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Two Lost Doctor Who Episodes Found

First time accepted submitter crow writes "Two episodes of Doctor Who from the 1960s, thought to have been destroyed in the 1970s, have been found. Both were in the hands of a private collector who didn't know what he had. Like most episodes of the time, these were half-hour shows, part of a four-part story, and portions of both stories are still missing."

150 comments

  1. Ironically, by newsman220 · · Score: 5, Funny

    We're still going to need a TARDIS to put the whole series together.

    1. Re:Ironically, by masternerdguy · · Score: 1

      That might still be difficult, there's a metric ton of retconning in that series.

      --
      To offset political mods, replace Flamebait with Insightful.
    2. Re:Ironically, by ackthpt · · Score: 5, Funny

      That might still be difficult, there's a metric ton of retconning in that series.

      To survive Dr. Who fandom, one must not only successfully disconnect from reality, but from time itself.

      --

      A feeling of having made the same mistake before: Deja Foobar
    3. Re:Ironically, by icannotthinkofaname · · Score: 3, Insightful

      You know, if the FTL neutrinos are real, then there is every possibility that the episodes are on their way to a rescue point in the future right now. There could be a time machine in transit at this very moment, recovering this lost cultural icon for our enjoyment, as soon as they land in the recovery era.

      If I were a time-traveller, you can bet that my first stop would be the 1960s, to rescue the lost episodes.

      My second stop, of course, would be the mid-to-late 1930s, to have a drink with Hitler and get to know him and then decide whether I have a moral duty or even moral right to kill him.

      --
      Let q be a radix > 1. I am in ur base-q, killing 10 d00ds.
    4. Re:Ironically, by Hotawa+Hawk-eye · · Score: 1

      If FTL travel is possible, we could just travel out N light years from Earth and pick up the signal from the original broadcast. Of course, the signal's probably degraded too far for it to be recognizable.

      If I were a time traveler, my first stop would be the local convenience store a couple weeks ago, to pick up a "lucky" lottery ticket. Or maybe South Africa a few millenia ago, when there was no De Beers to stop me. It's not as convenient as Corwin's shadow from The Guns of Avalon, where he just picked them up off the ground, but it'd do.

    5. Re:Ironically, by ubrgeek · · Score: 5, Funny

      > Of course, the signal's probably degraded too far for it to be recognizable.

      Yeah, 'cause that's the only problem with the plan ... ;)

      --
      Bark less. Wag more.
    6. Re:Ironically, by RyuuzakiTetsuya · · Score: 5, Funny

      People assume that fandoms are a strict progression of cause to effect, but actually from a non-linear, non-subjective viewpoint - it's more like a big ball of wibbly wobbly... time-y wimey... stuff.

      Duh.

      --
      Non impediti ratione cogitationus.
    7. Re:Ironically, by sjames · · Score: 2

      Timey Wimey wibbly wobbly...

    8. Re:Ironically, by Anonymous Coward · · Score: 2, Interesting

      You do know, of course, that there's an entire division of the Time Corps that does nothing but stop people from killing Hitler? Without the Nazi invasion of Russia, Stalin took all of Europe, most of Africa and parts of Asia in World War II (which began in 1937 with the Soviet invasion of China and the subsequent Soviet annexation of Poland in 1939). Fighting between the Japanese (who were also invading China) and the Soviets prevented the Japanese from attacking Pearl Harbor, and the United States didn't enter the war until 1952 after the A-bombing of New York City. After the Soviets developed the atomic bomb it was very difficult to stop them from taking the entire world. Ethnic purges in the occupied territories killed over two hundred million people.

      Sadly, it's better this way.

    9. Re:Ironically, by icannotthinkofaname · · Score: 1

      So, what you're saying is that if I kill Hitler, then in a really roundabout way, I prevent 9/11?

      Also, I didn't even say I was going ti kill Hitler. I was going to get to know him. I doubt I'd have the guts to kill him, especially once I know him, so the Time Corps has nothing to worry about.

      Also, I think you mean there was a division of the Time Corps. Or will be, depending on your point of view. But they have to be an organization started in the relative future, who are patrolling the relative past, so they clearly can't exist at this time. Tenses are difficult, I know.

      --
      Let q be a radix > 1. I am in ur base-q, killing 10 d00ds.
    10. Re:Ironically, by History's+Coming+To · · Score: 1

      And how are you going to sell a large quantity of diamonds with no legal background? I wouldn't want to be involved with the kind of people who fence that kind of thing....picky, I know, I just prefer the lottery idea.

      --
      Please consider this account deleted, I just can't be bothered with the spam anymore.
    11. Re:Ironically, by History's+Coming+To · · Score: 1

      You don't prevent 9/11, you ensure that it's far worse. Well....it's as good a bet as preventing it, what with chaos and all.

      --
      Please consider this account deleted, I just can't be bothered with the spam anymore.
    12. Re:Ironically, by silanea · · Score: 2

      Why kill him? It would have been perfectly sufficient to bribe someone at the Academy of Fine Arts in Vienna to admit him. His paintings were as abominable as his political ideas, but much less deadly.

      --
      Rudolf Hess edited Mein Kampf. He was the very first grammar nazi.
    13. Re:Ironically, by pwileyii · · Score: 3, Insightful

      Actually, what we need is an alien from the planet Omicron Persei 8 (they'd actually have to be closer because that is 1000 light years away) to have recorded all of Earth broadcasts and be willing to give us a copy of them.

    14. Re:Ironically, by Anonymous Coward · · Score: 0

      You prevent 9/11 but you cause the A-bomb to be dropped on New York, and that's like 9/11 times 1000. Yes, that's 91,100.

    15. Re:Ironically, by Dogtanian · · Score: 3, Informative

      Of course, the signal's probably degraded too far for it to be recognizable.

      Yeah, 'cause that's the only problem with the [FTL travel] plan ... ;)

      You don't need FTL at all. You simply locate a planet around a distant star system- or some other extrasolar object- at a distance of 24 or slightly more light years, then detect the (admittedly quite small) proportion of the original TV transmission that travelled out there, bounced off that object, and is now heading back in our direction, due to reach us 45 to 50 years after it first went out.

      You may need one of those mains-powered antenna/aerial amplifiers for this to work properly ;-)

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    16. Re:Ironically, by The+Rizz · · Score: 4, Funny

      You prevent 9/11 but you cause the A-bomb to be dropped on New York, and that's like 9/11 times 1000. Yes, that's 91,100.

      Actually, that would be 818 and change.

    17. Re:Ironically, by Anonymous Coward · · Score: 0

      I have no intention of arguing with Team America.

    18. Re:Ironically, by thunderclap · · Score: 0

      But But Killing Hitler also insures that Mecca and Medina are also nuked in 1952 for the rich oil reserves of the Saudis. Stalin's ruthless purged effectively wiped out the Shiia and almost all of the Sunni leaving nothing but Bedouins. The fact that the bulk of the Jewish scientists collected themselves in America due to the war is incidental. So lets see, Nuclear desert and Russo-Chinese domination on half of the world or Us alone and an insane middle east. I don't know if NYC is really worth the whole of the middle east. But Right now I happen like NYC too much.

    19. Re:Ironically, by networkBoy · · Score: 1

      easy...
      go to the time of the civil war in the US.
      Make a big to do about the boatload of diamonds on the ship (of which there are a few, the rest still in your FTL timeship). Sink the ship in a reasonable depth of water.
      Travel to the time you want to start selling them.
      Go on a treasure finding mission.
      "find" the "lost" diamonds that you retrieved from your FTL timeship.
      -nB

      --
      whois gawk date unzip strip find touch finger mount join nice man top fsck grep eject more yes exit umount sleep dump
    20. Re:Ironically, by OverflowingBitBucket · · Score: 1

      You know, they might not be so rare if every do-gooder with a time machine didn't keep going back in time and picking up all of the remaining copies before they were found.

    21. Re:Ironically, by Mindcontrolled · · Score: 2

      This is not the first time you are doing this, is it? How much to buy into access to your time machine?

      --
      Ubi solitudinem faciunt, pacem appellant.
    22. Re:Ironically, by KeithIrwin · · Score: 1

      Actually, it's much easier than this. We just wait for them to hit something and bounce back. Then we just have to record them.

    23. Re:Ironically, by Antarius · · Score: 1

      Damn! I just used my last modpoint 10 minutes ago. =(

      Someone please mod parent up!

    24. Re:Ironically, by PwnzerDragoon · · Score: 1

      Makes sense to me. How do you think De Beers does it? Do you really think they just find them in holes in the ground?

    25. Re:Ironically, by madhi19 · · Score: 1

      You know what they say if time travel ever get invented in my lifetime I would know because by now I would have visited myself half a dozen time to prevent more than a few fuck up I did!

    26. Re:Ironically, by madhi19 · · Score: 1

      Yeah diamond are a pain in the ass to move I say gold would be my main choice! You don't really have to transport it in time you can literally bury the stuff somewhere safe and let it sit there.

    27. Re:Ironically, by Jerom · · Score: 1

      wouldn't that be 9000/11 then?

    28. Re:Ironically, by LoRdTAW · · Score: 1

      No, its over 9000/11!

    29. Re:Ironically, by Arancaytar · · Score: 1

      Just retcon the retcons, and hope that time doesn't get messy enough for these guys to show up.

    30. Re:Ironically, by Anonymous Coward · · Score: 0

      He needed to live, to kill the millions, to make this world we live in today.
      Just like Kurt Cobain needed to die to allow the Foo Fighters to happen.

  2. Not Really Lost... by kiehlster · · Score: 4, Funny

    just time-shifted. Get your facts straight, DW fans!

    1. Re:Not Really Lost... by ackthpt · · Score: 1

      just time-shifted. Get your facts straight, DW fans!

      In an infinite number of universes there are an infinite number of "Lost Episodes".

      Get used to it.

      --

      A feeling of having made the same mistake before: Deja Foobar
    2. Re:Not Really Lost... by Hillgiant · · Score: 4, Funny

      People assume that Doctor Who chronology is a strict progression of one episode to the next, but actually, from a nonlinear, non-subjective viewpoint, it's more like a big ball of wibbly-wobbly, timey-wimey... stuff.

      --
      -
    3. Re:Not Really Lost... by tokul · · Score: 1

      People assume that Doctor Who ...

      Do the ones, that mod this as funny, recognize reference to one of the episodes?

    4. Re:Not Really Lost... by walkerp1 · · Score: 1

      People assume that Doctor Who ...

      Do the ones, that mod this as funny, recognize reference to one of the episodes?

      They must. Blink is one of the best titles in the new series.

  3. Glad some found by sgilpin80 · · Score: 1

    It always amazes me how things like these can be lost.

    1. Re:Glad some found by Anonymous Coward · · Score: 0

      you don't believe in entropy do you?

    2. Re:Glad some found by NFN_NLN · · Score: 2

      It always amazes me how things like these can be lost.

      Do you think anyone is going to any great lengths to preserve episodes of "Terra Nova"? But you never know, it could become a huge cult classic in the future.

    3. Re:Glad some found by Truekaiser · · Score: 1

      what amazes me more is that the media are still trying to crack down on people who copy movie's and tv shows. yet here we are the bbc is 'relying' on those 'same' people they call 'pirates' to refill their own archives which they purged of stuff they thought was worthless. maybe they should just let people copy, for at least the reason being if the official archives are lost or destroyed there are copies to restore them.

    4. Re:Glad some found by Beelzebud · · Score: 2

      It's already happened. Terra Nova episodes have been posted to usenet, and shared on P2P, so they aren't going to be lost any time soon. What is trivial today, wasn't in the 60's.

      That being said, I'm still utterly amazed that they put money into funding a television show, and then literally erase the tapes. What a waste!

    5. Re:Glad some found by jd · · Score: 2

      The BBC Archives junked a lot of its black-and-white archives on the grounds that nobody watches that stuff. There is some disagreement over whether the archives were junked once or twice. The BBC article linked to notes that the BBC itself reused mag tape recordings -- whilst this is true, it is extremely disingenuous, as the BBC is not the same thing as the BBC Archives. The BBC Archives used film - the telesnaps that exist are photos taken directly off the film copies.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    6. Re:Glad some found by mcneely.mike · · Score: 1

      It's due to an agreement with the actors... the actors were afraid that a bunch of shows would be taped and shown over and over and they would be let go and never get work again: the agreement was that they would show each episode only a number of times, then destroy them so they couldn't be shown again and the actors could keep working. Something like that.
      Too bad....

      --
      soylentnews.org Go there to enjoy the people!
    7. Re:Glad some found by 0123456 · · Score: 1

      That being said, I'm still utterly amazed that they put money into funding a television show, and then literally erase the tapes. What a waste!

      Tapes were expensive and there was no home video market. Who would want to see re-runs of a cheap TV show for kids from five years ago?

      Didn't NASA record over the original Apollo 11 tapes? They spent billions to make those.

    8. Re:Glad some found by ackthpt · · Score: 4, Insightful

      Across the pond, the American film industry routinely destroyed films after they had been run through theatres in the 1930's, 40's and 50's. Storing film required space and controlled atmosphere so many originals were burned in backlots rather than keep them. Most studios had no plan to redistribute or broadcast on television. Such was their vision. Makes the whole MPAA issue over copying sound laughable, doesn't it?

      --

      A feeling of having made the same mistake before: Deja Foobar
    9. Re:Glad some found by jd · · Score: 2

      Nope, no such agreement existed and the actors were furious (Troughton especially) when the news of the junkings leaked out. The BBC denied it at first, then claimed it was one rogue employee.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    10. Re:Glad some found by osu-neko · · Score: 1

      It always amazes me how things like these can be lost.

      In more barbaric times, storing large amounts of data was expensive. Saving every last bit wasn't a matter of course, it was a virtual impossibility (at least to do economically).

      --
      "Convictions are more dangerous enemies of truth than lies."
    11. Re:Glad some found by sjames · · Score: 1

      It happened all the time. So much for their bargain with the public domain.

    12. Re:Glad some found by 0123456 · · Score: 2

      The British film industry did that too; the original 'Wicker Man' negatives are believed to be buried under the M4 motorway as a lot of old film cans were apparently thrown in there as landfill.

    13. Re:Glad some found by mcneely.mike · · Score: 2

      Just going by wiki:
      http://en.wikipedia.org/wiki/Doctor_Who_missing_episodes

      (wikipedia being the be-all and end-all of my existence, you see, and i am now going to donate everything i own and my kids to wikipedia's personal appeal). 'Nuff said!

      --
      soylentnews.org Go there to enjoy the people!
    14. Re:Glad some found by elrous0 · · Score: 2

      Not only that, but pre-1940's nitrate film was actually very dangerous to keep around in archives. Keeping highly unstable and flammable film stock around in your archive was like storing your valuable book collection amongst a bunch of oily rags and gasoline cans.

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    15. Re:Glad some found by asdf7890 · · Score: 2

      Yep. It was a money saving exercise: storing tape for long periods, in a condition that will play again when you ask the too, requires care, effort and space - none of which are free. That and new tape cost money too: they could be wiped and reused a few times before being destroyed so there was a secondary saving here. Someone high enough up suggested getting rid of these particular tapes and the BBC bureaucracy being what it was (and perhaps still is?) no one further down questioned the wisdom as they passed the instructions on down the chain.

      The same bureaucracy did save a large pile of tapes at one point. A consignment destined to be wiped or destroyed didn't have the relevant paperwork. After very little effort to track it down, someone just filed the issue under "to deal with later" and shoved the tapes into a storeroom where they remained forgotten and unnoticed for the best part of 20 years. In that time people had realised how silly the idea of destroying the content was, so when they were found they were carefully restored (some didn't survive, tape can be a sensitive medium), copied onto other media and better treated this time around. Some good stuff was in that pile: not just Dr Who but bits of Not Only But Also and other significant shows.

    16. Re:Glad some found by Anonymous Coward · · Score: 0

      danish tv too, several of the childrens tv series danish television made and produced when I was a kids not longer exist because the video tapes were reused

    17. Re:Glad some found by asdf7890 · · Score: 1

      I know replying to yourself is considered bad form, but I missed bits:

      Of course some of the content was on film, not tape. Film can not be reused like magnetic tape can, so that excuse is gone for those examples, but also takes more care to store properly.

    18. Re:Glad some found by jd · · Score: 2

      http://www.btinternet.com/~m.brown1/intro.htm
      https://www.msu.edu/~gobeski1/Missing.htm
      http://www.paullee.com/drwho/missingwithouttrace.html

      These are the accepted accounts - two junkings (one for fire safety reasons, one to make space) with absolutely nothing to do with contracts or magnetic tapes (beyond BBC central not having a copy) - along with a description of the transfer from video to film.

      As far as I'm concerned, the current BBC description is a highly edited description of the events with NO mention of the telerecordings and the Wikipedia account seems to be pure mythology. I can find ZERO evidence for it. Almost everything definitive known about the early Doctor Whos was written in the Disused Yeti newsletters, with articles contributed by BBC staffers with inside knowledge, often due to being there at the time. This link gives you the archive for it:

      http://archive.whoniversity.co.uk/dy/dy_main.htm

      Absolutely no story whatsoever should be accepted on face-value if it contradicts an official or semi-official statement in the newsletters. They're the premiere source of authenticated information.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    19. Re:Glad some found by jd · · Score: 2

      All the content was on film, through the telerecordings process. Overseas sales were done exclusively through film, not video, so all episodes (barring Feast of Stephen) were telerecorded onto film for sales. These telerecordings were held in the BBC Archives. The magnetic tape copies held temporarily by the BBC were in part because editing film is a bastard and it's hard to add effects. The initial masters were therefore mag tape, but once the recordings were telerecorded (re-mastered) onto film, the mag tape was marked for recycling. It wasn't useful after that point, since they could always broadcast off the film copies if they wanted to repeat anything.

      The BBC's current version of events is highly edited, to the point of being "economical with the truth" (ie: lying through their teeth.) The junkings were a terrible event in history (even the Apollo moon landing footage was destroyed!) but this revisionism is an insult beyond insults. Do they take us for fools? (You don't have to answer, it's bloody obvious they do or they wouldn't be revising extremely well-documented events to make themselves look better.)

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    20. Re:Glad some found by Vanders · · Score: 2

      To be fair, the BBC are far more pragmatic about copying than most other broadcasters. For example, Top Gear is the most downloaded show on the internet, and they've referenced this fact a couple of times in the show. The only action I've ever known them to take over that is to shut down a few websites who hosted every single episode ever, which was frankly taking the piss just a little bit anyway.

    21. Re:Glad some found by Reasonable+Facsimile · · Score: 0

      The British film industry did that too; the original 'Wicker Man' negatives are believed to be buried under the M4 motorway as a lot of old film cans were apparently thrown in there as landfill.

      Can we replace a few of those canisters with Nicolas Cage?

    22. Re:Glad some found by newcastlejon · · Score: 1

      In light of how woefully sparse iPlayer is in terms of the BBC's back catalogue (take a look) I'd like to see a test case of a UK resident sharing programmes with their countrymen. In principle, I don't see how Aunty could complain about us sharing between ourselves what we've already paid for. By way of comparison take a look at 4oD, another catch-up service from another free* UK broadcaster.

      Of course, ensuring that only UK residents can access such a P2P system, there's the rub.

      *They get a portion of the license fee, I believe, but supplement it with advertiser revenue.

      --
      If God forks the Universe every time you roll a die, he'd better have a damned good memory.
    23. Re:Glad some found by mattack2 · · Score: 1

      Translation for us Yanks: telerecording == Kinescope.

      (lift == elevator, flat == apartment, boot == trunk, etc.. heh heh.. These ones are meant jokingly as they're the ones most people know.)

    24. Re:Glad some found by asdf7890 · · Score: 1

      You missed tomato == tomato.

    25. Re:Glad some found by travbrad · · Score: 1

      Are you saying a publicly funded TV program should be in the public domain? ;)

    26. Re:Glad some found by jd · · Score: 1

      Worse was to come. Universal Studios actually held on to a few audio and film recordings, then digitized them. Very old tape and film degrades, requiring baking to turn the tape into something usable, which can destroy the original after transfer. It never does the original any good, after a run-through. The fire at Universal Studios a few years back destroyed all of their remastered material - which, annoyingly, they'd failed to back up anywhere and had totally failed to release. That which they'd actually bothered to keep was, in consequence, lost to the world because they'd stopped bothering.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    27. Re:Glad some found by jd · · Score: 1

      it wouldn't surprise me if you actually did find a few people mixed in with the canisters. It may be urban legend, but it's still widely held that organized crime in the UK was very much linked to motorway construction back then, particularly in regards to concealing those that they'd made missing.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    28. Re:Glad some found by jd · · Score: 1

      Very true, and it is widely circulated (I've posted links elsewhere) that at least one round of junking was due to a request from the fire department to do something about the highly combustible archives they had. Please note that the prevailing belief is that there was more than one round of junking - probably at least two - at the BBC Archives (as opposed to BBC Central, which only housed the magnetic tape copies) and the different accounts are likely explained by being references to different events rather than confusion over the same event.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    29. Re:Glad some found by jd · · Score: 1

      Nonetheless, when The Lion was found in New Zealand, the finder was served with a copyright infringement statement by the BBC lawyers. (See the Slashdot story on the subject.) Pragmatic they may be, polite --- not so much. They need to work on that part.

      I'd also note that the BBC version of events on the missing episodes makes no mention of the telerecordings or the BBC Archives and is highly revisionist. This demeans, quite considerably, the efforts of collectors, fans and studios alike who go to a great deal of effort to locate and return the film canisters. (How do you get credit for returning that which officially never existed?)

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    30. Re:Glad some found by jd · · Score: 1

      Perhaps, but think of it this way -- they *could* have sold tapes instead of trashing them. Which is cheaper - holding an auction that would likely recoup the costs of the process and may even help fund new work, or piling the tapes into trucks and driving them to a landfill?

      It would also have been cheaper to offer tapes to cast and crew (many of whom are now known to have "lifted" tapes that were set aside for being junked). There's no cost involved letting employees drive at their own costs to the archive, take the tapes they want, and store them at own cost at home. Less liability, too - that film was combustible, so there's risks involved in trucking the stuff to a landfill. If it's someone else's problem, that's no risk to the company at all.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    31. Re:Glad some found by sjames · · Score: 2

      I'll go one further, ANY copyright is effectively a (now long-term but theoretically finite) loan from the public domain and the holder has a duty of reasonable care (at least).

  4. Other missing material by Anonymous Coward · · Score: 5, Informative

    Theres a list of missing episodes on this website but it hasn't yet been updated to include the new discoveries. With the finding of "The Underwater Menace" part 2, we now have a new "earliest surviving episode to feature Patrick Troughton." Hopefully the BBC can do their usual magic to restore these episode...there are apparently bits missing.

    1. Re:Other missing material by mccalli · · Score: 1

      With the finding of "The Underwater Menace" part 2, we now have a new "earliest surviving episode to feature Patrick Troughton."

      Yeah...but having seen The Underwater Menace, I'm not terribly sure he'd thank us for it...

      Cheers,
      Ian

    2. Re:Other missing material by fermion · · Score: 1
      Given that so much of the first and second doctor were basically kids serials with low production value, I am not as occupied with these episodes as I once was. I own and watch many of these early episodes, and pretty much agree there is a good reason why most of the doctor reruns shy from these early episodes. While there are a few that are remarkable, most seem to suffer from the 'have to get an episode out not matter how lame' syndrome. It is instructive to look at how many episodes were shot for those early series as how many are shot now.

      On exception is Marco Polo, which appears to be high budget show for the series. If that were found it would be a wonderful and exciting day for fans of the Doctor.

      --
      "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    3. Re:Other missing material by jd · · Score: 1

      Well, be fair. The first season, at least, was entirely funded on the basis that it was educational material for kids (it's the only way the light entertainment department would pay anything for it at all) and so naturally that's exactly what it looks like. But, having said that, it is precisely for that reason that the early episodes have a high sci-fi value -- the history was usually well-researched and the science was generally provided by a scientific advisor (Kitt Peddler, for example). The later stories have better production values, yes, but the accuracy falls off. Modern Who has great production but scores absolute zero on either science or history.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    4. Re:Other missing material by dbIII · · Score: 1

      Given that so much of the first and second doctor were basically kids serials with low production value

      How is that different from the fifth?
      I'm not knocking the talents of anyone there because they all did better before and/or later, but it was a step firmly back into very low budget and rushed childrens television with a fad or two thrown in. It's a bit of a let down to see it after the Tom Baker/Douglas Adams combination and almost only "The Five Doctors" shows that they could have done better with a decent script.

  5. National Archives of Australia have them anyway? by thegoldenear · · Score: 1

    "Fresh scans of the missing material have been made by the National Archives of Australia and will be incorporated into the restored episodes ahead of a DVD release."

    If they're missing, how can the National Archives of Australia be scanning them?

  6. collecting by Anonymous Coward · · Score: 4, Interesting

    Man, that doctor who series is so damn expensive. I have a complete known collection of stargate, sanctuary, star wars, and others I can't think at the moment, but when I walk past the movie isle at frys, and I see the price and size of DR WHO, I just keep walking every time. That's the fucking truth.

    1. Re:collecting by Anonymous Coward · · Score: 5, Insightful

      You're not supposed to buy the whole thing! You pick a favorite doctor, buy that doctor's seasons, and simply pretend the rest don't exist!

    2. Re:collecting by Lumpy · · Score: 1

      Or just torrent the whole thing and call it good.

      --
      Do not look at laser with remaining good eye.
    3. Re:collecting by Noughmad · · Score: 1

      You're not supposed to buy the whole thing! You pick a favorite doctor, buy that doctor's seasons, and simply pirate the rest

      FTFY

      --
      PlusFive Slashdot reader for Android. Can post comments.
    4. Re:collecting by jd · · Score: 1

      It's not pirating if you go back in time and watch them before they were made.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    5. Re:collecting by Sleepy · · Score: 1

      What the frell? No Farscape??

    6. Re:collecting by isorox · · Score: 1

      You're not supposed to buy the whole thing! You pick a favorite doctor, buy that doctor's seasons, and simply pretend the rest don't exist!

      My collection's pretty dismal -- Christopher "Lots of planets have a north" Eccleston is the best.

      That said, the Paul McGann fans would have even less!

    7. Re:collecting by mattack2 · · Score: 1

      I have the same feeling about the various Trek series. They're over $70/season (single data point of TOS season 1 on Amazon). If they were in the $20-ish/season range of most shows, I'd likely buy them all, even though I admittedly don't re-watch things often.

      (...and I hope "Blake's 7" is released on DVD or BluRay in the US at some point.. It's another one I'd love to collect.)

    8. Re:collecting by jd · · Score: 1

      I dunno, if you include the Big Finish material then there's quite a healthy stockpile of episodes. Do an animated "reconstruction" (it's not a real reconstruction since there was never any video) in the same way fans have done for things like Evil of the Daleks -- or as Chatsworth Hall did for The Invasion -- and you've got a "proper" episode.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    9. Re:collecting by ConceptJunkie · · Score: 1

      Funny, I bought TOS for $20-some/season a few years ago. Perhaps the higher price is for Blu-Ray and/or the "remastered" versions. Besides, you can stream them from Netflix as well.

      --
      You are in a maze of twisty little passages, all alike.
  7. Re:National Archives of Australia have them anyway by srepetsk · · Score: 1

    Fan groups and the BBC have released reconstructions of missing episodes, matching photographs from the episodes with the soundtracks. Two episodes of The Invasion were reconstructed using animation and released with the surviving episodes of that serial on DVD. (http://en.wikipedia.org/wiki/Doctor_Who_missing_episodes)

  8. The original broadcast is still out there by Jens+Bergqvist · · Score: 1

    The primary mission of the very first FTL flight should be to fly exactly the distance required to record the remaining missing episodes! :-)

    1. Re:The original broadcast is still out there by Anonymous Coward · · Score: 0

      And when we invent Time-travel, it's trivial to fetch them.

    2. Re:The original broadcast is still out there by jd · · Score: 1

      Only if you want the version as broadcast. A more complex, but superior, solution would be to use time travel to break into the studios, hardware hack the cameras to use high dynamic range, high resolution CCDs and wirelessly transmit the feed from that to a storage device concealed in the room. You then merge the video recorded footage (which will include all the SFX and edits) with the high quality video to produce a cinema-grade version of each episode.

      Not trivial, by any means, but much better results!

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
  9. Re:National Archives of Australia have them anyway by Yobgod+Ababua · · Score: 1

    Because writers are sloppy and occasionally omit the word "previously", as in "previously missing material".

    But yes... ha ha. Aussies will apparently make fresh scans of nothing. *guffaw*

  10. Missing Episodes are Cool! Really by wolverine1999 · · Score: 1

    This news is really cool! I always thought some tv stations (eg pbs in malta) still had some lost episodes stored somewhere.....

    1. Re:Missing Episodes are Cool! Really by jd · · Score: 1

      "Missing, Presumed Wiped" is a superb conference. Probably the most remarkable recovery of theirs was the episode "Girl on the Trapeze" of "The Avengers" as the surviving recording notes had indicated that this had never been transferred onto film - and thus it was presumed lost forever.

      It is likely that a few more episodes will be recovered -- I really, really want the whole of Evil of the Daleks! -- and I would not be surprised if there's at least one more completed story in the archives by 2020. However, I don't expect more than a few. We'll never see Dalek Masterplan, unless time travel is invented, or any of the other long stories (such as Marco Polo or Myth Makers) that are largely to wholly missing. Which is why I'm still holding out the hope that CERN will announce that FTL neutrinos exist and Higgs doesn't, as that's our last hope.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
  11. Re:National Archives of Australia have them anyway by crow · · Score: 1

    I believe they recovered scenes from a lot of lost episodes from Australia. What happened is that the censors were quite strict in Australia, but as part of censoring episodes, they kept the clips that they cut.

    All the lost episodes have fan-made recreations, using the original soundtracks (people recorded them when they broadcast), still photos taken during the filming, and recovered scenes. Some of them are pretty good, though most are painful to watch.

  12. Re:National Archives of Australia have them anyway by coolmadsi · · Score: 1

    "Fresh scans of the missing material have been made by the National Archives of Australia and will be incorporated into the restored episodes ahead of a DVD release."

    If they're missing, how can the National Archives of Australia be scanning them?

    They were previously missing and now have a better version.

    There have also been some of the old missing episodes available online, using photo stills and audio tape recordings of episodes, as opposed to the original broadcast.

  13. Re:National Archives of Australia have them anyway by laura20 · · Score: 1

    The recovered episodes are broadcast versions from Australia, which had bits censored out of them. The Australian censorship board was very diligent about filing the sections they snipped out, however, so those segments still exist, we just didn't have the rest of the episodes until now. Now they can rejoin the edited version + copies of the censored sections and have two completed episodes.

  14. Don't forget the ones being recovered from Space! by viper21 · · Score: 2, Interesting
  15. They didn't exist until yesterday... by forkfail · · Score: 1

    ... at which point, they had always existed.

    --
    Check your premises.
  16. Re:National Archives of Australia have them anyway by Robadob · · Score: 2

    In October 1996, Australian Doctor Who fans Damian Shanahan and Ellen Parry discovered a collection of the censored clips – several from missing episodes which do not exist in their entirety – in the records of the National Archives of Australia.[12] The clips had been sent by the Commonwealth Film Censorship Board (now the Office of Film and Literature Classification) to the Archives as evidence of the required edits having been made.

    http://en.wikipedia.org/wiki/Doctor_Who_missing_episodes#Censor_clips

  17. Re:Don't forget the ones being recovered from Spac by The+Raven · · Score: 4, Informative

    Burning mod points here, but I apologize... that was a hoax. I suspected when I saw the original note and it was dated April 1st.

    --
    "I will trust Google to 'do no evil' until the founders no longer run it." Hello Alphabet.
  18. What amazes me by Anonymous Coward · · Score: 1

    is that the same industry demands 100 year copyrights and complete control (DRM) of the works they sell, but they'll still lose the stuff that they produce that is soooo valuable, they MUST get government to crack down on it...

    1. Re:What amazes me by Anonymous Coward · · Score: 0

      is that the same industry demands 100 year copyrights and complete control (DRM) of the works they sell, but they'll still lose the stuff that they produce that is soooo valuable, they MUST get government to crack down on it...

      We're talking about the BBC, not Disney. I don't know where you're coming from viz. demanding hundred-year terms, but DRM is admittedly a bitter pill to swallow.

      What amazes me is how many people jump instantly into a discussion of the BBC without the first idea of how they actually operate. We Brits are often quite touchy when it comes to denigrating our Auntie Beeb; she's a cornerstone of our society.

    2. Re:What amazes me by jd · · Score: 1

      I agree, but as a BBC license fee payer - when I was still living in the UK - I feel entitled to denigrate the BBC all I like after the cancellation of Blake's 7 and The Tripods, and doubly so after they considered Eldorado to be the height of entertainment. Sorry, the BBC Controllers can say what they like about sci-fi, but B7 and Tripods were highly rated and widely sold, Eldorado was neither. (it had, what, 5 viewers?) I will never, ever forgive the BBC for considering a pathetic, unwatched soap as superior material to some of the greatest television of its era.

      And, sorry Val, but your ghost STAYS in purgatory until you apologize for defending it.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    3. Re:What amazes me by Anonymous Coward · · Score: 0

      How could anyone have a problem with Baron Grade of Yarmouth who also tried to cancel Blackadder, who added Neighbours to the schedule then had it repeated later in the evening because his daughter could not watch it at school, who then buggered off to Channel 4 after doing all this and set about gutting the Channel 4 schedule?
      He then went back to BBC and left again for ITV where he was in charge as the share price went from over a £ to pennies under his careful shepherding now I ask again who could possibly have anything against the Sci-Fi hating Grade who allowed the soap opera wing of the BBC to take over the schedules?
       

  19. Re:Don't forget the ones being recovered from Spac by Thud457 · · Score: 1

    We demand you produce the one called McNeal.

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

  20. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  21. Re:National Archives of Australia have them anyway by jd · · Score: 1

    They almost never used photos from the filming, they used telesnaps which were made from the film copies in the BBC Archives (distinct from the mag tape copes the BBC mentions in the article). Two copies were supposed to be kept of every program broadcast over a period of time, after that period the Archives would retain the film copy and the BBC would reuse its tape.

    The only episode never to have been transferred onto tape was Feat of Stephen from Dalek Masterplan.

    --
    It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
  22. Re:Don't forget the ones being recovered from Spac by ddd0004 · · Score: 1

    Great, so now space is saying "We don't want your junk. Take it back!"

  23. Re:National Archives of Australia have them anyway by jd · · Score: 1

    Damn keyboard, that's Feast of Stephen.

    --
    It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
  24. Re:National Archives of Australia have them anyway by sjames · · Score: 1

    Now that's irony! Thanks to the censorship board, those censored moments will; live forever!

  25. The problem with overly restrictive copyright by Anonymous Coward · · Score: 0

    This illustrates the problem with overly restrictive copyright. Rather than increase the amount of public works, it decreases them. The same studios that bitch about piracy love them when it comes to old crap they lost. Its happened with Dr. Who, nostalgic cartoons, etc. When companies control ALL the use of their products, everyone suffers. There is a reason that there is fair use in the copyright code.

    This also shows the importance of backing up and not having a single point of failure. Something much cheaper when many people have copies of your work. I predict that there will be many more "lost" episodes in the future of TV, now that DRM is on the increase and becoming more insidious. All they have to do is lose the one "master" copy of a program and it is gone forever. That is until they go begging to the pirates once again.

    Makes you wonder what the world would be like today if Sony v. Universal came out the other direction.

  26. If you think DRM is bad... by itsdapead · · Score: 5, Funny

    You know, if the FTL neutrinos are real, then there is every possibility that the episodes are on their way to a rescue point in the future right now.

    Look, you might think the copy protection on Blu Ray is a pain, but wait until you get a load of the confusingly-named Hyperspatial Digital Causality Protection that the unelected cartel of the Time Lords require on any temporally displaced media. I mean, one can downgrade your nice 1080p to standard def, but that's not as bad as the headache you get when the real HDCP cuts in and makes you never have been going to see the video you just watched.

    --
    In a survey of 100 programmers, 111111 thought that duck-typing was a good idea.
    1. Re:If you think DRM is bad... by Anonymous Coward · · Score: 0

      Are you sure it's "Hyperspatial Digital Causality Protection" and not just a videotape of "The Sil..." "The Silen.." *#$! I turned my head and now I can't remember their name...

    2. Re:If you think DRM is bad... by omnichad · · Score: 1

      Oops. This is funny, and I mismodded you!

    3. Re:If you think DRM is bad... by khallow · · Score: 1

      "Turned your head"? Obvious violation of the contract, me thinks, though about what I forget...

  27. blink by bregmata · · Score: 1

    In these "recovered" tapes, does The Doctor give instructions to not blink? Don't even blink? Blink and you're dead?

  28. "You're good friends with the Hitlers?!" by Dogtanian · · Score: 4, Funny

    My second stop, of course, would be the mid-to-late 1930s, to have a drink with Hitler and get to know him and then decide whether I have a moral duty or even moral right to kill him.

    Future Kryten: Kryten, we're epicures now. We travel through history enjoying the very best time has to offer.
    Future Rimmer: Dolphin sweetmeats, roast suckling elephants, baby seal hearts stuffed with dove pate. Food fit for emperors!
    Future Lister: We socialize with all of the greatest figures in history -- the Hapsburgs, the Borgias ...
    Future Kryten: Why, only last week, Louis the Sixteenth threw a banquet especially in our honour.
    Future Rimmer: The man is a complete delight -- urbane, witty, charming ...
    Kryten: He was an idiotic despot who lived in the most obscene luxury while the working classes starved in abject poverty.
    Future Rimmer: Well, we certainly didn't see any of that while we were there!
    Future Kryten: And his wife's an absolute cutie.
    Future Cat: I think they're our favourite hosts. If you don't count the Hitlers.
    Kryten: The who?!
    Future Rimmer: Providing you avoid talking politics, they're an absolute hoot.
    Kryten: You're good friends with the Hitlers?!
    Future Kryten: It's just a social thing. We don't talk about his work. We just have a few laughs, play canasta, and enjoy the odd game of mixed doubles with the Goerings.
    Kryten: I don't believe what I'm hearing!
    Future Rimmer: Look, you have to understand -- we travel back and forth throughout the whole of history, and naturally we want to sample the best of everything. It's just a bit unfortunate that the finest things tend to be in the possession of people who are judged to be a bit dodgy.
    Kryten: Herman Goering is a "bit dodgy"! What has become of you all? You've all abandoned your morals, been seduced by power and wealth. All you're interested in now is indulging your carnal desires.
    Future Rimmer: And could we tell you some stories about _that_!
    Kryten: I don't recognize any of you! You're just amoral self- serving _scum_, freeloading your way through history!
    Future Kryten: Good grief! I can't believe I used to be such a stuck-up pompous prig.

    --
    "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
  29. Re:National Archives of Australia have them anyway by turbidostato · · Score: 1

    "The recovered episodes are broadcast versions from Australia, which had bits censored out of them."

    Are you kidding me? Please pay attention that I come from a country with a dictatorship back then. Are you truly telling me there were something to be censored out of a Dr. Who episode from the sixties!? I think even Franco would be surprised to know.

  30. Oh, guess I wasn't the first... by Dogtanian · · Score: 1

    Talk about a cosmic coincidence- literally a couple of minutes after I'd posted the above, I become aware of this spoof article while reading this comment.

    I can only swear that I thought that one up without ever having seen that article (and some time ago as well), though I'd be surprised if others hadn't come up with a similar idea independently as well.

    --
    "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
  31. If my math is correct by drainbramage · · Score: 1

    This makes 2 more episodes I will never watch, for a total of any.
    Sure, 'friends' tried to make me watch a couple of times, but it made my brain hurt, and not in a good way.
    Guess I didn't care for the show.
    For some reason I liked 'The Prisoner'.
    Was that English or American based on English?

    --
    No brain, no pain.
    1. Re:If my math is correct by jd · · Score: 1

      The Prisoner was made by an English studio, written and played by an English actor, and location footage was in North Wales. It's thus 2/3rds English, 1/3rd Welsh.

      if you like The Prisoner, then early Who might actually appeal to you. My suspicion is that you've only (or primarily) exposes to JNT's travesty of an era, or the later debacles that claim to be Who but clearly aren't. (The TARDIS has no scanner, no blast doors, no HADS -- for crying out loud, it doesn't even have the internal hum! That proves, beyond all doubt, it can't be Who.)

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    2. Re:If my math is correct by drainbramage · · Score: 1

      Thank you JD, good info all around!

      --
      No brain, no pain.
    3. Re:If my math is correct by jd · · Score: 1

      Thanks.

      Particularly in the case of long-running sci-fi series such as Dr Who, I like to remind people that it had many eras and many styles, that disliking (or even being allergic to) one style doesn't necessarily mean the rest will provoke the same reaction. It's not a case of trying to push the series onto others, it's more a case of not wanting people to be deprived of making a choice. (When you don't know the choice is there, you can't make it.) The series isn't for everyone, even with the diverse styles, but I'd rather that be your decision and not that of one producer.

      The same is true even of shorter-running series like Blake's 7 - if I'd only ever seen season 4 I'd want to burn the memory of the show even existing from my brain. With the help of some home brewing, I've largely erased season 4 and have no intention of ever donating brain cells to that season ever again. The writing and production is really that different, even over such a short timeframe.

      Those times I've introduced Brit shows to others, I've started by trying to match up what I know the other person looks for in telefantasy and start there. I've been wrong a couple of times, but not often, which shows the method is reasonably sound. If I were you, I'd use that as the selection criteria of the starting point of any show and indeed to select the shows themselves. Even the closest of friends won't necessarily like the same shows for the same reasons, which can be a source of serious show allergies.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
  32. FUCK YES by atari2600a · · Score: 1

    While I hadn't gotten around to that 2nd serial, I've seen the first one from those douchebags at Loose Cannon that don't believe in public domain or digital copies (I've even seen them discourage OTHER restorers with absolutely no relation to them from releasing into the public domain at all!) This was one of my favorite lost serials, along w/ the Marco Polo one.

  33. i'd suggest the lotto by KingAlanI · · Score: 1

    it seems like going back to a recent lotto drawing would be relatively non-disruptive to the timestream.
    at worst the actual winner(s) would have to split the jackpot with you, and if there was no winner, the only effect is on the future: the jackpot for the next drawing wouldn't be as large.
    you can easily blend in with the society of a few days ago

    as opposed to going back a few millenia for diamonds, or going back a couple decades/centuries to invest in some big company early on - who knows what ripple effects that would have?

    --
    I listen to both RIAA and non-RIAA stuff if I like the music, tangential business/politics nonwithstanding.
  34. Alternative copyright stuff.. by Firethorn · · Score: 2

    Personally, I'd ammend copyright in the following ways:

    1. Copyright is free for the first 10 years. A fee is charged for the next 10. Renewals are technically unlimited, but the fee increases each time. Enough information will be published with a work that you can verify a work's copyright status online. If it can't be tracked down, it's fair game. Well, unless you stole an unfinished manuscript or something(need some wording to distinguish between protected 'work in progress' and 'abandoned'). In any case, the clock starts once you start selling.
    2. The fee will depend on the work - a single photograph, pretty cheap. A book? The same. Movies will be more.
    3. The work will be archived in the Library of Congress. The fees from copyright renewals will go towards this. They will be sufficient to keep the LoC running, providing good access and proper backups.
    4. Archival copies will have the following requirements:
      • Common high-quality archive format. Equipment will be available to translate the archive into common consumer formats(IE CD Master to CD)
      • No DRM or encyryption is allowed.
      • For software, source code and build instructions are required. A copy of the compiler used, etc...

    By 'common high-quality archive' I'm thinking things like 'glass master' for CDs and DVDs, certain backup tapes for programs, etc... Matter of fact, keeping stuff in multiple formats is ideal - For a movie: Glass master, 10 pressed DVDs, and a digital backup stored in a cloud type storage system. Regular testing and updating is included in the renewal costs.

    The idea is to make Walt Disney think long and hard about keeping movies like 'Snow White' copyrighted, much less their huge archive. Sadly, Walt Disney is one of the better companies at preserving their works. Others have let films rot in vaults. Thus the requirement for the LoC to act as an archive.

    --
    I don't read AC A human right
    1. Re:Alternative copyright stuff.. by darkjedi521 · · Score: 1

      You might as well include an high quality analog copy too for mediums where that is possible and makes sense - 35 or 70mm for film, master quality phonograph for audio, bound copy for ebooks - this way if the player becomes obsolete or suffers bit rot, there will be a trivial to recover analog copy to fill in the missing gaps.

    2. Re:Alternative copyright stuff.. by jd · · Score: 1

      I'd add one further clause: "Copies that are made purely for archival purposes but never played in public OR in private are exempt from copyright, provided the conditions of the exemption are wholly and provably adhered to. Copyright is retroactively applied for the entire duration of the existence of copies allegedly made for archival purposes but then used in violation of the exemption clauses."

      This would make collecting (where playing isn't generally the point) both safer and on sounder legal ground, which in turn would boost the material preserved.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    3. Re:Alternative copyright stuff.. by Firethorn · · Score: 1

      I considered that, which is why I didn't actually specify 'digital', simply giving examples. I want digital over analog because you can make a 100% perfect copy even over multiple generations, and 35/70mm film, for example, is on it's way out(though it still has a long life remaining, it's a bit past middle age).

      Though you do bring up a good point - For copyright to be applicable, the LoC has to be provided the highest quality masters available, especially if it's going to be analog - Let the studio keep the master, but the library gets a first run copy(most theaters get a 3rd or 4th run copy - a copy of the copy of the master). I'm not going to be satisified with DVD quality of Blu-ray is available.

      Still, I'm worried about cost and space - bound copies can be lost as well, to fire, for example.

      'Bit Rot' would be managed by having an actual transcription program to transfer old data to new formats, preferably lossless. CDs going away? Transcribe to FLAC. FLAC going away? Transcribe to it's replacement. Are you using DLT-III tapes for your archives? Time to move up to DLT-IV. Medias and formats will be chosen on the basis of how widespread it's usage is in professional and non-professional circles, their quality and durability, availability and anticipated longevity. If a format starts becoming depreciated(DLT-III tapes are now more expensive than DLT-IV), the LoC shall conduct a study* and switch to a format that's mainstream and gaining, IE in the prime of it's life.

      *Should be formal, shouldn't cost millions

      --
      I don't read AC A human right
    4. Re:Alternative copyright stuff.. by Firethorn · · Score: 1

      This would make collecting (where playing isn't generally the point) both safer and on sounder legal ground, which in turn would boost the material preserved.

      True, but consumers don't typically get their media in formats with good longevity, especially today, which is why I want to task the LoC with it. Of course, short of rewriting copyright law all by myself, it's always going to remain an incomplete scenario.

      Can anybody answer how much should storing 50 GB of data(blu-ray max), with 99.9999999% reliability per year cost, in a massive warehouse scenario? It cannot be 'lost', 'misplaced', or discarded. It needs to be accessable by equipment readily available at the time, and not need difficult to obtain or unreliable legacy equipment/software. Duration? Pretty much permanently.

      --
      I don't read AC A human right
    5. Re:Alternative copyright stuff.. by jd · · Score: 1

      That's a very good question. The digital media with the longest lifespan is based on core and gives you a 100 year lifespan (generally considered "archival quality" in physical formats) but it's horribly expensive to build core-based memories and even modern derivatives are usually bulky.

      I'd also like to point to this article on the subject:

      http://www.uky.edu/~kiernan/DL/hedstrom.html

      A quote from it:

      "Most librarians and archivists have accepted the basic wisdom -- for now at least -- that digital preservation depends upon copying, not on the survival of the physical media (Lesk). But copying, also referred to as "refreshing" or "migration" is more complex than simply transferring a stream of bits from old to new media or from one generation of systems to the next. Complex and expensive transformations of digital objects often are necessary to preserve digital materials so that they remain authentic representations of the original versions and useful sources for analysis and research (Task Force on Archiving of Digital Information)."

      The problem with the solution described is that most modern formats are lossy, so migration-based techniques (with the accompanying transforms) will degrade quality -- sometimes faster than copying analogue media. Only lossless formats are degradation-free from migration and most digital media is not transmitted in a lossless format. Too bulky. Which, ultimately, means that the primary reason for using digital (the ability to copy error-free) isn't valid for the way we currently use digital media, which in turn means that the kind of preservation you're talking about simply isn't possible without a major change in the way people approach data storage.

      And, since you're right in discussing what the consumer gets (versus what the studios have), that ultimately means consumers have to get archival-grade digital data for any kind of consumer-based archive (including libraries, who - as far as studios are concerned - are still consumers) to work at all.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    6. Re:Alternative copyright stuff.. by darkjedi521 · · Score: 1

      I was implying I wanted one of each - a copy of the work in its preferred analog or digital form, and a secondary copy in the other form at the highest quality conversion now available for future proofing - see NASA's issues when they found the moon landing tapes but didn't have a player that could play them. I choose film and phonograph because they are so simple to play back that no esoteric knowledge such as how vertical helix scan works or just what the heck side scan was is needed to recover information.

      So, for example - for a new album, I'd want a copy of the digital masters, and a record. 2 copies, different formats. One is ideal for duplication, playback, and distribution, the other is proof against codecs, knowledge, or hardware being lost

    7. Re:Alternative copyright stuff.. by Firethorn · · Score: 1

      I'd also like to point to this article on the subject:

      Interesting. I broke down the digital stuff a bit more with my reply to darkjedi, where I mentioned using lossless formats, and having some sort of regular transcription system.

      To be blunt, I'm not pretending that the task I would give the LoC would be 'cheap' or 'easy'. It'd be a massive effort, and insanely expensive on the whole. We're probably talking a team of a dozen people just managing the formats that books are kept in. Not actually handling the data, but setting rules for what formats you can submit your ebook in, evaluating automatic transcription programs, etc...

      To pay for all this, if you want your copyright enforced after the first 10 years, you have to pay your fees. Want 30 years? Even bigger fee. My only hope is that economy of scale would win, with the Walt Disneys of the world essentially funding the effort.

      But we'd get a useful amount of semi-modern public media out of it. After that, well, eventually the LoC will lose data, even if it manages my 9 9's of reliability. It probably won't manage that amount of reliability, not for unpopular stuff, or stuff that's somehow 'unique' and not suitable for automatic transcription. That's ultimately okay. If we even preserve 1% over the next 1000 years, we'll have done better than anybody else in history.

      Speaking of which - On second thought I think that having the LoC charge a reasonable fee for *access* might also be a good idea. That way it's getting money both from producers and consumers. That way the fee the LoC has to charge to producers doesn't increase too much from having to cover all the now public domain information. Let's say they charge $10/month(think Netflix but also with Books, music, programs and pictures), and it has so much useful information that pretty much every household has a subscription - it works out to ~$9B/year. You should be able to pay for a LOT of data retention with that much dough.

      And, since you're right in discussing what the consumer gets (versus what the studios have), that ultimately means consumers have to get archival-grade digital data for any kind of consumer-based archive (including libraries, who - as far as studios are concerned - are still consumers) to work at all.

      Consumer level archiving has always depended a bit upon luck - A CD might only be rated, on average, to last a decade, but if it's popular you're shotgunning out like fish do eggs. A lucky 'good' CD is additionally lucky by being kept by somebody who keeps it in near-optimal storage conditions. The bound book is never exposed to exessive light or moisture, etc... The film is stored, forgotten, in a dark climate controlled storage room. Books are a sort of special case- despite being 'analog' they're sort of digital, in that the shape of individual letters is relatively unimportant for copying purposes, as long as the words can still be figured out. Meaning the story/information can be recovered from a book in much worse condition than, say, a picture.

      --
      I don't read AC A human right
    8. Re:Alternative copyright stuff.. by Firethorn · · Score: 1

      So, for example - for a new album, I'd want a copy of the digital masters, and a record. 2 copies, different formats. One is ideal for duplication, playback, and distribution, the other is proof against codecs, knowledge, or hardware being lost

      You have a point, but the analog copy degrades over time in ways that can't necessarily be restored. Yes, you have to be careful with digital copies to prevent total loss, but conversion is easier as long as you're careful. Also, how do you make an analog copy of a computer program?

      Consider that it might not be so easy to play a phonograph in some far future time. Even if the disc doesn't become warped, you may need to construct special equipment to play it. What size and type of needle? How to you transfer the sound from the needle to the amplification system? What speed to you rotate the record? This is all stuff that, just like the magnetic tape, that you need to know. With film, most film systems in semi-modern years have a sound track. How do you play that?

      Basically, I think we need to dissassociate the art from the media it's contained on. After that, it can be kepted in a 'cloud', backed up to five seperate locations, each with multiple backups, including optical media to protect against EMP.

      Make no mistake, the theoretical LoC is going to have to be a very active depository, constantly testing and copying the works contained within. With a data 'cloud', this can be far more automated. With Vinyl discs, even if you transcribe once every 50 years, you end up using a stupendous amount of manpower on it.

      --
      I don't read AC A human right
    9. Re:Alternative copyright stuff.. by darkjedi521 · · Score: 1

      Computer programs obviously do not have an analog equivalent (unless you wanted a hard copy of the source and assets). For the other two, both are extremely simple - the audio in both cases is merely the actual waveform either etched into the groove or printed on the film. A phonograph can be played back with a sewing needle stuck into the bottom of a paper cup and spun by hand (you won't get more than 1 or two plays before destroying the record, but that's not the point). For film, shine a light through, hook up a solar cell, connect to an amp. You will get audio. For both, playback speed can be stored on the media (33 1/3 RPM, 18 in/s respectively) in human readable form. I'd prefer the digital copies, but I like the idea of having the older media shoved in a climate controlled vault, to hopefully never be used.

    10. Re:Alternative copyright stuff.. by jd · · Score: 1

      For books, I'd argue that books should be submitted exclusively in a format that is -either- lossless and self-describing (eg: LaTeX, SGML-based formats, Postscript, though there's plenty more) -or- formats that can be directly converted into such a format without human intervention. A self-describing format is great because even if the exact specifications for the format are lost, you can reconstitute it with comparative ease. It's not a cryptological problem the way any binary format would be.

      For multimedia, I'd try to be as close to that as humanly possible. It should not be necessary for archivists in the distant future, on discovering their digital format computer died on account of too much alien life-form pron, to become experts in digital analysis and forensics. There are digital formats that are extremely simple - bloated, but simple - that can be used.

      Ok, what would this require for the LoC. Well, 1 petabyte of data will require 512 standard-issue 2Tb drives. You want backups, so you want another 512 drives to act as a mirror system. Hard drives have an expected lifespan of 5 years, so that's not great. You can double the capacity of what's online by using tape drives and then archive both the original and mirrored tape. Tapes have a lifespan of around 15-30 years, if kept in ideal conditions, so that's a lot better than hard drives. Tapes are much cheaper than complete drive units, so making additional backups is less of a problem.

      It's not going to require a vast amount of space to store 256 tapes. If you include two backup copies, that's 768 tapes. A good-sized walk-in closet. Now, if the LoC wanted to back up not just copyrighted material but de-duplicated information off the Internet as well, you're looking at one such closet a month. That might be very painful, but given the size of a typical large warehouse - and you'd need one for each copy - it's doable for many decades. If you stick to just copyrighted material, even in the 100% lossless + self-documenting formats, I simply don't see enough material being generated to fill more than one such walk-in closet a year and the warehouse would likely not be filled for a couple of centuries or so. By the time the format reaches the point where re-duplicating is necessary, new archival forms will likely have been developed. The new forms will occupy less space, so the space in use will shrink. The shrink will likely be under 50%, so by the time of the next migration more space will have been consumed than for the previous migration. Even so, you're talking unimaginably slow creep.

      So for space that's peanuts by the standards of most Universities (the University of Manchester has over FIVE warehouses of books in addition to the massive libraries you can actually walk through) you can store more registered copyrighted data in a 100% reproducible lossless format than will be produced within the expected lifespan of any building used to store that data.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    11. Re:Alternative copyright stuff.. by Firethorn · · Score: 1

      For books, I'd argue that books should be submitted exclusively in a format that is -either- lossless and self-describing (eg: LaTeX, SGML-based formats, Postscript, though there's plenty more) -or- formats that can be directly converted into such a format without human intervention.

      Reads up on LaTeX - Interesting, but not completely suitable for all books. I'd say that epub should probably also be allowed; it's the most common ebook format, allowing hyperlinks and a few other things. But yeah. I deliberately stayed away from specifying any given format, because the point isn't about what formats we'd use, but the process for selecting which formats. Ideally speaking, they need to be widespread, open, have a 'good lifespan' ahead for them, and be 'ideally suited' for automated transformation to/from the format.

      As for HD's, well, 2 TB runs around $100 today, but simple mirroring isn't going to get you the 99.9999999% reliability I want. So you're probably going to have a server farm with the mirrored HDs, alternate sites(like 5 of them), AND backup sites with the things like glass masters. It's a complicated topic, and I still have trouble wrapping my head around 'keep it in the cloud' ideas, but I think it's the best solution.

      Space wise - I wasn't worried about 'space' until the prospect of keeping physical books in the LoC is considered. That's a good way to fill warehouses. Space for a server farm or tape library isn't that big of an issue. Managing that server farm/tape library is the issue, and the expensive part. Making sure the HDs and tapes are replaced as/before they fail, ensuring the items are kept in up to date formats, etc... Thats the big issue with digital records.

      The Dozen people for Ebooks isn't just for deciding which format. They're also keeping an eye on changes, testing and picking new formats, testing and verifying machine transcriptions, etc...

      --
      I don't read AC A human right
  35. "what if Hitler had gotten into art school" by KingAlanI · · Score: 1

    the point was that he got bitter while broke and homeless in Vienna, and getting accepted would have avoided that.
    it's hard to imagine what else would have happened to him or the world as a whole.

    --
    I listen to both RIAA and non-RIAA stuff if I like the music, tangential business/politics nonwithstanding.
    1. Re:"what if Hitler had gotten into art school" by Anonymous Coward · · Score: 0

      Thanks for explaining, Captain Obvious.

  36. Re:National Archives of Australia have them anyway by jd · · Score: 1

    Actually, yes. Australia was fairly bad about it back then, though the US could be worse at times. Probably one of the most edited scenes was with body bits oozing out of a Cyberman in Tomb of the Cybermen, but stories featured drug taking (Aztecs), assassinations (Romans), religious extremism (Crusades) and other stuff that we'd think nothing of today but was really shocking back then.

    Probably the most heavily-edited story was Masterplan, where episode 7 was entirely edited out of all foreign sales by the BBC for religious reasons. This is the only episode definitely never transferred to film and is therefore lost forever in video form. (The audio exists, thanks to fans soldering tape decks to the speakers of their TVs.)

    --
    It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
  37. Re:National Archives of Australia have them anyway by Anonymous Coward · · Score: 0

    The telesnaps were photographs taken off a TV screen while the episode was first being screened. This was not done by the BBC but they did seem to have commissioned a lot of episodes from seasons 4 and 5 to be recorded in this manner. This hoard of telesnaps was found in 1993.
    The Feast of Steven episode was broadcast from videotape but not converted to film for overseas sales.

  38. Give-aways can be expensive by DragonHawk · · Score: 1

    I can say from experience that it's often cheaper, from a liability and general management stand-point, to simply destroy something that it is to facilitate giving it away. I guess you'd be surprised how much of a clusterfsck giving something away can be. You have to deal with tons of requests, people complaining they didn't get what they want or should be first. If it's a physical give-away you need to handle physical security, crowd control, inventory, liability insurance. It's cheaper to just chuck it in a dumpster (or skip, rather since it's the BBC). Liability doesn't go away just because you say it's someone else's problem now.

    An auction, well, that can recoup it's own operating costs, so that's a better idea -- but only if the stuff sells. I gather the prevailing belief was that old TV programs wouldn't sell. Obviously we know now that's wrong, but TV was a very different world in the 1960s. The idea of the "re-run" was still relatively new. I'm not surprised the old guard didn't see the value, even going into the early 70s.

    Also -- and here I'm speculating -- when it comes to copyrighted material, sometimes there are ownership issues that would need to be untangled. It's cheaper to just get rid of it than to pay a lawyer to sort it out. I have no idea if that played a part in any BBC purge, though.

    --

    dragonhawk@iname.microsoft.com
    I do not like Microsoft. Remove them from my email address.
  39. Coming out of the clos.. er.. police box.. by doccus · · Score: 1

    The missing episodes thing was a favorite excuse to do an anti-beeb rant, about them erasing old episodes in order to re-use the videotape, back in the black and white era, when I was an obsessive 'Whovian'.. wasn't the kind of thing you admitted to your neighbours though at the time, not like now, especially if you were at least old enough to drive.. They were still joint British/Canadian prooductions too, back then.. lotsa folks think it was simply a British series, but it wasn't in the beginning. That's why i suspect that there could be more missing episodes locked up in the CBC bins somewhere (unless we threw them away too!)...

  40. Re:National Archives of Australia have them anyway by dbIII · · Score: 1

    I only saw "The Brain of Morbius" (4th Doctor) for the first time this year because the entire story was deemed unsuitable for broadcast. That story is basicly Dr Who meets Frankenstein without much in the way of horror, so I suspect the weirdos that demanded it not be broadcast were really objecting to the segments that made fun of strange religeous cults.
    Censorship "for the children" as cheap populist politics has a long history in Australia.