material is completely different from distributing material.

      --
      Unix is user friendly, it's just selective about who its friends are.
  6. No sign, no crime? by nephilimsd · · Score: 0, Troll

    Well, I didn't see a sign in the store telling me it was illegal to steal stuff...

    1. Re:No sign, no crime? by Anonymous Coward · · Score: 0, Funny

      Nice logic work there, chief. Except that it isn't - you moronic sack of crap.

    2. Re:No sign, no crime? by Anonymous Coward · · Score: 0, Interesting

      Retail theft is a crime nolle nonspartis, which means "without notice (required)", so theft is theft whether or not you were put on notice. If you know it is not your property and take it, you have committed theft.

      Copyright infringement, at least in the US, is a crime willeus tenspartum, which means "willingness demostrated" (roughly), in other words, you have to intend to commit the crime. If you didn't know and intend to infringe, you have not committed the crime (though you may be liable for significantly reduced damages, so you don't get off scot free)

    3. Re:No sign, no crime? by Anonymous Coward · · Score: 4, Informative

      Retail theft is a crime nolle nonspartis, which means "without notice (required)", so theft is theft whether or not you were put on notice. If you know it is not your property and take it, you have committed theft.

      Copyright infringement, at least in the US, is a crime willeus tenspartum, which means "willingness demostrated" (roughly), in other words, you have to intend to commit the crime. If you didn't know and intend to infringe, you have not committed the crime (though you may be liable for significantly reduced damages, so you don't get off scot free)

      You have no clue what you're talking about, throwing out nonsensical Latin jargon. Nolle is an actual Latin word meaning "to not be willing," I'll give you that -- but "nonspartis" is nonsense, and so is "willeus" and "tenspartum." Nolle prosequi is a Latin legal term meaning "to not be willing to prosecute" (literally) -- where someone will not pursue further legal action on a case. IANAL, however. You should have saved everyone the trouble and not posted, given that you are clearly no lawyer, either.

    4. Re:No sign, no crime? by meerling · · Score: 1

      imo legalese is nonsense, even when they (mis)use common english words

    5. Re:No sign, no crime? by Ihmhi · · Score: 3, Funny

      The RIAA can lick my scrotus humungous.

    6. Re:No sign, no crime? by Thiez · · Score: 1

      If only she'd stolen the music she wouldn't have to pay 2 million dollars.

    7. Re:No sign, no crime? by Anonymous Coward · · Score: 0

      You mean if she went into a record store and shoplifed the music in question -

      Your right - she would be looking at jail time instead of just (huge) fines.

    8. Re:No sign, no crime? by Xaositecte · · Score: 1

      For Petty Theft? With a good attorney, you're looking at paying a fine - the amount depends on the judge and jurisdiction, but certainly less than 2 million - Maybe a few months jail time if you don't have the money for a good lawyer.

    9. Re:No sign, no crime? by Jarjarthejedi · · Score: 1

      Well here in AZ she'd be looking at a fine of about the retail price ($10*number of cd's, let's assume 10 for the sake of argument) and a fine of either $100 or $250 on top of that depending on whether you're a minor or not. So somewhere in the ballpark of $200-$350 dollars if you steal the music from a store, >1 million dollars if you pirate it.

      Hmm...I wonder what cd's the borders near my house has...(kidding, kidding :P)

      Actually as a petty offense I don't think you can be forced to pay more than $300 for a minor shoplifting incident, like stealing 10 CD's (mind you that's ~120 songs, which is way more than the million dollar fine was for)..

      IANAL, just grabbed the info from my state law.

      --
      There are two kinds of fool One says 'This is old therefore good' Another says 'This is new therefore better'- Dean Ing
    10. Re:No sign, no crime? by quickOnTheUptake · · Score: 1

      The question is who modded him to +5.
      My sig gets truer every day.

      --
      Mod points: Guaranteed to remove your sense of humor.
      Side effects may include gullibility and temporary retardation
    11. Re:No sign, no crime? by djconrad · · Score: 1

      Yep. My Black's Law Dictionary has two entries for nolle prosequi: a notice a suit has been abandoned, and the action taken in order to abandon a suit. None of the AC's terms occur in my dictionary.

    12. Re:No sign, no crime? by Mordok-DestroyerOfWo · · Score: 3, Funny

      The RIAA can lick my scrotus humungous.

      You may want to get that checked out.

      --
      "Never let your sense of morals prevent you from doing what is right" - Salvor Hardin
    13. Re:No sign, no crime? by Svartalf · · Score: 1

      Heh... Depends on the store... Most of them have "Shoplifting is a Crime" posters in varying places in the store.

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    14. Re:No sign, no crime? by oddTodd123 · · Score: 4, Funny

      What are you talking about? Both phrases show up if you google them, and the results tell me they mean precisely what the AC said they mean!

    15. Re:No sign, no crime? by avilliers · · Score: 1

      This is possibly the funniest post I've read on Slashdot in years.

    16. Re:No sign, no crime? by Idiomatick · · Score: 1

      Ignorantia facti, non iuris excusatur. Might come into play here (Ignorance in fact but not in law is excusable) If you are really looking for latin.

    17. Re:No sign, no crime? by GameboyRMH · · Score: 1

      It's crazy how fast Google picks up new content on some sites. Slashdot seems to get indexed faster than CNN.

      --
      "When information is power, privacy is freedom" - Jah-Wren Ryel
    18. Re:No sign, no crime? by Just+Some+Guy · · Score: 1

      Sounds like he already did.

      --
      Dewey, what part of this looks like authorities should be involved?
  7. Did you check the disused lavatory? by Qzukk · · Score: 4, Funny

    The copyright notices have been posted there for the last nine months, though the leopard might have used them for kitty litter.

    --
    If I have been able to see further than others, it is because I bought a pair of binoculars.
    1. Re:Did you check the disused lavatory? by Zarel · · Score: 0, Redundant

      "But Mr Dent, the plans have been available in the local planning office for the last nine month."

      "Oh yes, well as soon as I heard I went straight round to see them, yesterday afternoon. You hadn't exactly gone out of your way to call attention to them had you? I mean like actually telling anybody or anything."

      "But the plans were on display ..."

      "On display? I eventually had to go down to the cellar to find them."

      "That's the display department."

      "With a torch."

      "Ah, well the lights had probably gone."

      "So had the stairs."

      "But look, you found the notice didn't you?"

      "Yes," said Arthur, "yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying Beware of the Leopard."

      From HHGG

      --
      Want a high quality FOSS RTS game? Try Warzone 2100!
    2. Re:Did you check the disused lavatory? by Anonymous+Cowpat · · Score: 4, Insightful

      From HHGG

      This is /. - we didn't need to be told where that was from

      --
      FGD 135
    3. Re:Did you check the disused lavatory? by Rockoon · · Score: 2, Interesting

      Is that too much to be considered fair use?

      --
      "His name was James Damore."
    4. Re:Did you check the disused lavatory? by kent_eh · · Score: 3, Funny

      I think you should write a note to ask the author. If he doesn't respond with an objection, you can take that as permission.

      --

      ---
      "I can't complain, but sometimes still do..." Joe Walsh
    5. Re:Did you check the disused lavatory? by fishexe · · Score: 1

      I think you should write a note to ask the author. If he doesn't respond with an objection, you can take that as permission.

      Also, enclose a towel with your note. He'll appreciate that.

      --
      "I don't care about the Constitution!" --Bill O'Reilly, November 17, 2009
    6. Re:Did you check the disused lavatory? by pyrote · · Score: 1

      I think you should write a note to ask the author. If he doesn't respond with an objection, you can take that as permission.

      Also, enclose a towel with your note. He'll appreciate that.

      It'd help him clean up after all that dirt some person threw on top of him

      --
      THE WORLD IS GOING TO END!!!! eventually.
    7. Re:Did you check the disused lavatory? by Svartalf · · Score: 3, Funny

      Ahh... But that's proper Fair Usage. Just because we didn't need to be told, doesn't mean that the GP poster isn't obligated to attribute to make it legit usage within the Copyright Code. :-D

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    8. Re:Did you check the disused lavatory? by Svartalf · · Score: 1

      Nope. It's most definitely less than 1% of the book or the script for the Radio, TV, or Movie Editions. And with the proper attribution (which while abbreviated and with a link, it does kinda count...) it would be Fair Use.

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    9. Re:Did you check the disused lavatory? by Svartalf · · Score: 1

      At least he'd find it mostly harmless...

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    10. Re:Did you check the disused lavatory? by Anonymous Coward · · Score: 0

      Copyright Lawyers sometimes read slashdot, perhaps the identifier was to dissuade them from suing the poster?

    11. Re:Did you check the disused lavatory? by Idiomatick · · Score: 0, Redundant

      Mr. Adams would probably be cool with it but he died in 2001 so only the lawyers are left to speak for him.

    12. Re:Did you check the disused lavatory? by Anonymous Coward · · Score: 0

      I'm new here - you insensitive clod!

    13. Re:Did you check the disused lavatory? by Mathinker · · Score: 1

      The fact that it's approximately 100% of the whole post doesn't come into play?

      > .... it would be Fair Use

      Perhaps. Most of us wouldn't be willing to go to court to test that (and court is the the only way to know for sure). This is why "Fair Use" is fairly useless to the Average Joe (who instead relies on "If I only do things which tens of thousands of others also do, I'd have to be really unlucky to get sued").

    14. Re:Did you check the disused lavatory? by Anonymous Coward · · Score: 0

      I think you should write a note to ask the author's estate. If he doesn't respond with an objection, you can take that as permission.

      There. Fixed that for you (unfortunately).

    15. Re:Did you check the disused lavatory? by kent_eh · · Score: 1

      Whoosh

      --

      ---
      "I can't complain, but sometimes still do..." Joe Walsh
  8. Is this the best they could find? by Anonymous Coward · · Score: 0

    The lawyers filing the petition on defendant's behalf are the same firm that represented Jammie Thomas in her second trial,

    Considering their history of abject failure, I don't think I'd want them defending me.

  9. Let's turn this argument around by syousef · · Score: 5, Insightful

    If a person can't innocently infringe because there is information out there that the material is copyrighted, it should follow that an artist (or distributor) should expect that somewhere out there is a person who will pirate the material and not pay. So why don't they just drop the case and accept that people pirate music? What you think you've got a monopoly on being unreasonable?

    On what planet is any amount of personal infringment OF ENTERTAINMENT worth thousands of dollars? When I was a school kid in Australia we were taught about the attrocious and unreasonble practice of sending starving people to a prison half away around the world for stealing a loaf of bread when they were starving. Well I grant you no one ever died of not having a crappy RIAA song to listen to, but it seems we're trying to bring back the most unreasoanble and disproportionate punishments possible. What next? Should people be summarily executed for backing up a CD? Just how far is this shit going to go? And these CRIMES AGAINST HUMANITY keep getting pushed onto the whole world through trade and other agreements. As a reasonable person, how the hell am I suppose to feel any kind of sympathy for people who would push such laws?

    --
    These posts express my own personal views, not those of my employer
    1. Re:Let's turn this argument around by mmaniaci · · Score: 1

      As a reasonable person, how the hell am I suppose to feel any kind of sympathy for people who would push such laws?

      Don't ever start feeling sympathy for those people. In fact, do the opposite and show sympathy towards those that are unfortunately ensnared in these heinous laws. Talk to those less technologically advanced than you and explain why these laws are so dangerous and unconstitutional. Perhaps in time the knowledge will saturate society and we will collectively see through this smoke screen that big business has created.

    2. Re:Let's turn this argument around by Interoperable · · Score: 0, Troll

      ...for stealing a loaf of bread when they were starving.

      Yes, not wanting to pay $20 for a CD is exactly the same thing as starving.

      ...CRIMES AGAINST HUMANITY...

      Having to file for personal bankruptcy does qualify as having a crime against humanity committed against you.

      --
      So if this is the future...where's my jet pack?
    3. Re:Let's turn this argument around by cynyr · · Score: 1

      hmm i find it interesting that AU teaches about the British using it as a "jail". There is a Irish(I think) folk song about it, "Black Velvet Band".

      --
      All of the above was encrypted with a Quad ROT-13 method. Unauthorized decryption is in violation of the DMCA.
    4. Re:Let's turn this argument around by EmagGeek · · Score: 1, Insightful

      What part of the Constitution prohibits the government making a law against stealing?

    5. Re:Let's turn this argument around by Anonymous Coward · · Score: 0

      It's a simple matter of economics. When people who commit a crime are only rarely caught, then the punishment has to be extreme in order to act as a deterrent.

      In Edmonton, LRT stations are unmanned. Riding on the LRT without buying a $3 ticket "should" be punishable by a $3 fine. But because there are so few people patrolling the subway for freeloaders, the actual penalty is far greater. (The higher fine also helps to recoup costs from the other freeloaders who do not pay.)

      Millions of people illegally download music. They all cannot be caught. So the very few who ARE caught are given exceptionally large punishments to act as a deterrent to others and make up for others' piracy. Whether you think that is "just" depends on what you think the goal of "justice" is.

    6. Re:Let's turn this argument around by Anonymous Coward · · Score: 0

      The Eighth Amendment. It's not actually stealing it's copyright infringement, btw.

    7. Re:Let's turn this argument around by h4rr4r · · Score: 1

      No, the fine should be $9, triple damages.

      Deterrence generally does not work, it sounds nice in theory but in practice it seems not to have much impact.

    8. Re:Let's turn this argument around by syousef · · Score: 4, Insightful

      ...for stealing a loaf of bread when they were starving.

      Yes, not wanting to pay $20 for a CD is exactly the same thing as starving.

      Excuse me but isn't that exactly what I said?

      ...CRIMES AGAINST HUMANITY...

      Having to file for personal bankruptcy does qualify as having a crime against humanity committed against you.

      Ruining someone's life such that they can't hold certain jobs etc. over a piece of entertainment is certainly a crime against humanity. I haven't had to file for bankruptcy but then I don't pirate things. Doesn't mean I agree with the tactics used.

      --
      These posts express my own personal views, not those of my employer
    9. Re:Let's turn this argument around by syousef · · Score: 1

      It's a simple matter of economics. When people who commit a crime are only rarely caught, then the punishment has to be extreme in order to act as a deterrent.

      Well since we're throwing porpotionality and justice out the window, maybe they should just behead them instead? Or perhaps their whole family.

      If the punishment for a crime isn't proportional or people aren't given a chance to defend themself and the enforcement is weak, the punishment becomes an incentive not a deterent. "Might as well do the crime if I might do the time anyway".

      --
      These posts express my own personal views, not those of my employer
    10. Re:Let's turn this argument around by Anonymous Coward · · Score: 1, Interesting

      At one point I had several hundred CDs. Over a series of break-ins where I lived, my media collection was mostly stolen. I still had my backup mp3s on my computer though, so I could recover what was lost to some extent by re-burning CDs. Isn't data recovery why we make backups? Several of the CDs were no longer available on the market in any case.

      I think if you ask the RIAA, I would be required to go and delete all my legitimately purchased music even though I no longer had the source CD to prove that I owned it. Either I do that, or I am subject to being driven into bankruptcy.

    11. Re:Let's turn this argument around by twidarkling · · Score: 1

      In Edmonton, LRT stations are unmanned. Riding on the LRT without buying a $3 ticket "should" be punishable by a $3 fine. But because there are so few people patrolling the subway for freeloaders, the actual penalty is far greater. (The higher fine also helps to recoup costs from the other freeloaders who do not pay.)

      Ugh, fucking tell me about it. I dropped my damn transfer, and got checked. I even offered to hand over another ticket, but no, that wasn't fucking good enough. I didn't have a valid transfer *right then* so I got a $90 fine. Which, at the time, was MORE than a monthly bus pass. I pointed that out to the guy, saying that if I couldn't afford a monthly pass before, I sure as hell couldn't now. He ever so kindly gave me 90 days to pay the fine. It was all I could do to keep from tearing him a new one, since by the time I found out the amount of the fine, he already had my ID. I'd thought it was going to be something, you know, reasonable.

      --
      Canada: The US's more awesome sibling.
    12. Re:Let's turn this argument around by Anonymous Coward · · Score: 0

      So why don't they just drop the case and accept that people pirate music?

      The law is often interpreted against the infringer as the copyright cases are based on laws and regulations. I guess even in the US the "ignorantia juris nocent" principle, that is, the ignorance of the law can't reduce the liability, is held. If the non-infringement of the copyright would be customary or a "normal" way of behaving, without a law or a regulation behind it, then the issue of the "not knowing" might limit the liability or even remove it altogether.
        The right amount of liability is another issue. There also should not exist punitive damages in my opinion, as the infringer has not caused bodily harm during the infringement. But this is American system and not an European where there might exist a prohibition against getting rich at the defendants expense.

      but it seems we're trying to bring back the most unreasoanble and disproportionate punishments possible.

      This is probably mostly American thingy. You don't apparently have a settlement procedure which takes into consideration the conditions surrounding the case, namely, the differences of the capability and resources between the infringer and the RIAA. Perhaps someone familiar with the American law could give some pointers?

    13. Re:Let's turn this argument around by Anonymous Coward · · Score: 0

      Though you are pointing out hyperbole, you're also showing his point is valid. If these are pithy-less crimes, why do the monetary amounts owed vastly exceed those owed for much more serious crimes?

    14. Re:Let's turn this argument around by Anonymous Coward · · Score: 1, Interesting

      I have tried exactly what you say. Many times. Guess what most people either react like 'no one would ever do that that is stupid' or 'who gives a shit'. To the 'unknowlegeable' they really do not care or can not even figure out why anyone would bother suing over a song that is 50 years old. It really is a very narrow subset of our population that 'get it' that this is very wrong. Until we do exactly like you say and educate the people around us. Copyright will get longer and longer and the fines larger and larger.

      There is the 3rd group who 'want in on the racket'. These are the ones who are wrecking it for the rest of us. They literally can not comprehend that what they are doing is damaging the very fabric of our society. They do not care, just so long as they get their 'payday'.

    15. Re:Let's turn this argument around by avilliers · · Score: 1

      If a person can't innocently infringe because there is information out there that the material is copyrighted, it should follow that an artist (or distributor) should expect that somewhere out there is a person who will pirate the material and not pay. So why don't they just drop the case and accept that people pirate music? What you think you've got a monopoly on being unreasonable?

      I've read this paragraph three times and can't see the logic. It seems to be a claim that some people will break a law, therefore there should be no attempt to enforce it?

      On what planet is any amount of personal infringment OF ENTERTAINMENT worth thousands of dollars?

      It's not "worth" thousands of dollars. It's punitive. That's the point; it is meant to be sufficiently harsh to discourage people from violating the law. Part of the logic is that the crime is easy to commit and expensive to enforce. Damages on the order of a few hundred dollars would never be worth pursuing.

      This is the same logic used against corporations in civil cases to encourage them to act responsibly--if they illegally screw over an employee, for example, they'll usually get away with it, since most people have better things to do than spend thousands of dollars suing over a few dozen hours of overtime pay or even six months unemployment. So if someone takes the time charge them, under certain circumstances you hammer them with far more than the actual damages they caused, so they have an incentive to obey the law in other cases as well. It becomes a risk/reward calculation.

      Both approaches have similar problems--it'd be fairer if punishment were more certain and smaller--but no one has figured out how to do that effectively.

      When I was a school kid in Australia we were taught about the attrocious and unreasonble practice of sending starving people to a prison half away around the world for stealing a loaf of bread when they were starving. Well I grant you no one ever died of not having a crappy RIAA song to listen to, but it seems we're trying to bring back the most unreasoanble and disproportionate punishments possible. What next? Should people be summarily executed for backing up a CD? Just how far is this shit going to go? And these CRIMES AGAINST HUMANITY keep getting pushed onto the whole world through trade and other agreements. As a reasonable person, how the hell am I suppose to feel any kind of sympathy for people who would push such laws?

      Person pirates a song by Jessica Simpson. Person gets sued for civil damages, and the case is in court. You compare the act to stealing bread to eat, the (not yet assessed) punishment to lifelong exile, and the reaction a crime against humanity (sorry, a CRIME AGAINST HUMANITY) in the same paragraph you're complaining about unreasonable and disproportionate responses? Mote, plank, eye, etc.

    16. Re:Let's turn this argument around by silentcoder · · Score: 1

      >>If a person can't innocently infringe because there is information out there that the material is copyrighted, it should follow >>that an artist (or distributor) should expect that somewhere out there is a person who will pirate the material and not pay. So why >>don't they just drop the case and accept that people pirate music? What you think you've got a monopoly on being unreasonable?

      >I've read this paragraph three times and can't see the logic. It seems to be a claim that some people will break a law, therefore >there should be no attempt to enforce it?

      While I agree that such a logic would be fundamentally flawed - it wasn't how I read it. I read the parent as saying that he RIAA's position here is as unreasonable as that proposition would be.

      Having said that - there is a strong philosophical case to be made that a government by consent of the governed LACKS the authority to make a law that the (vast) majority of the citizenry disagree with. When the vast majority of citizens routinely ignore a law, it's clear that they are not in agreement that it should be a law.
      There are obvious and reasonable exceptions. Most people break speed limits, but speed limits exist to protect the lives of innocent road users, there the goal demands that despite this we keep the law -and enforce it better.

      But where there is no victim (examples would be prostitution or marijuana use) and the vast majority of people have broken the law at least once and a smaller but still significant majority do i routinely (no point denying it, if there wasn't a market there wouldn't be hookers or dope dealers) - then I think good old George Washington's principle dictates the government does not have the consent of the governed, and thus CANNOT but revoke that law.

      File-sharing here is a tricky one. It feels like a victimless crime, most people (at least in certain age brackets) routinely partake of it and the few among them who even realises it's illegal clearly don't think it ought to be. The question is whether it IS victimless. It may well cost the RIAA a bit of money... but that doesn't make them a victim. They can only BE a victim if copyright covering non-commercial activity is a just law in the first place.
      So if the only "victim" only HAS something to lose because an unjust law gives it to them, is that not a victimless crime ? Almost, in fact, an extreme form of one.
      By analogy, if a government legalized racketeering, and people routinely started refusing to pay protection money (the mob now being good honest taxpaying citizens can't break legs anymore really), would you call the mob a victim of a crime by the people ? Or say that the law is unjust, that most citizens believe it shouldn't be as it stands and demand it be changed ?

      The major flaw in this analogy is that the mob generally don't bankrupt the people, they charge just enough to make sure the people stay in bussiness to pay again next month. The RIAA is quite happy to take everything you ever had and ever will own, and destroy your life in the process... I'll take my chances with the mob.

      --
      Unicode killed the ASCII-art *
    17. Re:Let's turn this argument around by chilvence · · Score: 1

      Interesting that their schools teach honest fact? Well I've never heard that before... what school did you go to?

    18. Re:Let's turn this argument around by Interoperable · · Score: 1

      Excuse me but isn't that exactly what I said?

      Oh, you expect me to read the entire post before complaining about it? I don't think so, I mean, this is the internet after all.

      --
      So if this is the future...where's my jet pack?
    19. Re:Let's turn this argument around by Anonymous Coward · · Score: 0

      Millions of people illegally download music. They all cannot be caught. So the very few who ARE caught are given exceptionally large punishments to act as a deterrent to others and make up for others' piracy. Whether you think that is "just" depends on what you think the goal of "justice" is.

      So, correct me if I'm wrong, but isn't that the same as saying the one in a million that gets caught should be held responsible for the acts of the other 999,999 that are not caught?

    20. Re:Let's turn this argument around by Anonymous Coward · · Score: 0

      I vote that anyone convicted of entertainment copyright infringement be sent to Australia. Including Australians.

    21. Re:Let's turn this argument around by syousef · · Score: 1

      Oh, you expect me to read the entire post before complaining about it? I don't think so, I mean, this is the internet after all.

      If you won't even read what you're trying to object to, you're an asshole regardless of the medium.

      --
      These posts express my own personal views, not those of my employer
  10. Are the Supremes likely to hear it? by e9th · · Score: 2, Interesting

    Are there sufficient legal issues here for the Court to even take up the case?

    1. Re:Are the Supremes likely to hear it? by NewYorkCountryLawyer · · Score: 5, Insightful

      Are there sufficient legal issues here for the Court to even take up the case?

      Yes there is a huge issue here. Whether the defense of "innocent infringement" is unavailable, merely because somewhere there is a copy -- which the defendant has never seen much less copied from -- that does contain a copyright notice. The appeals court's decision is ludicrous, and clearly contradicted by the statute itself, and yet it is not the first but the second appeals court to have reached that conclusion. It is vitally important that the Supreme Court remind the courts of what the statute is about.

      --
      Ray Beckerman +5 Insightful
    2. Re:Are the Supremes likely to hear it? by e9th · · Score: 1

      Ah, I see. I assumed that "innocent infringement" was already well defined. Yes, I hope the Court takes up the case. Thank you.

    3. Re:Are the Supremes likely to hear it? by Anonymous Coward · · Score: 0

      Oh please. The songs that this person was infringing were clearly copyrighted. You'd have to be a moron or living under a rock all your life to not know so.

    4. Re:Are the Supremes likely to hear it? by Rene+S.+Hollan · · Score: 1

      Does the defendant merely have to be ignorant of the existence of a copy with a copyright notice, or also ignorant of the fact that what he has is covered by copyright?

      The latter might be hard to prove in a land where every work of art is copyright upon creation (registration of copyright being a different thing, of course). Was it actually purported to him to be in the public domain, or licensed to him?

      --
      In Liberty, Rene
    5. Re:Are the Supremes likely to hear it? by NewYorkCountryLawyer · · Score: 4, Informative

      The person has to really not know that it's copyrighted, to qualify for the defense. But even if he or she doesn't know, he or she will be precluded if the one they copied had a copyright notice on it.

      These judges went further, and said she's precluded because somewhere, in some store somewhere, there's a copy with a copyright notice on it. I.e., they basically ruled that there is no "innocent infringement" defense, which is ridiculous, and contrary to the plain wording of the statute.

      --
      Ray Beckerman +5 Insightful
    6. Re:Are the Supremes likely to hear it? by 99BottlesOfBeerInMyF · · Score: 2, Informative

      Does the defendant merely have to be ignorant of the existence of a copy with a copyright notice, or also ignorant of the fact that what he has is covered by copyright?

      The defendant in a normal "innocent infringer" case does not have to be ignorant that the work is copyrighted, but that the work is not public domain or licensed such that it can be used. There are countless public domain works and works freely available to be copied on the internet. The difference in this case is the courts are placing the onus on the infringer to research and find out the copyright info, as opposed to how they treat media other than phonographic recordings.

    7. Re:Are the Supremes likely to hear it? by BitterOak · · Score: 1

      Are there sufficient legal issues here for the Court to even take up the case?

      Generally speaking, the Supreme Court takes a case when different Circuits have interpreted a law differently. Does anyone know if there are conflicting decisions on this issue in other Circuits? If not, then I doubt the Supreme Court will hear the case.

      --
      If I can be modded down for being a troll, can I be modded up for being an orc, or a balrog?
    8. Re:Are the Supremes likely to hear it? by Charliemopps · · Score: 1

      And if the supreme court changes something that's not to their liking the RIAA and music industry will just buy themselves a new law. There is no winning when our politicians are in the pockets of entrenched industries. The only true way to bring an end to this is pirate... pirate as much as possible. Make it as easy as possible not to give them money. Once they're bankrupt, then we'll have a chance to have laws created in favor of the citizens of this country and not faceless corporations.

    9. Re:Are the Supremes likely to hear it? by Anonymous Coward · · Score: 0

      The person has to really not know that it's copyrighted, to qualify for the defense.

      One would have to be an idiot to not know that pretty much all mainstream music being shared is copyrighted.

    10. Re:Are the Supremes likely to hear it? by Rene+S.+Hollan · · Score: 2

      I get the judge's REASON going against statute, but "in some store somewhere, a copy exists with a copyright notice", shouldn't be necessary in the U.S. If it is a work of art, in the U.S. it is, by default, copyright (even if not registered). Therefore, unless one knows (or believes) it to be in the public domain, or licensed to one, one should reasonably presume it is copyright, no? (Just your friendly neighborhood devil's advocate -- I hope the supreme court actually reverses on this one, or at least remands for review of the statute.)

      IOW, I don't think "I didn't know it was copyright because there was no notice" would be an adequate defense because every work of art is copyright by default. The statute may offer ignorance of the copyright/non-copyright status as an affirmative defense, but I don't think that ignorance can be established unless one can show it was expressly purported to be in the public domain, or licensed to one.

      --
      In Liberty, Rene
    11. Re:Are the Supremes likely to hear it? by meerling · · Score: 2, Interesting

      Of course there are a number of bands that release songs to the public for free.
      You can copy and distribute them without fear of infringement.
      There are even big bands owned by RIAA that do this for some songs and even albums.
      Heck, one of those hides usb drives with copies of their songs for their fans to find and enjoy, they've even hidden them in the bathroom at their concerts.

      Basically, you can't be sure that it is, or isn't, an illegal copy if all you know is the band and song name.
      (And sometimes it can be downright freaking difficult to find out, especially with RIAA just automatically claiming that they are all illegal, even when the band who's song is being asked about publicly states the RIAA is off it's freaking nut since it's not even covered by the label and was independently released by the band for free as a promotion.)

      No, I'm not going to dig up all the sources to the various events I've mentioned, but they all exist, if you google enough, you will find them. Have fun :)

    12. Re:Are the Supremes likely to hear it? by Rene+S.+Hollan · · Score: 1

      That does not strike me as entirely unreasonable, since, by default, every work of art in the U.S. is copyright upon creation. Registration is not necessary for basic copyright rights.

      --
      In Liberty, Rene
    13. Re:Are the Supremes likely to hear it? by Rockoon · · Score: 2, Informative

      Therefore, unless one knows (or believes) it to be in the public domain, or licensed to one, one should reasonably presume it is copyright, no?

      Copyright does not mean no-rights-to-copy.

      All BSD licensed work is copyrighted, for example, but you are free to make copies from now until the day you die.

      --
      "His name was James Damore."
    14. Re:Are the Supremes likely to hear it? by westlake · · Score: 1

      Are there sufficient legal issues here for the Court to even take up the case?

      A question that deserves to be modded up.

      The Supreme Court hears about 75 to 100 cases a year.

      The P2P user caught shopping LimeWire or The Pirate Bay for his free music fix isn't likely to rank high on their list of priorities.

    15. Re:Are the Supremes likely to hear it? by Kjella · · Score: 2, Interesting

      Copyright does not mean no-rights-to-copy. All BSD licensed work is copyrighted, for example, but you are free to make copies from now until the day you die.

      Yes, but if I get a piece of code with no license I'd usually be wrong to assume it is BSD licensed.

      So if you receive an MP3 with no copyright notice, what should you assume? Under copyright law it's all automatically copyrighted whether there's a notice or not, so unless there's a license grant in the MP3 info tags, a note that it's in the public domain or reference to an expired copyright then you should probably assume that you have no permissions. I suppose you could make a good faith argument that you thought Beethoven's 5th symphony was in the public domain because of the age when it turns out the recording is actually copyrighted, but it wouldn't work for most mainstream music.

      --
      Live today, because you never know what tomorrow brings
    16. Re:Are the Supremes likely to hear it? by 99BottlesOfBeerInMyF · · Score: 1

      That does not strike me as entirely unreasonable, since, by default, every work of art in the U.S. is copyright upon creation. Registration is not necessary for basic copyright rights.

      It's just another movement of the copyright goalposts that always go in the same direction. But you may have missed the note that this is not how other works are treated, like photographs... only audio works. It would also mean you can't make a recording fair use and let people copy it freely since they will have to constantly research it to try to prove it has been licensed and even then, just because someone says it isn't copyrighted and posts it, how do you know they're telling the truth? I suppose there are audio search programs/databases now, but no free ones I know of.

    17. Re:Are the Supremes likely to hear it? by h4rr4r · · Score: 1

      So I should know how old every work of art is, and what treaties cover it?

      Here is a fun one is the 1931 German film M under copyright in the USA or not?

      In a move only lawyers could understand it was not copyrighted then became copyrighted again during some obscure treaty. It may or may not have lapsed again. Would this mean I can make copies of a version I got while it was in the PD or not?

    18. Re:Are the Supremes likely to hear it? by Dragonslicer · · Score: 1

      Copyright does not mean no-rights-to-copy.

      Unless explicitly stated otherwise, yes, it does.

    19. Re:Are the Supremes likely to hear it? by Jarjarthejedi · · Score: 2, Insightful

      How do you know that? I know of at least two major artists* that have released songs for free download themselves. Did I miss out on getting the 'immediately sense when someone somewhere has claimed copyright to something' sensor when they were being passed out? Or how are you telling the 'free to download' songs from the 'not free to download' songs when both are posted without copyright?

      *Jonathan Coulton and Weird Al

      --
      There are two kinds of fool One says 'This is old therefore good' Another says 'This is new therefore better'- Dean Ing
    20. Re:Are the Supremes likely to hear it? by Jarjarthejedi · · Score: 4, Informative

      Copyrighted and illegal to download are two different things, or more specifically copyrighted + illegal to download doesn't apply to all copyrighted songs. Independent artists and even some major artists release songs for free all the time.

      The existence of a single free to download mainstream song renders the argument that 'all mainstream music is illegal to download' invalid, and there's plenty of songs on torrents that are actually legal to download and listen too.

      --
      There are two kinds of fool One says 'This is old therefore good' Another says 'This is new therefore better'- Dean Ing
    21. Re:Are the Supremes likely to hear it? by Jarjarthejedi · · Score: 1

      "you should probably assume that you have no permissions"

      'You should' and 'You have to or you'll be hit with millions of dollars of fines' are two different things. Common sense says to treat music without an attached copyright as fully copyrighted (though that does open up the question of what happens when you get a song tagged with a free copyright type that is simply mis-tagged and should be illegal to copy, then what happens?) but common sense != the law.

      --
      There are two kinds of fool One says 'This is old therefore good' Another says 'This is new therefore better'- Dean Ing
    22. Re:Are the Supremes likely to hear it? by Jarjarthejedi · · Score: 1

      Alright then. Let's say I release a song with no copyright, public domain. Would you download it? What if it was actually another person's song, that they had full copyright on, and I was mis-attributing and mis-tagging it? Well if the innocent infringer clause doesn't work you're responsible for the fines, regardless of the fact the song you got was tagged public domain. This case is about more than just one person having to pay fines.

      --
      There are two kinds of fool One says 'This is old therefore good' Another says 'This is new therefore better'- Dean Ing
    23. Re:Are the Supremes likely to hear it? by quickOnTheUptake · · Score: 1

      Out of curiosity, is there any established standard for what constitutes knowing that something is copyrighted? As in, if the defendant has a suspicion it might be (for example, he knows it is a popular song, getting air time, etc., and that odds are it almost certainly is so protected given the way the industry works), is he obligated to take steps to find out, or does simple ignorance equate to innocence?

      --
      Mod points: Guaranteed to remove your sense of humor.
      Side effects may include gullibility and temporary retardation
    24. Re:Are the Supremes likely to hear it? by Rene+S.+Hollan · · Score: 1

      Not quite. You've done due diligence.

      --
      In Liberty, Rene
    25. Re:Are the Supremes likely to hear it? by masmullin · · Score: 1

      or a teenager. teens are pretty fucking stupid you know.

    26. Re:Are the Supremes likely to hear it? by Rene+S.+Hollan · · Score: 1

      Well, unless the statute defines what constitutes ignorance, case law would have to establish that.

      At least, some diligence should be demonstrated.

      --
      In Liberty, Rene
    27. Re:Are the Supremes likely to hear it? by quickOnTheUptake · · Score: 1

      The petition argues that there are.

      --
      Mod points: Guaranteed to remove your sense of humor.
      Side effects may include gullibility and temporary retardation
    28. Re:Are the Supremes likely to hear it? by Martin+Blank · · Score: 1

      The other person has done research and could have a reasonable belief that he was in the right, depending on the level of research. You, OTOH, would be civilly and criminally liable under fraud and copyright statutes.

      --
      You can never go home again... but I guess you can shop there.
    29. Re:Are the Supremes likely to hear it? by Anonymous Coward · · Score: 0

      Calling any of them a "major artist" is a stretch.

    30. Re:Are the Supremes likely to hear it? by Anonymous Coward · · Score: 0

      No, even the common 12-year-old knows this by now.

      You're fooled by what teenagers want you to think. If someone's dumb at 16, chances are high they'll be dumb at 26 - people really don't develop much after 14.

    31. Re:Are the Supremes likely to hear it? by Theaetetus · · Score: 1

      Are there sufficient legal issues here for the Court to even take up the case?

      Yes there is a huge issue here. Whether the defense of "innocent infringement" is unavailable, merely because somewhere there is a copy -- which the defendant has never seen much less copied from -- that does contain a copyright notice. The appeals court's decision is ludicrous, and clearly contradicted by the statute itself, and yet it is not the first but the second appeals court to have reached that conclusion. It is vitally important that the Supreme Court remind the courts of what the statute is about.

      "Which the defendant has never seen" is an issue for the defendant to prove. To establish the innocent infringement defense, the burden is on the defendant. The songs at issue here were all recent songs - Michelle Branch, Ja Rule, Avril Lavigne, Jessica Simpson, Counting Crows, etc. - and we're to believe, without evidence, that the defendant thought these were out of copyright?

      No... The Congressional Record is clear on the innocent infringement defense: it was drafted to allow for the rare, but occasional, exceptions in which an infringer reasonably believed that the infringed work was not subject to copyright. There are two perfect examples of this:

      1) As we all know, Johann Sebastian Bach was a composer in the mid-1700s, and had many sons who became composers, including J.C., J.C.F., G.H., the esteemed C.P.E. Bach, and the lesser known P.D.Q. Bach, who wrote many classic works, including the 1712 Overture, the Abduction of Figaro, the Fanfare for the Common Cold, Oedpius Tex, and others. Now, being a son of J.S. Bach, he must have died in the mid to late 1700s, and therefore, all of his works must be public domain.

      Oh, but wait... He's fictional. He's the creation of Peter Shickele (who is still alive) and P.D.Q. Bach's first published works were in 1965.

      Nonetheless, if someone were to reproduce* one entirely innocently, believing that P.D.Q. Bach was an 18th century composer, the innocent infringer defense would certainly apply.

      *note: the performance that the person reproduced would be subject to copyright, and the sheet music all carries a copyright notice, so this is actually an implausible scenario. But possible.

      2) Gustav Holst, the composer of the famous Planets Suite, died in 1934. His works must be public domain by now, right? In fact, several albums were published with notice printed on them that they were no longer subject to copyright. HOWEVER, this was in error - his family asserted the copyrights in his estate and several of his works are still subject to copyright. One reproducing the published albums would be an infringer, but would certainly have an innocent infringement defense.

      The above two scenarios were explicitly contemplated by Congress in the House reports on the Copyright Act. A kid infringing pop songs published within the past few years but not having seen the original CD from which they were ripped does not fall within the scenarios contemplated for the innocent infringement defense.

    32. Re:Are the Supremes likely to hear it? by Anonymous Coward · · Score: 0

      "Yes, but if I get a piece of code with no license I'd usually be wrong to assume it is BSD licensed."

      No. In fact I run Linux, and all software I run is free, under various licenses that allow me to make as many copies as I want.

      I suggest to you, that as a Linux user, it would be wrong to assume it IS copyrighted.

    33. Re:Are the Supremes likely to hear it? by Anonymous Coward · · Score: 0

      Also, as the CEO of Warner Music Group I hereby give you my permission to distribute any work that falls under our copyright.
      You do not really have a reason to beleive that I am lying do you?

        - Edgar Bronfman, Jr.

    34. Re:Are the Supremes likely to hear it? by Idiomatick · · Score: 1

      And MC Lars did too. System of a Down has an album called 'Steal this album'. I'm sure I have a harsher sounding track about stealing the song by like korn or something as well.

    35. Re:Are the Supremes likely to hear it? by Farmer+Tim · · Score: 1

      In fact I run Linux, and all software I run is free, under various licenses that allow me to make as many copies as I want.

      Key word: licenses. A license that allows copying is still as much a distribution license under copyright law as a license that unconditionally prevents copying, the law is simply being applied with a different intent. See Copyleft

      For example, the GPL permits copying, but imposes conditions on derivative works. If there was no copyright on the original work it would not be possible to impose any conditions on derivative works.

      I suggest to you, that as a Linux user, it would be wrong to assume it IS copyrighted.

      Then your suggestion would be based on a fundamental misnderstanding (see third paragraph), and could lead to prosecution under the wrong circumstances.

      --
      Blank until /. makes another boneheaded UI decision.
    36. Re:Are the Supremes likely to hear it? by Rockoon · · Score: 1

      Unless explicitly stated otherwise, yes, it does.

      I just copied 100% of your copyrighted post. Right there! Above this text!

      It wasnt explicitly stated that I have the right to do so, however that right is implicit in this case.

      In other words, you are wrong.

      --
      "His name was James Damore."
    37. Re:Are the Supremes likely to hear it? by Dragonslicer · · Score: 1

      There are at least three potential issues with your assertion. First, there's the issue of fair use, since all you're doing is quoting something that I said publicly in the context of a discussion about what I said. I'm not sure if it would technically fall under the category of journalism and reporting, but I would imagine that fair use would still apply. Second, which is obviously specific to this situation, I'd have trouble arguing that the single sentence you quoted is a creative work. Third, there's the site's terms of service, which clearly states that I give the site the right to reproduce any content that I post. I could try arguing that you copied my work and resubmitted it, therefore the site only has the right to reproduce it in my post and not yours, but I don't think that would work too well.

      Overall, I'd say that the fair use argument is the strongest. Remember, explicitly stated in the law or in a license agreement (e.g. the site's terms of service) still counts as explicitly stated.

    38. Re:Are the Supremes likely to hear it? by 99BottlesOfBeerInMyF · · Score: 1

      Also, as the CEO of Warner Music Group I hereby give you my permission to distribute any work that falls under our copyright. You do not really have a reason to beleive that I am lying do you?

      Nope and thanks, I'll begin distribution.

    39. Re:Are the Supremes likely to hear it? by BJ_Covert_Action · · Score: 1

      Suicide Machines have an album called, "Steal This CD."

      It's an odd thing when, 'stealing,' becomes the common sense way to access culture.

    40. Re:Are the Supremes likely to hear it? by mcgrew · · Score: 1

      every work of art is copyright by default.

      Oh, yeah?

      NOTICE
            PERSONS attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.

    41. Re:Are the Supremes likely to hear it? by Rene+S.+Hollan · · Score: 1

      Clearly I meant Copyright in the context of when it is created while the Copyright Act is in force.

      --
      In Liberty, Rene
    42. Re:Are the Supremes likely to hear it? by mcgrew · · Score: 1

      So if you receive an MP3 with no copyright notice, what should you assume?

      There are ten or more indie songs for every RIAA song, and almost all indies WANT you to hear their music and WANT you to download/upload it. I've seen some of my daughter's punk CDs with "be kind, burn copies for your friends" on them. Since that's the case, I'll assume that since they recorded the damned thing they actually wanted me to hear it, otherwise I'd have to assume they were idiots.

      The RIAA has radio, or they'd embrace P2P. The RIAA's war against P2P is actually a war against their competetion, the indie artists. They know full well that piracy never cost anyone a single sale, but if I buy four $5 indie CDs that's $20 I don't have to buy one of theirs with.

    43. Re:Are the Supremes likely to hear it? by zeropointburn · · Score: 1

      If their copyright is not registered on or before the date of your copying, they are not eligible to sue you for making that copy. Registration of copyright is a step that is sometimes missed (somehow) by the bigger studios in some cases. Even if you had reason to believe that what you were downloading was intended to be no-copying-allowed by the studio, there is a reasonable chance that the copyright is not registered and you are free to copy the work without fear of a (successful) lawsuit (in a rational world).

      Many works are copyright but copying-allowed. Nine Inch Nails and Radiohead would be more examples of mainstream bands that offer copyrighted material free for download. Some of that material has never appeared as a physical copy bearing a copyright notice. Some of that material is intentionally distributed via P2P, where the end user never has the opportunity to see any copyright notice of any kind (much like using P2P for any file).

      Given that there are public domain works, copyright copying-allowed works, unregistered copyright without the right to enforce for punitive judgements works, copyright expired works, and copyright no-copying-allowed works, any of which may or may not also exist physically in some form and may or may not have a copyright notice present in any form anywhere, how are we to know what the actual legal status of the file we are copying actually is? Since only one of those possibilities bears any rational risk of a lawsuit, and only two of those possibilities bear any risk at all of a lawsuit, why should we simply assume that we are not allowed to copy anything ever? It's a ridiculous assumption, one that is intentionally promoted by big media to choke off the distribution streams of independant artists that dare not to pay the RIAA tax.

      Fuck that. As far as I'm concerned, the RIAA should go down via RICO, broken up, member companies dissolved, and assets (including copyrights) distributed to artists. That doesn't mean it's copyright infringement party time either (piracy involves ships and cannons/swords/machine guns, period).

        Something smart for the RIAA and members to do would be to offer a self-reporting moratorium on lawsuits. Individuals could admit to infringing copyright for a certain number of works, pay a fee of one dollar per work, and be free from the threat of litigation. The actual amounts to be harvested by this approach will be orders of magnitude more than they could ever hope to receive in profits from long and expensive and risky court cases. The RIAA then becomes the wise and benevolent group they claim to be in the eyes of the general public and avoids the risk of one of these lawsuits going to the Supreme Court and ruining their citizen-raping joyride. Next, start up their own paid p2p subscription service. $10 a month for all the music you can download, hosting and bandwidth provided by your own users. No drm, no copy protection, just simple and easy and affordable access to music. I could afford that. Hell, if they promised to give at least 70% of profits to artists proportional to their download numbers, I would even use the service. If they offered streaming audio like netflix does with streaming video, it would be rare for me to ever download more than a handful of songs a month.

      --
      -1 raving lunatic; +6 subGenius... Things even out...
    44. Re:Are the Supremes likely to hear it? by IICV · · Score: 1

      If I purchase an orange from a store, I assume the store has permission to sell that apple. If they do not have permission to sell it, then why are they selling it?

      If I purchase a CD from a store, I assume the store has permission to sell that CD. If they do not have permission to sell it, then why are they selling it?

      If I receive a CD from one of my friends, I assume my friend has permission to give me that CD. If they do not have permission to give it to me, then why are they giving it to me?

      If I receive an MP3 from someone, I assume that person has permission to distribute it. If they do not have permission to distribute it, then why are they distributing it?

      I mean seriously, why should it be assumed that I know the full legal history of every bit that comes into my computer?

    45. Re:Are the Supremes likely to hear it? by Anonymous Coward · · Score: 0

      That's been done before. I forget the situation, but I believe it involved racial discrimination of some sort, the SCOTUS stuck a law down as unconstitutional, because of the way it was being enforced. Congress changed the law to close the loophole, but the SCOTUS invalidated it again, because of the unconstitutionality of the situation.

    46. Re:Are the Supremes likely to hear it? by NewYorkCountryLawyer · · Score: 1

      Of course there are a number of bands that release songs to the public for free. You can copy and distribute them without fear of infringement. There are even big bands owned by RIAA that do this for some songs and even albums. Heck, one of those hides usb drives with copies of their songs for their fans to find and enjoy, they've even hidden them in the bathroom at their concerts. Basically, you can't be sure that it is, or isn't, an illegal copy if all you know is the band and song name.

      Right. And, to the best of my knowledge, many of the recordings which are the subject of these lawsuits were in fact made available for free by the record companies.

      --
      Ray Beckerman +5 Insightful
    47. Re:Are the Supremes likely to hear it? by mcgrew · · Score: 1

      But the point is that there's no way of knowing if a work is covered by copyright. The copyright has expired on Twain's work, but what if I wrote a book about a whale that liked to eat huckleberries and called it "Huckleberry Finn?" People looking to download Twain's book but downloading mine by mistake would be innocently infringing my copyright.

      When it comes to music, songs very often have the exact same name. I once was trying to find an old 1930s song called "Scatterbrain" and discovered that there were literally hundreds of completely different songs by that name, by completely different artists. Most had no ID tags and were only "scatterbrain.mp3".

      Again, there is no way of knowing you're infringing unless you're specifically looking for a song you know is covered by copyright and you know the artist doesn't want you to hear it. Most indie musicians WANT you to dolnload their work, and they gratly outnumber artists signed by RIAA labels.

  11. embrace by nimbius · · Score: 1

    extend, extinguish, and do it with the help of the floss community. ccmixter.org has some terrific songs. Dont get me wrong, i love commercial artists, i just wish there were less overweight record execs in bently's playing puppeteer with the art.

    --
    Good people go to bed earlier.
  12. Keyword by Anomalyx · · Score: 5, Informative

    Key word in the title of the post: "Innocent Infringement" Defense May Reach Supreme Court

    from Wikipedia entry for Certiorari:
    The court denies the vast majority of petitions and thus leaves the decision of the lower court to stand without review; it takes roughly 80 to 150 cases each term. In the most recently-concluded term, for example, 8,241 petitions were filed, with a grant rate of approximately 1.1%

    Those are some slim chances

    --
    No, there is no "-1 I'LL NEVER ADMIT BEING WRONG!!!" mod.
    1. Re:Keyword by NewYorkCountryLawyer · · Score: 1

      Key word in the title of the post: "Innocent Infringement" Defense May Reach Supreme Court from Wikipedia entry for Certiorari [wikipedia.org]: The court denies the vast majority of petitions and thus leaves the decision of the lower court to stand without review; it takes roughly 80 to 150 cases each term. In the most recently-concluded term, for example, 8,241 petitions were filed, with a grant rate of approximately 1.1% Those are some slim chances

      Agreed. The US Supreme Court is very very selective about granting petitions for cert.

      --
      Ray Beckerman +5 Insightful
    2. Re:Keyword by Dhalka226 · · Score: 1

      Moreover, they generally accept cases that either have a serious constitutional issue to address or issues which lower courts have reached wildly inconsistent decisions on. Being as innocent infringement would be a construct of Congress I see no constitutional issue on that point. I don't know if lower courts are being inconsistent on the issue, but this is the first case I know about that's addressing it -- a bad sign for whether or not the court will grant certiorari.

      I don't see it happening. There are simply too much more important cases for them to accept.

  13. I hate the law by Anonymous Coward · · Score: 2, Informative

    There are at least three scenarios in which "innocent intent" may be applied to infringing content:

          1. The defendant’s work is copied from the plaintiffs’, but was done subconsciously and in good faith, having forgotten that the plaintiffs’ work was the source.
          2. Defendant’s work is based upon an infringing work furnished by a third party.
          3. Defendant consciously and intentionally copies from the plaintiff’s work, with a good faith belief that the conduct is not infringing.

    The defendant must prove that it did not know and should not have known that its conduct constituted infringement.

    http://itlaw.wikia.com/wiki/Innocent_infringement

  14. Innocent or not. by Roskolnikov · · Score: 3, Interesting

    I've always wondered about this portion of the law and thought that it would be more appropriate not to just find the files on the file-sharing user's computer but to also find the work being infringed.

    The record companies have used the 'making available' justification to fry some and I almost buy that, if I take my purchased CD's and transcode them to a compressed format for personal use that could be fair use, bit for bit copies might not be but compressed should be.

    If I take the same 'inferior' copies and place them on a file-sharing tool for the purpose of allowing others access I have, if I believe what I read made them available, this is where I suppose the IANAL bit comes into play but... posting the files with the copyright notice should make it clear that others are violating the copyright (my copy, archival or not) posting the files without the copyright notice should open the other users of the file-sharing tool to 'innocent infringer' status.

    And since when did individual tracks count as a work infringed? If I copy the CD that was sold as a single item (oh I love this) how can the twelve tracks on it be anything other than fractions of the whole? If you can prove it was itunes or singles thats one thing but we are clearly talking about songs ripped from a CD, I think even if innocent infringement is tossed someone should be arguing (as the record companies and artists have tried to prevent Apple from doing) that a track represents a portion of the 'art' and as such should be treated as such in compensation. I would still like to meet the *moron* who thinks suing your customer base is a good business plan, than again, maybe I don't.

    --
    Unix, an obscure operating system developed by bored researchers in an attempt to get a better game playing experience.
    1. Re:Innocent or not. by h4rr4r · · Score: 1

      Why would bit by bit copies not be ok? Is it not just format shifting?

      I use FLAC, but that is besides the point.

    2. Re:Innocent or not. by shentino · · Score: 1

      Transcoding is derivation.

    3. Re:Innocent or not. by currently_awake · · Score: 1

      Each -individual- song is copyrighted. There is a copyright infringement suite for each copyright broken. As for the law, doesn't the riaa just buy what they want?

    4. Re:Innocent or not. by Solandri · · Score: 1

      f I take my purchased CD's and transcode them to a compressed format for personal use that could be fair use, bit for bit copies might not be but compressed should be.

      Bit for bit copies must be legal. My reasoning goes as follows:

      • To the best of my knowledge, none of the RIAA labels have a replacement policy for a damaged CD. They expect you to buy a new CD.
      • The RIAA insists you are buying a license, not a copy. Destruction of the CD does not invalidate this license.
      • Since the RIAA does not provide a means to make whole my license should the CD be damaged, it is up to me to do it myself. I need to make a backup.
      • CDs are unencrypted, so there is no DMCA violation for making a backup copy. (I think this is a silly and artificial exclusion in the DMCA. But even if you accept it, copying CDs is not a violation of it.)

      Prohibiting bit-for-bit backup copies of CDs would be like the airlines prohibiting you from making a photocopy of your flight ticket, while simultaneously having a policy where if you lose your ticket, you have to buy a new one at full price.

    5. Re:Innocent or not. by Anonymous Coward · · Score: 0

      Individual tracks are worth a lot of money to the music industry.. but it gets crazier than that. It gets down to individual times a song is played or even each person hearing that song.

      Recently in Australia the music industry succeeded in increasing payments made by fitness centres for music played in group exercise classes from less than $1 per class to $15 per class (yes, a 1500% increase!) - and they have an alternate payment scheme of $1 per person per class. So every time a person does a class that's another $1 to the music industry just for hearing some songs. If each class was e.g. 10 songs, then that's 10c every time a person hears a song.

    6. Re:Innocent or not. by Roskolnikov · · Score: 1

      again IANAL but:
      In a fair use analysis, the concern over unauthorized copying of digital material is heightened because digital works may be distributed and reproduced more rapidly than print works, for example via email or peer-to-peer file sharing systems. The digital medium also enhances the quality of reproductions; digital copies are often near-perfect reproductions of a work while print copies are typically poorer versions of their originals. While use of a digital work may still be fair use, the quality of the reproduction and the ease of distribution make it more likely that the market for the original work will be effected by the proposed use and courts will see the risks presented by the use as greater than in the print area. For example, in several cases, reproductions which are of inferior quality have been permitted as fair use (e.g digital "thumbnail" copies of prints used for purposes of evaluating whether to license the original) while high-quality reproductions have not.

      So for archival copies I agree with you bit for bit and/or lossless that yields bit for bit when converted back is good, but for a copy where the possibility of parallel playback (a CD playing and a copy in my ipod, in two locations) it might be considered fair use to have an 'inferior' copy. Truly I am surprised that this tact hasn't been taken and/or argued. I suppose it depends on why your doing your transcode and/or backup.

      --
      Unix, an obscure operating system developed by bored researchers in an attempt to get a better game playing experience.
    7. Re:Innocent or not. by Roskolnikov · · Score: 1

      Yes, but I believe you could argue that you infringed on the album and not the individual tracks, I've looked at several albums and see clearly that the 'work' is copyrighted but I have yet to see track 1 copyright, track 2 copyright, etc. It could be assumed but if you were to download tracks that I ripped and subsequently stripped the copyright notice from, how would you know? Unless it is a bit for bit exact copy how could it be asserted that the copy you pulled from a file share service was in fact from a copyrighted source? I would love to see someone take two files one lossless and one at 128kbps MP3 and compare to a judge the checksums as they are, or transcode the mp3 to a CD native track and compare once more.

      The more I read on this specific case the more I hate the RIAA, the defendant was 16 at the time??? I am more than twice that and still don't understand copyright as well as the RIAA seems to expect, does anyone other than these lawyers believe that this kid should have known better?

      --
      Unix, an obscure operating system developed by bored researchers in an attempt to get a better game playing experience.
    8. Re:Innocent or not. by Anonymous Coward · · Score: 0

      And since when did individual tracks count as a work infringed? If I copy the CD that was sold as a single item (oh I love this) how can the twelve tracks on it be anything other than fractions of the whole?

      Since always.

      A CD isn't just one copyright. Hell, a single song isn't just one copyright. You've got the cover art, the lyrics, the composer, the performer, the producer, all of which can hold independent copyrights.

      A book of essays or short stories isn't just one work; it's a collection of independently copyrighted works that have been selected and arranged. The selection, editing, and arrangement is itself a creative endeavor. The same is true of an album, or of a painting that is part of a series.

      A motion picture is a collection of hundreds or even thousands of copyrighted works.

      A work doesn't stop being an independent work just because it's bundled together with others. This is why there's usually a designated point person for handling the collective work as a whole, who is responsible for coordinating everything among its many contributors.

    9. Re:Innocent or not. by Anonymous Coward · · Score: 0

      Bit-for-bit copies of a CD I purchased are certainly legal. I am backing up my property.
      it is when I make that backup available to a second ( or more) person that I run afoul of the copyright laws. At that point, I am distributing.

      It doesn't matter if it is the whole album, or a single song, because the SONG is the art, and the CD is a gallery of art.

      However, I should only have to pay for such copies as were downloaded from me. not potential downloads, not some ambiguous "well 500,000 people could have downloaded", I mean actual, honest, verified downloads.
      Otherwise there is no proof of law-breaking, and even in a civil case, no grounds for a lawsuit.

      I still can't understand how any Judge agreed to such a bulls*** statement as "it was on the internet so millions of people could have downloaded it". By that reasoning, every person with a computer and internet account could have downloaded it, and penalties would rival the US deficit!

  15. Re:how about when same thing changes licenses term by 3seas · · Score: 5, Insightful

    There is actually at least one sales person working at MicroCenter that believes that anyone who uses Linux is a pirate because they didn't pay for it.
    and those that did pay for it are pirates because those who wrote the code didn't share in the pay. Simply put Linux is for Pirates.

    So how about everyone everywhere assume everything is either copyrighted or patented or trademarked and just submit to "them" who ever "them" may be.

    Does that work for you joe the dragon? Or are you now going to sue me for using your copyrighted nick.

    Seriously, the RiAA and court system has way over stepped punishment of the guilty and everyone knows it.

  16. Simple solution: Watermarks by VortexCortex · · Score: 5, Funny

    All copyrighted songs should be required to have at least one "Backup Singer" that sings the lyrics to the license agreement for the duration of the song.

    1. Re:Simple solution: Watermarks by nine-times · · Score: 1

      But then you still wouldn't hear it until after you downloaded it.

  17. Honor systems by mangu · · Score: 2, Insightful

    The songs that this person was infringing were clearly copyrighted. You'd have to be a moron or living under a rock all your life to not know so

    That's true in spirit, but not in the letter of the law. Let's see, in the Slashdot spirit, an analogy.

    A few years ago I was in France and saw a small grocery store that had a fruit stand on the sidewalk. It was cold, in December, there was no one outside and the store door was closed. People picked their fruit in the stand and entered the store to pay.

    That grocery store worked on an honor system. It worked, not because the French people are particularly honest, but because the fruit weren't too expensive. If a pear had cost $50 and a banana $100 you can bet a lot of people would just pick their fruit and walk away without paying.

    The media industry is charging prices at least an order of magnitude more than they could reasonably do. A CD or DVD costing upwards of $30 is simply absurd, $3 would be enough to cover their costs plus a very nice profit. They cannot expect people to abide to an honor system with those prices.

    If the industry isn't reasonable, the consumers need not be reasonable either. Any song could possibly have been released into the public domain, so we have the right to assume that public domain is the default status for any song. When the industry starts charging reasonable prices I will start to make reasonable guesses about copyright status.

  18. My Sweet Lord by tepples · · Score: 3, Interesting

    Copyright infringement, at least in the US, is a crime willeus tenspartum, which means "willingness demostrated" (roughly), in other words, you have to intend to commit the crime.

    Then explain the million-dollar verdict against George Harrison in Bright Tunes Music v. Harrisongs Music, in which George Harrison didn't know he was accidentally copying half of Ronald Mack's song "He's So Fine" into Harrison's "My Sweet Lord".

    1. Re:My Sweet Lord by Dragonslicer · · Score: 1

      Then explain the million-dollar verdict against George Harrison in Bright Tunes Music v. Harrisongs Music, in which George Harrison didn't know he was accidentally copying half of Ronald Mack's song "He's So Fine" into Harrison's "My Sweet Lord".

      Not that this is necessarily a valid legal argument, but what percentage of the money that Harrison made from the song would one million dollars be? I'd guess that even after that payment, he still came out ahead.

    2. Re:My Sweet Lord by tepples · · Score: 2, Interesting

      what percentage of the money that Harrison made from the song would one million dollars be? I'd guess that even after that payment, he still came out ahead.

      But that might not be the case for a smaller-time artist who gets hit with a similar lawsuit. The statutory damages of $750 to $30,000 might dwarf an indie artist's revenue. So if I'm writing and recording my own song, how can I make sure that someone else doesn't own copyright in the song?

    3. Re:My Sweet Lord by h4rr4r · · Score: 1

      You can't. The same way if you write just about any useful code you are probably infringing on dozens of patents.

    4. Re:My Sweet Lord by Anonymous Coward · · Score: 0

      If you know you are violating, you are violating.
      If you do not know you are violating, but a reasonable party in your shoes would have, you are violating.
      If you do not know you are violating, and a reasonable party in your shoes would not have either, then you are infringing innocently.

      if you are an innocent infinger, you are still liable for reduced damages.

      Legal point is YOUR state of mind when you violate is only relevant if you happen to know you are doing wrong. The mere act of thinking you are innocent doesn't make you so if a the court things such a belief is unreasonable.

      Legally its similar to a self defense argument in court.

      If you kill a man and plead self defense, its not enough that YOU think its self defense. A reasonable party in your shoes would have to agree.

    5. Re:My Sweet Lord by tepples · · Score: 1

      If you do not know you are violating, but a reasonable party in your shoes would have, you are violating.

      Then how do I write a song without infringing on one of the thousands of songs that have been played on the radio in the past few decades?

    6. Re:My Sweet Lord by Dragonslicer · · Score: 1

      I was mostly considering the "reduced damages" part. A million dollars was probably almost nothing for Harrison, especially since it was also a fairly small portion of the money he made from his infringing work, so that may actually be a reduced amount. If you're a small, independent musician, a million dollars is probably enough to bankrupt you, so you can hardly call it reduced damages.

    7. Re:My Sweet Lord by Dorkmaster+Flek · · Score: 1

      Short answer: You can't.

      Longer answer: There's no such thing as a truly original song. Every single piece of music ever written is inspired by the music that came before it. Every single person on the planet has heard music in their lifetime, and if they sit down to try and write a song, they are naturally going to do something based on what they've already heard. As far as I'm concerned, that case was a load of bullshit, but we can't apply common sense to the legal system. It would cause the space-time continuum to collapse. Really, I saw it on an episode of Star Trek once.

      --
      I like to think of online DRM as something akin to a college -- you pay for lessons until you learn something.
    8. Re:My Sweet Lord by gnasher719 · · Score: 1

      I was mostly considering the "reduced damages" part. A million dollars was probably almost nothing for Harrison, especially since it was also a fairly small portion of the money he made from his infringing work, so that may actually be a reduced amount. If you're a small, independent musician, a million dollars is probably enough to bankrupt you, so you can hardly call it reduced damages.

      Only a small portion of the song melody was copied, the majority wasn't. And lots of records were sold because it was George Harrison singing, and more because it was George Harrison playing guitar, and I reckon that the number of records sold because someone thought it was a new recording of a song they knew was very, very close to zero.

  19. Eighth Amendment by tepples · · Score: 2, Insightful

    but it seems we're trying to bring back the most unreasoanble and disproportionate punishments possible.

    What part of the Constitution prohibits the government making a law against stealing?

    Nothing. There are federal laws against stealing, in both the "copyright infringement" sense and the "transporting stolen property across state lines" sense. But the grandparent's point, as I understand it, is that the people have an Eighth Amendment right to decline to pay excessive fines.

    1. Re:Eighth Amendment by EmagGeek · · Score: 2, Interesting

      These are not fines. They are judgments. Fines are monetary forfeitures compelled by and payable to The State. Judgments are the determination of the financial magnitude of a wrong, essentially the amount of money required to be paid by the defendant to the plaintiff to make the plaintiff whole. While for a given act the actor may be both criminally and civilly liable, the criminal aspect results in fines, and the civil aspect results in judgments.

      The 8th would only prohibit excessive fines levied by the government.

    2. Re:Eighth Amendment by tepples · · Score: 1

      The 8th would only prohibit excessive fines levied by the government.

      What is the key case interpreting the 8th to apply only to fines and not to statutory or punitive damage judgments?

    3. Re:Eighth Amendment by Martin+Blank · · Score: 1

      'Grossly excessive' punitive judgments were generally prohibited by the Supreme Court in Gore v. BMW as a violation of the Due Process clause of the Fourteenth Amendment. That seems to separate judgments from the Eighth Amendment.

      --
      You can never go home again... but I guess you can shop there.
    4. Re:Eighth Amendment by Anonymous Coward · · Score: 0

      Not so! Punitive damages have been limited under the eighth, exactly the situation here. See Exxon v. Alaska for details iirc. ianal.

    5. Re:Eighth Amendment by nabsltd · · Score: 2, Informative

      The 8th would only prohibit excessive fines levied by the government.

      Since the government wrote the numbers of "how big can this type of judgement be" into a law, I think a good lawyer could argue that the 8th Amendment applies.

      If the law said the maximum was "$100 per infringed work" or "three times the retail price of the infringed work", then although it still could add up to a lot for multiple infringements, it wouldn't be "cruel and unsual". Instead, the number is $30K per work for non-willful infringement, which is grossly excessive for something that retails for $1 and would add around $0.30 to the copyright holder's pocket.

    6. Re:Eighth Amendment by gnasher719 · · Score: 1

      If the law said the maximum was "$100 per infringed work" or "three times the retail price of the infringed work", then although it still could add up to a lot for multiple infringements, it wouldn't be "cruel and unsual". Instead, the number is $30K per work for non-willful infringement, which is grossly excessive for something that retails for $1 and would add around $0.30 to the copyright holder's pocket.

      There is nothing with the maximum. Let's say a record company decided to make a CD with Michael Jackson's greatest hits just after he died without having the copyright, assuming that it would sell lots, and the copyright holder wouldn't be able to sue anymore. $150,000 per infringed work could be quite reasonable. The problem is that making a song available for downloading on the internet, where statistically the number of downloads is ONE (with a P2P program where you have to share music to be able to download on the average every song is copied _from_ your computer as often as it is copied _to_ your computer, which would be once), lets the RIAA argue that millions _could_ download the song when in reality only _one person_ does on the average, so the punishment is much much too close to the maximum.

      Consider this: Jammie Thomas, 24 songs = 1.92 million dollars. Psystar, MacOS X, ONE operating system, $30,000. The problem is not the maximum, the problem is the ridiculous percentage of the maximum that the RIAA asks for.

  20. Honor systems work when they're honorable by Anonymous Coward · · Score: 0

    And the RIAA is not. Not in terms of pricing, not in terms of how they treat their customers, not in terms of their corporate ethics, etc. etc.

    Cheers,

  21. Copyright in a song I have written by tepples · · Score: 1

    If it is a work of art, in the U.S. it is, by default, copyright (even if not registered). Therefore, unless one knows (or believes) it to be in the public domain, or licensed to one, one should reasonably presume it is copyright, no?

    Say I write and record a song. It consists of a musical work and a sound recording. Is it copyrighted? And can I be sure that the song is copyrighted to me?

    1. Re:Copyright in a song I have written by Martin+Blank · · Score: 1

      In the US, yes, you hold the copyright on both the work and the recording by default. As soon as each is created, the copyright is automatically yours, no registration required.

      --
      You can never go home again... but I guess you can shop there.
    2. Re:Copyright in a song I have written by tepples · · Score: 2, Insightful

      In the US, yes, you hold the copyright on both the work and the recording by default.

      That's what George Harrison thought until he got sued over "My Sweet Lord". As 17 USC 103 puts it: "protection for a work employing preexisting material in which copyright subsists does not extend to any part of the work in which such material has been used unlawfully." How can I tell whether or not I have accidentally plagiarized someone else's song?

    3. Re:Copyright in a song I have written by Martin+Blank · · Score: 1

      Wait until someone tells you that you've infringed if you've truly never heard the song.

      It's a tricky situation. If you can prove that you've almost certainly never heard the tune (your unpublished song in Boise compared to his unpublished song from Hagerstown), the judgment would probably be minimal and limited to compensatory damages. The chance that Harrison had not heard "She's So Fine" was very remote given its status on the charts, and as a professional musician with a wide listening base behind him (not to mention that the Beatles were known to be fans of the Motown style), he probably was seen as having had more responsibility for not treading on the work of others.

      --
      You can never go home again... but I guess you can shop there.
    4. Re:Copyright in a song I have written by tepples · · Score: 1

      Wait until someone tells you that you've infringed if you've truly never heard the song.

      So once someone does tell me that I have infringed, how do I settle without bankrupting myself?

    5. Re:Copyright in a song I have written by Anonymous Coward · · Score: 0

      How do you know the work was created in the US and not in Tuvalu where there is no copyright law (IIRC, they are one of the few countries not signatory to the Berne convention eg via the WTO's TRIPS).

    6. Re:Copyright in a song I have written by Martin+Blank · · Score: 1

      If you listen to it and realize that somehow, you both came up with substantially identical melody or lyrics and he came up with them first, then hopefully he's going to be cool and maybe just go with an agreement to receive royalties for future performances plus a reasonable cut of your past sales. You have to get an attorney involved if there's a serious disagreement in either the compensation requested by the other guy or whether there was an infringement at all.

      --
      You can never go home again... but I guess you can shop there.
    7. Re:Copyright in a song I have written by mcgrew · · Score: 1

      Don't forget ZZ Top's label being sued by Howlin' Wolf's label for having "Ahow how how" in La Grange. That one was even more insane than the Harrison suit.

  22. Examples of these three scenarios by tepples · · Score: 1

    1. The defendant’s work is copied from the plaintiffs’, but was done subconsciously and in good faith, having forgotten that the plaintiffs’ work was the source.

    Example: Bright Tunes Music v. Harrisongs Music, concerning the song "My Sweet Lord", although the actual damages in that case may have been excessive.

    2. Defendant’s work is based upon an infringing work furnished by a third party.

    The closest thing I can find to this is the GPL-violating port of ScummVM used for the first edition of Pajama Sam for Wii: a contractor hid the fact that a work was based on GPL code.

    3. Defendant consciously and intentionally copies from the plaintiff’s work, with a good faith belief that the conduct is not infringing.

    The defendant must prove that it did not know and should not have known that its conduct constituted infringement.

    The key example here is Rowling v. RDR Books, concerning Harry Potter Lexicon.

  23. infringement is worth shit by way2trivial · · Score: 1

    re-distribution is where the money is for the media powerhouse lawsuits.

    I download a song- I'm pretty much in the clear
    I download a song and simultaneously distribute- that's what is so expensive for consumers under the law

    leeching is cheaper than seeding

    --
    every day http://en.wikipedia.org/wiki/Special:Random
  24. Not an unreasonable assumption to make by westlake · · Score: 3, Informative

    So how about everyone everywhere assume everything is either copyrighted or patented or trademarked and just submit to "them" who ever "them" may be.

    Your Linux distribution has a trademarked logo. The software is licensed. It just might include some patented technologies.

    H.264 support in Ubuntu's OEM distribution, for example.

    Most of the software in Ubuntu is covered under the GNU General Public License. This *is* a license agreement. Unlike most license agreements, however, it does not restrict your usage of the software, but it does restrict the terms under which you can re-distribute it.
    Likewise, while most of the software is covered by the GPL, *all* the software on the system is covered by some kind of license agreement be it MIT, X, Artistic, Apache, BSD, GPL, LGPL, etc, etc.
    You will find the license agreements for the various pieces of software installed on your system in /usr/share/doc/*/copyright. Ubuntu license agreement


    The "Creative Commons" license is - by default - a license protected by the law of copyright:

    CC's Unported licenses were created using standard terms from the Berne Convention for the Protection of Literary and Artistic Works and other international treaties related to copyright and intellectual property. FFAQ

    MicroCenter.com stocks all of 13 items in Linux software, including, somewhat improbably, Slackware Linux.

    Linux Software

    MicroCenter catalogs about 30,000 items in all.

    In hardware, 2 low-spec Ubuntu Linux [Desktop] PCs.

    That the - IP protected to the max - product owns the consumer market space couldn't be made plainer.

    1. Re:Not an unreasonable assumption to make by avilliers · · Score: 4, Insightful

      Please mod the parent up. Linux is copyrighted. Copying Linux is legal solely because it is explicitly granted by a license which is required to be present on every copy. If you didn't have the license--or violated it--you would indeed be a 'pirate'. The grandparent poster seems unaware of or indifferent to the legal framework; the fact that he found someone working retail at Microcenter who was just as unaware is a pretty much textbook strawman.

      In this case in question, the songs are by people like Jessica Simpson, Avril Lavigne, and Jennifer Lopez. I have trouble imagining anyone asserting with a straight face that a reasonable person would believe the songs were off copyright attached.

      IIUC, on the actual issue at appeal, it's whether a jury should be allowed to laugh at the ignorance claim and go to judgment, or a judge is allowed to say it's not even a plausible defense and disallow it from being raised. Either way, the result will not be a right to copy anything without a notice. It strikes me as a pretty narrow issue.

    2. Re:Not an unreasonable assumption to make by hairyfeet · · Score: 1

      I have a question I have yet to see anybody else cover, and since /. is full of FLOSSies I'll just ask it here. We all know there are a shitload of distros that are based on Ubuntu, yes? Now are all those distros covered by the H.264 deal, or are they screwed? Did Canonical make an easy way to remove H.264 support from the base image and the repos, or is this another potential "gotcha!" like I've heard claimed about Novell and Mono?

      As for TFA, is there ANYBODY here that actually believes that SCOTUS would rule for the little guy over the mega corps? If so raise your hand .../hears crickets while seeing no hands raised/...thought so. We haven't really had a "pro little guy" ruling in...what 25+ years? I mean when they let old Jack Valenti's wet dream of copyrights lasting "forever...minus a single day" by ruling the 150 year+ copyrights STILL equaled "limited copyright" (I still don't see how they managed to say that without snickering) I seriously doubt as hard right leaning and pro corporate as the SCOTUS has become will ever rule to have sanity in copyrights.

      --
      ACs don't waste your time replying, your posts are never seen by me.
    3. Re:Not an unreasonable assumption to make by mcgrew · · Score: 2, Interesting

      In this case in question, the songs are by people like Jessica Simpson, Avril Lavigne, and Jennifer Lopez. I have trouble imagining anyone asserting with a straight face that a reasonable person would believe the songs were off copyright attached.

      The Station's music is copyrighted, but they post live versions of their songs on Archive.org (actually entire live performances). If you were trying to download one of these songs with a file sharing app (legal -- permission is granted) you could easily download a Jessica Simpson song with the same name by mistake, particularly if you couldn't remember the name of the band.

    4. Re:Not an unreasonable assumption to make by westlake · · Score: 1

      We all know there are a shitload of distros that are based on Ubuntu, yes? Now are all those distros covered by the H.264 deal, or are they screwed?

      The deal is for Canonical's OEM partners.

      The good folks competing for retail shelf space against OSX and Windows - and, as the MicroCenter example suggests, not doing at all well.

  25. I have a solution to the whole problem. by lexsird · · Score: 1

    Frankly this whole issue is revolving around old and dead tech and it just needs to die off and let something fresh and new take its place. With broadband being close to everywhere in so many forms, a universal subscription service for all music would be the smart way to solve this. A monthly fee to listen to whatever you want, whenever or where ever you want. The artists are paid according to a percentage based off of how much each of their works are played. This would provide a level playing field for artists, and give the subscribers fresh music as well as an archive. Seriously, consider how outdated the concept of "storing" ones music becomes with the ability for it to be accessed from a central storage.

    --
    Take the Red Pill.
    1. Re:I have a solution to the whole problem. by cdrguru · · Score: 1

      But how much would you spend when you knew you could get everything you wanted for free?

      Most of the people I know that aren't independently wealthy or having just won the lottery would answer "Zero!"

      Until that changes, a subscription idea is dead. Can you imagine the outcry if every ISP was required to pay it and just built it into their prices?

  26. the planet of flawed distribution arguments by bzipitidoo · · Score: 4, Insightful

    On what planet is any amount of personal infringment OF ENTERTAINMENT worth thousands of dollars?

    There is a nice mathematical argument that seems to have been overlooked. The penalties are based on this idea that an individual could have distributed a song hundreds of times, and the fines should be computed by some multiple of that. The law was meant to nail those shady businesses selling bootleg copies individually, profiting on each sale, and these industry bullies have twisted that around for use in their campaign of fear.

    The math of exponential growth doesn't support the notion of treating a distributor of bits the same as a distributor of physical media. A person doesn't have to send out 100 copies of a song for it to spread all over a network. Not even 2 copies are necessary. All that's needed is some amount slightly greater than 1. If everyone who wants it distributes a song 1.1 times, exponential growth will penetrate every corner, saturating the network. Highly likely that the network will have spread a song to every interested party well before any one individual on a modest connection could possibly have uploaded it more than a handful of times. It may well be impossible for the originator to send out more than a few copies before everyone who wants it has got it. Such being the case for the originator, most definitely no one in the middle of the network will be asked for many copies.

    --
    Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    1. Re:the planet of flawed distribution arguments by Anonymous Coward · · Score: 1, Insightful

      Another nice mathematical argument that seems to be overlooked is that for any given p2p-network the average upload/download ratio is approaching 1.
      (Total number of uploads = total number of downloads ; Total number of downloads = number of participants.)
      Unless you can prove that a person had a specific seed ratio a fair assumption would be the average of 1.

    2. Re:the planet of flawed distribution arguments by Anonymous Coward · · Score: 1, Insightful

      Well, judges are supposed to protect us from other people's share of law breaking. Ergo the "mathematical argument" is not "nice". It is as simple that you did share 1.1 copies.

      And if everyone does, yes, that is exponential growth and may reach tens of thousands and more, but at that point it is a form of civil disobedience or a social need, and a democracy actually should not be allowed to act against minor infractions of significant parts of the population that do not cause society excessive damage. Most good nations do not react strongly on actions that do not actually remove property (not duplicate - remove) or hinder / endanger the other parts of society excessively. Perhaps 1 days worth of social work is appropriate for such a "crime". Not the monetary equivalent to a lifetime...

      Alas, the US has become very very twisted since a stellar start, the constitution is still amongst the best, but the law, regulations and precedents created on top of it is an unsightly convoluted mess, and the excesses in the area of law pertaining to intellectual property in particular are an actual cancer on society.

    3. Re:the planet of flawed distribution arguments by syousef · · Score: 1

      Regardless of the math, it is not just to try to hold someone responsible for more than their share of the infringement. It should not be worth even 10s of dollars to share something let alone hundreds, thousands or millions. There are graver threats to society and this kind of punishment is disproportionate.

      --
      These posts express my own personal views, not those of my employer
  27. Refrain! by GradyPhilpott · · Score: 1

    I'm wondering why every one is in a dither about this when the most obvious reasonable response is to boycott the entertainment industry. Are we all so brainwashed that we think that we need this stuff to survive and that we just wring our hands when some unfortunate soul gets caught and sentenced to a life of indentured servitude or prison? My favorite composer, Beethoven, spent much of his working life fighting to get proper remuneration and respect for his work. We have come a long way from when the likes of Mozart were buried in unmarked graves to when recording artists and their agencies demand millions for their work and can destroy the lives of those who dare to make a copy of a recording. Actually, I'd settle for going back to the analog world, when reasonable copyright law existed, but since that's not going to happen, why not just say no! Someone spoke of educating people about unfair copyright laws. How about educating the entertainment industry about who's really important in this world and about the power the people and their money really have.

    1. Re:Refrain! by cdrguru · · Score: 0

      If the music and movie industry could rest with any reasonable assurance that they are going to continue receiving any revenue at all, there might be a compromise reachable.

      Fortunately, this isn't the case at all. The goal of folks like The Pirate Bay is to spread the word of downloading for free far and wide. In every school across the US every day the students are pretty much shown the benefits of downloading stuff for free - the teachers do it and their fellow students do it.

      There are some people that pay for digital media, but mostly these are people that either (a) can't download because of a slow connection, (b) don't know how, or (c) have some Catholic-level guilt upon them that says they need to pay. These people are a small fraction of the marketplace today and will become even smaller in a few years.

      Without something changing, the idea of downloading for free is going to win out over paying. Nobody will pay. The music and movie companies can see this on the horizon and it frightens them - a day without revenue. You can say they must adapt to a new business model, but the new model is zero revenue. It isn't a question of revenue from other sources, it is how to manage with zero revenue. Frankly, I don't see a model that allows for this other than maybe making everything ad-supported. It works for Google, AM radio and Network television so why can't it work for music?

      Probably because nobody wants a free MP3 file with 12 minutes of advertising and 3 minutes of music. Or a DVD with six hours of ads and 90 minutes of movie. If you think this is absurd listen to AM radio sometime - just for a few minutes and you will hear nothing but ads. Listen for a half an hour and you will get maybe five minutes of program and 25 minutes of ads. The ads are for pretty scammy stuff because they are so incredibly cheap.

      I think a much more reasonable model is that the last 60 years of music, movies, books and everything else will just continually be available for free and nothing new is going to be produced after a few years by any major company. Promotion ends. Lots of privately-produced stuff will continue of varying quality but few will really know about it. Sales of the old heavily-promoted stuff will continue because people are familiar with it and until they get their shiny new 100Mbps connection it is all they can get.

  28. Re:how about when same thing changes licenses term by Prof.PatPending · · Score: 1

    PLEASE tell me you aren't in Pennsylvania! I've often sent people to the Micro Center store in Radnor, because they have people who actually know what they're talking about (or know where to find someone who knows, if it's something beyond them). I'd hate to think they're going the way of CompUSA. When I had to ask questions there, I started to wonder if these people had ever SEEN a computer!

    --
    WARNING: I cannot be help responsible for the above, as apparently my cats have learned how to type.
  29. Re:how about when same thing changes licenses term by Anonymous Coward · · Score: 0

    One wonders which MicroCenter it is...give me one more reason to avoid shopping there; I had my laptop stolen out of my truck while shopping for someone else's laptop repair parts.

  30. Misleading Summary by Theaetetus · · Score: 2, Informative

    The lawyers filing the petition on defendant's behalf are the same firm that represented Jammie Thomas in her second trial, and the motion which resulted in her verdict being reduced from $1.92 million to $54,000."

    Before it sounds like these are some sort of Super Lawyers...
    After the first trial, Jammie Thomas had a verdict against her of $222,000. This firm represented her in the second trial, which resulted in a verdict against her of $1.92 million. Ouch. Perhaps it's best that they stick to appeals, because juries apparently hate them.

  31. Re:how about when same thing changes licenses term by Anonymous Coward · · Score: 0

    Go to Fry's. They actually won't hire people who have been exposed to PCP on a daily basis. MicroCenter should follow suit.

  32. Let's be clear what Kamara did by Rogerborg · · Score: 1

    In the retrial, Camara lost big time and managed to get the jury-awarded damages increased from $222,000 to $1.92 million. It was only after the trial that Camara filed a "Aw, c'mon" motion and the judge chose to reduce the damages. The motion regarding the amount of damages could have been filed at any time, and the verdict wasn't changed. Camara lost. He's the pro bono defendant of last resort.

    --
    If you were blocking sigs, you wouldn't have to read this.
  33. Twaddle by Chrisq · · Score: 1
    Remember George Harrison's sub conscious copying of "He's so fine" where he was found to have breached copyright without knowing it.

    Harrison was later sued for copyright infringement over the single "My Sweet Lord" because of its similarity to the 1963 Chiffons single "He's So Fine", owned by Bright Tunes. Harrison denied deliberately stealing the song, but he lost the resulting court case in 1976 as the judge accepted that Harrison had "subconsciously" plagiarised "He's So Fine".

  34. Praise the Master for his mercy by piotru · · Score: 1

    My favourite bit:

    "the motion which resulted in her verdict being reduced from $1.92 million to $54,000."

    In other words, buy a house for some fat RIAA jerk and still concider yourself a lucky slave. A house for a few bits of crap. How much did Manhattan cost and where are the american citizens now?

  35. Copy? by Anonymous Coward · · Score: 0

    O.k. here's a really rough idea. All this is about copyright - basically copying their music without paying. But isn't the rule that when you copy something, you have an almost perfect copy of the original? Well that's not the case with most MP3s. When you RIP the original song, you get an entirely different file. A file is just a string of 1s and 0s after all and the"copy" is not really a copy of the original, it's an entirely different string of 1s and 0s that is unique to itself. So If I am distributing my own string of 1s and 0s and not theirs, I don't really see on what ground they can hold me responsible...

  36. Re:The defense, continued... by AliasMarlowe · · Score: 2, Insightful

    RIAA: Ignorance is no excuse from the law. Respect ma authoria'!
    Defense: How can anyone reasonably know what is and isn't copyrighted or what the terms are if it's not included with the work?

    Defense: Moreover, copyright merely grants the copyright holder the right to control copying. It does not by any means guarantee that such a right is unconditionally asserted, or imply that copying copyrighted content is ipso facto a breach of copyright. In fact, there is a great deal of copyrighted material - including modern music - for which the copyright holder actually encourages copying [Defense counsel might point to the more than 10GB of copyrighted music freely downloadable from SXSW showcases 2003-2010].

    Rejection of the "innocent defense" must be contingent on both the copyright status being clear in the work and the denial of the right to copy being clear in the work. These conditions are largely present in movies, but not in music.

    --
    Those who can make you believe absurdities can make you commit atrocities. - Voltaire
  37. Viacom vs. YouTube by Mathinker · · Score: 3, Interesting

    > I have trouble imagining anyone asserting with a straight face that a
    > reasonable person would believe the songs were off copyright attached.

    The discovery evidence from Viacom vs. YouTube/Google proves you wrong. We can thank Viacom for showing just how possible it might be that "viral"/pirate content is actually being distributed by the rights holder.

    Most of us aren't chummy with the **AAs so that we can know what the reality is.
    Sorry! Even those of us who still care (and I think that those who care just make sure that the artists they like get some of their money, regardless of the exact strictures of copyright law).

    1. Re:Viacom vs. YouTube by Actually,+I+do+RTFA · · Score: 1

      The discovery evidence from Viacom vs. YouTube/Google proves you wrong. We can thank Viacom for showing just how possible it might be that "viral"/pirate content is actually being distributed by the rights holder.

      That argument, merits aside, would only be applicable to downloading, not uploading. If I give you a free cookie, that doesn't mean you can tell other people to come into my store and take a free cookie.

      --
      Your ad here. Ask me how!
    2. Re:Viacom vs. YouTube by Mathinker · · Score: 1

      The discovery evidence from Viacom vs. YouTube/Google proves you wrong. We can thank Viacom for showing just how possible it might be that "viral"/pirate content is actually being distributed by the rights holder.

      That argument, merits aside, would only be applicable to downloading, not uploading. If I give you a free cookie, that doesn't mean you can tell other people to come into my store and take a free cookie.

      Not necessarily. As I argued in another post, if I put my copyrighted information up on a public webpage, it's possible that the legal system would come to the conclusion that I am also inherently providing a license for people to view that information. And if I send email to someone, it is OK if he forwards it to a friend, even though I didn't give him explicit permission (as long as I didn't, of course, explicitly deny him permission). Similarly, I think it very possible that if a media company would originate a seeded torrent of their own material, the courts would find that they have provided an inherent license to disseminate the material via the BitTorrent protocol, which includes uploading.

  38. What planet are you from by Mathinker · · Score: 1

    Browse the net much? Every time you visit a new web page you somehow magically first manage to view the license terms found at a totally different page?

    That is, if there even is such a license (a lot of amateur pages don't include licenses).

    I'm sure that even the US courts would agree that content posted on the net can be assumed to have a certain minimal-rights implicit license just by the fact it was posted where it was posted.

    1. Re:What planet are you from by mea37 · · Score: 1

      Perhaps, I don't think that applies very well to the case at hand.

      When I go to /., I can reasonably assume the person who posted the content intends to allow me to view the content (as you say); but I can also reasonably assume the copyright owner is the person who posted the content.

      If I go to a song-swapping service, I can certainly assume that the person who's sharing the files intends to let me copy them; but the crux of the issue seems to be whether I can reasonably assume the person sharing the files has the authority to do so.

      Now, I grew up when physical distribution was still the norm. I can't see how any of my peers would reasonably expect mainstream commercial music to either not be protected by copyright, or be available under a free distribution license - especially absent an explicit statement of a license.

      However, this girl was 16 at the time. A lot of kids these days don't have any concept that sharing music online might be illegal. In the context of youth culture, is that reasonable lack of knowledge that the act was infringing, or is it merely ignorance of the law? To me it's a tough area, which is why this should go to trial.

  39. Re:how about when same thing changes licenses term by SharpFang · · Score: 2, Interesting

    That person is breathing air containing oxygen produced by my lawn. I demand they pay me for it.

    --
    45 5F E1 04 22 CA 29 C4 93 3F 95 05 2B 79 2A B2
  40. Yeah, and chain letter forwarders should ... die? by Mathinker · · Score: 1

    Considering how we all hate spam, I'm sure you agree that anyone who forwards a chain letter by email to more than one other person should be tarred and feathered.

    (Sorry it wasn't a car analogy --- cars are real property.)

    The US court system has already ruled that unreasonably large judgments infringe on the right to due process. We're just now starting to see exactly how that's going to be interpreted in the new digital domain.

  41. Re:how about when same thing changes licenses term by Anonymous Coward · · Score: 0

    Why would I want to deal with drug addled service support?

  42. OT - your sig by mcgrew · · Score: 0, Offtopic

    Spiro Agnew, when defending the incredibly unpopular VietNam war, spoke often of the "silent majority". Of course, there was no such silent majority, by the time he and Nixon reached office just about everyone wanted out of the war.

    He never finished his Vice Presidency and went to prison for tax evasion, much like Al Capone. He had been charged with of extortion, tax fraud, bribery and conspiracy (see wikipedia link).

    Why not just quote Agnew in your sig?

  43. Re:how about when same thing changes licenses term by Gr8Apes · · Score: 1

    And why would you leave your laptop in your truck while going into the store?

    Better yet, why would you blame the store for the result of your lack of common sense?

    --
    The cesspool just got a check and balance.
  44. Dot TV by tepples · · Score: 1

    How do you know the work was created in the US and not in Tuvalu where there is no copyright law

    Especially if the site was on a dot TV domain, which ostensibly belongs to Tuvalu.

  45. BSD license discrimination by jpvlsmv · · Score: 1

    All BSD licensed work is copyrighted, for example, but you are free to make copies from now until the day you die.

    Til I die? I'm an undead, you insensitive clod!

    --Joe

  46. Fuck the RIAA by Anonymous Coward · · Score: 0

    Veto time, WE the people need to stand up to these large corperations, let them know that they will be the ones to loose if they continue to battle the people.
    If people would get together and say refuse to buy anything on Tuesday or Wednessday. This would show the message to the media freaks that we are in charge, while not really having any other effects. If they still don't get the message, then we can extend it an additional day of the week. Their over priced lawyers need to be drawn and quartered, they get more than the artists they rape and pillage.
    Pay the artists directly, if they do not offer their own realistic fees for music, stop buying it. We can always go back to ripping MP3s of radio, there was no problems when I was a kid and making mixed tapes that way. No lawyer threatning to sue, no big wig crying about lost income.

  47. What? by Dausha · · Score: 1

    Okay, under the copyright law, everything is copyrighted by default; unless something has sent it to the public domain (age, author release, etc.). Registering a copyright just gives the copyright holder the ability to sue for damages (verses just an injunction). So, every song downloaded is copyrighted. So, I have a hard time accepting the innocent infringement when the individual actively downloads music.

    According to the [Copyright Law], the only scenario she might exercise is that "[she] consciously and intentionally copies from the plaintiff's work, with a good faith belief that the conduct is not infringing." And IF she proves this, then the court may "reduce statutory damages below the minimum of $750 to as low as $200." The RIAA was asking for $200 per song anyway.

    If you read the rest of the link, then to pull of Innocent Infringement, she has to prove good faith and a reasonable belief the works were not copyrighted. What's reasonable is what a jury can agree to, essentially. So, if you found 12 random people on and asked if it was okay to download known music for free.

    [Copyright Law]: http://itlaw.wikia.com/wiki/Innocent_infringement

    --
    What those who want activist courts fear is rule by the people.
  48. Not _quite_ the case for innocent infringement by IBitOBear · · Score: 1

    The person doesn't have to know that the material is "not copyrighted" so much as the person has to know that their actions are against the interest and intent of the copyright holder.

    For instance I could record a track of music, put it on my web page with a message "please share this with your friends", and subsequent distribution would not be infringement of my copyright.

    And even so, if my record label put out a CD of my work with the same song on it and someone ripped that track and started passing _it_ around things would get tricky.

    In both cases there is a copyrighted work, and in both cases there is copying, but there is no _obvious_ way to know if a given file is from the free-to-share or the infringing origin.

    Now for any track where the person has no knowledge of either origin, or indeed no knowledge of any origin what so ever, there is still copyright. If that file is being massively shared with the public there really isn't any reason for an uninformed person to presume their action of copying would be improper.

    And while there is a lot of infringing work out there, given the scarcity of record contracts, the commonality of stupid marketing gags, the ubiquity of public domain and free-to-share works by independent artists, and the near universal ignorance of the general public to issues like this; well innocent infringement is likely the norm.

    At this very moment vivo is "giving away" near-first quality streams of major artists. Their service, via youtube deliberately and directly copies those music videos to my hard disk. It is _trivial_ for me to retain those copies were I to so chose. Are those copies then legal or illegal? What if they are landing on my network server by simple dint of the fact that I have several diskless workstations? What of the copy that ends up in the "wastebasket" (undelete folder)? Since they force-fed me the copy, literally gave it to me with no clear licensing terms, what are my rights? what are my responsibilities? What of my dumb-ass peers who find this stuff accumulating somewhere with no idea of provenance?

    The basic fact is that the "content producers" (not even the artists) and their lawyers are trying to present this fantasy of a black-and-white world where everything is black by default and data simply cannot move unless someone exercises deliberate and knowledgeable positive action.

    As an exemplar aside: Right now, do you think you _know_ what is in your browser cache? Are you sure there isn't kiddie porn, or at least highly questionable porn? You probably think you do. The state will hold you responsible for it if they find it. But given the near certainty that you have fallen into egregious and disgusting sites of deviant content purely by accident. It's also sure as death that that site put a lot of stuff in your browser cache that you have no idea about what so ever. That you never even saw to begin with because you would have had to click on a gallery link to have even seen it. And even if its all legal, and not embarrassing in the slightest, its all copyrighted and if you back up your computer you are infringing on that copyright with no knowledge of it what so ever.

    Innocent infringement is the norm. It happens constantly. It would be exceptionally dangerous if the courts were to just declare that it was impossible per se.

    --
    Innocent people shouldn't be forced to pay for inferior software development.
    --"Code Complete" Microsoft Press