Slashdot Mirror


Paramount Claims Louis CK "Didn't Monetize"

Weezul writes "Paramount's 'Worldwide VP of Content Protection and Outreach' Al Perry has insinuated that Louis CK making $1 million in 12 days means he isn't monetizing. Al Perry asserted that 'copyright law gives creators the right to monetize their creations, and that even if people like Louis C.K. decide not to do so, that's a choice and not a requirement.' Bonus, Slashdot favorite Jonathan Coulton apparently grossed almost half a million last year."

288 comments

  1. I don't get it by zero.kalvin · · Score: 5, Insightful

    He got a million in 12 days, how is is not gaining money ? Wait I get it, he sould have made 20 million 19.99 of them goes to them and he only get 10000$ ?? Ok sorry apparently I don't know much about buisness...

    1. Re:I don't get it by Anonymous Coward · · Score: 5, Insightful

      They didn't say he didn't make any money. They said he chose not to 'monetize.'

      You probably don't know what that word means.

      You monetize content when you license it to a big studio and they take all your money.

    2. Re:I don't get it by don+depresor · · Score: 2

      post to undo wrong moderation...

    3. Re:I don't get it by Anonymous Coward · · Score: 2, Insightful

      Monetize. As in "Now, now, Louis, be a good boy and bend over so we can continue monitizing you and your peers"

      P.S. the captcha is "spreader," now that's just gold.

    4. Re:I don't get it by justforgetme · · Score: 5, Insightful

      Apparently Monetization is creating an environment (or set of rules) for a thing that isn't money so that one can use said thing like money. Like the well known phrase "I'll pay you four van Goghs for that ratburger".
      Which is kind of odd really for the Entertainment industry to go that way since you usually monetize non precious things (common metals or rock, hemp etc.) to monetize representations of art like music files, video recordings or image files is openly admitting that those things do not have a value other than the perceived/mandated one and that production of said forms of legal tender is negligible (aka you can't steal an mp3 or gif because it has no value of its own).

      --
      -- no sig today
    5. Re:I don't get it by 19thNervousBreakdown · · Score: 5, Insightful

      Monetizing means squeezing the maximum amount of money possible out of something, and letting everyone and their brother get their fingers into it. Much like Al Perry's mom, heyoo!.

      *ahem* Anyway, it's unlikely Louis CK would have made a penny more (and pretty likely he'd have made a lot less less) if he'd have gone with Paramount. But we would have paid at least $20, so four times as much, and gotten a DRM'd-to-hell-and-back file, if we were even lucky enough to get one that can be played more than once. In return, Paramount promises to "promote" his shows, so he theoretically makes it up in volume. Paramount would make a bunch of money, the artist would have made less and pissed his audience off at the same time, everybody (who counts, i.e. the Paramount execs) is happy!

      When Louis becomes over-saturated because Paramount would rather have $10 today than $2 year-after-year and can't sell tickets anymore, well, sorry bud, guess you're just not funny. Nope, it has nothing to do with the fact that we forced you into a terrible TV show because of some shitty clause in your contract and let Comedy Central rerun your specials until everybody knew them word for word and spent all of your money on over-promoting your stand-up shows that you don't have time to write new material for because we're running you ragged "monetizing" your every breath. Not our fault, the numbers don't lie. Next!

      --
      <xml><I><am><so><damn>Web 2.0</damn></so></am></I></xml>
    6. Re:I don't get it by notgm · · Score: 4, Insightful

      while this is a subtle sarcastic jab at the big studio, it's not far from correct, but it isn't entirely insightful, either.

      to monetize is to turn a profit. If Louis CK paid all of the salaries of all the workers (including himself), paid all appropriate fees and whatnot, and sent all of the surplus from the gross proceeds to charity, he didn't monetize. Al Perry is right in saying that he didn't monetize, because there was nobody to turn that profit over to.

      HOWEVER, his assertion that profit should drive art/entertainment is what we should take issue with. profits are for corporation or group-funded ventures, not individually founded enterprises. the whole corporation=person loophole has killed his perception.

    7. Re:I don't get it by Gideon+Wells · · Score: 0

      It is the definition. Their view is selling the product for maximum use of copyrightness. He sold it as product. He did not utilize copyright laws. So he didn't monetize his copyright claims, directly.

      It makes sense, and is technically right. Whether it is the path we should be taking in the future is another issue all together.

      --
      by Anonymous Coward: I, for one, welcome the shift from car analogies to pizza analogies. um.. overlords?
    8. Re:I don't get it by iluvcapra · · Score: 5, Informative

      In this context "monetize" means transforming the content demand into something that can be resold -- viewer eyeballs are resold to advertisers, thus ad-supported media is "monetized." Youtube is "monetized," Louis CK's videos aren't "monetized" yet but if they continued to move like the first one did it's a possibility, as advertisers see the videos as a useful way to piggyback their messages.

      Going to see a movie at a theater used to be the gold standard "non-monetized" form of entertainment, until they started inserting product placements, music, placing ads before the shows, and reselling the movies characters as brands for toys, games...

      --
      Don't blame me, I voted for Baltar.
    9. Re:I don't get it by Anonymous Coward · · Score: 1

      Nothing has value other than what you can sell it for, that's not a secret. Openly acknowledging that, however neither validates your frankly, asinine, insinuation that you can only steal something of value, or that value, not ownership, determines theft (pro-tip, if you take something that doesn't belong to you, and you don't have express permission from the owner to do so, you are stealing it), nor does it invalidated copyright as ownership of something.

      Earth-shattering though, I know, that a copyright holder openly states what everyone outside of Slashdot already knows; it is not obligatory to monetize (or commercialize, or even enforce ownership on) copyrighted works.

      Congrats though, you've discovered the gist of capitalism and of how a market works. Nothing has value beyond what you can sell it for, scarcity only weighs into the equation because it has an impact on supply and demand, not because it inherently makes something have a value, the rarest substance in the universe isn't worth a thing, if nobody wants it or nobody cares to sell it.

    10. Re:I don't get it by Tharsman · · Score: 5, Informative

      to monetize is to turn a profit. If Louis CK paid all of the salaries of all the workers (including himself), paid all appropriate fees and whatnot, and sent all of the surplus from the gross proceeds to charity, he didn't monetize. Al Perry is right in saying that he didn't monetize, because there was nobody to turn that profit over to.

      Actually, my understanding from wikipediaing is that monetizing is the process of converting some property in some sort of currency. If I dont monetize, lets say, my digitally recorded music, then it's not a crime to copy it because it has no value.

      If I do monetize it, then it is a crime to copy it because it's as bad as copying money.

      It does not seem to be a popular definition but I think this is indeed how studios see it. They use a word that intentionally sounds luring to creators (we will monetize your stuff!! Does that not sound like you will get money?!) While internally they are telling each other what they actually mean in keywords.

      The studios here are just trying to make creators think they would be missing in even more money than CK made if they don't monetize the way they did.

      I can see it now: Studio exec talks to creator:
      Hey Bob, what you rather do... profit of your music... or monetize your music? Seriously, what sounds like would make the most money to you?

    11. Re:I don't get it by j3p0 · · Score: 2

      Or as Eddie Murphy once observed:
      "Net points is monkey points, because they always make a monkey out of you"

      --
      "A Little Song, A Little Dance, A Little Seltzer Down your Pants" -Chuckles The Clown
    12. Re:I don't get it by erroneus · · Score: 2

      If ever there was an indication that the entertainment media publishers need to be committed to a mental institution, it's this.

      Louis CK (whoever that is) did something that did not involve the media publishers and made a very quick $million. (Oh I just googled him... I've seen him before... just never cared to remember his name... pretty funny... not quite George Carlin, but nobody can be George Carlin... not even George Carlin since he's dead now... I think he might be rethinking his 'respect for life' monologue now though) That's $1,000,000!!! Now he just needs to do that two or three more times so he can afford to pay the taxes on the first million. Then he can easily live the rest of his life without working in reasonable comfort. It's a LOT of money and it's certainly "enough" money for most people unless you're one of those sick greedy bastards who would prefer to see nations starve to death while their bank and investment accounts reach the trillions.

      And what do the media publishers say? "Well, we didn't make any money, so he didn't make any money." I think both Louis CK and the IRS will both disagree with the morons at the media publishing companies.

    13. Re:I don't get it by Anonymous Coward · · Score: 0

      heyoo!

      Making that noise after your own joke is obnoxious.

    14. Re:I don't get it by Anonymous Coward · · Score: 0

      because there was nobody to turn that profit over to

      There was - himself!!

      All the profit was his, as he was the sole "shareholder" in this venture. What is the problem??

    15. Re:I don't get it by jmauro · · Score: 4, Insightful

      That's the problem the studio is complaining about not being allowed to take their cut, mainly because they were cut out of the process entirely.

    16. Re:I don't get it by AngryDeuce · · Score: 2, Insightful

      Of all those things, the commercials they show before movies now is the most egregious thing in my opinion. I can't say for sure when I saw my first ad before a movie at the theater (but it can't have been before the mid-90's, because I don't remember it happening when I was growing up) but it's pretty much ubiquitous now.

      Still, I guess it doesn't really matter much to me because I go to the movies maybe 3 or 4 times a year, mainly because it's getting ridiculously expensive on top of all that "monetizing" going on and it's hard to justify the expense for a couple hours of entertainment when the shitting movie is going to be out on Bluray within a few months and Netflix and Cable a month or so after that.

      The only movie I even care to see this year in theaters is The Hobbit, and that's mainly because I've been following the production diaries and am intrigued to see what the quality of the film and the 3D work is going to be given the extensive amount of technical expertise involved in the filming. Nothing else, not even The Dark Knight, has me excited to go to the theater. I probably spend more time watching home made shit on Youtube than I do consuming Hollywood crap these days, honestly...

    17. Re:I don't get it by Anonymous Coward · · Score: 0

      profits are for corporation or group-funded ventures, not individually founded enterprises.

      On what do you base that presumption?

    18. Re:I don't get it by Anonymous Coward · · Score: 2, Insightful

      Of course he utilized copyright laws. The whole "make something and offer it for sale" model intrinsically utilizes copyright laws. That's why he made $1m instead of everyone just going off to TPB or whatever and downloading it for nothing. Without copyright laws there would be no moral environment in which paying $5 for something would be remotely interesting to people. People paid because they respect the moral principle from which copyright law derives. This moral principle is often lost amongst all the shouting about how studios rip everyone off. Here is proof that people want to pay creators. Everyone needs to stop using things like this as "proof" that copyright law is wrong.

      I'm not even sure who this guy is anyway. Who is Louis CK, and how did he get famous off his own back without the assistance in any way shape or form from the copyright-based corporate businesses he's now apparently a poster-child against? [Google] *sigh* Oh, he didn't. He's just another guy who got famous working within that system and now seeks to undermine it once it's no longer any use to him. Jeez, how original :p

    19. Re:I don't get it by Anonymous Coward · · Score: 3, Informative

      The TV-commercial-before-the-movie thing, as we know it, started in the late 90's. Before that, all you had were concessions and movie trailer ads. It's possible that they used to do it back before I was born (late 70's)... like when they did little news reels, but I wouldn't remember that. 80's and 90's were largely commercial-free at the theater.

      Of course product placement has been around far longer.

    20. Re:I don't get it by Anonymous Coward · · Score: 1

      No, it is *not* technically right. Just because he sold non-DRMed files doesn't mean that he didn't utilize the copyright laws.

    21. Re:I don't get it by brit74 · · Score: 1

      > "He got a million in 12 days, how is is not gaining money?"
      Just so you know, bringing in $1 million revenue does not automatically mean you're "making money". Making money means paying all your expenses and then having a profit. Louis C.K. says he, "$250,000 will go to pay off expenses related to the website. Another $250,000 is going to his staff and the people who helped work on the show.". Louis C.K. did make money from the show, but that's because of the other $500,000 ($280,000 of which he gave to charity).

      Also, I tried to lookup the quote by following links from the Techdirt article. God, I hate techdirt - not just because Masnik and Techdirt loves to spin anything related to copyright (Masnik believes filesharing should be fully legal and has a hand-waving explanation as to how to make money on digital content, his Techdirt sidekick, Nina Paley, argues copyright shouldn't exist in any form and anyone should be able to sell anyone else's copyrighted material), but also because all the links lead right back to Techdirt and you can't verify the quotes or find the context. Here's a link to the quote (thanks to Google, http://blogs.law.harvard.edu/infolaw/2012/04/10/hollywood-comes-to-brooklyn/ ) if you want to verify it like I did. The link is to a story where someone summarized Al Perry's speech (it's not a direct quote) - ugh, I hope he summarized it fairly otherwise were on a crappy witchhunt. For all I know, Perry might've said that Louis C.K. didn't monetize well (e.g. charge more and do more advertising or something).

    22. Re:I don't get it by Hentes · · Score: 2

      Just because he chose to donate more than half of the profits doesn't mean it wasn't profit. Also, whether he pulls out the money as salary or profit is a theoretical question for tax optimisers, the amount remains the same.

    23. Re:I don't get it by iluvcapra · · Score: 1

      "Shit" definitely beats "crap"... "honestly"... OTOH, movie theaters always had the candy stand, which is how they monetize their screenings, since they only keep a small percentage of the box office, particularly in the first two weeks.

      OTOOH, we'll see if Louis CK starts accepting ads, or if he continues using the PBS funding model, and I don't see how he'd sell a $1 million in videos without having had several cable specials for promotion first. What he's really done is he's "monetized" the publicity he got from the big media platform, it's not a good example of a sustainable, thriving business model. Dane Cook is a better example of a purely "internet-created" comedian.

      In the end, I'm sure that as long as people can laugh at the Holocaust and menstruation, Louis CK will have no problems, on whatever media platform he chooses.

      --
      Don't blame me, I voted for Baltar.
    24. Re:I don't get it by residieu · · Score: 5, Insightful

      No, if they'd produced his show for him. They wouldn't have made any money either. If they made money they'd have to pay him, so they'd insist to both Louis CK and the IRS that the show did not make any money whatsoever.

      We should feel lucky that despite the fact that even the biggest blockbusters don't make money, all these media companies stay in the business and keep putting out movies and music for us. Less generous companies would look at all the money-losing movies and get into another line of business.

    25. Re:I don't get it by Elbart · · Score: 1

      How horrifying.

    26. Re:I don't get it by AvitarX · · Score: 2

      If you were early, there was a slide-show that was 50% local adds, and some random facts/trivia.

      Not as obnoxious as adds after the lights go dim, but there were adds as long as I can remember (late 80's I suppose).

      --
      Wow, sent an e-mail as suggested when clicking on "use classic" banner, and got a fast response that addressed my msg
    27. Re:I don't get it by jellomizer · · Score: 2

      I wonder where the fine line between Product Placement, and placing a product to add to realism.

      When the movies make fake brands during their show, it somehow feels like it is breaking the 4th wall, to say that we couldn't get permission to use this product.

      I mean we use brand name products all the time in real life.
      I am currenly using a Lenovo Think Pad Laptop, drinking water out of a cup with Duncan Donuts label on it. Typing on a Logitech external keyboard, and using an HP extra monitor. Next to me I have my JVC headphone, a NEC Telephone, an empty Diet Coke bottle, a Poland Springs bottle (that someone left during the last meeting) and a Mr. Coffee Coffee maker, Expo white board markets,

      It is amazing how many trademark labels are with us all the time.

      --
      If something is so important that you feel the need to post it on the internet... It probably isn't that important.
    28. Re:I don't get it by Elbart · · Score: 1
      The first 250k already paid the staff (quotes from https://buy.louisck.net/news ):

      the first 250k is going to pay back what the special cost to produce and the website to build.

      The second 250k where extra bonus cash for his staff:

      The second 250k is going back to my staff and the people who work for me on the special and on my show. I'm giving them a big fat bonus.

      So he actually made 750k. That's a huge chunk of profit after investing 250k in my book.

    29. Re:I don't get it by iluvcapra · · Score: 3, Informative

      *I* remember the slides, I used to load them up when I was a projectionist at the UA in Roseville, MN :)

      You're right, the exhibitors always did this, it's the production and distribution getting into the game that's sorta different. Also, it used to be that "monetization" was ancillary to the primary goal of selling tickets, but ancillary has become such a huge profit center that it's been re-termed "monetization" and it drives decision making throughout the old-line entertainment and Internet/new media industries.

      --
      Don't blame me, I voted for Baltar.
    30. Re:I don't get it by residieu · · Score: 1

      And those commercials are so LOUD. Louder than the actual movies, usually.

    31. Re:I don't get it by Anonymous Coward · · Score: 2, Funny

      Hiring a sidekick on slashdot, to say it for you, is cost prohibative.

    32. Re:I don't get it by AvitarX · · Score: 1

      From what I remember when the not-monetizing was going on, Louis C.K. said that it was less than he would of received early on (first couple of day in). When he had the million he said it was more money than he ever imagined would be in the checking account, and felt a need to spread the wealth.

      The second $250,000 is implied to be an optional payment because he made so much, with the first $250,000 paying their normal wages.

      --
      Wow, sent an e-mail as suggested when clicking on "use classic" banner, and got a fast response that addressed my msg
    33. Re:I don't get it by roman_mir · · Score: 1

      By the way, you missed a spot, there is also 'debt monetisation', which is what happens when fake currency is issued by the Federal reserve in exchange for government bonds.

      Monetisation literally means turning whatever into money, of-course in case of government this does not need to be real money.

      But in this case the Paramount executive is full of it.

      Paramount's Worldwide VP of Content Protection and Outreach Al Perry:

      Perry opened by noting that one has to articulate a problem before seeking to solve it, and he refers to the problem as âoecontent theft.â He pointed out that copyright law gives creators the right to monetize their creations, and that even if people like Louis C.K. decide not to do so, thatâ(TM)s a choice and not a requirement.

      1. What Perry is really talking about is that HE cannot 'monetise' Louis C.K.'s work.

      2. Monetising for him is not what it really means. For him 'monetising' means limiting distribution channels based on the monopoly status granted by the threat of government violence because of the copyright law.

      Same thing applies to patents of-course.

      As long as government is in business of creating and maintaining monopolies, the wider economy will suffer the stifling, and it's funny how often people misunderstand what monopolies are and believe that free market creates monopolies, while in reality, every monopoly is creation of government. Free market in fact creates the most efficient distribution channels, that cannot exist when government monopolization is involved.

    34. Re:I don't get it by Erect+Horsecock · · Score: 1

      Depends on what movie it was. I remember going to see Back to the Future with my older brothers and there were Pepsi ads before the movie which we found odd. I want to say the original Keaton Batman had an ad shown before as well. Oh and Platoon had one for some candy that gave a percentage to veterans funds.

      --
      I hope you die painfully and alone.
    35. Re:I don't get it by Anonymous Coward · · Score: 0

      The first one of these I ever saw was a Power-Ade ad before the second Matrix movie. I can't remember any occurrence of it before that. To this day I've never had Power-Ade.

    36. Re:I don't get it by Mister+Transistor · · Score: 1

      The first time I ever saw them was on vacation in Key West, FL when I was about 9 or 10, that would have been around 1972. They were mostly ads for local businesses, but some looked like regular TV ads. Being from Chicago area, I had never seen such a thing back home. It wasn't until the mid to late 1980's that they started showing ads with the previews around the Chicago area.

      --
      -- You are in a maze of little, twisty passages, all different... --
    37. Re:I don't get it by Anonymous Coward · · Score: 0

      Similarly, I read this as element "a" can be found in the set of "B"; therefore all of "B" is contained in "a". Yeahno.

    38. Re:I don't get it by robot256 · · Score: 5, Insightful

      The moral principles behind copyright law are totally fine. Where your argument breaks down is where you assume the present scope of copyright law is in any way consistent with its moral basis. When people paid for what they could have got for free, they did it because they respect the moral principles, *not* because they respect the law. When I enjoy your work, I have a moral obligation to help you stay alive so that you can produce more work. I do not have the same obligation toward the corporation that bought the rights 60 years after your death. The additional incentive during your lifetime would have been so negligible that society is much better off with free access than they are with providing that incentive.

      For your second point, are you suggesting that artists who become famous by having the music companies promote them while taking all/most of their profits for the first N years somehow owe those companies for the rest of their lives? Have you not considered whether fame is a finite commodity for which a finite payment should be rendered? If anything, CK should be applauded for showing that the corporations do not have a monopoly on ways to make money from art. He engaging is classic capitalism: He decided that the services they rendered were not worth the price they charged. If the corporations really provide something of value for other artists, then his actions won't affect them. If everyone bails, and is the better for it, then it was only bullying and monopoly pressure that kept the corps in business and they deserve to fail. If everyone bails, and is no better for it, then I guarantee that the industry will regrow in short order, but with significant and beneficial changes. It's a win-win-win a far as I can see.

    39. Re:I don't get it by Anonymous Coward · · Score: 0

      Monetizing is generating *revenue* from something. It doesn't have anything to do with *profit*.

      But your comment doesn't make sense either way - he clearly generated significant revenue *and* profit from his recording, it's just that he paid all of the expenses and so he gets all of the money left over after paying those expenses from his revenue - ie. the PROFIT. These terms make no distinction whether it's one person or a mega-media corp doing it.

    40. Re:I don't get it by notgm · · Score: 1

      no problem at all - it's just that the fine point of the paramount mouthpiece is being missed and ignored.

      I guess it really depends on how LCK formed his venture...but i'd say for the sake of this argument, any value he paid to himself was salary...not profit.

      profit is what belongs to the organization after salary/lease/interest/tax is paid. in this case, it sounds like there was zero profit, although LCK made a tidy salary. in order to "monetize" the project, it would have to show a profit, which it did not, because LCK didn't fudge around with a budget - he didn't need to.

      it's a fine point, but that's the idea behind the paramount statement...technically correct, but fundamentally flawed.

    41. Re:I don't get it by Anonymous Coward · · Score: 0

      That's $1,000,000!!! Now he just needs to do that two or three more times so he can afford to pay the taxes on the first million. Then he can easily live the rest of his life without working in reasonable comfort

      Louis CK has been doing standup in large venues for years and starred in his own TV series. He's long passed the net worth needed to live without working in "reasonable" comfort...

    42. Re:I don't get it by nine-times · · Score: 2

      Right, essentially he's saying Louis CK was merely selling his work as a product instead of arranging all kinds of side-deals and whatnot. You might think that your record label is just interested in selling you music, or movie studios are just interested in selling movies. They're not. they're all wrapped up in all kinds of licensing deals, advertising, cross promotions, and product tie-ins.

    43. Re:I don't get it by SiChemist · · Score: 3, Funny

      When I went to see "Brokeback Mountain" with some friends, there was an advertisement for KY warming lube before the feature. I lost it. I started laughing and everyone looked at me like I was nuts. Some of my friends finally got it.

    44. Re:I don't get it by Anonymous Coward · · Score: 0

      Free market in fact creates the most efficient distribution channels, that cannot exist when government monopolization is involved.

      That's just like, your opinion man. Perry and the government disagrees. Perry and the government thinks the most efficient distribution channel is the one where they get paid for each and every glance or mere thought of a particular piece of art/music/etc under their control.

      And every sane person who's looking out for their self interest would come to the same conclusion. Who wouldn't want to make obscene profits for doing pretty much nothing but complain?

      I mean, imagine if you, mr roman_mir, were paid the same pay as Perry for doing what you do here (posting and complaining about government). You'd be an idiot to not take up the offer.

    45. Re:I don't get it by Anonymous Coward · · Score: 0

      Yeah, and guess what entertainment industry? I now make a point to seek out non-monetized content! I like that I didn't see any ads or even previews when I downloaded Louie's latest video. I don't want to have crapware on my TV any more than I want it on my computer.

    46. Re:I don't get it by yoyhed · · Score: 1

      He monetized.

      $280k to charities, $250k to production costs, $250k as bonuses to his staff, and $220k for himself.

      --
      WHO NEEDS SHIFT WHEN YOU HAVE CAPSLOCK/ DAMN1
    47. Re:I don't get it by erroneus · · Score: 2

      That's an interesting point and I hope you get modded that way. The publishers don't want the IRS and the others out there to see that they can make serious money by keeping the publishers out of their business... and the IRS too.

      The IRS has attempted to investigate their dealings in the past. They just can't seem to get past the magical "anti-semite" force field.

    48. Re:I don't get it by Anonymous Coward · · Score: 0

      You can't possibly go one thread without bashing government, can you?

    49. Re:I don't get it by Anonymous Coward · · Score: 0

      I wish people would start using the word properly. Monetize has nothing to do with wringing every last cent out of every single possible thing on earth. It has to do with actual currency and nothing to do with products or services

    50. Re:I don't get it by dgatwood · · Score: 1

      Going to see a movie at a theater used to be the gold standard "non-monetized" form of entertainment, until they started inserting product placements, music, placing ads before the shows...

      Which was precisely when I stopped going to the theater. I'm not going to pay seven bucks for a ticket so that you can show me ads. If I want to watch a bunch of ads, I'll wait a year and watch it on TV. Your choices are: A. free and ad-supported, B. not free and not ad-supported, or C. free and not ad-supported. There is no choice D.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    51. Re:I don't get it by iluvcapra · · Score: 1

      Right, essentially he's saying Louis CK was merely selling his work as a product instead of arranging all kinds of side-deals and whatnot.

      Exactly. If he had done a contract with YouTube for original or exclusive content, there's no doubt you'd here some jackoff from YouTube or Google talking about how great it was that Louis CK had partnered with them to exploit their monetization platform, because that's exactly what Google runs, monetization platforms. It doesn't really have anything to do with old media/new media or DRM at all.

      Of course monetization, regardless of its form, is deleterious and sort of a cancer on entertainment....

      --
      Don't blame me, I voted for Baltar.
    52. Re:I don't get it by Anonymous Coward · · Score: 0

      People are not rational creatures, no matter how much free market proponents like to say otherwise.

    53. Re:I don't get it by Anonymous Coward · · Score: 0

      For any studio using "Hollywood accounting" (as I'm sure Paramount does on a regular basis), too fricking bad. Next time they should sign a contract for gross instead of net :-)

    54. Re:I don't get it by Omnifarious · · Score: 1

      When I enjoy your work, I have a moral obligation to help you stay alive so that you can produce more work.

      I have no such moral obligation. It's in my own interests to support someone who's work I like. You don't need to add the additional pressure of making it an 'obligation'. It's like telling me I'm obligated to eat, or watch sunsets.

    55. Re:I don't get it by Widowwolf · · Score: 1

      "I wonder where the fine line between Product Placement, and placing a product to add to realism.When the movies make fake brands during their show, it somehow feels like it is breaking the 4th wall, to say that we couldn't get permission to use this product." Or they didn't wanna have to pay to use the product

      --
      ~~"Of course, that's just my opinion. I could be wrong." ~~Dennis Miller
    56. Re:I don't get it by ppanon · · Score: 1

      Network effects and other barriers to entry in a market create monopolies. Some of these barriers to entry (copyright, patents, legislation that favour established players in exchange for oversight) are created by government to encourage research and market development, and some (network effects, economies of scale) are inherent in the market segment.

      --
      Laissez lire, et laissez danser; ces deux amusements ne feront jamais de mal au monde. - Voltaire
    57. Re:I don't get it by roman_mir · · Score: 1

      Economies of scale are not monopolies. If they are not gov't maintained, then they are the most efficient distribution channel at the time of their existence - providing most value for lowest price.

      If there is space to provide more value for the same price or same value for lower price or better value for lower price, then either the economy of scale will do so and continue dominating the market or there will be a competitor born, and in absence of government protecting that economy of scale there are no barriers to entry but what the market sets, so it's not a monopoly.

    58. Re:I don't get it by ArhcAngel · · Score: 1

      The Back To The Future franchise was rife with monetization

      --
      "A person is smart. People are dumb, panicky dangerous animals and you know it." - K
    59. Re:I don't get it by gstoddart · · Score: 1

      In this context "monetize" means transforming the content demand into something that can be resold

      Holy crap, is that what that means? I R'd TFA several times, and had no idea what this meant.

      So, not selling ads is not monetizing?

      I really can't tell WTF Perry is arguing for, against, or about from the linked article. Or is are the content people arguing that everything should to be 'monetized' so some asshole can sell ads in every digital thing I ever get?

      I guess these are the same people who claim that the version as broadcast has to include the ads it aired with -- ignoring that the ads vary by region as local stations sell their own ads.

      --
      Lost at C:>. Found at C.
    60. Re:I don't get it by Anonymous Coward · · Score: 0

      If I dont monetize, lets say, my digitally recorded music, then it's not a crime to copy it because it has no value.

      That is patently wrong. The crime is copyright law and it is criminal act to reproduce another's work without permission and distribute it. Simply because something is not distributed, does not renter is valueless.

      If your definition was true, then all internal software ever created would be worthless. In fact, in many cases its value could be the core business of a company, like in banking.

    61. Re:I don't get it by Caratted · · Score: 2

      This is easily the most annoying things about ads within any video-based entertainment these days, be it cable or the ads before the movie in the theater. Drives me totally nuts. I remember a snippet saying commercials/ads are allowed to be as loud as the loudest moment within whatever show or movie they are contained within. My ears are sensitive. These days I won't even watch things that aren't DVR'd yet, or will come back 30m later, so I can skip them, for this reason alone. Seriously advertisers, WTF is with your audio.

    62. Re:I don't get it by icebike · · Score: 1

      I still don't understand why an offhand comment by a studio head makes it to a story here on Slashdot, when its entirely possible he didn't even know what CK made via his alternative monitization, and he may have simply meant that CK chose not to monitize with Paramount.

      Really, it seems silly to hang on every single word and echo it on a blog post, and even sillier to rush into Slahsdot and post story about a stupid blog post about a stupid one-line comment.

      --
      Sig Battery depleted. Reverting to safe mode.
    63. Re:I don't get it by debrain · · Score: 1

      In this context "monetize" means transforming the content demand into something that can be resold -- viewer eyeballs are resold to advertisers, thus ad-supported media is "monetized." Youtube is "monetized," Louis CK's videos aren't "monetized" yet but if they continued to move like the first one did it's a possibility, as advertisers see the videos as a useful way to piggyback their messages.

      What is the difference between monetization in this context and Broadcast Syndication?

      Or is the addition of advertisements more of an exclusive license with value added (via advertisements) reselling?

    64. Re:I don't get it by chromas · · Score: 1

      That ad was a figment of your filthy imagination, much like the second Matrix movie.

    65. Re:I don't get it by ppanon · · Score: 2

      You're a better debater than economist/robber baron. Economies of Scale can be used as a barrier to entry in a market, as part of a strategy to obtain and maintain a monopoly (mergers/acquisitions are often complementary tool in those efforts).

      If the market is very large then economies of scale can present substantial barriers to entry. There is a cost of capital for a competitor to be able to establish production facilities at a large enough size that it gains equivalent economies of scale as an established player. Since the established player doesn't need to pay that cost of capital (interest on borrowed funds) they can cut their profit low enough to drive the new player out of business through losses, until they regain their natural monopoly and can increase prices and profit once more. Go through this cycle a few times and investors won't be willing to risk their money in that industry again no matter how much the established monopolist is gouging their clients. Established players are willing to reduce short term profits or even run a small loss to gain a monopoly because they know they can recover the lost income over the long term once they have a monopoly. Now admittedly interest rates are low and the cost of capital is theoretically pretty cheap right now, assuming you can find a banker willing to lend you some money, but that's not always been true and will probably change again.

      Another example of a natural barrier to entry are the ever increasing capital costs of semiconductor manufacturing plants for microprocessors. If you want to enter that market and go up against Intel, you not only need one hell of a design team (and a protective patent portfolio which, yes, is a government granted monopoly), you also need to have enough cash to build a fab with a competitive process (in terms of feature size and power efficiency), or you need to take a smaller cut of the revenue of the finished product by letting someone else fab it for you (ARM, and now AMD). The only reason Intel isn't eating everybody's lunch in the mobile market is because they got so caught up in dominating the desktop and server markets that they got caught flatfooted, again, in the small device market where the focus is reduced power consumption instead of raw computing power.

      --
      Laissez lire, et laissez danser; ces deux amusements ne feront jamais de mal au monde. - Voltaire
    66. Re:I don't get it by AngryDeuce · · Score: 1

      Well yeah, I remember those. I didn't mind them so much because they were something to look at while you were waiting for the movie to start and, like you said, they got rid of them when they dimmed the lights and started the movie.

      Plus, as a movie buff, the trivia and stuff was actually a fun way to pass the time before the movie started. My local theater used to do trivia, but for whatever reason they stopped and just started serving up the static ads full-time, which leads into the commercials, which leads into the previews...so at best you're looking at 10 minutes after the printed time before the movie itself actually starts.

      I suppose I wouldn't care as much if I wasn't paying upwards of $20 a person when you factor concessions...

    67. Re:I don't get it by AngryDeuce · · Score: 1

      If I recall correctly, there was a bill proposed a few years ago that would have regulated ad volume and pegged the ad volume to the volume of the program that encapsulated them, but of course there wasn't anyone dumping wheelbarrows of cash on our congressmen to make it happen so it died. At least, I'm assuming it died, because I never heard much about it after that, and Lord knows my commercials are still loud enough to trigger my 5.1 receiver's clipping function and require anyone watching to dive for the remote every 12 minutes to crank the volume down. So fucking irritating...

    68. Re:I don't get it by AngryDeuce · · Score: 1

      I remember that ad. I remember they played an ad before the third one (shudder) for that ridiculous Matrix phone Nokia made that cost 3 times what every other phone back then cost and had half the features...

    69. Re:I don't get it by robot256 · · Score: 1

      Actually, I agree with you. "Morals" are very limited in their scope of relevance, and in fact should never factor into copyright policy. Copyright law was created expressly to benefit society by making more works available to the public, and really has nothing to do with any "moral" concept of what is fair to creators. It is precisely those "moral" arguments that have got us where we are today, where society has free access to *fewer* works than ever before.

    70. Re:I don't get it by Ihmhi · · Score: 1

      Somewhere in the world, a local proctologist missed an amazing opportunity.

    71. Re:I don't get it by roman_mir · · Score: 1

      You're a better debater than economist/robber baron. Economies of Scale can be used as a barrier to entry in a market,

      - wait wait wait, the economies of scale BETTER BE barriers to entry into markets, because economies of scale provide good value for low dollar.

      Economy of scale is not just a 'size' of business, it means that the production and/or distribution costs are much lower than they are in a non-economy of scale.

      I know what I speak of, I am building and providing ERP/SCM/CRM software systems for businesses, like retail chains for example. A larger retail chain can basically get a bigger discount, or a so called 'retro-bonus' in cases where government actually sets a, get this, MINIMUM PRICE on products! A retro-bonus is just a way to reduce the price, because the input costs of production didn't change, so a minimum price makes a manufacturer/producer/distributor less competitive, this is a way to provide a manner, in which preferred businesses can enter an industry and skim off the top WITHOUT COMPETITION.

      So you have to understand and analyse all the ways, in which governments screw the population over, but everything that governments do is aimed at raising costs.

      You think setting a MINIMUM PRICE is good for business? You think a minimum wage (same thing) is good for economy? All it does it prevents many people from entering the business (or entering the work force) and it forces prices to an artificially high level.

      Of-course businesses have found ways around it, thus so called 'retro-bonuses'.

      So an economy of scale IS a barrier to OTHER business, and that's the point. However, it doesn't hurt the consumer, it allows the consumer to get that high value at that low price. OTOH if the economy of scale fails to deliver the lowest price and best quality, then there is an way for a competitor to enter the market.

      This is what separates a monopoly from just an economy of scale - government rules. How does it do so? Licenses. Regulations. Taxes.

      Regulations, such as 'compliance' stuff, be it for 'security' nonsense, like that Patriot Act - pushed the costs up dramatically, virtually destroyed ability of Americans to see any new competition in banking, finance, investment, even IT.

      Taxes - you know, if you are an existing large business, you can lobby for good breaks there, if you are a new one, good luck.

      Licenses - yeah, did you do an environmental study? Did you ask your COMPETITION for PERMISSION, did you buy a medallion?

      There is a cost of capital for a competitor to be able to establish production facilities at a large enough size that it gains equivalent economies of scale as an established player.

      - except this is totally unnecessary.

      You do not need to match that competitor in size if there is a way to make profit at all. What I mean is that you have to know WHY you are entering that market. You have to know that you can make profit, which means you have to know that you can do something BETTER.

      Either you have a better process or technology or you found a new source of parts that is much cheaper, there has to be a REASON to enter a market.

      Just entering a market where there is an economy of scale right now, and thinking that you can be successful there WITHOUT some form of innovation that gives you the edge in terms of either production costs or distribution costs or whatever, well then why should the market care about your efforts?

      For all that market cares - go ahead, enter that business and DIE, because you are not good enough, not fit enough to make a CHEAPER or a BETTER product.

      Why should market care if you enter that space without any new ideas and without ways of providing a better/cheaper product?

      When Jobs came back and Apple was struggling financially, who really thought that t

    72. Re:I don't get it by squiggleslash · · Score: 0

      I have no idea what the situation was in the US, but I think any Brit reading this will recognize the words "Pearl and Dean" together with "Da-da-da-da, da-da-da-da, DADA-DADA-DADA-DADA-DADADA, DADA-DADA-DADAAAAA-DA!" from the 1970s.

      With the exciting and utterly deceptive starry intro that was followed by a series of ads that, for example, showed the inside of an Indian Restaurant that does not exist on any planet, elegantly described by {voice1} followed by {excited and entirely different voice2} telling you the address of a local restaurant that the ad was supposedly showing.

      Really? America didn't have cinema ads in the 1970s? AMERICA didn't have them when WE DID? AMERICA, who practically INVENTED CONSUMERISM?

      I don't believe you.

      --
      You are not alone. This is not normal. None of this is normal.
    73. Re:I don't get it by Anonymous Coward · · Score: 0

      Even if it is monetised, it is not a crime to copy the digitaly recorded music, it is only an infringement of copyright, which is a civil breach of contract.

    74. Re:I don't get it by kimgkimg · · Score: 1

      It involves taking your pants down and bending over. Louis chose to keep his sphincter intact. Good for you Louis!

    75. Re:I don't get it by Anonymous Coward · · Score: 0

      Apparently what the MAFIAA does isn't monetizing either then as it doesn't fit the definition I find online any better. http://dictionary.reference.com/browse/monetize So, monetizing is a word without meaning then, great let's forget it ever came up.

    76. Re:I don't get it by ppanon · · Score: 1

      Just entering a market where there is an economy of scale right now, and thinking that you can be successful there WITHOUT some form of innovation that gives you the edge in terms of either production costs or distribution costs or whatever, well then why should the market care about your efforts?

      Exactly. Which is why economies of scale can allow monopolies to exist. Now, reread my second paragraph to see how once they exist, a monopolist can price gouge its customers up until the point where somebody tries to compete on price, at which time they have advantages to put the competitor out of business. Wash, rinse, repeat.

      --
      Laissez lire, et laissez danser; ces deux amusements ne feront jamais de mal au monde. - Voltaire
    77. Re:I don't get it by roman_mir · · Score: 2

      Again and again: 19th century up until 1913 proves you completely, utterly, 100% wrong, as prices were falling, choices were increasing and competition was fierce.

      You are also wrong for another reason: plasma screens or mobile phones or anything. What makes more profit? Selling 100 at 100,000USD / piece? Selling 10000 at about 5000USD/piece?

      Selling 1000000 at 1000USD/ piece?

      No. The most money is made selling 1000,000,000 at 50 bucks a pop.

    78. Re:I don't get it by PuZZleDucK · · Score: 1

      Wow... over 25% to charity.

      I haven't considered before the enhanced trickle down effect of (real) people getting the money we pay for art rather than corporations. Could you imagine a studio paying out profits over and above what they expected to charities?

      --
      Can a person program a new solution to a problem? Why should anyone be able to stop such a thing? -Richard Stallman
    79. Re:I don't get it by ppanon · · Score: 1

      Again and again: 19th century up until 1913 proves you completely, utterly, 100% wrong, as prices were falling, choices were increasing and competition was fierce.

      Well, considering the 19th century is the core of the industrial revolution, where steam power and automation greatly increased worker productivity and are pretty well the classic example of disruptive technologies upending mature industries, I sure as heck hope that prices were generally falling.

      However even if that was generally true in most market segments where natural monopolies harder to come by, there were still significant exceptions where network effects and economies of scale could produce monopolies. For example Standard Oil, and some of the other monopolies that were broken up under the Sherman Anti-Trust Act. Anti-trust proceedings against Standard Oil were begun in 1909 and completed in 1911, short of your 1913 date, BTW. Now, the railroad trusts that were broken up through anti-trust action had often been made possible through right-of-way government land grants to defray investment costs (which were prohibitively huge barriers to entry), but they had grown into monopolies through M&As and network effects.

      --
      Laissez lire, et laissez danser; ces deux amusements ne feront jamais de mal au monde. - Voltaire
    80. Re:I don't get it by chrismcb · · Score: 1

      Of all those things, the commercials they show before movies now is the most egregious thing in my opinion. I can't say for sure when I saw my first ad before a movie at the theater

      I first saw ads in the theater in the mid 80s. I wrote to several theaters about the practice, claiming I was already paying them. The practice stopped for a few years. Before coming back as it is now.
      The thing is I don't mind the ads as much now, because generally the ads are displayed before the previews. With the exception of the Coke or the Concession ad (which is ok, cause it is the house ad) most of the ads I see are before the previews, when you are just sitting in the theater. Get there early, see an ad, get there on time and only see previews.

    81. Re:I don't get it by robot256 · · Score: 1

      Alternatively, every "moral" action can be seen as promoting your self interest because they generally contribute to the cohesion of a society, which benefits the majority of its members. The only reason the term "moral" exists is because some people are too dumb to see that by not killing random people they increase their own chances of survival, so we indoctrinate our members with a set of codes for them to follow whether or not they know the real reason. And of course morals change over time, because the circumstances change. There is nothing absolute about the self-interests of survival, thus there is nothing absolute about moral principles either.

    82. Re:I don't get it by Anonymous Coward · · Score: 0

      I wonder where the fine line between Product Placement, and placing a product to add to realism.

      The fine line goes somewhere between just drinking some Diet Coke and drinking it while holding the bottle in an awkward manner to avoid covering the logo.

      I was going to say that there is a difference between a person using a Thinkpad and every person in the movie using a Thinkpad but I couldn't of another good laptop brand.

    83. Re:I don't get it by Anonymous Coward · · Score: 0

      "When the movies make fake brands during their show, it somehow feels like it is breaking the 4th wall, to say that we couldn't get permission to use this product."

      You mean like Repo Man? (That is a joke wrapped inside an enigma, or maybe the other way 'round).

    84. Re:I don't get it by mr_stinky_britches · · Score: 1

      ok

      --
      Censorship is obscene. Patriotism is bigotry. Faith is a vice. Slashdot 2.0 sucks.
    85. Re:I don't get it by roman_mir · · Score: 2

      Standard Oil wasn't a monopoly, by the time it was broken up, there were a bunch of competitors.

      In 1870 S.O. supplied only 4% of the market. What was oil used for? It was replacing whale oil, it was mostly used for production of kerosene. They were very innovative, by 1897 their production costs were less than 1/10 (ONE TENTH) of their initial production costs levels of 1869, and S.O. passed the efficiency savings in sharply reduced prices further on, they didn't just 'keep the difference'.

      The prices for refined oil were 30cents per gallon in 1869 and then 10 cents in 1874 and then 8 cents in 1885 and 5.9 cents in 1897.

      How about THAT for 'GOUGING'? HA, COME ON. GOUGING!

      There was no monopoly at all, in 1911 Standard Oil had already 150 competitors, I actually had to look up a number of times. This included Texaco and Gulf.

      So saying that Rockefeller used predatory pricing with massive losses over decades without achieving the alleged monopoly payoff is just retarded.

    86. Re:I don't get it by Anonymous Coward · · Score: 0

      So saying that Rockefeller used predatory pricing with massive losses over decades without achieving the alleged monopoly payoff is just retarded.

      Actually, Rockefeller DID achieve payoff. From wiki:

      On May 15, 1911, the US Supreme Court upheld the lower court judgment and declared the Standard Oil group to be an "unreasonable" monopoly under the Sherman Antitrust Act. It ordered Standard to break up into 34 independent companies with different boards of directors, the biggest two of the companies were Exxon and Mobil.

      Standard's president, John Rockefeller, had long since retired from any management role. But, as he owned a quarter of the shares of the resultant companies, and those share values mostly doubled, he emerged from the dissolution as the richest man in the world.

      19th century US was not a free market paradise. Thanks to Big Government, Big Business (Rockefeller) became the richest man in the world. Of course, those broken up companies became the likes of Exxon and Mobil, who continues to make the rich richer to this very day.

      Really, Rockefeller's case set the example for which most/all modern corporations follow. Rockefeller showed that screwing with your customers makes you RICHER than looking out for customers (if S.O. was looking out for customers, they would have told government to f off and stood their ground, refusing to break up)

      You're right that S.O. didn't gouge people. That was dumb of them. They SHOULD have gouged people. It would have made them even richer. Its breakup implicitly showed that companies CAN gouge people, and be all the richer for it. So nowadays, everybody's looking for a chance to gouge people.

    87. Re:I don't get it by Raenex · · Score: 1

      Actually, my understanding from wikipediaing is that monetizing is the process of converting some property in some sort of currency.

      The dictionaries I checked are slow in catching up on the new usage, but I did find one:

      "3: to utilize (something of value) as a source of profit"

      The word "monetize" became popular during and after the dotcom boom, as in how do we make money on all these services we are giving away for free? Before there was advertising on YouTube, there was a lot of speculation in the press on how they were going to "monetize" it.

      In this case, Louis CK is making a profit by offering his videos for sale online, hence it is "monetized".

    88. Re:I don't get it by anyGould · · Score: 1

      Or more properly, they're hinting that if he had done things Their Way, even *more* money would have been made.

      Whether CK himself would have made more money is an exercise for the reader's personal politics.

    89. Re:I don't get it by Omnifarious · · Score: 1

      Yes, I agree with you on that. :-)

  2. Monetizing... what would Hollywood know? by Roogna · · Score: 5, Insightful

    What would Hollywood know about monetizing anything? After all from what they keep saying it's my impression that they loose hundreds of millions on every production just to have their hard work stolen by Evil Pirates(tm). So sounds like he made at least $1 million more than they ever do

    1. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 5, Funny

      After all from what they keep saying it's my impression that they loose hundreds of millions on every production just to have their hard work stolen by Evil Pirates(tm).

      Congratulations! This is one of those rare fortuitous occasions where making the "loose/lose" errror still makes sense.

    2. Re:Monetizing... what would Hollywood know? by oobayly · · Score: 5, Interesting

      Exactly, according to them they couldn't make a profit from revenues of almost 1 billion USD (Harry Potter and the Order of the Phoenix.

      I'm starting to believe that Hollywood really doesn't want to make money. After all, why else do they not want to put their films on the UK version of Netflix, when they're available on the US version? In the hope that we'll buy them on DVD instead? Good luck with that one.

    3. Re:Monetizing... what would Hollywood know? by SJHillman · · Score: 5, Interesting

      Movies that Hollywood has claimed a loss for:
      - Forrest Gump (as a result, the author refused to sell the studio the rights to the sequel)
      - Spiderman (Stan Lee successfully sued over this one)
      - My Big Fat Greek Wedding (most of the cast then sued the studio for a share of the profits)
      - Babylon 5 ("Basically", says Straczynski, "by the terms of my contract, if a set on a WB movie burns down in Botswana, they can charge it against B5's profits.")
      - Lord of the Rings (resulted in Peter Jackson not directing The Hobbit, also - 15 actors suing the studio for not receiving their cut of the profits)
      - Harry Potter and the Order of the Phoenix (reported a $167 million loss... which is roughly equal to the film's budget.)

    4. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      Why don't you educate us on the definition you're using so we can all join in?

    5. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      *lose

    6. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 5, Insightful

      How about that? Another AC who conveniently forgets, or doesn't know, that Hollywood uses 'creative accounting' with their films.

      Please go look up how the movie 'Titanic', actually lost money on the books, through billed well over $1Billion globally. Or how Stan Lee had to sue to get his massive share from Spiderman 1, when they tried to claim it lost money on the books, though billed well over $300 million domestic US in the first few months. Oh, right. Contracts. Has nothing to do with monetize, which is exactly what this guy is ranting about! He didn't contract through us, which is why they're complaining.

      What you're thinking monetize is, isn't what the Paramount bobble-head is talking about with this doublespeak.

    7. Re:Monetizing... what would Hollywood know? by teidou · · Score: 2

      "resulted in Peter Jackson not directing The Hobbit" Hmm. Are you aware he IS directing it? See the Hobbit Blog for proof, or at least an elaborate ruse. Or is the word 'resulted' evolving into some new meaning of which I was not previously aware?

    8. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      That is why the big name people give large flat fees or ask for money out of the gross reciepts. The people who get screwed are people whose lawyers and accountants didn't know the difference of that from gross profits or net income. It is such an old trick, I wonder why people still fall for it. Especially people like Peter Jackson, Stan Lee and some of the big names in LotR; they have been in the industry, don't they know better?

    9. Re:Monetizing... what would Hollywood know? by girlintraining · · Score: 5, Funny

      Movies that Hollywood has taken a risk on, since 1986:

      --
      #fuckbeta #iamslashdot #dicemustdie
    10. Re:Monetizing... what would Hollywood know? by geekmux · · Score: 3, Insightful

      Movies that Hollywood has claimed a loss for: - Forrest Gump (as a result, the author refused to sell the studio the rights to the sequel) - Spiderman (Stan Lee successfully sued over this one) - My Big Fat Greek Wedding (most of the cast then sued the studio for a share of the profits) - Babylon 5 ("Basically", says Straczynski, "by the terms of my contract, if a set on a WB movie burns down in Botswana, they can charge it against B5's profits.") - Lord of the Rings (resulted in Peter Jackson not directing The Hobbit, also - 15 actors suing the studio for not receiving their cut of the profits) - Harry Potter and the Order of the Phoenix (reported a $167 million loss... which is roughly equal to the film's budget.)

      Gee, I wonder how many Hollywood elite are homeless and bankrupt because of this?

      Oh wait, that's right I forgot. None of them.

      'Nuff said.

    11. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 2, Informative

      He wasn't for a very long time while he was suing them over LOTR profits.(100+ million if I recall correctly)

      They finally relented when Ian McKellen explained he was getting old and wouldn't be able to do it forever.

    12. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      - Harry Potter and the Order of the Phoenix (reported a $167 million loss... which is roughly equal to the film's budget.)

      Where are you getting these numbers?

      Harry Potter and the Order of the Phoenix:

      Production Budget: $150 million
      Worldwide total lifetime gross: $939,885,929

    13. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 5, Informative

      The truth is, not all of this is shady accounting. The problem is, people sign a deal where they get a cut of the theatrical profit, and even the most successful film (especially those that are very expensive to create) often fail to make a theatrical profit. Every cost associated with the creation of the film comes out of the theatrical profit. That includes cast and crew salaries, studio executives salaries, investor payoffs (very few films are financed entirely by a single studio), payouts to people who get a piece of the gross, advertising, film prints, everything. And remember, when they say such and such film made $100 million on a $50 budget, that movie is guaranteed to have lost money at that point. The $100 profit is the gross profit, and ignores that the studio has to split that with the theaters. The $50 budget is solely the production budget, and ignores advertising, film prints, executive pay, investor returns, and gross percentage payouts.

      Now, it's at this point that people usually say "that can't possibly be true, or no one would make movies". Well, while the theatrical release splits it's profits and takes the lions share of the costs, the DVD, television and streaming releases share very few profits and take very few costs. The DVD version costs a few hundred thousand to produce, the advertising budget might be decent but it's generally nothing compared to the theatrical advertising budget (and they can reuse a lot of assets), and there's generally no payout on the DVD to anyone on the creative side of actually making the movie. On top of that, the retailers selling the DVD generally only take 5-10%, much lower than the theaters take on the film. So while the studios themselves generally take a loss or barely break even on the theatrical release, if the movie is successful they can make heaping piles of money once it leaves theaters. On a huge release like a Harry Potter movie, you can pull in hundreds of millions on the DVDs, tens of millions or more on Pay Per View, then sell an exclusive window to HBO/Showtime/Starz to be the first pay channel for a few million, then get a few million more selling it to the ones that lost the exclusive, then a few million more selling it to Netflix, then a few million more to ABC/NBC/CBS/FOX for an exclusive window on broadcast. Then, once that's all done, you sell the international TV/Streaming rights to some other entity for a few hundred million more, and you don't share any of that with anyone.

      Now, you can definitely argue the "fairness" of this system, in terms of how much the studios make overall versus how much the creators make, but I have a minimal amount of sympathy for the endless writers, actors and directors who work in Hollywood and definitely should know how the studios make their profits, but then sign contracts that they know won't payoff, and still think they have a right to complain about it.

    14. Re:Monetizing... what would Hollywood know? by dkleinsc · · Score: 3, Funny

      Actually, it depends who they're talking to:
      To stockholders: "Yeah, we made millions"
      To anyone with a percentage of the profit: "Sorry, we lost $2 million on that one"
      To the IRS: "All our profits were in foreign countries, so we only have to pay taxes there"

      And so on.

      --
      I am officially gone from /. Long live http://www.soylentnews.com/
    15. Re:Monetizing... what would Hollywood know? by iluvcapra · · Score: 1

      Link is wrong, the document in the article shows a writer's defined proceeds from their payoff of their contractual deal, which is a formula based on a bunch of numbers, not a film's "profit". The words "revenue," "profit," and "cost" do not appear once.

      --
      Don't blame me, I voted for Baltar.
    16. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      Slashdot is such a waste of space. Peter Jackson is directing The Hobbit.

    17. Re:Monetizing... what would Hollywood know? by UnknowingFool · · Score: 5, Informative
      The Lord of the Rings is an interesting one because Peter Jackson opted for a share of gross revenue not profit which is the prevailing wisdom in Hollywood to actually get paid. Jackson's dispute with New Line was that they didn't pay him the amount he was owed despite this safeguard. New Line's response was to play the victim of Jackson's greed:

      "New Line already gave him enough money to rebuild Baghdad, but it's still not enough for him."

      It was true that they paid a lot; but Jackson's argument was they didn't pay him what his contract says they should pay him by selling rights internally within the studio for less than the real value.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    18. Re:Monetizing... what would Hollywood know? by nine-times · · Score: 3, Informative

      Part of the reason the Hobbit isn't already out is that it took Jackson and the studio a couple of years to come to an agreement. A big part of the reason it took so long was that Jackson was unhappy that we wasn't getting paid because the LotR trilogy somehow didn't make any profit (according to the studio).

      They settled it somehow, but I don't know how.

    19. Re:Monetizing... what would Hollywood know? by nine-times · · Score: 1

      IIRC, Star Wars has supposedly still not made a profit.

    20. Re:Monetizing... what would Hollywood know? by nedlohs · · Score: 2

      The prodution budget is not the only cost, and since you deduct costs from the gross to determine the profit your numbers are incomplete enough to be useless.

      There the $200 million distribution fees, the $131 million on marketing, the $57 million in interest, the $300 million on advances, and so on.

      http://www.deadline.com/2010/07/studio-shame-even-harry-potter-pic-loses-money-because-of-warner-bros-phony-baloney-accounting/

    21. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 1

      In other words, fuck you, it's legal.

      You and that concept are what is wrong with the world right now.

    22. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      Not necessarily that they don't know the difference between gross and net. They just assume Hollywood is using honest accounting.

    23. Re:Monetizing... what would Hollywood know? by UnknowingFool · · Score: 2

      What? Forrest Gump is the classic example of Hollywood accounting when Winston Groom wanted to be paid for his 3% of profits. The studio claims the film didn't make any profits.. Coming to America is another example. Art Buchiwald's script was optioned then turned down. Then Paramount made a movie remarkably similar to his script. When he won his lawsuit, Paramount then claimed it didn't make any money.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    24. Re:Monetizing... what would Hollywood know? by PhrstBrn · · Score: 4, Insightful

      Basically, what you're saying is, even though the same ads, materials, and movie are used in both the theatrical and post-theatrical release of the movie, they roll all the production costs into the theatrical release, instead of spreading the production costs between theatrical and post-theatrical release. Remind me how this isn't shady accounting?

      It's like saying it cost me $1 million dollars to design a new car, I then sell $750k worth of cars to claim a $250k loss, and when the next year comes I add a pinstripe for $100 and claim it's a brand new car and that the investors aren't entitled to their cut of the profits because this car isn't the same car.

    25. Re:Monetizing... what would Hollywood know? by Ameryll · · Score: 1

      My understanding is they do some financial buck passing so they can say they took a loss, pay less to some of the people involved, and still walk away with lots of $ in their pockets.

    26. Re:Monetizing... what would Hollywood know? by suutar · · Score: 2

      The elite are not, true. They have agents who will push for pre-profit payment and enough name recognition to get it. The other 97% of the cast is SOL.

    27. Re:Monetizing... what would Hollywood know? by Hognoxious · · Score: 2

      You say it's not shady accounting and then go on, at a not inconsiderable length, to describe all the shady accounting practices involved.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    28. Re:Monetizing... what would Hollywood know? by iluvcapra · · Score: 0

      Without seeing anyone's contract you can't say what people are entitled to, but most writers' contracts specifically entitle them to some percentage of "defined proceeds" from a film's exhibition and sales. The proceeds are defined as some amount of money collected for the film, ether the gross, or the gross minus the exhibitor's fee, or the gross minus the exhibitors and distributors fee, or any number of formulas that graduate the participation over weeks or months. The "expenses" of the film are subtracted, and this often includes a lot of costs that would never be counted under GAAP definitions of "costs," because many of the entities aren't at arms length and many of the costs are compulsory based on master agreements and formula deals.

      Essentially the famous "Order of the Phoenix" statement is just a paystub, it has nothing to do with wether a film "profits" in any sense, and studios never claim these movies lose money in public, it's only the disgruntled talent that does. Studios definitely lose money on other things and they're happy to grouse about that to Congress, just like any industry does (hello Amazon sales tax resistance).

      Winston Groom should have hired a lawyer, just like anyone who makes a multi-million dollar deal is supposed to do, it's minimal due diligence. Art Buckwald's specific gripe was that he thought Paramount stole a movie from him, which is to say they took his story without attribution or buying it from him, and in court they claimed that if he had received a standard writer's contract for the film, he wouldn't be entitled to any proceeds, because the proceeds weren't in the money.

      I don't weep for writers; they generally get significant advances, sometimes in the millions of dollars, for their work, and top rewrite screenwriters don't get "profits" but can charge $200k a week for their services.

      --
      Don't blame me, I voted for Baltar.
    29. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      It's shocking how many people in this day and age aren't familiar with the saying: "a percentage of the net is a percentage of nothing." Gotta ask for gross points.

    30. Re:Monetizing... what would Hollywood know? by iluvcapra · · Score: 0

      In other words, fuck you, it's legal.

      When J. K. Rowling collects her gross points from Warner Bros. they can't believe they let her have such a sweet deal, and she tells them "Fuck you, it's legal."

      --
      Don't blame me, I voted for Baltar.
    31. Re:Monetizing... what would Hollywood know? by tnk1 · · Score: 3, Funny

      You have mastered Hollywood accounting and made a car analogy. Congratulations!

    32. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      You would think that as someone who has been in the business for a while, Peter Jackson would figure out to specify his cut comes from the gross.
      If I ever write my best selling novel and sell the movie rights, I'm holding out for a cut from gross profits. 0.5% of Gross is better than 25% of Net.

    33. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      ...so when she gets the money she rightfully earned? You know various artists including peter jackson and Stan Lee have had to sue to get their money?(Oh sorry, I forgot LOTR didn't make any money. Why the fuck are they making the hobbit?? They're gonna lose another billion!)

      Maybe you honestly think these movies are losing money, I don't know. You seem like a worthless apologist, because technically they can do it, that makes it morally okay.

    34. Re:Monetizing... what would Hollywood know? by mcgrew · · Score: 1

      They loose hundreds of millions on every production? IIRC, they loosed 95 million on T2, and Mel Gibson loosed 65 million of his own money on Passion. What movie have they loosed hundreds of millions on?

    35. Re:Monetizing... what would Hollywood know? by mcgrew · · Score: 1

      ...and they have the chutspa (sp?) to call the pirates "thieves"!

    36. Re:Monetizing... what would Hollywood know? by bws111 · · Score: 1

      Well, that is exactly what happens, isn't it? You don't even have to add the crap about pinstripes and claiming it is a brand new car. If your investment ends prior to the car becoming profitable, you get none of the profits, even if subsequent sales make the car profitable.

      What, exactly, do you think is shady about that? You can't start claiming profits until your expenses are gone. You can't just defer costs until a later point in time, and pretend that by doing so you are profitable now.

    37. Re:Monetizing... what would Hollywood know? by iluvcapra · · Score: 1

      ...so when she gets the money she rightfully earned?

      Writers don't deserve profits unless their name or the reputation of their work guarantees box office. Why do people naturally assume that all film writers are naturally entitled to a share of the profits? Why not just a huge check up front? Or why not a share of the gross?

      What's happened is writers go to the press when they want to complain about their deals and mobilize the screams of a thousand fanboys to do their bidding, and people have allowed the whole "did the film profit?" question to frame the conversation, when some writers actually make gross splits, well better than "profit," and most writers make a hell of a lot more money up front than if they were just getting "profits."

      I have several friends that are working screenwriters, they make hundreds of thousands of dollars a year and have written several films, and contributed rewrites on countless others, but they've never had a film produced-- no film they've ever worked on has ever gotten to the point of being made. Are you saying that writers who spend years working on projects that don't get made aren't entitled to getting paid? They have almost zero control over that, you know. You do realize that somethingg like 99% of the screenwriting man-hours expended in Hollywood is spent on scripts that will never be produced.

      --
      Don't blame me, I voted for Baltar.
    38. Re:Monetizing... what would Hollywood know? by iluvcapra · · Score: 0

      While I don't normally comment on down-modding, I can't really figure out why people are modding these down aside from the possibility that they just don't agree with it on the merits.

      --
      Don't blame me, I voted for Baltar.
    39. Re:Monetizing... what would Hollywood know? by jamstar7 · · Score: 1

      I'm starting to believe that Hollywood really doesn't want to make money. After all, why else do they not want to put their films on the UK version of Netflix, when they're available on the US version? In the hope that we'll buy them on DVD instead? Good luck with that one.

      Oh, Hollywood wants to make money, of course. They just don't want you to know how they do it.

      If your corporation has two wholy owned subsidary corporations that do business only with each other, you can 'lose' LOTS of money in the paperwork. For instance, 'Babylon 5' reputedly has yet to show a 'profit' even after syndication deals, dvd sales, etc. Seems the contract with JMS was vague enough that if the studio has a fire on a production somewhere out in the Congo, the losses are written off from Babylon 5's profits. They call this 'Hollywood accounting', and they use it to avoid taxes as well as screwing the talent. No profit? No taxes.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    40. Re:Monetizing... what would Hollywood know? by jamstar7 · · Score: 1

      More likely, it was more of a case of the studio going "Here's the deal. Take it or leave it. No? NEXT!"

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    41. Re:Monetizing... what would Hollywood know? by jbengt · · Score: 1

      You can't just defer costs until a later point in time, and pretend that by doing so you are profitable now.

      Actually, the tax code often requires you to defer costs by spreading them over a number of years, resulting in profits now that you must pay taxes on.

    42. Re:Monetizing... what would Hollywood know? by spire3661 · · Score: 1

      If someone handed me LOTR and said direct it, Id probably do the work now and sue later too.

      --
      Good-bye
    43. Re:Monetizing... what would Hollywood know? by UnknowingFool · · Score: 1

      Without seeing someone's contract, you can't say . . .

      What?!! Both Paramount and Winston Groom both agree that his contract stipulated 3% of profits. This is not in dispute. Paramount is saying that the film did not make any profits which is a problem of accounting where they made the a very successful film a money loser on paper by fudging numbers.

      Winston Groom should have hired a lawyer. . .

      Again, the dispute is whether the studio actually lost money in the film which no one believes they did.

      he had received a standard writer's contract for the film, he wouldn't be entitled to any proceeds. . .

      First of all, Buchiwald's option did spell out he was to receive a portion of proceeds. The court ruled for Buchiwald as this was clear in his contract. Second, the dispute is that the central aspect of Paramount claim is that it wasn't his idea despite evidence to the contrary. Even if there was no proceeds in the contract (which there were), Paramount didn't pay him for the idea regardless. Lastly, only when Paramount had to pay did they then claim no profits.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    44. Re:Monetizing... what would Hollywood know? by jollyreaper · · Score: 2

      "New Line already gave him enough money to rebuild Baghdad, but it's still not enough for him."

      And lines like that make me see red. To put it another way: "Look, the only reason why we're breaking our contract is because we're greedy fucks but please, let's call him a pig for simply asking for what's contractually owed."

      --
      Kwisatz Haderach
      Sell the spice to CHOAM
      This Mahdi took Shaddam's Throne
    45. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      http://en.wikipedia.org/wiki/Hollywood_accounting

      read it. It interesting on how Hollywood avoid licensing fees

      The fees that are deducted in the final statement is really their pay check.

      If Hollywood say they made nothing out of the 1 billion dollar revenue, then it means they just deducted the true cost and pocketed the rest as fees.
      It shows up as nothing but they got all the profit.

      This way, the only pay the author a few grand.
      Clever huh

    46. Re:Monetizing... what would Hollywood know? by ashridah · · Score: 3, Funny

      Yep. Let's add to this another stunner:

      Darth Vader Not Getting Paid, Because Return Of The Jedi Still Isn't Profitable. Nevermind that, adjusting for inflation, Return of the jedi was the film with the 15th highest gross to date.

      But hey, You know, if it's not making a profit, then you don't have to pay anyone their share.

    47. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      You missed quite a few movies in your list. I'd wager that the list of movies that has turned a profit would be a lot easier to compile.

    48. Re:Monetizing... what would Hollywood know? by iluvcapra · · Score: 1

      Both Paramount and Winston Groom both agree that his contract stipulated 3% of profits. This is not in dispute.

      You've gotta show a link for that, newspapers routinely misreport the terminology involved here by simply accepting the writer's characterization uncontested, which should go to show that this matter doesn't concern anybody but the writer and his client. You'd have to show me his contract and it says "profits," and it gives language that defines that in GAAP-compatible terms -- I've done net and gross deals before for clients and my contract never says just "profit," your share of the money is always defined on a sideletter, usually several pages along, that rules exactly what is revenue, what is expense, and which tranches of investors have superior claims to your split.

      The entire narrative of this controversy is controlled by rich writers, their attorneys and agents, which leak everything that proves them right. Notice Paramount's response to Groom:

      " 'Forrest Gump' will make money for net participants and we have already advanced $3 million to these individuals, including $250,000 to Winston Groom. We are treating everyone fairly and respectfully and we won't be goaded into bad behavior."

      Emphasis mine. Note also they advanced him $250k as part of his agreement aside from direct payments of $35k for the original option. "Net participation" is a term of art that bears no relationship to any GAAP notion of "profit." you read through that whole article and the only people who use the term "profit" are the people who stand to benefit from stretching the definition to suit their checkbook, namely Groom, Eric Roth and the producers.

      Note also that if the United States had a proper Copyleft regime, he wouldn't get a dime from anybody and Paramount's film would be able to call itself a "mashup" of his novel.

      First of all, Buchiwald's option did spell out he was to receive a portion of proceeds.

      Exactly, not the profits, the proceeds of the agreement; proceeds != profits. The questions was wether or not the story they optioned was actually Buchwald's Coming to America concept, or an original story by Eddie Murphy with no contribution from Buchwald. At the juncture of Paramount declaring that net participation still hadn't paid off on Coming to America, Buchwald went to the LA Times because he thought it would improve his negotiating position to characterize Paramount's position as fraudulent, which it wasn't.

      All you're witnessing is a skirmish in the protracted political and legal battles between rich writers and rich movie distributors. Nothing more.

      --
      Don't blame me, I voted for Baltar.
    49. Re:Monetizing... what would Hollywood know? by iluvcapra · · Score: 1

      NYT article with quote. Remember, "net participation" is not profits. I don't even think studios keep an accounting of which movies make a "profit" in the clean sense, their model is based around renting facilities to independent producers, who get most of their money through hedge funds, government tax credits and special purpose finance vehicles. "Making a movie" is a multi-part process that involves many different economic actors, many of which are related in many different ways.

      Asking if Forrest Gump made a profit is almost like asking if a factory's 2nd floor makes a profit -- it's so intertwined and dependent on the other parts that you could only define "profit" by drawing a bunch of arbitrary lines.

      The closest you can get to answering this question is when an LLC is created strictly for the purpose of producing a single film, but in those cases the LLC is always wrapped-up as soon as costs are covered because tax laws only allow the costs of the film to carry over so many years. A movie simply isn't a "going concern," it's not a business, businesses make them, but they themselves are not severable ventures. And therefore, a film cannot "profit," it can only pay "proceeds."

      --
      Don't blame me, I voted for Baltar.
    50. Re:Monetizing... what would Hollywood know? by marcosdumay · · Score: 1

      If your investment ends prior to the car becoming profitable, you get none of the profits, even if subsequent sales make the car profitable.

      Except that investiment doesn't expire. If you choose to sell your shares back, you'll get your money back and will lose any subsequent profit. It you don't take your money back, you'll get any profit, it doesn't matter it it happens on the same year, or 20 years after you invested.

    51. Re:Monetizing... what would Hollywood know? by DreadPiratePizz · · Score: 1

      "there's generally no payout on the DVD to anyone on the creative side of actually making the movie."

      This isn't true. A portion of all DVD sales (and rentals) go into union pensions as per union deals. Actors and producers usually always take a cut as well. Granted this is significantly less than payouts from theatrical releases, but there are costs involved with DVD releases.

      The next time you think you aren't hurting the little guys when you pirate a DVD instead of buy or rent, just know that because of your choice less money goes into their pensions.

    52. Re:Monetizing... what would Hollywood know? by iluvcapra · · Score: 1

      I guess it boils down to this:

      Does Groom get a percentage of Paramount's profits off the film? They put some money into making the film, in exchange for a distribution agreement with the film's producer, the owner of the original property. They put up some of the money, not all, and for that they get a certain amount off the top of the money from the box office, some percentage that's really high the first few weeks and tapers off. They also have to split off gross revenue to pay the actors, without regard to their distribution charge. They'll definitely make a profit from this, but it won't be the "profit" of the movie, because they don't put up all the costs and they aren't entitled to all the revenues -- television, cable and DVD can be handled by them but just as often they are not, they can license or assign these rights to different parties. Does someone who's entitled to "profits" have a claim that survives reassignment?

      So Paramount produced Forrest Gump and distributed it, but this arrangement isn't very common, usually an independent production company, like Imagine Entertainment or Legendary Forces or Happy Madison or whatever will own the property and get some money to make the film through distribution agreements. Is Groom entitled to a share of these production company's profits? They only get money after the distributor's fee and gross participation, and they sell their film to many distributors and get a ton of money back from them to fund the picture, along with equity and loans from private investors, tax credits, film funds etc. Is the money they get from their distributors, minus the money they get to produce it, profit? The producers use the money they're advanced, often, to pay for other projects, or to pay themselves, they're often producing several movies at once and sharing their capital among all of them -- just because a production company pays a company to make X means they're bound to spend that money on X, they'll spend money they're paid to develop other scripts, pay the rent on their offices, whatever.

      The producers, when they do a distribution agreement with a studio, will often, as a condition of their distribution money, be required to produce the film using the studio's service divisions, their studio lot, their lab, their editorial services and sound house, etc. Are these costs "costs" for the purpose of determining profit? Technically they're revenue to the studio, contingent and derived from making the film, but they are taken from the pool of money the producer holds. These aren't really "costs" against the film, not wholly, so you'd have to figure out how much of these costs are pure and caused only by the production of the film, and these service divisions also take money from some contracts and spend them on others, and maintain capital that is shared across several movies at once...

      Producers often hire members of their own family and pay them to work on films. We'd have to forbid people from doing that if we wanted a clean accounting of the production company's profit, wouldn't we? In fact, everyone that has "profit" claims against the movie would have to be involved in approving the company's ongoing expenses promoting and maintaining the business of the film, wouldn't they?

      Distributors usually end up "owning" the master rights to a film when production companies go out of business, do they still have to pay "profits" after this happens? And are the profits reckoned with regard to the price they paid for the film, or the amount the movie was made for, given all the other complications involved in that?

      Essentially any commonsense definition of "profits" that you try to apply to movies turns into a sort of ultra-complicated mortmain rent.

      --
      Don't blame me, I voted for Baltar.
    53. Re:Monetizing... what would Hollywood know? by steelfood · · Score: 1

      I get what he's saying. I get what you're saying too.

      In an ideal situation, the product is the movie itself, with the cost of the overhead distributed over the entire product.

      But in reality, the movie is just content. The product is the film, the DVD, the air rights, etc. GP is saying that most people are too focused on one product, in particular the film that gets shipped to theaters (or really, the right to show the film), because it's the most visible and has the biggest numbers associated with it, and neglect the numerous other products using the same content.

      The accounting works the same. All the products utilize the same or similar content (e.g. the TV versions are edited). The costs for creating the initial product (the theatrical release) is high. The cost for creating the other derivative products is low.

      Hollywood accounting is infamous for a bit more than splitting a movie's cost and revenue apart like that. They're more like, if a set burns down during the filming of some movie, it comes out of the profits of a completely unrelated movie (see GGP for the specific reference).

      While one is just accounting and a bit shady, the other is completely ridiculous and over the top, bordering on fraud.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    54. Re:Monetizing... what would Hollywood know? by Dr_Barnowl · · Score: 1

      Writers don't deserve profits unless their name or the reputation of their work guarantees box office.

      I think that suggesting that JK Rowling didn't bring her reputation to the Harry Potter films is stretching it. The books were a runaway success even before the films. The book series had got up to Goblet of Fire (the fourth book) by the time of the first film release ; I remember the vast piles of Goblet of Fire that supermarkets laid out, and sold, within hours of release, shortly after midnight.

      Rowling brought so much clout with her that she was able to insist on a British cast, British production, British studios, etc. She single-handedly put a shot in the arm of the British film industry that will invigorate it for years to come. She is probably one of the few writers to have so much control over the film version of her work in the history of Hollywood. As is probably obvious from comments elsewhere in the thread, her insistence on gross points was smart, because if she had settled for net, she would have been royally screwed.

      With all 8 films having yearly world box office receipts ranked first, second, or third in their year, there is no way on Earth that they made a loss. If those films made a loss, I want to know who the secret cabal of financiers is, who just love movies so much that they are prepared to endlessly pour money into making them, even when they ALL tank so badly.

    55. Re:Monetizing... what would Hollywood know? by UnknowingFool · · Score: 1

      You've gotta show a link for that, newspapers routinely misreport the terminology involved here by simply accepting the writer's characterization uncontested, which should go to show that this matter doesn't concern anybody but the writer and his client.

      What? You've shown no link yourself in this entire thread. I've shown the wiki link above. Why don't you show a link for once for your assertion that newspapers lie.

      The entire narrative of this controversy is controlled by rich writers, their attorneys and agents, which leak everything that proves them right. Notice Paramount's response to Groom:

      [Citation needed]

      Exactly, not the profits, the proceeds of the agreement; proceeds != profits.

      Sigh. It doesn't matter whether it was proceed or revenue or profit. The fact is Paramount paid him nothing until they settled the lawsuit. Nada. Zilch. Again, this is fact which you can't dispute.

      The questions was wether or not the story they optioned was actually Buchwald's Coming to America concept, or an original story by Eddie Murphy with no contribution from Buchwald.

      Which a court has already answered that they stole his idea and didn't pay him for it.

      All you're witnessing is a skirmish in the protracted political and legal battles between rich writers and rich movie distributors. Nothing more.

      [Citation needed]. Please. Hollywood accounting screws over writers, directors, producers, and actors. If you researched any of the movies the OP presented, you would see that.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    56. Re:Monetizing... what would Hollywood know? by UnknowingFool · · Score: 1

      Asking if Forrest Gump made a profit is almost like asking if a factory's 2nd floor makes a profit -- it's so intertwined and dependent on the other parts that you could only define "profit" by drawing a bunch of arbitrary lines.

      That's not remotely the same. A better analogy would be whether or not a product made profit. Any company that isn't keeping track of whether of costs and profits at that level is horribly mismanaged and some companies can tell you whether products are certain factories make profit. But the whole point of Hollywood accounting is to hide the real costs and profit of the studio so that they pay as little as possible to everyone but themselves.

      The closest you can get to answering this question is when an LLC is created strictly for the purpose of producing a single film, but in those cases the LLC is always wrapped-up as soon as costs are covered because tax laws only allow the costs of the film to carry over so many years. A movie simply isn't a "going concern," it's not a business, businesses make them, but they themselves are not severable ventures. And therefore, a film cannot "profit," it can only pay "proceeds.

      All of this is irrelevant and untrue. You don't need a LLC for every single film. You just need a good accounting department. But the studios don't want this. The studios do have a way as somehow, magically they can say blockbusters don't make money when they have to pay someone. They also fight every request to look at their books. Most of the time, when presented with lawsuit like Buchwald vs Paramount, they will settle before they have to open their books for the court.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    57. Re:Monetizing... what would Hollywood know? by UnknowingFool · · Score: 1

      Does Groom get a percentage of Paramount's profits off the film?

      I don't know why you don't understand simple facts: Both Paramount and Groom agree he gets 3%. This is not in dispute. This is not a question. Paramount however hides the profits with accounting tricks so that they don't have to pay him anything. This is common sense. The rest of your post is irrelevat speculation.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    58. Re:Monetizing... what would Hollywood know? by iluvcapra · · Score: 1

      That why I concede she deserved it. But she's the exception; everyone here seems to think she should be the rule.

      --
      Don't blame me, I voted for Baltar.
    59. Re:Monetizing... what would Hollywood know? by iluvcapra · · Score: 1

      I don't know why you don't understand simple facts: Both Paramount and Groom agree he gets 3%.

      You gotta understand, he's entitled to a percentage of contractually-defined proceeds. Paramount never conceded he was due any percentage of their profit, only that he was a "net participant" and that net deals weren't paying off yet. "Net participation" isn't "profit participation." Where do they say otherwise?

      Paramount however hides the profits with accounting tricks so that they don't have to pay him anything.

      You can't make filmmaking as a business conform to your prior moral commitments just because it's easier for you to understand. In the early days of the film industry people tried to do "profit" deals and they got screwed every time because they quickly discovered it was impossible to create profit/loss accounting for films, on a film-by-film basis, that didn't create incentives for producers to mismanage. Any claim on Paramount for their "profits" could easily be discharged by Paramount selling the film to a distribution service company for a fixed sum and a sale-leaseback, or by producing the film through a shell company that's folded once the film finishes shooting; films use "grosses" and "proceeds" specifically to prevent studios from playing these games, because they're defined in terms that clearly delineate how the recipients claims survive when the film is sold to new distributors, which you couldn't do if you were trying to compute GAAP profit.

      Nothing I said above is speculation, every film we make goes through this process. Do you even know a professional screenwriter, or are you just forming your opinion from Wikipedia, Slashfilm, and Fatal Subtraction? The idea that movies never profit according to GAAP accounting rules, or that studios routinely claim that movies "never profit," is truthyness of the first order.

      --
      Don't blame me, I voted for Baltar.
    60. Re:Monetizing... what would Hollywood know? by iluvcapra · · Score: 1

      Come to think of it, there are actually situations where someone could start getting net proceeds even when the studio is losing money -- particularly if the studio screwed up and sold distribution rights to territories or pay TV for a bargain-basement liquidation rate, and the film in question was some sort of sleeper hit and suddenly started making tons of money on those channels.

      Just try to focus on the fact that net points are not a share of profit, they're something else. Go through the Order of the Phoenix statement, a lot of that stuff aren't legitimate costs, and a lot of the top-line numbers aren't realized revenue by the studio, they're actually a bit more inclusive, but if the guy who got this had a contract anything like the ones I've seen, everything there is on the deal he signed.

      OTOH, I've never heard of a studio using a document like this to claim that "movies are losing money" when they go into a labor negotiation, or when they go to Congress to ask for tax credits, that's just not what this form is for.

      --
      Don't blame me, I voted for Baltar.
    61. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      Funny, although I would argue there are a few. I was very impressed by The Hangover, a rated R comedy in this day in age. They spent a lot money making and advertising, to great success. Not much to be said about the sequel though.

    62. Re:Monetizing... what would Hollywood know? by IBitOBear · · Score: 1

      What is this "adding a pin-stripe" you speak of...?

      Just rename the paint color from Monte Carlo Green to Forest Racing Green, don't change the color mind you as that would disrupt consumer conciousness. Then say well clearly this is not the same car, it wasn't available in Forest Racing Green...

      Optionally remove the passenger seats (we only sell this car for use by the owner) [e.g. DRM] and charge more for it as "the sport edition" -and- get to claim its a different car so only you get to profit.

      --
      Innocent people shouldn't be forced to pay for inferior software development.
      --"Code Complete" Microsoft Press
    63. Re:Monetizing... what would Hollywood know? by UnknowingFool · · Score: 1

      You gotta understand, he's entitled to a percentage of contractually-defined proceeds. Paramount never conceded he was due any percentage of their profit, only that he was a "net participant" and that net deals weren't paying off yet. "Net participation" isn't "profit participation." Where do they say otherwise?

      You're trying desperately to word this in a way to make Paramount look better but you are quibbling over irrelevant details. Paramount has already said the money made no profits therefore Groom gets nothing. Profits or net participation, whatever, Paramount says Groom gets nothing. Also why don't you present a link that says "net participation."

      You can't make filmmaking as a business conform to your prior moral commitments just because it's easier for you to understand.

      What? Do you pay attention to the news? Every time Hollywood has to pay someone part of the profits, they (1) say the film made no money, (2) resist any attempt to see the books, and (3) if they lose the lawsuit, they settle but stipulate the books will not be opened. The rest of your statement again is irrelevant.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    64. Re:Monetizing... what would Hollywood know? by Anonymous Coward · · Score: 0

      Well, for DVDs and BluRays, the "added pin stripe" is usually in the form of added content consisting of deleted scenes, extended cuts, alternate endings, and director/actor commentary. Oh, and at least 10 minutes of non-skippable commercials and the standard FBI copyright lecture at the beginning. See? Totally different product...

      - T

  3. Idiots by Microlith · · Score: 5, Insightful

    Copyright does not give creators the "right to monetize their creations," it gives them a limited duration (hah) in which they can control duplication and redistribution of their work. Louis C.K. monetized his creation in the way he saw fit and it paid off handsomely. It might not have turned into many many millions of dollars, but it turned a healthy profit, sans DRM and other industry pushed bullshit.

    Fuck you, Al Perry. You're deliberately blind to his success because it points out that you're completely wrong.

    1. Re:Idiots by Anonymous Coward · · Score: 2, Insightful

      "It is difficult to get a man to understand something, when his salary depends upon his not understanding it!"

      --Upton Sinclair

    2. Re:Idiots by 19thNervousBreakdown · · Score: 2

      Even better. It points out that he's completely useless.

      --
      <xml><I><am><so><damn>Web 2.0</damn></so></am></I></xml>
    3. Re:Idiots by j-pimp · · Score: 3, Insightful

      You're deliberately blind to his success because it points out that you're completely wrong.

      The problem is Louis removed may market inefficiencies created by the RIAA/MPAA, and those inefficiencies create jobs!</sarcasm>

      --
      --- Justin Dearing http://www.justaprogrammer.net/ We're just programmers.
    4. Re:Idiots by nine-times · · Score: 1

      Copyright does not give creators the "right to monetize their creations," it gives them a limited duration (hah) in which they can control duplication and redistribution of their work.

      Which in turn gives them the ability to monetize it.

    5. Re:Idiots by Anonymous Coward · · Score: 0

      The problem is Louis removed may market inefficiencies created by the RIAA/MPAA, and those inefficiencies create jobs!</sarcasm>

      And when they're laying people off, they're "graceously releasing their workforce to use their creative talents and skills in other companies".

    6. Re:Idiots by RobbieCrash · · Score: 1

      Fuck you, Al Perry. You're deliberately blind to his success because it points out that you're completely irrelevant.

      FTFY

      --
      Keep on knockin'
      https://robbiecrash.me
  4. To paraphrase a great man... by daitengu · · Score: 5, Funny

    Ah, this is obviously some strange usage of the word "monetize" that I hadn't previously been aware of.

    1. Re:To paraphrase a great man... by HapSlappy_2222 · · Score: 1

      Yeah... either I'm not smart enough to follow this story, or Al Perry's comment is just plain nonsense. I doubt the former since I've had my Monday coffee, but I guess you never know.

      As far as I know, "monetize" simply means "to convert a thing into currency"*. We just do it so we don't have to barter everything; cash is far more liquid than a fistful of IOUs (which, in a sense, are the grandpappy of today's currency). Saying: "Hey buddy, I got a Pez Dispenser; I'll give you one for 5 cents." would be "monetizing" the Pez. Copyright doesn't provide this "right" (wtf? Is EVERYTHING some sort of "right" these days, simply so dipshits can threaten to revoke them? Is it my "right" to spend my cash, too?)

      *Interesting note: I double checked and found that "monetize" can also mean "to coin" (which actually makes complete sense, considering the other definitions). So, I'm going to "monetize" as many phrases as I can, starting with "Don't step in that 'Alperry' over there, brah, you'll stink for days!" Due to the convoluted and unpredictable law of semantics, I shall soon be wealthy beyond my wildest dreams.

    2. Re:To paraphrase a great man... by Rob+Riggs · · Score: 1

      Ah, this is obviously some strange usage of the word "monetize" that I hadn't previously been aware of.

      "Monetize"
      "To screw the consumer as hard as possible."
      "Monetize"

      --
      the growth in cynicism and rebellion has not been without cause
  5. Monetize doesn't mean profit by Anonymous Coward · · Score: 0

    He didn't monetize in the sense that he (the creator of the work) only profited himself, not all the shills in the MPAA.

  6. And who/what is "Louis CK"? by sirwired · · Score: 4, Interesting

    Would it have killed the submitter to include about three to five words informing us who the frack "Louis CK" is? Yes, it's just a Google away, but it would have been nice to mention it in the submission. (Or the editors could have added it.)

    1. Re:And who/what is "Louis CK"? by Anonymous+Psychopath · · Score: 5, Informative

      Would it have killed the submitter to include about three to five words informing us who the frack "Louis CK" is? Yes, it's just a Google away, but it would have been nice to mention it in the submission. (Or the editors could have added it.)

      He's a comedian who released his latest produced video directly to the consumer and DRM-free. He made it extremely easy and friendly to access and made a shitload of money in a very short amount of time.

      https://buy.louisck.net/

      --

      Eagles may soar, but weasels don't get sucked into jet engines.

    2. Re:And who/what is "Louis CK"? by GodfatherofSoul · · Score: 1

      Apparently, Dane Cook is infamous for ripping off his jokes. This is a phenomenon I've only become aware of in the last few years. Carlos Mencia and Robin Williams also have bad reps for stealing jokes. It's so bad for those two that comedians would walk off stage if they heard/saw them in the audience.

      --
      I swear to God...I swear to God! That is NOT how you treat your human!
    3. Re:And who/what is "Louis CK"? by Jeng · · Score: 4, Insightful

      Considering that googling still didn't pop up the relevant results, the information was not in the article, and this is not a tech issue in the least I agree that a little bit of background would have been nice.

      Just a little link to a story about his selling direct to customers would have sufficed.

      --
      Don't know something? Look it up. Still don't know? Then ask.
    4. Re:And who/what is "Louis CK"? by Hatta · · Score: 1

      Louis CK is the finest living comedian, hands down. He's right up there with George Carlin, Bill HIcks, and Richard Pryor.

      --
      Give me Classic Slashdot or give me death!
    5. Re:And who/what is "Louis CK"? by Anonymous Coward · · Score: 1

      He also has a pretty amazing TV show on FX, which is ostensibly a comedy but is closer to a more humanist Ingmar Bergman with dick jokes than a traditional sitcom. In other words, it's terrific.

    6. Re:And who/what is "Louis CK"? by Anonymous Coward · · Score: 0

      He's the son of Calvin Klein. Apparently he does interpretive dance in his underwear and sells videos of such.

    7. Re:And who/what is "Louis CK"? by nine-times · · Score: 1

      I mean... he is pretty famous. If the story were about Jerry Seinfeld, would you still expect an explanation of who he was?

    8. Re:And who/what is "Louis CK"? by s.petry · · Score: 1

      South Park had an episode and beat up on Carlos Mencia for it (Fish Sticks joke). I hate all 3 of them, so even if they stole I would not know.

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    9. Re:And who/what is "Louis CK"? by Jesus_666 · · Score: 0

      Remember that not everyone on /. is from the States. I only know Jerry Seinfeld because the sitcom he had in the 90s was named after him and, well, I grew up in the 90s. Apart from that he's pretty much a nobody in Germany. Comedy is a fairly regional thing so unlike "regular" actors (like Robin Williams who also showed up in this thread) comedians don't tend to have worldwide fame.

      (On a similar note (and to reply to the parent's sibling) I know George Carlin mainly because he's occasionally referenced on the web but my knowledge is limited to "starred in a bad sitcom" and "makes dirty jokes". I only know what Richard Pryor looks like because the Nostalgia Critic made a big deal of him having a bad role in a Superman movie. I have no idea who Bill Hicks is. Sounds like one of those omnipotent talk radio hosts you have over there.)

      --
      USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
    10. Re:And who/what is "Louis CK"? by nine-times · · Score: 1

      I only know Jerry Seinfeld because the sitcom he had in the 90s was named after him

      Similarly, you might know who Louis CK is because he has a current sitcom named after him. Actually a brilliant television show that probably shouldn't be called a "sitcom" because it's too brilliant.

    11. Re:And who/what is "Louis CK"? by mcgrew · · Score: 1

      Seconded! I never heard of him before, why do people automatically assume that just because they know something, everyone else must, too?

    12. Re:And who/what is "Louis CK"? by Anonymous Coward · · Score: 0

      Well, all those comedians were terribly overrated, especially Carlin. CK is horrible as well.
      Go ahead, call me troll, you know I'm right.

    13. Re:And who/what is "Louis CK"? by Hatta · · Score: 1

      Troll? No. Shallow and humorless is more likely.

      --
      Give me Classic Slashdot or give me death!
    14. Re:And who/what is "Louis CK"? by Anonymous Coward · · Score: 0

      http://bit.ly/secDHx

    15. Re:And who/what is "Louis CK"? by Spudley · · Score: 1

      I mean... he is pretty famous. If the story were about Jerry Seinfeld, would you still expect an explanation of who he was?

      You say that, and yet..... I've never heard of him.

      And I enjoy a good comedy show as much as anyone.

      My guess is that he's pretty famous.... in the US, but completely obscure anywhere else.

      (and yes, I know of Jerry Seinfeld, but I don't think I can remember the last time I actually saw him on TV)

      --
      (Spudley Strikes Again!)
    16. Re:And who/what is "Louis CK"? by Spudley · · Score: 1

      I only know Jerry Seinfeld because the sitcom he had in the 90s was named after him

      Similarly, you might know who Louis CK is because he has a current sitcom named after him. Actually a brilliant television show that probably shouldn't be called a "sitcom" because it's too brilliant.

      Wow.

      Now you've told me how brilliant it is, I feel compelled to go out immediately and watch every episode.

      I never would have imagined there might be a brilliant comedian I'd never heard of in a foreign country. If only you'd told me sooner.

      --
      (Spudley Strikes Again!)
    17. Re:And who/what is "Louis CK"? by nine-times · · Score: 1

      My guess is that he's pretty famous.... in the US, but completely obscure anywhere else.

      Yeah, but think about it this way: You're implying that people in the US should explain all of our cultural references that would be obscure outside of the US, since it's self-centered of Americans to expect others to know what's going on in our country. On the other hand, knowing which of our references would be obscure in your country would require us to pay just as much attention to your cultural references. If it's self-centered for me to assume that you know who Louis CK is, then it's just as self-centered for you to assume that I know that you don't know who Louis CK is.

      When I saw references to Peep Show on the Internet, I didn't get upset at British people for expecting that I know what they were talking about.

    18. Re:And who/what is "Louis CK"? by nine-times · · Score: 1

      What's the problem? If you told me there was an amazing TV show from your country, there's a good chance I'd check it out.

      Anyway, my point wasn't so much to tell you that you should watch it, though I would recommend it. My point is that (in my opinion) it's a better show than Seinfeld, so if you know who Jerry Seinfeld is, there's no real reason to think you couldn't know who Louis CK is.

    19. Re:And who/what is "Louis CK"? by asdf7890 · · Score: 1
      If the story were about Jerry Seinfeld, would you still expect an explanation of who he was?

      Expect, no. It would be nice, but I've grown out of expecting people to make a little token effort to help those not already in their circle.

      There wouldn't be any need for an explanation, at least the poster wouldn't have to think of something and type it. The web has a wonderful concept called hypertext - all that needs to be done is make his name a link to a relevant page (his own if he has one, or perhaps a wikipedia page if the trolls in those parts consider him notable enough to grant such a page).

      Like the link to more information about Jonathan Coulton. OK so that is an inward link but it at least has some more reference to the man's work (the linked interview could have benefited from a link to more about who he his though, I know who he is as do most people here, but many will not).

      It takes a little effort to add such a link, but you are saving a lot of people some effort (doing a search, finding several possible relevant links, hoping they picked the right ones rather than something about someone unrelated with the same name or a page made by some fool who thinks they know but knows nothing).

    20. Re:And who/what is "Louis CK"? by Anonymous Coward · · Score: 0

      Who???

    21. Re:And who/what is "Louis CK"? by Hast · · Score: 1

      There is quite a lot of material he's made on YouTube (and one of his records is on Spotify).

      Eg his interview on Conan is often linked online regarding entitlement: http://www.youtube.com/watch?v=8r1CZTLk-Gk (Everything is amazing and nobody is happy).

  7. Hold the phones! by Anonymous Coward · · Score: 2, Informative

    You mean Louis C.K. has enough respect for his fans that he decided not to soak them for all they're worth? Stop the presses, this goes against everything my MBA taught me!

  8. Not monetizing by inode_buddha · · Score: 3, Insightful

    Not monetizing *for whom?*

    He made a mil in 12 days. For most of us that is a lot of monetizing. So for whom is it not monetizing, and why?

    --
    C|N>K
  9. Comedy Specials by Anonymous Coward · · Score: 5, Interesting

    Louie said on the Opie and Anthony show that he's never seen any of the money from the sales of his comedy specials.

    1. Re:Comedy Specials by j00r0m4nc3r · · Score: 5, Insightful

      which is why he sold his latest special on his own website and made the money he deserves. fuck paramount

    2. Re:Comedy Specials by Anonymous Coward · · Score: 5, Funny

      Louie said on the Opie and Anthony show that he's never seen any of the money from the sales of his comedy specials.

      Exactly the point the Good People(tm) at Paramount(tm)(r) are trying to make. See, what he did right here was make money from the sales of a comedy show he's selling. That's different from monetizing(tm) it, which is wholesome and good. See, when you monetize(tm) something, you give all the cash to a worthy corporation that writes very big and very complicated stacks of papers to sign. A lot of people need to be paid well to write those papers, which I'm sure you'll agree are very very important. When you make money, on the other hand, you get to keep all that money, which is filthy and wrong, as it doesn't involve corporations being paid to write very big and very complicated stacks of papers.

      I'm glad Louis CK appears to understand how irresponsible and job-killing his greedy habit of making money is, and we at Paramount(tm)(r) are certain he will seek our forgiveness.

  10. 1M in 12 days isn't monetizing? by Anonymous Coward · · Score: 0

    1M in 12 days isn't monetizing? I guess that makes sense to someone with shit for brains.

  11. monetize by Anonymous Coward · · Score: 4, Funny

    "monetize" - You keep saying that word. I do not think it means what you think it means.
     

    1. Re:Monetize by LandoCalrizzian · · Score: 1

      FIXED: Paramount Claims Louis CK "Didn't Sodomize"

  12. Paramount's definition of "Monetize" by Bill_the_Engineer · · Score: 4, Interesting

    Based on Al Perry's comments do we assume that "monetize" is defined by Paramount and the rest of the MPAA/RIAA as the use of extortion tactics to gain revenue from copyrighted materials, or maybe it's not monetizing unless the courts are involved?

    The fact that Louis CK was able to make one million dollars in 12 days yet not meet Al Perry's definition of "monetize" implies this.

    --
    These comments are my own and do not necessarily reflect the views or opinions of my employer or colleagues...
    1. Re:Paramount's definition of "Monetize" by Chrutil · · Score: 4, Insightful

      I suppose Monetize means using "Hollywood accounting" to pretend no money was made from enormous profits.
      No question Louis CK made good money of it (rightfully so), and I really hope others that use the same methods will as well.
      Jim Gaffigans recent Mr. Universe, for example (and yes - get it and see it - best ever)

  13. The "Recipe"? by s.petry · · Score: 4, Interesting

    Great article. I'll save the media production bashing to those already on the trail and go to what I thought was an interesting theory by Lewis CK. "The key to success is being polite, awesome, and human".

    I don't think the first one makes that much difference. Lewis Black makes me laugh so hard I cry, and he's not polite. He is awesome, and to me funny. Steven Write is polite and human, but not what I would call awesome. Monotone is something that many people just can't handle.

    Anyway, I think that being human is probably the biggest factor. Glad to see something positive coming out of all this!

    --

    -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    1. Re:The "Recipe"? by mcgrew · · Score: 1

      "The key to success is being polite, awesome, and human".

      I doubt Bill gates or Steve Ballmer are any of those three things, yet they're both incredibly successful. The true key to success is plain old fashioned dumb luck, coupled with hard work. I never met a single wealthy person who could have become wealthy without extremely good luck.

      The "self-made man" is a myth.

    2. Re:The "Recipe"? by captjc · · Score: 1

      I think you are confusing comedy acts with professionalism. Lewis Black is polite to his fans, just not in his comedy. Same with Louis CK, his comedy is anything but polite. The best way to establish credibility and loyalty with your audience is treating people with respect not to be a dick to them. Many performers and entertainers who work with a crowd learn this or fade away. Too bad this lesson is lost on businesses where the name of the game has become "money at any cost, customers be damned".

      --
      Slow Down Cowboy! It's been 1 hour, 47 minutes since you last successfully posted a comment
    3. Re:The "Recipe"? by marcosdumay · · Score: 1

      "Chance favours the prepared mind", as Pasteur once said.

      In the case of Gates and Ballmer, they were prepared with a hand full of contact and money gathering tricks.

    4. Re:The "Recipe"? by mcgrew · · Score: 1

      You would never have heard of either of them if a) both of Gates' parents were IBM lawyers and b) the other guy... Nolan Bushnell? Can't remember, but another guy who was offered the OS contract got tired of IBM's arrogant BS and walked away from a fortune, only to have Gates and Allen get it.

  14. What a great CV by GreatBunzinni · · Score: 2

    It appears that one of the previous job held by Paramount's worldwide VP of content protection and outreach was working for Saddam's information ministry, where he provided Muhammad Saeed al-Sahhaf with material to use in all those insightful broadcasts. Do you know the "there are no American infidels in Baghdad. Never!" quote? It must have been this guy who was behind it.

    --
    Slashdot, fix your code or at least hire someone who is competent at it to do it for you.
  15. Worldwide VP of Content Protection and Outreach by Anonymous Coward · · Score: 1

    This is a translation error from the original Hollyaccounting language.
    The correct translation is Worldwide VP of Content that is made Out-of-Reach

    Sorry for the error. FTFY.

  16. Didn't monetize = Al didn't get paid. by Anonymous+Psychopath · · Score: 4, Insightful

    "The show went on sale at noon on Saturday, December 10th. 12 hours later, we had over 50,000 purchases and had earned $250,000, breaking even on the cost of production and website."

    Al is just pissed that a neophyte producer was successful without him.

    --

    Eagles may soar, but weasels don't get sucked into jet engines.

    1. Re:Didn't monetize = Al didn't get paid. by MojoRilla · · Score: 2

      Hey....this is the entertainment industry we're talking about?

      Louis CK fucked with the system. He wasn't thinking of the middlemen. He stiffed the studio execs. He gave the lawyers and his agent the finger.

      Will you think of the poor entertainment industry for a second? Blow and hookers are expensive. Vacation house mortgages don't just pay themselves.

    2. Re:Didn't monetize = Al didn't get paid. by s.petry · · Score: 2

      You just made me wonder.. Did he fuck his career on any and all possible TV, Movie, and/or Radio gigs? Not that he had much anyway, but I wonder how that is used as leverage in cases like this? The movie execs are known to be mafia like in their mentality and treatment of those that try to buck the system. I'd be curious as to the amount of hate mail, death threats, etc.. he is getting from the Holleywood crowd..

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

    3. Re:Didn't monetize = Al didn't get paid. by slodan · · Score: 2

      No, he negotiated the current gold-standard TV contract for creative artists. This is less money but full control of his great show "Louie" which runs on FX.

    4. Re:Didn't monetize = Al didn't get paid. by Progman3K · · Score: 1

      I'll bet that from now on, the studios will conspire to ruin his career, by preventing him from appearing on all the late-night talk shows, stopping publicizing his older works they have rights on, etc...

      In 5 years he'll be a nobody again

      --
      I don't know the meaning of the word 'don't' - J
    5. Re:Didn't monetize = Al didn't get paid. by dragonhunter21 · · Score: 1

      Give that he's got a show running right now, and it's been renewed for another season since this dropped, maybe not so much.

      --
      Sent from my CR-48
    6. Re:Didn't monetize = Al didn't get paid. by Ihmhi · · Score: 1

      You just made me wonder.. Did he fuck his career on any and all possible TV, Movie, and/or Radio gigs?

      No, and if he did, he wouldn't care. He already has a TV show right now (Louie, which I hope will get a second season). Obviously he handled this special on his own so he's quite capable of that. So long as you have a good agent you won't have problems booking clubs and theaters.

    7. Re:Didn't monetize = Al didn't get paid. by lucidlyTwisted · · Score: 1

      If he can make a few mill from fans, why should he care if he's a "nobody"?
      Heck, if all he can make in a year-or-two is $100,000 from fans; is that so bad? People get to see his work and he still earns a comfortable salary.
      One can't eat fame not use it to shelter from the elements.

    8. Re:Didn't monetize = Al didn't get paid. by Anonymous Coward · · Score: 0

      You mean he won't get a chance to be fucked in the ass with Hollywood accounting anymore? Shame.

    9. Re:Didn't monetize = Al didn't get paid. by Progman3K · · Score: 1

      What I meant was that I expect every media company to blackball him and anyone else that tries it.

      Not ignore, blackball

      --
      I don't know the meaning of the word 'don't' - J
  17. Umm...? by Anonymous Coward · · Score: 0

    And this is slashdot-worthy news...why?

    1. Re:Umm...? by MobileTatsu-NJG · · Score: 1

      Is this the new Slashdot meme?

      --

      "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

    2. Re:Umm...? by dragonhunter21 · · Score: 1

      New?

      --
      Sent from my CR-48
    3. Re:Umm...? by Mindcontrolled · · Score: 1

      Well some self-referential circle-jerking about the current thread not being news for nerds happens all the time. Usually in the political threads about stuff that actually matters. Given that I have no idea who or what Louis CK is and why I should care, I think the question is kinda valid at this point....

      Also, the language police will shoot people using words like "monetize" on sight when the revolution finally comes.

      --
      Ubi solitudinem faciunt, pacem appellant.
    4. Re:Umm...? by MobileTatsu-NJG · · Score: 1

      It's a story about copyright law and how the entertainment business model needs to be updated to the modern age.

      No, it's not a valid question. It's just a cheap way to get the word insightful next to your post.

      --

      "I like to lick butts!" by MobileTatsu-NJG (#32700246) (Score:5, Informative)

    5. Re:Umm...? by Anonymous Coward · · Score: 0

      Slashdot has a fairly diverse audience, just because you don't know who Louis CK is doesn't mean he is some obscure fringe comedian that no one knows about. He may not be as mainstream as Dane Cook or Jeff Dunham but he is far from obscure, especially to American audiences (of which Slashdot largely caters to).

      I hate all the bitcoin stories, doesn't mean it isn't apropos to Slashdot. Then again, I just don't read or comment on those stories.

  18. Paramount's interpetation: by kaizendojo · · Score: 2

    Is that he wasted time concentrating on being intellignet and funny, instead of trying to squeeze as much money out of his fans as possible.


    And Hollywood wants to know why they're losing the war against piracy....

  19. Wait didn't LCK by future+assassin · · Score: 5, Informative

    turn his work into money while while also giving his viewers get a good laugh. Shit not that I think about it, I got a two for one deal for my $5 and LCK got a new fan.

    Thanks LCK!

    Also didn't he donate some of the profits and share quite a bit of it with his staff? Good god we should hang him for such charity and make him lose his copyrights.

    Rather than hoard the vast new profit from the digital download sales, CK said he plans to split it up among various people and organizations. The comedian explained that $250,000 would pay for the standup special and $250,000 would be disbursed as bonuses to people who work for him. Also, CK plans to donate $280,000 to five different charities, including the Fistula Foundation, Green Chimneys, Charity:Water, the Pablove Foundation and micro-loan non-profit Kiva. That leaves CK with $220,000 for himself.

    “Some of that ($220K) will pay my rent and will care for my children. The rest I will do terrible, horrible things with and none of that is any of your business. In any case, to me, 220k is enough out of a million,” CK said, adding that he’s always viewed money as a resource rather than something you keep for yourself.

    --
    by TheSpoom (715771) Uncaring Linux user here. I have nothing to add to this but please continue. *munches popcorn*
    1. Re:Wait didn't LCK by Jason+Levine · · Score: 1

      It's quite the contrast between Louis CK and the usual Hollywood method of handling obscene profits.

      Louis CK - 25% pays for expenses, 25% for bonuses all around, over 25% donated to charity, keeps less than 25% for himself.

      Hollywood - What obscene profit? That billion dollar grossing film that set box office records *LOST* money according to these books right here. Those other ones sitting there? *waves hand* Those aren't the books you're looking for. Move along *sees waving hand isn't doing anything so grabs books, jumps into solid gold Porche and speeds away*

      --
      My sci-fi novel, Ghost Thief, is now available from Amazon.com.
    2. Re:Wait didn't LCK by liquidsin · · Score: 1

      without any sort of research what-so-ever, i will *guarantee* you that 22% of gross is better than any deal paramount or it's ilk would be willing to offer a creator/performer. good on LCK for capitalizing on this and earning all that goodwill and net-cred along the way. that five dollars bought me more entertainment than a fifteen dollar ticket to see hollywood's latest in a theatre, and it was enjoyed multiple times by myself and my friends. thank you LCK, and fuck you paramount.

      --
      do not read this line twice.
  20. Won't someone think of the middle man by ddd0004 · · Score: 1

    These poor entertainment executives have multiple sports cars and trophy wives that aren't going to fund themselves.

  21. Website idea by future+assassin · · Score: 1

    We need a site/app where people like LCK can post info of up and coming self produced shows to get the word out. I bought his special but only by chance when I saw a post about him on Michael Geists websites. $5 was a hell of a deal and I'd be willing to buy buy buy at that price.

    --
    by TheSpoom (715771) Uncaring Linux user here. I have nothing to add to this but please continue. *munches popcorn*
    1. Re:Website idea by gellenburg · · Score: 1

      That site you are looking for...

      It already exists!

      It's called Reddit.

  22. Hollywood commenting on alternative distribution by mounthood · · Score: 5, Insightful

    First they ignore you, then they ridicule you, then they fight you, then you win.

    --
    tomorrow who's gonna fuss
  23. mpaa and riaa steal from Content Creators by Dan667 · · Score: 1

    new line refused to pay Peter Jackson for Lord of the Rings saying it did not turn a profit and you hear about record companies getting naive bands to sign bad contracts all the time. Are you really stealing from people who often stole what they are selling?

  24. Monetize by nemui-chan · · Score: 0

    You keep using that word. I do not think it means what you think it means.

  25. I don't get that. by Anonymous Coward · · Score: 0

    "In this context "monetize" means transforming the content demand into something that can be resold"

    He's selling. That's how he made that money. You know, exchange of goods for services rendered.

    "viewer eyeballs are resold to advertisers"

    That would be a derived market, not monetisation of the primary market.

    1. Re:I don't get that. by iluvcapra · · Score: 3, Insightful

      He's selling. That's how he made that money. You know, exchange of goods for services rendered.

      The primary issue is that a clean quicktime movie is a good, but it's non-excludable and non-rivalrous. Nor is it really a service, since it's mechanically reproducible for marginal cost and no labor. In effect he's like a free-to-air PBS station, and his website is like the pledge drive that guilts you into ponying up there instead of going to bittorrent.

      --
      Don't blame me, I voted for Baltar.
    2. Re:I don't get that. by Lashat · · Score: 2

      Give this man a cee-gar! He is right on the monetization.

      --
      For every benefit you receive a tax is levied. - Ralph Waldo Emerson
    3. Re:I don't get that. by Omnifarious · · Score: 4, Insightful

      That's a fairly cynical view. Another view is he provided a convenient way for people to support entertainment they liked. I don't contribute to Kickstarter projects out of guilt. I don't click on the contribute via PayPal links on Open Source projects out of guilt. I do it as a way to reward the people who make stuff I like. I full well realize that they are likely to make more of it if they don't have to worry so much about food and things.

    4. Re:I don't get that. by iluvcapra · · Score: 3, Interesting

      Well, it's two sides of a coin, there's "guilt" on one side and "goodwill" on the other, both create revenue but neither is really a business model. There are people like Louis CK, just like there are people like you, but I think it's evident, at least at this time, that there aren't enough people like you to keep anybody but the Louis CKs of the world paid more than occasionally. It really is just a way for superstars to extract a premium, after making their name on the back of "monetized" media.

      As far as OSS is concerned, people give money to projects like Mozilla all the time, but in that particular case they're almost completely dependent on their "monetized" search field revenues, just as MySQL is monetized through a for-pay license tier, Android is monetized through a variety of different revenue streams, and Linux is monetized through support licenses.

      Red Hat doesn't depend on goodwill and neither should Louis CK.

      --
      Don't blame me, I voted for Baltar.
    5. Re:I don't get that. by Ihmhi · · Score: 1

      There are people far less talented than Louis CK and Jonathan Coulton who survive on the "give me whatever money you can" model. I think in the next 10-20 years we will see a hell of a lot more entertainers doing it, and hopefully the MAFIAA will wither and die.

    6. Re:I don't get that. by Anonymous Coward · · Score: 0

      Guilt and goodwill aren't business models?

    7. Re:I don't get that. by Omnifarious · · Score: 3, Interesting

      Well, it's two sides of a coin, there's "guilt" on one side and "goodwill" on the other, both create revenue but neither is really a business model. There are people like Louis CK, just like there are people like you, but I think it's evident, at least at this time, that there aren't enough people like you to keep anybody but the Louis CKs of the world paid more than occasionally. It really is just a way for superstars to extract a premium, after making their name on the back of "monetized" media.

      What an interesting set of blinders you wear. Exactly how many people have to be wildly successful with a business model based on goodwill (or I will grant you that perhaps some people feel guilty) before it's considered a 'business model'?

      There are a lot of independent artists that succeed with very little in the way of copyright enforcement. There is practically no webcomic author that sues his or her customers, though sometimes cranky letters are written. There are numerous Kickstarter projects funding various kinds of artistic expression that have been wildly successful (including the Order of the Stick webcome). There's Radiohead and NIN doing 'pay what you want' albums that have been wild financial successes. And, of course, there's the example of Johnathan Coulton.

      And Kickstarter projects (as an example) are certainly not wholly goodwill based, and they aren't in the least guilt based. They are based on people getting together collectively to pay for the creation of something they all want.

      So, how many have to succeed without the iron bands of copyright before you agree that those aren't necessary for you to be wildly profitable? Seriously. Is there any possible number of counterexamples that will actually change your mind, or do you feel that the only reason anybody does anything is because they will be sued or put in jail if they don't?

    8. Re:I don't get that. by Omnifarious · · Score: 1

      I agree. Fan based funding models (patronage being just one example of such) are how creative works will happen in the future. Given the constraints (making digital data non-copyable is like making water not wet), the copyright model is dead.

    9. Re:I don't get that. by iluvcapra · · Score: 1

      This has nothing to do with copyright enforcement. This is about monetization. Webcomic authors have AdSense, they monetize; open source projects use ads and licensing, they monetize. If Louis CK stuck ads all over his movies, it wouldn't matter how many people made copies, because every impression would in effect be more income to him. He did people a favor by not.

      Radiohead and Trent Reznor can pretty much do whatever they please, their pay-what-you-want deals keep their pools clean, and they're remix-how-you-wish arrangements keep them on the tips of a thousand hipster tongues, and fill YouTube with dozens of awful remixes of "Reckoner," and since awful remixes are this generations music video, their enhanced notoriety and fame all benefit them when they go to negotiate their iTunes and film placement deals.

      And Kickstarter projects (as an example) are certainly not wholly goodwill based

      All of the ones based on digitally-distributed recorded media are, until they complete and then they're able to monetize through ad-supported channels.

      --
      Don't blame me, I voted for Baltar.
    10. Re:I don't get that. by iluvcapra · · Score: 2

      I mean, there's no question in my mind that Free content can succeed as a business, when it can monetize. OSS does it, music does it, TV has always done it, and film is beginning to do it.

      The question before us is can it succeed if it does not monetize, as Louis CK did not, or as Radiohead did not with In Rainbows -- notice Radiohead hasn't repeated that particular experiment.

      --
      Don't blame me, I voted for Baltar.
    11. Re:I don't get that. by Omnifarious · · Score: 1

      No, they're not. A significant number of people treat them as pre-orders, not as 'goodwill'. I suppose in the back of their heads they know they could eventually get it for free when it came out. But this way they're notified with a download link when it comes out, get their names in the credits and any number of other things, including the feeling that they had some small part in creating it. They aren't 'goodwill' gifts. They're pre-orders with bennies.

      And this isn't about whatever you define as 'monetization'. That term is so vague you could make it mean almost anything that involves making money by making art. And that's what this is about. It's perfectly possible for people to make money off their art sans copyright protection. Enough people have accomplished it that you can call it a business model.

      Make no mistake, those Kickstarter projects wouldn't get a dime if they all promised the kitschy stuff with no art. What's being sold there is the chance to participate in the artistic process in some way. To feel like you helped make it. That's the reason the Grateful Dead was able to make so much money too.

      The model of fan participation is actually a more profitable model for artists. It's also one that permits them far greater artistic freedom. And it's replicable. Anybody can do it if their stuff is good enough or it caters to the right niche. It's a business model, a way to get money for your art. A way to 'monetize' it.

    12. Re:I don't get that. by iluvcapra · · Score: 1

      A significant number of people treat them as pre-orders, not as 'goodwill'.

      That's probably valid, but after it's released, why would a rational consumer pay for it? Again, it's non-rivalrous and non-excludable.

      Make no mistake, those Kickstarter projects wouldn't get a dime if they all promised the kitschy stuff with no art.

      Well that's in the eye of the beholder, I'm not really concerned with the whole "art" question -- copyright models don't guarantee that art will be created over vulgar amusements, and neither does Kickstarter. A big issue with Kickstarter is that it's TOO arty, and it doesn't really work for people who want to make big dumb mass entertainments, which are hugely profitable but generally require huge capital investment, and it's tough to create popular entertainment in a situation where you'd have to reveal your script or your story's hook in public in order to get funding. Maybe J. J. Abrams could go on Kickstarter today and fund his next movie, secret script and sight-unseen, but the next J. J. Abrams would have no such luck, cause he'd be a nobody. I have several friends that write scripts and develop film and TV ideas, and they know about Kickstarter and want nothing to do with it, frankly it's kinda political; at least in Hollywood you only have to make maybe a dozen rich guys happy, and you can tell them your six seasons of ideas without them spilling the beans, instead of having to please the whims of 800 fanboys.

      It also sets up this weird dynamic where movies are made to the specifications of a few high-brow types who put their money in, because the whole project is tailored to appeal to a passionate niche, instead of the whole of everyone. Kickstarter is very elitist, just as its fore-runner, PBS is. The basic message of the Kickstarter economy is: entertainment is only for people that spend an hour on Kickstarter every day paying for their favorite stop-motion animation.

      The model of fan participation is actually a more profitable model for artists.

      I know, it's a machine that turns formerly-respectable artists into Facebooking, Twittering C-list celebrity sellouts, because the only way they can hope to get any funding or attention is by "engaging" their "fans." Now I'm the elitist, but at least I think the artists are rightly the elite, and not their Pale Fire-basking patrons. Patrons have been trying to buy their way into artists' lives for centuries, and this is only the most efficient iteration, a perfect machine for throwing money at flash-in-the-pan shock artists, media whores and phonies.

      --
      Don't blame me, I voted for Baltar.
    13. Re:I don't get that. by guises · · Score: 1

      There is practically no webcomic author that sues his or her customers

      Not a good example of a business model based on goodwill, given that webcomics are monetized (they make money from advertisements).

  26. Whoosh goes here. by Anonymous Coward · · Score: 0

    Yes, that was rather the OP's point.

    For tax purposes, the company claimed 167 million in net loss to the movie production, somewhat more (but close) than the 150 million budget.

    Despite a gross (not net) return of nearly a billion, the net (on which they pay taxes) was negative.

    1. Re:Whoosh goes here. by bws111 · · Score: 1

      Taxes are calculated at fixed intervals of time. It is entirely possible for the tax year to close after the money was spent (cost) but before the movie was released. That would result, for that tax year, in a quite legal loss of the entire cost of the movie. Of course, the next year they would have enormous profits, which they will then pay tax on.

  27. J. Coulton by Anonymous Coward · · Score: 0

    I'm really surprised to hear that JoCo made half a million. He really caters to a niche audience (not a super small niche maybe, but he's definitely not "mainstream"). Plus what he charges (may it be for concert tickets, CDs or downloads) is really quite reasonable compared to the standards of the music industry. I had always imagined he made roughly the same kind of money a software engineer makes, maybe twice as much. This is more like 5x. Good for him!

    If he can do it, how long until "bigger" acts start questioning the way business is done and the value of the middlemen?

  28. Invention by Scutter · · Score: 1

    If you invent a word, then you get to invent the definition. I say Louis CK succeeded 100% in flrduburging his material.

    If he's making money and he's happy with the result, then Paramount can STFU.

    --

    "Tell me doctor, with all of your defenses, are there any provisions for an attack by killer bees?"
  29. They sold merchandising at a firesale price by Anonymous Coward · · Score: 1

    Then gave Peter his "cut" of that knock-down price". The company who bought those rights were another subsidiary of the same parent company as New Line.

    Therefore New Line got to merchandise from that other subsidiary at huge profit without having to give any to Peter.

    In any other realm, this would be money laundering at least.

  30. So what? by Anonymous Coward · · Score: 0

    His whole reasoning for cutting out the blood sucking middlemen was to NOT monetize and leech the consumer of every possible dollar! His blog even states that he could have gotten a large lump sum up front at first but it would have cost each consumer quadruple the amount of money and the content would be DRM Laden and difficult to transfer to other devices.

    Louis CK took a risk that the media corporations want us to believe is unthinkable and destined to failure, instead he made $1 million in 12 days, much more than he would have made from the media corporations.

    The simple fact is thanks to the internet, Louis CK has a direct line to his fans and supporters and does not need media publishing companies. He made more money than he would have going through them AND he took away less money from the consumer purchasing his product.

  31. Sell to your customers by GoNINzo · · Score: 1

    This article made me go and buy Aziz Ansari's special: http://azizansari.com/

    I had always meant to, but it reminded me that a $5 directly to the artist does WAY more than spending $20 on a dvd to a large company. I had bought Louie CK's thing the day it came out, but waited on Aziz's.

    So yes, Louie CK did not monetize because not everyone got their pound of flesh, but it's so easy to just sell a product cheaply when there are no concerns about who can watch it. And who knows, maybe those people go see his standup live and we have a decent comedian in arenas, unlike Dane Cook.

    --
    Gonzo Granzeau
    "Nothing the god of biomechanics wouldn't let you into heaven for.." -Roy Batty
    1. Re:Sell to your customers by forceman130 · · Score: 1

      This article made me go and buy Aziz Ansari's special: http://azizansari.com/ I had always meant to, but it reminded me that a $5 directly to the artist does WAY more than spending $20 on a dvd to a large company. I had bought Louie CK's thing the day it came out, but waited on Aziz's.

      I bought Aziz's and then went and bought Jim Gaffigan's also, even though I've never heard him perform before. It's totally worth $5 to encourage this kind of behavior by artists. http://www.jimgaffigan.com/

      --
      Wow, a 7 digit ID - let that be a lesson in the perils of procrastination.
  32. let's review the definition of "monetize" by ffflala · · Score: 1
    From the Oxford English Dictionary Online:

    monetize:
    Econ.
    1. trans.
    a. To establish (a metal) as standard currency in the coinage of a country; to put into circulation as currency. Now chiefly hist.
    b.To convert (an asset, debt, etc.) into money, to realize the value of (an asset, debt, etc.) as currency; spec. to convert (government debt) to a more liquid form, as by redeeming Treasury bills or replacing bonds with bills. Also: to assess in terms of monetary value.
    2. trans.
    To convert to the use of money; to convert (an economy) to a monetary system.

    Words mean things. It looks like Al Perry simply doesn't understand the word "monetize." Good thing too, because as distribution models continue to evolve, useless people like Perry and useless distribution dinosaurs like Paramount will be increasingly cut out of the profits that keep them alive.

    Since I'm looking forward to watching these parasitic organizations starve to the point of insolvency, I'm very happy to hear that an executive doesn't understand exactly how the ground is shifting underneath his cumbersome, unnecessary business models. We simply no longer need studios for production, distribution, or even PR.

    1. Re:let's review the definition of "monetize" by s.petry · · Score: 1

      It's not jus Al, or Paramount, or Holleywood not understanding the meaning of "Monetize". This has been a buzz-word for quite a few years now that means something similar to capitalize, or more like "squeeze every penny out of something".

      --

      -The wise argue that there are few absolutes, the fool argues that there are no probabilities.

  33. Big Hollywood by ThatsNotPudding · · Score: 1

    Big Hollywood could teach organized crime a graduate level course on money laundering and shell games. According to one set of books, Star Wars didn't make any money. But, since BH essentially owns both US political parties, this is all perfectly legal.

  34. Change you can believe in by ThatsNotPudding · · Score: 1

    Following Louie's lead, Kumail Nanjiani and Jim Gaffigan are selling specials direct to their customers instead of scumbag middlemen. Here's hoping folks like Springsteen, Prince, et al get on board too.

    1. Re:Change you can believe in by Anonymous Coward · · Score: 0

      Prince was way ahead of Louie on this one. He was selling physical CDs because most people were still on dial up at the time.

    2. Re:Change you can believe in by Anonymous Coward · · Score: 0

      Nice, I didn't know about Jim Gaffigan doing it too. I was still waiting for a new CD or something. For $5, I am totally picking it up.

  35. Re:Hollywood commenting on alternative distributio by DMiax · · Score: 1

    First they ignore you, then they ridicule you, then they fight you, then you win.

    To me this seems more like the "denial" phase in a different but still well known sequence.

  36. All Perry is WRONG by Endo13 · · Score: 1

    Copyright law doesn't give anyone the right to monetize anything. It gives content creators exclusive distribution rights, which in turn makes attempts at monetization more likely to be successful.

    But let me make it even more simple:

    No one has the RIGHT to MONETIZE anything. You may have the right to ATTEMPT to monetize something, but that's not the same thing at all.

    --
    There is no -1 Disagree mod. Slashdot.org/faq defines mod options. USE IT.
  37. There is a fundamental flaw in this discussion, by geekprime · · Score: 1

    The fundamental flaw here is that Paramount and Al Perry's definition of "monetizing" is different than everyone else's definition.
    To them "monetizing" mean putting money in THEIR pockets which, obviously, Louis C.K. did not do.

  38. Re:Hollywood commenting on alternative distributio by Anonymous Coward · · Score: 0

    The fight will be for net neutrality. Only movie studios should be able to stream high def!

  39. Point of order by DaveV1.0 · · Score: 1

    As I recall, both people mentioned in the summary let it be known beforehand they were doing this to specifically prove people wrong. This, in my oh-so-humble opinion, is disingenuous.

    Saying "Please pay for this and don't pirate it to show that DRM is not needed" and then saying "See, I made money so it is not needed" is a self-fulfilling prophecy made to happen by appealing to the self-interest of those who would pirate. What is happening is the content owner saying "Hey, if you pay me and don't pirate my stuff, I will tell everyone how DRM isn't really needed, thus helping you in the long run" and those that would normally pirate the content trading a small fee for celebrity publicity.

    Doing something to fulfill a prophecy doesn't fulfill the prophecy.

    --
    There is no "-1 offended" or "-1 you don't agree with me" mod options for a reason.
  40. Re:Hollywood commenting on alternative distributio by Anonymous Coward · · Score: 0

    Sounds more like anger/blaming and bargaining to me. The industry is dying because people are not doing business the old way. After being in denial for a long time and ignoring the problem, they are now (including the past 5 years or so) getting mad and blaming everyone else for the problem. They are attacking the users who keep telling them they want to do things a different way, they are attacking the creators who keep telling them they want to do things a different way and they are in a side way saying, "hey, if you come join us, you can make more money and everything will be back the way it is."

    Of course, I don't believe it is because I hate anthropomorphizing things that don't really have feelings. (it's up to you if you think I'm referring to the industry companies, the executives that run them, or both)

  41. Even Techdirt failed by Cajun+Hell · · Score: 1

    One of the more annoying things about debates on copyright law, is that when we talk about alternative business models that do not rely on copyright, some people feel the need to insist that this means making less money -- or, even, making no money at all.

    What the hell does LCK's sales have to do with "business models that do not rely on copyright?" There was nothing even slightly not-copyrighted about that video.

    What was unusual (for video) is that he'll allow anyone who buys it to play it (doesn't require a DRM-compatible player). His business' doors are open to everyone who waves money in his face, rather than telling customers he'd rather they go away instead of pay. Having customers may be a novel idea for video, but Techdirt shouldn't imply this is somehow contrary to copyright. The book industry has used that business model for centuries, and the music has almost always used it (with some weird exceptions). Welcoming customers is "normal" for IP industries overall and is only exceptional within a few special cases.

    --
    "Believe me!" -- Donald Trump
  42. Thanks Slashdot by supertall · · Score: 1

    I wouldn't have known about this otherwise. Paid and downloading now. Way to go Louis, fuck 'em!

  43. RAdiohead proved it by hesaigo999ca · · Score: 1

    Radiohead has proved this already that money comes in from your content and people wanting to give to continue your content production.
    If someone will only pay 1$ for a full album, there will be those that can pay more if they so choose...and the combo of it all is where they make moeny....
    no drms, no extra fees for piracy protection. Why can we just not go with that?

  44. Hopefully CK starts a trend. by Anonymous Coward · · Score: 0

    Another great comedian, Jim Gaffigan (the driver subjected to the "cat game" in Super Troopers, the guy who does the hot pocket bit, or the spokesperson for Rolling Rock a few years ago), is doing the same thing. He self produced his most recent album and put it for sale on his website for $5 with $1 going to a veteran's charity. No DRM. No nothing. Download it and, as he says, put it on a million devices. Plus, you get the free "close your eyes" audio edition as well.

    Yes, my name is Jim. I am from Indiana. But I'm not Jim Gaffigan.

  45. Did my brain just explode? by bryan1945 · · Score: 0

    Have we reached the limits of absurdity here? You make money, but you didn't monetize (would a f'n stupid word) because you didn't maximize your potential by barfing it up to every interested party? Wow. I'm off to find a cave.

    --
    Vote monkeys into Congress. They are cheaper and more trustworthy.
  46. You sure don't, you naive little puppy by SmallFurryCreature · · Score: 1

    He should have 20 million for Paramount, then end up OWING them another million and everything he ever creates for whatever tidbits they choose to grant him, as a loan of course.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

  47. "Did not monetize" means "No money for parasites" by zzatz · · Score: 1

    It's simple. How much the artist made doesn't count. How much did the bankers and lawyers make?

    There are three groups involved in the entertainment business: people who do the entertaining, people who are entertained, and the gatekeepers who prevent us from finding each other unless they get most of the money. Louis CK didn't pay the gatekeepers, so he failed to monetize.

  48. It's all a matter perspective. by multicoregeneral · · Score: 1

    I suppose a million dollars in twelve days isn't much to someone who can pull in a twelve billion dollar weekend opener, but I think it's a big deal for the rest of us.

    --
    This signature intentionally left blank.
  49. "That's a great business model, Louis, by hercubus · · Score: 1

    It'd be a shame if something were to happen to your web page, or your servers, or your genitalia..."

    Given the gigantic hole Mr. C.K. just punched through the unreality bubble that LA-LA Land executives live in, our hero Louis is probably lucky he hasn't been banned from the talk show circuit, blacklisted and/or shot through the head

    I've see Louis talking about this ("I've never had a million dollars before. It's weird...") and he talks like he -expects- to have his career thrown under the bus

    Mr. C.K. has done everyone who isn't a V.P. of corporate shenanigans a great service by demonstrating his proof-of-concept. And go Jim Gaffigan!!!

    --
    -- How I want a drink, alcoholic of course, after the heavy lectures involving quantum mechanics.
  50. Money is Force by benjamindees · · Score: 1

    Monetization is turning a product into money by selling it to two sets of customers. Louis CK simply sold his works to viewers. He decided not to sell the opportunity to force you to watch ads or CIA propaganda or whatever as well. Remember, money is force.

    --
    "I assumed blithely that there were no elves out there in the darkness"
  51. He's not famous to me... by sirwired · · Score: 2

    I have since learned that he is a comedian with a TV show, and I'm assuming many TV appearances. I don't watch TV.

    I'm not saying this in an "I'm superior to you because I don't watch TV" way... just a simple statement of fact.

    It would have been helpful if the submitter had said, maybe, "the hit comedian Louis CK". That would have been more than enough information. All it would have taken would have been three little words.

  52. Loius CK by Anonymous Coward · · Score: 0

    After reading the wiki page for this chap, I stiall have absolutely no idea who he is...

    Is he pretty much restricted to the USA? Or should the rest of the world be aware of him?

  53. Re:Economy of Scale by TaoPhoenix · · Score: 1

    Nice note.

    I'll remark that the chief resource against economies of scale is Disruption. "Sure! Build a 100 Million dollar photo processing plant! I'll work on Digital Cameras." Oops - Bye Bye Kodak.

    The "smart monopolies" use some of that existing cash to enter the new market. If they can play the politics right and avoid cheap traps, then they shift entire industries. I think GE did this with Jack Welch. If memory of my readings serves, they used to have a small hand in *everything*. Jack Welch cut them down to some 12 product lines down from over 50.

    So "the game as it's played" today is our old friend Microsoft, joined by Apple, Google, and Facebook sorta in that order. We need a good new 5th player to really shake it up. I really don't want that to be the state of tech 5 years from now!

    --
    My first Journal Entry ever, in 8 years! http://slashdot.org/journal/365947/aphelion-scifi-fantasy-horror-poetry-webzine
  54. Re:Economy of Scale by ppanon · · Score: 1

    I'll remark that the chief resource against economies of scale is Disruption. "Sure! Build a 100 Million dollar photo processing plant! I'll work on Digital Cameras." Oops - Bye Bye Kodak.

    Absolutely, and the example I gave with low-power devices/microprocessors is another example of disruption. However in the latter case, the disruption is only partial and Intel may be able to buy enough time from their desktop/server profits to be able to recover on the design phase for the low power market to the point where they can use their advantages in hardware process. Frankly I would be more concerned about an Intel dominance across all hardware markets than Apple/Facebook/Google/Microsoft.

    Not that I'm thrilled about the latter either. However, if it wasn't for competitive reviews from the USA and the EU governments, it could get worse. Otherwise, if WP7 and WP8 fail to get traction, Windows 8/Metro tank, and other Microsoft revenues remain mostly static, I could see Steve Ballmer being replaced sometime in the next 5 years and the new CEO willing to entertain a merger with Google. Phones, tablets, search, browser are their big areas of competition. If MS keep on getting their butts kicked by Google in those markets, at some point someone would be smart enough to realize MS is better off working together with Google than against them, From Google's standpoint, MS's cash stash could prove pretty useful in funding new endeavours. That "Don't do evil" credo might be a sticking point though.

    --
    Laissez lire, et laissez danser; ces deux amusements ne feront jamais de mal au monde. - Voltaire
  55. The real issue? by buckhead_buddy · · Score: 1

    Whatever "monetize" definition Paramount uses, they're probably more upset that Louis CK didn't "middle" monetize via Paramount.

  56. Quoting Louis C.K. from his website; by Anonymous Coward · · Score: 1

    Here is a quote from his site;

    "To those who might wish to "torrent" this video: look, I don't really get the whole "torrent" thing. I don't know enough about it to judge either way. But I'd just like you to consider this: I made this video extremely easy to use against well-informed advice. I was told that it would be easier to torrent the way I made it, but I chose to do it this way anyway, because I want it to be easy for people to watch and enjoy this video in any way they want without "corporate" restrictions.

    Please bear in mind that I am not a company or a corporation. I'm just some guy. I paid for the production and posting of this video with my own money. I would like to be able to post more material to the fans in this way, which makes it cheaper for the buyer and more pleasant for me. So, please help me keep this being a good idea. I can't stop you from torrenting; all I can do is politely ask you to pay your five little dollars, enjoy the video, and let other people find it in the same way.

    Sincerely,
    Louis C.K."

    I love this guy and I think he is hilarious. You can tell from this quote he isn't very tech savvy, but he understands that there is an ISSUE with the system he uses to spread his comedy. I REALLY hope neo artists of the coming age see this system as an advantage. But the big corporations will probably just find another route to weed themselves into an "open society". Because, you know, innovation is only good for killing jobs.

    Also Jim Gaffigan is following the exact same distribution method.

  57. The -DON'T- want to make money. by IBitOBear · · Score: 1

    Profit is a huge liability in a movie produciton. Profits are taxable as corporate income. Profits cost money since they sold/promised people percentages of the Net Profit. If a movie makes a profit someone has fucked up hugely and it will cost massive amounts of money.

    --
    Innocent people shouldn't be forced to pay for inferior software development.
    --"Code Complete" Microsoft Press
  58. Mod points?? (Re:Money is Force) by lpq · · Score: 1

    Why is slashdot always giving me points when there's nothing worth assigning points to yet when I find something worth modding up, my points 99% of the time, expired.

    Maybe points shouldn't expire so quickly -- or better, proportional to the time the person has been registered with the site: rationale -- you know they've been around a long time, if they are someone worth giving points to and have good karma, (or have made good choices in the past), then maybe it is worth letting them take the time to make choices their way rather than force them into spending points just to spend points -- making choices that they would otherwise not have done -- thus lowering the overall quality of the grading process.

    +1 for Informative or insightful, or interesting (take your pick).

  59. Louis CK by Christopher_T. · · Score: 1

    I bet he's crying all the way to the bank. And he'll do it again. Say, if he didn't "monetize" it, is he off the hook for taxes?