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Judge Posner Muses on Excessively Strong Patent and Copyright Laws

Ars Technica reports on Judge Posner's weblog, and in particular a recent post on the excessive strength of U.S. copyright and patent law: "The problem of excessive patent protection is at present best illustrated by the software industry. This is a progressive, dynamic industry rife with invention. But the conditions that make patent protection essential in the pharmaceutical industry are absent. Nowadays most software innovation is incremental, created by teams of software engineers at modest cost, and also ephemeral—most software inventions are quickly superseded. ... The most serious problem with copyright law is the length of copyright protection, which for most works is now from the creation of the work to 70 years after the author’s death. Apart from the fact that the present value of income received so far in the future is negligible, obtaining copyright licenses on very old works is difficult because not only is the author in all likelihood dead, but his heirs or other owners of the copyright may be difficult or even impossible to identify or find. The copyright term should be shorter." Reader jedirock pointed to a related article on how the patent situation got so out of hand in the first place.

30 of 100 comments (clear)

  1. About time... by ChristW · · Score: 5, Insightful

    Finally, a judge with any common sense?

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    09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    1. Re:About time... by fuzzyfuzzyfungus · · Score: 3, Informative

      I'd say that the jury is still out on Posner:

      A couple of his equally straightforward comments(this one from the bench), during a case appealing an Illinois wiretapping law: "But I'm not interested, really, in what you want to do with these recordings of peoples' encounters with the police." and "Once all this stuff can be recorded, there's going to be a lot more of this snooping around by reporters and bloggers,"

  2. Copyright is the corporate fiefdom by Chrisq · · Score: 4, Interesting

    Just as must of the nobility live of the income of lands that were granted to them in distant times, corporations like Disney want a perpetual and eternal income Mickey Mouse and other ideas that would have previously gone into the public domain. You can see that 70 years after death has been extended to 120 years after creation, and looking at the trends it is clear that the aim is to keep this moving so nothing enters the public domain again. Should something written by your great great grandfather still give you income?

    1. Re:Copyright is the corporate fiefdom by fuzzyfuzzyfungus · · Score: 4, Funny

      Should something written by your great great grandfather still give you income?

      Obviously not. However, the stuff my great great grandfather wrote under contract for Viacom should definitely still give them income. Anything less would be an attack on America, Job Creators, and our God-given property rights!

    2. Re:Copyright is the corporate fiefdom by cyn1c77 · · Score: 2

      Should something written by your great great grandfather still give you income?

      Yes, but only if it was written by my great grandfather. If it was written by anyone else's relative then I should be able to download it for free over the internet.

    3. Re:Copyright is the corporate fiefdom by Zontar_Thing_From_Ve · · Score: 4, Insightful

      I have long ago given up the hope that any sanity could be restored to copyright in the USA. The Capitol Records vs. Naxos case was unbelievably far reaching, with the court that heard the case ruling basically that every recording ever made in the USA, yes even back to Thomas Edison, was still under copyright. They essentially made up the law in their ruling, but as Naxos was clearly in the wrong (they knowingly violated a valid copyright on an old recording from the 1930s) Naxos didn't want to appeal and spend more money on a case they couldn't win, even though an appeal might have knocked down some of the more insane parts of the original court ruling.

      What really gets me is that in this current age of declining government budgets that nobody sees the biggest flaw of the Bono Copyright law - namely that it allows automatic renewal of copyrights for free . I'm not in favor of perpetual copyrights, but as others have argued, at least make the people that want them have to pay for them. If they are so valuable then charge for them. I cannot believe the US government is willingly passing by possible copyright fees by allowing automatic free renewals. At least if renewals cost money, some people would refuse to pay it and some things would fall back into the public domain and those who really consider renewals to be valuable would at least have to pay for it. A sliding scale where the renewal costs began to get more costly over time could also finally cause things to go back into the public domain.

    4. Re:Copyright is the corporate fiefdom by DaveGod · · Score: 3, Interesting

      The problem with inheritance tax is that it leads to a substantial amount of inefficient, uneconomic activity as rich folk try to mitigate it.

      Here in UK, if you have a large plot of land, you could:
      a) rent it out and let someone do something useful with it, or
      b) stick 1 sheep on it and claim agricultural relief.

      Option a) would have to turn in a profit equating to approx 100% of the value of the land in order to approximately break even with the 1 sheep.

      Why? Let's assume the plot of land is worth about $100. The net cash position with option
      a) $100 profit less ~50% income taxes = $50 banked, plus $100 worth of land, total asset values $150. Deduct 40% Death Tax, kids left with $90.
      b) $100 land, no IHT due to agricultural property relief, kids are left with $100.

      Similarly, say John the entrepreneur built up a great trade, but now his heath isn't so great and he's kinda run out of steam. The business is floundering, it isn't turning a profit, each year a few more staff are let go, everyone is demoralised and it's basically crap. Another entrepreneur, James, eyes up the business, has some great ideas and the ability to pull them off. He's really on the ball and has business lined up already, very comfortable he could turn it around and grow at least 10% per year. He puts in an offer of $1m.

      If John sells, he'll pay 28% capital gains tax now and 40% death tax on what's left when he dies. Net cash position £432k to his son.

      If he does not sell, passing the business to his son will fall under business property relief so he'll hand over the whole business. If the son later sells he'll pay the 28% capital gains tax, so he will come out ahead provided he can sell for more than 600k.

      Obviously the examples are highly over simplified, there's other things that can be done to mitigate etc, but you can see how it easily poorly thought out taxation can cast aside economics and basic common sense. I should point out that it's not just those reliefs or aggressive avoidance leading to perverse incentives, a lot of sensible IHT planning can. Also, for the avoidance of doubt I am not trying to suggest that IHT nor high taxes are a bad thing in principle, but rather that taxes have to be carefully thought about and designed - however they are mainly driven by politicians.

      And BTW I am an accountant and while the above are made up for illustration, the principle is no concoction. I do not need to guess the number of clients I consider "substantially wealthy" where IHT significantly impacts their strategic decision making, the answer is all of them.

  3. Meanwhile... by zblack_eagle · · Score: 5, Insightful

    ...your bought representatives don't give a shit

  4. Hold the "Well, DUH!" by overshoot · · Score: 5, Insightful

    Of course this isn't news to us. The news is that someone in the legal community got the memo.

    And not just anyone. RIchard Posner is the most-cited appellate judge in the USA. He's incredibly influential, and most of all on topics relating to law and the economy. To give you an idea, he has almost single-handedly convinced the antitrust bar that there is no such thing as monopoly power, statutes to the contrary, and is spearheading a movement within the legal community to "revise" antitrust law to something closer to what the railroad barons would have recognized.

    So, yeah, we can feel smug. But we should also be very glad that this particular pebble is starting to move.

    --
    Lacking <sarcasm> tags, /. substitutes moderation as "Troll."
    1. Re:Hold the "Well, DUH!" by Intrepid+imaginaut · · Score: 5, Interesting

      I do agree that copyright terms are ludicrous at the moment, and really only a cash grap by the likes of Disney, but the power to create and spread that creation is rapidly moving away from large companies and into the hands of individuals. A decent DSLR can create very acceptable HD movies with good lighting, sound gear is dirt cheap, home studios are springing up everywhere, graphic design programs are becoming simpler to use and master with every passing decade, it all adds up. I can see things reaching a stage where nobody really cares about copyright lengths because they'll be too busy making their own stuff.

      Doesn't mean they should be changed of course, the big fish will still try to trip people up, but we're moving from "consumers" to "competition". The only question is how long they'll take to realise it and try to patent "sci-fi".

    2. Re:Hold the "Well, DUH!" by DJRumpy · · Score: 3, Informative

      I don't follow the logic. New technology making it easier to create content isn't really related to patent and copyright law directly unless studios start copyrighting movie 'themes'. Content creation isn't the issue (yet). Content creation technology, however, is. Right now it's still owned by huge companies. I found the main premise of the article kind of 'duh' moment, while the last link about how it got there in the first place to be excellent reading.

      We've all seen opinions about how Patent and Copyright Law has gotten out of control and this one isn't much different. The last link, however, was a very nice breakdown as to the 'breakdown' in the process.

      GOOD stuff...

    3. Re:Hold the "Well, DUH!" by mcgrew · · Score: 2, Insightful

      I don't follow the logic. New technology making it easier to create content isn't really related to patent and copyright law directly

      technology, science and art have things in common, including the "shoulders of giants". Everything new comes from the old. Had today's copyrights existes when Disney made Pinnochio, they would have had to buy the rights from Grimm's heirs.

      The guy who wrote "catcher in the rye" successfully sued another author for writing a sequel. You have a great idea for making TV shows and movies about Asimov's Foundation series? Sorry, you can't, his widow won't let you.

      Asimov died thirty years ago, his stuff should be in the public domain.

    4. Re:Hold the "Well, DUH!" by Stormwatch · · Score: 2, Informative

      Had today's copyrights existes when Disney made Pinnochio, they would have had to buy the rights from Grimm's heirs.

      No, because Pinocchio was written by Carlo Collodi, not the Grimms (whose works were compilations of folk tales).

    5. Re:Hold the "Well, DUH!" by cpt+kangarooski · · Score: 2, Informative

      Had today's copyrights existes when Disney made Pinnochio, they would have had to buy the rights from Grimm's heirs.

      Minor nit: Pinnochio was written by Carlo Collodi; it's not one of the Grimms' (and given that the Grimms merely collected stories, rather than writing their own, I'm not sure how successful they'd've been in getting a copyright. Plus there likely would've been nationality issues.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    6. Re:Hold the "Well, DUH!" by dubbreak · · Score: 3, Interesting

      You have a great idea for making TV shows and movies about Asimov's Foundation series? Sorry, you can't, his widow won't let you.

      While I agree on principle, sometimes it's a good thing.

      First, I whole heartedly agree is a horrible candidate to do the Foundation series justice. But the only reason Emmerich can do Foundation and some indie group can't is because of copyright. The people with big bucks can do pretty much whatever they want whereas indies can't afford to even think about getting rights to do so. I'm sure there are studios sitting on books/stories they've purchase just so other studios can't do them (with no plans to ever produce movies out of them).

      That's the reality we live in right now with our mega corps. Not sure what to do with that singer you have in your rosters, but afraid she'll become a superstar elsewhere? Just make sure to have her tied down with a contract and run her in circles. Don't have time, interest or appropriate talent to produce a film? Buy the rights so someone else can't make it into the next blockbuster that over shadows your next formulaic super-action-rom-com-3D.

      Copyright wasn't created to be used that way, just as patents weren't made to prevent innovation, but that's how they are being used by our "do anything to make bigger profits" corporations.

      --
      "If you are going through hell, keep going." - Winston Churchill
  5. Posner has been part of the problem by JoshuaZ · · Score: 5, Informative

    Posner is one of the people who has gotten us into this situation. He wrote the opinion In re Aimster http://en.wikipedia.org/wiki/In_re_Aimster_Copyright_Litigation which provided a precedent for a fair bit of modern copyright issues on the internet. He's also advocated in the past that linking to copyright violating material should be considered a violation http://www.becker-posner-blog.com/2009/06/the-future-of-newspapers--posner.html. Yes, he's right that the problems he identifies in TFA are there, but this is someone who has contributed to associated problems. It almost seems like Posner isn't quite able to say "I was wrong" but I guess we should take what we can get.

    1. Re:Posner has been part of the problem by JoshuaZ · · Score: 5, Informative

      Actually, having just reread the bit about linking, I now realized that it is even worse than that. Posner was arguing essentially that linking to a legitimate copy such as a newspaper's website should be considered a violation. See also this prior Slashdot discussion http://tech.slashdot.org/story/09/06/28/1619211/Judge-Thinks-Linking-To-Copyrighted-Material-Should-Be-Illegal.

  6. Apple and Microsoft are the poster children... by andydread · · Score: 3, Insightful

    of software-patent abuse in the IT world with a goal of driving Linux, Android, and FOSS out of the marketplace. They are driving up the cost of writing software. Who would have thought 20 years ago that in the future when you write software that gains any traction in the marketplace (especially system software and operating system related) you would need an army of laywers because Microsoft and Apple will find a way to take ownership of your code though the use of software-patents. All your code are belong to us.

  7. Re:Strawman once again by swilver · · Score: 2

    I agree, the conditions are absent in the pharmaceutical industry as well.

  8. Mickey Mouse Must be Protected by devent · · Score: 2, Interesting

    ... the author in all likelihood dead, but his heirs or other owners of the copyright may be difficult or even impossible to identify or find. The copyright term should be shorter."

    Oh please we all know why copyright terms are continuously increased. Because of companies like Disney do not want to lose one of their most profitable franchise (The Mickey Mouse Protection Act). Also the MPAA, RIAA and the like do not want to compete with public domain work that are just 14 or 24 years old (which was the original copyright terms, and that in a time where the most advanced copy-machine was the printing press).

    I just wait until 2019, in which year we get the Protect Mickey Mouse to the End Of the Universe Act of 2018, in which the copyright terms are increased to the life time of the sun, which is per definition limited to just a few billion years and as such in bounds of the constitution*. Of course it will not end in the USA, because of some "free trade" treaty the copyright terms will be all "aligned" across the EU, Japan, Australia, Canada.

    Also just forget about your rights to privacy and due-process. Because Mickey Mouse is one of the most important national treasures, there is no freedom that can be sacrificed to ensure future profits. Personal computing is also overrated, to protect our artists we need to put everything in a walled garden with Trusted Computing Chips and open source operating systems will just be made impossible to install. We already put teenagers in jail for copyright infringement. Due-process is already gone for good, and who cares about privacy and guaranteed rights, like private copy and format shift? We just declare everyone a pirate, that's easier anyway.

    [*] http://en.wikipedia.org/wiki/Copyright_Clause

    ... by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

    --
    http://www.mueller-public.de - My site http://www.anr-institute.com/ - Advanced Natural Research Institute
  9. Why does he stop short of abolition? by ciaran_o_riordan · · Score: 5, Interesting

    He also wrote a good piece back in July:

    http://www.theatlantic.com/business/archive/2012/07/why-there-are-too-many-patents-in-america/259725/ ...where he repeats most of the arguments that people use to ask for abolishing software patents, but he stops short and instead muses on a few reforms (that probably wouldn't have much of an effect).

    Here's my views on his July piece:

    http://news.swpat.org/2012/07/posners-problem/

    And there're a few more links about his positions here:

    http://en.swpat.org/wiki/Richard_Posner_on_software_patents

    Abolition seems like the logical conclusion of his musings. I can't see why he doesn't discuss it.

    1. Re:Why does he stop short of abolition? by cpt+kangarooski · · Score: 4, Informative

      This is demonstrably untrue.

      Prior to 1710 in England for copyrights, copyrights didn't exist anywhere. Yet plenty of works were created. And even today, most creative works are created due to motives other than seeking to profit from a copyright on those works.

      That said, I don't think copyright abolition is needed presently, just massive reform.

      Patents are somewhat better, but we'd be better off treating different domains of the useful arts differently. Software and business methods seem to not only not need the incentivizing effect of patents, but are actively being harmed by patents. For those fields, abolition would be appropriate for the time being. Maybe later things will change and we could revisit the issue. In other fields, patents still seem to have some use.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    2. Re:Why does he stop short of abolition? by Anonymous Coward · · Score: 2, Insightful

      I'm pretty sure money and greed ran the pre-1710 world as well. There were no good ole' days I'm afraid.

  10. FWIW, which is $tens of trillions by Impy+the+Impiuos+Imp · · Score: 2, Interesting

    1. Source code is invention, not artistic work of art. Patents only.

    2. A simulation of an already-existing thing is not inherently patentable. This is not to say a particularly clever implementation may be patentable.

    3. The dancing bear is in the software. Attaching robot arms and legs to it adds no invention patentability. The patent is the software driving the car, not the sensors or wheels or GPS integration in conjunction with a processor and a single, magical line item that "software" magically does the impossible.

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    (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
  11. Nonliteral copying by tepples · · Score: 5, Insightful

    I can see things reaching a stage where nobody really cares about copyright lengths because they'll be too busy making their own stuff.

    Not if the likes of Disney manage to convince a judge that people making their own movies with DSLR have infringed copyright in the nonliteral elements of works owned by the likes of Disney, or if people making their own movies with DSLR simply lack the millions of dollars to litigate a competent legal defense.

    The only question is how long they'll take to realise it and try to patent "sci-fi".

    And that's where nonliteral copying comes into play: attempts to use copyright to claim exclusive rights in the use of a specific set of tropes together, or to use copyright or trademark to claim exclusive rights in adaptations of a given pre-1923 story to film that one of the major studios has already adapted.

  12. Re:Copyright protects profit motive, innovation by SoulNibbler · · Score: 3, Insightful

    That's not quite true, very often people with money are smart enough to not re-invent the wheel if they don't need to and would much rather pay you a consulting fee or a service contract to tailor the new software to the job they need done. That produces a positive incentive innovate as you now receive feedback as to the parts of your innovations that have marketable value. The trend of clean room reimplementations came about BECAUSE of overly strong copyright, if you can purchase the time of the creator for a reasonable fee why would you ever pay more to steal it??!

  13. Re:Video game exclusion by dubbreak · · Score: 2

    This will change, but only if Ouya is released.

    It's already changing. I can target Wii, PS3 and 360 with Unity. With the new release one will be able to target WiiU. Not only that, but Nintendo is licensing Unity so they can distribute it to developers (presumably as a defacto SDK for WiiU). It looks as though Nintendo has seen the light (plenty of indie developers out there creating great games that should be on the WiiU, if they want the WiiU to be relevant).

    The Ouya looks cool (almost kickstarted it, but dragged my feet for various reasons and time ran out). The idea is cool, but I question how much traction it will get. Indie gamers have so many other platforms they can target and the mobile ones are a huge market. Since the Ouya will support Unity, then devs with enough time will port stuff (pretty trivial), but I don't see a lot of value in targeting a system which will have such a limited user base. Most gamers (especially the geeky ones kickstarting the Ouya) have other platforms I can target (definitely mobile, but most likely console(s)). So I'm not missing out on those potential gamer by not targeting the Ouya. The idea of the Ouya is great. The price point.. it's ok but not great for the performance and not low enough for it to be a impulse buy for your average person. It's barely cheaper than a Wii and who's heard of it beyond slashdotters?

    We'll see. I'd like to see it do well. I'd like to see it do well as a console, but it may find success in another avenue (such as a media frontend).

    --
    "If you are going through hell, keep going." - Winston Churchill
  14. Re:TRIPs by cpt+kangarooski · · Score: 2

    The executive branch and industry and compliant members of congress pushed for Berne and other recent copyright treaties so as to generally remove Congress from the loop on copyright matters and to prevent meaningful debate and opportunities to modify proposed legislation. But it's mainly a matter of throwing our weight around. If we wanted to get out of Berne, TRIPS, et al whilst otherwise keeping the WTO, we could, fairly easily.

    The issue is the lack of will to do so by the people who could do it (in fact, hostility toward the notion) and our broken political system that keeps them in power.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  15. Wait, why are drugs different again? by paulsnx2 · · Score: 2

    Big Pharma pushes the myth that their investment is Big and is Important, so they really need patents. All the while, they are pulling in huge margins on drugs that are not provably better in many cases than placebos.

    You want to do the one thing today that would have the biggest impact on reducing Healthcare costs?

    End Patents on Drugs, Genes, Medical devices, and Medical procedures.

    All of them.

    You still have the FDA to approve quality and safety. Anyone wanting to produce the latest anti-depression drug, or blood pressure medication still must jump through those hoops in insure quality and safety. That is barrier enough for drug companies to recoup R&D costs and gain position in the market place.

    But wait! What about the profits?!? Think of the money that drug companies won't be able to make! Think of all the little competitors that will be able to leverage existing technology and undercut our costs! Think of all the little stinking improvements little companies could make to drugs and devices to displace the big companies on which we all depend!

    Exactly.

  16. One Answer to Patent them all by hhawk · · Score: 2

    Only Greg Aharonian has a working solution to the patent "wars" and it doesn't rely on using divination to determine what and what can't be patented.

    Greg basically says a) anything invented can be patented (hardware, software, whatever) BUT (big BUT) it has to be done with proper science something he often feels that both the PTO and the US courts don't understand. Paraphrasing Mr. Aharonian, if after a solid review of patented and non patented prior art, something can be proven with logic and science to be a new invention it's worthy of a patent and if it isn't then no patent should be issued.

    It's taken me years and years of reading Greg's musing on patent's to really understand his prospective (I hope I really do...); Why worry about false issues about what type of technology is used; tech is tech, what matters is if you have done something truly novel.

    http://ns1.patenting-art.com/

    http://inventors.about.com/library/weekly/aa071297.htm
    http://www.wired.com/wired/archive/8.06/patents_pr.html

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    http://www.hawknest.com/