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AU Band Men At Work Owes Royalties On 'Kookaburra'

neonsignal writes "Iconic Australian band Men at Work have been ordered to pay royalties for an instrumental riff in their song 'Down Under.' The notes were sampled from a well-known children's song 'Kookaburra Sits in the Old Gum Tree,' written in 1934 for a Girl Guide's Jamboree. The Justice found the claims of the copyright owner Larrikin to be excessive, but ordered the payment of royalties and a percentage of future profits. Let's hope the primary schools are up to date with their ARIA license fees!"

55 of 371 comments (clear)

  1. 1934 by Arancaytar · · Score: 5, Insightful

    Fuck, is the guy who wrote this even still alive?

    Oh right, copyright law is written for zombies.

    1. Re:1934 by JustinRLynn · · Score: 5, Funny

      Residuuuuuuaaaaaaaaalllllllllllzzzzzzz!

    2. Re:1934 by norpy · · Score: 5, Informative

      The person who wrote it wrote it as part of a competition for the girl scouts. She is long dead and the scouts sold the rights long ago.

    3. Re:1934 by trentfoley · · Score: 3, Informative

      According to the bbc article:

      Larrikin Music, which is owned by London's Music Sales Group, bought the rights to the classic folk song in 1990, following Sinclair's death in 1988.

    4. Re:1934 by phantomfive · · Score: 5, Funny

      Someone made a point that I think made sense......if we're going to have copyright, we ought to not make it based on the life of the creator.....otherwise it will be motivation to kill artists. Make it 15 years from the time it was created or something.

      --
      Qxe4
    5. Re:1934 by Eskarel · · Score: 3, Interesting

      Unfortunately no, she's not, or this probably wouldn't have happened as she would likely not have sued. She was however alive in 1981 when they lifted the notes.

      Realistically though, this hasn't exactly been a win for either party. The judge believes they plagiarized the notes(which is fairly obvious when you listen to both works), but he's only ordered them to pay 5% of future profits and royalties back to 2002. While this song is still played, one would presume the vast majority of the revenue it has or ever will generate was generated prior to that date.

      This was always a bit of a funny case since their lead singer is a minister in the current government(he's not actually named in the suit presumably he didn't have righting credits so he's got no financial interest).

    6. Re:1934 by demonrob · · Score: 5, Informative

      wrong band. Peter Garrett was Midnight Oil.

    7. Re:1934 by QuantumG · · Score: 5, Insightful

      Unfortunately "artists" provide their own reasons for us to want them dead.. often: nagging about copyright.

      --
      How we know is more important than what we know.
    8. Re:1934 by Chrisq · · Score: 5, Insightful

      Someone made a point that I think made sense......if we're going to have copyright, we ought to not make it based on the life of the creator.....otherwise it will be motivation to kill artists. Make it 15 years from the time it was created or something.

      I know this is modded funny, but seriously say you are write a song that sounds like something else and the judge rules that you might have subconsciously copied it. You have a potential bill for millions that will go away if this artist dies....

    9. Re:1934 by Anonymous Coward · · Score: 3, Insightful

      This "subconcious copy" thing is why I do not want to learn how to create music. It is too risky in today's climate. If I create some music which sounds somewhat like another piece of music someone else had created before, even if I had never heard it, I could be sued and lose a lot of money.

      And people still say copyright is supposed to encourage creativity...

    10. Re:1934 by delinear · · Score: 5, Insightful

      The artist in this case is already dead. The rights to the song were sold after her death, and the song that's claimed to be infringing was released before the rights were sold (i.e. the current rights holder bought the song at a point when they had every reason to know of the allegedely infringing song), that still wasn't enough to prevent them having to pay up. This is the kind of crap people are referring to when they say ridiculously long copyright stifles creativity rather than promoting it - seriously, it's one bit of one song that sounds kind of like a tune someone wrote half a decade earlier.

    11. Re:1934 by cgenman · · Score: 3, Insightful

      I'm just waiting for the guy who invented the power chord to sue for the hella dollars he is rightfully owed.

      Music is a cultural artifact. Cultural artifacts inherently build upon eachother, or else they are meaningless. A big part of music litigation is finding that line between building on what someone else has done, and just straight duplicating. That line isn't always clear. And frequently, trial judges aren't the right people to be making that distinction.

  2. link by Anonymous Coward · · Score: 5, Informative
  3. Reminds me of... by Retron · · Score: 5, Interesting

    Reminds me a bit of Bittersweet Symbphony, the Verve song that was deemed to have ripped off an obscure version of The Last Time by the Stones.
    I guess a lot of that goes on, whether intentional or not.

    1. Re:Reminds me of... by beowulfcluster · · Score: 3, Informative

      The Verve sampled that obscure version of the track and licenced the use of it so that wasn't unintentional. I think the problem was the Stones representatives thought they ended up using too much of the sample in the song. They realized this only after the song became a success, of course.

    2. Re:Reminds me of... by albyrne5 · · Score: 3, Interesting

      I'd always felt that the orchestral string riff in Bittersweet Symphony was a rip-off of Grieg's "In the halls of the Mountain King", but I could never get anyone else to hear the similarity. For me it's very very similar. Strange how music works in the brain!

  4. The Lyrics by Anthony · · Score: 5, Informative
    Kookaburra sits in the old gum tree
    Merry merry king of the bush is he
    Laugh kookaburra laugh kookaburra
    Gay you life must be.

    Sung to the flute riff on "Land Down Under"

    --
    Slashdot: Where nerds gather to pool their ignorance
  5. Well, in truth..... by Lord_of_the_nerf · · Score: 5, Funny

    .....Men at Work do come from a land down under, where women glow and lawyers plunder.

    1. Re:Well, in truth..... by lollacopter · · Score: 5, Insightful

      travelling in my tricked out combie
      on a, bullshit trial, bird in a gum tree,
      i met a strange lawyer, he made me nervous
        he took my songs and stole my breakfast

                      and i said oh! you come from a land down under?
                      where you write a song and a man can plunder
                      when you hear does it make you wonder?
                      you mustn't hum, you mustn't play covers

      got sued by a man down under
      (he had), some copyrights and my song he plundered
      i said do you speak(a) my language?
      he just smiled and gave me a legalese sandwich,

                      and i said oh! you come from a land down under?
                      where you write a song and a man can plunder
                      when you hear does it make you wonder?
                      you mustn't hum, you mustn't play covers

      Dying in a den in Bombay
      (with a) slack jaw, and not much to say
      i said to the man "are you trying to exempt me
      from playing my tune in a land of plenty ? "

                      and he said NO! you stole that riff down under
                      the flute solo it makes me wonder
                      these rights we bought to plunder
                      the tunes you make in a land down under

  6. Even If They Lose the Appeal... by akahige · · Score: 5, Interesting

    ...This has got to be seen as a win for the band. They have to pay royalties back to 2002... which is >20 years since the song was released and became a monster hit. Surely its earnings potential has slacked off some since then. Imagine how bad it would be if they had to come up with royalties back to its heyday...

    1. Re:Even If They Lose the Appeal... by Namarrgon · · Score: 4, Informative

      Even with only 5% royalties and six years, that's apparently still a six-figure sum.

      Wouldn't have guessed they were still averaging $333K+ a year in royalties. I can see why these aging rockers tend to fight for copyright extensions.

      --
      Why would anyone engrave "Elbereth"?
    2. Re:Even If They Lose the Appeal... by Darinbob · · Score: 4, Informative

      The copyright holder was asking for 60% of royalties, and the judge decided that was a ridiculous amount, so reduced to 5%. Still is a bit much, but it could have been quite a lot worse.

  7. Precedent... by Anonymous Coward · · Score: 5, Interesting

    They wrote the song in 1981, and reissued it in 1982, well before the creator's death and subsquent sale of the song to Larrikin. This may set a very bad precedent, since new owners won't always honour agreements predating their ownership.

  8. Nine billion names of God by Yergle143 · · Score: 5, Insightful

    Why don't all you "Pirates" come together and write a computer program to generate all possible melodies for the 32 bar AABA, form. Then publish the whole lot under the creative commons license or whatever, call western music complete, and then download in peace.

    Also these lawsuits are always bunk. Noone ever sues over the harmony do they?

    1. Re:Nine billion names of God by Zironic · · Score: 4, Interesting

      Well, atleast Swedish copyright law states explicitly that machine generated things can't be copyrighted because they're not creative.

    2. Re:Nine billion names of God by madpansy · · Score: 5, Insightful

      Nice try RIAA. You're telling gullible nerds to generate all possible melodies and publish them, only to come in and sue them for the melodies which are already copyrighted.

  9. Perversion of the law's intent by bteed · · Score: 5, Insightful

    Copyright law was originally intended to contribute to the arts by incentivizing creation with a temporary monopoly for the creator. Hands up whoever thinks Ms Sinclair wouldn't have written this song if she knew some company 75 years later weren't able to get a cut of something they had absolutely no part in creating.

    1. Re:Perversion of the law's intent by TouchAndGo · · Score: 3, Insightful

      We can primarily thank Disney for that

    2. Re:Perversion of the law's intent by Asic+Eng · · Score: 3, Insightful

      Well it's not that easy, I think. Someone like Christopher Reuel Tolkien (age 85) is still publishing - at that age you are more likely to be interested in earning money for your family or descendents rather than yourself. That in turn might only be possible if you are able to sell or transfer the rights to the work in some way. Still - 25 years after creation should be plenty of time to profit from the work and be a reasonable not to interfere with it becoming part of our culture and derivative works to be created. Of course Men At Work would then no longer earn any royalties on the song either.

    3. Re:Perversion of the law's intent by LordLucless · · Score: 5, Interesting

      It gets worse. She donated her rights to the song to the Libraries Board of South Australia a year before she died. They then sold the rights to a corporation, which is now suing Men at Work.

      So she even tried to donate it to the public good, and its still being used to score free money for people not involved in its creation.

      --
      Just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face
    4. Re:Perversion of the law's intent by MichaelSmith · · Score: 4, Interesting

      This shows what a great thing the internet is, provided that we defend it. Ten or 20 years ago you had to trust organisations like libraries to take care of donated product. Now you can just slap a GFDL header on the sheet music and post it to wikipedia. Done.

  10. Perhaps copyright needs to be more like trademarks by Solandri · · Score: 4, Insightful

    Trademarks can be lost if they become common generic terms in the language. It happened with Aspirin, Escalator, Zipper, Thermos, and Yo-yo. It almost happened to Kleenex and Xerox, and could happen to Google ("why don't you google it?").

    Perhaps copyright needs a similar exception. If your song/phrase/work becomes an iconic symbol of something else (in this case, Australia), then clearly the benefit to society of not having it protected by copyright outweighs the author's right to profit off it. So it should lose its copyright.

  11. Somewhat bizarrely... by williamhb · · Score: 5, Informative

    ... the whole court case only happened as a result of a TV panel game, Spicks and Specks (Australian version of Never Mind The Buzzcocks). In how many years of every employee of that Australian music company presumably hearing Down Under played how many hundreds of times, nobody noticed until it came up as a curious fact on the telly...

    http://www.news.com.au/entertainment/music/quiz-show-sparks-aussie-anthems-battle/story-e6frfn09-1111117725552

    1. Re:Somewhat bizarrely... by catmistake · · Score: 5, Funny

      "It really saddens me to think that, in the last years of her life, while Down Under was having huge commercial success, she was in a nursing home, not earning any money from it, and was probably entitled to."

      Quoted above, Larrikin Music Publishing managing director Norm Lurie drags through his day, having not been able to help the author, he's had to settle for taking the money for himself, wiping his tears away with her royalties. It's so touching when a music executive is... sad.

  12. remember the reason for copyright by saiha · · Score: 3, Insightful

    Clearly this is encouraging more works to be created.

    To be honest I would love to see at least one example of an author who created a culturally significant work pre-1950 who has created another meaningful work in the last 10 years.

  13. Like the movie Avatar by Mathinker · · Score: 3, Interesting

    > Swedish copyright law states explicitly that machine generated things can't be copyrighted because they're not creative

    I, for one, have never come across a piece of music which was generated by a machine without any intervention of human creative force.

    By strict definition, either nothing comes under that classification, or most modern 3-D animated movies do come under that classification.

    Yes, I know, the legal system doesn't work that way. Still, it seems to be a stupid law as you state it.

  14. Who can it be now? by deniable · · Score: 5, Funny

    Nobody expects the Copyright Inquisition.

  15. This is not the wrong you are looking for. by Psaakyrn · · Score: 4, Interesting

    http://en.wikipedia.org/wiki/Kookaburra_Sits_in_the_Old_Gum_Tree

    "Marion Sinclair died in 1988"
    "In June 2009, Larrikin Music sued the band Men At Work for copyright infringement, alleging that part of the flute riff of the band's 1981 single "Down Under" was copied from "Kookaburra"."

    The problem is not with copyrights lasting more than the creator, since this was infringed withing the creator's lifespan. The question is why is this brought up only now. Isn't there supposed to be something about having to defend your copyrights or some such?

  16. Owned by Warner Music Group now though by FriendlyLurker · · Score: 5, Insightful

    Strange the Larrikin Wikimedia page does not mention it, but it is now a Warner Music Group holding (bought by Festival Records, swallowed by Warner Music Australasia).

    The *IAA's successfully bought off the Aussie politicians in full public view, it is only natural that they get to recuperate that "investment" in Aussie law changes. Bad thing for Australia is: The carrot they offered in return has turned out to be a dud - those silly Aussie politicians sold out for little more than shiny trinkets of no value.

  17. flute riff by martin-boundary · · Score: 5, Informative
    1. Re:flute riff by Vintermann · · Score: 3, Insightful

      That's it? Ten notes, four tones, not even played in the same mode?

      --
      xkcd is not in the sudoers file. This incident will be reported.
    2. Re:flute riff by b4dc0d3r · · Score: 3, Informative

      It's the same mode, Ionian. The example plays them in the same key - the Kookaburra melody starts on the 5th, the flute on the third. The flute part would effectively be a harmony to the Kookaburra melody.

      As much a part of Aussie culture as it is, I'm surprised it isn't recognized as the homage it probably is, conscious or not. Every jazz player ever has been guilty of lifting something at some point in their life, and that's when you have shifting rhythm or different modes to fit what you're playing, and often it's more notes than this. Everyone just nods and winks when that happens.

      I'd love to find a transcript of the proceedings, but then I'd probably just save it for a later which never comes. There has to be at least one person at some point who exclaims "you people are so retarded I think you gave me HIV".

  18. Re:Iconic artist? by pandrijeczko · · Score: 4, Interesting

    Just because you haven't heard of it doesn't mean that the story is uninteresting.

    Anyway, by the way you write, you sound like a teenager so you're probably too young to remember Men At Work's major hit "Down Under".

    I can't say I'm even a fan of the band myself but the fact is this article is more about the music industry and licensing than it is about the band themselves - so go sit quietly in a corner and contribute when you have something interesting to say.

    --
    Gentoo Linux - another day, another USE flag.
  19. Re:All I remember is by thoughtspace · · Score: 3, Funny

    Kookaburra sitting in the old gum tree
    F***ing all the sparrows he can see
    Stop kookaburra
    Stop kookaburra
    That one's got VD ... ah, primary school humour.

  20. Re:Perhaps copyright needs to be more like tradema by ACDChook · · Score: 4, Informative

    Where is this strange world you live where Kleenex, Xerox and Google *almost* became common terms referring to the generic?

    Anywhere outside the USA.

    I blow my nose with tissues.
    I photocopy things with a photocopier.
    And I search for things with Bing or Yahoo. I also google for things with Google.

  21. Defense doesn't add up by Purity+Of+Essence · · Score: 4, Interesting

    Colin Hay defends the song saying (emphasis added):

    "It is no surprise that in over 20 years, no one noticed the reference to Kookaburra. There are reasons for this. It was inadvertent, naive, unconscious, and by the time Men At Work recorded the song, it had become unrecognisable," he said.

    http://www.abc.net.au/news/stories/2010/02/05/2811671.htm

    Yet in the music video for "Down Under" a flute player is shown playing the quotation while sitting in a gum tree.

    Pure coincidence?

    --
    +0 Meh
  22. Save the world from your family by AVryhof · · Score: 4, Interesting

    When you write your will, put a clause that all of your works are released under an OSS or Public Domain License upon your death.

    There should be a CC License created for this... "In Memory Of"

  23. Re:Copyright For Life Of The Creator Only? by paiute · · Score: 5, Insightful

    I'm not saying the system is perfect, but just because a piece of property was created in someone's mind doesn't have to mean that the property suddenly belongs to the planet after an arbitrary time period.

    If I owned the copyright to Homer, the Greek, Roman, and Norse tales, and Shakespeare, then I could prevent any new work of narrative from ever being created and sold.

    --
    If Slashdot were chemistry it would look like this:Cadaverine
  24. Re:The song by Vintermann · · Score: 5, Insightful

    Never knew that such a surreal song had such a literal music video. Oh, well.

    They're referencing Kookaburra all right (the flautist actually sits in an old gum tree), but they are not "sampling" it as half the notices about this says. They are also playing it in a minor key, while it's in a major key in the original.

    It's also an 80 years old children's song. With four tones, eleven notes in the disputed part. The world is mad.

    --
    xkcd is not in the sudoers file. This incident will be reported.
  25. Re:Copyright For Life Of The Creator Only? by silentcoder · · Score: 4, Insightful

    >Whether we like it or not Disney and Paramount and NBC make some decent products.

    To answer your question: Disney made the vast majority of it's fortune by borrowing FROM the public domain. The scripts for nearly all their best selling movies were based on older stories on which the copyright had expired (or never existed).

    So why should Disney be allowed to BENEFIT from the expiration of the copyright once owned by Hans Christian Anderson and the Brother's Grimm but not be expected to CONTRIBUTE in the same way to the NEXT generation of artists ?

    --
    Unicode killed the ASCII-art *
  26. Re:If copyright is forever by arb+phd+slp · · Score: 3, Insightful

    The The Brothers Grimm, Hans Christian Anderson, and even Aesop want their stories Back.
    Yes I am talking to you Disney...

    Snow White was made less than 70 years after the death of a Grimm brother (which, under life+70, would have been copyrighted until 1933). 70 years from death of Hans Christian Andersen was 1945! Extended copyright wouldn't have benefited Walt in the early days at all.

    Aesop--I think we're safe there, but did the Mouse ever actually use Aesop? (Probably in the short films that I'm too lazy to look up).

    --
    There's a perfect xkcd for my sig but I'm too lazy to look it up. sudo someone go find it.
  27. Precedent set, goodbye pop music! by wynterwynd · · Score: 3, Insightful

    Some real good could come of this. You see, many many mass-produced generic pop songs all use the same 4 chords: G, C, F and A.

    http://www.youtube.com/watch?v=5pidokakU4I -- This video illustrates the point rather well

    Now the RIAA/ARAA will never run out of artists to sue. They can take every major pop hit of the last 30 years and have them sue each other back and forth in an orgiastic Roman frenzy of subpoenas. Every pop artist will sue every other one, on and on, with the damages spiraling further and further upward until the songs themselves become worth more when not played at all. Problem solved.

    But seriously, come on - ALL art is derivative, music as much as anyone. You experience music and you have a gift for music, your experiences with music and the emotions they trigger in you inspire you to create your own music, you create based on what you've heard because it's what you know. Maybe it's a little different than the songs that inspired you, but usually not on a fundamental level.

    But perhaps we should take this model and run with it. Maybe if we can just get this applied to the Summer Blockbuster or the Romantic Comedy formula movies, we can finally do away with all the terrible, predictable, and rote plotlines that we've been subjected to for years.

    --
    "Not all who wander are lost" -- JRR Tolkien
  28. Indians Sue to take back Manhattan by tekrat · · Score: 3, Interesting

    Will it never end? How many years must something be in the dust and the the lawyers just feed off themselves, sueing everyone who sneezes near them? The song "Down Under" is from the 80's, early 80's I think, we talking almost 30 years! And just now we're getting to the lawsuit?

    Quick, I think Ben Franklin's estate should sue for all the shit he created that everyone uses without paying for. Ben wanted it to all be freely available, but who cares what *he* wanted, he's dead, and now it's in lawyer hands.

    And they aren't thinking about the benefit of all men like Franklin, they are thinking about the benefit of one man. Themself.

    And that's why this world is going to shit.

    --
    If telephones are outlawed, then only outlaws will have telephones.
  29. Disney's Kill Bill by tepples · · Score: 3, Interesting

    Disney made the vast majority of it's fortune by borrowing FROM the public domain. The scripts for nearly all their best selling movies were based on older stories on which the copyright had expired (or never existed).

    Then I guess Pixar films and Quentin Tarantino's films published through Disney's Miramax brand are your "nearly". But I see your point: Pinocchio and The Jungle Book came out within two years of Collodi's and Kipling's respective copyrights expiring in major markets.

    1. Re:Disney's Kill Bill by silentcoder · · Score: 5, Interesting

      Are you seriously suggesting that Pixar and Tarantino TOGETHER have made them as much money as Snow White alone ? Not to mention Rapunzel, The hunchback of Notre Dame, Alladin, Tarzan (again - came out within a year after Buroughs original copyright expired).

      They have a roughly 80 year history of films made from stories that were in the public domain, not to mention the additional income from toys and other branding. The pixar and Tarantino branches are both only in the last 20 years or so of that period.
      Disney has a history of taking works from the public domain and creating profitable works from them - and then claiming copyright on said derivations. I have my doubts about the morality of this but it's certainly legal. The point is though - Disney is so intent on keeping their one truly original creation (Mickey Mouse) under copyright and NOT contributing it to the world as the people they took from did that they have ensured the extension of copyright TWICE to make it happen.
      That's not even considering that where it suited them - they have on occasion actually outright stolen stories that were copyrighted creating highly profitable works - simply because the small companies they were stealing from simply could not afford to try and sue them. The lion king is perhaps the worst example of that.

      Tit for tat goes the saying. We set up copyright in the way it is so THAT companies like Disney could take it's stories and make movies people love - that's fine. It's NOT fine to refuse to play ball and give you own works BACK to that pool when the time comes so that OTHER companies and people can do the same.

      --
      Unicode killed the ASCII-art *