Super Mario Bros. 3 Level Design Lessons
An anonymous reader writes with this excerpt from Significant Bits about how the early level design in Super Mario Bros. 3 gradually introduced players to the game without needing something as blatant and obtrusive as a tutorial:
"Super Mario Bros. 3 contains many obvious design lessons that are also present in other games, e.g., the gradual layering of complexity that allows players to master a specific mechanic. What surprised me during my playthrough, though, was how some of these lessons were completely optional. The game doesn't have any forced hand-holding, and it isn't afraid of the player simply exploring it at his own pace (even if it means circumventing chunks of the experience)."
Is that at this point in time SMB3 is still the subject of the matter.
The current industry standard today basically assumes the player is stupid and needs handholding, that is a sad fact, even though it opens up the games to a much wider audience than the one that played games back in the day of SMB3. I think nowadays people are very much afraid of introducing complexity in their games just because they will have to explain how the complexity works with a tutorial or similar, wich in turn requires more resources on design/tutorial building etc.
the gradual layering of complexity that allows players to master a specific mechanic. What surprised me during my playthrough, though, was how some of these lessons were completely optional. The game doesn't have any forced hand-holding, and it isn't afraid of the player simply exploring it at his own pace (even if it means circumventing chunks of the experience)."
That sounds like the exact same experience many of us had with Sonic The Hedgehog. Take for example, Green Hill Zone Act 1: GHZA1 @ Soniczone0.com Now that's a hell of an intro to a 90's game. Starts out linear. Thirty seconds into it, you are given 3-5 routes to take. I felt like I had more control in Sonic the Hedgehog of my fate than, say, Mass Effect (1/2). And this was on the Sega's now puny 16bit system!
It holds this level of "choose your own adventure" for a good amount of the game. By the end of 3 sonic games, you will have gone through creepy forests, oil refineries, casinos, labyrinths, mad robotic factories, etc. Each has its own unique look and feel. Man, those were the days of game design.
...are this way. And that is a huge portion of what makes them awesome. Not only has the level design always been done with an incredible dedication to detail, surprises and general experience, many levels are as easy or hard as you'd like them. Just think the star (coin) system in the newer games. You can play through the game and never care for all the bonus stuff and it's still a nice experience. Or you can go after every devious bit.
There's a reason why I own both a DS and a Wii and only break them out when a new Mario or Zelda game is released. (If Square Enix were to get their act together and release a true successor of Secret of Mana or Chrono Trigger, we could talk, too).
tl;dr: I 3 Nintendo
http://www.penny-arcade.com/comic/2009/10/5/
PS: Fuck you /. and your parser that eats angle brackets.
PPS: I specified J&R because Paper Mario, Inside Story etc are kinda weird. On the plus side, each of them explores a new concept, which is very neat.
Donkey Kong Country Returns on the Wii is a great example of classic level design. The beginning of the game shows the opening cinematic, and after that, Donkey Kong leaves his house, and left just standing there. After a few seconds, you move the joystick after the realization that, "Oh... The game just started."
You're just thrown into the game. It guides you along the correct path, but it doesn't sit you down and teach you. You learn how to play for yourself gradually from the moment you touch the joystick.
Donkey Kong Country Returns is how games used to be. This is how they are now.
Love the speed run demos they included in New Super Mario Bros., which really illustrate your point. Sure, one could play through every stage in a straight forward fashion, or one could play through without losing star power the entire stage, while getting a dozen extra lives with a single turtle shell, or without ever touching the ground. In the hands of a creative player, the depth of the classic Mario game play truly shines.
Yeah seriously Super Mario isn't even all that impressive when it comes to how it "teaches" you the game. It's simple really just run and jump. Not that I don't love SM3 as much as the next /.er but it's simplicity and a lack of need for explanation is just apart of the beauty of its design. If you want an amazing example of a game teaching you how to play it without a tutorial play portal then play it again with developer commentary on it really makes you appreciate how much time and thought was put into it to make it a learn as you play game.
There aren't games more true to the "press right to win" saying than the Mario series. That's all it takes in these games, even in the later levels. Just take a look at the level maps.
This reminds me of well-done exposition in movies or other fiction, where the audience is given a good amount of information about the characters or story, but in a way that is interesting and not disjoint from the presentation.
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Now /. is eating "3"'s! When will this madness end?!
Agreed. And I think they reached perfection with Super Mario Galaxy, which starts out requiring only simple motions, but constantly adds complexity throughout a very long game. By the end, you're an expert, and the game requires extremely complex maneuvers to complete. And when Galaxy 2 was released, there was a lot more you could do early in the game if you are already familiar with the advanced controls.
Super Mario 64 could have been as good (I know most people bow before it) if only it hadn't been plagued by a frustrating camera. Zelda - Ocarina of Time had a much better camera in the same era, and succeeded like Mario Galaxy at introducing complexity.
Still haven't played it.
Instead of wasting $50 a pop buying the latest Nintendo, Sony, or Xbox shit, I should be going back and playing all the 8 and 16 bit classics.
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This just reminded me of the game 'Braid' which I got with the Humble Indie Bundle 2. Although the game play contains a lot of messing with time, which certainly is a little unfamiliar, you get introduced to it quite nicely through the level design. It is also shown by David Rosen of Wolfire Games in his design tour through the bundle: http://www.youtube.com/watch?v=eVsWDmSrv5I
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"... that allows players to master a specific mechanic."
I thought he was a plumber.
Sometimes explicit tutorials are nice. Take the one in Steamshovel Harry. http://www.e4.com/game/steamshovel-harry/play.e4
This interview is the best example of Nintendo's attention to detail that I can find. In it, Miyamoto describes the insane amount of detail that went into the first ten seconds of Super Mario Bros. The mushroom, goomba, blocks, and pipe were all played just so in order for the player to realize what was good, what was bad, and so on. All without a tutorial and losing at most one life.
I think modern game designers could learn a lot by going back and studying how they used to convey ideas to the player without the memory space for tutorials.
The same applies in NEW Super Mario Brothers Wii. There's so many new stuff and some actions that aren't even documented, and yet it's simple enough to figure out as you play again. I borrowed a PS2 from a friend and tried out Sonic Heroes. You have to do a tutorial first which is so anoying that it put me off of the game completely. During the tutorial you barely move for 2 seconds inbetween places where you have to read instructions and do completely boring trivial stuff. I agree with the poster of this article, we should have less of that!
DKCR could take some lessons on "introducing slowly." There are too many segments where trial and death are the only way to figure out how to pass a level. When I first came upon a giant-hippo-on-a-stick, I actually stopped to think about WTF I was supposed to do. There is no indication that you can bounce on it, there is no warning that doing so will lower the hippo, etc.
The level designers also seem to have spent a lot of time planning pitfalls so the only way to pass many levels is rote memorization. That may be classic, but it's not fun.
The spider hoard race is a rare exception.
I'd rather have someone respond than be modded up.
My what a short memory we have.
If you haven't played through Portal with the commentary, you haven't grasp half the greatness of that game.
I'd rather have someone respond than be modded up.
Sry. Portal has been mentioned.
I'd rather have someone respond than be modded up.
Them: "I can't believe you didn't like [big movie]!"
Us: "Um, didn't you fall asleep in 2001?"
Them: "Yeah."
I'd rather have someone respond than be modded up.
<3
^^vv<><>BA
the FIRST 6 hours? I think that in and of itself explains a lot. The whole game including forced-wait-times took me less time to complete than some old MODS used to WITHOUT them.
A bullet may have your name on it but splash damage is addressed "To whom it may concern."
/. is eating madness!!!!
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Madness? This! Is! /.!
How?
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The moar you know...
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Argh. Obvious trick is obvious.
How what? How to display a left angle aka less than?
HTML entities are your friends...
< becomes <
Gotta have the starting ampersand and trailing semicolon.
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I had to read your post like 5 times before I understood J&R to be Jump & Run. Didn't help that (for me at least) J.R. are common initials for a couple things. >.>
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recurse as needed.