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European Court of Justice To Outlaw Net Filtering

jrepin writes "Today, the European Court of Justice gave a preliminary opinion that will have far-reaching implications in the fight against overaggressive copyright monopoly abusers. It is not a final verdict, but the advocate general's position; the Court generally follows this. The Advocate Generals says that no ISP can be required to filter the Internet, and particularly not to enforce the copyright monopoly."

171 comments

  1. This will never fly. by Anonymous Coward · · Score: 2

    Too much money riding on it. Corporations will win. Always.

    1. Re:This will never fly. by WrongSizeGlass · · Score: 4, Insightful

      Corporations will win. Always.

      FTFS:

      no ISP can be required to filter the Internet

      Well it does say can be required to, that doesn't mean they can't be convinced, paid, or otherwise motivated to filter the Internet.

    2. Re:This will never fly. by causality · · Score: 1

      Corporations will win. Always.

      FTFS:

      no ISP can be required to filter the Internet

      Well it does say can be required to, that doesn't mean they can't be convinced, paid, or otherwise motivated to filter the Internet.

      Europe can always take a page from the US's playbook: the next time there's something to be remotely afraid of, it can be declared their "patriotic duty" to filter, monitor, etc. That can be done without passing a single law.

      --
      It is a miracle that curiosity survives formal education. - Einstein
    3. Re:This will never fly. by Zironic · · Score: 1

      Europe doesn't have that particular flavor of patriotism.

    4. Re:This will never fly. by Anonymous Coward · · Score: 0

      Who needs patriotism if kiddy porn will do?

    5. Re:This will never fly. by ByOhTek · · Score: 1

      For that matter, neither does most of the US.

      --
      Self proclaimed typo king, and inventor of the bear destroying coffee table (patent not pending).
    6. Re:This will never fly. by fearlezz · · Score: 3, Informative

      Well it does say can be required to, that doesn't mean they can't be convinced, paid, or otherwise motivated to filter the Internet.

      Indeed.

      Falkvinge.net says the exact opposite of what I read dozens of times today. All articles I read today say that that very same advocate general, mister Cruz Villalón, said that if individual countries make laws requiring ISPs to filter the web, there's nothing the EU can/will do. Only without those local laws, it would be illegal.

      Some of my sources:
      Translation of tweakers.net
      Translation of nu.nl

      --
      .sig: No such file or directory
    7. Re:This will never fly. by Anonymous Coward · · Score: 0

      Well, based on past history I'm dubious about anything coming from the EU, but remember any EU citizen with sufficient funds can appeal all the way up to the ECJ. There have been several historical instances of the ECJ effectively overturning some retarded national law.

      Though the americans (apparently without irony) want to get copyright infringements classed as terrorism, which rather undermines Falkvinge's "subject to the standards of terrorism laws" argument - if copyright infringement is considered terrorism, then they'll be able to avail of similar liberty-restricting idiocies as terrorism hysteria allows.

    8. Re:This will never fly. by Anonymous Coward · · Score: 0

      "Patriotic Duty" to what?

      Europe as a government isn't based on a ideology - it's based on practicality (no matter what the citizens of the member states may think :S). It just happens that many of the member states share similar ideologies.

      We owe no duty to it (though we do pay some :P) - in fact if anything many countries will view it as their patriotic duty not to obey Europe, when it's not in their countries interest.

         

    9. Re:This will never fly. by causality · · Score: 2

      For that matter, neither does most of the US.

      You nailed it. The US doesn't but the media can be absolutely convincing that it does. They only need to beat the drums of patriotism and focus on press releases made by the government since they are "official sources". They are unlikely to delve too deeply into whether that's really representative of the rest of the population. They're too busy defining a convenient norm that sells advertising.

      --
      It is a miracle that curiosity survives formal education. - Einstein
    10. Re:This will never fly. by causality · · Score: 2

      "Patriotic Duty" to what?

      Europe as a government isn't based on a ideology - it's based on practicality (no matter what the citizens of the member states may think :S). It just happens that many of the member states share similar ideologies.

      We owe no duty to it (though we do pay some :P) - in fact if anything many countries will view it as their patriotic duty not to obey Europe, when it's not in their countries interest.

       

      "Patriotism" has a true meaning and it has a false meaning. The true meaning is like that saying about loving your country so much that you politically oppose its government when its government gets out of control (just to be clear - I am talking about political, civil, non-violent opposition).

      The false meaning is more like mindlessly supporting its government so you can feel like you're part of something greater than yourself with no regard for whether the government deserves your support. It's usually driven by "us against them" which is why it becomes so popular after the country is attacked by a foreign enemy.

      --
      It is a miracle that curiosity survives formal education. - Einstein
    11. Re:This will never fly. by polar+red · · Score: 0

      The EU has its basis in WW2. it's main point is this : Through economic cooperation, destroy any foundation for a major war in Europe. So far, it has worked very well I think, seeing that for a thousand years, Europe has been a battlefield, up until the end of WW2.

      --
      Yes, I'm left. You have a problem with that?
    12. Re:This will never fly. by cyber-vandal · · Score: 1

      Europe isn't a country though - it's a collection of countries all with very different notions of patriotism.

    13. Re:This will never fly. by EsbenMoseHansen · · Score: 1

      Again, that will not work in Europe. Patriotism died with the second world war, I think, or maybe the 60's.

      Kiddie porn, on the other hand, will work just dandidly :/

      --
      Religion is regarded by the common people as true, by the wise as false, and by rulers as useful.
    14. Re:This will never fly. by Anonymous Coward · · Score: 0

      A thousand years is an underestimate, frankly Try all of recorded history until WW2

    15. Re:This will never fly. by ConfusedVorlon · · Score: 1

      The corporations don't want to filter the internet. It's just hassle and pain.

      They may well bow to government pressure to do so if it looks like less pain than the threatened alternative - but this strengthens their hand.

    16. Re:This will never fly. by Anonymous Coward · · Score: 1

      Europe had a very unfortunate experience with that 'particular flavor of patriotism', which they called fascism.

      The US is now, by Mussolini's own definition, a fascist state.

    17. Re:This will never fly. by mijelh · · Score: 1

      Kiddie porn, on the other hand, will work just dandidly :/

      You perv!

    18. Re:This will never fly. by TENTH+SHOW+JAM · · Score: 1

      Do the trains run on time? I could use some predictable public transport.

      --
      A sig is placed here
      To display how futile
      English Haiku is
    19. Re:This will never fly. by TENTH+SHOW+JAM · · Score: 1

      Don't suppose you remember the wars in the Balkins?

      --
      A sig is placed here
      To display how futile
      English Haiku is
    20. Re:This will never fly. by cavreader · · Score: 1

      Bullshit, A fascism has many elements which the US does not meet. Fascist governments forbid and suppress opposition to the state and I see no shortage of individuals or groups getting disappeared or sent off to the re-education camps. Fascism also relies on a single-party state and the US certainly does not meet this requirement. Part of the current problems in the US are the direct result of multiple competing parties that make any progress hard to come by. Fascism is mostly comprised of the radicals on both the far-left and the far-right. And while there are definitely radicals and fringe groups in the US they do not even come close to representing the majority of Americans. Of course some people don't believe that because all the news outlets only report the extremist and sensationalist conflicts while ignoring everything else. Criticize the US any way you want but at least try to use facts instead of unsupported opinions.

    21. Re:This will never fly. by mykos · · Score: 1

      My kingdom for a mod point!

    22. Re:This will never fly. by voss · · Score: 1

      The problem is not that the US is fascistic the problem is right now the US is too "small d" democratic. Everyone wants a say in every damn thing even if they have no idea what they are talking about. They also want no cuts in any money THEY get from the government, while cutting everyone elses money and no tax increases for their group while not cutting any real spending. Everyone wants to cut "wasteful" spending but noone wants to define what wasteful is except for a few token programs.

    23. Re:This will never fly. by Pseudonym+Authority · · Score: 2

      Europe is just as patriotic (and nationalistic) as anyone else, they are just more subtle. American "patriots" go around saying "gawd bless uh-merika", Europeans are patriotic by going on the internet and having huge circlejerks where they discuss just how barbaric other countries (usually the US) are and how Europe is the height of human culture. They also have a huge NOT_INVENTED_HERE complex, especially France.

    24. Re:This will never fly. by Anonymous Coward · · Score: 1

      I don't understand how a government can be so influential, have so much power and can violate it's own constitution, when the population is not backing it. Especially considering all the guns people have in the USA (I mean, it's not like Americans don't have the means to stand up to their government). Seeing what went on in Egypt, Tunisia, and other countries recently, you'd think Americans would have taken arms down to the streets by now and forced the politicians to step down.
      It simply makes no sense to me that Americans are the ones sitting home and whining but doing nothing while people in Arabic and/or Muslim countries are the ones who actually fight for their freedom. It's just not what the world expected.

      I'm from Europe and I am sure if the president of my own country decided he can kill whoever he wants without a chance to have a trial (cf. al-Alwaki) , built a concentration camp (cf. Gitmo), created a police squad of pedos and rapists and gave them the legal right to molest people (cf. TSA), or otherwise violated people's human rights or the Constitution in any way (because the Constitution is the very last legal protection against abuse from the government), then I certainly wouldn't call this government a government any longer. 'Terrorist', 'Tyran'. 'Dictator' or 'Criminal' would be much more fitting names. And I'm certain the majority of the people in my country would agree with me. I think the population would be so upset about this, what happened in Libya would happen in my country.

      So perhaps Americans don't care so much about their Rights and Freedom or perhaps Americans just don't realize how bad the situation is or how serious it is that the government can ignore the Constitution without paying any consequences, but I doubt it. Don't tell me Americans do not realize how similar to the Nazis their government is, no way they do not see the similarities!
      I think the majority of the population is indeed approving their government's actions, most likely due to patriotism. Patriotism is the only thing Americans value more than freedom, so that must be it.

    25. Re:This will never fly. by EsbenMoseHansen · · Score: 1

      Nah, that isn't patriotism, that's just envy.

      NOT-INVENTED-HERE is a global phenomenon. Take diesel cars in the US. It is just human nature to resist anything new if it means giving up an existing skill-set.

      --
      Religion is regarded by the common people as true, by the wise as false, and by rulers as useful.
    26. Re:This will never fly. by Patch86 · · Score: 2

      Forbid and suppress opposition (OK, so a little historical, but I don't think attitudes have changed THAT much since then):
      http://en.wikipedia.org/wiki/Mccarthyism
      Detention without trial (vis a vis Guantanamo) isn't a great sign either.

      And I'm sure you're aware of that old jibe that the US is a single party system, considering how few policy differences there are between the Republicans and Democrats. The lack of any even remotely competitive third parties should be a bit of a warning too.

      I'm not actually trying to argue the US is fascist, I'm just playing devil's advocate. But I'd say if fascism were part of a spectrum, the US is considerably further along that spectrum than is perhaps entirely comfortable.

    27. Re:This will never fly. by Patch86 · · Score: 1

      Deeply unpleasant, but small fry compared to the devastating continent-wide wars fought regularly for most of history since the Romans. The Balkan states were also not, as far as I'm aware, part of the EU (somewhat proving the point about the EU's efficiency as a war preventer).

    28. Re:This will never fly. by cavreader · · Score: 1

      I understand what you are trying to say but using Guantanamo Bay as an example of the government imprisoning people without granting the same legal protections that US citizens have is a little weak. Guantanamo Bay was the governments answer for what to do with war prisoners and terrorism suspects. I personally beleive that unless there is hard proof of wrong doing most of the prisoners should be released back to where they were taken into custody. The US attempted this but could not find any countries willing accept these people when released. This whole "war on terror" business falls into a gray area when trying to apply existing criminal codes.

    29. Re:This will never fly. by AnnoyaMooseCowherd · · Score: 1

      the same legal protections that US citizens have

      ... but I thought Bradley Manning was a US citizen?

      --

      This [ ] left intentionally [ ]
    30. Re:This will never fly. by cavreader · · Score: 1

      Bradley Manning is in pre-trial confinement which is totally legal under both civilian and military law. He is represented by a lawyer and can participate in his own defense. Chances are he is being held incommunicado (but he is allowed visitors) due to the nature of the offense he accused of which is divulging classified information. If he was out on bail (whcih I don't know if the military allows) who could say he doesn't have more classified data to release or pass on more information verbally? His actions were foolish in the extreme. If he had thought it through he could have decided the risk was to great or at least made it harder to determine who released the information. If he only released the cables he might of been able to skirt any serious penalties but the military information is another story. I don't believe he should be subjected to massive jail time but he will end up in the brig for a substantial amount of time. He is lucky the military has not charged him with espionage or the penalties could be even worse.

    31. Re:This will never fly. by KingBenny · · Score: 0

      whatever was left after the warmongers got killed by the peacemongers, no one wants to be a nazi or a hippie (not where i'm standing) and our government wants to act ever so civilized and enlightened , but this time it looks like they actually got on the right track, but as stated above, its not cos they cant be forced to do it that they cant be convinced to do it. Or does it say : will under no circumstances provide private user data to trolls and / or corporations somewhere ? Maybe in the next millenium

      --
      Free speech was meant to be free for all... how can anyone grow up in a nanny state ?
  2. Re:I can only say one thing by Barrinmw · · Score: 1

    No no no, the answer we were looking for was "Naggers"

  3. Copyright lobby won't let this stand. by ilsaloving · · Score: 3, Insightful

    You can bet the Copywrite lobby will fight this tooth and nail. After all, their yacht payme^H^H^H^H^^H^H^H^H^H^H^H artists livelihoods are at stake!

    1. Re:Copyright lobby won't let this stand. by tripleevenfall · · Score: 2, Interesting

      I hate the RIAA and their methods as much as anyone, but I don't think it is spurious to look at what's happened to the music industry in the last 15 years or so and say that the internet has not had a negative effect.

      It will have a continuing negative effect on revenue - not that I care how much EMI makes, but I do care when by extension there is less money available to sign artists, promote music that is not currently mainstream, when lower quality music receives all the promotion dollars available from the now smaller pool, etc.

      I'm an amateur musician, but among the semi-professionals I know no one has any delusions about breaking into the music industry anymore. It's really changed the landscape because the industry itself has shrunk dramatically.

      Maybe people will see it as good in the future that most music will be local and self-released by the artist and the only acts with real national exposure will be the Britneys and Taylors who sell football stadiums. I just don't think some of the greatest records would have ever been recorded in the current and future system. We've lost something.

    2. Re:Copyright lobby won't let this stand. by KlomDark · · Score: 4, Informative

      Nah, people just have to get it through their heads that they will have to do it themselves instead of expecting someone else to do it for them. A full 24-bit digital recording studio that beats anything that was available to Pink Floyd, The Beatles, or Zeppelin will cost you only a few hundred dollars these days. Less than a good drum set. Stop whining and get to work on it.

    3. Re:Copyright lobby won't let this stand. by tripleevenfall · · Score: 1

      Anyone can walk into a music shop and buy a Les Paul too, but that doesn't mean they can produce material anywhere near the quality of Jimmy Page. A tool means nothing without knowledge.

      The quality of recording facilities does matter. The quality of those engineering, mixing, and producing does matter. The quality of session players available does matter.

      "So, use a computer - dummy" has very little to do with it.

    4. Re:Copyright lobby won't let this stand. by CRCulver · · Score: 1

      I just don't think some of the greatest records would have ever been recorded in the current and future system.

      I listen to a lot of jazz and classical music. So much of the great recordings in these genres were produced by state arts subsidies, private patronage, or recording labels subsidizing their many less popular acts by their handful of big successes. Even if very few people were expected to go out and pay for these recordings, they still got made for decades and decades. There's no reason that can't continue to happen. Yes, some acts might not be able to make it, but there's no reason to claim that it's the end of music.

    5. Re:Copyright lobby won't let this stand. by 0123456 · · Score: 4, Interesting

      I hate the RIAA and their methods as much as anyone, but I don't think it is spurious to look at what's happened to the music industry in the last 15 years or so and say that the internet has not had a negative effect.

      I suspect it's had far less of a negative effect than replacing musicians with manufactured bands designed by marketers.

    6. Re:Copyright lobby won't let this stand. by mikael_j · · Score: 4, Interesting

      I'm an amateur musician, but among the semi-professionals I know no one has any delusions about breaking into the music industry anymore. It's really changed the landscape because the industry itself has shrunk dramatically.

      Got any numbers to back up your claims that the music industry has "shrunk dramatically"?

      From what I've seen with people I know it definitely seems that if anything for amateur/semi-pro musicians the possibilities have grown. At least this is true for those who have ambitions beyond "playing covers in local bars".

      Fifteen years ago if you produced and pressed your own album in a small run you were considered a nobody (didn't matter if it was 5,000 copies, you still weren't as "pro" as the guy with a minor record deal who's first album fizzled and who's second album release only involved 500 copies so the label would fulfill it's contractual obligations). These days there's no shame in it, if anything "I don't want to be screwed over by the labels" is a perfectly valid reason rather than a lame excuse (as it used to be).

      Fifteen years ago if you gave your music away for free (be it online or as actual CDs) that meant nothing, it probably would've gotten people talking about how you were trying to game the charts by claiming the albums as sales. These days it's ok to put up a website to share your music (perhaps with a link to iTunes for those who want to pay for it).

      Fifteen years ago the only real chance you had of making a video that ended up getting seen by 100,000 viewers was a record deal and letting the studio bring in their pros to create your video (taking the cost of this out of the money they were going to pay you). These days you can get that many viewers if you have a good band, a friend with a HD cam or a DSLR and another friend who's kind of good with FCP or Premiere (just film a few shows, get a little more material to match the mood of the song, edit and upload to youtube).

      --
      Greylisting is to SMTP as NAT is to IPv4
    7. Re:Copyright lobby won't let this stand. by tripleevenfall · · Score: 0

      I don't feel this is the end of music. My point was that this represents a massive, massive change in it. The engines that brought us basically all music from the 1950s until today are going away, and there isn't really any replacement.

      Your comments about publicly supported music ring true in the jazz and classical genres. I doubt if we're going to see subsidies to support music in other areas because there are no education bodies with an interest in that.

      Another thing is, even if (according to another poster) I own a computer so I should be able to produce music at just as high quality as anyone has ever produced, if I'm burning CD-Rs and handing them out at shows for $5, what does that really do for music in our cultural consciousness? Is an album great if no one ever hears it? Perhaps, but what has it done for us? What has it done for us versus what could have been done?

      Music doesn't change the world by osmosis, it has to enter many millions of ears. Kind Of Blue may still have been great as performed even if the performers were nobodies, but if no one had ever heard the record, what would it have meant?

    8. Re:Copyright lobby won't let this stand. by ElectricTurtle · · Score: 1

      How can the current and future system have been prohibitive of past achievements if anybody can record and release themselves? I think you're in denial. Yes, the "record album" paradigm is dead, and rightfully. Now there is no magical middleman prerequisite to distribution. In that there can be no loss.

      --
      I support the Slashcott and will not be reading or commenting from 2/10/14 to 2/17/14. Beta is steaming pile of dog shit
    9. Re:Copyright lobby won't let this stand. by bluefoxlucid · · Score: 2

      When the music labels came in, and the unions came in, the big bands vanished. That big band sound, like the Brian Setzer Orchestra and all, just went away. Losing all this shit will give us back our god damn culture.

    10. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      It has never been proven that the internet has had ANY negative effects on the music industry other than in RIAA funded reports.
      The internet has changed the way we live our lives. The way people buy music & listen to music has changed drastically.
      People tend to buy singles not whole albums. The quality of music has declined in the past 15 years too.
      Its also much easier & cheaper for someone to be a professional musician because of the internet.
      Society in general has changed. People have a lot more choice regarding where to spend disposable income these days.
      You could just as easily say that console gaming has hurt the music industry as much as the internet has.

    11. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      What really galls me about any of these assumptions is that these mega stars deserve any bit of the money they make. Why does a Britney Spears, Taylor Swift or Stephen Tyler deserve more than I make? I work 40 hours a week, how much do they really work? Cry me a river.

    12. Re:Copyright lobby won't let this stand. by CRCulver · · Score: 1

      Your comments about publicly supported music ring true in the jazz and classical genres. I doubt if we're going to see subsidies to support music in other areas because there are no education bodies with an interest in that.

      Local pop acts are already subsidized to some degree in many European countries.

      Another thing is, even if (according to another poster) I own a computer so I should be able to produce music at just as high quality as anyone has ever produced, if I'm burning CD-Rs and handing them out at shows for $5, what does that really do for music in our cultural consciousness? Is an album great if no one ever hears it?

      The musical scene has already been fragmented into numerous disparate cultures after the advent of recording in the first half of the 20th century. There's no longer a single canon that a society can relate to. As John Cage said about just classical music, the river of the Western tradition has already passed into a delta.

      Kind Of Blue may still have been great as performed even if the performers were nobodies, but if no one had ever heard the record, what would it have meant?

      Bad example. I've gained a great deal of anecdotal evidence that while Kind of Blue is frequently bought since it is touted as being so great, it doesn't impress the average listener much and the record remains truly loved only by a fairly small group of jazz afficionados.

    13. Re:Copyright lobby won't let this stand. by tripleevenfall · · Score: 0

      Anyone has always been able to record something and "release" it in a local record shop. That hasn't changed.

      Record labels are plenty evil, but they are not just middlemen who add no value. Financing the production of a record at a high standard, physically producing it, promoting it, those are not zero-value enterprises.

      And labels won't be going away. They will just be promoting a smaller, safer list of artists than ever before.

    14. Re:Copyright lobby won't let this stand. by tripleevenfall · · Score: 1

      "These days you can get that many viewers if you have a good band, a friend with a HD cam or a DSLR and another friend who's kind of good with FCP or Premiere (just film a few shows, get a little more material to match the mood of the song, edit and upload to youtube)."

      If only producing things at the production quality people expect in music they pay money for were just as "you + computer, viola" as Slashdot believes...

    15. Re:Copyright lobby won't let this stand. by ElectricTurtle · · Score: 4, Insightful

      You're conflating a lot things here. Talent is the first and last key to art, and can overcome inferior tools and distribution. However talent is singular, and cannot be bought or taught. At a certain point the quality of tools reaches a sort of "Monster Cables" level of diminishing returns. Truly good music will sound amazing whether it is recorded and produced in a high budget studio with a stupidly huge team or if it is recorded with a few hundred bucks worth of mid-grade hobbyist equipment and the artists themselves. Really expensive tools and teams can make talentless douchebags sound good, that's the whole pop music industry in a nutshell, but people with talent remain so even with inferior equipment.

      --
      I support the Slashcott and will not be reading or commenting from 2/10/14 to 2/17/14. Beta is steaming pile of dog shit
    16. Re:Copyright lobby won't let this stand. by GameboyRMH · · Score: 2

      Plus he can sell his music DRM-free and at a low price (killing the incentive to pirate), and take all the profit for himself. 100% of $5-$10 is better than 3-20% of $20-$30*

      *Yes I know there are certain values of that for which it isn't true, but you won't get anywhere near a 20% cut unless you're a chart-topping legendary megasuperstar.

      --
      "When information is power, privacy is freedom" - Jah-Wren Ryel
    17. Re:Copyright lobby won't let this stand. by tripleevenfall · · Score: 2

      Labels manufacture boy bands and it-girls because they sell. While nobody is under any delusions that Justin Bieber will be around in 20 years, at least his vapid music/coasters end up funding the enterprise that sets actual musicians up with studio time, airplay, engineers, producers, etc.

      All I am saying to /. is that this problem is more complicated than "label it and kill it" / "record industry = evil". The record industry has done both good and evil. If it disappears, some evil disappears but some good does too.

      I didn't even mention that Apple is basically a label unto itself, taking cuts of record sales without adding anything... if you want to talk about middlemen, they are a middle man.

      Anyway, good discussion. Think about it, everyone.

    18. Re:Copyright lobby won't let this stand. by ScrewMaster · · Score: 2

      You're conflating a lot things here. Talent is the first and last key to art, and can overcome inferior tools and distribution. However talent is singular, and cannot be bought or taught. At a certain point the quality of tools reaches a sort of "Monster Cables" level of diminishing returns. Truly good music will sound amazing whether it is recorded and produced in a high budget studio with a stupidly huge team or if it is recorded with a few hundred bucks worth of mid-grade hobbyist equipment and the artists themselves. Really expensive tools and teams can make talentless douchebags sound good, that's the whole pop music industry in a nutshell, but people with talent remain so even with inferior equipment.

      That is very true. Let's assume for the sake of argument that that high budget studio is an absolute requirement for the production of good music (it's not.) Let's further assume that artists still need expensive advertising campaigns (they don't) or radio airplay (not anymore) to promote and sell their music. That still would not justify the incredible overhead of the big music studios, their profiteering, and the societal and legal damage they and their corrupt "trade organizations" are causing the world over.

      --
      The higher the technology, the sharper that two-edged sword.
    19. Re:Copyright lobby won't let this stand. by tripleevenfall · · Score: 1

      Pop music is an animal unto itself and really isn't music in the same sense. I don't think it's useful to say that "computerization can make anyone sound good" - while that might be true for a pop singer who only ever sings to backing tracks, it's not really what I mean by "music". (and they finance real music, so it's ok with me)

      I know you say that amazing music will sound amazing even if it's recorded in a toolshed, but this really isn't the case. You can go find quotes from the band, but you mentioned Pink Floyd earlier. What do they think about this? What have they said about Dark Side of the Moon, and how it would have turned out without Alan Parsons?

      I've said all I need to say, I think. There is a difference between fast-food pop, produced for undiscerning audiences, and "real music". The real is what will suffer here. Pop music won't go, it may just be the only thing left in the end.

    20. Re:Copyright lobby won't let this stand. by ScrewMaster · · Score: 1

      "These days you can get that many viewers if you have a good band, a friend with a HD cam or a DSLR and another friend who's kind of good with FCP or Premiere (just film a few shows, get a little more material to match the mood of the song, edit and upload to youtube)."

      If only producing things at the production quality people expect in music they pay money for were just as "you + computer, viola" as Slashdot believes...

      It's not. But neither is the expense of hiring a couple of pros to do some of the work so high that it justifies the existence of the record labels. The big labels are criminal organizations that should have been disbanded decades ago.

      --
      The higher the technology, the sharper that two-edged sword.
    21. Re:Copyright lobby won't let this stand. by ElectricTurtle · · Score: 3, Informative

      If the thing that moves you about music is production value, I can't help you, but you need help.

      Anecdotal though it may be, I will point to my favorite guzheng player as an example. Bei Bei He started out just posting amateur videos of performances to YouTube (which is when I started following her). Recording quality? Mediocre at best, but excellent performances. She self-published her first album, which caught the eye of an indie producer who collaborated with her on her second. Her music has been several times used as interstitials on NPR and is gaining popularity (though I doubt it will or even could be mainstream... guzhengs are unknown to most Americans/Westerners), but it started with self-published mediocre quality videos on YouTube. Talent shines regardless of tools.

      --
      I support the Slashcott and will not be reading or commenting from 2/10/14 to 2/17/14. Beta is steaming pile of dog shit
    22. Re:Copyright lobby won't let this stand. by 0123456 · · Score: 2

      Labels manufacture boy bands and it-girls because they sell.

      Then why does the music industry keep complaining that it's not making money anymore?

    23. Re:Copyright lobby won't let this stand. by NeutronCowboy · · Score: 5, Insightful

      I rarely pull out the corporate shill card, but I'm pretty sure you neatly fit the category: someone who supports a corporate benefit that directly conflicts with the benefit of society in general - bonus if the UID is near 2M. Let me explain to you why I think that, and it is primarily because you ask a lot of leading questions where your hoped for answer is in conflict with reality.

      The engines that brought us basically all music from the 1950s until today are going away, and there isn't really any replacement.

      Wrong. Those engines were radio and pressed media. They didn't go away, they were replaced by a better distribution medium: the Internet.

      Your comments about publicly supported music ring true in the jazz and classical genres. I doubt if we're going to see subsidies to support music in other areas because there are no education bodies with an interest in that.

      Wrong. The most common education bodies teach guitar (local music shops), and the big music departments cover everything from medieval string music to jazz to grunge rock to avant-guarde atonal music. The educational support is broad and deep, as is the demand for music. The only place where demand is narrow and shallow is in the big record labels. If it doesn't fit the Justin Bieber/Britney Spears template, it gets buried.

      Another thing is, even if (according to another poster) I own a computer so I should be able to produce music at just as high quality as anyone has ever produced, if I'm burning CD-Rs and handing them out at shows for $5, what does that really do for music in our cultural consciousness?

      And this is why they teach you to always answer your rhetorical questions, just in case someone doesn't follow your lead. I'll tell you what it does for our cultural consciousness: it enriches it. If the record is good, I'll pass it to my friends. Hey, listen to this! This guy/girl rocks. They'll pass it around. They'll buy the next record, evangelize it as well, go to shows - the whole nine yards. If they don't like it, it quietly dies. Will that person make billions from that one record? Probably not - and there is no reason that anyone should make billions from a one time activity.

      Is an album great if no one ever hears it?

      Let me turn the question around: in the age of instant world-wide distribution, is an album bad if no one wants to hear it or distribute it? I'm pretty sure the answer is yes. Otherwise, it would get distributed.

      Perhaps, but what has it done for us? What has it done for us versus what could have been done?

      This means that your next questions have been answered already as well: it's completely irrelevant what could have happened, because a lot of people decided not to move the record into our general cultural consciousness. That's the definition of an item not being culturally relevant.

      Music doesn't change the world by osmosis, it has to enter many millions of ears.

      Correct. And the Internet makes sure that everyone can put music into many millions of ears. What has changed from the past 50 years - and where the past 50 years were a complete historical aberration - is that there aren't any more a few dozen people who control what music reaches the ears of millions of people. And it scares the living daylights out of these people, because their jobs have permanently disappeared. Instead, music is back where it should be: in the public consciousness, where it floats to the top based on how many people distribute it.

      In short: your entire premise actually goes against the text that you're promoting. The last 50 years were a complete destruction of music as a cultural phenomenon, and were instead the age of music as an industry. The Internet is changing that, and I hope to God that you find a job that doesn't have "destroy culture to monetize it" in its job description.

      --
      Those who can, do. Those who can't, sue.
    24. Re:Copyright lobby won't let this stand. by betterunixthanunix · · Score: 3, Insightful

      I don't think it is spurious to look at what's happened to the music industry in the last 15 years or so and say that the internet has not had a negative effect.

      Nor would it be unfair to look at what has happened to the film camera industry in the last 15 years or so, and say that digital cameras have a negative effect on that industry. Likewise with the typewriter manufacturing industry.

      The moral of the story is this: adapt or die. Adapt to new business challenges and conditions. This is what the music industry has had trouble with for over a hundred years now. Player pianos, phonograph records, AM radio, FM radio, tape recorders, MP3 and digital music formats, and the Internet have all been labelled as technologies that are killing the music industry. In each case, the music industry eventually relented, adapted, and saw higher profits than they had earlier.

      Nobody feels any sympathy for businesses that fail to adapt to changes in the market and in technology. Especially not when those businesses have a history of abusing the legal system and trying to bankrupt college students.

      --
      Palm trees and 8
    25. Re:Copyright lobby won't let this stand. by a_n_d_e_r_s · · Score: 4, Interesting

      It basically is - just listen to Friday by Rebecca Black:

      http://www.youtube.com/watch?v=CD2LRROpph0

      The cost of making music that the masses listen too are not very expensiv.

      With 101 miljon viewers on youtube its a huge viral success that many 'commercial' artist can only dream about.

      --
      Just saying it like it are.
    26. Re:Copyright lobby won't let this stand. by kevinmenzel · · Score: 1

      The recording media (the computer) is cheap/software But are you seriously of the opinion that you can build a room like Abbey Road has, buy the microphones that the beatles used (or even comparable microphones), and the gear (amps, instruments) that they used? Heck, even buying an interface with as many mic-preamps as would be needed to duplicate the recording conditions of the beatles costs more than a few hundred dollars. Not to mention that the speakers you'll need to even know what the hell it is you're recording don't come cheap. Cheaper than they did before, yes, but not cheap.

      To build a professional recording rig, and a room to use it in, doesn't cost what it used to. But it's still in the thousands, not the hundreds, if you want to do it "right" - or at least comparably to something like Pink Flloyd, THe Beatles, or Zeppelin - where actually people are behind pretty much everything you hear on the record, and everything on the record is relatively unique to that record. Yes, you can use loops and samples these days, it's not the same... and a midi controller that can actually trigger samples usefully is still going to be more than a couple hundred bucks, but don't act as if you could throw together a full recording experience for anything less than a couple thousand and actually be able to do what those guys did. And that's just on a gear, and not on an experience side.

      I'm all for home recording, just don't BS about how inexpensive it is, when it isn't yet.

    27. Re:Copyright lobby won't let this stand. by Rary · · Score: 3, Interesting

      If only producing things at the production quality people expect in music they pay money for were just as "you + computer, viola" as Slashdot believes...

      Who said anything about needing a viola? ;)

      But seriously, you obviously need talent, and it definitely helps to surround yourself with other people who have talent (other musicians, audio engineers, etc). The thing is, there are lots of amateurs with talent in those areas. The Internet provides a means to connect with them, modern technology provides the ability for those without too much money to create content, and the WWW provides the ability to distribute. It's not a perfect system, but honestly, a decently talented amateur musician nowadays has a much better chance of becoming known online, at least enough to subsidize their efforts, maybe even make an honest living out of it, than they ever had before when their only hope was to get "discovered" by some elusive record company exec who'll promise them zillions of dollars and all the girls they can screw, only to turn around and screw them from the get-go.

      I'm an amateur musician as well, and I used to be a professional musician (independent, mind you), and I'm quite enjoying watching the music industry crumble. I do think that society has shifted to a mindset that really doesn't value content highly (monetarily speaking), but I'm not convinced that's entirely a bad thing. On the other hand, I'm also not convinced that that in any way prevents artists from being able to make a living. It might spell the end of the mega-rich superstar, but that's not something I'll mourn the loss of.

      --

      "You cannot simultaneously prevent and prepare for war." -- Albert Einstein

    28. Re:Copyright lobby won't let this stand. by MobileTatsu-NJG · · Score: 1

      I hate the RIAA and their methods as much as anyone, but I don't think it is spurious to look at what's happened to the music industry in the last 15 years or so and say that the internet has not had a negative effect.

      That's because the 'you can only purchase the album' business model was destroyed. Really it should never have been as lucrative as it was.

      --

      "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

    29. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      If only word salad were just as "you + comment, viola" as Slashdot believes....

    30. Re:Copyright lobby won't let this stand. by SockPuppetOfTheWeek · · Score: 3, Funny

      Having 101 million viewers doesn't mean that the viewers actually liked it.

      Somebody posted it on facebook with a comment about how "I can't believe kids actually listen to this crap", which showed up in my news feed. I watched it. My overall reaction was something along the lines of "well... if you try to ignore the lyrics, her voice, and the video, it's actually almost bearable."

    31. Re:Copyright lobby won't let this stand. by Kongming · · Score: 3, Interesting

      I must strongly disagree with the idea that "real music" will suffer without highly profitable major record labels to promote it. The major record labels have long been more interested in spending promotional dollars on pop acts than on anyone doing anything innovative. With the self-promotion opportunities that the Internet provides, I have been able to find (and purchase music from) dozens of truly excellent artists that I would never have been able to find under the old model. Even aside from the concentration of advertising dollars on artists that pump out popular singles, most traditional radio stations are now owned by a few megacorps who are closely tied in with the major labels. When you call most stations these days and ask them to play anything that isn't already on their rotation list, even if in-genre and not too obscure, they aren't even allowed to do it. (Although the DJs are often frustrated and wish that they could.)

      --
      (no sig)
    32. Re:Copyright lobby won't let this stand. by Maclir · · Score: 1

      Talent is the first and last key to art, ... and cannot be bought or taught.

      You clearly havn't been watching shows like "American Idol".

    33. Re:Copyright lobby won't let this stand. by TubeSteak · · Score: 4, Insightful

      100% of $5-$10 is better than 3-20% of $20-$30*

      As a lot of people selling games, e-books, music, and movies have found out,
      100% of $1-$2 is better than 100% of $5-$10.
      It turns out you really can make it up on volume.

      --
      [Fuck Beta]
      o0t!
    34. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      You're trolling, aren't you?

      On one hand you complain how the Internet is negatively affecting the music industry, but when it comes to independent distribution you go back to selling CDs like the Internet didn't exist.

      Today anyone's not only able to record something (and with quality far above what amateur musicians had available 20 years ago), but release it to hundreds of millions of people on the Internet. If your music is good, putting it on youtube, even with an AMV, is surely to get you hundreds of thousands of views yearly, and a small percentage of those people will buy your records online. Social networking is all the promotion you need. If your music is bad, you can't really expect much either way.

    35. Re:Copyright lobby won't let this stand. by poetmatt · · Score: 1

      a market change isn't negative to the market, it's only negative to that industry.

      People spend their money elsewhere. It doesn't mean music is dying.

    36. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      It turns out you really can make it up on volume.

      Sure but you have to actually be making a profit for each sale. There's no guarantee that just because someone else can make a profit in some medium at $1-$2 means that it's applicable to everyone and everything. This is what is lost by the people who try to claim that selling music, e-books, etc has no costs.

    37. Re:Copyright lobby won't let this stand. by AmonTheMetalhead · · Score: 3, Insightful

      I hate the RIAA and their methods as much as anyone, but I don't think it is spurious to look at what's happened to the music industry in the last 15 years or so and say that the internet has not had a negative effect.

      I don't know, i used to buy plenty of Cd's, and i still do buy Cd's, but the last 15 years has seen extremely crappy 'artists', there's hardly anything coming out (from the major labels) i even want to listen to. It's not the internet that's killing the industry, it's lack of good material.

    38. Re:Copyright lobby won't let this stand. by AmonTheMetalhead · · Score: 5, Insightful

      You know what's making the real music suffer? Not the internet, but large retail chains that only stock the popular shit and out compete the smaller record stores that actually have lesser known works. The whole industry was set to fail sooner or later, the internet did nothing to change that. If you are a budding artist, embrace things like last.fm, those are the future.

    39. Re:Copyright lobby won't let this stand. by AmonTheMetalhead · · Score: 1

      The best advertisement is still word of mouth, if you make a cd that is brilliant, you will get it out there. It might not happen over day, but it will happen. Besides, there are a lot more channels these days through which to promote your work.

    40. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      Having 101 million viewers doesn't mean that the viewers actually liked it.

      Precisely. Last I heard the reaction was about 90% negative.

    41. Re:Copyright lobby won't let this stand. by AmonTheMetalhead · · Score: 1

      IT-girls? Why hasn't anyone told me this earlier!?

    42. Re:Copyright lobby won't let this stand. by AmonTheMetalhead · · Score: 4, Interesting

      As for labels, if the big ancient ones fall and die, they will be replaced by newer companies that are actually aware of the times we're living in. It would actually be a boon for the artists, the best bands these days are independent or with smaller companies whom specialize in a genre or style, and who will actively seek out new talent.

    43. Re:Copyright lobby won't let this stand. by AmonTheMetalhead · · Score: 1

      It is, I know bands who've done it, I've even helped some doing it. You just don't need the big labels anymore, they are OBSOLETE

    44. Re:Copyright lobby won't let this stand. by AmonTheMetalhead · · Score: 1

      And it's actually crap, go figure :P

    45. Re:Copyright lobby won't let this stand. by AmonTheMetalhead · · Score: 1

      Buddy, i know quite a few local bands, i even know people who do everything themselves, the best promotion you can do is to tour.

    46. Re:Copyright lobby won't let this stand. by Bing+Tsher+E · · Score: 1

      A full 24-bit digital recording studio that beats anything that was available to Pink Floyd, The Beatles, or Zeppelin will cost you only a few hundred dollars these days.

      That is an incredibly deluded techie way of looking at it. You are talking about the software and the bit of A/D conversion hardware needed, correct?

      Good microphones still cost many thousands. And a well designed sound proof facility to use all of the above in costs much, much more.

      You sound like my friend with his midi gear. He used to carry on about 'dispensing with all the musicians' because they were obsolete.

      Uh, wrong.

    47. Re:Copyright lobby won't let this stand. by schwinn8 · · Score: 1

      It may not be completely inexpensive, but if this is your "career" then that's where you have to spend your money. My career was engineering, so I spent a bunch of money on a college education. If you want to be a recording artist, you have to spend your money there... so you can't complain about that.

      Secondly, you don't need super high end equipment. Look at the Foo Fighters latest album - all recorded on old analog equipment, and in a garage. Sure, it's not convenient or easy, but it can be done and still sound great. If you WANT the new MIDI stuff and automation, then knock yourself out... just don't go crying to people that it's expensive (for both of these reasons). Bottom line, is that if you have the TALENT (as mentioned above) you don't need to fake it with electronics. If you're not talented, then don't complain about poor sales/quality/etc.

    48. Re:Copyright lobby won't let this stand. by mikael_j · · Score: 1

      Sure, you will need to make an investment. However, if you make the right investment then $3,000 spent on the right home studio gear today, combined with someone with talent to handle it, will take you a lot further than $30,000 out of the money the label promised you. Remember, your buddy who's doing this as a favor/because it's good practice/because you're buying him pizza isn't billing you hundreds of dollars per hour for labor and hundreds of dollars per hour for "equipment rental" and similar shenanigans that the label will try to push on you (to minimize the amount of money you'll get from them in the end).

      So yeah, you'll need to spend a little on hardware but nothing like what used to be required and nothing like what the studio will want to "bill" you for. Sure, if you want to replicate the sound that someone else managed to come up with after a year in a very expensive custom studio that's going to be nearly impossible (or take you a long time) but with the right setup you won't be far off.

      As for the "couple of hundred dollars", yeah that won't get you much unless you or your band already have a bunch of gear (not that unusual though to see bands where the members are all in their twenties and have gathered a big pile of various audio hardware for both live and studio performance).

      --
      Greylisting is to SMTP as NAT is to IPv4
    49. Re:Copyright lobby won't let this stand. by Bing+Tsher+E · · Score: 1

      No.

      What's making real music suffer is assumptions by people like you that it comes from storefront operations. Of any size or scale.

      People make music. Full stop.

    50. Re:Copyright lobby won't let this stand. by brit74 · · Score: 2

      Having 101 million viewers doesn't mean that the viewers actually liked it. Somebody posted it on facebook with a comment about how "I can't believe kids actually listen to this crap", which showed up in my news feed. I watched it. My overall reaction was something along the lines of "well... if you try to ignore the lyrics, her voice, and the video, it's actually almost bearable."

      Indeed. Here's what YouTube says: 267,472 likes, 2,041,843 dislikes. That's the most skewed ratio of likes to dislikes I've ever seen - 9 "dislikes" for every "like".

    51. Re:Copyright lobby won't let this stand. by AmonTheMetalhead · · Score: 2

      I have no idea what you're trying to say here, but allow me to elaborate my point.

      There are/were quite a few specialist record stores that specialize in a genre, people who like that genre could go in there and find music (known and unknown) in that genre, it allowed people the chance to discover music released by artists themselves or small labels.

      These days however, you have large chains that mostly only stockpile popular shit, the Biebers of the day, and they are out pricing the smaller record stores on those few popular records in the genres, driving customers away.

      This is a reality, just this month the store where i used to get my Cd's announced they are closing doors because, well, there just isn't enough clientèle anymore to keep a specialist store open.

      Luckily, we have things such as last.m now, whom mostly take the place of the specialist stores and allows people to discover new bands, but the loss of the specialist stores does mean it's less convenient to go out and buy a bunch of Cd's, being forced to use either iTunes or mail order. (I was going to mention amazon too, but they still don't sell mp3's in Europe i think)

    52. Re:Copyright lobby won't let this stand. by brit74 · · Score: 1

      Sales of recorded music in the year 1999: over $17 billion/year. Sales of recorded music in 2008: around $8 billion/year. It's been dropping fast, and by 2008, sales were less than half of what they were 9 years earlier. Sure, you might be able to argue that there "never been proven that the internet has had ANY negative effects" - as in "you can't prove that it was the internet, as opposed to 'everyone decided to stop buying music and spend money on other things", but I think the trends are a little more than suggestive. I'd be willing to bet that the last two or three years have also seen a decline - how do I know? My amazing crystal ball.
      http://www.informationisbeautiful.net/2009/the-death-of-the-music-industry/

      Oh, hey, I found an updated chart, with numbers upto 2010 and adjustments for inflation and population. When adjusted for inflation and population growth, you can see that recorded music peaked around 1999 with $71/year per capita, and now it's down to $26/year per capita. Another interesting fact: Napster was released in June 1999. Coincidence?
      http://www.businessinsider.com/these-charts-explain-the-real-death-of-the-music-industry-2011-2

    53. Re:Copyright lobby won't let this stand. by brit74 · · Score: 2

      I think it's pretty much a cliche that people don't like 'new music' as they get older, and argue that music was much better when they were young. My own interpretation is that young people have young, impressionable brains, they absorb the music of their generation, they like it, and as their brains start to harden up, they're dismissive of the 'new stuff' because it's different from the stuff they absorbed when they were young and impressionable.

    54. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      Local pop acts are already subsidized to some degree in many European countries.

      Where would that be? I know it's not the case here in Germany, because there's only one Company that pretty much manages all commercial performance rights (GEMA), there's no real alternative because (1) the courts have struck any alternatives down and (2) radio stations don't deal with anyone else. The interesting thing is that if you are a member of GEMA, any public performance of your works must be registered with them and paid for, even your own performance - and small artists just pay, they only get a tiny fraction back at the end of the year, if anything.

    55. Re:Copyright lobby won't let this stand. by brit74 · · Score: 1

      This article shows the decline of music sales - from a peak of around $17 billion or $71/year per capita in 1999 to around $8 billion or $26/year per capita in 2009.
      http://www.businessinsider.com/these-charts-explain-the-real-death-of-the-music-industry-2011-2

      Now, of course, the "music industry" isn't just recorded music. It's also concerts, and those have been rising, right? Yes, but certainly not enough to makeup for the shortfall. According to this paper (http://www.nber.org/papers/w16507.pdf), the number of concerts in the US in 2002 was 22,033, an average of 2,459.34 tickets sold per concert at an average price of $36.02. That adds up to $1,950,449,292. That's $1.95 billion dollars. In order to makeup for the shortfall in record sales, concert revenues would need to be topping $12 billion, which I highly doubt.

    56. Re:Copyright lobby won't let this stand. by AmonTheMetalhead · · Score: 1

      There is definately a truth to that, but also a matter of quality, there is a reason the old guys are still popular even with the new crowds.

    57. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      Read the parent posts.. For instance, here you're basically conflating Alan Parsons (and let me not be a twit and expand that to... audio engineers) with the music industry... essentially, because apparently it sounds like you think there are Musicians and the Industry, and someone like Alan Parsons *has* to exist in the latter. Maybe you don't think this, but then you have to work on your exposition cuz that's what I'm getting; that somehow the recording studios and the tech is somehow exactly the exclusive purview or somehow depends on the music industry establishment. Nothing you said in your example contradicts what the other posters have said. Whatever.

    58. Re:Copyright lobby won't let this stand. by Anthony+Mouse · · Score: 1

      I hate the RIAA and their methods as much as anyone, but I don't think it is spurious to look at what's happened to the music industry in the last 15 years or so and say that the internet has not had a negative effect.

      The effect the internet has had has been to somewhat level the playing field between smaller acts and big labels, with the result that instead of getting a small handful of acts who each sell millions of recordings, you get a far larger number of smaller acts that can each make a living without becoming millionaires. The idea that getting more self-sustaining bands and more music but less of a chance for record companies to be king makers is, on balance, "a negative effect" seems highly disingenuous to me.

      I'm an amateur musician, but among the semi-professionals I know no one has any delusions about breaking into the music industry anymore. It's really changed the landscape because the industry itself has shrunk dramatically.

      I think you'll find that the "music industry" is bigger than it ever wars. It's just that everything is going to live performances -- which have been up year over year for some time now -- at the expense of "recorded music" which is on the decline profit-wise because there is now more competition since any aspiring musician can make a recording and distribute it on the internet.

    59. Re:Copyright lobby won't let this stand. by Anthony+Mouse · · Score: 2

      You're kind of missing the point. The idea is, with zero marginal cost (i.e. internet distribution), you can make a more money selling a certain number of units for a lower price than selling 10% as many units for a 500% higher unit price. The idea that you might not be able to make back your production costs at the low price doesn't enter into it -- you're making more money at a lower price than a higher price, so if you can't make a profit charging $1 then you'll lose even more by charging $5.

      Especially because volume has its own benefits: Even if lowering prices doesn't strictly increase total revenue, increasing your volume will increase your name recognition. That way you can sell more concert tickets or software support services or ad impressions or whatever, or have an easier time finding customers for your next release, etc.

    60. Re:Copyright lobby won't let this stand. by brit74 · · Score: 1

      > "Plus he can sell his music DRM-free and at a low price (killing the incentive to pirate)"
      To be fair, any price above $0 is an incentive to pirate. I know people who, because they learned how to pirate, regard paying any money for anything digital as the equivalent of throwing money in the trash.

    61. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      I have about 25 years experience working as a studio engineer and producer.

      You can buy a 24bit recorder for peanuts, but that won't give you a great sounding record.
      What really matters in a live studio is good sounding rooms, an isolated control room (so you can hear what you are recording), great monitoring (both for the engineer and the band), and the ability to work quickly to capture inspiration. Setting up this environment is actually more expensive now than in the 70's. (there's a lot of bricks and mortar and people involved!)
      If you are making electronic music, without live performance, then you can just use a computer and a pair of headphones in your bedroom. I love many records that have been made that way. But you won't be able to make the kind of records like Floyd, Beatles, Stones did.

    62. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      Remember we are talking about recorded music here.
      Even if the song is great, you still have to get a good *performance*, regardless of recording quality.
      When half the band have their heads buried in a computer monitor, and the musicians can't hear each other because their monitoring facilities and mixing suck, then the performance suffers.

      Studios are not all about expensive equipment, but about creating an environment conducive to great playing.
      I'd rather have an eight track tape and an old tapco mixer in a great studio, than be trying to make records on a million track 24/96K computer in someone's bedroom studio.

    63. Re:Copyright lobby won't let this stand. by Bing+Tsher+E · · Score: 2

      When the lead-in into every paragraph in a comment is 'wrong' or 'correct' it means somebody is not participating in a discussion.

      Don't blather on about shills, dude. GP had a point and you just papered it over with the usual cliches.

    64. Re:Copyright lobby won't let this stand. by Bing+Tsher+E · · Score: 2

      Social networking is all the promotion you need.

      You're falling into the trap that the people who own the handful of big servers who sponsor and control virtually ALL of the 'social networking' want you to fall into.

      Not that a comment here will matter. So many people here on Slashdot are either henchmen for said server operators, or duped True Believers of the 'social networking' ideology that it won't matter.

    65. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      Point your friends (and maybe yourself) to www.jamendo.com and release some of your work under the Creative Commons license.

      If you're really good, you will get noticed, get good reviews, get 'starred' and playlisted. Also get local gigs, this is a great way to get exposure. Get a website for your band. At one point, release your next album commercially (not through the big labels - use them for non-exclusive distribution rights at the most) and make sure your fans know about it. Yes, your fans is where your money will need to come from. Not the "hey-it's-the-popular-track-so-I-gotta-have-it-and-like-it-because-that-means-I-must-be-popular-too" as something else will come up
      70s = disco
      80s = pop
      90s = house/techno
      00s = rap/r'n'b
      10s = kiddierock like J. Bieber?
      While at the same time some of the greatest bands retained their fan-base and released record after record (making their money by doing concerts, though).

    66. Re:Copyright lobby won't let this stand. by h4rm0ny · · Score: 1

      However talent is singular, and cannot be bought or taught

      I've yet to meet a really good musician who wasn't taught their skills by other musicians. Perhaps one or two self-taught types are out there and are a success story. The rest all got taught. Often those lessons were paid for.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    67. Re:Copyright lobby won't let this stand. by RobertM1968 · · Score: 1

      I hate the RIAA and their methods as much as anyone, but I don't think it is spurious to look at what's happened to the music industry in the last 15 years or so and say that the internet has not had a negative effect.

      It will have a continuing negative effect on revenue - not that I care how much EMI makes, but I do care when by extension there is less money available to sign artists, promote music that is not currently mainstream, when lower quality music receives all the promotion dollars available from the now smaller pool, etc.

      I'm an amateur musician, but among the semi-professionals I know no one has any delusions about breaking into the music industry anymore. It's really changed the landscape because the industry itself has shrunk dramatically.

      Maybe people will see it as good in the future that most music will be local and self-released by the artist and the only acts with real national exposure will be the Britneys and Taylors who sell football stadiums. I just don't think some of the greatest records would have ever been recorded in the current and future system. We've lost something.

      Oh, just release good stuff, and you won't have piracy issues. Iron Maiden really does nothing about piracy (other than look the other way, or encourage their fans to share IM's music amongst themselves), yet even with nearly 60,000 videos on YouTube, according to EMI, they don't have a piracy issue for Iron Maiden's stuff - people go out and BUY their music instead of pirating it. And they are buying it in record numbers for Iron Maiden. Someplace on IM's or EMI's website, you can found EMI's statement. So, Maiden's stance on piracy "share our music with your friends, record our concerts and put them online: coupled with good music seems to be combating piracy a lot better than the nonsense the RIAA is doing. Also, the vast majority of IM's sales are of physical products (perhaps due to the extra attention to detail they always direct towards the packaging, liner notes, etc).

      Now, it does not matter if you like Iron Maiden or not. The lesson is, create music people like, package it well, skip "here today, gone tomorrow" fads and sing/write from your heart(s), and interestingly, people seem interested in buying it instead of pirating it. Good luck to you...

    68. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      So many people here on Slashdot are either henchmen for said server operators, or duped True Believers of the 'social networking' ideology that it won't matter.

      What ideology? Social networking is a fact, it's what people do. We used to communicate on instant messengers, forums or over email, now the new wave of users is communicating over twitter, facebook and hundreds other sites. And they love to share links with each other. You can target those people with your content and it's going to be talked about, or you can ignore them and miss out, it's your choice.

    69. Re:Copyright lobby won't let this stand. by ScrewMaster · · Score: 1

      However talent is singular, and cannot be bought or taught

      I've yet to meet a really good musician who wasn't taught their skills by other musicians. Perhaps one or two self-taught types are out there and are a success story. The rest all got taught. Often those lessons were paid for.

      I think you were replying to ElectricTurtle.

      --
      The higher the technology, the sharper that two-edged sword.
    70. Re:Copyright lobby won't let this stand. by NeutronCowboy · · Score: 1

      Feel free to point out where I went wrong, including where my summary assessment of the quoted statement is incorrect. Unless, of course, you were aiming to be the definition of irony...

      --
      Those who can, do. Those who can't, sue.
    71. Re:Copyright lobby won't let this stand. by mirix · · Score: 1

      There's been some other changes in the last decade, especially the last few years...

      Gas has doubled, food is up, wages are fairly stagnant. Unemployment is up. Global recession and all that jazz.

      Certainly the ease of copying these days has some effect, but the fact that a lot of folks have much less dispensable income is probably a bigger factor, I'd think.

      --
      Sent from my PDP-11
    72. Re:Copyright lobby won't let this stand. by mikael_j · · Score: 1

      So the RIAA-associated record companies aren't selling as many albums now? I didn't say they were in the first place.

      My claim was that the "business of music" was shifting toward "amateurs/semi-pros" rather than big labels signing a handful of musicians/performers/shaking asses and promoting them to death. You're not really disproving me here.

      Oh, and here's another analysis of the Bain chart (key points: hit records, re-buying albums as CDs). Just in case you didn't bother to read your own link (hint: it wasn't exactly screaming "PIRACY SI KILLINGZ TEH MUZIK!!!1").

      --
      Greylisting is to SMTP as NAT is to IPv4
    73. Re:Copyright lobby won't let this stand. by kevinmenzel · · Score: 1

      My point is that the analog gear costs money. The computer stuff is cheap. It's when you start looking at "How many mics do I need to own to mic a drum kit? How many channels of mic pre-amps does that require?" then even in your basic case of like, a copule of decent condenser mics for the overheads and a pair of 57s for the snare and the bass drum, and a mixer with 4 channels worth of mic pre's that aren't crap, you're already talking more than a thousand dollars. Old analog equipment that's GOOD in the audio world - it costs money. You can find ways around it from a personal perspective - my church has a lot of gear that they let me borrow, likewise I have a few friends that own some mics, and we all sort of decide not to buy the same type of mic, and just let each other borrow the other mics as need be - less redundancy, we all help each other out - all that means less money that I personally had to spend, but I don't for a second think that just because I didn't pay for it, that gear doesn't have an actual cost. The Neumann U-87ai mic I have access to costs $3000. Stereo overheads were like $2000 for the pair. Yeah, the SM57 isn't an expensive mic, but even used it's still like $70-$80 for the real thing, and you'll probably want more than one. The Yamaha grand I have access to costs like $40,000, and the specific model streets for more like $70,000 with all the disklavier features. I'm not paying that price by myself, but it's still a price that gets paid (and tuning that piano for recording is in the hundreds by itself). You absolutely need to have talent, and that's going to get you far. BUT the original comparison was to The Beatles. And you won't get that sound, even if you have that talent, if you don't have the room, or the gear, and you won't get those for a couple hundred, or - likely - a couple thou. It's absolutely an investment, and I'm not complaining about that, and you can definitely do it for cheaper than the labels will charge you for it, their model is broken. But being able to make that investment in gear, space, etc. - Not everybody has that opportunity or ability or connections themselves. And even studio time will cost you a few thousand to make a full length album, if you don't want to build your own.

    74. Re:Copyright lobby won't let this stand. by cbope · · Score: 1

      A few hundred dollars for the gear needed for a professional quality recording studio? Really? I call bullshit. Unless to you an iPhone is a professional recording studio (I have news for you, it isn't).

      Even setting up a good quality home studio for one instrument will easily set you back a few thousand, if you want good results. You will need microphones (good ones are not cheap), cables, a mixing desk or an audio workstation for mixing (and mastering if you intend to publish) and while there is some free audio software for Linux, it doesn't mean you can set up everything for no cost. I speak from experience as I have personally built a home recording studio. Obviously, you haven't.

    75. Re:Copyright lobby won't let this stand. by rust627 · · Score: 1

      Okay, lets get a few things straight here.
      The record companies do not give anything away.
      When you sign a contract with a record company, you are signing an open ended loan, which they can recall at any moment ( 30 days notice is common, but 14 days notice is not unknown ) , the purpose of the loan is to cover the costs of recording, promoting, and distributing your 'product', It also covers the cost of your first visit with stylists and the 'signing party' which includes any and every freeloader who can get close to the bar.
      This loan is ostensibly to be paid from your earnings from the 'product' release, your earnings are the small percentage left over after the record company takes its cut for Promoting, developing, printing, designing and distributing your 'product', and any other expense they can think of to add to this.(CEO's second mistress needs a new car etc).
      Many years ago they would sign an artist or band because the said artist(s) were attracting audience through live performance and showed potential to sell albums and possibly more than 1 single per album.
      Those days are long gone.
      Now they are looking , not for artists, but for 'products' they can sell (notice the shift from music as a product to performer as a product).
      They are not really interested in developing song writers and musicians, because that takes too long.
      Every song must now be able to be marketed as a single in its own right, but it is easier to market a performer (not a musician) than a song.
      and if the performer starts to get too big for their boots, or starts to develop a mind of their own, well, cut them loose (and demand the repayment of the loan on the shortest terms you have written in to your contract.)

      There are many musicians out there who are brilliant who will never get the chance to release an album through a mainstream label, because the expense of developing them as a marketable commodity is too much.
      it is easier to find another brittany or taylor who will prostitute themselves in return for stardom, and the end result - PROFIT !

      And if I may add a small note here.
      I am a sound engineer with many years experience, my first words to many bands who complain that they are not getting a fair chance and not attracting the audience they 'deserve' is, what makes you different, why should anyone come to see you rather than another band / artist ? (and please note the word, 'SEE', most audience members will not take a lot of notice of the music until they have 'seen' a band 2 or 3 times, and it is the performance of the music that will get them back)
      If you as an artist / musician / band can create enough audience interest then you can release your own music and people will buy it. convince more people to buy it and you can fund a better quality recording for your second release. and sooner or later you can deal with whatever is left of the record labels (if you wish to) , on your terms.

      --
      da da da dum indeed.
    76. Re:Copyright lobby won't let this stand. by cyclomedia · · Score: 1

      Your argument seems to be that the musicians would be lost without a "Pro" producer to help them out with "Pro" kit, both of which they have to pay for.

      I know how to mix and generally get things to sound right. I'm also a shit musician. I like to press buttons and twiddle knobs just for the fun of it. Therefore I contest that so long as I was in the garden shed with the musicians it would sound plenty good.

      --
      If you don't risk failure you don't risk success.
    77. Re:Copyright lobby won't let this stand. by ElectricTurtle · · Score: 1

      This is why my first sentence was a warning against conflation. You're conflating talent with knowledge. They are not the same. You can teach almost anybody to play an instrument to a certain level of technical competency. However, just because somebody can read music and play notes does not make them talented. If they cannot transcend the mechanical aspect of music and play (let alone compose!) in a way that connects them emotionally with their audience (which is a talent), it will never matter who they learned from or how hard they studied.

      It's a matter of 'necessary but not sufficient'. You're right, most musicians have to learn from others the techniques of music, but if they lack an inherent talent, that knowledge by itself will not be enough to carry them forward.

      --
      I support the Slashcott and will not be reading or commenting from 2/10/14 to 2/17/14. Beta is steaming pile of dog shit
    78. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      And to support your argument, I offer Springsteen's Nebraska.

      Reportedly of such low technical quality (recorded on a Portastudio onto a cassette which spent weeks in Bruce's back pocket) that it almost failed to make it onto vinyl.

      And yet, was judged much better than the E-Street Band full studio-quality recordings which were passed over for the final release.

    79. Re:Copyright lobby won't let this stand. by u38cg · · Score: 1

      You can look up the psychological research on this if you want to. At a young age, you are receptive to any kind of music you hear: you just soak into everything around you. Later, as you hit your teens, you star to use music as a group identity thing - remember long conversations about how people who didn't like xyz were just pitiable fools? Later in life, that need drops, which is what leads to the lack of interest in new music as you get older.

      --
      [FUCK BETA]
    80. Re:Copyright lobby won't let this stand. by tripleevenfall · · Score: 1

      From their perspective, because the revenue pool is shrinking and risk is increasing, they probably feel they have to produce more of these "safe bets". They know that, by spinning up the massive marketing machine, they can always make another Hanson, Jonas Brothers, Backstreet Boys, Bieber, etc., it will go platinum, sell out arenas, etc.

      In stormy times with down markets, enterprises look for safe investments. Instrument players aren't as safe a bet, because people who listen to actual music are more discerning than people who listen to pop and don't just eat whatever MTV feeds them. As record labels become more risk adverse, the quality and variety available will go down.

    81. Re:Copyright lobby won't let this stand. by schwinn8 · · Score: 1

      Again, I'm not saying the stuff it cheap, but I question whether you need to own all the high end stuff in the first place. I'm not an audio person, so explaining that to me is pointless and fruitless... I'm not going to research the nitty gritty of audio equipment to prove you wrong. My simple point is that you MAY not need to BUY all that stuff in the first place. Just like with computers, you don't need to buy a $1000 laptop for most people, but they do it anyway.

      But, even barring that discussion, my previous point stands - these are your tools of the trade. Mine happened to be a degree in engineering. I probably spent as much as you would on hardware to get my degree. So, I don't see why you should be "exempt" from having to pay into your career. If your equipment costs $100k, that's the typical cost of a college education... it's your choice to spend it on music equipment, just like it's mine to spend it on my career. I wouldn't be where I am without my degree, and you can't expect to get audio equipment "for free" in a similar manner.

    82. Re:Copyright lobby won't let this stand. by h4rm0ny · · Score: 1

      I think you were replying to ElectricTurtle.

      Well, I was meaning to... ;)

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    83. Re:Copyright lobby won't let this stand. by h4rm0ny · · Score: 1

      This is why my first sentence was a warning against conflation. You're conflating talent with knowledge.

      I don't believe I am. Firstly, "knowledge" isn't a good word to use for playing an instrument. Skill would be. Secondly, I don't see this clear distinction between "talent" and skill. Do some people have a greater or lesser aptitude for music? Yes. But it's misguided to put that aptitude on a pedestal above practice and study. Do you play an instrument? Because myself and my friends who are professional musicians - I know that they would disagree with your stance. Being a great musician is a little bit raw aptitude and an overwhelming amout of study and practice. The bald statement that "talent is singular, and cannot be bought or taught" sounds very hollow to me. As I said earlier, I don't know of any really good musician that wasn't taught. I suppose there might be an example out there somewhere, but they'd be a massive exception.

      If they cannot transcend the mechanical aspect of music and play (let alone compose!) in a way that connects them emotionally with their audience (which is a talent)

      Actually, that is something largely learned and also a false dichotomy. I strongly suspect that you haven't played music professionally and would be interested to know what experience as a musician you have.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    84. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      You need the expensive gear if you are recording music professionally. People who record themselves benefit from good equipment, but it's not essential.

      It lets you get a good result faster, and do a good job with live recording, which is tricky in a home studio.
      Big mixing desks (or control surfaces) are nice for setting up monitor mixes quickly. A good sounding live room makes the biggest difference in recording you can imagine. Good control room monitors and acoustics makes making mixes that transfer well to other systems more reliable. Having a load of mics means you can quickly try another if one isn't doing the job. Having a load of headphones and matrix mixing means you can work with large ensembles for film dubbing. Having more expensive headphones that don't leak sound means you get booked again for more film dubbing. :)

      So much of the expensive gear is about making the process of recording faster, easier and more practical, rather than fidelity. There are some pieces of kit that sound really good right away on most things (like Neve Preamps, Urei 1176) and are nice to have around. One of the reasons for this is that the time spent learning how a piece of equipment reacts to a sound is quite valuable. So when other engineers use a studio they like to see equipment they know how to use, so as not to waste the client's time messing about.

    85. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      $30,000 from a label and a good studio could have you making a living in months.
      $3,000 spent on home studio gear has you beginning a job learning to be a producer and sound engineer that might take ten years before you are up to standard.

    86. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      You don't understand what a producer does.
      Would you have the confidence to tell the Beatles that their arrangements are wrong, that they need to re-write a song, or that you want to re-record everything from scratch? And would you be pretty sure of being right in doing so?
      That is what a producer does, and they have to take responsibility for it.
      An engineer is they guy who sets up the mix balance and twiddles the knobs.
      Even then, there is a long way from being able to set up a good balance to being able to mix!

    87. Re:Copyright lobby won't let this stand. by mikael_j · · Score: 1

      $30,000 from the label is taken out of the money you were supposed to get from them, but maybe you're assuming that everyone is that one musician who tops the chart with his/her first album?

      $3,000 spent on a home studio along with the help of a friend or two will drastically improve your chances compared to not spending money at all.

      You're also assuming that the members of that rock band, all of them in their 20s and who have been playing in various bands since they were 12-13 years old, all have absolutely no knowledge of what sound they're after or how to achie...

      Oh wait, I forgot, you're just a troll.

      --
      Greylisting is to SMTP as NAT is to IPv4
    88. Re:Copyright lobby won't let this stand. by badkarmadayaccount · · Score: 1

      I can listen to goddamn near anything since I was 13, and never judged anyone on their musical tastes.

      --
      I know tobacco is bad for you, so I smoke weed with crack.
    89. Re:Copyright lobby won't let this stand. by Anonymous Coward · · Score: 0

      While being a steeming pile of shit, musically and artistically speaking, the *production* is quite ok, so if it was done on a small budget ... the original point stands.

  4. In other news by mseeger · · Score: 5, Informative

    In a shocking development, the famous tech web site "Slashdot" has been found to post misleading headlines *again*. While the european court is moving to ban internet blocking without a law, it clearly states that it would be legal if a specific law would allow and specify the conditions for it.

    1. Re:In other news by Drakkenmensch · · Score: 3

      Basically, not letting the copyright lawyers set the "laws" themselves and move the goalposts every single time something happens that they don't like. Sounds like a step in the right direction to me.

    2. Re:In other news by Haedrian · · Score: 1

      If nothing its a precursor to Net Neutrality.

      Of course there needs to be that clause, otherwise they couldn't filter child pornography.

    3. Re:In other news by AmiMoJo · · Score: 1

      That is just a concession that they have to put in to keep the national governments happy. They are going to want to block stuff like child pornography etc. It would still be extremely effective at preventing blocking on the grounds of copyright infringement and would give ISPs support when they tell the music and movie industries to fuck off. It would also prevent the ISPs from blocking rival video streaming sites because "they suck up too much bandwidth" etc.

      This is very good news.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    4. Re:In other news by countertrolling · · Score: 1

      We are being crapflooded with so many laws and proposals, we can't 'filter' them all out.

      --
      For justice, we must go to Don Corleone
    5. Re:In other news by Anonymous Coward · · Score: 0

      While the european court is moving to ban internet blocking without a law, it clearly states that it would be legal if a specific law would allow and specify the conditions for it.

      In related news **AA lawyers announce a new law requiring ISPs to block any content on the condition that the media cartels felt like it.

    6. Re:In other news by CCarrot · · Score: 1

      It would also prevent the ISPs from blocking rival video streaming sites because "they suck up too much bandwidth" etc.

      Sorry? I thought this proposal was saying that nobody can *force* the ISPs through the courts to block arbitrary content without an actual law *requiring* all ISPs to block it (such as child-pron). I didn't see anything in there stating that ISP's can't voluntarily and arbitrarily choose to filter content on their own initiative...but IANAL, maybe I missed it...

      --
      "I love animals! Some are cute, others are tasty, what's not to like?" - Betsy Schroeder, Jeopardy contestant
    7. Re:In other news by Anonymous Coward · · Score: 1

      They shouldn't filter child pornography. They should find the guys who produce it, lock them up and shut down their servers locally.
      Filtering child pornography would be like preventing the sale of stolen cars on weekends (there are other ways of getting it and nothing is done to prevent the real crime).

  5. Who will win? by srussia · · Score: 1

    Too much money riding on it. Corporations will win. Always

    Aren't ISPs corporations too?

    --
    Set your phasers on "funky"!
  6. Re:Queue the Yanks by tripleevenfall · · Score: 1

    Queue the yanks? Where does the line form?

  7. Please set an example by HalAtWork · · Score: 1

    Please set an example for the rest of the world in this regard. This definitely needs to be recognized and upheld if we wish to maintain the integrity and usefulness of the internet.

  8. Misleading headline alert! Get me copy! by techvet · · Score: 1

    The headline does not say what the summary text says. The headline implies at no net filtering would ever be allowed, but the summary only says it cannot be required.

  9. Re:Queue the Yanks by _0xd0ad · · Score: 1

    I think he's hoarding that bit of information. I'm also puzzled over where he saw the word "Europe".

  10. Question on athority for EU Courts by Rolaulten · · Score: 1

    I dont know how the EU courts work - is the ruling binding in the same way that the US courts work with respect to the idea of president cases (or cases of first impression) for civil law. At least in the US the judge(s) verdict is binding and fully law until such time as a different judge in a higher court modifies it, or the legislature changes the law - so I'm wondering if this verdict is handled in the same way?

    1. Re:Question on athority for EU Courts by mmcuh · · Score: 1

      The European Court of Justice is the highest court in all EU member states in cases that regard EU law. So yes, a verdict here is pretty much a precedent that other national courts should follow, since a repeal to the ECJ should give the same verdict in similar cases.

    2. Re:Question on athority for EU Courts by u38cg · · Score: 1
      Essentially, yes. It is confusing. There are two European courts. The European Court of Human Rights deals with exactly what its name suggests. It is not an EU court and actually has a slightly different jurisdiction. Cases can be appealed after exhausting the national system. Completed cases are not open to review and can require changes to legislation in the originating country.

      The European Court of Justice deals with the interpretation of EU law and it is where you go if you feel your country is not complying in some way. Normally, you go there after exhausting your own country's legal system but a case can in theory go there at any time, much the same as the US supreme court. Usually a judgement will result in changes being required to that country's legislation, and possibly others as well. However, the function of the court is to interpret EU law as it stands and so it is possible for EU law to be revised in light of a judgement, though this very rarely happens.

      --
      [FUCK BETA]
  11. Filtering Haiku by smitty777 · · Score: 1

    European court
    Has preliminary rule
    BI now gives finger

    --
    "Before God we are all equally wise - and equally foolish"
    Albert Einstein
    1. Re:Filtering Haiku by Haedrian · · Score: 1

      R.I.A.A. sad
      Need More Bribes in Politics
      Ensure Large Paychecks

    2. Re:Filtering Haiku by jd · · Score: 1

      You need a season in there. Substitute "court" for "spring"?

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    3. Re:Filtering Haiku by smitty777 · · Score: 1

      European spring
      We joyously watch the blooms
      no ISP block

      --
      "Before God we are all equally wise - and equally foolish"
      Albert Einstein
  12. MOD PARENT -1 REDUNDANT by Anonymous Coward · · Score: 0

    Too much money riding on it. Corporations will win. Always

    Aren't ISPs corporations too?

    I think that was part of his point. Duh.

    1. Re:MOD PARENT -1 REDUNDANT by kevinNCSU · · Score: 1

      Too much money riding on it. Corporations will win. Always

      Aren't ISPs corporations too?

      I think that was part of his point. Duh.

      I don't think you're thinking things through. How would implementing costly filtering and being held accountable for doing it well and not pissing your customers off and losing them by doing so, ever be a win for an ISP? A win for them is to NOT be forced to do content filtering which is in direct opposition to the goals of companies that have money riding on content filtering being required.

    2. Re:MOD PARENT -1 REDUNDANT by zugmeister · · Score: 1

      Good point. Let's say "implementing costly filtering and being held accountable for doing it well and not pissing your customers off" has a cost to the ISP of $x. Therefore if you were intent on convincing the ISP in question to perform this filtering it would cost you $x + $y where $y is some additional fee sufficient to make that course of action "a win for an ISP". While this may make things pricey, the cost may not be insurmountable.

  13. Very vague by Lord+Juan · · Score: 1

    The statement is very vague, had the word been "allowed" then the title of this post would be accurate.

    No corporation is required to screw its customers, yet most seem to be doing it, many of them don't even bother to hide it anymore.

    1. Re:Very vague by jd · · Score: 1

      RIAA/MPAA's response: Ah, but the ISPs aren't filtering the Internet, they're only filtering their individual pipes. And since there's more than one company, it's an ogliarchy, not a monopoly.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
  14. The 'Court of Justice' by countertrolling · · Score: 2

    Is this between the Fortress of Solitude and Lex's Lair?

    --
    For justice, we must go to Don Corleone
    1. Re:The 'Court of Justice' by mmcuh · · Score: 1

      It's in Luxembourg, so yes.

    2. Re:The 'Court of Justice' by countertrolling · · Score: 1

      uncanny!

      --
      For justice, we must go to Don Corleone
  15. Is this how they fish for "contributions"? by erroneus · · Score: 1

    This kind of reminds of of the half-hearted threats to move away from Windows. Microsoft invariably rides in on a grey horse and offers them a better deal not to migrate away from Windows.

    Does anyone have any expectations that this ruling, which is diametrically opposed to everything else we've been seeing, is anything but a cry for attention from the money-givers?

  16. Updated article by CrystalFalcon · · Score: 5, Informative

    Hello, Slashdot. I had intended to update this article tomorrow with a more detailed analysis, but given that it's now Slashdot Top Story, I posted the followup immediately. For your convenience:

    What this does is say that:

    One, no court may impose an ISP with an order to filter, in particular not because of enforcement of copyright monopolies;

    Two, such filtering is a reduction of fundamental rights, so

    Three, if laws are written requiring an ISP filter or block the internet, such laws must conform to very strict criteria that are applied to laws limiting fundamental rights. They must be effective, they must be proportionate, and they must be defensible in a democratic society. While this sounds like political wishywashing, it has some very specific meanings. It is useful to compare to what laws have been written to prevent terrorism: these laws are held to that standard, which the copyright industry wants badly to supersede. The Attorney General also goes into detail how such laws must be transparent and predictable.

    What this does not say is that:

    Four, no censorship must ever take place.

    Five, no ISP may choose to limit what they present as "The Internet".

    In conclusion:

    Six, it has been the modus operandi of the copyright industry to threaten ISPs with "block to our wishes or we'll take you to court". This has been their standard operating procedure for the past couple of years, in order to establish enough precendents to get them written into law. Today's verdict, or potential verdict, gives those ISPs the power to say "go play on the highway, parasites, we have an order from the highest possible court saying no court can force us to do that. We care more about our customers than about obsolete irrelevants".

    Seven, this is the highest court in Europe, referring to the (equivalent of) Constitution of Europe. Thus, there are no courts and no laws that can supersede this. No EU Directive can change this (potential) verdict. The way forward for the copyright industry appears permanently blocked; I hold it as absolutely improbable that they'll get paragraphs in the referred European Charter of Human Rights that put the copyright monopoly before the sanctity of correspondence, of personal data, and freedom of information.

    There. Do I get karma for posting from my own blog when it is TFA?

    Oh, and yay - my server is holding. *celebrate*

    1. Re:Updated article by CrystalFalcon · · Score: 1

      Gah. Point five is wrong. Should read: Any ISP may voluntarily limit what they choose to call "The Internet".

    2. Re:Updated article by CrystalFalcon · · Score: 1

      Ignore. I'm stressed out and missed that the headline reversed the meaning... gah. Slashdot stress.

    3. Re:Updated article by Christian+Engstrom · · Score: 1

      Thank you for a very clear explanation of the opinion. I took the liberty of republishing it on my blog: http://christianengstrom.wordpress.com/2011/04/14/explanation-of-the-ecj-opinion-on-internet-blocking/

      --
      Christian Engström, Former Member of the European Parliament 2009-2014 for The Pirate Party, Sweden
  17. Regulation that promotes freedom? by dorre · · Score: 2

    Hey, people in the land of freedom. How do you consider regulation such as this? It certainly is regulation, but it also certainly promotes freedom. I know there people who cannot fathom that freedom and regulation are not xor, infact I think you have minimum freedom in both the the minimum and the maximum end of the how-much-regulation-scale.
    Maximum freedom is achieved some amount of regulation. How much regulation is dependent on the society, and I think it is an unstable maximum, which is why we need to update regulations continuously.
    Or something.

  18. Different Corporations on each side by ron_ivi · · Score: 3, Interesting

    Those who charge for bandwidth love piracy - since if the cost of the content goes to zero, all the profit in home-viewing of movies will go to the telcom companies & ISPs.

    Also, telcom companies are known to be at least as skilled and powerful at lobbying than the copyright groups.

    And the last thing ISPs want is to start having to filter content and therefore potentially become legally responsible for every wikileak and drug deal done through their network.

    It'll be an interesting fight.

    1. Re:Different Corporations on each side by Anthony+Mouse · · Score: 1

      Those who charge for bandwidth love piracy - since if the cost of the content goes to zero, all the profit in home-viewing of movies will go to the telcom companies & ISPs.

      I don't think you're thinking this through. ISPs generally don't like P2P because they don't get to charge both ends -- they get money from the "consumers" but they don't get to charge the "producers". Why do you think Comcast wanted to throttle BitTorrent, instead of just letting customers hit their caps and whacking them with ridiculous fees? It's because they'd much rather you use Netflix, so that they can charge Netflix for bandwidth and let customers hit their caps and whack them with ridiculous fees.

    2. Re:Different Corporations on each side by Anonymous Coward · · Score: 0

      Not only this, but:
      1) 'Pirates' are the customers of ISPs, not the music industry. Of course the music industry could always pay ISPs to filter content, but in that case let's keep in mind that...
      2) ...the music industry is losing the battle. Piracy or not, artists can now publish their music on their own, on the Internet, without resorting to the help of a record label. More and more artists are doing it. ISPs should not cut deals with the music industry because soon this industry will die (most likely in less than 10 years!). ISPs should indeed think long-run and side with their customers, not some obsolete corporation.

      The few ISPs who filtered content for the music industry so far were either:
      1) Stupid, did not think in the long-run. Now they have shown their subscribers that they don't care about them, won't protect them, won't respect their rights. The damage is large.
      2) Or they just feared that the music industry would win the battle and ISPs would be legally liable for what their customers download. Now that the battle is over, and the music industry lost, these ISPs will most likely change their behavior.

    3. Re:Different Corporations on each side by Patch86 · · Score: 1

      If you use P2P, you'll be using both upload and download bandwidth. Your ISP could charge you (and all individuals) for both if they so wished. It'd be no different to them charging Netflix for their upload bandwidth.

    4. Re:Different Corporations on each side by TheTurtlesMoves · · Score: 1

      You don't have unlimited accounts? I really am unlimited here (Austria), as in I use about 80% of my 6Mbit 24/7 for the last 3 months.

      --
      The Grey Goo disaster happened 3 billion years ago. This rock is covered in self replicating machines!
    5. Re:Different Corporations on each side by Patch86 · · Score: 1

      You still get charged for it. They're just spreading their infrastructure costs across all their customers, via a flat rate rather than scaled rates based on individual usage patterns. They'll still be making the same amount of money overall. If they need to raise their prices to cope with increased loads then they will, unlimited plan or no.

    6. Re:Different Corporations on each side by TheTurtlesMoves · · Score: 1

      At 20EU a month + a phone line. I'm not complaining. Oh other EU countries do a lot better.

      --
      The Grey Goo disaster happened 3 billion years ago. This rock is covered in self replicating machines!
  19. Missing the point. by Toze · · Score: 1

    For every realized brilliant engineer/mixer/producer, there are more, possibly many more, unrealized ones. In the days when TV studios were building-sized, you needed to work for years to gain access to one to tell your story. Then camcorders, webcams, and youtube happened, and while 99% of what's on there is crap, 1% of it is brilliant work from people who could never have gained access to the big studios. That 1% represents a two or five or tenfold increase in the amount of smart/clever/funny/important video that's available. Now the same thing is happening with music production.

    It's not that anyone should expect computers to transform total losers into brilliant musicians. It's that we should expect computers to transform into adequate sound studios for those musicians-in-potentia to use.

    --
    No OS on the planet can protect itself from a user with the admin password. - Yvan256
  20. Misleading! by coretx · · Score: 2

    Here you can read why: http://jay.lu/2011/04/%E2%80%98scarlet-extended%E2%80%99-%E2%80%93-ecj-to-prohibit-internet-filtering/ Don't get too excited about this ECJ ruling on internetfiltering , firstly it isn't a ruling, secondly it doesn't outlaw web-blocking. In other words; it's all up to the individual EU memberstates now. What i think will happen, is that France & the UK will start the nasty .biz followed by a lobbying campaign in Brussels for EU ( legislative )"harmonization" since this is how most nasty laws are passed.

  21. What next? by metrometro · · Score: 2

    One lever of influence gone: European courts*. What other levers exist to pressure ISPs into filtering?

    Since the courts (or, more specifically, the threat of lengthy legal hassle) can no longer be used as a lever on ISPs to “voluntarily” filter content, what non-legal levers of influence will pro-filtering actors use on the ISPs? These aren't illegal levers, just ones which don't require the courts as bully. The separation of business interests (content creators and pipe-providers, for instance) suddenly becomes very important.

    *Assuming the AG's opinion becomes a ruling, which is likely. Read the opinion -- pretty strong stuff.

  22. I removed your extraneous prose for you. by Anonymous Coward · · Score: 0

    Here, I've fixed your post:

    Pop music really isn't music

    Corollary: TV commercials by opera stars really aren't opera.