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Denmark Now Supports EU Copyright Term Extension

airfoobar submitted an editorial by Bernt Hugenholtz. From the article "Bad news from Denmark. According to an official press release, the Danish government has changed its position and now endorses the European Commission's proposal to extend the term of protection for sound recordings. Since Denmark was part of a fragile blocking minority in the European Council, there is a danger now that the EU Presidency will try to push through the proposal within a matter of weeks."

145 comments

  1. No comments? by Svippy · · Score: 1

    Posted by Unknown Lamer? I sense a conspiracy against my country!

    --
    Clicked pie.
  2. Obligatory.... by nebaz · · Score: 4, Insightful

    Something is rotten in the state of Denmark.

    --
    Rhymes that keep their secrets will unfold behind the clouds.There upon the rainbow is the answer to a neverending story
    1. Re:Obligatory.... by Anonymous Coward · · Score: 0

      Something is rotten in the state of Denmark.

      Strange things are afoot at the Circle-K!

    2. Re:Obligatory.... by Zumbs · · Score: 4, Interesting

      Did you look at the date of the press release? February 24th 2011. It is more than a month ago, and so far very little has been in the Danish media on the subject. Something is indeed rotten ...

      --
      The truth may be out there, but lies are inside your head
    3. Re:Obligatory.... by MrHanky · · Score: 0

      And has been, ever since they turned to Fascism back in 2001.

    4. Re:Obligatory.... by MarkvW · · Score: 1

      Sorry . . . Fascism has been copyrighted, trademarked, and patented. Nobody can use it anymore.

    5. Re:Obligatory.... by PopeRatzo · · Score: 1

      Something is rotten in the state of Denmark.

      I think the takeaway is that there are greedy assholes and lickspittles who will do their bidding at the expense of their fellow citizens, everywhere.

      --
      You are welcome on my lawn.
    6. Re:Obligatory.... by Anonymous Coward · · Score: 0

      Someone just got rich in the state of Denmark.

    7. Re:Obligatory.... by jopsen · · Score: 1

      Did you look at the date of the press release? February 24th 2011. It is more than a month ago, and so far very little has been in the Danish media on the subject. Something is indeed rotten ...

      Well, did you take the time to write a letter in a newspaper ?
      - It's not fair to cry about the lack of public debate if you're not willing to start it..
      And unfortunately we can't expect politicians to hang out on slashdot...

      Anyway, are we doing anything about this? do politicians even know that we care? Perhaps we (Danish slashdot users) should do something... ideas?

    8. Re:Obligatory.... by Anonymous Coward · · Score: 0

      I'm sorry, but that phrase is copyrighted by the estate of William Shakespeare in perpetuity, and you have to pay a license fee to use it.

      [or would, if this forever-extending copyright law insanity was around in the 1600s]

    9. Re:Obligatory.... by ScrewMaster · · Score: 1

      Did you look at the date of the press release? February 24th 2011. It is more than a month ago, and so far very little has been in the Danish media on the subject. Something is indeed rotten ...

      Well, did you take the time to write a letter in a newspaper ? - It's not fair to cry about the lack of public debate if you're not willing to start it.. And unfortunately we can't expect politicians to hang out on slashdot... Anyway, are we doing anything about this? do politicians even know that we care? Perhaps we (Danish slashdot users) should do something... ideas?

      I'd start by finding out which specific politicians are responsible for this and, more importantly, what means were used to convince them to change their minds. Follow the money back to whatever organization bribed them and then shout it from the rooftops. Embarrass the hell out of them.

      No slur intended upon your government, by the way. I'm American, and our political leaders sold themselves (and us) down the river some time ago. So whenever I hear that the content industry has won another round, I have a pretty good idea how they did it.

      --
      The higher the technology, the sharper that two-edged sword.
    10. Re:Obligatory.... by 19061969 · · Score: 1

      Absolutely! After all, how are his descendants ever benefit from his work if it wasn't copyrighted for several hundred years. I am *damn* sure that Shakespeare would never have written anything if he believed that his great- great- great- great- great- great- great- granchildren would have to get off their arses and earn a living like the rest of us.

      --
      bang goes my karma... again...
    11. Re:Obligatory.... by Chrisq · · Score: 1

      Someone just got rich in the state of Denmark.

      I am absolutely certain of thes. From TFA:

      Parliament almost two years ago, the proposal has stalled in the Council, facing fierce opposition from a bloc of mainly Northern and Eastern European countries. Why Denmark has deserted this blocking minority is unclear.

      The Northern and Eastern European countries are the ones where bribery is not endemic. It looks as though someone in Denmark has just gone the way of the southern countries...

    12. Re:Obligatory.... by daem0n1x · · Score: 1

      I'm from Portugal, you insensitive clod!

      . . .

      Ok, how much do you need to reverse your statement? I'm sure we can arrange something...

    13. Re:Obligatory.... by marcello_dl · · Score: 1

      > Well, did you take the time to write a letter in a newspaper ?

      Oh so people are supposed to write to newspapers proposing news items that ought to be covered?
      What is this, soviet russia?
      Journalists ought to be able to judge the impact of what the agencies report and find a place for significant items.

      Since copyright infringement lands you in jail, altering the terms of what can be under copyright is important news.

      --
      ---- MISSING MISCELLANEOUS DATA SEGMENT --- [sigdash] trolololol
  3. Another extension? by mpeskett · · Score: 1

    Well, that certainly sounds necessary to encourage artists to create. Not redundant or counter-productive at all.

    1. Re:Another extension? by Haedrian · · Score: 1

      Of course it does. What's to stop people waiting 50 years then getting my cds for free eh?

      Protect the artists' rights!

      Protect Sarcasm!

    2. Re:Another extension? by GameboyRMH · · Score: 2

      Well what motivation would they have to create if they couldn't be assured that their ancestors will be able to make money off of it until the heat-death of the universe? It takes a long time for artists to make their money back you know. Do you expect them to turn a profit within just a decade or two? Don't forget the poor starving record companies need to get their 80-97% cut first, and what would artists do without them in this age of dirt-cheap digital distribution and viral marketing?

      --
      "When information is power, privacy is freedom" - Jah-Wren Ryel
    3. Re:Another extension? by DanTheStone · · Score: 2

      Well what motivation would they have to create if they couldn't be assured that their ancestors will be able to make money off of it until the heat-death of the universe?

      I presume you're implying that they'll invent time-travel, and that will in turn require the use of very strange verb conjugations.

    4. Re:Another extension? by GameboyRMH · · Score: 1

      Holy shit it took me forever to see that I said "ancestors," and now I can't even think of the word I should be using. I need a vacation.

      --
      "When information is power, privacy is freedom" - Jah-Wren Ryel
    5. Re:Another extension? by GameboyRMH · · Score: 1

      Oh, "descendants," that was it.

      --
      "When information is power, privacy is freedom" - Jah-Wren Ryel
    6. Re:Another extension? by GumphMaster · · Score: 2

      I think the word you were looking for is Freeloa... er... Descendants.

      --
      Patent litigation: A doctrine of Mutually Assured Destruction... in which everyone seems willing to push the button
    7. Re:Another extension? by Anonymous Coward · · Score: 0

      They should extend copyright back to the 16th century. That will encourage Shakespeare to write more classic plays like Hamlet.

    8. Re:Another extension? by ScrewMaster · · Score: 1

      I think the word you were looking for is Freeloa... er... Descendants.

      "Parasites" works as well.

      --
      The higher the technology, the sharper that two-edged sword.
  4. 70 years?! by bluefoxlucid · · Score: 1

    Anything older than a decade is ancient!

    1. Re:70 years?! by Locke2005 · · Score: 4, Funny

      What are you, some kind of pedophile? My daughter is a decade old, thank you very much!

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
    2. Re:70 years?! by bluefoxlucid · · Score: 2

      Yes, in fact, I prefer things young. Like, meat. I like my ham to be well under a decade old; it has a funny taste to it after 70 years. Even 4 years old is a huge stretch for me. Or dogs, I'm not sure I'd go for a 12 year old dog, or a 25 year old one; maybe 1-2 years, 3 or 4 if I find a used one at a shelter somewhere. I am definitely not into the resale of children; I dislike children actually, but if I were to have one of my own it would have to be rather fresh, in fact brand new, probably make my own.

    3. Re:70 years?! by flimflammer · · Score: 1

      I'm sorry to hear that. You should probably start looking into life insurance.

    4. Re:70 years?! by Locke2005 · · Score: 1

      I dislike children actually.

      Have you tried them slathered in barbecue sauce and slow-roasted over an open spit?

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
    5. Re:70 years?! by Anonymous Coward · · Score: 0

      I dislike children actually.

      Have you tried them slathered in barbecue sauce and slow-roasted over an open spit?

      Curried.

      Kind of tastes like .... goat.

    6. Re:70 years?! by Anonymous Coward · · Score: 0

      The music industry is full of pedophiles though. Do you think normal people would market sexually-charged songs performed by sluts and pervs otherwise?
      You can be jailed for telling a minor what a condom is but it's perfectly OK to promote Ke$ha and the likes to kids.

      Seriously, we JAIL pedos in Europe. Music Industry, STAY THE FUCK OUT. I'll be glad to press charges for soliciting a minor the moment the CEO of a record company crosses the border of my country. Because I really, honestly, think the reason they advertise Britney Spears on TV, between cartoons, is to get my 8 year-old daughter to loosen her morals and become an easier victim to abuse.

    7. Re:70 years?! by Locke2005 · · Score: 1

      Your rant is a little over the top, but I honestly believe the reason most record company execs don't want to give up control of the advertising and distribution of music is that with direct artist to consumer sales, these aging has-beens would no longer have any chance whatsoever of getting blowjobs from aspiring Britney Spears and Justin Timberlake wanna-bes. I don't think it's about economics, and the marketing of prefab boy bands preteen female vocalists can't possibly make economic sense -- their audience doesn't have any income!

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
    8. Re:70 years?! by king+neckbeard · · Score: 1

      I don['t recall having tried that particular method, but Johnathon Swift had some rather good recipes that at the very least work wonderfully for Irish children. I would recommend trying all of them out before one makin a blanket statement about not liking children.

      --
      This is my signature. There are many like it, but this one is mine.
    9. Re:70 years?! by Locke2005 · · Score: 1

      There you go... Anybody that doesn't like children has obviously never had them prepared properly!

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
    10. Re:70 years?! by Anonymous Coward · · Score: 0

      I doubt the FDA would approve that recipe...

    11. Re:70 years?! by ScrewMaster · · Score: 1

      I dislike children actually.

      Have you tried them slathered in barbecue sauce and slow-roasted over an open spit?

      "Children? Of course I like children. I prefer mine boiled." -- W.C. Fields

      --
      The higher the technology, the sharper that two-edged sword.
    12. Re:70 years?! by ScrewMaster · · Score: 1

      and the marketing of prefab boy bands preteen female vocalists can't possibly make economic sense -- their audience doesn't have any income!

      No, but their parents do.

      --
      The higher the technology, the sharper that two-edged sword.
    13. Re:70 years?! by White+Flame · · Score: 1

      A decade is approximately a cultural generation, and is the range where generational cultural artifacts like music should be protected in order to meet the intent of copyrights.

      A "generation" in computing is shorter, with respect to software copyrights & patents.

  5. ratchet effect by Anonymous Coward · · Score: 1

    We're clinging to the status quo, occasionally slipping. The long-term trend is clear. We **never** push things back the other way. We never even try, and we certainly don't succeed.

    1. Re:ratchet effect by burisch_research · · Score: 1

      Despite being offered by an AC, his point actually merits serious consideration. He's right -- we're slipping further and further back, and no right-thinking people actually do anything to counteract these terrible laws. Does nobody care?

      --
      char*f="char*f=%c%s%c;main(){printf(f,34,f,34);}";main(){printf(f,34,f,34);}
    2. Re:ratchet effect by raptor_87 · · Score: 1

      People do care, but most of the response has been to release things with highly permissive licenses (GPL, CC, etc).

  6. The money, Lebowski? by TehNoobTrumpet · · Score: 1

    Question is...who bribed and who got bribed?

  7. When limits mean nothing by Platinum+Dragon · · Score: 2

    At some point, a person should stand before a legislative committee dealing with copyright term extensions - pick a country where these discussions are happening, any one - and ask just how many more term extensions will be granted, or whether copyright terms will be made permanent de jure, not just de facto.

    --

    Someday, you're going to die. Get over it.
    1. Re:When limits mean nothing by elrous0 · · Score: 1

      and ask

      Silly rabbit, only big donors get to actually talk to the legislators (and have them actually listen, anyway).

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    2. Re:When limits mean nothing by Locke2005 · · Score: 1

      Copyright must last at least as long as the lifetime of the corporations whose "rights" they are protecting!

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
    3. Re:When limits mean nothing by kvezach · · Score: 2

      That was sort of what they tried in the US with Eldred v. Ashcroft, but it failed. The "nice" thing about doing copyright extensions with a finite creep each time is that it stays de jure finite while it is de facto infinite, so the people doing it never have to show their true intent as they stay within the letter of the law.

    4. Re:When limits mean nothing by AmiMoJo · · Score: 1

      Disney really takes the Micky (pun intended) with copyright terms. Most of their animated films are based on public domain stories - Snow White, Alladin, The Little Mermaid, The Hunchback of Notre Dame, Alice in Wonderland etc. Those bastards love using public domain material without ever wanting to contribute back to it.

      I say fuck 'em. I'll respect their copyrights when they respect the public domain.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
  8. Courtesy of The Kingdom by Tyler+Durden · · Score: 1, Flamebait

    Danskjävlar!

    --
    Happy people make bad consumers.
    1. Re:Courtesy of The Kingdom by Locke2005 · · Score: 1

      Google translate says "Dansk jävlar!" is "Danish bastards!"... in Swedish. (Two words, not one.)

      Du er fucking velkommen!

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
    2. Re:Courtesy of The Kingdom by Tyler+Durden · · Score: 1

      I realize it's in Swedish. The phrase is repeated many times by a Swedish character from a Danish show called Riget (or, The Kingdom in Danish). But I've always heard it translated as "Danish scum!"

      --
      Happy people make bad consumers.
    3. Re:Courtesy of The Kingdom by mangu · · Score: 1

      Google translate says "Dansk jävlar!" is "Danish bastards!"

      Literally, it would be "Danish devils", but the meaning is bastards.

      Du er fucking velkommen!

      "You are Welcome" in Swedish is "var så god"

    4. Re:Courtesy of The Kingdom by Tyler+Durden · · Score: 1

      It's better when you hear him say it though...

      --
      Happy people make bad consumers.
    5. Re:Courtesy of The Kingdom by jimshatt · · Score: 1

      I recently moved to Denmark. But the first thing that popped into my mind when reading this, was indeed to go outside and shout "Dansk jävlaaaaar!!!!". I don't think my neighbours will like me after that, though :)

    6. Re:Courtesy of The Kingdom by Anonymous Coward · · Score: 0

      If you do it as one word it says Danish Devils

    7. Re:Courtesy of The Kingdom by ScrewMaster · · Score: 1

      I recently moved to Denmark. But the first thing that popped into my mind when reading this, was indeed to go outside and shout "Dansk jävlaaaaar!!!!". I don't think my neighbours will like me after that, though :)

      Do they like you now? If not ... go for it.

      --
      The higher the technology, the sharper that two-edged sword.
    8. Re:Courtesy of The Kingdom by Zironic · · Score: 1

      It's one word actually, it's because Swedish has a tendency to merge words to achieve slightly different meanings.

      En Dansk JÃvel = A danish devil
      En DanskjÃvel = A danish bastard

  9. stop wasting taxpayer money by El_Muerte_TDS · · Score: 1

    Simply extend copyright to 700 years and be done for it for a while.

    1. Re:stop wasting taxpayer money by hedwards · · Score: 1

      That's awfully optimistic of you. I'm sure once they have that they'll turn their attention to forcing people to pay for products they think about releasing.

    2. Re:stop wasting taxpayer money by robot_love · · Score: 2

      Hah! I already thought of that. Your bill is in the mail.

      --
      .there is enough of everything for everyone.
    3. Re:stop wasting taxpayer money by SquirrelDeth · · Score: 1

      Why not just make bribery legal?

    4. Re:stop wasting taxpayer money by vgerclover · · Score: 1

      And taxable!

    5. Re:stop wasting taxpayer money by KiloByte · · Score: 1

      You mean, like in the US? Welcome to campaign donations, lobbying and revolving door.

      I somehow doubt these guys in Denmark broken the letter of the law, too...

      --
      The creatures outside looked from Alt-Right to Antifa; but already it was impossible to say which was which.
    6. Re:stop wasting taxpayer money by Anonymous Coward · · Score: 0

      The problem with that is that the media industry would open themselves up to litigation - think of all the previously public domain material they have used that would suddenly become "intellectual property" of the heirs of Mozart, da Vinci, Dickens, Hugo, etc. Disney would be one of the worst hit since so much of their material is lifted straight out of the works of the Grimm brothers.

    7. Re:stop wasting taxpayer money by Buchenskjoll · · Score: 1

      So you don't think Keith Richards should be allowed to collect his royalties in 700 years? Extend it forever, you'll never know how long he lasts.

      --
      -- Make America hate again!
  10. Oblig. Heinlein by mangu · · Score: 4, Informative

    "But I will accept any rules that you feel necessary to your freedom. I am free, no matter what rules surround me. If I find them tolerable, I tolerate them; If I find them too obnoxious, I break them. I am free because I know that I alone am responsible for everything I do."
      ("The Moon Is A Harsh Mistress", 1966)

    No copyright extensions will affect me as long as P2P exists.

    1. Re:Oblig. Heinlein by JonySuede · · Score: 1

      thank you for this quote,
                this is my life motto, but I never formulated it that precisely, I think I will use it as sig.

      --
      Jehovah be praised, Oracle was not selected
    2. Re:Oblig. Heinlein by burisch_research · · Score: 2

      Incorrect. You are now a criminal. This affects you.

      It's not your fault, but it is your problem. The fault is crappy laws, your problem is you are now a criminal. Sucks to be human these days.

      --
      char*f="char*f=%c%s%c;main(){printf(f,34,f,34);}";main(){printf(f,34,f,34);}
    3. Re:Oblig. Heinlein by TubeSteak · · Score: 1

      No copyright extensions will affect me as long as P2P exists.

      P2P can't reach into studio vaults or libraries' rare book collections and liberate material, copyrighted or not.
      A lot of our collective heritage is going to dissappear because someone doesn't want to spend the money to save deteriorating cellulose reels.

      --
      [Fuck Beta]
      o0t!
    4. Re:Oblig. Heinlein by Anonymous Coward · · Score: 0

      Mr Heinlein said it well, but he did not claim to have said it first!
      http://www.daisyfield.com/music/guitar/about/Gedanken.htm also http://en.wikipedia.org/wiki/Die_Gedanken_sind_frei

    5. Re:Oblig. Heinlein by Nursie · · Score: 1

      That book sucks.

      He spends almost every second sentence trying to cram his politics down your throat. It's like a story and a lecture spoken over each other.

      Not to mention that the full-on libertarian-paradise chubby he has going is as much a loner fantasy as any other libertarian philosophy.

    6. Re:Oblig. Heinlein by White+Flame · · Score: 1

      Are you saying Heinlein was in copyright violation and his estate should be sued now?

    7. Re:Oblig. Heinlein by Anonymous Coward · · Score: 0

      Comprehension fail.

      He's saying that if ethically distasteful stuff is being passed into law then it's better to be a criminal and free then a law abiding slave.
      Of course, he's also assuming that P2P will grant him access to stuff that he doesn't want to pay for, personally I think that governments are going to come down hard on the Internet eventually with so many shitty rules and whitelists that even setting up new legitimate sites will be impossible without the phone number of your local politician's personal mobile.

    8. Re:Oblig. Heinlein by Anonymous Coward · · Score: 0

      Yes, but if everyone just ignores and circumvents stupid laws, they can't be enforced. Look at the civil rights movement.

    9. Re:Oblig. Heinlein by Anonymous Coward · · Score: 0

      No, the problem is people want high quality entertainment that costs money to make, but they don't want to pay for it to be made.

      There is plenty of copyright free music online to download. If that's not good enough for you, then you should pay for the commercial music, as it's obviously worth it!

      No one has to break the law any more. Just stick to creative commons or other free licences and it wont be a problem.

  11. EP needs another reading by Anonymous Coward · · Score: 0

    Denmark seem to have decided to go with the parliaments line, they are still not supporting the initial council proposal. If the rest of the council does not bend to the parliament's will, the EP will have a second reading, and the proposal will maybe be shot down.

  12. Eternal Copyright by queenb**ch · · Score: 1

    So lets just all copywrite and trademark everything until we end up using Orewellian "Double plus good" because "awesome" has been copywrited until the end of time.

    --
    HDGary secures my bank :/
    1. Re:Eternal Copyright by Zumbs · · Score: 1

      What do you mean "Double plus good" is not copyrighted?!

      --
      The truth may be out there, but lies are inside your head
    2. Re:Eternal Copyright by Anonymous Coward · · Score: 0

      Well, THAT would be "Double plus ungood"(C)* now wouldn't it?

      *obligatory nod to the copyright holders for that one

  13. Dimson by Anonymous Coward · · Score: 0
  14. Copyright terms by Archangel+Michael · · Score: 4, Insightful

    At the current pace of extending copyright terms, copyrights themselves will have no meaning.

    --
    Agent K: A *person* is smart. People are dumb, stupid, panicky animals, and you know it.
    1. Re:Copyright terms by burisch_research · · Score: 1

      As in, the infinite team of monkeys will soon have had enough time to allow the RIAA high command to copyright every possible work? This does not seem to be out of the question, at this rate.

      --
      char*f="char*f=%c%s%c;main(){printf(f,34,f,34);}";main(){printf(f,34,f,34);}
    2. Re:Copyright terms by ScrewMaster · · Score: 1

      At the current pace of extending copyright terms, copyrights themselves will have no meaning.

      No meaning relevant to their original (and in the U.S., Constitutionally-mandated) purpose, but they will still have value. Not to us, of course.

      --
      The higher the technology, the sharper that two-edged sword.
    3. Re:Copyright terms by ScrewMaster · · Score: 1

      As in, the infinite team of monkeys will soon have had enough time to allow the RIAA high command to copyright every possible work? This does not seem to be out of the question, at this rate.

      Why not? Just don't allow the creative element of a society to hold copyright, or directly earn anything from their works. Require them to give up their rights to the nearest large copyright holder.

      --
      The higher the technology, the sharper that two-edged sword.
    4. Re:Copyright terms by Anonymous Coward · · Score: 0

      Copyrights haven't had any meaning for years and years now. No point worrying about their future status, we're already there pal.

  15. Here's my deal by mmcuh · · Score: 5, Interesting

    As long as they keep extending it, I'll keep ignoring it. I think that's fair.

    1. Re:Here's my deal by MysteriousPreacher · · Score: 1

      Yeah. There are two reasons to respect copyright law:

      1) Laws and the penalties associated with breaking them.
      2) Morality, either respecting the right or content owners or the principle of rule of law.

      These ever extending periods, and obstruction of legal rights through DRM and laws that prevent the removal of DRM for backup or shifting to a new media format, makes increasingly difficult to justify abstaining from piracy out of respect for content owners. As it stands I have to hit torrents if I want to back-up some of my DVDs that have protection I can't bypass. That's not so I can run off copies for friends and family - it's just for making a sodding backup or shifting the format so I can bring my movies on a drive when I travel on business.

      --
      -- Using the preview button since 2005
  16. Does not benefit the majority by Anonymous Coward · · Score: 1

    This change was made because the right people were bribed and/or threatened.

    Humanity's single greatest embarrassment is their complete incompetence at self-governance.

  17. Still skullfucking Elvis by Anonymous Coward · · Score: 0

    Apparently the industry just *hasn't* finished skullfucking Elvis yet, so they need another twenty years...

  18. Bribery and corruption by mbone · · Score: 1

    So, who was bribed to make this change ?

  19. Remember about spain. by unity100 · · Score: 5, Informative

    Remember how spain was to push a draconian penalty system for filesharers, until through wikileaks it came out that u.s. government was heavily bullying and threatening spanish government to pass the bill. And when this hit the news, spanish assembly unanimously turned down the filth that originated from u.s.

    I dont even suspect - im sure that there is same kind of play at work here. A government which was against what private interests in the dirtiest, rotten country of the world, switches stance out of the blue.

    1. Re:Remember about spain. by Anonymous Coward · · Score: 0

      The Danish prime minister visited one Mr. Obama only a few, short weeks ago.

      Also the Danish government is taking some heat from EU in other matters these days, notably on environmental issues. This may be an attempt at placating the EU by playing nice in another 'minor' issue (considering the internal political trouble the Danish government is currently facing on the home front).

    2. Re:Remember about spain. by ScrewMaster · · Score: 1

      A government which was against what private interests in the dirtiest, rotten country of the world, switches stance out of the blue.

      Dirtiest? Rottenest? Really?

      And even if that were one hundred percent true ... what does it make the politicians in Denmark and Spain that went along with it? Saints?

      There are selfish, corrupt people in every single country on this planet. Deal with it, and stop slandering entire societies with one overbroad brush. Makes you seem ignorant and petty.

      --
      The higher the technology, the sharper that two-edged sword.
    3. Re:Remember about spain. by Anonymous Coward · · Score: 0

      There are selfish, corrupt people in every single country on this planet. Deal with it, and stop slandering entire societies with one overbroad brush. Makes you seem ignorant and petty.

      Keep squeezing your eyes and ears shut, I'm sure it will warp reality eventually.

      Deny it as much as you want, the multinationals responsible for this bullshit are all based in, or at least have major presence in, surprise, America. They all lean on the American government and guess whose representatives travel round the world trying to force these asshole's wet-dreams on everyone else? Now you can say "the man on the street isn't like that" but it doesn't matter, the man on the street has no power or significance (myself included).

      Frankly, you have so many problems at home that it is bizarre that the government wastes so much time and money on international politics; if America became isolationist and focused a few decades on sorting itself out internally then the world as a whole would likely be a better place.(*)

      (*) Yes, I know "international aid", "peacekeeping forces", "military bases". It's your own problem, if these are your excuses for not bothering about your own problems and sticking your nose in everyone else's then that's your choice I guess, it's not exactly a surprise that once you get roots in everywhere else that it becomes painful to let go even if letting go is what is best for you as well as everyone else.

  20. you might as well talk to a wall by t2t10 · · Score: 4, Interesting

    Probably the most powerful counterargument is that exclusive rights in sound recordings are granted for a reason. The prospect of a temporary legal monopoly acts as an incentive for the industry to invest in recording and distributing sound recordings. Logically, the term of protection should therefore be just long enough for record companies to recoup these investments.

    That's the US reasoning. In Europe, control of their creations is viewed as an intrinsic right of artists and creators. Furthermore, any argument you make from the American point of view is going to be met by the deep-seated European conviction that there is no art or culture in the US that's worth protecting anyway so Americans should just keep out of these discussions. If you want to convince Europeans, you need to come up with a different argument. But, frankly, between European attitudes, corporate lobbying, and policy laundering, you might as well talk to a wall.

    (Remember that the current copyright insanity originated in Europe with the Berne convention; the US refused to comply for a long time, but finally gave in in the 1970's.)

    1. Re:you might as well talk to a wall by Anonymous Coward · · Score: 0

      I take it those who claim that also don't watch american movies, read american books, or listen to any american music? (I don't mean just new or popular stuff...)

      BTW, what caused the US to cave in eventually? Couldn't and shouldn't the US have upheld their version of copyright indefinitely?

    2. Re:you might as well talk to a wall by t2t10 · · Score: 1

      I take it those who claim that also don't watch american movies, read american books, or listen to any american music? (I don't mean just new or popular stuff...)

      I didn't say it was rational.

      BTW, what caused the US to cave in eventually? Couldn't and shouldn't the US have upheld their version of copyright indefinitely?

      You can read the history here:

      http://en.wikipedia.org/wiki/Berne_Convention_for_the_Protection_of_Literary_and_Artistic_Works

      The US needed some kind of international agreement, and the only choice was Berne, since that's what everybody else had agreed on. And the only way these agreements ever can go is that they become more restrictive and more punitive. It's the same with international agreements on drugs.

      International treaties undermining liberties in individual nations is a big problem. More and more it's being used by special interests to undermine democratic decision making ("policy laundering").

      http://en.wikipedia.org/wiki/Policy_laundering

    3. Re:you might as well talk to a wall by alendit · · Score: 0

      You are probably right about European belief about copyright being a natural right, although i didn't think it was much different in the USA, seeing how copyright infrigement is always equated to thievery, both in Europe and in the US.

      But i never met a person who'd think US works should somehow be treated differently. There is, of cause, a certain aversion to the US meddling in EU's affairs, but it come rather from....well, the US melddling in EU affairs, rather than anything other ;)

    4. Re:you might as well talk to a wall by Mr.+Underbridge · · Score: 1

      deep-seated European conviction that there is no art or culture in the US that's worth protecting anyway so Americans should just keep out of these discussions.

      Funny, they keep *buying* it.

    5. Re:you might as well talk to a wall by angel'o'sphere · · Score: 1

      Don't forget that we dont really have "copyright" in the sense the USA defines it in europe.

      In Europe we have moral rights, or author rights, and al the laws around it are completely different than the US versions.

      E.g. a contract like this:
      a) All rights to this work, including translation, adaption and derivation and any future distribution on new media (yet to discover) are transfered with here in to Company X.
      b) Company X pays Mr. Y a one time fee of $10.000 ... would be completely legal in the USA.

      In europe it is not (beyond scope to show all terms that are not compliant to european law)

      And the typical USA question: "we have to see if that holds up in court" is a pretty strange thing in europe anyway. The law always holds up in court....

      So, what are you against? You don't even know it I assume?

      I as an author write a novel, I make a contract with a publisher to publish it. (In the USA he has now the copyright, in europe: NOT, he only has the right to publish this as books!)
      I die.
      My legal heirs inherit my copyright (in fact it would be called authors rights or moral rights).
      Now the publisher mikes to make a movie deal with PIXAR to make it a kind of cartoon movie.
      ----> MY HIERS ---- have the copyright, he has to ask them ... in fact EVERYONE can simply ask my heirs and make a contract with them, the publisher HAS NO ISSUES/INTERFERENCE with that work beyond books.

      And for fuck sake I don't see what is wrong with that. We can now ask if it is fair that copyright is extended by 75 years after the creators death.

      Well, if I own a house ... and die ... my family will own it until the universe gets cold or they sell it. No one asks if it is fair that they own it still 100 years after I'm dead.

      Regarding my parent: the Berne convention in fact tried very hard to make european "copyright" similar to the USA one. Luckily lots of points stood the same and backfired to the USA that they indeed adapted theirs a bit.

      angel'o'sphere

      --
      Cost free eBook I read (by iBook/Kobo/Amazon/ObookO/Gutenberg etc.): "The Green Odyssey" by Philip Jose Farmer.
    6. Re:you might as well talk to a wall by MeateaW · · Score: 1

      When I start selling your book, I am not selling YOUR book. I am selling something that LOOKS like your book.

      Your example of the house is a false example.

      The closest would be, if you die your heirs inherit your house.
      Your heirs can't stop someone copying your house. Copying your garden layout, copying your trees. That would be nuts.

    7. Re:you might as well talk to a wall by Anonymous Coward · · Score: 0

      And for fuck sake I don't see what is wrong with that. We can now ask if it is fair that copyright is extended by 75 years after the creators death.

      Well, if I own a house ... and die ... my family will own it until the universe gets cold or they sell it. No one asks if it is fair that they own it still 100 years after I'm dead.

      angel'o'sphere

      I can tell you what's wrong with that. If I build a house on my own property, but that happens to looks a lot like the one you built 66 years ago, those heirs are going to sue me for copyright infringement. That's what's wrong with it. Just look at what the Tolkien estate is doing. The Elvis Presley enterprises inc. or whatever it's called; Junkie XL having to go down on his knees and lick their boots to get his version of 'a little less conversation' published. It's not just about making copies of the original work. It's also about making derivative works (which are of course the sole responsibility of the new creator). If you want to keep something to yourself, keep your mouth closed. If you shout it out on a soap box in town square, it's really no longer "yours". There's a legal construct that you're the only one allowed to do certain things with this public information, but it's all out and in the open: public. The legal construct is thought up as a device that acts as a balance between what would be good for the creator, and what would be good for the partakers of this information.

      The anger is that when Grandpa Joe was known as Joey, a swingin' happenin' kinda guy, Joey bought a phonogram. 33 1/3 r.p.m. it said. (p) 1961. He loved that recording to death. And every time Joey thought he could finally make a copy and give it to his friends, a new law was enacted which put that date further in the future. And further. And further. Now he's a sad, old man. The ideals he had as a 20-something back in the 60s are now crushed, replaced by the bitter understanding of how the Real World works. How ideals mean nothing. How power corrupts.

    8. Re:you might as well talk to a wall by angel'o'sphere · · Score: 1

      Erm ...
      you dont want to get my point but that is oki.

      However, you seem not to know much about copyright.

      Your heirs can't stop someone copying your house. Copying your garden layout, copying your trees. That would be nuts.

      Of course they can. But that was not the point of the discussion.

      angel'o'sphere

      --
      Cost free eBook I read (by iBook/Kobo/Amazon/ObookO/Gutenberg etc.): "The Green Odyssey" by Philip Jose Farmer.
    9. Re:you might as well talk to a wall by ScrewMaster · · Score: 1

      That's the US reasoning. That's the US reasoning. In Europe, control of their creations is viewed as an intrinsic right of artists and creators.

      Sure, and that actually is the way it is here. You are granted copyright at the moment of creation, and it is yours unless you explicitly transfer that right. Furthermore, the idea that a temporary monopoly encourages the production of creative works was something that our Founders debated at some length. Jefferson, in particular, was no fan of copyright, but commercial interests won out even then.

      What has happened, so far as the music industry is concerned, is that a bunch of (largely foreign owned) corporations took over media distribution in this country, controlling it with an iron fist for decades. That forced artists to deal with the music cartel, which offered usurious contracts in exchange for ownership of the works in question and, of course, the lion's share of any profits. What we're seeing here are the consequences of the sudden loss of control of content distribution afforded by the Internet, and that includes both legitimate and illegitimate means of distributing music online.

      It is disingenuous to characterize this as solely an American problem, that we're somehow the cause of all of this. The reality is, the Digital Millenium Copyright Act, the Sonny Bono Copyright Extension Act, the Audio Home Recording Act, and a number of other rotten laws, were put in place by the likes of the RIAA at the behest of both domestic (Disney, et al) and foreign entities (Sony and Bertelsmann to name a few.) Essentially, Europe's corporate powers corrupted our copyright system, effectively conscripting the considerable power of the United States Federal Government to extend their hegemony.

      You bear some responsibility for this, and the fact that your own politicians are buying into it so readily indicates that the corruption runs pretty deep, worldwide.

      --
      The higher the technology, the sharper that two-edged sword.
    10. Re:you might as well talk to a wall by ScrewMaster · · Score: 1

      International treaties undermining liberties in individual nations is a big problem. More and more it's being used by special interests to undermine democratic decision making ("policy laundering").

      Yes, and in the United States even unConstitutional treaties have to be honored, as I understand it.

      --
      The higher the technology, the sharper that two-edged sword.
    11. Re:you might as well talk to a wall by Anonymous Coward · · Score: 0

      Culture is not bought. Culture is created and enjoyed by the cultured elites.

      The consumers buy entertainment.

      Simple rule: if it makes money, it isn't art.

    12. Re:you might as well talk to a wall by mpe · · Score: 1

      It is disingenuous to characterize this as solely an American problem, that we're somehow the cause of all of this. The reality is, the Digital Millenium Copyright Act, the Sonny Bono Copyright Extension Act, the Audio Home Recording Act, and a number of other rotten laws, were put in place by the likes of the RIAA at the behest of both domestic (Disney, et al) and foreign entities (Sony and Bertelsmann to name a few.) Essentially, Europe's corporate powers corrupted our copyright system, effectively conscripting the considerable power of the United States Federal Government to extend their hegemony.

      Are these companies actually "European" or "American". It's more that such trans-nationals appear to find where they can most influence laws then try and get "harmonisation" applied to the rest on the world.

    13. Re:you might as well talk to a wall by mpe · · Score: 1

      Yes, and in the United States even unConstitutional treaties have to be honored, as I understand it.

      Yet the USA is notorious for just ignoring treaties on everything from abducted children to nuclear proliferation at the whim of politicians...

    14. Re:you might as well talk to a wall by Anonymous Coward · · Score: 0

      "Well, if I own a house ... and die ... my family will own it until the universe gets cold or they sell it. No one asks if it is fair that they own it still 100 years after I'm dead."

      Now think about why patent system only grants patents for a decade or so, despite (some) companies (still) investing insane amounts of money into R&D.

    15. Re:you might as well talk to a wall by t2t10 · · Score: 1

      Sure, and that actually is the way it is here.

      No, it isn't. In the US, copyright is something utilitarian.

      It is disingenuous to characterize this as solely an American problem, that we're somehow the cause of all of this. ... You bear some responsibility for this

      You're barking up the wrong tree, buddy. If you're going to do something is stupid as dividing the world into "us" vs "them", at least get your sides straight, OK?

    16. Re:you might as well talk to a wall by Anonymous Coward · · Score: 0

      Well, if I own a house ... and die ... my family will own it until the universe gets cold or they sell it. No one asks if it is fair that they own it still 100 years after I'm dead.

      And if I make an exact copy of that house and sell it, your descendants can do very little in terms of claims off my profits from the sale. There is a very big difference between intellectual property and physical property. Next time please build a bit more valid argument for your case, now you just look like a industry shill.

    17. Re:you might as well talk to a wall by Anonymous Coward · · Score: 0

      First and foremost, thanks for your clarification on how copyright works in Europe (I'm european and I assumed copyright here pretty much worked the same as in the US: easily transferable).

      On the other hand, sir, I believe you are also refusing to get parent's point, as much as he's refusing to see yours: if you want to be taken seriously, be careful when doing analogies between actual, physical property and imaginary, intangible, immaterial property.

      Well, if I own a house ... and die ... my family will own it until the universe gets cold or they sell it. No one asks if it is fair that they own it still 100 years after I'm dead.

      Yes, but a house (like any other physical object) has an "exclusivity" property (whoever owns/uses something is automatically depriving others of the possibility of owning/using it), unlike immaterial objects. In my view, if you "own" (via copyright/authorship laws) an immaterial object which you didn't produce, you're already abusing copyright law by depriving everyone else of said object.

      I guess I agree with the (purpose-oriented) US view on copyright: it should serve as an _incentive_ for the production of useful ideas ("progress of science and arts" and whatnot) and not the same as property rights.

      Luckily, copyright is almost unenforceable these days. I'm not against copyright per se, and I don't really pirate movies/music, but life+70 years is clearly ridiculous. Don't be surprised when people dismiss copyright law as stupid and choose not to follow it.

      Good day, sir.

      tl;dr: Just because you came up with a good book, I don't see how it benefits society in general to give a monopoly on its publishing to someone who contributed nothing to its writing (i.e. your kids). Rent-seeking behavior kinda sickens me, sorry.

    18. Re:you might as well talk to a wall by Anonymous Coward · · Score: 0

      Probably the most powerful counterargument is that exclusive rights in sound recordings are granted for a reason. The prospect of a temporary legal monopoly acts as an incentive for the industry to invest in recording and distributing sound recordings. Logically, the term of protection should therefore be just long enough for record companies to recoup these investments.

      That's the US reasoning. In Europe, control of their creations is viewed as an intrinsic right of artists and creators.

      Excuse me; if you're referring to continental Europe then you may well be right - but I assure you that in Britain (which is part of Europe, no matter how hard we try), copyright is recognized as a temporary suspension of the public domain - at least as far the original laws go. There is a push to make it like be viewed as an 'artists right' - but many actual artists are pushing back against this stupid idea.

      Many artists are pushing for the ability to control who can play their music commercially, as a way of preventing the sale of their music being used to fund causes they disagree with (see BNP and Billy Bragg for an example - a bloody stupid example given Billy's left wing stance and the BNP being fascist dickheads :s) - and this is being co-opted by certain artists to try and control how the individual members of the public can use it too. This is the area we have to be really careful of, as it's all too easy to attach an ideological rider to the back of this idea and have it pass public approval without too many noticing it :s

    19. Re:you might as well talk to a wall by MysteriousPreacher · · Score: 1

      Well, if I own a house ... and die ... my family will own it until the universe gets cold or they sell it. No one asks if it is fair that they own it still 100 years after I'm dead.

      AC had some good points. The key thing is that ownership of property is not governed by the same laws as copyright protected works; the analogy is inherently useless. One may as well claim that drivers licences can't be passed on to the next generation, so wealth too should expire on death.

      Copyright is the state granting the owner of a work exclusive publishing rights for a set period of time, with some exceptions to allow others to reproduce parts of the work under specific circumstances. With each extension there must be clear justification for this, and in return we should be receiving additional rights. For example, in return longer copyright periods could only be granted to products that are not protected by DRM. Let the content producers choose the package that suits them, j - just don't let them have everything their own way.

      Copyright protections are already way longer than they should have ever been. Content producers shouldn't be able to churn out a load of stuff that'll continue to support them in retirement. Licence the content and invest the proceeds in a pension.

      --
      -- Using the preview button since 2005
    20. Re:you might as well talk to a wall by cheekyjohnson · · Score: 1

      Supposedly, copyright is meant to encourage "innovation." I don't see how extending the length of the copyright beyond the author's death (the one who is supposed to innovate and create new works) just so the family members can leech off of his/her work is helping with that. With a house, there's no need to hand it over to other people. That won't really accomplish anything. But with copyright, it gives others a chance to innovate (supposedly) after you're gone.

      --
      Filthy, filthy copyrapists!
    21. Re:you might as well talk to a wall by Evtim · · Score: 1

      Eh?!?

      Pink Floyd's music is not art? Terry Pratchett's books are not art?!? Picasso's paintings are not art?!? Stanley Kubrick's films are not art?!?

      WTF?!?

      I know (probably) what you mean, but among the trash entertainment there are the gems that still make big profits and are GREAT art. On the other hand, your rule will work 9 out of 10 times, so you are probably right. Oh well..

  21. What's ex-post facto? by Anonymous Coward · · Score: 0

    So if one buys a album in 1961 when the copyright term is 20 years,
        one has an expectation that it will be in the public domain in their lifetime.

    If a law later changes the rules, is that ex-post facto.

    (Is the act the buying of the album, of trying to distribute it 20 years later?)

    1. Re:What's ex-post facto? by mangu · · Score: 1

      So if one buys a album in 1961 when the copyright term is 20 years,
                one has an expectation that it will be in the public domain in their lifetime.

      Suppose you bought it as an investment, planning on selling copies starting in 1981. Could you sue the corrupt lawmakers?

  22. 30 years is enough by cartman · · Score: 2

    30 years is sufficient, for two reasons. First, 30 years is sufficient time for an artist to receive payment, for most of his working career, as a result of some artistic production he created. Second, 30 years is long enough that the "net present discounted value" (at a 5% discount rate) of anything after 30 years is negligible. As a result, record companies will not make investments or produce anything or change their investment behavior now because of payments to be received after 30 years in the future.

    Remember that intellectual property is not "property" in the normal sense. It cannot be stolen, for example, but only copied. Intellectual property is a construct, whereby the producers of intellectual content can be compensated for their labor. 30 years is enough time for people to be compensated for their labor, and is longer than the investment horizon of companies.

    1. Re:30 years is enough by angel'o'sphere · · Score: 1

      You know that perhaps 90% of all creators never get payed for anything they do because they are not "discovered" by a publisher who has an idea how to make money from it?

      If you say 30 years is enough then I only archive everything that I can find and after 30 years I decide on my own terms how to mak money form it. The creator never sees a dime.

      Also your complete argument, intellectual property can not be stolen is complete mood.

      My hieres don't care if their father worked 45 years on a ship, house, lumping wood and the family is as poor as mice in the church or if he worked on a great opera that unfortunately only got "popular" after his death.

      In your idea my hieres deserve nothing. I find that wrong.

      angel'o'sphere

      --
      Cost free eBook I read (by iBook/Kobo/Amazon/ObookO/Gutenberg etc.): "The Green Odyssey" by Philip Jose Farmer.
    2. Re:30 years is enough by cartman · · Score: 1

      You know that perhaps 90% of all creators never get payed for anything they do because they are not "discovered" by a publisher who has an idea how to make money from it?

      This is true, but it wouldn't be any different if the term of copyright were longer than 30 years.

      If you say 30 years is enough then I only archive everything that I can find and after 30 years I decide on my own terms how to mak money form it.

      You wouldn't be able to make much money from it, because it would be in the public domain at that point and everyone could download a copy for free. It would be hard to charge money for things which are freely available.

      My hieres don't care if their father worked 45 years on a ship, house, lumping wood and the family is as poor as mice in the church or if he worked on a great opera that unfortunately only got "popular" after his death... In your idea my hieres deserve nothing. I find that wrong.

      I don't think very many artists are discovered 45 years after they produced their work. Usually, if 45 years have passed then the work has been forgotten.

      Honestly I don't see why the children or grandchildren of some artist should continue to be paid for labor that was performed over 30 years ago. I am not paid for my father's labor in the 1970s. It would be one thing if the artist made a lot of money and passed along some of his money. But here, the heirs would continue to draw income for something they had no hand in producing, in addition to whatever inheritance they received. Bear in mind that consumers must pay to support the heirs' income, so your example of "a family as poor as mice" might be the family of consumers who listen to music and must pay for it.

      I grant that perhaps there should be some exception for artistic productions which have extremely meager sales initially or are obscure, and then suddenly are "discovered" decades later. In that case perhaps the date of discovery should mark the beginning of the 30 year period.

    3. Re:30 years is enough by Anonymous Coward · · Score: 0

      30 years is long enough that the "net present discounted value" (at a 5% discount rate) of anything after 30 years is negligible.

      Not that I disagree with your conclusion, but: 0.9530 =~ 0.21. I don't think that's negligible!

    4. Re:30 years is enough by MeateaW · · Score: 1

      You are really not thinking very much are you.
      If you can't convince someone to pay you for something you are doing, get this, you don't deserve to get paid. I know its hard to imagine, but you don't get paid for it, period.
      If you write music, and can't convince someone to pay you for it, don't give it away for free. Keep it! your heirs can try to sell it later, and get paid for it then!

      If you build a boat, and can't convince someone to buy it from you. So instead you give it away. Your heirs don't get paid for it ever.. Why should they when you can't sell your music when you are alive?

    5. Re:30 years is enough by angel'o'sphere · · Score: 1

      I am not paid for my father's labor in the 1970s.

      That only depends.

      If your father cultivated a wine berg, and you happen to own it, and you are still making wine: ofc you are payed based on his work.

      If your father happend to become a multi billonair, ofc you are "payed" from the interest his fortune generates.

      While your post has a lot of sense: a hugh amount of /. posters who are opposing copyright (or any similar thing) are only apposing it to be able to freely copy/download shit.

      They don't understand anything about the time BEFORE copyright existed, and they certainly would not want to live at such times.

      angel'o'sphere

      --
      Cost free eBook I read (by iBook/Kobo/Amazon/ObookO/Gutenberg etc.): "The Green Odyssey" by Philip Jose Farmer.
    6. Re:30 years is enough by Anonymous Coward · · Score: 0

      While your post has a lot of sense: a hugh amount of /. posters who are opposing copyright (or any similar thing) are only apposing it to be able to freely copy/download shit.

      They don't understand anything about the time BEFORE copyright existed, and they certainly would not want to live at such times.

      You are mistaken. A lot (if not most) /. posters LOVE copyright. It's what makes things like the GPL work and prevents open-source from being ripped off. What /. posters do not love, and actually oppose, is:

      (1) unreasonably long copyright terms - how long is long enough? Should stuff made before World War II (1939) still be copyrighted in 2011? Times change. It's not like the 1950s where only businesses owned printing presses and record stampers. When Berne was decided upon, the average consumer was simply unable to copy a book, unable to copy a record, unable to record/copy a tv show or movie, so it didn't hurt the consumer back then. This is the digital age.

      (2) unreasonably broad copyright - what is exactly copyrighted? Just the work itself? Derivatives? How different does it have to be to be a work of its own? How about you want to write some fan-fiction and some Estate orders you to take it down because it's "too similar"? You can't fight these deep pockets.

      (3) unreasonable restrictions based on copyright - there should be plenty of leeway for fair use especially non-profit use and personal use. Ever upload a few minutes of video of your toddler dancing to Lady Gaga (arrgghh!) somewhere and have it taken down because of copyright violation? That's what I am talking about.

      (4) copyright-supporting constrictions - even if you're allowed to copy a CD for personal use, if it has a "copy protection" and you are not allowed to "circumvent" it, it's of no use. If Rosa has the right to travel on the bus, and Rosa bought a ticket and has it in hand, but at the bus stop the doors happen to stay closed, and Rosa isn't allowed to open the doors and get on the bus, she stays outside in the rain. So the precious right to travel on the bus, given by the right hand, is effectively rendered null and void by the left hand, that says you're not allowed to open the door to get on the bus. But you still have the right to travel on it! It's just that you can't get on it... so sorry (not).

      (5) abandon-ware/orphaned works - works that are still technically under copyright, but the rights holder can not be ascertained, are at the moment the subject of a mob era-like grab game. The kind of "I say it's mine, got a problem with that?". What about authors that never had any children, or disowned them. You'd think their property went to the state/Crown/whatever. Why would some industry association/guild suddenly own the work? Aren't these the same people that are always quick to call things "theft"? How about some 80s era computer games, programmer died in a skiing accident, no kids, parents predeceased.

      I'm sure the list could be continued on and on and on.

    7. Re:30 years is enough by Anonymous Coward · · Score: 0

      I think the value of a copyable work (book, record, film, etc) can be described as: n*a where n is the number of people who want to copy the content and a is the average amount of money that they will pay to have it copied and delivered.

      Both n and a typically peak within five years for any given edition of a work, whether it's pop culture, fine culture or educational. Once these numbers have peaked they decline by more than 5% on a yearly basis. It's probably closer to 20%. Educational books have a long lasting value, but science moves ahead and new editions are needed about once every 10-20 years.

      The exceptions to this rule are the super classics of fiction literature. There's no need for new editions as long as people can read and understand the language. But no law can be perfect. Cutting off the revenue stream of a super classic novel after 20 years is not exactly going to have an impact on anyone living in poverty.

    8. Re:30 years is enough by David+Off · · Score: 1

      I would go with 30 years except for the case where someone is profiting from your work (e.g. selling it in either digital or hardcopy form). In this case I think the author should receive a cut but this expires on the original author's death.

    9. Re:30 years is enough by Anonymous Coward · · Score: 0

      Mod up.
      Going Backwards.
      As long as IP fits onto a hard drive, and hard drives become cheaper, it won't work, and at some stage there will be a vicious voter backlash, when little Virgina gets suspended in 4th grade for hard drive swapping in the playground.

      Despite all the copyright and TRIP's stuff, zero nett benefit has come to America, and China has sucked their coffers dry.
      Drugs and Pharma: Fewer blockbusters, and more 'ever greening' means more trips across the border. Personal and small run replication machines are getting cheaper, where P2P is not an option. Attempts to shackle ISP's will take a hit when wireless mesh networks take over, possibly based on facebook ratings.

      Did Europe get more jobs and a rosey 'IT' future?. No. America. No. Masses of jobs (basically all except the premium ones) went to the software equivalent of screwdriver factories in China (and India, and Sth America, with Balkans and Ex USSR on the rise).

      With US and Europe pretty financially depleted, I hope they bring in an IP 'Tax' on everything. Suits me, because Asia and 'No Export' goods are incompatible with world trade.

    10. Re:30 years is enough by cartman · · Score: 1

      If your father happend to become a multi billonair, ofc you are "payed" from the interest his fortune generates.

      You can still do this if your father was a multimillionaire based upon artistic recordings (ie The Beatles) and passed the money on to you. If we extend copyright too far then the heirs get their monetary inheritance and interest plus current income based upon the sale of work. It is the latter which I'm arguing against here.

      While your post has a lot of sense: a hugh amount of /. posters who are opposing copyright (or any similar thing) are only apposing it to be able to freely copy/download shit.

      I'm definitely not suggesting that we should get rid of copyright or that IP works should all be free. I realize some people think that, but I definitely don't. Artistic producers and intellectual producers must also be able to sell their wares and make a living from their work. It's only the term of copyright I'm objecting to.

  23. How Is This Justified? by organgtool · · Score: 1

    OK, I know I'm preaching to the choir here, but can anyone tell me how this could be justified? Using U.S. copyright as an example, the first law to grant copyright was enacted in 1790 and secured an artist with 14 years of protection and one 14-year extension if the artist was still alive. It is important to note that during this time, reproduction of the copyrighted work was extremely difficult. The phonograph would not be invented for another 100 years which means that copyright essentially boiled down to 28 years of exclusive performance rights. Even once the phonograph was invented, it would take a long time to produce a sufficient quantity of records and an even longer time to ship the records to other countries. Fast forward to the year 2011 and now we allow musicians to retain copyright for 120 years. This is four times the length of time that the original copyright laws allowed and this is at a time when a song can be recorded and distributed nearly instantaneously to the other side of the planet. With such better means of distribution, how can we justify periods of copyright law that extend far beyond the average lifetime of the musician who created the works?

    Of course, the answer is that corporations need to be able to milk their products for as long as they possibly can and musicians want to make sure that their children never have to work a day in their lives, so they pay to have the laws extended. Every time these laws are extended, works that should enter the public domain are taken away from us and withheld for a longer period of time. These extensions will continue until we stand up and demand copyright reform that brings us closer to the original copyright laws. With such easier means of distribution, there is no reason to offer more than that.

  24. Re:Humanity's single greatest embarrassment... by VirginMary · · Score: 1

    Humanity's single greatest embarrassment is their complete incompetence at self-governance.

    And here I thought it was religion, given the fact that the majority of mankind believes in an imaginary all-powerful entity that cares what they do and then bothers to punish or reward them based on whether they follow different sets of rules based on which particular flavour of superstition a given individual subscribes to.

    --
    When 1person suffers from a delusion,it is called insanity.When many people suffer from a delusion,it is called religion
  25. Some racket by OutSourcingIsTreason · · Score: 1

    I wish that I too could keep getting paid for the work I did decades ago but because I don't make records if I don't do more work I don't get paid.

    Maybe if I bribe enough high ranking public officials they'll take stuff that rightfully belongs to the public and give it to me too.

    --
    "Fascism should more properly be called corporatism because it is the merger of state and corporate power." -- Mussolini
  26. Per Stig Møller has his head in the sand by Anonymous Coward · · Score: 0

    Proof: "I attach great importance to the musicians have strong rights" as a basis to extend the copyright term. If he pulls his head out of the sand, he might learn that musicians aren't to benefit from this, but rather a very select group of very large companies. But everyone reading /. already knows that.

    It's our task to let ordinary people know, that these large companies are trying to steal content from them that's about to become theirs. But this stealing... is that legal?
      "I will make it legal"

  27. Actually that's part of the reason. by VAElynx · · Score: 1

    See, If your work (no matter whether you are a builder, architect, engineer, or what) would get such obscene amount of *protection* , society's economy would hurt badly , and folks would be against in a much stronger manner
    It's the very fact that the things this concerns are just entertainment - music, games, some books means that absurdity like this is easier tolerated as it doesn't impinge on anything essential

  28. FOFF EU by Anonymous Coward · · Score: 0

    50 years is ENOUGH. We want there recordings in public domain, not extended indefinetely.

  29. The REAL reason! by Anonymous Coward · · Score: 0

    The REAL reason that this extension needs to be in place is because of the greatest fear of the content providers: the main-streaming of public domain, formerly commercial, music. Right now it's just not there, it doesn't exist. Can you imagine a website like Project Gutenberg where you can legally download music from the 60s? Free music from The Beatles (though scratchy and in mono)? This has to be stopped at any cost!!! Panic!!!! Before you know it there's Project Edison!!!!

  30. Re:Humanity's single greatest embarrassment... by Baseclass · · Score: 1

    At the very least religion seems to make for effective conditioning in that healthy skepticism and logical reasoning don't appear to be valued by society at large (at least in the US). Alas, questioning authority is frowned upon by a sizable portion of the population.

    --
    ^^vv<><>BA
  31. Movie studios own TV news by tepples · · Score: 1

    With such better means of distribution, how can we justify periods of copyright law that extend far beyond the average lifetime of the musician who created the works?

    Easy: In the government of man, he who has the gold makes the rules. The movie studios, through their ownership of television news media, control who gets chosen in the primary elections. They play up Hollywood's favorite candidate (e.g. Barack Obama and John McCain) and don't let anyone proposing real change (e.g. Ron Paul) get a word in edgewise at the debates.

  32. Compensation by currently_awake · · Score: 1

    When you annex a house to make a road you must pay the owner. Those songs would have been mine (public property, therefore part mine) and now they won't be. I want compensation for your annexation.

  33. ...no by VAElynx · · Score: 1

    If your father cultivated a wine berg, and you happen to own it, and you are still making wine: ofc you are payed based on his work.
    Your analogy is utterly misguided.
    The wineberg is still growing grapes, and he is making wine. He isn't paid for his father's wineberg, he's paid for the wine he produces. His father's labour has merely created some value - a well kept wineyard , which aids in the making of wine
    Unlike information, wine is matter, and as such, it is scarce - he must make more of it to sell, and customers must buy more of it, to , well, get drunk

    The analogy with regular labour is more like if every family, as long as the house stands, had to pay five bucks per given time period to every one of the builders, and then their children
    That's essentially what royalties are

    1. Re:...no by angel'o'sphere · · Score: 1

      Unlike information, wine is matter, and as such, it is scarce -

      Invention and usefull art or what ever is under copyright is "scarce" as well, or why do you want to get it for free? Obviously you can not create it yourself.

      Your analogy is utterly misguided.

      Your analogy is misguided as well. If I can inherit my fathers wineberg. Why can't I inherit the rights to his last song, book, idea etc? Especially if they are perhaps unpublished?
      I mean what is from your point of view the difference whether I find his "papers" with the written song on it, or whether a judge hand over the rights to "own" that song to me.

      Would you want me to be forced to "publish" all unpublished work, that I accidentally find?

      You matter analogy makes no sense at all. Except for food all future goods will be IP ... Nothing else is able to provide endless "work" and employment for all the people we have on this planet.

      The analogy with regular labour is more like if every family, as long as the house stands, had to pay five bucks per given time period to every one of the builders, and then their children

      Perfect example, clap clap clap!
      Exactly that is what everyone who does not own a house is doing. They pay rent! To owner!
      Why wont you pay rent to the "owner" of IP?

      angel'o'sphere

      --
      Cost free eBook I read (by iBook/Kobo/Amazon/ObookO/Gutenberg etc.): "The Green Odyssey" by Philip Jose Farmer.
    2. Re:...no by MysteriousPreacher · · Score: 1

      Yes you should be able to inherit *active* copyrights or unpublished works owned by your father. In the case of the latter, if copyright has expired then just alter the works sufficiently to create a work that would in itself qualify for copyright protection. This is how people can hold a copyright on a reproduction of The Art of War.

      If an opera only becomes popular after death, or if a song only becomes popular when it's out of copyright protection then that's just hard luck or poor planning. The onus is on the copyright owner to use the time given to exploit their rights. Seriously, that's 70 years after the death of the author for the opera itself, and 50 years after death for any audio recordings made (under UK law).

      Copyright and property ownership laws deal with very different things and are granted for drastically different reasons. By conflating them you're imagining an odd situation in which a one size fits all solution can be applied. You don't understand anything about the time when copyright actually exists.

      --
      -- Using the preview button since 2005
  34. Who is the copyright extension for? by hawkingradiation · · Score: 1

    The first few lines of the announcement make it clear that it is for "the musicians". So I will compose a song at age 15 and reap the benefits until age 85? I hope I can still hear properly then. Way to go! Making it easier for "the musicians".

    --
    Society use your Sciences
  35. This is for recordings, not compositions by jrincayc · · Score: 1

    This is for recordings. Compositions are already longer. So if you record Bach at age 15, you can reap the benefits until age 85.

  36. To be expected by Anonymous Coward · · Score: 0

    This doesn't surprise me the least with the bunch of incompetent buffoons sitting in our government at the moment. There has been a scandal about every month, ranging from overpaying private corporations to basically not knowing immigration law properly, ever sense former-PM Anders Fogh Rasmussen left to become Secretary General of NATO. And don't even get me started on COP15.

    Luckily there's an election around the corner. Let's hope the other team knows what they're doing.

  37. It's the same every time by Chowderbags · · Score: 1

    1) Lean on Europe to extend copyright.
    2) "Harmonize" copyright terms in America.
    3) Profit!

    Not even a fucking ???.

    Seriously, retroactive copyright extension is the biggest bullshit imaginable. I could sorta understand and deal with laws making the copyright on new works longer, but the way it is now, we'll forever leave locked up all culture since basically Steamboat Willie was published. Even today, works created the day I was born will not enter public domain till after I die. I'll never see any music by The Beatles be public domain, despite their music coming out when my parents were children. Star Wars will be milked for profit until long after I am dead and buried and turned to worm food. Seriously, how long is enough for the copyright lobby? Till the creator's grandchildren are dead? Through the 10th generation? The hundredth? Or are they going to introduce a Constitutional amendment allowing for perpetual copyright and just fucking get it over with.