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$50 Sound Cards Impress Versus Integrated Audio

crookedvulture writes "Most PCs have audio integrated right on the motherboard. There's much to be gained from upgrading to a discrete sound card, though. This look at a couple of sub-$50 sound cards from Asus explores what can be found at the budget end of the spectrum. In blind listening tests, both cards produced better sound than an integrated solution. They also offered superior signal quality, but neither had an impact on gaming performance. The days of hardware-accelerated game audio seem to be behind us, with developers handling positional audio processing in software."

54 of 245 comments (clear)

  1. Distance from the power supply by itamblyn · · Score: 4, Insightful

    Most of the improvement is likely due to increased distance between the amplification circuits and the noisy AC/DC power supply.

    1. Re:Distance from the power supply by ChrisMP1 · · Score: 3, Insightful

      A decent ATX power supply really isn't bad. Distance from the noisy digital circuitry on the motherboard is important, though.

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    2. Re:Distance from the power supply by TheGratefulNet · · Score: 5, Insightful

      sometimes the circuit (board) does this work.

      case in point, ESI juli@ (hate the at-sign. how stupid!)

      this card is lab grade (test gear quality) in its a/d and d/a. some people use it for RMAA audio gear testing. not kidding! this is a low noise floor that you won't normally find on internals cards, yet it IS AN INTERNAL card! blows my mind ;)

      also supports balanced and unbal i/o as well as 'easy' i2s and very easy coax spdif i/o.

      it needs a full height slot and generally is pci-only even though some new pci-e version is supposed to be out soon.

      keep it in mind: if you find yourself needing to test audio amps, preamps, dacs, etc - the ESI julia card is about as good as it gets for under $1k or even higher. amazing for audio guys. stupid for gamers but we are not talking about gaming at all.

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    3. Re:Distance from the power supply by TheGratefulNet · · Score: 2

      not so much Z mismatch at all, but just plain old power handling of the output amp and output voltage swing (which matters the most).

      output Z is always low (low enough) on amp stages. even built in amp stages.

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    4. Re:Distance from the power supply by TheGratefulNet · · Score: 3, Interesting

      atx supplies are switchers. switchers are HORRIBLE.

      you have to do a lot of filtering to make switching supplies sound good in audio. most good audio companies go out of their way to use analog (linear) regulator style supplies.

      once you get noise in at very high freq's, its very hard to kill that later. really.

      one reason usb to spdfi 'wins' is that the digital power supply matters very little and there is no analog signal to care about until your stereo/amp.

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    5. Re:Distance from the power supply by Smauler · · Score: 3, Interesting

      Where do graphics cards that pump audio out fit in here? I only noticed my card (gtx460) was putting out sound when I changed my monitor to my TV, didn't connect the sound, and it made me jump out of my skin.

      I've since just used the dvi-hdmi cable for everything - not bothered with the motherboard sound.

    6. Re:Distance from the power supply by ChrisMP1 · · Score: 5, Informative

      The switching frequency is well above the limit for audio frequencies, and a good quality PSU will do plenty of filtering. USB to S/PDIF is good for a few reasons: 1) The signal is kept digital, and either differential, balanced or optical for as long as possible. This makes it hard to pick up noise. Digital-to-analog conversion should be done as late as possible because digital signals are very noise-tolerant. 2) Optical connections eliminate grounding issues (less of a problem if you obey #1, anyway). 3) S/PDIF equipment tends to be built to higher quality because it's considered somewhat "high-end" (or, at least, more than a cheap motherboard audio chip). 4) D-A conversion is done far away from the noisy CPU and data buses. It has nothing to do with the SMPS.

      You should hear the sound from the vacuum tube guitar amplifier I built. The high tension (300V) is generated by a crappy 50kHz switching boost converter I designed and built myself. The noise on the supply is absolutely awful - 1Vp-p even with only a light load. You can't hear it, though, because it's 50kHz. And that's really low frequency for a SMPS.

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    7. Re:Distance from the power supply by TheGratefulNet · · Score: 4, Informative

      with some amps, though, they are very wideband and you don't WANT high freq garbage up there. some good phones amps go flat to 100khz and higher. they want to more than more than cover the audio range and they don't 'like' protection or LP filtering.

      so, that means you have to care. if you are a source box in front of their amp, you HAVE to care. just giving you some free advice.

      keep the high freq stuff out of the audio chain and the guy in the next stage will thank you.

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    8. Re:Distance from the power supply by ChrisMP1 · · Score: 5, Interesting

      Well, yes, that is true, it can be bad to drive a big amplifier with high frequency noise. Very bad, in fact - the excess load can do anything from distorting the output to causing extra heat dissipation and killing the transistors. (My guitar amplifier was meant to drive a speaker directly, and it had a low-pass filter between the gain and output stages. The tube was just for the clipping distortion sound; the output stage was a BJT class AB push-pull with a much cleaner power supply.) I was talking more in the context of this article, though - most people who own an amplifier with flat response to 100kHz are not going to be bothering with $50 sound cards, or for that matter even considering integrated audio.

      Though, a couple questions (despite some vacuum tube stuff, audio is only a minor interest for me) - 1) What exactly do you mean by "don't like LP filtering"? I can't imagine how a low-pass filter could cause a problem in this case, especially if you just attenuate about 20-30kHz and up. 2) WHY do people even bother with an amplifier that has flat response to 100kHz?? That seems a bit excessive, unless you're playing music for your pet bat... Is there an advantage I'm not aware of?

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    9. Re:Distance from the power supply by epyT-R · · Score: 3, Informative

      they act as a sound device with only a digital out. some cards include a cable to wire to your sound board's spdif out instead. There are no analog components for the system noise to interfere with (barring egregious digital noise that creates too much jitter).

    10. Re:Distance from the power supply by Anonymous Coward · · Score: 5, Insightful

      [Citation needed]. Seriously.

    11. Re:Distance from the power supply by not+flu · · Score: 2

      Where do you get music that has frequencies above 22kHz? Is it not more likely that you would get unwanted noise than actual signal in supersonic frequencies because they cannot be deliberately mastered? Even if the high frequency signals came from the recording as intended, AND the speaker could play that high, they would just produce intermodulation distortion on the speaker degrading the quality of the actually audible spectrum.

      There is individual variation of course, with claims going as far up as 25kHz. 100kHz however is clearly overkill.

    12. Re:Distance from the power supply by bruce_the_loon · · Score: 2

      One answer for your second question is that why add extra filter circuits that will attenuate the signal just because the drivers can handle the upper frequencies when you can make sure you get clean audio into the inputs and keep the amp as simple as possible.

      MOSFETs can switch flat at those frequencies, but they aren't used because of the frequency range, but because they are way cleaner and efficient at audible frequencies under high power than ye olde transistors. You get the 100KHz flat range as a happy side effect.

      (And yes, I know the T in MOSFET means transistor, but you know what I meant, didn't you)

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    13. Re:Distance from the power supply by FunkDup · · Score: 2

      Most of the improvement is likely due to increased distance between the amplification circuits and the noisy AC/DC power supply.

      I'm not necessarily disagreeing, but the two most important things are the converters and the clock.

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    14. Re:Distance from the power supply by TheGratefulNet · · Score: 2

      HD audio is coming out more and more.

      since I build and test DACs (and spdif switchers, too) I need to be able to play 'what is out there'.

      let me tell you, I have a small (but still useful) collection of HD files (just audio) that are 88.2k (double redbook 44.1), lots and lots of 24/96k files (good point to master at) and then the 'strange' ones that are mostly about marketing with more res than needed: 176k and 192k. since my DACs have to support ALL bitrates, I need to have material to test with. you don't buy these on disc, you buy them online and they have NO DRM (so we're all happy!). they're just flac files that have 24bit audio inside and higher sample rates. I got hold of an elton john that was 24/96 and WOW was it clean. literally a copy of the master tape but dubbed over to 24/96 via a capture. any harshness that cd audio has is gone by that point. the LP record guys can stop complaining about cd sound if they listen to GOOD 24/96 audio.

      and if you are not talking about cd (but blue ray or other high bit rate audio systems) there CAN be real honest audio 'up there' way over 20k. its 'felt' or sensed. how important it is, that's not for me to say. there's real honest data up there and so I don't want to chop it off or attenuate it.

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    15. Re:Distance from the power supply by TheGratefulNet · · Score: 2

      sorry, wrong.

      compensation (comp caps) at various points keep things stable.

      using an LP filter is a brute force method. very crude. can't sell $2k amps that do 'college 101' level things. you have to be better than that to be world class in audio.

      the DIY designs (diyaudio , etc) are worth looking at. see how many of the truly world class (nelson pass helps out the gang from time to time, so do other famous guys) amps work. they don't filter themselves! they have bypasses where needed but they tend to have comp caps at key points to stop oscillation but STILL run flat to 100k or higher.

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    16. Re:Distance from the power supply by ChrisMP1 · · Score: 4, Insightful

      As we all know, "audiophiles with trained ears" are not at all prone to misinformed bullshit regurgitation, confirmation bias, and elitism.

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    17. Re:Distance from the power supply by kyrio · · Score: 2

      Yeah, all of those tracks were/are on Demonoid, et al. Many of them are fakes, especially from a certain site (studio upmixes/lazy remixes - in other words, not from the source material). I suggest you search the 'net for each of those albums to make sure they are, in fact, mixed from the original sources. You might just be running with a bit of confirmation bias/buyer's remorse.

  2. You don't say... by zonker · · Score: 3, Funny

    $50 sound card produces better audio than a 50 cent onboard chip.... You don't say.

    1. Re:You don't say... by MrL0G1C · · Score: 4, Insightful

      Actually their RightMark audio analysis's don't show this at all, frequency response, THD, noise, are all so close between devices that a human wouldn't be able to tell the difference between them, the ignoramuses at TechReport however don't know how to read the graphs/understand the limit of human hearing and came to erroneous conclusions.

      Their section on different peoples opinion of the various audio devices does not state the result of the blind listening test and so is useless, why even bother with tests that are not blind?

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    2. Re:You don't say... by larppaxyz · · Score: 2

      And when using just digital output, there is no difference at all anymore.

    3. Re:You don't say... by gazbo · · Score: 4, Insightful
      I think what's most telling about their analysis is on the 96kHz plots. The Realtek consistently drops to nothing around 20kHz, and yet apparently that didn't mean anything to them other than "look how well these results fit with out hypothesis". Anyone who actually knew something about didgital audio would think "either I've set this up wrong or the drivers/hardware are bust, because this thing is blatantly stuck at 44.1kHz".

      The only other thing to be gleaned from the graphs is that running at 96kHz is pointless because the supposedly better cards' performance FUCKING SUCKS past 20kHz.

    4. Re:You don't say... by makomk · · Score: 3, Insightful

      Anyone who actually knew something about didgital audio would think "either I've set this up wrong or the drivers/hardware are bust, because this thing is blatantly stuck at 44.1kHz".

      Or it's just got a low-pass filter with the cutoff set at 20 kHz which can't be disabled. You need one for proper signal reconstruction at the 44.1kHz sample rate, and it's not like most people are going to notice that their onboard sound can't actually output frequencies above 20 kHz in its 96kHz sampling mode.

    5. Re:You don't say... by gazbo · · Score: 2
      I think claiming to have 192kHz DACs and then sticking a 20kHz filter in front of them would be...misleading. And looking at the datasheet it certainly suggests that the cutoff moves with sampling rate.

      But whatever the cause, the point is that something like that should not pass without comment; that it has done indicates to me that the reviewer may not be particularly familiar with the subject.

  3. usb to spdif, then to your home stereo by TheGratefulNet · · Score: 4, Informative

    there, done in one.

    cheap cmedia usb sound dongles (not all dongles are cmedia, in fact most are not so you have to shop carefully) and also the burr brown PCM series all do a decent job of converting 44 and 48k audio (including dvd audio downmixed to 2.0) to spdif.

    everyone's avr, today, has opto in. the sound card dongles send out usb audio over opto to spdif-in of your home stereo. if its 5.1 or newer, it will accept opto just fine. (aka toslink).

    nothing else to care about, pretty much. let your stereo (or DAC) do the heavy lifting. usb audio is the way to go (for future, use UAC2, usb audio class 2 which works fine with linux and some hacks on windows at 24bit and 192k, personally verified to be bit-perfect).

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    1. Re:usb to spdif, then to your home stereo by Tyler+Eaves · · Score: 2

      Going to an SP/DIF connection there shouldn't be any conversion at all - a DAC isn't in the circuit). It's pushing raw PCM data over the wire.

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    2. Re:usb to spdif, then to your home stereo by Tyler+Eaves · · Score: 4, Funny

      I remember when I obsessed over such things. These days I mostly don't worry about it and spin vinyl. Sounds better anyway.

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    3. Re:usb to spdif, then to your home stereo by TheGratefulNet · · Score: 4, Informative

      these days, i'm not sure ANY onboard sound forces a resample.

      soundcards 'offer' freqs to the sound system. back in the dinosaur days, they would offer only 48k and the o/s would have to resample.

      but xp and win7 all deal with 44/48 split just fine. linux always has.

      onboard audio (if its native spdif via jacks or headers) is usually bit perfect. its there to give 5.1 and even 7.1 digital out. the days of speaking 'only 48' ended 5yrs ago or more (I forget). a long time, at any rate (lol, any rate!)

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    4. Re:usb to spdif, then to your home stereo by TheGratefulNet · · Score: 2

      onboard spdif can be fine.

      sometimes, though, I've seen noise riding on the spdif. and if you don't use trafos to block (pulse brand or similar) you risk having NASTY ground loops.

      if you use opto, you avoid all that. but still, noise on the psu line (optos tend to be 3.3v or 5v based and they have 3 wires: gnd, power and data-in) can cause data errors on the receiver IF the receiver is not great at rejecting 'junk'. some do better than others. some pass the noise along! sometimes you get screeching noises even when the spdif TX is not talking.

      usb spdif interfaces tend to be slightly better and the usb audio format *generally* disables hardware mixer controls so you can't ruin the bitstream even if you try using a volume slider.

      onboard chips MAY have a hardware mixer and that's bad.

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  4. If I was spending $50 by slackware+3.6 · · Score: 5, Insightful

    it would be on a cheap video card before a sound card. I never bought any sound cards after they started puting them on the mobo. Sure the sound could be better but I have a stereo for playing tunes and if i'm playing games at night I'm using headphones anyway. A better soundcard is a non-issue for most users.

    1. Re:If I was spending $50 by phluid61 · · Score: 2

      Except that I can still hear my mouse through every on-board sound system I've used recently.

    2. Re:If I was spending $50 by Smauler · · Score: 3, Informative

      Many video cards now put audio out too - I've got an old DVI to HDMI cable from the back of mine, and it's spitting out audio happily.

    3. Re:If I was spending $50 by Mashiki · · Score: 2

      Seriously? A good soundcard will last you across multiple generations of hardware. Heck my old Soundblaster Live lasted from 2002 right up until 2011 when the ports on the back finally failed, and I simply gave up on trying to solder in new ones. You know for 8 years for a PCI card that cost me $80, that's a pretty good investment. With the new PCIe jobs? Same deal. Though I have an Asus Xonar DG(picked it up on sale for $29 last year from newegg), I should easily get 5-6 years from it.

      I figure sometime next year I may get a new PCIe soundcard to replace this one if I build a new rig. Skimping on a soundcard is silly, especially when you can get them on sale.

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    4. Re:If I was spending $50 by TaoPhoenix · · Score: 2, Insightful

      I'll reply to you.

      In Personal Computing in the true sense of Personal and not corp-crap or netbooks or whatever, if you're gonna buy a goddamn comp, spend a few hundred bucks to do it right. No one except the media wins with these "budget parts" stories.

      So forget the $50 sound card. What can you get with $80?
      Forget the $50 video card. What can you get with $80?
      Spend an extra $20 on the fan. Spend an extra $20 on a key cable. Spend an extra $60 on a better HD that has capacity to better meet your growth.
      Spend an extra $40 on a better casing. I added a special extra chip for data conversion like Audacity Sound Processing 30% faster.

      So yes, it adds a few bucks cumulatively. But you help mitigate stupid "cheap crap failures" that risks years of useful life. 6 years later into my op life I think I have a medium grade HD problem, but it's still ticking, so I have some time. Not like a total crash yet when some dumb part blows the whole board.

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    5. Re:If I was spending $50 by lowlymarine · · Score: 3, Informative

      The problem is that if you spend $700 on a video card today, you will get the same Vsync-capped performance you would have gotten out of a $350 card, and six years from now, as you suggest it should last, you would have a brick that can't handle anything remotely modern while the hypothetical other guy would only have a three-year-old $300 card that beats your $700 six-year-old card into the ground.

      Six years ago, the Core 2 Duo X6800 and GeForce 7950GX2 were the top-of-the-line parts, costing a grand and $700, respectively. Within two years, both were getting clobbered by parts that cost half as much. Today that $1700 combination wouldn't even be competitive with a $75 A6-3650.

    6. Re:If I was spending $50 by hackertourist · · Score: 2

      Spend an extra $60 on a better HD that has capacity to better meet your growth.

      No. Buy a HD that is large enough for your current situation + 1 year, then spend the $ 60 next year (or whenever you run out of space) to buy a HD that's much larger than you can buy now.

      Also, 6 years is a long time for a harddisk. Based on past experience I've started to replace the HD preventatively every 3-4 years.

  5. Sound Blaster is dead by Anonymous Coward · · Score: 3, Informative

    I dumped my Sound Blaster Live! 5.1 for Realtek ALC888 and never looked back. I never heard such clarity until I went with this onboard chipset.

    Also, I tried to compare a $99 Razer Barracuda AC-1 with the ALC888, all I could make out is that the back channels get more bass than the front. I'm guessing there's a placebo effect in play here with the little DSP cards...

    1. Re:Sound Blaster is dead by Luckyo · · Score: 2

      Worth noting that "hacked" drivers are based on real drivers. They only offer a different front end that can access features that exist in drivers but removed from front end.

      Unless you're talking about something I don't know, which is unlikely as I spent days researching driver issues for my audigy2 and win7.

  6. $50? Try a $250. by X0563511 · · Score: 3, Interesting

    I have this for studio purposes, but this thing sounds beautiful.

    If I chose to, 96khz 24-bit. 2-in, 2-out, SPDIF support if I chose to use it. (technically 4 in 4 out, but that's mono.)

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  7. solder 3 wires and get good toslink out by TheGratefulNet · · Score: 5, Interesting

    a DIY I wrote on how to open up a cm102 (cmedia usb audio dongle) and find the 3 solder pads you need to connect in your own toslink (TOTX) opto transmitter for your home stereo:

    http://farm5.static.flickr.com/4086/5052505190_07d7ec5903_b.jpg

    http://farm5.static.flickr.com/4148/5052506250_c71b26586a_b.jpg

    it was just that simple. there was already an onboard cheap-o toslink sender but I prefer the standard square block style.

    the TOTX part is a dollar or so at digikey or mouser (suppliers). the usb dongle is $15 or less, often much less. make sure its cmedia and cm102. it will work very well then.

    usb powers it and you know its working when you get the red light out of the toslink end ;)

    I'm not sure it passes dts or dolby digital but its fine for 44.1 cd audio (and mp3) as well as 48k dvd downmix to stereo 2.0

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  8. Re:Hypothesis Number Two: Is There a Cyber Stalker by Anonymous Coward · · Score: 3, Funny

    Do you have a newsletter?

  9. I think the point is for people without stereos by Sycraft-fu · · Score: 2

    Many people use headphones straight on the system, or PC speakers. For that, a soundcard can be a cheap benefit. Is a receiver better? Sure, but then they are more expensive. You can always find better for more money. I'm quite partial to my 7.1 setup on my computer but I'm not going to suggest it to most people on account of the extreme cost.

    So if you are a headphone type, a cheap soundcard can be a very worthwhile upgrade.

    Also if S/PDIF is your thing you've no need for an external soundcard in most cases, generally the onboard ones have it these days. Since that bypasses any converters, there's no reason not to use it if that's all you want.

    Further if you've a newer receiver that can do LPCM audio over HDMI most new systems can too. All the newer Intel, nVidia and AMD videocards can do that.

    When you've a receiver, there are many choices. However for those that don't wish to spend the money, $50 on a soundcard (internal or external) is money well spent.

  10. Not really impressive review by gweihir · · Score: 4, Interesting

    These are not audio people and did not have an audio-expert look at their write-up. Why. They got the very well known very-low-cost / not-very-good audio OpAmp NE5532 P wrong as NE55329. No audio-expert would make that mistake. It is not a number, it is an identity that experts immediately recognize.

    I have to say that this puts a big question-mark on the whole test for me.

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    1. Re:Not really impressive review by jmak · · Score: 2

      Also, according to their measurements, the conclusion should be more like "There's almost no point in spending $50 on a sound card, if you care only about playback, not recording."

    2. Re:Not really impressive review by MrL0G1C · · Score: 3, Interesting

      Their analysis of the RightMark audio benchmarks are also complete fail, they do not seem to either understand the Decibel scale / they can't read a graph / they don't understand the limits of human hearing or how Psychoacoustics fit in with the graph.

      http://en.wikipedia.org/wiki/Psychoacoustics

      For instance:

      check out the Xonar DGX in the frequency response plot. Again, it starts dropping at lower frequencies than the competition

      A less than 1/2 a Hz difference in a 10,000Hz frequency is not going to be audible, stupid people.

      And:

      Also worth noting: the higher noise and distortion exhibited by the integrated audio in several of the graphs.

      The only way you'd actually hear any of the noise is if your amp+speakers where out-putting at ~150Db but not playing any sound (noise only), unlikely I think.

      As for the distortion level, it's far too small to be humanly perceptible.

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  11. Re:Avoid Asus AT ALL COSTS by spauldo · · Score: 5, Insightful

    Just a guess, but I'd say it's because there's stories just like yours for every manufacturer out there*.

    Case in point: hard drives. Ask 20 people what hard drives they've had trouble with, and you'll find they pretty much average out as all of the companies having issues. I use Seagate, but you'll find a lot of people here who swear they're the worst drives on the market.

    Another example: T-Mobile. I had nothing but trouble with them. They would, for no reason, forgo the automatic draft from my Visa and then shut me off for non-payment. Their customer service was horrible. When I called them at the end of my contract and told them I wanted my service cut as soon as the contract was over, the sales drone threatened me that if I didn't pay the final bill, they'd sue me. I hadn't said anything about it up to then, so this was just out of the blue. (Of course, I knew he was full of shit, and intentionally didn't pay my final bill because of it.)

    With all that, T-Mobile has an excellent reputation for customer service and very few people I know have issues with them. Go figure.

    The article was about the difference between soundcards and integrated sound, and just happened to use Asus cards for the testing. Your last paragraph was on topic, but the rest of your post wasn't.

    * There are a few manufacturers that have earned widespread derision, like PC Chips for its fake cache chips or SCO for judicial douchebaggery. Asus isn't anywhere near that level.

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  12. Re:Discrete sound by Gadget_Guy · · Score: 4, Funny

    Discrete sound...Is farting silently

    No, that is a soundless indiscretion.

  13. PSU and THX by MrL0G1C · · Score: 2

    I bought a nice 520W Corsair PSU has lasted well for years now, only audible if you stick your ear next to it.

    With a ASRock Z77 Extreme4 - has THX certified sound out, which I was a little skeptical of but it does seem to eliminate motherboard interference noise

    Previously when using a cheap mobo audio, a browser page being scrolled up and down would cause noise, maybe not noticeable with small speakers but very obvious when connected to an amp + large speakers.

    Not a cheap mobo / you get what you pay for.

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  14. If you have a receiver and Linux by egork · · Score: 2

    this will give you the highest return on investment if your receiver is capable of 24/96 and 5.1. No hardware changes necessary.

    sudo vi /etc/pulse/daemon.conf (this is Ubuntu)
    and change following entries this way:

    default-sample-format = s24le
    default-sample-rate = 96000
    default-sample-channels = 6

  15. MP3 killed Hifi by flyingfsck · · Score: 2

    The ability to compress and stream music proved to be far more important than high fidelity sound. So a better sound device is kinda pointless.

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  16. Re:Asus Xonar DG by fa2k · · Score: 2

    DG is the PCI version of DGX. I bought a DG, but the headphone amp is not supported on Linux, and there is no hardware volume control, but that's OK because you have 24 bit to play with. It was also branded heavily as a "gamer" card, but I suspect that's just to get the music fans to buy the more expensive cards. Anyway, it sort of worked for me, I got the ST as well. That's more like € 160, but it sounds much better on my 80 ohm headphones, and it's great on my stereo speakers too. I would like to get the Dolby Headphone effect on Linux, but the Headphone Spatialization effect in VLC is also pretty good, and more subtle.

    So Linux users beware, the headphone amp on DG(X) is not supported on Linux

  17. Re:HF noise matters by thegarbz · · Score: 2

    This is semantics anyway. Most amplifiers have some form of power supply rejection. You never get the switching noise passed fully through the gain stages, and the actual switching signals are typically very small when you look at a SMPS waveform. If you have are affecting your possible SNR by more than a completely trivial amount you should redesign your amplifier or replace your powersupply.

  18. Re:HF noise matters by TheGratefulNet · · Score: 2

    PSR (power rejection ratio) is spec'd at various freq's.

    at lower ones (60 and 120hz) its usually good.

    but NOT SO GOOD at mhz class noise.

    that's what switchers put in and you almost cannot take it out once its in the audio stream.

    audio systems that use switchers almost always do it for cost reasons, NEVER for audio cleanliness. also to save weight (cost).

    given a choice, not one single audio designer would ever WANT a switcher anywhere near his gear. not even feet away from it, turned on, on some other item.

    look at the spectrum if you ever get access to such gear. you'd be amazed. and then look at the PSRR rejection. its not enough! good starting point but not high enough. and psrr on discrete designs is even harder (if you avoid opamps).

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  19. Re:can that possibly matter with optical digital c by TheGratefulNet · · Score: 3, Interesting

    distance generally won't matter MUCH on toslink cables.

    yes, jitter matters but only at very high end. your avr system, even if its a $2k monster, is still never going to be 'good enough' to care about picosecond level jitter in the spdif stream.

    toslink does blur the digital audio and it changes timing slightly, randomly. that's jitter.

    shorter cables do less damage.

    at least on plastic toslink, there's no concept of reflections. back-energy does not happen on toslink. but it DOES happen on coax/spdif. shorter does matter here. think of it this way: you send a signal to the far end of the coax (again, not opto, but coax) and it sends most of its energy there but reflects back some. that takes some time to travel along the cable back to the start. it then bounces back again, along with new energy from the last pulse of the transmitter. this goes back and forth and blurs the 'location' or timing of the 1's and 0's.

    now, if your DAC system fully and completely locally (!) reclocks, you are fine. if not and if it DEPENDS on the timing of each and every 1 and 0, it would 'dump out' the 16bit audio word at the wrong time since one of those 'clock edges' was off by a bit, due to the reflection blur. it happens but its test-equip level, not 'wow, that sounds horrible' level. very subtle but once you have $10k-class spkrs (etc) you CAN hear blurring of the timing.

    long answer: but in real world, you don't care about cable length in digital audio. best to stay 6' or 10' or less. if you go farther, you MAY want to consider a bridge (like data link bridge; fully receives spdif stream then recreates it via a receiver/transmitter combo; not a repeater but a full recieve, digest, regurg, retransmit pair of rx/tx chips).

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    "It is now safe to switch off your computer."