German Kindergartens Ordered To Pay Copyright For Songs
BBird writes "Deutsche Welle reports: 'Up until this year, preschools could teach and produce any kind of song they wanted. But now they have to pay for a license if they want children to sing certain songs. A tightening of copyright rules means kindergartens now have to pay fees to Germany's music licensing agency, GEMA, to use songs that they reproduce and perform. The organization has begun notifying creches and other daycare facilities that if they reproduce music to be sung or performed, they must pay for a license.'"
this is the apex of copyright bullshit, and it is a serious issue. "humming a song ? you need to pay us !"
Read radical news here
Pay up, you little bastards.
Fuck systemd. Fuck Redhat. Fuck Soylent, too. Wait, scratch the last one.
Go fuck yourselves. Sincerely, The World
To the haters: You can't win. If you mod me down, I shall become more powerful than you could possibly imagine
Didn't the Nazis leave behind a bunch of drinking songs?
The schools should go along with it. Make the parents send money with their kid every time they're going to sing in class. Charge admission to recitals to make it clear that you have to pay for licensing to hear your kid sing. In fact, make the kids hand the money over themselves, and tell them that every time they want to sing something they have to give money away. Maybe if it gets ridiculous enough people will notice.
German Kindergartens told to pay copyright fees for every song, regardless of copyright status or ownership. Failure to do so will be fined on a level that makes stealing Humvees look cheap.
I have to confess, i am very happy about this. This created a lot of waves and even the most conservative media outlets reported very critical about it. I think the copyright mafia used this time a shotgun for volley fire into their own feet. Though i am sorry for the kids, i am thankful for the allies this generated. The evil demasked itself...
CU, Martin
... is still safe to sing
Note that this only applies to making copies of sheet music, not merely singing the songs (or arranging, or performing, or anything else). Same sort of thing is in effect here in Canada, and I'm sure many other places. Not a wonderful policy, but not the culture-destroying terror that the summary implies.
good. the more obnoxious they are the quicker they die
Let me play devil's advocate:
Daycare centres are busineses. Carers are professionals earning a living from their work. If they want to use a musician's song as part of their work then why shouldn't they have to pay? Why should this beneficial material be provided freely to them?
This ought to help shut the little bastards up. In fact we should do the same with words. I'm sure by now that they've all been copyrighted.
for song writers to create children's songs as free marketing material, license them CC or free for school usage.
by TheSpoom (715771) Uncaring Linux user here. I have nothing to add to this but please continue. *munches popcorn*
I had a song I heard on the radio going through my head a few minutes ago. I feel guilty now. Maybe the RIAA should implant lobes in my head and charge my credit card automatically whenever I think about a song. It's only fair.
"Nazis........I hate those guys."
Doubtless many of the "copyrighted" songs are derivative from earlier folk works that are long out of copyright. This is utterly silly.
People affiliated with the german Pirate Party have created and published a song book (sorry, no english translation available) with several popular Christmas songs. They created the sheet music themselves and used only lyrics whose copyright protection has expired, so the song book can be freely used and distributed.
Rudolf Hess edited Mein Kampf. He was the very first grammar nazi.
"We have ways of making you pay."
The Pirate Party reacted by releasing a song book of freely licensed notesheets and song texts. That's basically a big "fuck you too" to the content cartels and their fee-squeezing lackeys. The more they're doing that sort of bullshit, the more the people are willing to rebel.
http://musik.klarmachen-zum-aendern.de/nachrichten/gemeinfreie_notenblaetter_fuer_advents-_und_weihnachtslieder_3_update-588
wants his long overdue royalties, after all he's had to feed all those damn noisy animals all these years....
Sometimes the light at the end of the tunnel is the headlight of an oncoming train.
Now if I can just get a copyright on prayer. Think of the income from the Lord's Prayer alone. Why should corporations be limited in their right to beat down the public and take every cent from their pockets?
Seriously?!?!??! C'mon!!
Nobody at GEMA looked at this lawsuit and said "Holy shit, guys, we're suing toddlers!" and had second thoughts?
No publicity is bad publicity, I know, but this is pushing it just a bit too far.
Sent from my CR-48
GEMA allegedly attempted to collect royalties on Turkish National Anthem too http://www.hurriyetdailynews.com/n.php?n=national-anthem-to-be-made-public-property-2010-12-07
Some kindergarten teachers might play the piano, or guitar, and provide music for the kids to sing along to. Not all of them will throw a CD on and play music through a sound system.
When I was a kid we brought in milk money. And we got nutrition. Now it's payoff money and we avoid litigation. "Tommy, you forgot your music money? Go sit in the corner with the noise canceling headphones". "No, Mary. Being tone deaf doesn't mean you get a discount". ROTFLMFHO Next- a charge for singing hymns in church.
We all knew this would happen again sooner or later, what with all these new anti-consumer copyright laws either already enacted or pending legislation around the world.
For those who don't remember, ASCAP threatens to sue girl scouts for exactly the same thing: http://www.law.umkc.edu/faculty/projects/ftrials/communications/ASCAP.html
...thinks Horst Wessel's family needs to get their royalty checks.
We'll soon reach the point of no return.
Sooner than expected, though, but considering what these idiots are doing - it's not really a surprise.
It won't be pretty :(
Charging copyright fees for teaching children to sing is the epitome of greed.
Next thing you know, I'll have to pay royalties next time my damn blinker in my car matches the beat of a song on the radio.
What is it with copyright lawyers consistently suing kids ten years old and younger?
I would steal this idea for a stand up sketch, if only it wasn't real..
So how long before both the RIAA and MPAA be granted as an official agency of the US Federal Gov. How soon after would there be yearly random anti-piracy audits of businesses and peoples homes? Better yet, how soon will we be taxed to subsidize those agencies regardless if you buy their shit or not?
What's another one added to the list? http://www.usa.gov/Agencies/Federal/All_Agencies/index.shtml
Weird Al stands on a gold mine!
"Oh, you mean those are not the 'real' words? Sorry, but his were free and yours were not."
My first Journal Entry ever, in 8 years! http://slashdot.org/journal/365947/aphelion-scifi-fantasy-horror-poetry-webzine
I thought that was In Soviet Russia.
My first Journal Entry ever, in 8 years! http://slashdot.org/journal/365947/aphelion-scifi-fantasy-horror-poetry-webzine
That's a way to make sure your songs are forgotten by future generations, and they deserve oblivion.
They all called me crazy when I bought the copyright license for "Head Shoulders Knees and Toes." Said I'd never make anything with it. Well now I'm going to be rich in German franks, or bagels, or whatever monies they use over there!
Many people are basing their response on a gross misunderstanding. They are not charging kids to sing, they are charging for each kid to have their own sheet music. This is a common practice for all sheet music in band class, orchestra class, professional symphonic orchestras, church bands, ect. You could be outraged that they are targeting education or young kids, but not over the singing part unless you already disagree with the aforementioned common practice.
That brings me to an interesting point, / . is just "the ramblings of socially-inept, technology-literate news-mongers".
Fuck those little bastards. They think they can sing whatever song they want and get away with it? What gives them the right? They are pretty much stealing from music industry executives. I say make them pay, retroactively even. And if I ever hear any of you so much as hum a single bar of the theme song for the show The Greatest American Hero, I will be reporting you to the proper authorities! A free education while they leach off the system and their parents isn't enough for them, oh no, they will not be satisfied until they are able to sing any song they wish without paying the publishing company that owns the song. You see, the world isn't going to end now, it is going to end when those little rug rats grow up and it will be all because they thought they could sing someone else's song for free. Well guess what, not on my watch!
From Sean Kennedy's Tales From The Afternow ( http://rantmedia.ca/afternow/ )
(from transcript http://thinkforyourself.vaillife.net/assets/afternow/01tota.streamjack.doc ) -
It was a few years later when the REAL crackdown came. The Listener’s License. What a fantastic concept. I can’t believe it. See it happened like this. There was this - there is all this piracy, see everybody was - piracy was - Uh, piracy is now what they now consider a theft. See in order to combat piracy which was getting really rampant, all this information was flowing around nobody really liked that so they wanted it gone. And they wanted to get rid of piracy. But they couldn’t stop it.
The Internet was growing everyday. No one could stem the flow so they created the Listener’s License. Started real easy. See music, legitimate music to purchase, was, you know, say 20 bucks. And then what they did was, if you signed up to get this card, you know like a loyalty program card of the day. You’d get 75% percent off. So a 20 dollar CD became a 5 dollar CD. And you could buy it legitimately. For 20 bucks you would walk out of there with 4 CD’s. Amazing.
Of course people were signing up for it in droves, I mean why wouldn’t ya? You could go buy a pirate CD for 6 bucks or you could buy the reall thing for 5. Consumers are such mercenaries. So they signed up en masse.
2 years went by, 2 years. Then it became mandatory. See if you didn’t have your listener’s license, if you couldn’t present your card, well you weren’t able to buy music. Part of the licensing agreement came when you got the card. And all of sudden people were out in the cold.
But it wasn’t just the music you know. The listener’s license was created by the conglomerates. They all got together. If you wanted to see a movie, hey if you had your listener’s license you could get in for 2 dollars. (chuckle) 2 bucks. Oh you don’t have a listener’s license, well you can’t get in. See they couldn’t control the piracy so they stopped it at its source.
If ever you were found to be a pirate or if your computer was ever found to have MP3s that weren’t appropriate on it you were eliminated, your listener’s license was revoked and you were out of the loop. It's all private enterprise, you don’t have a right to music, you never had a right to it. It's all private.
No more movies no more shows. Can’t even buy art. Cause you can scan it. What if you scanned that picture? So, regulation of course is always the first step to total domination. But we didn’t see that either. We weren’t ready for the horror.
At that time the listener’s license had huge power. Not the power it has today, I mean now. If you do not have a valid listener’s license. I mean - well in our time you can’t do anything, I mean, you’re a pirate. If you can’t present, that is part of your paperwork. It’s part of your identification. See the listener’s license, after they came out with that. That was a huge step one.
But everyone was so focused on the listener’s license they didn’t see where the REAL power play was made. See everyone was so whipped up, and the media again, you know the corporately controlled media. Got everyone focusing on the benefits and the drawbacks, a big debate over the listener’s license. But then what they didn’t see was, was the regulations that went into play on the recording equipment. See that was the one that really came back. They started putting these standards on microphones and any kind of recording media. You wanted to record, well you gotta adhere to this standard. Because this is the future. Got to make sure the quality is there.
Chips were put into place. All recording med
Prisencolinensinainciusol. Ol Rait!
Oh, wait.
Do the copyright mafias really have no shame?
My bicyles
Hey, they heard that taking candy from babies was easy. Everyone likes easy.
Ist das nicht ein good business model?
I normally give content producers some benefit of the doubt.
However, now they just look like Mr. Burns trying to take candy from a baby.
Non impediti ratione cogitationus.
To me this story is less about copyright infringement, and becomes entirely about the creepy aspect of a bunch of German lawyers and media executives being interested in, and somehow becoming aware of what goes on in a *kindergarten classroom.*
How in the hell do they even KNOW about it? What else are they snooping on, with these kindergarteners?
-fb Everything not expressly forbidden is now mandatory.
While this is just dumb on every level, I for once am happy a story of this stupidity is not from the USA. In a twisted way, I'm glad it happens over in Europe too.
German children probably listen to Kraftwerk to learn all about radioactivity, vitamins, telephones, computers, autobahn, neon lights and such. In fact, in the summary's picture I believe they are dancing to The Robots. Seems fair for the band to receive some kind of royalties.
It should be noted that there's quite a bit of public outrage against this, most of the media wrote about it very critically, sometimes with front page headlines.
So every uro they get, they pay dearly for in reputation capital.
Assorted stuff I do sometimes: Lemuria.org
This is an excellent opportunity to teach the little ones about Creative Commons!
Since last year, SABAM (Belgium's RIAA) charges day cares and schools for the music they play in class:
see here
Youth organizations, neighborhood parties and small businesses that play radio during work already had to pay for this (or risk being raided by the copyright cops).
It is not so much that I have confidence in scientists being right, but that I have so much in nonscientists being wrong
My first grade song book from my Finnish elementary school had staves and notes, and I distinctly remember being shown how to read sheet music for extracurricular pre-school recorder lessons. Why wouldn't you teach kindergarterners the basics of sheet music, pitch and note duration seem to me a lot simpler than trying to teach reading the alphabet.
German courts tend to have judges with common sense, as seen from previous outrageous demands by copyright holders being rejected. I believe this would happen in this case too, should the German version of RIAA take this to court... seriously - "we think kindergardens should cut down on the food budgets such that they can pay us whenever they sing Schnappi". Bah :-).
I think that maybe we're getting way too far in this copyright and patents thing, to put it on other terms I'm seeing the catholic church all over again forbidding people to do that or this and it's got to the point that it has started to block human knowledge and grow. The problem is that in order to solve this problem a LOT of people must change their minds first and what's more troublesome: we have to start doing things because it benefits us all and not because it benefits our income. The bottom line is that money sucks big time
...yes, they want paid specifically in the case that child-care centers make copies of sheet music. They claim that this is a great "savings opportunity". Right. While child care centers may technically be commercial enterprises, in fact, this is an absolutely pathetic and stupid idea. The amount of money they will make will be trivial compared to the good will lost.
Enjoy life! This is not a dress rehearsal.
I'm a music educator, and I teach high school kids aged 14-18. My kids can't keep track of or care for their own music, and I can't imagine what preschoolers would do with sheet music.
The problem is that publishers make it extraordinarily difficult to replace a single "part." If my string bass player loses the last copy of a part to a piece, I can't go out and buy just that one part. I would have to pay the replacement price for the ENTIRE piece- and these prices have been skyrocketing in the last couple of years.
If publishers made it easier to replace a single lost part, I would give out originals and sell my copier at the pawn shop. Until then, I'm going to keep passing out photocopies in order to preserve my full sets.
This post is published under copyright by the author. By reading this material you agree to pay a fee of $25.00 US each month (Euros, Pounds ETC... gladly accepted as well!). OH BOY! Now all I need to do it sit back and collect! Not funny? How long before individual web pages start following the music/movie industries lead? I wonder if I can copyright the English language and alphabet.... hmmmm......
How long does German copyright last? Shouldn't the good old songs that you learn in kindergarten have a good choice of public domain songs by now?
"It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
The entertainment industry has spent so much money on lawmakers world wide so they can lock culture up and charge access in perpetuity. When the copyright runs out they refuse to release the material to the public domain. Politicians world wide are all jointly responsible for this assault on culture by taking money from the industry and in turn giving them everything they want. This is what the entertainment industry paid for. This is not the way a free society should function.
In Australia we already need a license to reproduce copyright material (including copying song words, and sheet music). Fair use includes reproducing stuff for educational purposes, but it imposes a limit on the proportion of a work that you can copy. e.g. I couldn't publish a song book of copyright works and claim that it was fair use.
No big deal IMHO.
Sheet music is usually handed out to parents, so that they can sing along, e.g. for St. Martin's day processions.
they all end with the lyrics, "All rights reserved".
Though it is adorable to see them start each school play with a 3 minute copyright infringment warning sketch in 15 different languages.
So next time your hear the question "But who will think about the children ?" you will have the answer...
It takes 40+ muscles to frown, but only four to extend your arm and bitchslap the motherfucker
Sorry, to blow up your bubble. But copyright isn't a conservative problem, as implied by your qualifier "even the most conservative media outlets". If anything, it's liberals that favor a stronger copyright regime (I'm not talking about the more radical elements that choose to label themselves "left" or even, horrors, "socialist") since IP laws tend to favor the supposedly less traditional industries that pollute less, exploit the "working" (middle or lower) classes less, etc. With a few notable exceptions, media and software companies should be more liberal than oil companies or banks. And guess what, to stay afloat, these "progressive" companies need copyright protection for better or worse.
It is quite interesting to compare this press release with the article exposing this. Technically GEMA is correct in their press release, but they do a lot of spin, and do not tell the entire story.
GEMA wrote to kindergartens, demanding:
In the press release GEMA is backtracking on the bad publicity this gave them when the press took up the story and adding their own spin by saying the reporting about payment for song performances was wrong (which it was) and not mentioning that they still require all kindergartens to report all song performances. Also they do not mention that a requirement of reporting performances to GEMA almost always is a precursor for a demand of payment.
VG Musikedition is not an entity completely separate from GEMA. In fact they are so tightly connected and what they do is so similar that it is hard to explain why they are not the same organization. Unless when you think of the extra administration having two entities cause. When the two organizations both funnel some of the money through the other organization, they can both take a piece of the cake before distributing the rest to the artists. And this is probably the real reason why VG Musikedition asked GEMA to collect the money for them instead of doing it themselves, as they were supposed to.
The copyright babies are abusing their toys, so it's time to take them away.
Copyright was meant to inspire creators to create, not stupid, ignorant, braindead corporate scum to claim ownership of every last fucking thing on the planet.
Copyright no longer serves the purpose it was meant to. It's time to scrap it and rebuild it from scratch.
...the Germans retaliated by asserting a trademark on the term "kindergarten", and claimed back roaylties and damages from the whole world.
One of CA's charging model's (see: Computer Associates) is to charge per number of times a program has been run
Of course, their other charging model is based on CPU capacity.. (figure this one out.. if you can)
Here goes. Yes it is sort of a screed written today:
How to organize for a political push to restructure copyright and patent law?
Advocating for changes in copyright and patent law is basically a sharks versus minnows problem. The sharks are the relatively few businesses who are able to write laws and lobby for their passage. The minnows are the 200 million plus people who buy material covered by copyright and patent protection.
At the level of Federal law, the sharks have been winning by arguing for and lobbying for broader laws and longer terms of copyright and patent protection.
I write here about the problem by cutting it into three parts. One part is “How do you organize the minnows.” Part two is: “How do you argue for less restrictive copyright and patent laws? Part three is: “What law do you write and what do you ask elected representatives to vote for?”
On the problem of “How do you organize the minnows?”
I recently discovered an article that shows how and why an organization effort could plausibly employ a social network site like Facebook. The kind of action group that is plausible is: A loose social network.
The article title is “Small Change Why the revolution will not be tweeted.” by Malcolm Gladwell, published in The New Yorker magazine, October 4, 2010.
http://www.newyorker.com/reporting/2010/10/04/101004fa_fact_gladwell
1. Copyright and patent reform needs to be a non-partisan movement.
2. As an issue for the large numbers of “minnow” advocates, this will be a relatively small commitment activity that does not require the intense friendship and hierarchical structure of the American Civil Rights movement. The Malcom Gladwell article above eloquently disassembles the presumption that a Facebook type advocacy program can create a disciplined, hierarchical organization. Instead of an institution, a Facebook advocacy program tends to create a loose network.
3. The hundreds of thousands of reform advocates need a set of winning arguments.
4. Money and rhetoric: In the absence of a better rule of thumb, the lobbying and campaign donation dollars deployed needs to match or exceed by a factor of two the lobbying and campaign donation dollars spent by the “shark”advocates. The movement needs a well documented estimate of the shark lobby hours and dollars and shark campaign spending and a matching tally for the “minnow” advocates.
Unless something changes, let's assume that money talks in politics. The movement needs both money and quality talk. The copyright and patent reform activity needs both a coherent rhetorical argument and matching donations.
On the problem of “How do you argue for less restrictive copyright and patent laws?”
There are many instances where copyright and patent protections are an encumberance and annoyance. For instance:
German Kindergartens Ordered To Pay Copyright For Songs http://idle.slashdot.org/article.pl?sid=10/12/29/169253
Several legal arguments are of great importance to the development of an effective advocacy argument. Some thinkers are:
Richard Stallman and the Free Software Foundation.
http://shop.fsf.org/product/free-software-free-society-2/
Lawrence Lessig, law professor and copyright lawyer.
http://en.wikipedia.org/wiki/Lawrence_Lessig
The intellectual property and entertainment industries have a very strong argument for more restrict
Just for starters...
http://www.youtube.com/watch?v=DYIU09o1gsI
http://www.youtube.com/watch?v=d_D1mYBBHgM
http://www.youtube.com/watch?v=jEIm3pe5wbA
http://www.youtube.com/watch?v=gY86ADsJvcY
Confucius say, "Find worm in apple - bad. Find half a worm - worse."
this is just crap reporting.
from the article (in case you didn't read it):
completely contradicts this:
At the risk of being modded down.
"... if they reproduce music to be sung or performed, they must pay for a license."
In other words they are treating Kindergarten, Daycare etc like any other organisation. This is a matter of GEMA having ignored something they could have been charging for a long time ago. The rest of the world hasn't been so kind to kindergartens etc. Other Kindergartens etc around the world have needed to purchase licenses (and they don't cost that much) in order to do the same for decades already. If it is a chain of kindergartens or daycare centres, then the head offices will purchase the licenses for the entire chain.
If this is all shocking to some people, just remember, it is probably (like a lot of other things) bringing Germany in line with other members of the European Community, (like Spains new anti-smoking laws are doing in Spain). Why the sudden shock of it happening in Germany when it is already the standard practise everywhere else? It hasn't caused kindergartens in the rest of the world to shut their doors, nor will it do it in Germany. So far German kindergartens have had a free run on something that GEMA could have enforced many many years ago.
Note, that I haven't said whether copyright should be strictly enforced in kindergartens/daycare centres etc, (I'll let you all fight that one with whomever your local copyright agency is), but this is for a license for a kindergarten/daycare centre to use music NOT for incidents involving kids walking around the place humming or singing to themselves. It is strictly for when the music is used in 1. teaching, 2. performances, 3. daycare/kinder/school discos (in the case of 2 & 3 the school/daycare etc often raise money off the canteen and admission etc).
Ways around it include 1. not playing more than 10% of a copyrighted piece in a music/singing class (covered by copyright law as fair use in most parts of the world for learning purposes ONLY), and 2. also using only pieces outside of copyright (public domain tunes such as "twinkle twinkle little star"). In fact, a lot of children tunes do lie in the public domain. It would be a matter of possibly doing what they used to do when I was at school and have a teacher perform the songs on a piano whilst the students sing etc (as opposed to using someones recording on a tape deck or ipod etc which may be covered by copyright on the recording).
My point here being that in spite of the rhetoric being bandied about here, this is hardly a hiccup in the copyright debate. The daycare centres/kindergartens will pay the licenses each year (less than a dollar a kid) and life will continue as usual. This is the same license required by all schools, clubs, associations, DJ's etc etc that have any sort of music being played whether it is a school band performing Louie Louie, or background music in a club where you go to socialise. This law has been around for over forty years. I think the only question relevant here is, 'Why enforce it now?' and the answer is, 'To bring Germany in line with other European Union nations.' Nothing new to see here. Move along.
Sure enough, the cow costume was hanging up next to the superhero outfit and sailors uniform. (S,Spud)
And as a bible-thumping Baptist
Jesus wasn't baptized by John the Catholic, or John the Lutheran, or John the Methodist. He was baptized by John the Baptist, no matter how much Jehovah's Witnesses want to change it to "John the Baptizer" in their translation.
it irks me that these folks want to charge royalties for me beating you over the head with words written ~2000 years ago.
No, they're charging you for an English interpretation of manuscripts in ancient Greek translated from what Jesus probably said in Aramaic. The problem in the article you linked is that there wasn't much of a retranslation scene prior to 1923. Beat people over the head with your World English Bible.
Giuseppe Verdi would argue against that --- he was prominent in the formation of the Societa Italiana Degli Autori Ed Editori (SIAE) in 1882
If the organization really wanted to promote itself as "for the authors", it might drop the "ed Editori". But then it would become SIdA, which is the acronym in multiple European languages for what we call AIDS.
If you want music to be free, [...] write something of your own and release it to the public domain
If I write something, how do I know whether I have the authority to release it to the public domain or under a similarly permissive license? The incumbent music publishers might argue that I subconsciously copied something copyrighted. George Harrison lost a million dollar lawsuit (Bright Tunes Music v. Harrisongs Music) over accidentally copying something into "My Sweet Lord".
then see if that bites into GEMA's income stream.
Sometimes boldness is in fashion. Sometimes only the brave will be bold.
VG Musikedition (the other "club" represented by GEMA), sums up this issue and
VG Musikedition on photocopies in Kindergarten outlines their "new" offer. You may want to give e.g. Google Translate a try if you don't understand the german language.
Until recently, Kindergartens weren't permitted at all to copy single song sheets, their only option were to buy the books of those song sheets, but those books again didn't permit copies at all. However, Copyright expires 75 years after death of the writer; and those songs may be freely copied.
Now, there's also the option for Kindergartens to pay a fee of 56 Euros (plus 7% VAT) per year (€44,80 for Kindergartens operated by churches or cities) which permits up to 500 copies of song sheets. For example, for 112 Euros (plus 7% VAT), up to 1000 copies are permitted.
The odd thing with this option is, that kindergarten teachers then do have to keep an account on the amount of copies being taken for songs whose writer is dead for at least 75 years: bureaucracy at its best.
How about waiting for the pussies to charge you then deal with them in court. What's the problem?>
http://mobile.slashdot.org/comments.pl?sid=1930156&cid=34719276
http://it.slashdot.org/comments.pl?sid=1916240&cid=34612834
http://it.slashdot.org/comments.pl?sid=1916240&cid=34647708
http://slashdot.org/comments.pl?sid=1922942&cid=34665368
http://slashdot.org/comments.pl?sid=1924664&cid=34669668
ROTFLMAO! I wouldn't listen to "professor hairyfeet" guys, he's only an ITT Tech student.
Bad news for German kindergarten students.... great news for David Hasselhoff!