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Google Launching Music Service Without Labels

fysdt writes "Google Inc is set to launch an online music locker service to allow users to store and access their songs wherever they are, similar to one launched by Amazon.com Inc in March. And like the Amazon Cloud Drive player, Google music service is being introduced on Tuesday without any prior licensing deals with major music labels, following months of fruitless negotiations."

406 comments

  1. Apple? by x*yy*x · · Score: 1, Funny

    So where's Apple now? Every big player should launch their service right now. It's way harder for the music industry to fight back then.

    1. Re:Apple? by The+MAZZTer · · Score: 4, Funny

      I hear Apple already has a music service. They're calling it "iTunes". It'll never catch on, I'm sure!

    2. Re:Apple? by x*yy*x · · Score: 1, Informative

      They're launching their own cloud music service too. Amazon already did. Microsoft will probably follow.

    3. Re:Apple? by tripleevenfall · · Score: 1

      If every big player launches its own service, Apple's victory is assured through market fragmentation.

    4. Re:Apple? by Jibekn · · Score: 2

      How so? Fragmentation didn't work out well for them in the past, remember when they had a 90+% hold on the PC market? They have what now? 5~%? After Amiga, Commodore and IBM and the rest fractured the market.

    5. Re:Apple? by Anonymous Coward · · Score: 0

      Apple never had 90+% of the PC market.

      AQuit making things up.

    6. Re:Apple? by CharlyFoxtrot · · Score: 1

      It's rumored Apple bought the "iCloud" domain name to do this sort of thing. We'll have to wait and see though, Apple traditionally sucks at doing web based stuff.

      --
      If all else fails, immortality can always be assured by spectacular error.
    7. Re:Apple? by tripleevenfall · · Score: 1

      There was one, unified alternative to Apple - The PC. It wasn't 7 different companies all trying to convince users that they are the best, and that the user should take massive pains to migrate from iTunes.

      That's another key difference. 90%+ of potential customers today are already using iTunes, so Amazon/Google/etc. has to convince people to leave all the music that they may have purchased in a protected format behind, and start over with them.

      I don't see it.

    8. Re:Apple? by Hatta · · Score: 3, Interesting

      Where's MP3.com right now? They tried this 10 years ago, and got shot down in court. What's different now?

      --
      Give me Classic Slashdot or give me death!
    9. Re:Apple? by softWare3ngineer · · Score: 4, Insightful

      The parent companies are bigger. That may seem like small difference,but Google and Amazon can afford 10 years of litigation. MP3.com couldn't.

    10. Re:Apple? by hawguy · · Score: 4, Insightful

      Where's MP3.com right now? They tried this 10 years ago, and got shot down in court. What's different now?

      I think the difference is that Google has unlimited money for legal defense.

    11. Re:Apple? by Eponymous+Coward · · Score: 1

      I think he's talking about profit.

    12. Re:Apple? by soupd · · Score: 1

      I'm thinking your confusing web-based front-end with backend infrastructure. I think Apple do pretty well at the former but have always lacked in the latter but for the past couple of years have been building a ginormous data centre in North Caroline which is coming online any time now.

      Speculation has long been that this would be for some cloud based system so it may all be coming together to Apple. Or course, it may not :)

    13. Re:Apple? by soupd · · Score: 1

      Indeed, and the labels have already conceded DRM, which consumers don't like - I never liked it and I was onboard with iPod and iTunes from the 2nd gen iPod. I think we're at the point where labels accept that a sizeable part of the market will only buy digital music, fighting it at this point is futile. If people can't get music legally on the terms they want, they'll probably pirate and the labels lose out entirely.

    14. Re:Apple? by hawguy · · Score: 2

      That's another key difference. 90%+ of potential customers today are already using iTunes, so Amazon/Google/etc. has to convince people to leave all the music that they may have purchased in a protected format behind, and start over with them.

      Are you sure about that 90% figure? I know lots of people that don't use iTunes.

      I for one would love to have an online music service that lets me upload my (large) existing collection of CD's (preferably with a "virtual" upload so I don't have to actually transfer the same bits to google that they already have), *and* that lets me play it through a Roku type appliance (Google TV?) through my TV sound system, as well as my Android phone. Ideally, I'll also have access to my music through my 3G (LTE?) enabled car stereo at some point, though for now I'm content to connect my phone to my car speakers.

      Until used CD's stop costing more than digital music (~ $5 including shipping, versus $9), I'll keep buying CD's and will want a solution that let's me play them on various devices.

    15. Re:Apple? by Jibekn · · Score: 2, Informative

      Apple are PC's, So were all their competitors, Amiga, Commodore, IBM, and the countless "IBM Clone" Manufacturers sure as heck where not unified. IBM Won that War, because they did NOT try to use legislation to kill clones of their hardware, like Apples does.

      They need to learn the lesson MS learned, its better to have the whole world running your software(or hardware) and only have 5% pay you. Then only control 5% of the market and 100% of those people pay you.

      It has a favorable side effect of making your product a household name, and opens up business use. It makes your product the "Standard" that everything else is measured up against. Its why alot refer to Apple PC's as Fisher Price PC's, because when compared to an equally cost point PC, they do look like a Fisher Price toy in comparison.

      If Apple had kept a hold on their 90% share, we may have ended up in a world were MS was the trendy hipster thing to own, while Apple is for the real world. Instead of the opposite we have today.

    16. Re:Apple? by cpu6502 · · Score: 1

      Is there really any reason to buy your own music?
      With google's video search you can find virtually any song you desire to hear. It's like being your own DJ.

      --
      My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
    17. Re:Apple? by cpu6502 · · Score: 4, Informative

      >>>remember when they had a 90+% hold on the PC market? ...Amiga, Commodore and IBM and the rest fractured the market.

      There was never a time when Apple held that high share. The #1 selling computer of the late 1970s was the Tandy-Randy Shack 80 (TRS-80). In 1982 Atari 400/800 briefly held the crown. From 1983-86 the Commodore 64 dominated the market. And then finally the IBM PC/clones (1987 to present).

      --
      My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
    18. Re:Apple? by Grizzley9 · · Score: 1

      So where's Apple now? Every big player should launch their service right now. It's way harder for the music industry to fight back then.

      With iOS apps like AudioGalaxy and ZumoCast and others that stream all your content (files, music, video) over the web/3G from your own PC, what would be the benefit of this to Apple based devices? Let alone their own iTunes rumored service coming as well. Surely there is already a similar Android service? Is this another "me too" app like Google Buzz?

    19. Re:Apple? by szyzyg · · Score: 1

      The difference is that MP3.com was a different service, and besides, mp3.com was largely a copy of myplay.com - except myplay.com did it right and didn't get sued (they got bought by Bertlesmann and then shut down for being unprofitable)

    20. Re:Apple? by h4rr4r · · Score: 1

      That music is mostly not protected these days. Most music on itunes, maybe even all these days, is drm free.

    21. Re:Apple? by Inner_Child · · Score: 3, Insightful

      If DJs use poor-quality encodes of tracks in your world, I don't want to live there.

      --
      Today is red jello day - all workers must eat all of their red jello. Failure to comply will result in five demerits.
    22. Re:Apple? by petteyg359 · · Score: 2

      After Amiga, Commodore and IBM and the rest fractured the market.

      Amiga was a Commodore product. Perhaps you meant Atari?

    23. Re:Apple? by tripleevenfall · · Score: 1

      Not wanting to use video-like bandwidth would be one reason, particularly with Comcasts and the other villains of the world trying to move to bandwidth caps.

    24. Re:Apple? by petteyg359 · · Score: 2

      Apple are PC's, So were all their competitors

      At the time, practically everything had a different CPU, so the whole PC or non-PC is irrelevant until several years later. At that point in time, Apple was not a "PC" by the terms of geniuses who think a CPU architecture determines whether something is a Personal Computer, because a "PC" used x86, and Apple was using PPC CPUs. In fact, I'm pretty sure IBM was their major supplier of CPUs for a while. Regardless, all these occurrences are separated by years, and probably shouldn't be thrown together into one argument.

    25. Re:Apple? by EraserMouseMan · · Score: 1

      As long as Apple is in bed with the labels and Hollywood they will bleed customers. iTunes epitomizes this. iTunes broke the ice. But now Google is making the iTunes model obsolete. Apple carefully works out cooperation with the big labels before it takes any action to ensure that Apple gets a nice cut as well as the labels. Amazon and Google just say we're going to give the people what they want. They don't bother courting the approval of the Labels. Freedom to be device/manufacturer-agnostic feels wonderful. Call it fragmentation if that makes you feel better. If I never hear the word "keynote" again I wouldn't be missing a thing.

    26. Re:Apple? by Jibekn · · Score: 2

      No, I'm talking about market share, Apple was the defacto PC back then. Yes I'm talking about a time when upgrading RAM required a soldering iron, and the only platform DOS ran on was an Apple. Kids these days.

    27. Re:Apple? by Anonymous Coward · · Score: 0

      Burn -> Rip -> Free of DRM.

      Buy since ~mid-2009 -> Free of DRM.

      Pay $0.30 cents per track (was that the charge?) -> Get better bitrate download -> Free of DRM.

    28. Re:Apple? by Weezul · · Score: 3, Insightful

      There isn't any useful president from the mp3.com case because a "music locker" requires that people rip & upload the songs themselves, meaning it'll go into a long legal fight, and google has far more money than the labels.

      In fact, if any label gets too uppity, google can simply buy them outright or coerce their owners. Warner Music's entire market cap is only $1.22B, meaning google could easily just buy them outright and terminate the upper management, legal team, etc. All the others are small subsidiaries inside much large companies that might see little benefit in tangling with Google.

      I doubt EMI's owner Citigroup would tangle with Google, even though their market cap is 129B. Any bank likes keeping rich people happy. If they did, I'm sure google could launch a hedge fund to poach Citigroup's best quantitative analysis, then let the rest of the financial industry eat them alive. Sony and Vivendi (UMG) have market caps of 29B and 23B, respectively. I'd imagine their less vulnerable to talent poaching than Citigroup too, but you might still threaten some executive and board member positions by working through their larger stock holders.

      A cheaper solution might just be threatening to provide lawyers for all the little people they've extorted money from by threatening to sue, a few $40k per year ambulance chasers could drag any label through thousands of expensive lawsuits for years.

      --
      The Christian religion has been and still is the principal enemy of moral progress in the world. -- Bertrand Russell
    29. Re:Apple? by qubezz · · Score: 1

      Every big player should launch their service right now. It's way harder for the music industry to fight back then.

      I'm a small player in this new game and will join the effort! Everyone upload your music to my computer, and I'll let you download it whenever you want. What could possibly go wrong?

      Google has actually been storing my audio files in their digital locker since 2004. All I have to do to upload an audio file is email it to my gmail address. They have a handy web interface to sort my audio files by folder and star rating, and I then play them on any device that I can check email on. Why should Google need to license a prettier interface to what they've already been doing?

    30. Re:Apple? by cpu6502 · · Score: 2, Funny

      I think the music on youtube and other video sites sounds just fine. Not CD quality, but better than the FM Radio I typically listen to.

      --
      My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
    31. Re:Apple? by Jibekn · · Score: 1

      Yes I did, thank you for the correction, its been a long time.

    32. Re:Apple? by Posting=!Working · · Score: 1

      iCloud you're thinking?

      --
      This sentence no verb.
    33. Re:Apple? by obergfellja · · Score: 1

      THATS HORRIBLE! Some one should stop them! RIAA, WHERE ARE YOU?!?!

    34. Re:Apple? by cpu6502 · · Score: 1, Insightful

      I think Comcast, Cox, Time-Warner, et cetera should be sued by the US DOJ under antitrust laws. Time to break them up and/or bring them under direct government control (like the phone and electricity monopolies). i.e. price-fixing

      --
      My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
    35. Re:Apple? by ChikMag777 · · Score: 1

      I for one would love to have an online music service that lets me upload my (large) existing collection of CD's (preferably with a "virtual" upload so I don't have to actually transfer the same bits to google that they already have)

      Sounds like you're wanting something like Lala.com that Apple shuttered not too long ago.

    36. Re:Apple? by SETIGuy · · Score: 1

      That's another key difference. 90%+ of potential customers today are already using iTunes, so Amazon/Google/etc.

      90%? I think that's an overestimate, although Apple would like you to think it's the truth. I'd never use iTunes (or buy an iPhone or iPod). I do buy MP3s from Amazon.com. My understanding is that Amazon.com mp3s are significantly less expensive than they are at iTunes, and they are in a more portable format. Although I do admit I transcode to AAC for playback on my Droid.

      Since, the rollout of the Amazon Cloud player, I find myself less worried about losing songs in transit, or if the device they were just downloaded to gets fried. I don't know if I'll upload anything to it, though. The 20GB upgrade is free if you've bought an album, but 20GB isn't enough to hold my collection. The regular cost for their upgrades seems a bit high.

      I pay the $5 a year for 20GB of Google storage already. Again, I doubt I'll upload music due to lack of space. But I mention it to point out that I've already got cloud storage with the competitors. So there's no convincing to be done.

    37. Re:Apple? by Ogi_UnixNut · · Score: 1

      I sure don't want to listen to the FM Radio round you area then. "Fine" is not what I'd call about 80% of the music rips on youtube. The other 20% are listenable to, but nothing special.

    38. Re:Apple? by Anonymous Coward · · Score: 0

      I think I'm in love with you. The picture of corporate warfare you painted was just too beautiful. Thank you.

    39. Re:Apple? by jd2112 · · Score: 3, Interesting

      Of course, anywhere Apple or Google goes, Microsoft has to follow. Poorly. Many of the most brilliant minds in the industry work at Microsoft. Too bad the upper management has a bad case of Apple/Google Envy and spends all their time chasing the latest shiny object instead of defining the future of computing.

      --
      Any insufficiently advanced magic is indistinguishable from technology.
    40. Re:Apple? by Hatta · · Score: 1

      There isn't any useful president from the mp3.com case because a "music locker" requires that people rip & upload the songs themselves

      So what you're saying is that all MP3.com had to do was integrate cdparanoia and CDDB into their client, and they'd have won?

      --
      Give me Classic Slashdot or give me death!
    41. Re:Apple? by somersault · · Score: 1

      Have a look at Spotify :) I subscribed after the first story about the Amazon cloud service made me start considering the options. I love Amazon, but for the same price as subscribing to a cloud service and uploading my own music, I can just stream from a much larger collection instead. On the mobile app, you can use 3G/WiFi, or use offline playlists to save bandwidth/battery. You can also have a library of your own MP3s on the local storage of whatever device you're using. Altogether I think it's great. Especially considering I now have access to the Smashing Pumpkins Rarities and B-Sides album, which alone costs the same as an 8 month Premium Spotify subscription..! Could never bring myself to purchase it.

      --
      which is totally what she said
    42. Re:Apple? by Weezul · · Score: 1

      Not necessarily, but their defeat has little bearing on the google case since they didn't. And that'll help google's lawyers can drag the case out as long as they like. It'd've been too late by the time mp3.com got sued anyways, btw.

      --
      The Christian religion has been and still is the principal enemy of moral progress in the world. -- Bertrand Russell
    43. Re:Apple? by ObsessiveMathsFreak · · Score: 1

      Well, I've got over 10GB of music and I've never used the service or anything like it.

      --
      May the Maths Be with you!
    44. Re:Apple? by steveg · · Score: 1

      I transcode to AAC for playback on my Droid.

      Why? That seems a bit odd to me, since mp3s play fine on the Droid. I store everything as Ogg, which plays fine if I store it on the phone. None of the streaming applications seem to want to have anything to do with it, however. Including Google's.

      I doubt I'll upload music due to lack of space.

      They're saying you're limited to 20,000 songs. That's a lot more than 20G, but I don't know if it's enough for you. It'd be fine for me if they supported Ogg and didn't require a Windows or Mac system to upload files.

      --
      Ignorance killed the cat. Curiosity was framed.
    45. Re:Apple? by david_thornley · · Score: 0

      IBM won that market because they were IBM, plain and simple. There were a relatively small number of people who realized that a computer was not necessarily an IBM machine, and a much larger number who knew that computers came from IBM. Suddenly, you could ask your manager for an IBM PC rather than one of those toys from Apple or Radio Shack or Commodore. Microsoft took over because IBM didn't take measures to prevent people from building clones.

      At first, companies tried near-clones, computers like IBM's, running MS-DOS, and sometimes with the same popular software packages. That went nowhere. Eventually, people came out with compatible BIOSes, and the true clones started appearing. They could run the same software as the IBM PCs, and were significantly less expensive. IBM stayed in the lead for a long time on sheer reputation, but they couldn't last, and they wouldn't cut their prices to clone levels. The PC had been built with off-the-shelf components as much as possible, and the BIOS was 16K of not-particularly-compact code. In contrast, the original Mac came with a 64K ROM full of hand-optimized code, and nobody was going to clone that.

      Apple never had 90% of the market, unless you stick to the month or two immediately after the Apple II came out, and define the market to exclude the earlier machines that were not designed for household use. The Apple II almost immediately had to compete with the Radio Shack TRS-80 and the Commodore Pet. While it did well, it wasn't even a majority. Since none of these had serious business names behind them, they were stomped by the IBM PC.

      Apple did the best of any of those early computer makers. It actually survived, putting out its own designs and OS, while every other maker either died or switched to PC clones/WIndows boxes.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    46. Re:Apple? by Paradise+Pete · · Score: 1

      IBM, and the countless "IBM Clone" Manufacturers sure as heck where not unified. IBM Won that War, because they did NOT try to use legislation to kill clones of their hardware

      How did IBM win? They would certainly have liked to have killed the clones if they could. Compaq did a clean-room clone of the BIOS, and so were able to produce a completely compatible computer. IBM was not the least bit happy about it, but they had foolishly licensed MS-DOS non-exclusively. If IBM had it to do over again the clones would never have existed. Clones were good for Microsoft, not IBM.

    47. Re:Apple? by MaskedSlacker · · Score: 1

      Many of the most brilliant minds in the industry work at Microsoft

      If they're still wasting their time working for the bozos that run that company they can't be that brilliant. They might be technologically competent, but they must lack ambition and drive if they're willing to waste their time chasing Ballmer's drool drippings.

    48. Re:Apple? by StikyPad · · Score: 1

      Precedent.

    49. Re:Apple? by Requiem18th · · Score: 1

      Don't listen, his just and sub troll. There's no way mp3 and aac can be beaten by FM radio.

      --
      But... the future refused to change.
    50. Re:Apple? by shutdown+-p+now · · Score: 1

      mp3.com was different - there you'd register a CD you have with the service, and they would then stream their copies of tracks from that CD. With Google (and Amazon) services, you rip the CD yourself, and physically upload that content "into the cloud", and then they stream your bits back to you.

      Even if the streamed bits are exactly the same, the process used to obtain them makes a legal difference.

    51. Re:Apple? by geekoid · · Score: 1

      that's probably why you can import to Amazon, and Google from iTunes, automatically.

      so, no you don't start over.
      you can, however, use them in addition to.

      So, in summary, you couldn't be more irrelevant.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    52. Re:Apple? by dotancohen · · Score: 2

      We're sorry. Music Beta is currently only available in the United States.

      Looks like I'll have to continue relying on The Pirate Bay for my music.

      Actually, I'm kidding. Everything on my computer is legal, from the OS (Kubuntu) to every last file. Abstinence has been working fine for me.

      --
      It is dangerous to be right when the government is wrong.
    53. Re:Apple? by geekoid · · Score: 1

      Apple sued to advertise there computers as PCs, as did all the other brands mentioned.

      http://www.pophistorydig.com/wp-content/uploads/2010/05/1981-welcome-ibm-ad

      http://www.pophistorydig.com/?tag=apple-computer-1980s

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    54. Re:Apple? by geekoid · · Score: 1

      The bubble popping killed mp3.com. The where eventually bought for 5 dollars a shares. the loge and name was then sold to cnet.

      The industry did go after them, but that was because the mp3 business model circumnavigated music companies. In that they had an algorithm that determined how much each artist should get payed based on how often the where played.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    55. Re:Apple? by geekoid · · Score: 1

      how did mp3.com not do it right?
      BTW mp3.com was also bought.

      They were way ahead of their time regarding cloud services.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    56. Re:Apple? by SETIGuy · · Score: 1

      I transcode to AAC to get smaller files at the same quality. I've only got a 16GB card in my droid. I assumed that Google's cloud storage for music would be priced the same as the rest of their cloud storage. I may transcode my backups to FLAC, if that's the case.

    57. Re:Apple? by Anonymous Coward · · Score: 0

      IANAL, but is it legal for one party in a lawsuit to buy the company of the other party soley to stop the lawsuit? it sounds fishy, is all.

    58. Re:Apple? by stonewallred · · Score: 1
      Actually a sizable percentage do not buy any music, digital or "real media". For various reason.

      I Don't buy because the record labels are a bunch of shitty, cock sucking bastards who should be raped to death by AIDS infested pitbulls, after watching the pitbulls eat their families alive.

      Other folks remember the DRM and the rootkit from Sony and every other POS bitch move by the music and movie industries.

      I can't see where the music people can do shit except buy some politicians.

      Since when has it become illegal to upload or download data you own to the web?

    59. Re:Apple? by Rockoon · · Score: 2

      Yeah its not like Microsoft continues to create a stream of some of the richest people on the planet...

      --
      "His name was James Damore."
    60. Re:Apple? by MaskedSlacker · · Score: 2

      Yes, because attaching yourself to the money train like some cambrian leech is the mark of genius.

      I'd rather actually achieve something meaningful with my life. I never said Microsoft was unprofitable, just that it's products and achievements are lackluster and uninspiring. Brilliant people (usually) want to do brilliant, visionary, and new things. That hasn't been happening at Microsoft in...well, ever really. There's a few projects you could argue aimed for that, but I can't think of any that achieved it. Unless you count Machiavellian business deals, but we were talking about the tech people, not the MBAs.

    61. Re:Apple? by assassinator42 · · Score: 1

      You have access to the Google service already? Kind of odd that they don't support Ogg Vorbis as that's what format all of the Android sounds are in.
      By the way, Audiogalaxy does support streaming Ogg Vorbis to Android/iOS. Not browsers though, as far as I know.

    62. Re:Apple? by warrigal · · Score: 1

      purchased in a protected format behind
      Apple's music hasn't been protected for years and even when it was Apple provided a method for stripping the protection off.
      Perhaps you are thinking of "Plays for Sure" or its incompatible stable-mate Zune.
      Or even worse, the "rented" music from subscription services.

    63. Re:Apple? by Weezul · · Score: 1

      Yes, if you buy the whole company, obviously. If you only buy part, the minority stock holders have rights, which complicate things. I donno about paying for other people's lawsuits or talent poaching.

      --
      The Christian religion has been and still is the principal enemy of moral progress in the world. -- Bertrand Russell
    64. Re:Apple? by Karlt1 · · Score: 1

      Is there really any reason to buy your own music?
      With google's video search you can find virtually any song you desire to hear. It's like being your own DJ.

      Right, like I have nothing better to do than search for music videos especially while I'm driving, running, or basically doing --- anything.

    65. Re:Apple? by chrismcb · · Score: 1

      lackluster and uninspiring? Really? Just yesterday I was reading an article about how Unbuntu was wanting to achieve the same lackluster goals MS has already reached, 200 million desktops. Pretty much everyone on the planet has heard of, and used Windows and Office. The same can't be said for almost any other product (except for maybe CocaCola) While it might not be new and visionary (and not everyone can or does want to do that) it is pretty cool to know that your work has affected a boat load of people.

    66. Re:Apple? by Nyder · · Score: 1

      Where's MP3.com right now? They tried this 10 years ago, and got shot down in court. What's different now?

      If i remember correctly, the original MP3.com wasn't a locker as much as it stored 1 copy of each song (not per person, but total) and if you put in a CD that it "ripped", it would give you access to those songs, but it only held 1 copy of it.

      so there was no way to tell if you owned the CD or not.

      Supposedly the difference now is these are storage lockers, that hold what music you upload to it, so like Google Music will have mass copies of some songs, depending on what people have in the their lockers. Google won't just hold 1 copy of Led Zepplin Black Dog, it will have as many copies as people have in their lockers.

      --
      Be seeing you...
    67. Re:Apple? by PCM2 · · Score: 1

      Supposedly the difference now is these are storage lockers, that hold what music you upload to it, so like Google Music will have mass copies of some songs, depending on what people have in the their lockers. Google won't just hold 1 copy of Led Zepplin Black Dog, it will have as many copies as people have in their lockers.

      That's not clear. At the keynote at Google I/O this morning, Google demonstrated a little future-box called a "Tungsten device." One of the hypothetical demos was a CD case with a NFC tag embedded in it. Walk up to the Tungsten box, wave the CD in front of it, and you hear a little chime. Now the contents of that CD have been added to your Google Music account -- no uploading necessary.

      I believe what's different now is that this will be a streaming service. You can play your songs on whatever device supports it. But you can't download them from the locker. This allows Google and the RIAA to arrange a licensing scheme, similar to how terrestrial radio does it.

      --
      Breakfast served all day!
    68. Re:Apple? by Anonymous Coward · · Score: 0

      Where's MP3.com right now? They tried this 10 years ago [wikipedia.org], and got shot down in court. What's different now?

      MP3.com made a big database of their copies of the music, and streamed those copies to you once you proved that you owned the CD (by buying it through an affiliate, or by inserting it in your PC for scanning). This left them open to charges that the creation of the database and the streaming constituted commercial infringement, since MP3.com presumably intended to make money (somehow) and since they were storing/streaming copies the user hadn't bought. (Never mind that in all practical senses it was equivalent to storing the users' copies.

      It sounds like Amazon is just providing cloud storage and streaming for each user's own bits. Thus the copying and streaming is far more likely to fall under non-commercial Fair Use protections, and the Amazon service is far more likely to be considered analogous to the Betamax video recorder.

    69. Re:Apple? by Anonymous Coward · · Score: 0

      I'm sure google could launch a hedge fund to poach Citigroup's best quantitative analysis

      Success in the financial world is not generated by the quants. It works by truck loads of shameless lying salespersons for the products created by the quants, and a market that is greedy to the bone and undiscriminating enough to fall for everything those salespersons cook up.

      It's similar to how Apple's success is not generated by their engineers, but by their product packaging team, and an undiscriminating masses that buy up everything Apple produces.

      So, I don't see how Google can beat them at the game.

    70. Re:Apple? by wvmarle · · Score: 1

      Of course, anywhere Apple or Google goes, Microsoft has to follow. Poorly.

      Agreed.

      Many of the most brilliant minds in the industry work at Microsoft.

      That definitely used to be the case, maybe 10 years ago, is it still? MS lost a lot of their attraction since then. No matter what they have 89,000 employees, those people must have a lot of talent in between them.

      Too bad the upper management has a bad case of Apple/Google Envy and spends all their time chasing the latest shiny object instead of defining the future of computing.

      Apple is doing the same. They are not the first to come with a digital music player, with a tablet, definitely not with a smart phone. Apple looks at the market, sees what products have potential or are doing well, pick them up, copy the good bits, discard the bad, add more good bits, polish the whole thing, and release it. It doesn't always work - but they have plenty of successes. iPod, iPhone, iPad, iTMS, OS-X are some of the most recent success stories.

      Google is doing it too: they started off with search (nothing new even when they started), and came up with a new way to do it. They didn't invent search engines - they just took the concept and improved on it. They later probably had a good look at Hotmail, Yahoo mail, and all the other free e-mail providers that were very popular back then, and thought "we can do that - better". And so gmail was born. The browser wars got hot with Firefox and Safari going head-on with IE, and Google decided to jump in the game as well.

      Why Microsoft can't do this anymore is beyond me. They played the game quite well: looked at WordPerfect, built Word, and (partly thanks to failing by WP with their terrible v6 release) Word took over. It was simply the better word processor. Same for IE vs Netscape. They looked at dominant Netscape, took the good, improved on it, and off they went. Exchange is still a major e-mail/calendar/etc. solution for medium to large businesses - is there any real competitor already?

    71. Re:Apple? by wvmarle · · Score: 1

      Not 90% of total computer users - 90% of potential customers, i.e. people that are interested in buying music on-line and have the means to do it (own a credit card, have enough money, and live in a place where such services are available).

      And for that part I think OP may not be far off the mark. I haven't heard recently of spectacular growth stories for iTMS like you heard the first few years, for example. There is probably a need for something radically different for the on-line music market to really take off - reasonable pricing comes to mind.

    72. Re:Apple? by Fjandr · · Score: 1

      Funny to note saying Apple computers were not PCs, yet used a CPU called PowerPC.

    73. Re:Apple? by Anonymous Coward · · Score: 0

      Too bad the upper management has a bad case of Apple/Google Envy and spends all their time chasing the latest shiny object instead of defining the future of poorly engineered digital fascism.

      FTFY

    74. Re:Apple? by thej1nx · · Score: 1

      Being rich does not equates defining the future of computing. There are lots of rich folks who have nothing whatsoever to do with computing. If you think Donald Trump is brilliant, more power to you!

    75. Re:Apple? by thej1nx · · Score: 1
      Pretty much of what you said can be said to be the reasoning of all those virus-writers and DDOS folks. Knowing that a boat load of people have been affected by your work is not worth much in itself.

      Knowing that a boat load of people actually appreciate and praise your work is a different ball game altogether.

    76. Re:Apple? by tehcyder · · Score: 1

      Yes, because attaching yourself to the money train like some cambrian leech is the mark of genius.

      I'd rather actually achieve something meaningful with my life. I never said Microsoft was unprofitable, just that it's products and achievements are lackluster and uninspiring. Brilliant people (usually) want to do brilliant, visionary, and new things. That hasn't been happening at Microsoft in...well, ever really. There's a few projects you could argue aimed for that, but I can't think of any that achieved it. Unless you count Machiavellian business deals, but we were talking about the tech people, not the MBAs.

      If you were that fucking brilliant you wouldn't want to work for Google or Apple any more than Microsoft. When I think of brilliant, I think of Einstein, not some computer Science graduate who just worked out a way to increase Google's advertising revenue.

      --
      To have a right to do a thing is not at all the same as to be right in doing it
    77. Re:Apple? by tehcyder · · Score: 1

      Don't listen, his just and sub troll. There's no way mp3 and aac can be beaten by FM radio.

      Bullshit, just for casual/background listening, radio is fine, and so is YouTube.
      You can take your gold plated speaker connectors and shove them up your arse for all the difference they'd make to anyone apart from that most terrifying of bores, the audiophile.
      For real quality sound, you go and listen to a full classical orchestra, live. Everything else is just a pale imitation anyway.

      --
      To have a right to do a thing is not at all the same as to be right in doing it
    78. Re:Apple? by Stuarticus · · Score: 1

      I've got a stereo 64kbps file that says otherwise.

      --
      If you think someone isn't free to have a different definition of "freedom" you may be a tyrant.
    79. Re:Apple? by Stuarticus · · Score: 1

      I've got ~150GB and need something like this, given most people could fit 10GB on their phone these days you're not going to have a lot of problems handling a collection that size. Unfortunately this still doesn't look like the right option to me, why should I upload it all to the cloud? I'd prefer something that streamed it from my house.

      --
      If you think someone isn't free to have a different definition of "freedom" you may be a tyrant.
    80. Re:Apple? by Anonymous Coward · · Score: 0

      News flash: Most people don't actually listen to music. Do you actually think the ADD generation pays half an ounce of attention to the monotonous, repetitive music they "listen" to? It's just there. It's background noise. What difference does it make whether it's YouTube quality, FM radio quality, medium-bitrate MP3 quality, or lossless AAC?

    81. Re:Apple? by cpu6502 · · Score: 1

      >>>"Fine" is not what I'd call about 80% of the music rips on youtube

      Wow you're anal. I like quality too, but if the youtube rip is not distinguishable from FM quality (50-15,000 hertz), then it really is like listening to the radio (being your own DJ). I wonder..... if I put you in a blind listener test, could you really tell the difference between FM and Youtube? Probably not.

      --
      My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
    82. Re:Apple? by intheshelter · · Score: 1

      I think they actually did learn a lesson from the past. They now closely guard their technology before it's released so MS and Google can't start copying until the last minute. MS, despite their market share, is dead in the water. Their stock has gone nowhere in ten years. They've done almost nothing notable in ten years. They are still riding on their monopoly position, but they are sliding out of favor with more and more people as they get educated.

      As for the fisher price analogy, that so ridiculously stupid it's not worth commenting on. Feel free to insert your head back into the sand now.

    83. Re:Apple? by SETIGuy · · Score: 1

      Fuck off, Troll Boy. Nobody here takes you seriously no matter how many accounts you make. Now go home to mommy for some of that good loving.

    84. Re:Apple? by Jibekn · · Score: 1

      If only it was.. Try speccing out the most expensive apple tower you can design. Look at the price tag. Now research what you can get for the same amount of money from ANY other computer manufacturer. Did you think I was implying that the computer where for children? Umm no. Im referring to charging 99.99 for 2$ worth of plastic, which is what Fisher Price does on a daily basis. You should'nt assume things, it makes you look simple. This is what apple if guilty of. And this is an indisputable FACT.

    85. Re:Apple? by intheshelter · · Score: 1

      It is NOT in indisputable fact because I'm disputing it now. You shouldn't say dumb things like that because it makes you look simple.

      If you were making an apples to apples comparison then it might hold water, but comparing just the hardware vs the hardware shows you don't have a clue what you're talking about. This has been debated time and again and it's useless to try and teach the blind to see. Wallow in your ignorance.

    86. Re:Apple? by steveg · · Score: 1

      I don't have access to it, but they have a page up with details. You can request an invitation now.

      I didn't request an invitation since they don't support Ogg, and they require a Windows machine to upload the music. Or Mac. Since I have neither, that doesn't do me much good.

      Thanks for the Audiogalaxy link. I went for a look. It looks better in some ways -- more space and they support Ogg. But they still require a Windows or Mac machine to upload the music, and it appears that not only must you use their app to upload the music, but it must be on while you're streaming. I'm not brave enough to leave an unattended Windows machine running.

      --
      Ignorance killed the cat. Curiosity was framed.
    87. Re:Apple? by Jibekn · · Score: 1

      Its only disputable to people who have illogical minds.

      Here is why its indisputable;

      Apple OS is worth 300$ MSRP. Period. This is a fact, it is for sale in stores, and this is what Apple says its worth. Therefor, you can subtract 300 from the price of any apple computer with the OS included to get the hardware cost. You can apply this same technique to a PC, using the retail cost of the Windows OS.

      Do the math, its a fact man, sorry to break it to you, Apple rips people off on hardware, you're delusional if you think otherwise, especially when anyone can figure out the prices, its not rocket science. Go play with the "Customize your own Mac" section of their website. The prices they charge are criminal, $3000 for a quad core machine with a few TB of space and a mediocre video card? I can build the same machine, with the same brand of parts, at 160$/ hour labor, and still come out over a thousand dollars ahead. And it will still run the mac OS if you want it to.

      But I guess you consider a 300% markup normal. Most of us dont.

    88. Re:Apple? by intheshelter · · Score: 1

      Again, not a fact unless you only want to spin it that way. The Apple OS is NOT $300 MSRP, I've never paid over $129 retail. You obviously don't know what the hell you're talking about. You've cleverly framed the hardware comparison to make it favorable to your uneducated viewpoint, and to those equally uneducated who are inclined to believe this myth. Anyone who knows anything about Mac products and has experience knows your 300% markup claim is pure BS. Go peddle your lies somewhere else.

    89. Re:Apple? by Ogi_UnixNut · · Score: 1

      You kidding me right? Apart from the official music video's, the others are usually:

      a) overcompressed so much is sounds like crap, or:
      b) a 32kbit mp3 that they thought would sound better if it was re-encoded in aac@128
      c) really really quiet, so much so that I have to turn every volume knob to max just to hear it normally, or on the flip side:
      d) horribly distorted, due to someone pushing the volume up to 11 when encoding the video without understanding the concept of clipping.

      Radio at least has semi-competant people doing the mastering, so that I don't get the above situation (minus the pop music, which is overcompressed by default). If you couldn't tell the difference I'd worry about your concept of quality music :P

      Thing is, I'm not talking about the technology here. AAC@128kbit/s is better than FM, you yourself pointed out that the limited range of FM, so much so that you can argue anything with a sample rate better than 32KHz will actually provide better sound quality.

      It's just that with Radio, I have music all at the same volume, not distorted and generally with the same quality. With Youtube I don't get this. I will have to jump multiple times to different music videos before I find one that actually sounds ok (ignoring officially released ones, which are good, and what I usually look for. Just that you don't always have them released).

      Me? I gave up on radio ages ago due to the huge amount of ads between songs, and the fact they seem to repeat the same songs (in the same order) every 2-3 hours, all day long. I presume they work on the idea that nobody would listen to the radio non-stop for longer :/

      I just listen to internet radio in the background, and their streaming mp3 quality is good enough for that. Hope my position makes more sense to you now :)

  2. Can't wait to see the backlash.... by Admodieus · · Score: 4, Insightful

    from old media, over me accessing songs I own from wherever I am, or any device I have.

    --
    "It's a reverse vampire...they....they crave the sun!"
    1. Re:Can't wait to see the backlash.... by drb226 · · Score: 1

      RIAA sues Google in 5...4...3...

    2. Re:Can't wait to see the backlash.... by HappyClown · · Score: 3, Interesting
    3. Re:Can't wait to see the backlash.... by ArcherB · · Score: 0

      from old media, over me accessing songs I own from wherever I am, or any device I have.

      What makes you think you "own" these songs?

      --
      There is no "I disagree" mod for a reason. Flamebait, Troll, and Overrated are not substitutes.
    4. Re:Can't wait to see the backlash.... by TheGratefulNet · · Score: 5, Insightful

      ever see a tv commercial for a dvd movie:

      "own it on dvd today!"

      their own words. in plain english.

      (I rest my case)

      --

      --
      "It is now safe to switch off your computer."
    5. Re:Can't wait to see the backlash.... by joocemann · · Score: 1

      from old media, over me accessing songs I own from wherever I am, or any device I have.

      I love how MSN automatically knows that my own MP3s are a potential risk, and thus autodeletes them. Thanks Microsoft! I had no idea that MP3 is only used for piracy! I guess I'm the only music producer on the planet that uses it to compress audio and share to people without fee. lol

    6. Re:Can't wait to see the backlash.... by cpu6502 · · Score: 1

      "BMI argues that the public performing right has long applied to on-demand, interactive streaming. Additionally, it makes no difference if the audience for the transmission is only one person, who may receive the program at a unique time, and that MP3tunesâ(TM) attempt to make one to one transmissions into private performances is contrary to established law. We stress that it was only the existence of the unique copy made by each subscriber that was the critical factor that saved Cablevision from being an infringer. MP3tunes cannot evade that essential aspect of the courtâ(TM)s ruling on the grounds it would be more efficient to infringe with one copy in storage for all recipients."

      Wow.
      What a sellout this lawyer fuck is.

      --
      My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
    7. Re:Can't wait to see the backlash.... by tsa · · Score: 1

      But what is the definition of "your own" here? If that means you made the music yourself there shouldn't be any problem. But I guess the RIAA and -likes think different about it.

      --

      -- Cheers!

    8. Re:Can't wait to see the backlash.... by schnell · · Score: 0

      "own it on dvd today!"

      Technically, what you "own" in that description is the physical media. With that disc comes the rights to view it. You do not "own" the content in the sense of being able to modify it, repurpose it or redistribute it beyond selling your copy of the physical media which accompanies the license.

      I don't agree with it, but that's what is technically being sold and "owned" by the purchaser.

      --
      "95% of all Slashdot .sig quotes are incorrect or completely fabricated." -Benjamin Franklin
    9. Re:Can't wait to see the backlash.... by Anonymous Coward · · Score: 0

      A little tip for you: Care to take look at the contracts you agreed to when getting that music? You don't own anything. Sorry...
      It's a license. A contract saying that you promise to not do certain things with the information you received.
      This is, because information can not be owned. As ownership requires control. And if they pass it on to you, they can only try to keep control, by relying on you keeping the promises in such a contract.. It's a result of the laws of physics considering information (a structural property of real matter/energy).

      So -- while I, as the mentally healthy and morally nice human being I see my self as, obviously 100% agree that you not only have the right to do whatever you like with your songs, but to also pass it on however you like -- the question is: What does the contract you signed say about it?

      (I argue that the contract is unlawful and represents a criminal act anyway. But most of humanity isn't informed enough to agree... yet.)

    10. Re:Can't wait to see the backlash.... by JesseMcDonald · · Score: 4, Insightful

      "own it on dvd today!"

      Technically, what you "own" in that description is the physical media.

      So you're saying that "it" is the DVD. Fair enough. So you "own [the DVD] on dvd"?

      No, it's perfectly obvious that the "it" in that advertising campaign refers to the information content, not the physical media it's stored on. That may not be what they mean, or even legally correct, but it is what they say.

      Anyway, who cares about owning a (non-recordable) DVD, apart from the included content? Would you pay $20 for a DVD without knowing what information it contained (if any)? It only makes sense for the subject of the advertisement to be the content, not the media.

      --
      "The state is that great fiction by which everyone tries to live at the expense of everyone else." - Bastiat
    11. Re:Can't wait to see the backlash.... by Anonymous Coward · · Score: 0

      {LabelExec} Nooooooooo you don't own the song. You own the physical medium, but you don't own the song... you implicitly LICENSE those, you know, to play from that specific medium you bought it on and only for private playing.... this means if you want it on your iPod, you have to buy the same song again from e.g. iTunes... and if you want it was a ringtone, you have to buy it a third time! And for web playing a fourth time! Hahahaha!

      {HisWife} Honey!? Honey?! You OK? You.... dirtied yourself!? Wet dreams at your age! *SMACK* Dreaming of that blonde at the office weren't you?!?!

      {LabelExec} Nooo.. nooo... i dreamt about...

      {HisWife} Yeah. Spare me your excuses! Go wash yourself!

    12. Re:Can't wait to see the backlash.... by StikyPad · · Score: 1

      It's not an either/or situation; the two parts go hand in hand. "Own it on DVD today" means you can own the copy of the content on the media specified. Nothing less, but nothing more either*.

      * Barring any additional requirements or protections as established by law -- essentially none in the U.S.

    13. Re:Can't wait to see the backlash.... by geekoid · · Score: 1

      yes a cheap commercial with some pitch man screaming at you will take precedent over all the court ruling. good luck with that.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    14. Re:Can't wait to see the backlash.... by steveg · · Score: 1

      Um.

      Which contract did I sign?

      I have variously handed over cash, written a check, or even handed a clerk my credit card. They handed me a bag with either a CD or an LP in it.

      I don't recall any contract ever being involved. If I signed something it was the check or credit card slip -- any contract would have been of the "I agree to pay..." variety and did not have anything to do with what sort of merchandise was involved.

      Are you saying there was an "implied contract?" At the time I was buying most of my music, it most certainly not something that was "understood."

      --
      Ignorance killed the cat. Curiosity was framed.
    15. Re:Can't wait to see the backlash.... by Anonymous Coward · · Score: 0

      Again, I hate to be the enemy's advocate, but from a legal standpoint (= whatever the guys with the money told the guys with the voters):

      You don’t need to sign anything to have a contract. It's the same thing as when you enter the subway. You implicitly agree to a contract of transportation when doing so. I found that out the hard way.
      The terms must hang at the entry. (Yes, they usually don't, but they can hand you a copy in their ticket shops. [Usually with a very annoyed "Oh, so you don't want to walk into our trapfest?" look.] Which is illegal. But nobody sues. [Since they are all passive non-individual cattle.])

      For physical shops it's the same. You handing over the money, while getting that bag, is such an implied contract. (Yep, that's why cops try to catch criminals in that situation.)
      Or in the downloaded music case I assumed, with you being a geek: Those click-through terms when you say "agree" in e.g. iTunes, combined with the "buy" button you clicked... That makes it a contract.

      Also, yes, you might get through in court with the "I did not understand what I was doing!" defence, but the judge would have to ask you, why you were doing it then? (As always, the bastards expect you to know all laws that are currently in existence by heart in your sleep. Another thing I find highly illegal.)

      To end on a good note: You already have at least one ally. Let's stop this bullshit system! :)

  3. Lawsuit in 321... by ivucica · · Score: 1

    Just because it's Google, music labels won't let a piece of the pie to go to waste. Sadly.

    1. Re:Lawsuit in 321... by Ruke · · Score: 5, Interesting

      You're overestimating the music industry; while I'm sure that no one wants a long, drawn out lawsuit, Google sees about twice as much revenue than the entire recording industry*. (Plus, they've got a business model that doesn't revolve around suing their users.) I'm not sure that the RIAA's lawyers would be too eager to sue Google; it's easy to arm-twist a $2000 settlement out of a college kid, and if one or two of them do end up going to court, the RIAA can certainly outlast any private individual. However, suing someone bigger than you, who has an experienced in-house legal team, is a whole different ballgame.

      * Gotta back up my claims. For the sake of this argument, "the record industry" doesn't contain indie labels; they are too fragmented to coordinate their power. That leaves us with:
      Sony Music Entertainment: $1.33 billion
      Universal Music Group: $6.14 billion
      Warner Music Group: $3.49 billion
      EMI: $1.65 billion
      versus
      Google: $29.32 billion

      (all values USD, anual revenue, as listed on Wikipedia)

    2. Re:Lawsuit in 321... by Anonymous Coward · · Score: 0

      Yes, they make less money, but they have a lot more money to throw at lawyers and lobbyists than Google does. The record groups also have been in business with doing DRM for over a century.

      Will Google end up being stomped into the ground like mp3.com? Even if Google doesn't get hit with a judgement than the entire GDP of the world times 10, there will be some sort of "compromise". For example, music can be uploaded, but not downloaded unless in a DRM format, or a charge placed on how much bandwidth is being used.

    3. Re:Lawsuit in 321... by iluvcapra · · Score: 4, Insightful

      Marvelous. Buying the law.

      The future of music, with music labels crushed and Google dictating how musicians are paid, is bright.

      --
      Don't blame me, I voted for Baltar.
    4. Re:Lawsuit in 321... by Anonymous Coward · · Score: 0

      That's precisely it, the business model.

      The recording industries have been getting warnings for the past decade that they need to change or die out. Well, it seems it's a little late now. Amazon dealt the first blow, and with Google jumping in, they'll definitely go under. Oh sure, it will take them a long time to draw their final breath, but it will be mostly a nuisance, similar to SCO.

      Of course, it's not that late, they can either join Google, make some really nice deals, and increase their profits, since Apple is wringing them dry with their deals, or they can sue and sue and sue until they run out of money and credibility. Either one is good.

    5. Re:Lawsuit in 321... by Anonymous Coward · · Score: 0

      "Gotta back up my claims"

      Are you new here?

    6. Re:Lawsuit in 321... by tukang · · Score: 1

      The flipside of that argument is that there's only so much you can squeeze out of a college student whereas Google has deep pockets. Patent trolls regularly go after companies with the deepest pockets and they seem to do just fine.

    7. Re:Lawsuit in 321... by robot256 · · Score: 1

      Trading one corporate overlord for another. Big whoop. For the sake of argument, can you tell me how Google could be worse than the RIAA?

    8. Re:Lawsuit in 321... by geminidomino · · Score: 3, Insightful

      As opposed to the present, with the public being crushed and the labels dictating how musicians are paid?

    9. Re:Lawsuit in 321... by blair1q · · Score: 1

      If Google was stealing from you, would you not enlist the forces of the government in getting your property back?

      And if you were a big company used to suing children for the content of their college funds, but saw a giant pot of money trundling along the horizon doing exactly the same thing those children were doing, could you avoid drooling?

      If Google is doing anything infringing, the RIAA will peel them like a baggie of crystal meth, and the sound they make on the way to the courthouse will set off car alarms on Neptune.

    10. Re:Lawsuit in 321... by hawguy · · Score: 1

      Yes, they make less money, but they have a lot more money to throw at lawyers and lobbyists than Google does. The record groups also have been in business with doing DRM for over a century.

      They've been doing Digital Rights Management for over a century? Was there really that much music on punched cards? (ignoring paper tape fed pianos)

      They've had very little Analog Rights Management in the past - I've made copies of records and over-the-air broadcasts in the past. And I never got sued for making a mix tape for a friend. The earliest DRM that I've been exposed to was the SCMS copy protection on DAT drives which came out sometime in the late 80's, early 90's.

    11. Re:Lawsuit in 321... by Anonymous Coward · · Score: 1

      Plus, they've got a business model that doesn't revolve around suing their users.

      That's right. They have a model built on using their users.

    12. Re:Lawsuit in 321... by Ruke · · Score: 2

      It'll be interesting to see how this plays out. You're right, of course, about the recording industry being willing to throw a higher percentage of their revenue towards lawsuits than Google; however, I don't think Google's going to just back down on this one. They are heavily invested in seeing "the cloud" take off, and a music locker is an important first step towards not only the technical aspect of this, but also the more-difficult behavior-shifting aspect of it. Google wants to kill your PC, replace it with an Andriod, and shift all of the heavy-lifting (storage, processing, etc.) to their cloud servers. If they can convince the average user that it's easier/more beneficial to store their music in a locker and stream it on-demand, they're taking a big first-step towards that goal.

      While the recording industry is going to piss and moan about what Google's doing here, I'd be astonished if Google was doing anything outright illegal. They're not stupid; they've got their own lawyers looking over their shoulders. The deals that Google failed to produce were more in line with offering new content for purchase, rather than the rights to stream music that a user already has legitimate rights to.

    13. Re:Lawsuit in 321... by BForrester · · Score: 1

      Marvelous. Buying the law.

      The future of music, with music labels crushed and Google dictating how musicians are paid, is bright.

      I'd rather Google decide how musicians are paid than have labels dictate that they aren't.

    14. Re:Lawsuit in 321... by Yvan256 · · Score: 1

      I dunno... maybe they could BUY THE AMAZON KINDLE! ONLY 139 DOLLARS! insert random ads into the THE NEW IPOD NANO! AVAILABLE TODAY! songs you're trying to listen to.

    15. Re:Lawsuit in 321... by SuricouRaven · · Score: 2

      There was an old system for vinyl - some sort of hidden signal in the audio which would be detected by complient tape recorders and cause them to cease recording. It failed because there was no means by which the labels could compel tape recorder manufacturers to detect and respect the 'do not record' instruction. Impressively designed, as it was all done using only analog filters. No cheap DSP in those days!

    16. Re:Lawsuit in 321... by Anonymous Coward · · Score: 1

      Is this any different from the current way of doing things?

    17. Re:Lawsuit in 321... by Ruke · · Score: 1
      +1 Funny / +1 Insightful

      Absolutely. But you know, I'm okay with being used. If Google's going to give me free stuff so that they can collect information about my use habits, well, I've still got free stuff. I know that Google Voice is data-mining my voice mails to train their speech-recognition system. I'm okay with that; in return, I'm getting a visual voicemail inbox where Verizon wants to charge me $5/mo for an inferior service. Fair deal.

    18. Re:Lawsuit in 321... by Anonymous Coward · · Score: 0

      Google doesn't really dictate.....they just beta test until they get something agreeable for both sides....

    19. Re:Lawsuit in 321... by bioster · · Score: 1

      Marvelous. Buying the law.

      No. He's merely pointing out that bullies target defenseless people... not people who can fight back. And Google can not only fight back, they're bigger, stronger, and have a history of standing up for principles on occasion.

      Exactly the kind of opponent the RIAA doesn't want to fight.

      The future of music, with music labels crushed and Google dictating how musicians are paid, is bright.

      So, you're in favor of the old payola system? (Hint: Even if Google is precisely as bad as you seem to think, it's not going to be worse than the music labels have been in the past.)

    20. Re:Lawsuit in 321... by rsborg · · Score: 1

      You're overestimating the music industry; while I'm sure that no one wants a long, drawn out lawsuit, Google sees about twice as much revenue than the entire recording industry*.

      I think you're missing the forest for the (tallest) trees... Sure, Google is larger than the music labels, but according to wikipedia the Music/Recording Industry is comprised of the following:

      By the middle of the century records had supplanted sheet music as the largest player in the music business: in the commercial world people began speaking of "the recording industry" as a loose synonym of "the music industry". Since 2000, sales of recorded music have dropped off substantially,[1] while live music has increased in importance.[2] Four "major corporate labels" dominate recorded music — Universal Music Group, Sony Music Entertainment,[3] Warner Music Group and EMI — each of which consists of many smaller companies and labels serving different regions and markets. The live music industry is dominated by Live Nation, the largest promoter and music venue owner. Live Nation is a former subsidiary of Clear Channel Communications, which is the largest owner of radio stations in the United States. Other important music industry companies include Creative Artists Agency (a management and booking company) and Apple Inc. (which runs the world's largest music store, the iTunes Store).[4]

      Now let's leave Apple aside (although Apple actually has a strong interest in blocking Google here, and they make pull over 2x more money than Google). You still have to add ClearChannel and Live Nation to the list, as well as all the radio stations... I'm sure I'm leaving off some other interested players.

      Furthermore, any precedent set here will highly impact the movie industry as well as television industries... which is a bigger juggernaut than music... which is why they're often called the "content companies". The content companies combined are far greater than Google or even Google + Amazon, and have consolidated their political power over the more than the past century.

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    21. Re:Lawsuit in 321... by Anonymous Coward · · Score: 0

      However, suing someone bigger than you, who has an experienced in-house legal team and who has presumably already eyed up the competition and decided to take it ahead anyway is a whole different ballgame.

      FTFY.

    22. Re:Lawsuit in 321... by MrL0G1C · · Score: 1

      I'm not sure that the RIAA's lawyers would be too eager to sue

      Ha ha ha - a lawyer that's not eager to sue, Perhaps what you meant to say way RIAA's lawyers are currently down the estate agents, looking at bigger houses and talking about what car they want next.

      --
      Waterfox - a Firefox fork with legacy extension support, security updates and better privacy by default.
    23. Re:Lawsuit in 321... by LWATCDR · · Score: 1

      Funny but I see it the other way. Google is staying out of the business of selling music. All they are doing is saying "Here is a place you can store your music". Should a CD case maker have to negotiate with music companies?

      The artist and the music companies can still sell the music however they want and at what ever price they want. And I got news for you. If you are a big company and you do something wrong you can still have the court rule not in your favor. It isn't like Sony, Warner, Universal and EMI are poor. What it does mean is that they can not spend Google into settling.

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    24. Re:Lawsuit in 321... by qzjul · · Score: 1, Insightful

      I feel a song coming on...



      Buying the law, buying the law
      Buying the law, buying the law
      Buying the law, buying the law
      Buying the law, buying the law

      (to the tune of Judas Priest - Breaking the Law)

      Just need to rewrite the other verses...

    25. Re:Lawsuit in 321... by iluvcapra · · Score: 2

      I'm repeated surprised by how I'll say something like "Google will control X!" and people do not immediately disagree, saying "Google won't control X!"

      No, they immediately accept my frame and then actively defend the idea of a multi-billion dollar advertising company controlling content, and how this is the the right and true and good outcome, and how we'll all be so much happier when the company that records our searches and history, maps our location and snoops our wifi makes it impossible for anybody to ever do recorded music as their day job.

      --
      Don't blame me, I voted for Baltar.
    26. Re:Lawsuit in 321... by iluvcapra · · Score: 1

      To be honest, I never understood why payola was a crime.

      --
      Don't blame me, I voted for Baltar.
    27. Re:Lawsuit in 321... by cpu6502 · · Score: 1

      Stealing?!?!?

      Google's service is no different than storing your iTunes collection on a Hard Disk Drive. Except that the hard drive is located in rural New York State (just outside buffalo). It's not stealing to store your OWN property in a remote location (think safety deposit boxes).

      --
      My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
    28. Re:Lawsuit in 321... by IICV · · Score: 1

      Marvelous. Buying the law.

      The future of music, with music labels crushed and Google dictating how musicians are paid, is bright.

      Someone has to dictate how musicians are paid. Currently, it's the RIAA and what they say is "Musicians aren't paid; we are".

      I'm pretty sure almost anything would be better than that.

    29. Re:Lawsuit in 321... by ArcherB · · Score: 1

      If Google was stealing from you, would you not enlist the forces of the government in getting your property back?

      But that's just it. It's not like Google is going to allow me to listen to YOUR music. The only thing Google is doing is allowing me to store music that I have (presumably) already paid for. I buy a CD, rip it and upload it to Google where I can listen to it on my phone/tablet/notebook no matter where I am. How is that different than ripping my music to my MP3 player? The only thing that has changed is where the actual file is stored. If emailed my MP3 to my MSN account instead of putting it on Google's "cloud" servers, could the RIAA sue Microsoft for storing the file on their servers?

      If Google is doing anything infringing, the RIAA will peel them like a baggie of crystal meth, and the sound they make on the way to the courthouse will set off car alarms on Neptune.

      I don't think the RIAA would have a case unless they can show that users are storing pirated music on their servers, and even then it's not a sure thing. If the RIAA were to win based on that, they would win against every email provider that was used to email pirated material as well as any hardware manufacturers that play pirated media. That includes every computer, DVD player, tablet, smart phone and MP3 player.

      I just don't see that happening.

      --
      There is no "I disagree" mod for a reason. Flamebait, Troll, and Overrated are not substitutes.
    30. Re:Lawsuit in 321... by joocemann · · Score: 1

      Marvelous. Buying the law.

      The future of music, with music labels crushed and Google dictating how musicians are paid, is bright.

      You just looked at some numbers and came up with all that B.S. on your own? Now please, with ANY FACTS, show me exactly how and why what you just stated will happen. I BET YOU CAN'T BECAUSE YOU JUST MADE UP A BUNCH OF CRAP THEN SPOKE IT OUT YOUR ASS.

    31. Re:Lawsuit in 321... by robot256 · · Score: 1

      So the worst they could do would be to make a service that's so unusable it may as well not exist? Compared with now, where it actually doesn't exist? I don't see the difference.

    32. Re:Lawsuit in 321... by cpu6502 · · Score: 3, Insightful

      >>>Google dictating how musicians are paid

      Welcome to the world 99% of the other wage-slaves have to deal with. Do you think WE get to tell our bosses how/when we wish to be paid? Of course not. The corporation dictates how laborers get paid, and there's no reason to think Musicians, Actors, Authors, etc should be any different. I figure in the future they'll all be paid by the Hour, rather than per sale.

      --
      My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
    33. Re:Lawsuit in 321... by Lost+Race · · Score: 1

      It has to do with the licensing of radio spectrum. Licensees are expected to act in the public interest in exchange for their local monopoly on a frequency band. Payola creates incentives contrary to the public interest -- e.g.. instead of playing music people want to hear, the station plays music that somebody wants people to hear.

    34. Re:Lawsuit in 321... by Anonymous Coward · · Score: 0

      Well lets compare that future you seem so afraid of to the present...
      The music labels are currently "buying the law" very aggressively. I do not see google doing much 'buying' now, and assuming that they will once they have 'crushed' the music labels is not very logical. At least not as much as the music labels are already doing. So in that future I can only see less "buying of law" going on. +1 for the future.

      And for the "dictating how musicians are paid", the music labels are doing exactly that right now. Just like google is dictating how much web masters get paid from the ad revenues their websites are generating. So lets compare... The revenues from google adwords seem to be around 5-15%. The music labels are, on average, paying an artist 0.03 cents for a sold cd-single (1-2%). The best deal any artist ever got from the music labels was Micheal Jackson for his album 'thriller'. He got 2,45$ per sold album (~ 10%)
      Now lets for argument's sake say that well known artists will not be able to make a better deal with google than the masses of unknown web masters and google "dictates" the same 5-15%.. 1+ for the future I'd say...

                 

    35. Re:Lawsuit in 321... by petermgreen · · Score: 1

      OTOH remember that not all of those are independent companies,the first two in your list are subsidaries of massive media conglomorates, the third appears to be independent with the fourth being part of a major financial services company.

      If sony and universal decide the google threat is not just to their music operations but to their media operations as a whole then they could probablly bring a LOT more force to bear on the subject.

      --
      note: i'm known as plugwash most places but i screwd up registering that here somehow in the past and now can't register
    36. Re:Lawsuit in 321... by LWATCDR · · Score: 2

      "Marvelous. Buying the law.

      The future of music, with music labels crushed and Google dictating how musicians are paid, is bright."

      I really don't understand how you got from Point a to point b?

      How will this crush the music labels? Or even effect them at all?
      I buy my music from Amazons MP3 store or I buy a CD. So the label and artist are paid. I rip my CDs and put them on my phone and my ipod touch now. Which is all fine since I have paid for the music. Now I can copy them to Google so I do not have worry about keeping everything synced. So why does Google ore better yet why do I have to get any type of permission to store my music files someplace for me to listen to them. How exactly is this any differn't from a thumb drive or dropbox?
        I would love to know why this really has anything to do with music labels at all?

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    37. Re:Lawsuit in 321... by Samalie · · Score: 1

      Actually, the problem is (from the perspective of the music industry) that you could easily give your Google Locker Account info to your friend, who could pillage your account for all the music, download it, and then upload it into their own locker.

      Granted, this isn't Google's fault or anything, they're just providing a service...but I can guarantee that this is the fear of the **AA's

      It's not piracy in and of itself, but it is a "tool with which piracy can be enabled" - which if you look at the **AA's, they freak the fuck out about every technology ever invented which could possibly hurt their prescious revenue stream.

      --
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    38. Re:Lawsuit in 321... by Golddess · · Score: 1

      and how this is the the right and true and good outcome

      Nah, just the better outcome (compared with what we have now).

      --
      "I'm not sure I like the fugnutish tone you used in your post!" -RogL (608926)-
    39. Re:Lawsuit in 321... by cpu6502 · · Score: 1

      >>>actively defend the idea of a multi-billion dollar advertising company controlling content

      We are defending it, because we are not dumbasses. Google isn't controlling the content. The CUSTOMER controls the content and uploads it (or not) to his "cloud" hard drive. It's simply a storage area - no different than storing your grandma's wedding ring in a bank vault. Or storing a favorite song in yahoomail.

      --
      My AC stalker: " I personally agree with your posts most of the time, but that won't keep me from modding you troll"
    40. Re:Lawsuit in 321... by Immortal+Poet · · Score: 1

      Sony Music Entertainment: $1.33 billion

      Universal Music Group: $6.14 billion

      Warner Music Group: $3.49 billion

      EMI: $1.65 billion

      versus

      Google: $29.32 billion

      While I don't dispute those numbers per se, and I think the fact that Google makes 10-30 times as much as any of the Big Four members of the RIAA is substantial in itself, the fact remains that you've only listed the revenue from the Big Four. There are 1,600 member labels of the RIAA. While I'm sure the total revenue of the RIAA (Indy labels included) still wouldn't beat out Google's immense pile of cash, I feel as though if you were to count the other 1,596 or however many labels, the revenue disparity just wouldn't be quite as stark as the one you've portrayed.

    41. Re:Lawsuit in 321... by Anonymous Coward · · Score: 0

      Google sees about twice as much revenue than the entire recording industry

      Yes, but big media has been buying laws MUCH longer than google, how many congressmen/lawyers does google own?
      Also, you left out the revenue from the parent companies, which combined, would dwarf google.
      Then there's the fact that most of these companies also own news orgs - which control what the plebs think.

      while I'm sure that no one wants a long, drawn out lawsuit

      Why not? All the RIAA needs is an injunction, then they can wait out for a juicy settlement.

    42. Re:Lawsuit in 321... by bennomatic · · Score: 1

      In Soviet Russia... Oh, I give up.

      --
      The CB App. What's your 20?
    43. Re:Lawsuit in 321... by MaskedSlacker · · Score: 1

      You must be confused. No one said it was a good outcome. It's just an improvement over the present.

    44. Re:Lawsuit in 321... by Scrameustache · · Score: 1

      makes it impossible for anybody to ever do recorded music as their day job.

      The same thing was said about cassette recorders, the same thing was said about wax cylinder phonograms, and it's as true now as it was then.

      --

      You can't take the sky from me...

    45. Re:Lawsuit in 321... by shutdown+-p+now · · Score: 1

      Don't forget that it's not just Google. Amazon has a similar service now, and I suspect Apple would also step in on that side.

    46. Re:Lawsuit in 321... by geekoid · · Score: 2

      In Soviet Russia, the joke gives YOU up.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    47. Re:Lawsuit in 321... by geekoid · · Score: 1

      Based on it's history, Google has been fair with it's users. The RIAA has not.

      That's why, IT's not about big x company v big y company. Its about how they treat people.

      Big companies are not necessarily evil.

      Right now, yes I would rather the smart people at google came up with a way to distribute music in a way that is equitable to all parties.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    48. Re:Lawsuit in 321... by geekoid · · Score: 1, Insightful

      maybe you have that backwards? instead of telling the artists "hey, no one else get's paid that way so you shouldn't", we say "hey how can we get that?"

      I hate when someone sees something they don't have they want to take it away from others instead of try and get it themselves.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    49. Re:Lawsuit in 321... by geekoid · · Score: 1

      yes, that might be another 5 billion.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    50. Re:Lawsuit in 321... by shutdown+-p+now · · Score: 1

      If Google was stealing from you, would you not enlist the forces of the government in getting your property back?

      I've been using Jungle Disk (a cloud storage service which can mount as a drive in Windows) to back up my MP3 collection, alongside other things of importance, for several years now. Occasionally I stream music from that when not at home. Didn't realize I was stealing from anyone all this time. Funny that.

    51. Re:Lawsuit in 321... by cdrguru · · Score: 1

      The model for the music business is one not of "selling music" but of promotion.

      What "the labels" do is promote music. This is done through radio, magazines and a few other venues. The big ones that people hear about are certainly radio and magazines. Did you know there are three or four magazines dedicated solely to the promotion of music? Billboard is one of these. When "the labels" die out, there will be a large gaping hole left that will not be filled.

      One of the casulties of the death of music promotion will certainly be FM radio. Today's format and cost structure doesn't really allow for the independent station playing requests and providing input into the music promotion business - instead they are pretty much a consumer of music rankings and that is what builds their playlists. Do you think we will go back to the local, independent DJ playing requests? No, because the reason this disappeared was having to pay that person instead of paying one person who is heard on hundreds of stations. No, most FM stations are just going to fold up. And many of you will be saying "good riddance".

      MTV started out as a music promotion vehicle, as did VH1. Both of these moved away from the music promotion business and will likely be only partly affected. Without someone paying, there is unlikely to be any more music videos made, ever.

      The concept of the record business where you find unknown talent, promote them and hope 1 in 10 or 2 in 10 is successful enough to pay for the failures has been copied in other industries. But the key has always been that there will be expensive failures and spectacular successes. Both the record business and the copies of it have been harmed greatly by management desiring to limit the downside exposure by trying to change the operational model slightly. While the record business has been wildly successful in promoting unknowns and reaping the rewards of the successes, none of the more risk-adverse strategies have paid off in any respect whatsoever. It has been tried with books and software and probably a few other areas that I know nothing about and in every case the more risk-adverse a model was used the less successful it has been.

    52. Re:Lawsuit in 321... by blair1q · · Score: 1

      If you steal a car and I allow you to park it in my garage, I'm helping you steal it, and the person you stole it from could charge me with theft, too.

      The point, though, isn't whether Google is or isn't actually stealing something. It's whether anyone should avoid taking action if they perceive Google to be doing something injurious to them, just because Google is "too big to sue." Nobody is too big to sue. Suing goes through the government, which organizes itself to be bigger than anyone. If you're right about the facts and you sue, you get the government on your side to get your stuff back. That's the point of suing instead of just bludgeoning them with your fists until they give you back your stuff. Google is too big to care about any citizen's personal bludgeon.

    53. Re:Lawsuit in 321... by blair1q · · Score: 1

      You walked right past that "(presumably)" as though we weren't talking about the RIAA here.

    54. Re:Lawsuit in 321... by blair1q · · Score: 1

      Google Locker will make Limewire look like a quill and a stack of staff paper.

      No more hive-mind searches with itinerant servers. 24/7 google-indexed searching of a constantly growing database of music miles deep and wide and thick with uptimes in the 9-sigmas and God's own bandwidth.

      I can't believe the RIAA couldn't find a way to come to a compromise with these folks. Unless you work on the theory that they're going to add a bunch of zeroes to their trillion-dollar lawsuit forms.

    55. Re:Lawsuit in 321... by blair1q · · Score: 1

      Just try to use the subjunctive case around here, and the literalists lose their marbles.

    56. Re:Lawsuit in 321... by Karlt1 · · Score: 2

      Sony Music Entertainment: $1.33 billion
      Universal Music Group: $6.14 billion
      Warner Music Group: $3.49 billion
      EMI: $1.65 billion

      You do realize that all of those companies are owned by much larger parent companies don't you?

    57. Re:Lawsuit in 321... by PCM2 · · Score: 1

      OK, but... how is their business not "selling music"? You say yourself that labels pay to promote music, in hopes that the artists become "successful." Define "success," and where does this concept of "revenue" come in?

      --
      Breakfast served all day!
    58. Re:Lawsuit in 321... by iluvcapra · · Score: 1

      They said that wax cylinders would destroy public performance, not recording (how could destroy the thing it was inventing?).

      Home taping was never a serious threat because there wasn't a billion-dollar company making a few pennies in AdWords off of every copy.

      That's the problem here, the right to copy a song a piece of property, and nobody gives a damn about that -- with open source software we at least give developers the right to open source their code, we don't force them to disclose their code out of some adherence to libre ideology, while all the while a search engine company makes millions reselling the code through advance marketing and cobranding agreements to special manufacturing partners. But I guess musicians aren't as cool as developers.

      --
      Don't blame me, I voted for Baltar.
    59. Re:Lawsuit in 321... by Anonymous Coward · · Score: 0

      Your analogy sucks. A better analogy would be to compare it with pirated software. Shit happens, deal with it.
      Anyhow, your (or mine) opinion on this being "right" or "wrong" is irrelevant. It's too late to stop it now, maybe it won't be Google (although I'd bet on them) but this was bound to happen sooner or later.

      The sooner the music industry burns, the better.

    60. Re:Lawsuit in 321... by wvmarle · · Score: 1

      The risk for music labels of letting Google get away with it unchallenged is that other companies try to do the same.

      Now the music labels could start suing start-ups that are trying to provide such services, with the risk that those companies get support from Google (that would be Google protecting their own interests by preventing unfavourable precedent to be set), and they indirectly still fight Google.

      So no matter what, the music labels are having a big problem. Especially as personally I believe that such use should be allowed, as the users can not share their music, and it's basically a copy for personal use.

    61. Re:Lawsuit in 321... by wvmarle · · Score: 1

      The difference I can see is that you could set up an account on Google, put your music there, and share your login credentials for that account with the world, effectively easily sharing the music.

    62. Re:Lawsuit in 321... by thej1nx · · Score: 1

      So there are no public performances anymore? Whoooooooooooooosh!

    63. Re:Lawsuit in 321... by thej1nx · · Score: 1

      At which point the 2nd person to login, just goes and changes the password("Just because I can do it").

      You don't know people very well, do you?

      Try setting up a simple login system with "change password" option anywhere on the net and share the link with the world.

    64. Re:Lawsuit in 321... by thej1nx · · Score: 1

      Oh, you mean public parking lots outside those malls verify the owner credentials and do a quick check with the police everytime a vehicle gets parked there? I did not know that! Goodness golly me! You don't say?!

      If I put up a notice saying "please do not park stolen vehicles here", I have effectively covered my ass! So nyah nyah!

    65. Re:Lawsuit in 321... by thej1nx · · Score: 1

      Oh and the point here was not whether you are too big to sue. The point being made was whether you can still intimidate a big company the way you could intimidate a poor individual over a case that you know you might not clearly win.

    66. Re:Lawsuit in 321... by Tim+C · · Score: 1

      Neither extreme is really acceptable IMHO.

    67. Re:Lawsuit in 321... by Stuarticus · · Score: 1

      That is possibly the stupidest thing I have ever heard.

      --
      If you think someone isn't free to have a different definition of "freedom" you may be a tyrant.
    68. Re:Lawsuit in 321... by LWATCDR · · Score: 1

      So? I can copy my MP3s to a thumb drive and give them to a friend, I can email them, I can put them on dropbox, I can burn them to a DVD and mail to a friend, or copy my album to a good quality tape and drive it over to there house as well back in the old days.
      So should the music companies require that companies that make cars, run email server and deliver mail make deals with them just because there service can be used to share music?
      And here is the real kicker for you? Do you really think that this will increase piracy when there are already so many ways to pirate? I mean really?
      Not at all. The music industry needs to get a grip and butt out. Heck if they where smart they would embrace it before Google, Apple, and or Microsoft decide that they want to get into the business and crush them.

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    69. Re:Lawsuit in 321... by blair1q · · Score: 1

      No, the point was whether you're too big to sue. When you have the government mediating the fight, nobody is. The RIAA's intimidation tactic is a legal gambit. It doesn't depend on the size of the target. As I said, with a bigger target their eyes just get bigger. If they think they can find a legal angle to throw against the wall with Google's bank account as the lottery prize, you can bet your ass they'll throw it. They're probably sick and tired of the ROI they're getting from teenagers.

    70. Re:Lawsuit in 321... by thej1nx · · Score: 1

      Nobody and absolutely NOBODY is too big to sue. The bigger you are, the better target you make, IF there is actually a valid case/legal angle. Problem with this case is that RIAA tactics was seldom about the validity or legality of their case. They were just relying on intimidation tactics mostly, to make a quick example out of you, relying on their deep pockets versus your limited resources ensuring that you chose to quickly settle. In almost every single case where the very premises of their case was challenged in even a remotely competent manner, they chose to quickly drop the case.

      So as far as RIAA is concerned, since their legal case is on shaky ground at best, and since Google is not short on resources(thus ruling out a quick settlement), a legal protracted case with Google is pure poison for them. If they lose the case, or even drop it, Google may actually go right after them to shut them down permanently. And Google has funds for lobbying as well, so that it can write out those economic terrorism laws that RIAA got passed. If you buy senators to pass laws, there is always the risk that your rival may buy them right back to repeal those same laws. And Google will have no recourse but to do it just to avoid being ever sued again.

      The only way they could have gone after Google is if they had a clear and cut case. Which they don't.

  4. Licensing by colesw · · Score: 1

    So they have no licensing deals, but its still US only? If they are basically following the strategy that it is easier to ask for forgiveness then permission, why not do it the world over?

    1. Re:Licensing by djmurdoch · · Score: 3, Informative

      Presumably they have a legal opinion that they don't need a license to do this. In the US, fair use says you can copy your owned music to other media. That's not true in all countries.

    2. Re:Licensing by Anonymous Coward · · Score: 0

      I thought that law applied to non-used backups only. I'm probably wrong since Google/Amazon are going ahead with it...

    3. Re:Licensing by Kjella · · Score: 1

      Probably because they've only looked deeply into US copyright law and precedents, despite the US' best efforts there's not one world law. Europe for example is still two dozen sets of laws, despite the EU constitution and common EU directives. It's a huge market to launch in, this isn't like Spotify starting in Scandinavia. If this is a hit it'll quickly be worldwide I think.

      --
      Live today, because you never know what tomorrow brings
    4. Re:Licensing by hjf · · Score: 3, Interesting

      Sure, if by "worldwide" you mean UK, France, Germany, Austrialia, Germany.

      Google is a US company that offers all of their services in the US and only search, maps, and mail outside the US. They do offer some extra services to other countries, especially UK, but they don't really care about the rest of the world.

      It's a shame, but that's how it works for us non-Americans. Especially people from the third world like myself. I'm tired of getting snail-mail spam from google, for $50 worth of Adsense, and not be able to get, say, Google Voice. Or Local (even though google really wants my location in my android phone). Or any other service really.

      Sure, they claim there are licensing issues, local laws, etc. That's all bullshit. It's simple: they're US based, and the US market is so big there is no need to expand to the rest of the world.

      I don't expect to see this service enabled for any country south of the equator, except Australia.

    5. Re:Licensing by Anonymous Coward · · Score: 0

      Just like Voice went worldwide because it was quite popular. Oh wait, it didn't!

    6. Re:Licensing by Anonymous Coward · · Score: 0

      so build your own sh*t why do you have to wait for them to feed you solutions? obviously you're online and capable of reading and writing and I imagine thinking. so get to working bro.....

    7. Re:Licensing by Hatta · · Score: 1

      Actually, there's an existing legal opinion that they can't do this.

      Judge Jed S. Rakoff, in the case UMG v. MP3.com, ruled in favor of the record labels against MP3.com and the service on the copyright law provision of "making mechanical copies for commercial use without permission from the copyright owner."

      --
      Give me Classic Slashdot or give me death!
    8. Re:Licensing by Anonymous Coward · · Score: 2

      they don't really care about the rest of the world.

      Since you have access to search, you can find their SEC filings: Half of their revenue is from outside the USA.

      The rest of the world is where the real competitors and the real growth opportunities are. Google can't grow much in search/ads (i.e. make more money) in the USA, because they already have most of the market that would use them. In Russia, there is lots of money to be made by out-competing Yandex. Yahoo Japan has plenty of market-share, and Google is not stupid enough to not improve search to try and win over their users.

      Sure, they claim there are licensing issues, local laws, etc. That's all bullshit.

      It's simple: they're US based, and the US market is so big there is no need to expand to the rest of the world.

      Evidence-free name-calling rarely leads to enlightenment.

      There is nothing simple about building web apps that comply with local regulations in all the locals of the world. Try it yourself if you disagree :)

      I don't expect to see this service enabled for any country south of the equator, except Australia.

      Orkut is developed for Brazil (and India), with the USA and Europe as an afterthought.

    9. Re:Licensing by hjf · · Score: 0

      Why do you post anonymous? Oh yes, because you're a troll.

    10. Re:Licensing by softWare3ngineer · · Score: 1

      A lot of companies don't operate outside the US because it is hard to do. As previous posts have noted law and tax structure grow exponentially when working world wide. If it was easy I'm sure Google would love to make their products available everywhere, just as Nissan and car resellers would have loved to import skylines into the united states, but they don't for some of the same reasons. its hard to make software conform to everyones laws.

    11. Re:Licensing by hjf · · Score: 1

      Blah, blah, I'm still waiting for other services. Like Voice, for starters.

    12. Re:Licensing by Yvan256 · · Score: 1

      Not the same thing. MP3.com made the copies and made them available to the end-users.

      In the case of Amazon and Google (and soon Apple too, if all the rumors about the huge data center are true), the end-users are the ones who upload their music.

    13. Re:Licensing by hjf · · Score: 1

      Google has offices in my country. They're for selling ads ONLY. Maybe a little development too but I doubt it.

      They're happy to comply with local laws when they're getting an immediate revenue. They're just not so keen on it when they need to spend a little in advertising themselves (I haven't even seen Chrome ads on TV), or even invest in hardware (Google Voice).

    14. Re:Licensing by geekoid · · Score: 1

      atually, it's an Irish company.
      They do the Double Irish to avoid taxes.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    15. Re:Licensing by shutdown+-p+now · · Score: 1

      You can do voice chat with Talk for some time now, and they've just added it to Android client as well.

      Voice is more complicated because, as I understand, they need to work with telephony providers in the country to fully implement it.

    16. Re:Licensing by digipres · · Score: 1

      > I don't expect to see this service enabled for any country south of the equator, except Australia.

      Well, here in Australia I click the 'Request an Invitation' link and I'm served this page: http://music.google.com/music/usernotinvited
      Which declares: "We're sorry. Music Beta is currently only available in the United States"
      No music soup for me.

    17. Re:Licensing by gmhowell · · Score: 1

      Why do you post anonymous? Oh yes, because you're a troll.

      Why don't you answer him? Oh yes, because you're a eurofag with a heightened sense of entitlement.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    18. Re:Licensing by coolmadsi · · Score: 1

      They're just not so keen on it when they need to spend a little in advertising themselves (I haven't even seen Chrome ads on TV), or even invest in hardware (Google Voice).

      I've seen the occasional Chrome billboard in the UK.

  5. Personal host cloud host by InakaBoyJoe · · Score: 1

    This is a smoking gun to any pirated or "borrowed" music in your collection. Let the subpoenas begin! Or, you can leave the music at home and use something like Subsonic, which provides almost all the functionality of GMusic ... the client just needs some love and polish.

  6. Difference between iTunes and by tepples · · Score: 1

    As I understand it, iTunes Store offers no streaming rentals (unlike Rhapsody) or hosted locker (unlike Amazon).

  7. lace up your boots and hold on tight, slashdot by nimbius · · Score: 1

    there be a shitstorm a brewin in the sea of google.

    --
    Good people go to bed earlier.
    1. Re:lace up your boots and hold on tight, slashdot by proverbialcow · · Score: 4, Interesting

      Except that Google has the wherewithal to buy the music industry outright. The RIAA would actually have to sue and win (as opposed to litigating a smaller opponent into bankruptcy), which might be rather difficult, seeing as how these cloud-storage services merely give users the ability to store their own files for later retrieval and don't really facilitate piracy.

      --
      The only surefire protection against Microsoft infections is abstinence. - The Onion
    2. Re:lace up your boots and hold on tight, slashdot by Idbar · · Score: 2

      On the funny side, Sony already has a precedent that storing data online is not safe. So they may argue that the music files are not safe and prone to be stolen.

      Than again, I'll laugh for several minutes when Google shows them how to actually protect on-line content.

    3. Re:lace up your boots and hold on tight, slashdot by Anonymous Coward · · Score: 0

      So the richest guy makes the laws huh?

      Thats honestly the society you want to live in?

    4. Re:lace up your boots and hold on tight, slashdot by proverbialcow · · Score: 2

      Thats honestly the society you want to live in?

      No, but it's the society I do live in.

      --
      The only surefire protection against Microsoft infections is abstinence. - The Onion
  8. They don't need labels... by improfane · · Score: 1, Funny

    ...If Google becomes the label. If Google can do what MySpace succeeded at, which is become the home for small artists, Google may be onto something. They can go a step further and become the label, offering video and audio hosting, a store and perhaps even CD printing through suppliers. Bands would upload to Google rather than MySpace or with an independent label. It would be a natural extension to the service provider portfolio, Picassa, Docs, Voice, Apps etc.

    If not, expect a legal creampie with only the lawyers (and the RIAA) profiting.

    (Google lost the way but maybe they can claw back some? Either way, they're still evil.)

    --
    Slashdot needs Geekcode | Can anyone recommend any good SCIFI? My tastes: Foundation, Startide Rising, CITY, Ringworld,
    1. Re:They don't need labels... by amicusNYCL · · Score: 2

      It sounded like Google was able to secure licensing deals from several labels, they specifically called out independent labels as being easy to work with, but it sounds like Sony and Universal refused to come to terms.

      Clearly, this is not the music service Google wanted to offer. And Google director of content partnerships Zahavah Levine -- who led the company's negotiations with the major labels -- made it clear who she feels is to blame.

      "We've been in negotiations with the industry for a different set of features, with mixed results," she told Billboard the night before the announcement was made. "[But] a couple of major labels were less focused on innovation and more on demanding unreasonable and unsustainable business terms."

      Sources tell Billboard that Sony Music Group and Universal Music Group proved the bottlenecks in this case. Google wanted to offer a scan-and-match style locker service -- where instead of uploading different copies of the same track to store in a locker for each users, the service would scan users' libraries and match the songs they own to a centralized server, paying rightsholders for each stream. Without the rights to do so, the message from Google is clear -- either get on board or we'll move on without you.

      "A large segment of the music industry worked cooperatively and was extremely helpful sorting out the issues of online licensing," she said, giving particular credit to the independent label and publishing communities.

      But the same article also explicitly says they're launching without any licensing deals at all. It looks like Sony and Universal torpedoed the boat for everyone.

      --
      "Our two-party system is like a bowl of shit looking at itself in a mirror." - Lewis Black
    2. Re:They don't need labels... by Anonymous Coward · · Score: 0

      Oh get real. Google's services are inevitably destined to fall into the unknown/geek category, with little to no market penetration. It's like Google doesn't even try beyond an initial half-hearted effort. It sucks because they are usually best from a purely tech standpoint.

    3. Re:They don't need labels... by wvmarle · · Score: 1

      Even so, by negotiating specific fees with certain labels only, all other labels (mostly independent) were left in the cold. Sounds like the book deal they tried to impose on everyone (which iirc in the end didn't fly).

  9. Not sure about the point by Anonymous Coward · · Score: 1

    I already copied my favorite tunes to my Android phone and, since I carry it with me everywhere, I already have convenient access to my music wherever I am -- even if I don't have a 3G signal. Why would I want to move those files from my SD card to the cloud? So I can experience the frustration that goes with not getting a 3G signal at my work nor at my home? F that.

    1. Re:Not sure about the point by Desler · · Score: 2

      Because cloud computing is the future!!!! Buy into their marketing and buzzwords or be left behind!

    2. Re:Not sure about the point by ColdWetDog · · Score: 1

      I already copied my favorite tunes to my Android phone and, since I carry it with me everywhere, I already have convenient access to my music wherever I am -- even if I don't have a 3G signal. Why would I want to move those files from my SD card to the cloud? So I can experience the frustration that goes with not getting a 3G signal at my work nor at my home? F that.

      You're walking quickly along the city street. A bus veers off and runs over you, causing serious injury and turning your phone into a bunch of dust. You are transferred to the local ER and saved (at no small expense, this is the US) by the dedicated hospital staff. You are upstairs on the ward with a morphine drip in your arm, dazed and confused. You look around for your trusty phone. It's gone. You wonder what to do - the only other source of distraction is your 88 year old demented roommate who has his television on QVC and cranked to volume 11.

      A friendly nurse offers to lend you her laptop but all she has on it is Brittney Spears and some weird heavy metal from the '80s that makes your head pound even worse. It does have a 3G connection.

      Now do you see why you need this service? Think of the edge cases, man!

      --
      Faster! Faster! Faster would be better!
    3. Re:Not sure about the point by Anonymous Coward · · Score: 0

      Who said move? Try copy. Load your phone. Load your cloud. Loud your hard drive. Pick and choose.

    4. Re:Not sure about the point by x1n933k · · Score: 1
      That's great and all but it is still dependant on your device(s). You loose one, and you have to do it all over again. Add a new CD? It can be sync'd between the 3 devices consumers tend to have, phone, tablet and Desktop/Laptop. So instead of copying them one by one, or when you buy music online, having to dump it and back it up, the library is there.

      A lot of people will really appreciate this service. I'm one. As a DJ I have a lot of backups of important music files and hard drives, records etc etc. Now I just keep the Analogue copies and one place for my digital copies. Instead of in CDs, phones, iPods, USBs, Extern-HDs. I'm tried of E-Waste too, it's cloud services that will keep my data accessible in a connected world. Google Docs has changed the way I handle a lot of my files, having this extended to music will be excellent.

    5. Re:Not sure about the point by cayenne8 · · Score: 1

      I already copied my favorite tunes to my Android phone and, since I carry it with me everywhere...

      I take it you don't have a very extensive music collection, if it will all fit on one single phone.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    6. Re:Not sure about the point by larry+bagina · · Score: 1

      If I had access to morphine and a friendly nurse, the only music necessary goes bow-chicka-bow-wow

      --
      Do you even lift?

      These aren't the 'roids you're looking for.

    7. Re:Not sure about the point by Anonymous Coward · · Score: 0

      Wow, that happened to me last week! If only I had had this product then!

      Better still, without the phone at all, I would have understood why everyone without earphones in suddenly jumped out of the way of a marauding bus...

    8. Re:Not sure about the point by Anonymous Coward · · Score: 0

      Ignore the other replies - the point of anything google does is Ads. They store your music for free and let you access it while serving you up some adverts....

    9. Re:Not sure about the point by MobileTatsu-NJG · · Score: 1

      Maybe it's just not for you. Maybe it's for somebody like me who has multiple computers and would like a centralized repository for the music so I'm not trying to sync across all three machines.

      --

      "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

    10. Re:Not sure about the point by TheGratefulNet · · Score: 1

      storage is an arms race.

      I used to have to encode to 128k mp3 to fit my music on a single drive.

      now, I don't care and I encode to flac and only re-encode to mp3 for portables.

      in a few years, I won't care about flac sizes, either. storage is like that.

      the internet will always be unreliable but local storage just plain works. over time, local storage (sd cards +++ or whatever is out at the time) will be able to hold all your songs. yet the internet will still be unreliable for streaming and realtime tasks. not to mention even MORE caps by our favorite friends, the ISPs.

      depending on WAN net bandwidth is a losing game. we've learned that over the years, have we not?

      --

      --
      "It is now safe to switch off your computer."
    11. Re:Not sure about the point by TheGratefulNet · · Score: 1

      man 'nfs'

      also man 'samba'

      --

      --
      "It is now safe to switch off your computer."
    12. Re:Not sure about the point by MobileTatsu-NJG · · Score: 1

      man windows.

      --

      "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

    13. Re:Not sure about the point by Vectormatic · · Score: 2

      man, sucks to be you

      --
      People, what a bunch of bastards
    14. Re:Not sure about the point by Em+Adespoton · · Score: 1

      At this point, I'd just log into my home server and stream audio from home -- assuming I could remember my password. Google still doesn't bring anything extra to the table here.

    15. Re:Not sure about the point by MobileTatsu-NJG · · Score: 1

      man, os zealotry really isn't fashionable anymore.

      --

      "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

    16. Re:Not sure about the point by Em+Adespoton · · Score: 1

      What's this "copy one by one" thing? What are these things you call "CD"s?

      I buy my music online, and it automatically syncs from my main computer to all my other devices, either via wi-fi on demand, or while they're charging via USB. Not only that, if I purchase the music on one of my other devices while away from home, THAT music syncs back to the rest of them the next time I'm at home.

      If I were a DJ, I could see a system like this being extremely useful, as you could have your entire set of lists, BPM tables, custom mixes, etc. available wherever you jockey, even if you have equipment failure, etc. For people just listening to music via low quality headphones/speakers, what's the point?

    17. Re:Not sure about the point by IceFreak2000 · · Score: 1

      I recently discovered the joys of Subsonic; I have the Android client installed on my phone, and the iSub client on my iPod and the Subsonic server running on an old system at home. I now have a single repository for all of my music that I can access pretty much 100% of the time - if I know I'll be listening to, say, some Penguin Cafe Orchestra during the day I can select the album in the Android client and download it straight to the phone over my local WiFi before leaving home in about five seconds flat - I can even set the client to force the server to resample the files to a maximum bitrate if I'm connected via 3G. All of this means I can access whichever album/track I want to listen to out of my 500Gb (and growing) collection and store it in one place.

      --
      Life is like a sewer; what you get out of it depends on what you put into it...
  10. Legal creampie by improfane · · Score: 3, Funny

    Apologies for this expression I just Googled it and regret my wording.

    Just meant to imply it would be a massive orgy of corporate interests and expensive litigation.

    --
    Slashdot needs Geekcode | Can anyone recommend any good SCIFI? My tastes: Foundation, Startide Rising, CITY, Ringworld,
    1. Re:Legal creampie by Anonymous Coward · · Score: 0

      creampie

      massive orgy

      You're not helping yourself there... Mr improfane indeed.

    2. Re:Legal creampie by paiute · · Score: 1

      Apologies for this expression I just Googled it and regret my wording.

      Just meant to imply it would be a massive orgy of corporate interests and expensive litigation.

      Dude, I just GIS'd 'massive orgy' to clarify your implication in the argument above. It was no improvement over 'creampie'.

      I look forward to your 'Rusty Venture' metaphor.

      --
      If Slashdot were chemistry it would look like this:Cadaverine
    3. Re:Legal creampie by tripleevenfall · · Score: 1

      I don't get the creme pie joke...?

    4. Re:Legal creampie by erroneus · · Score: 1

      Well that's okay, just so long as you don't Google "google" -- you'll crash the whole internet.

    5. Re:Legal creampie by hawguy · · Score: 1

      Given that this is largely uncharted legal territory, I'd say that Barely Legal Creampie is a more accurate term. And surely such a term will result in less titillating search results!

    6. Re:Legal creampie by betterunixthanunix · · Score: 1

      You must be new to the Internet.

      --
      Palm trees and 8
    7. Re:Legal creampie by larry+bagina · · Score: 1

      When you ride bareback and cum in a girl's pussy (or asshole)... afterwards, it drips out. That's a cream pie. Probably named after a combination of euphemisms (pussy = pie, sperm = cream) rather than the actual appearance -- it looks more like a bulldog after a mayonnaise sandwich. Eating them (either your own or another dude's swimmers) seems to be a fetish of sorts.

      Hope that helps!

      --
      Do you even lift?

      These aren't the 'roids you're looking for.

    8. Re:Legal creampie by Anonymous Coward · · Score: 0
    9. Re:Legal creampie by Vectormatic · · Score: 1

      wow, imagine that, google stepping up to the RIAA, an AC linking carefully with NSFW while a low (relatively anyway) UID just blasts profinaty

      I guess the end is nigh, and all those may 21st judgement day loonies are right

      --
      People, what a bunch of bastards
    10. Re:Legal creampie by bennomatic · · Score: 1

      I look forward to your 'Rusty Venture' metaphor.

      OK, I'd never heard that term. However, according to the urban dictionary, people are not at all in agreement as to what exactly is involved in an RV.

      --
      The CB App. What's your 20?
    11. Re:Legal creampie by geekoid · · Score: 1

      I hope to to FSM you did that on purpose.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  11. So what? by Anonymous Coward · · Score: 0

    I can do the same right now with my iPhone and the Song Exporter Pro app...

  12. Re:Personal host cloud host by tripleevenfall · · Score: 2

    Can other people see my music?

    Then how will the RIAA know what I have there, what is the basis for the subpoena?

  13. Captain McCallister sez by tripleevenfall · · Score: 1

    yar, there be drama afoot

  14. Requires Flash by CharlyFoxtrot · · Score: 2, Interesting

    From the system requirements : "The latest version of Adobe Flash Player must be installed and enabled in your browser (Flash is included with Google Chrome)."

    So it's going to be a non-starter for a lot of devices including of course iOS devices but a lot of others too. So right of the bat they go out of their way to alienate literally millions of potential users. Not a good way to dive into a market that has a lot of big players going into it including Amazon and potentially Apple who are rumored, as they always are, to be working on something similar.

    --
    If all else fails, immortality can always be assured by spectacular error.
    1. Re:Requires Flash by monoqlith · · Score: 1

      I wouldn't be too alarmed. I'm sure an iOS App will be forthcoming to replace any lost Flash functionality. If not they risk losing the entire block of iOS users when Apple releases its own cloud service.

    2. Re:Requires Flash by ustolemyname · · Score: 1

      Err... seeing as on android they have a dedicated app (from the same page you linked to) I don't think flash is how they plan to target mobile.

    3. Re:Requires Flash by CharlyFoxtrot · · Score: 1

      Yes, but for now the only way to access the service is to have a supported Android device or a Flash-enabled device. It's odd that a web company like Google would deliberately limit its service like that when using pure HTML5 technologies would have provided a much larger potential audience, including mobile devices for which there might not be any apps developed. Amazon's Cloud Player for example does work on iOS devices and that's their largest competitor for now.

      --
      If all else fails, immortality can always be assured by spectacular error.
    4. Re:Requires Flash by gaspyy · · Score: 1

      Considering that one can make an app in flash and use AIR to deliver apps for iOS, Android and Blackberry, I'm sure it's only a matter of days until such apps will pop up in the app stores.

    5. Re:Requires Flash by BuckaBooBob · · Score: 1

      iOS Serisouly??! You think Apple wants(will let) you to look at or listen to content that they are not getting 30% of??!?! No way will google be able to build an app for iOS that apple will approve of since all your going to be doing is looking/listening to content that you should have gotten from iTunes anyways..

      --
      Who needs WiFi when we can have Packet Over Sheep! http://datacomm.org/PoS-InternetDraft.txt
    6. Re:Requires Flash by slim · · Score: 1

      ... unless Apple decides not to approve the app.

    7. Re:Requires Flash by dhermann · · Score: 1

      So it's going to be a non-starter for a lot of devices including of course iOS devices

      Exactly.

      Not a good way to dive into a market that has a lot of big players going into it including Amazon and potentially Apple who are rumored, as they always are, to be working on something similar.

      You mean exactly how they entered the market with their search engine? Have you visited Altavista lately?

    8. Re:Requires Flash by soodoo · · Score: 1

      Native HTML(5) audio would be better, but:
      1. Some browsers play OGG, some play MP3 only (for now). Google would have to keep two copies of the same music to satisfy all.
      2. HTML5 support is still a bit buggy in some browsers. And many of the currently used browsers don't even support HTML5.
      3. Flash might allow for some more control/restrictions.

    9. Re:Requires Flash by MobileTatsu-NJG · · Score: 1

      So it's going to be a non-starter for a lot of devices including of course iOS devices but a lot of others too.

      It's a non-starter anyway. When you put your phone into your pocket, is the browser going to stay open and keep playing the music?

      They'll just make an iOS app, not a BFD.

      --

      "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

    10. Re:Requires Flash by dhermann · · Score: 1

      I'm sure an iOS App will be forthcoming to replace any lost Flash functionality.

      Nnnnnnnnope.

      If not they risk losing the entire block of iOS users when Apple releases its own cloud service.

      By releasing the service first, Google hopes to get users set up and entrenched before Apple. This is their only hope of competing against a platform that can and definitely will remove any app submitted that directly competes with their service.

    11. Re:Requires Flash by Idbar · · Score: 1

      For a start, flash is fairly good as Adobe has achieve access to many platforms. iOS and Android will probably have their own apps, but YouTube grew and has been standing based on Flash (with variations).

      To me, it's the easiest/fastest way to reach massive audience.

    12. Re:Requires Flash by Builder · · Score: 1

      What, like spotify? Except that already exists and apple doesn't get a cut of the subs at all. Keep trolling.

    13. Re:Requires Flash by Grizzley9 · · Score: 1

      I wouldn't be too alarmed. I'm sure an iOS App will be forthcoming to replace any lost Flash functionality. If not they risk losing the entire block of iOS users when Apple releases its own cloud service.

      Not needed for iOS with apps like Zumocast, AudioGalaxy, OrbLive, http://lifehacker.com/5716359/the-best-media-streaming-apps-for-your-iphone an others that stream from your home PC (even over 3G) all your media, not just music, and give you virtually unlimited space on your mobile device (as long as you have a connection).

    14. Re:Requires Flash by Grizzley9 · · Score: 1

      Besides, iOS already has numerous streaming home media apps. http://lifehacker.com/5716359/the-best-media-streaming-apps-for-your-iphone

    15. Re:Requires Flash by StikyPad · · Score: 1

      Not a good way to dive into a market

      Or a great way if you explicitly want to exclude iOS users and drive uptake of a competing mobile OS.

    16. Re:Requires Flash by Anonymous Coward · · Score: 0

      Considering Google announced this during the Android keynote and demo-ed it on phones and tablets running Android, I think excluding iOs is kind of the point.

    17. Re:Requires Flash by Karlt1 · · Score: 1
    18. Re:Requires Flash by AmiMoJo · · Score: 1

      Come on, this is Google. Every product is released at an early beta stage and support for more devices added later. Like YouTube I'm sure non-Flash streams are coming.

      --
      const int one = 65536; (Silvermoon, Texture.cs)
      SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
  15. Am I missing something? by Anonymous Coward · · Score: 0

    If I'm missing something, please let me know because I just don't get this.

    Google has launched a service that is controversial because it lets people store music they already own and then access it again? What possible "licensing" is there to discuss with the record companies? How is this even a "service"...it sounds like "storage" to me.

    1. Re:Am I missing something? by RapmasterT · · Score: 1

      this is less a "music service" and more a "music catalog app/player". it seems as controversial as chilled milk.

    2. Re:Am I missing something? by phek · · Score: 1

      since it's a streaming service, the riaa is trying to claim that google needs to pay licensing fees. amazon and google have been saying they don't need to.

  16. Re:Personal host cloud host by bugs2squash · · Score: 1

    Only people with something to hide would hide something.

    Hey this Koan thing is fun...

    --
    Nullius in verba
  17. This is incredibly offtopic, but... by supersloshy · · Score: 1, Offtopic

    ...What happened to Slashdot? The comments look... tiny! It no longer takes a fortnight just to load the comments, it looks a million times better, and it looks simpler to use as well!

    2011: The year of Duke Nukem Forever, GNOME 3, and an actually sensible Slashdot comments system? Am I dreaming? Somebody pinch me!

    --
    "Our country is not nearly so overrun with the bigoted as it is overrun with the broadminded." -Archbishop Fulton Sheen
    1. Re:This is incredibly offtopic, but... by Anonymous Coward · · Score: 0

      But they still have the stupid bug where when you click in an expanded comment, it expands one of the ancestor comments.

    2. Re:This is incredibly offtopic, but... by ThunderBird89 · · Score: 1

      Sadly not fully sensible: when viewing only a single comment, any click on a comment opens up the previously collapsed parent, and this goes on until all comments are expanded. Incredibly annoying...

      --
      Hyperbole: I use it liberally!
    3. Re:This is incredibly offtopic, but... by Anonymous Coward · · Score: 0

      I'm sure it will be fixed in a couple of weeks.

    4. Re:This is incredibly offtopic, but... by six11 · · Score: 2

      +1

      I'm not sure what interaction benefit the 'click to open parent' gives. If you click a link on an already visible post, it may or may not follow the link. Or it might do some silly un-collapsing thing.

    5. Re:This is incredibly offtopic, but... by SpaceAmoeba · · Score: 1

      Sadly, it will all be lost in 2012...

    6. Re:This is incredibly offtopic, but... by ThunderBird89 · · Score: 1

      It's not may or may not, it's definitely 'not follow link'. If I want to see the parent, I'll click on the header, thank you very much.

      --
      Hyperbole: I use it liberally!
    7. Re:This is incredibly offtopic, but... by Cwix · · Score: 1

      I cannot use my mouse in the text boxes, when I click it takes me to the top of the page.
      I cannot see the moderation on comments until at least plus 4. So -1 thru 3 says nothing beside the comment unless its been modded up and then down.
      It takes about a week and a half to preview the comments. (Quad core, 8 gb ram, and 12mbps down on the net verified in multiple ways. I have also tried many different browsers and other computers, oses, and internet connections... Its not my end)
      The QOTD at the bottom of the page got stuck on some quote mocking linux users for a month and a half.
      Etc.

      THE COMMENTS DO NOT WORK.

      Dont get me wrong, I love slashdot. It probably does have the best commenting system available. I still have enough issues that I cannot say it works.

      --
      You are entitled to your own opinions, not your own facts.
    8. Re:This is incredibly offtopic, but... by blair1q · · Score: 2

      triple annoying when said behavior ALSO SCROLLS YOU TO THE TOP OF THE FUCKING THREAD and applies to clicks INSIDE A FUCKING EDIT BOX in which you're' composing a reply, causing it to scroll about a light-year below the bottom of the screen with every click

    9. Re:This is incredibly offtopic, but... by _0xd0ad · · Score: 1

      I'm not sure what interaction benefit the 'click to open parent' gives.

      It's a bug.

    10. Re:This is incredibly offtopic, but... by _0xd0ad · · Score: 1

      I cannot see the moderation on comments until at least plus 4. So -1 thru 3 says nothing beside the comment unless its been modded up and then down.

      I think that's a deliberate feature; comments which have received only one modpoint don't show the primary moderation until you click the score.

      Of course, that also collapses the comment and hides its children, which is a bug.

    11. Re:This is incredibly offtopic, but... by thetartanavenger · · Score: 1

      2011: The year of Duke Nukem Forever, GNOME 3, and an actually sensible Slashdot comments system? Am I dreaming? Somebody pinch me!

      The mayans were pretty good, they just had an off by one error. It's the beginning of the end.

      --
      Who need's speling and grammar?
    12. Re:This is incredibly offtopic, but... by antdude · · Score: 1

      It looks the same to me, but maybe because I am using the simplified version.

      --
      Ant(Dude) @ Quality Foraged Links (AQFL.net) & The Ant Farm (antfarm.ma.cx / antfarm.home.dhs.org).
    13. Re:This is incredibly offtopic, but... by dargaud · · Score: 1

      ...What happened to Slashdot? The comments look... tiny!

      Funny how one gets used to eating shit sandwiches. I spent a lot of time trying to reduce the blank spaces wasted by the recent Slashdot changes, to no avail. And now that things get more compact I feel... oppressed. Too much text on one page! Hopefully I'll get used to it in a few days.

      --
      Non-Linux Penguins ?
    14. Re:This is incredibly offtopic, but... by geekoid · · Score: 1

      " Its not my end"

      yeah, sure. No One can see those comments, no one can post comments.

      I click here to type this.

      Please, it's you or something you are using.
      I use Chrome, firefox, and IE8 with XP and Win 7 no problem.

      I also click here.

      Logical I am using magic.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    15. Re:This is incredibly offtopic, but... by gmhowell · · Score: 1

      triple annoying when said behavior ALSO SCROLLS YOU TO THE TOP OF THE FUCKING THREAD and applies to clicks INSIDE A FUCKING EDIT BOX in which you're' composing a reply, causing it to scroll about a light-year below the bottom of the screen with every click

      /signed

      Fuck Malda.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    16. Re:This is incredibly offtopic, but... by Cwix · · Score: 1

      So because it works for you it works for everyone?

      Wow, you've never worked helpdesk have you.

      Fuck off troll.

      --
      You are entitled to your own opinions, not your own facts.
    17. Re:This is incredibly offtopic, but... by _0xd0ad · · Score: 1

      I just tried it. Still broken.

      If there's a collapsed comment in the comment tree, clicking opens it instead of doing what you intended. If the comment you're replying to is nested deeply, you have to click over and over to open all the parent comments. Then you have to scroll waaaaay back down to find the comment post form again. It's a pain in the ass.

  18. Free storage! by saikou · · Score: 1

    Patiently awaiting a clever hack that will allow storing any data there instead of just music.
    Documents in MP3 wrapper? 50Gb free storage anywhere? Sweet :)

    1. Re:Free storage! by Morris+Thorpe · · Score: 1

      Google already offers storage at 20GB for $5/yr; 80GB for $20.
      Is it really worth the trouble?

    2. Re:Free storage! by improfane · · Score: 1

      I'd be surprised if it actually stores the file you upload to it. Or if you even upload it (I haven't RTFA). Otherwise they would have so much data to store and duplicate files for the same song. I suppose Google can afford it.

      I would design it so that it merely identifies the song (locally or remotely) and then adds a standard version of that song to your account. No need to store anything. Everyone uses the same file on the Google server. That's probably how Spotify works when you add your MP3s.

      --
      Slashdot needs Geekcode | Can anyone recommend any good SCIFI? My tastes: Foundation, Startide Rising, CITY, Ringworld,
    3. Re:Free storage! by HeckRuler · · Score: 3, Funny

      Unfortunately, wrapping the brainfuck implementation of DoomII into an mp3 produces a dark eldritch chant that, upon playing in a dark room under a full moon, summons Cthulhu and ushers in an age of despair for 100 years. Plus or minus some if you use a bit rate less then 128.

      Google has a ticket open.

    4. Re:Free storage! by blair1q · · Score: 1

      But then how would they be able to serve me the songs I've manipulated aurally but not identificationally?

      They'd have to hash the recorded content of every upload to create a proper database without duplicates. I bet that's easy on the server.

    5. Re:Free storage! by Anonymous Coward · · Score: 0

      Legally, I think they would have to store YOUR copy of the music, otherwise they would likely run afoul of copyrights. If they are storing YOUR music, for YOUR use, then a copyright suit is much harder to win than if they are serving up THEIR music for YOUR use.

    6. Re:Free storage! by improfane · · Score: 1

      There is some algorithms that let you identify music after pre-processing a large number of songs in a database. That's how those TrackID(tm) and Apple Iphone apps work. I think they fingerprint the song and ask the server for a positive match.

      If I were designing the clientside application, it would start fingerprint the song block by block (say 5 second blocks) on your PC and send it to Google. Almost like streaming but not the actual audio data as that would be expensive.

      Some of those music identification algorithms can detect music played with lots of noise (like in a nightclub) through speech quality microphones.

      --
      Slashdot needs Geekcode | Can anyone recommend any good SCIFI? My tastes: Foundation, Startide Rising, CITY, Ringworld,
    7. Re:Free storage! by Anonymous Coward · · Score: 0

      Google already offers storage at 20GB for $5/yr; 80GB for $20.
      Is it really worth the trouble?

      Link?

    8. Re:Free storage! by nschubach · · Score: 1

      You can continue to wait for that, I'll continue to wait for the yEnc -> Twitter app that encodes a file and posts it line by line to Twitter for all your subscribers. ;)

      --
      Every time I start to have faith in humanity, I ruin it by driving to work between 7 and 8 am.
    9. Re:Free storage! by Arlet · · Score: 1

      Some of those music identification algorithms can detect music played with lots of noise (like in a nightclub) through speech quality microphones.

      So I could upload a noisy recording I made with my phone in a nightclub and download the same song from Google's server in a much better quality ?

    10. Re:Free storage! by LunaticTippy · · Score: 1

      Google uses sophisticated dedupe technology all over the place. It comes in handy when storing similar emails, photos, etc. It is sad how many people have the same data stored.

      --
      Man, you really need that seminar!
    11. Re:Free storage! by b4dc0d3r · · Score: 1

      I think that's the problem CDNow or whatever ran into. On the other hand, piles of people are using the same downloaded-from-p2p mp3 that google's de-duplication tech can intelligently discard terabytes of data on post-processing.

      Especially with tools like properly calibrated EAC, and silence removal, each person's rip of their own physical disc will be nearly enough identical.

      Given that they require flash, I assume the uploads will be translated to their WebM codec, and any bitwise differences will disappear.

      I suspect this excuse will be extended to cover non-bitwise-identical rips that are identical within a certain threshhold. Magically, 2 billion people storing the latest britney spears song now only takes 50MB of storage.

    12. Re:Free storage! by shutdown+-p+now · · Score: 1

      brainfuck implementation of DoomII

      I always wondered why Cthulhu has not been awoken yet. This explains it - I think we're safe for a few more centuries.

  19. Only available in the United States by cdrnet · · Score: 1

    "We're sorry. Music Beta is currently only available in the United States"

    Just like Amazon and all the others. Of course, nothing else was to be expected...

    1. Re:Only available in the United States by MobileTatsu-NJG · · Score: 1

      Just like Amazon and all the others. Of course, nothing else was to be expected...

      Nobody who understands why those services works the way they do are surprised. Here's a handy dandy cheat sheet: If it involves serving copyrighted content and/or advertising, it's only going to be available in its country of origin.

      --

      "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

    2. Re:Only available in the United States by geekoid · · Score: 1

      start your own in your country. Eventually they will gt there and you could sell it to them.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    3. Re:Only available in the United States by cdrnet · · Score: 1

      Yes, this is indeed what I don't understand: Google Music is about allowing me to upload and stream my music that I bought in my country, hence the copyrighted content is already made available to me in my country. Besides, most of the music I'd upload would be of non-US artists.

      I certainly understand how these services work technically, but I do not understand what's the difference in offering such "unlicensed" services in the USA and say Canada or Europe, at least in countries with more liberal copyright laws.

  20. This can only mean one thing by erroneus · · Score: 4, Insightful

    Google has been negotiating with the music publishers and the negotiations were described as "fruitless." This can only mean that the music industry wanted payment for every time a user plays music that he already paid for and Google didn't want to allow it.

    So, in the end, we will see this service become popular and the industry will challenge this in court initially seeking injunctive relief and eventually "performance royalties" among other damages.

    I, of course, anxiously await the legal tangle. Google is a hero for many here on Slashdot for various reasons. I still see them as a marketing company with their own angle and interests at heart, but I do appreciate the fact they are willing to fight for their cause rather than simply roll over and pay people just to stay out of court.

    1. Re:This can only mean one thing by RockClimbingFool · · Score: 2

      Last time I checked, Amazon launched this service first. If you want to give credit, give it to Amazon.

    2. Re:This can only mean one thing by dhermann · · Score: 2

      Wrong. Amazon launched a cloud-based music locker. Google is launching a cloud-based music catalog that will not have a per-use fee, precisely what got mp3.com destroyed. Credit goes to Google.

    3. Re:This can only mean one thing by McKing · · Score: 1

      Wrong, this is exact same music locker that Amazon created. I upload music that I have (presumably) purchased to a shared bit of storage that is (virtually) dedicated to me, and then I listen to *my* copy of the song using the webapp or the mobile apps provided, just like Amazon. If I and 10,000 other people upload the same song, then there will be 10,000 other copies of that song (probably with different bit rates, encoding, etc), each licensed to one user.

      MP3.com ripped thousands of CD's, asked users "what CD's do you have?" and if the song that the user had matched the one they had, then they played that user copy a copy of the song that MP3.com was licensed. That's why the RIAA slammed them, since they didn't have the rights to re-distribute their copy of the song to their customers.

      The one thing that Google doesn't have that Amazon (or the ephemeral iCloud) has is the ability to buy a song and transfer it straight into the cloud. I imagine the iCloud service would work the same way that Amazon's service does. I've bought about 10 CD's since the Amazon Cloud Player came out and I love that feature.

      --
      If only "common" sense was actually that common...
    4. Re:This can only mean one thing by Cutting_Crew · · Score: 1

      why would they expect or even ask for a user to pay every time we want to listen to a track on a CD that we already own? Back when we were listening to music on 8-tracks and cassettes did they ask everyone to pay to listen to a song everytime we put the cassette tape in the player? Of course they didn't. Why would they want us to do this now? or why would they even go down that road?

    5. Re:This can only mean one thing by nitroscen · · Score: 1

      Wrong. Amazon launched a cloud-based music locker. Google is launching a cloud-based music catalog that will not have a per-use fee, precisely what got mp3.com destroyed. Credit goes to Google.

      Are you confusing Amazon's MP3 purchasing service with their Cloud-based MP3 Storage service? It is easy to confuse the two, especially since if you purchase a MP3 with Amazon they will automatically place it in their free Cloud-based MP3 storage. Amazon's cloud based storage does not have a per-use fee. They do have a limit to the amount of free storage you have, which if you want to go above, you must pay them for. Otherwise, you can enjoy free streaming of MP3s you upload to their service. If I'm missing a difference between what Google just launched and Amazon's service, I'm interested to hear it.

    6. Re:This can only mean one thing by Em+Adespoton · · Score: 1

      ...and here I thought "fruitless" referred to the fact that Apple was not being included in the discussions.

    7. Re:This can only mean one thing by no_opinion · · Score: 1

      "This can only mean..."

      Spoken like someone with no knowledge of the actual negotiation. Why does Google need the labels to do a dropbox style locker in the first place? They've had Google Docs for a while now. Maybe what it means is they got caught with their pants down due to the Amazon launch, and felt pressure to get something out at I/O faster than they had expected, and when the labels didn't accept every term they offered, they just went without.

      Of course a lawsuit may be coming, but the evidence suggests not. Other "dumb" lockers have been around for years. If Google starts using a single copy of a given track to serve everyone (as opposed to uploading each person's file) or does any number of other things that clearly require a license, then they'll be exposed.

    8. Re:This can only mean one thing by Anonymous Coward · · Score: 0

      I've been doing this with grooveshark for 2 years now.

    9. Re:This can only mean one thing by Anonymous Coward · · Score: 0

      I hate to break it to you, but Google does not "fight for [a] cause". They do business. Sometimes their business plans are classic 1, 2?, 3 Profit! While in other case they actually do make money by working hard to get there. I'd classify this music locker as the former, however, it is certainly not out of "social responsibility" or other Robin Hood fantasies.

    10. Re:This can only mean one thing by geekoid · · Score: 1

      Any music you buy from Amazon does not count towards your GB limit in their cloud service.

      And Amazon and coupled the two really closely. So close in fact it really hard to separate them.

      Google has the ability to keep several of the last played mp3 locally in case you loose connection. Thatw ay you still ahve music.

      And Google will be 20,000 songs for free.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    11. Re:This can only mean one thing by geekoid · · Score: 1

      because now they have the means to track it.
      It wasn't physically possible when we had 8 track.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    12. Re:This can only mean one thing by shutdown+-p+now · · Score: 1

      Wrong. Amazon launched a cloud-based music locker. Google is launching a cloud-based music catalog that will not have a per-use fee

      I'm not sure what precisely you mean by "cloud-based music catalog", but the main point of Amazon service is that you buy tracks from them, and can then re-download and stream them as you see fit, with no further charges. That you can also download your existing files is an extra feature.

    13. Re:This can only mean one thing by gmhowell · · Score: 1

      They didn't do it then because they didn't have the technology. They want to go down that road for more moneys.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    14. Re:This can only mean one thing by Confusador · · Score: 1

      Google has been negotiating with the music publishers and the negotiations were described as "fruitless." This can only mean that Apple said 'No.'

      Just sayin'... PR folks are good at talking in code.

    15. Re:This can only mean one thing by Anonymous Coward · · Score: 0

      Google has been negotiating with the music publishers and the negotiations were described as "fruitless." This can only mean that the music industry wanted payment for every time a user plays music that he already paid for and Google didn't want to allow it.

      What absolute rubbish! It could mean any number of things other than that. The labels might have demanded that users music expire and require re-uploading, or access to the listening data, or any number of other unpalatable schemes. The labels could have been negotiating in bad faith with no intent to agree, Hell, Google could have been negotiating in bad faith for all we know.

      Fruitless negotiations can mean only one thing: the negotiations were fruitless.

  21. As a musician, I want my music on this service now by Anonymous Coward · · Score: 0

    Who do I speak to to get my music on this service? It's CC BY-NC-ND anyway, but I'd love to be able to reach more people.

  22. Simplify Media by Ranganana · · Score: 1

    So HERE is Simplify Media, suberb program while is lasted! Now who can get me a invite for the living beings outside the US of A?

    --
    Red een boom, Eet een bever!
  23. The Google Way by Anonymous Coward · · Score: 0

    Will they use tags instead?

  24. Re:Personal host cloud host by proverbialcow · · Score: 3, Interesting

    Can other people see my music?

    Then how will the RIAA know what I have there, what is the basis for the subpoena?

    Also, how will the RIAA know when you obtained the pirated music? The statute of limitations clock in many cases is pinned to the last infringing act - so not only would they have to prove you had the files and obtained the music files through copyright infringement, they would have to prove that they were still inside the statute of limitations (three years for civil suits, five for criminal), which means proving you downloaded the music or shared it with someone else during a specific period of time.

    --
    The only surefire protection against Microsoft infections is abstinence. - The Onion
  25. What is a "music label"? by h00manist · · Score: 1

    Sorry but I have never heard of these "music labels", what are they? Does that have anything to do with the ID3 in the mp3? If so ID3 data indeed does have to be better coordinated, too many mp3's are mislabeled with completely wrong ID3 data. Multible song and lyrics versions and lyrics .lrc syncrhonization is just a complete mess because there is no proper ID3 data standards, especially when it come to multiple versions of the same song by the same artist. Perhaps by putting it all in a cloud and comparing it we can choose the best versions of mp3's, ID3, and .lrc. Though somehow I think the RIAA is going to want to police and see receipts for everyone's cloud music data storage.

    --
    Build your own energy sources from scratch. http://otherpower.com/
    1. Re:What is a "music label"? by Anonymous Coward · · Score: 0

      You are clearly retarded. And your complaint, "too many mp3's are mislabeled with completely wrong ID3 data", just shows you've been pirating music from the wrong places.

    2. Re:What is a "music label"? by Anonymous Coward · · Score: 0

      The misinformation in ID3's is a steganographic means of tracking decoys.

      If you don't blank that shit and type it in yourself, you're doing it wrong.

    3. Re:What is a "music label"? by Anonymous Coward · · Score: 0

      Music Labels in this context would mean the companies that produce or own the rights to the music ( SONY, EMI, etc)

  26. Liability Tranfered with EULA by Kagato · · Score: 2

    If you look at the Amazon EULA it squarely transfers the liability to the customer. One would assume Google would do the same thing. The customer attests they have the legal right to store and stream the music in "teh Cloud".

    1. Re:Liability Tranfered with EULA by Anonymous Coward · · Score: 0

      just a random thought to bounce off of this but wouldn't this lead the recording industry to implement some kind of fingerprint system to track the repeatedly copied music and petition those cloud holders to verify that every music upload has a different fingerprint to ensure it's not copied from another individual?

    2. Re:Liability Tranfered with EULA by Bacon+Bits · · Score: 1

      An EULA isn't an end-run around the law. If an EULA contradicts what the law says, then the EULA is invalid.

      --
      The road to tyranny has always been paved with claims of necessity.
  27. Damned if you do... by Daetrin · · Score: 1

    So if iOS does X and Android doesn't, it's "Apple is better because it does X." Now that Android does X it's "so what? Apple already does X." As long as Android can't do it, it's a horribly deficiency, but as soon as Android can do it it's no big deal.

    I wonder if the same "logic" will apply to the app stores. Up until now every time an Android story comes up someone posts about how "it's the apps stupid" and goes on about how iOS is the best because it has the most apps. Well Android passed iOS in the number of free apps last month, and is expected to pass iOS in the total number of apps sometime later this year. When that happens will the same people who were arguing that it was the number of apps that mattered switch to some other argument? (Presumably that although iOS has less apps, its apps are better?)

    --
    This Space Intentionally Left Blank
    1. Re:Damned if you do... by Karlt1 · · Score: 1

      . When that happens will the same people who were arguing that it was the number of apps that mattered switch to some other argument? (Presumably that although iOS has less apps, its apps are better?)

      In a free market society, people vote with their dollars. People have voted 17 to 1 that they are more willing to pay for iOS apps than Android apps....

      http://techcrunch.com/2011/02/21/861-5-percent-growth-android-puny/

    2. Re:Damned if you do... by Daetrin · · Score: 1

      Uh, you seem to be comparing *ahem* apples to oranges to grapes.

      One of the big points about Android has always been the preponderance of free apps. So showing that people spend more on iOS apps than they do on Android apps proves absolutely nothing about either the popularity or the value (for the consumer, not the developers) of the iPhone vs Android. It also proves nothing about whether the iPhone apps are better than the Android apps or not. In a free market people vote with their dollars, or with the decision to not spend those dollars. You're not going to get very far arguing on Slashdot that something people pay money for is better inherently because money was spent on it. (Windows costs money and Linux doesn't therefore...)

      And i find it amusing that i stated that perhaps Apple fans would change their argument from "more apps = better product" to "better apps = better product", moving the goalposts because the first position was proven wrong (at least in terms of supporting their preferred hypothesis.) And here you are responding immediately to argue exactly that exact point. Did you make the argument that "more apps = better product" in the past? If at some point in the future if Android apps start selling more than iPhone apps will you switch to some other argument (star ratings perhaps?) without ever acknowledging that the previous argument was incorrect? I don't know the answer to that in terms of you personally, but that certainly seems to be the way the community of iPhone fans are reacting in general.

      --
      This Space Intentionally Left Blank
    3. Re:Damned if you do... by Karlt1 · · Score: 1

      One of the big points about Android has always been the preponderance of free apps.

      Big points to Android fans...not to developers who actually pour resources and money and expect a return on their investment.

      So showing that people spend more on iOS apps than they do on Android apps proves absolutely nothing about either the popularity or the value (for the consumer, not the developers)

      So what value do users get in crappy apps?

      of the iPhone vs Android. It also proves nothing about whether the iPhone apps are better than the Android apps or not. In a free market people vote with their dollars, or with the decision to not spend those dollars.

      And major developers have overwhelmingly chosen to spend money on iOS and users have overwhelmingly decided that they value iOS apps enough to spend money....

      You're not going to get very far arguing on Slashdot that something people pay money for is better inherently because money was spent on it. (Windows costs money and Linux doesn't therefore...)

      And "better" is subjective. People choose to spend money on what they perceive to be better. What happened to Linux netbooks as soon as Windows XP was made available?

      And i find it amusing that i stated that perhaps Apple fans would change their argument from "more apps = better product" to "better apps = better product", moving the goalposts because the first position was proven wrong (at least in terms of supporting their preferred hypothesis.)

      So where did you have time to find enough straw to build that argument?

      John Carmack of ID Games:

      http://geeksfinest.com/2011/04/23/john-carmack-interview-ios-android/

      "He evaluates the Android platform every six month to judge if itâ(TM)s time to start developing for it. His conclusion to date is that, as a developer, you are just not making money on the Android platform as you do on iOS. "

      Rovio (Angry Birds)
      http://technmarketing.com/iphone/peter-vesterbacka-maker-of-angry-birds-talks-about-the-birds-apple-android-nokia-and-palmhp/

      "Apple will be the number one platform for a long time from a developer perspective, they have gotten so many things right......And paid content just doesnâ(TM)t work on Android."

      So would you rather have a bunch of screensaver "apps" and emulators or professional produced content by companies willing and able to spend serious money?

      "

    4. Re:Damned if you do... by Daetrin · · Score: 1
      Once again, you seem to be ranting and railing against a point i never made.

      Big points to Android fans...not to developers who actually pour resources and money and expect a return on their investment.

      ...

      And major developers have overwhelmingly chosen to spend money on iOS and users have overwhelmingly decided that they value iOS apps enough to spend money....

      I fully acknowledge that A: "Big name" developers spend more money developing apps for iPhone and B: iPhone users spend more money buying apps for iPhone.

      However all that proves is that more money is spent on iPhone apps, so developers are more willing to invest money working on it. (Although one does wonder how much of a chicken and the egg situation that is.)

      On the other hand, i was only concerned about people arguing that the iPhone is better than Android in general. Personally when i hear people arguing about which is better the impression i get is that the common understanding is "better for the user."

      As such, how much money is spent on the app market may be indicative of in some way of the popularity of a particular platform, but it's far from proof of superiority, especially in a situation where a varying amount of the content is free. Which brings us to the next part of your argument...

      So what value do users get in crappy apps?

      ...

      So would you rather have a bunch of screensaver "apps" and emulators or professional produced content by companies willing and able to spend serious money?

      You're following up your non-sequitor about how much developers spend/make on the iPhone market with the completely unfounded claim that "less expensive" = "more crappy". There is certainly a tendency in that direction when referring to physical products produced for a cost and sold for a profit. However you seem to be intent on attacking the whole basis of the OSS movement, as well as the whole idea of small independent studios. Your ID indicates you're not new to Slashdot, so... WTF? I mean, i've seen debates on the value of free software before, but it seems a bit out there to just include an assumption like that in an entirely different argument. Windows is better than Linux because it costs more. Call of Duty must be much better than both Portal and Minecraft because more was spent on developing it, it costs more, and it made more money. Clearly everything available on SourceForge is crap. Audacity sucks. BitTorrent is useless. Any software you don't hand over cold hard cash for is worthless, and invariably the more cash you give up the better software you get.

      Back to a serious note, i'm not going to claim that big name content producers can't create good content by spending lots of cash, but some of the best software i've ever used has been available for free. And some of the worst crap i've ever seen has been produced by big name producers and has sold amazingly well for reasons i don't really understand. Making huge amounts of money didn't make it any less crap however.

      (Also, it's amusing that you're using Roxio as an argument when their software is on Android but they _refuse_ to let people pay them money for it. It's amazing the number of people in the android app store leaving comments begging them to provide a paid version with no ads. Kinda makes you wonder what they're thinking.)

      And finally, back to the point i originally made, which you seem to be trying to divert the conversation from as much as possible...

      So where did you have time to find enough straw to build that argument?

      What straw? The GP AC said that this new Android feature was useless because iPhone already had it. I noted an observance that, according to people who appeared to by iPhone fans, when Android lacked a feature iPhone had it was a problem, and when Android gained th

      --
      This Space Intentionally Left Blank
  28. iTunes Plus by tepples · · Score: 1

    Amazon/Google/etc. has to convince people to leave all the music that they may have purchased in a protected format

    Whether that's an easy sell or hard sell depends on how many people used iTunes Store for the first time after the first quarter of 2009, when Apple introduced DRM-free "iTunes Plus" music downloads.

    1. Re:iTunes Plus by Sparhawk2k · · Score: 3, Insightful

      Or how many new people can be brought into the market. I never used iTunes because I didn't to have anything to do with Apple. But I'd give those others a look.

    2. Re:iTunes Plus by tripleevenfall · · Score: 1

      Still, I think for most people this fragments their music collection. If a quarter of your music won't port over, then people will see that as a big negative.

      Secondly, for CDs you import yourself the default is still to this day not to encode them in MP3 format. The user specifically has to select that... which means 90% don't.

    3. Re:iTunes Plus by MBGMorden · · Score: 1

      Still, I think for most people this fragments their music collection. If a quarter of your music won't port over, then people will see that as a big negative.

      Secondly, for CDs you import yourself the default is still to this day not to encode them in MP3 format. The user specifically has to select that... which means 90% don't.

      I don't think this will be an issue. When importing a CD, iTunes doesn't (IIRC) import as MP3, but it also doesn't put DRM on it - it does AAC. Similarly, Windows Media Player used to import songs as WMA files. In the end, I'm guessing that Google's service will play either if you upload them to it. I doubt there's much to worry about on that front.

      --
      "People who think they know everything are very annoying to those of us who do."-Mark Twain
    4. Re:iTunes Plus by david_thornley · · Score: 1

      It also depends on how many people who did buy DRMed music paid Apple to upgrade it to the superior and DRM-free format.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
    5. Re:iTunes Plus by Fjandr · · Score: 1

      Same. I got a free iPod and stopped using it because iTunes is a horrible pain in the ass.

  29. Self accusation? by Anonymous Coward · · Score: 0

    So they want me to declare how many MP3 people illegally downloaded from the net? I may sounds trollish but some those files might have been watermarked by their right holders. Sorry if I won't use that service.

  30. Re:wants a long, drawn out lawsuit by TaoPhoenix · · Score: 1

    Ooh! I do! I want to see Google vs the **AA and affiliates! Nice and drawn out!

    Then we can make a movie about it! It will be free with signup to Gmail!

    --
    My first Journal Entry ever, in 8 years! http://slashdot.org/journal/365947/aphelion-scifi-fantasy-horror-poetry-webzine
  31. Steam or BNet 2.0 by locallyunscene · · Score: 1

    So you want me to put my mp3s(I hope) in the cloud. Will you provide useful features beyond a simple store, like automatic synching to my phone and PC? Will you let me use multiple accounts from anywhere like Steam, or will you lock it down to a single account per computer like BNet? Will you let me add my own files to my library like Steam or will it be limited to purchased offerings from Google like BNet?

    Basically will you create something new and dangerous to the old publishers that will corner the marketshare, or will you create an also ran with the features that are safe for publisher control to be maintained?

    1. Re:Steam or BNet 2.0 by psydeshow · · Score: 1

      Exactly. The RIAA has completely digital music innovation to the point where people STILL think iTunes is magical.

      So what about integration with other Google Apps?
      - Use tracks as hold music or ringtones in Voice
      - Post tracks on Blogger
      - Add tracks to party invitations in Calendar
      etc.

      You should be able to embed an mp3 anywhere you can put an image or video now. But will they finally have the balls to do that?

    2. Re:Steam or BNet 2.0 by Em+Adespoton · · Score: 1

      If the old publishers aren't willing to deal, that means it's using the Steam model. If it's not, then they're doing the worst of both worlds, which really doesn't sound like Google.

    3. Re:Steam or BNet 2.0 by geekoid · · Score: 1

      "like automatic synching to my phone and PC?"
      yes.
      "Will you let me use multiple accounts from anywhere like Steam, "
      yes.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  32. From trustworthy to antitrust-worthy by tepples · · Score: 1

    Even if Google does have the financial resources to acquire a controlling interest in Sony, Vivendi, EMI, and WMG, doing so would raise red flags to competition regulators in multiple countries.

    1. Re:From trustworthy to antitrust-worthy by proverbialcow · · Score: 1

      My point wasn't that Google should buy out the industry. Google has the resources to actually fight the RIAA in court, so the RIAA actually has to have the law on its side if they're going to get what they want. They're going to find that suing Google is a much different ballgame than bullying individual file-sharers into settlement.

      --
      The only surefire protection against Microsoft infections is abstinence. - The Onion
  33. Re:Personal host cloud host by JimFive · · Score: 1

    The statute of limitations clock in many cases is pinned to the last infringing act - so not only would they have to prove you had the files and obtained the music files through copyright infringement, they would have to prove that they were still inside the statute of limitations (three years for civil suits, five for criminal), which means proving you downloaded the music or shared it with someone else during a specific period of time.

    You clearly made a copy when you put it on this new Google Service so that would be the most recent infringement date. Not only did you make a copy, you clearly distributed it (albeit to yourself).
    --
    JimFive

    --
    Please stop using the word theory when you mean hypothesis.
  34. How many CDs? by tepples · · Score: 1

    At 160 kbps m4a/ogg, music takes 72 MB per hour, and a 16 GB phone can hold over 200 hours of music. How many CDs worth of music is "very extensive"?

    1. Re:How many CDs? by shutdown+-p+now · · Score: 1

      My music collection is ~30Gb, in a mix of MP3 and AAC in various bitrates (and I don't want to bother reencoding when I upload to my phone).

      This fits on a microSD card, but just barely. A few more albums and it won't.

      And while, of course, I won't sit and listen to all of that in its entirety, I want the entire set to be there so that I can pick and choose what I want to listen depending on the mood. Other people use shuffle heavily. So there are use cases for having a large music collection, and wanting access to its entirety from any device on the go.

  35. Vorbis or AAC? by tepples · · Score: 1

    It's odd that a web company like Google would deliberately limit its service like that when using pure HTML5 technologies would have provided a much larger potential audience

    HTML5 relies on the codecs present in the end user's web browser. Browsers included with an operating system support only patented MPEG codecs; other browsers support only Free codecs. Do you expect Google to transcode all uploads between Vorbis and AAC?

    1. Re:Vorbis or AAC? by CharlyFoxtrot · · Score: 1

      HTML5 relies on the codecs present in the end user's web browser. Browsers included with an operating system support only patented MPEG codecs; other browsers support only Free codecs. Do you expect Google to transcode all uploads between Vorbis and AAC?

      "Other browsers" being just Firefox I guess which has zero presence on mobile devices. Yet somehow Amazon's player works on Firefox : "Cloud Player for the web works on IE 8 and above, Firefox 3.5 and above, Chrome, and Safari. There is no Opera support. And Flash is required (but for uploads only)." Admittedly I hadn't really thought about the implementation details but there obviously must be a way.

      --
      If all else fails, immortality can always be assured by spectacular error.
    2. Re:Vorbis or AAC? by Shikaku · · Score: 1

      Do you expect Google to transcode all uploads between Vorbis and AAC?

      Actually, yes. They are doing it with Youtube, even if it's slowly, but converting audio is a lot faster than converting video for obvious reasons.

  36. Re:Personal host cloud host by Anonymous Coward · · Score: 0

    But I'd be willing to bet that the RIAA lawyers can convince a judge that putting the music on this service is actually sharing it (with yourself) and therefore constitutes the latest infringing act.

    The real question would be in this case how could they tell if the music was pirated or just a copy you ripped yourself?

  37. so now goverment will have to tax clouds!? by Anonymous Coward · · Score: 0

    There is music tax imposed on cds, mp3 players/any blank media.
    Is our sky safe and tax free?

  38. invite only? by Diabolus777 · · Score: 1

    I want in!! pm me if you have spare invites, I really want to try this.

    --
    We should have been
    So much more by now
    Too dead inside
    To even know the guilt
  39. I Remember by RobDude · · Score: 1

    Back when .MP3s were cutting edge and 'ripping' a CD took actual effort. 10-12 years ago (maybe longer). People used to say how evil the recording companies and 'labels' were. And how MP3s were going to change that. The internet was going to change that.

    Anyone can make music now and share it with the entire world. This has been trivially easy for at 8 years. Virtually no cost at all. You can just record, upload and share.

    But what came of it? Nothing. Not a thing.

    As it turns out, there is something to be said for the recording industry. In spite of what hipsters and edgy teens say, they still spend the bulk of their money on mainstream crap produced by the very same people they claim to hate. All the while, saying how 'crappy' it is.

    1. Re:I Remember by Anonymous Coward · · Score: 0

      Yeah, all those services like CD Baby never went anywhere...

      The music industry got eaten alive by the internet, they continually lose their biggest names to net distribution. The net did change things.

    2. Re:I Remember by Anonymous Coward · · Score: 0

      But what came of it? Nothing. Not a thing.

      Sorry for the AC post, but speaking from personal experience (I'm a member of a moderately successful unsigned metal band) things HAVE changed quite a bit for us as a result of digital media distribution:

      It is now possible to get our music into the hands of literally millions of people to listen to at their leisure, as opposed to making demo tapes/cd's to demo our material to the masses, or trying to get on FM radio or MTV.

      People no longer have to buy a crappy album to get one song without ripping off the artist/publisher/label. This has seen our revenue INCREASE, because now we can do ~$1 transactions instead of asking $5-$15 for a full CD. We are even thinking of adding a kiosk to our merchandise table to allow people to listen and purchase individual songs at our shows, due to the number of people per show we see asking us to let them pay a couple dollars less for a CD.

      Our time to market and our production costs have dropped in a HUGE way. Just for example, we used to have to pay a minimum of around $600 to get a short run of CDs with color inserts, lyrics and band photos (somewhere around 100 CDs). This process also takes time. Now, we can wait to print CDs until our online distribution pays for the mass-production costs, AND we have the added benefit of knowing where to send those CDs due to ability to track purchases geographically, assuming there is enough demand for the new material to justify a printing.

      Another thing that has changed is that there is now a LOT more interest in unsigned/small label bands, due to the accessibility of material without having to pay the exorbitant CD prices that the labels charge.

    3. Re:I Remember by geekoid · · Score: 1

      "But what came of it? Nothing. Not a thing."
      Friday.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    4. Re:I Remember by wvmarle · · Score: 1

      A proper recording does have cost. Serious cost. Professional studios still don't come cheap - and if you want to have a proper sounding demo, you have to use one of those, not a tape recorder with a microphone attached to it. But then of course a good studio will do a lot more for your song than just recording the sound waves.

  40. why negotiations broke down. by Gravis+Zero · · Score: 0

    RIAA> ok, here's the deal, you gotta help us sue everyone that uses bittorrent. we are sure some of them are stealing music.
    Google> that's kinda against our mantra of dont be evil.
    RIAA> yeah, that's the other thing, that's the first thing to go.
    Google> umm... no.
    RIAA> clearly you are harboring pirates! see you in court!

    --
    Anons need not reply. Questions end with a question mark.
  41. +1 IT Crowd Reference by Jonah+Hex · · Score: 1

    No Text Needed - HEX

  42. Really really want CC library integration by Anonymous Coward · · Score: 0

    Is it too optimistic to expect eventual integration with major CC-licensed online music hubs?

  43. Re:Personal host cloud host by Anonymous Coward · · Score: 0

    well...many of us have albums that are less than 3/5 yrs old!

  44. Only in the States... by Anonymous Coward · · Score: 0

    "We're sorry. Music Beta is currently only available in the United States", no further comment.

    For legal reasons, certainly... Pandora removed access from Europe as well quite a while ago.

  45. Timeshare by Anonymous Coward · · Score: 0

    Why don't we have timeshare music ?

  46. SHould start another service by WindBourne · · Score: 1

    That would be to help musicians bypass labels. Seriously, if companies like Amazon, Google, and apple were to work together to provide support to MUSICIANS, they could convince them to leave the labels and get the vast majority of the money for themselves. The labels are the real issue here.

    --
    I prefer the "u" in honour as it seems to be missing these days.
    1. Re:SHould start another service by Nerdfest · · Score: 1

      Perhaps they should buy Jamendo.com, enhance it, and advertise the hell out of it. I keep mentioning it here, as it's really quite good, content-wise.

  47. How is this different from Dropbox, et. al.? by Anonymous Coward · · Score: 0

    Excuse my ignorance, by I fail to see how this is any different from using any other Cloud based storage service to store your data and files. You can store you mp3s with Dropbox and then use any app that supports it to access and play that music. Isn't this pretty much the same thing?

  48. mp3.com in the 90s? by funkcicle · · Score: 1

    Does anybody remember mp3.com's initial launch in the late 90s? It was essentially a "cloud music" service over a decade ahead of its time. You didn't actually upload mp3s, but it would scan the CD in your CD-Rom drive, presumably do something like match the CDDB info, then those mp3s would be in your account, freely downloadable from any internet-connected computer. People would share music collections by using each others' passwords and downloading all the mp3s in each others' accounts, it was a cool time on the internet frontier! Short lived though.. I seem to remember them getting a cease-and-desist not 6 weeks after I started using it, and soon afterward they reinvented themselves into an early incarnation of whatever they are right now.

    1. Re:mp3.com in the 90s? by shutdown+-p+now · · Score: 1

      You didn't actually upload mp3s, but it would scan the CD in your CD-Rom drive, presumably do something like match the CDDB info, then those mp3s would be in your account, freely downloadable from any internet-connected computer.

      That's precisely why they got sued and lost - because they distributed their copy of the music, which they did not really have right to redistribute to anyone (even those people who already have a copy of the same).

      Amazon and Google both went ahead, so it seems that they're pretty confident that they are in the clear. Fingers crossed - I rather enjoyed the brief experience I've had with Amazon so far.

  49. Re:Personal host cloud host by proverbialcow · · Score: 1

    You clearly made a copy when you put it on this new Google Service so that would be the most recent infringement date. Not only did you make a copy, you clearly distributed it (albeit to yourself).

    ...which you're allowed to do, so no, it's not infringement.

    --
    The only surefire protection against Microsoft infections is abstinence. - The Onion
  50. Re:countdown to launch of generic disarmament serv by Anonymous Coward · · Score: 0

    Due to excessive bad posting from this IP or Subnet, anonymous comment
    posting has temporarily been disabled. You can still login to post.
    However, if bad posting continues from your IP or Subnet that privilege
    could be revoked as well. If it's you, consider this a chance to sit in
    the timeout corner or login and improve your posting. If it's someone
    else, this is a chance to hunt them down. If you think this is unfair,
    please email moderation@slashdot.org with your MD5'd IPID and SubnetID,
    which are always changing, you butthead

    The /. crew has been cracking down on your ability to post weird rants? Poor guy... :)

  51. DAMN YOU!!! by jmd_akbar · · Score: 1

    So I can't access it outside the US. Not exactly "WHEREVER"!!!

    --
    Nothing here... So... SHOOO!!!
  52. UMG Recordings v. MP3.com by tepples · · Score: 1

    I for one would love to have an online music service that lets me upload my (large) existing collection of CD's (preferably with a "virtual" upload so I don't have to actually transfer the same bits to google that they already have)

    After the last "virtual" upload provider was defeated in a U.S. court (UMG Recordings v. MP3.com), the labels would probably charge a service provider more for "virtual" upload than a service provider can afford.

    I'll also have access to my music through my 3G (LTE?) enabled car stereo at some point

    With what monthly transfer cap?

    1. Re:UMG Recordings v. MP3.com by Issarlk · · Score: 1

      Howabout a real upload of the datas with a powerfull compression that reduces it to at most two dozen of bytes?

    2. Re:UMG Recordings v. MP3.com by zero0ne · · Score: 1

      deduplication FTW

  53. Re:reason to buy by TaoPhoenix · · Score: 1

    The Stream is a Lie.

    Suppose you could buy songs for a penny. Great! $25 and you're set for a week/month.

    Then when more silly corporate games go on, you have "a better chance" at keeping what you own rather than "what they feel like offering".

    Minor Example, cross genre.

    Hulu removes series series from availability. So what makes you think stuff you want will always be available?

    --
    My first Journal Entry ever, in 8 years! http://slashdot.org/journal/365947/aphelion-scifi-fantasy-horror-poetry-webzine
  54. From "Do No Evil"... by DarthVain · · Score: 1

    ...To "Kick Evil In The Balls"

  55. Re:Personal host cloud host by JimFive · · Score: 1

    ...which you're allowed to do, so no, it's not infringement.

    I don't think it is quite as clear as you are asserting. Fair use may allow you to make a backup copy of your CD or purchased MP3, but it might not allow you to put that back up copy on a remote web server for the purpose of streaming across the internet. The only way we'll find out is after someone gets sued and tries to defend it. Google probably isn't going to get sued in the first round, the users will. If it becomes established that using the service is infringing then Google might get sued.
    --
    JimFive

    --
    Please stop using the word theory when you mean hypothesis.
  56. USA USA USA... by Anonymous Coward · · Score: 0

    "We're sorry. Music Beta is currently only available in the United States"
    Oh well, will have to stick to the distributed backup systems then, arrrg.

  57. They can't fight technology by Graham+J+-+XVI · · Score: 2

    The inevitable legal battles are going to be hilarious when defense lawyers start forcing RIAA et al to pick apart the exact technical differences between local and remote playback. In the end all playback is streaming, whether it's from a local hard drive or a remote locker.

    So it's ok to stream from a local hard drive but not a remote one? Why? Is it a protocol issue? What protocols are ok? If streaming over SATA is ok, would it be ok if Amazon strung a SATA cable from their hard drive to my house? What about SATA over USB? What if I encapsulate SATA in TCP/IP, is that ok? If yes then why not HTTP? RTSP? Custom protocol? They're going to have to nail down exactly what is and isn't acceptable and the answer will be ridiculous.

    For deduping, they don't seem to like bypassing hashing, Dropbox style. What about other hashing methods? What if the user uploads the data and it's deduped by the server? If that's no good, what about filesystem-level deduping? Filesystems can easily make it seem like blocks are duplicated when in fact they are not. Is it illegal to store an MP3 on such filesystems?

    Fun times ahead folks :D

    1. Re:They can't fight technology by Graham+J+-+XVI · · Score: 1

      Going further, what if I have a NAS with a deduping system, connected to my network via ethernet. Is it ok to store and play music on it? What if I now move it to a colocation facility and access it via the internet? How about if they then plug my NAS into their SAN and its contents become virtualized? Then how about if I sell them the NAS itself but retain control of the contents?

      At what point, exactly, does it become unacceptable?

      BMI now also contends that cloud playback is public performance, even if sent to only one user!

      http://www.techdirt.com/articles/20110506/18425714192/bmi-says-single-person-listening-to-his-own-music-via-cloud-is-public-performance.shtml

      At what point along the scenario I outlined did it become public?

      I can't wait to hear the answers to these questions!

    2. Re:They can't fight technology by sco08y · · Score: 1

      The inevitable legal battles are going to be hilarious...

      I think historic Supreme court decisions are very interesting to listen to because you've got some very skilled lawyers who break the concepts down in clear language. It is pretty satisfying to hear the justices methodically drawing an argument out in full and then tear it to shreds.

      ...when defense lawyers start forcing RIAA et al to pick apart the exact technical differences between local and remote playback.

      IANAL, but I suspect the RIAA might respond that the technical difference is not the issue. The legal difference is that the data is passing through lines and routers owned by third parties and crossing legal jurisdictions. It will be a very interesting case, but I don't think it will be nearly as one-sided as you're thinking because established law has such strong protections of IP.

    3. Re:They can't fight technology by Graham+J+-+XVI · · Score: 1

      It is pretty satisfying to hear the justices methodically drawing an argument out in full and then tear it to shreds.

      I like doing this in fora but sadly it's hard to find venues for structured intelligent debate on the internet these days.

      don't think it will be nearly as one-sided as you're thinking because established law has such strong protections of IP.

      Sadly I'm sure you're right. Even the third party equipment and jurisdiction issues can be picked apart though. Like in the example I gave of a NAS, it seems they'd have to define exactly where the problem occurs - is it media being streamed over a network? A public network? Through equipment owned by others? Across geographic borders? Is it ok to put my NAS at a neighbour's place on their network if connected by an ethernet cable? What if the neighbour lived in a different province? Country? These things are going to have to be nailed down but I'm sure RIAA etc do not want to do so because it will necessarily open holes.

      On another note, it's funny that people still buy products from industries that work so hard to screw over their customers. Big Media and ISPs have to be the worst for this. Net access I can understand - you gotta have net. But music? I dream of a day when this will come to a head and everyone will stop supporting mainstream media altogether, where people seek out and share independent artists' works freely and choose to monetarily support those they enjoy. I truly believe this is the endgame for music at least.

  58. They just need to sign people off of youtube by vell0cet · · Score: 1

    Yes, they'll be missing out on a lot of older talent. But it's pretty obvious that record companies are more comfortable telling you what you want to listen to instead of trying to discover new talent.

    Google has youtube... the amount of talent on there is ridiculous... they just have to sign people like this.... http://www.youtube.com/watch?v=g5WB-p-QBJc

  59. Re:Personal host cloud host by proverbialcow · · Score: 1
    I agree that individuals who open their accounts to multiple people are probably ripe for the picking in the RIAA's eyes, but they're going to have to be really bald-faced and vocal about it for the RIAA to catch wind of it.

    And you're right; these services are a great test of fair use. I think fair use pretty clearly encompasses streaming on the internet for personal use, especially if the CD itself is unused at the time. Bear in mind, it's up to the RIAA to prove infringement on their copyright, not for the individual to prove compliance. If you're making exclusive use of the product you purchased, where exactly is the infringement?

    From the RIAA website, copying music from CDs to computers and portable music players is okay provided:

    • The copy is made from an authorized original CD that you legitimately own
    • The copy is just for your personal use. It’s not a personal use – in fact, it’s illegal – to give away the copy or lend it to others for copying
    --
    The only surefire protection against Microsoft infections is abstinence. - The Onion
  60. Re:Personal host cloud host by geekoid · · Score: 1

    since it's Google that would be distributing it, they would have to go after Google.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  61. I don't see the problem by g3f · · Score: 1

    If a user has the music on their local system anyway, legally obtained or otherwise. What difference would it make uploading it to some online storage for their own use? Either way, they are never likely to pay for it, the labels don't really have anything to gain from chasing Google. If it was some music sharing service like Grooveshark then I could see the problem, but it's really not. It's an online 'private' music storage drive. You could do the same thing with Google Storage for Developers and some neat apps and nobody would ever know.

  62. Re:Personal host cloud host by proverbialcow · · Score: 1

    But Google isn't distributing anything in an infringing manner. They're simply storing files that the users upload, and allowing those same users to download only what they've uploaded. This is the fight the RIAA is going to have to fight, and Google and Amazon are clearly confident that they'll win it in court.

    --
    The only surefire protection against Microsoft infections is abstinence. - The Onion
  63. Re:Personal host cloud host by oakgrove · · Score: 1

    The statute of limitations clock kicks in when somebody first discovers you have committed an illegal act at some point in the past. From that point on, they have the option of actually having you charged or not for the duration of the limitation statute. It has nothing to do with when the act itself was actually committed.

    --
    The soylentnews experiment has been a dismal failure.
  64. Re:Personal host cloud host by proverbialcow · · Score: 1

    But I'd be willing to bet that the RIAA lawyers can convince a judge that putting the music on this service is actually sharing it (with yourself) and therefore constitutes the latest infringing act.

    The real question would be in this case how could they tell if the music was pirated or just a copy you ripped yourself?

    I'll take that bet.

    --
    The only surefire protection against Microsoft infections is abstinence. - The Onion
  65. Re:Personal host cloud host by proverbialcow · · Score: 1

    Okay - for the sake of argument, say they discover when I sign up for Google Music that I have a trove of music that I allegedly downloaded off of Napster back in 1999.

    They then have to prove the allegation that I obtained it by infringement. This, of course, would have to be proven by evidence they obtained only after they discovered my collection - otherwise their claim to have discovered it from my Google Music account would be false. And who exactly is it that collected this evidence and then sat on it for twelve years? What was their motivation? Is their chain-of-custody unimpeachable, and can it be proven that the evidence was never given to the plaintiff prior to the discovery of my Google account? And even if all of that can be answered satisfactorily, why were they collecting evidence of copyright infringement if my alleged infringement wasn't discovered until twelve years later?

    --
    The only surefire protection against Microsoft infections is abstinence. - The Onion
  66. Re:Personal host cloud host by oakgrove · · Score: 1

    Oh, no, I wasn't arguing any of that, it's just that a lot of people are confused on how statute of limitations works so I was just clearing that up. Cheers, mate.

    --
    The soylentnews experiment has been a dismal failure.
  67. Re:Personal host cloud host by proverbialcow · · Score: 1

    D'oh! (For the record, I actually did find that distinction while I was looking up the SoL's for my first post, but it was always in the context of "in practice, it's from the date of the latest infringement.")

    --
    The only surefire protection against Microsoft infections is abstinence. - The Onion
  68. Re:reason to buy by gmhowell · · Score: 1

    Shit, back in the day, I could buy eight tapes, 10 LP's, or 12 8-tracks for just one penny!

    --
    Jesus was all right but his disciples were thick and ordinary. -John Lennon
  69. Google's penis is my dick by Anonymous Coward · · Score: 0

    Potato slurry is blog stanley; raptor towel dissociates petrol

  70. Jews robbing jews by Anonymous Coward · · Score: 0

    The music industry executives are all jewish, just like the Hollywood movie industry tycoons are. Google founders are also ethnic jewish, just like Facebook. We, the non-jewish "goyim" nations, whom the Talmud declares subhumans and animals, should not worry at all about jews robbing each other. The problem is when the jews start suing, because they are so cunning and tricky, the misled court will eventually punish the goyim with fines and prison. Beware of Shylock, he will sell you a bridge with large interest rates!

  71. I applaud this by wertigon · · Score: 1

    Every major company that launches a music service is a step closer to a meltdown of the copyright monopoly.

    --
    systemd is not an init system. It's a GNU replacement.
  72. for $deity's sake mod parent up by cyclomedia · · Score: 1

    for $deity's sake mod parent up

    --
    If you don't risk failure you don't risk success.
    1. Re:for $deity's sake mod parent up by ColdWetDog · · Score: 1

      She's not that friendly. Calm down.

      --
      Faster! Faster! Faster would be better!
    2. Re:for $deity's sake mod parent up by Anonymous Coward · · Score: 0

      She's not that friendly. Calm down.

      Nothing like a ColdWetDog to spoil the mood when someone's getting frisky...

  73. Read the parent comments by tepples · · Score: 1

    I'm not sure what interaction benefit the 'click to open parent' gives.

    It encourages the user to read the comment in context before replying to it.

  74. Don't be Evil?? by RivenAleem · · Score: 1

    What ever happened to this high falutin philosophy of theirs!

    Sincierly,
    MAFIAA

  75. common sense has developed by lpq · · Score: 1

    same thing happened several years back when a high-end company sought to market a DVD-jukebox for home use. It recorded the DVD the first time you played it onto a hard disk and afterwards, allowed you play it back without the DVD. The units were very expensive -- so not much chance of them proliferating and being used to mass-pirate media. Nevertheless, the MPAA sued them and won -- saying that the device circumvented the copy-protection on a DVD (which was bull, but the judge ruling on the case was either too stupid to realize this or was bought (or both)).

    It's like companies, now, that offer software that allows you to copy or install a DVD, Blu-Ray, or Game Disc to your hard-disk so you can later play the content without playing disc-shuffle.

    You still own the disc, but this is still considered illegal in the US due to corrupt courts and a corrupt legal system (purchased by the Corps). As long as you own the disc, you aren't doing anything ethically wrong, but the corrupt US legal system doesn't care about right/wrong anymore (hasn't for some time -- whoever has the gold makes the rules!). But the Corps would rather you pay again and again for each device. The entire ipod/iphony ilk are predicated on people being too stupid/too lazy to rip their own music to their pods because the software isn't convenient enough due to corrupt-US-law interference.

    If that law wasn't in place, people could have their music one place -- likely on a home music system, quite possibly PC based for most people, that would have multiple attachments to distribute it to all the devices in their home.

    I imagine the day I'll be able to buy a CD and rip it to my computer and have it automatically be copied to my car player and my phone -- automatically, so I can have my latest tunes anywhere. But right now, such a convenience would be a hard-hacked kludge. Thank-you, corrupt US-legal system!

    I'm sure other countries will innovate such conveniences, but they won't allowed for sale in the US market -- but for better or worse, with the US's economy going down the tubes and most of its people having their total wealth measure in the bottom 10-20% of the market, the US market won't be considered that important.

  76. No Canada. by DarthVain · · Score: 1

    Tried to check it out last night.

    Why does Google hate Canadians?