Warner Bros Secures Commercial Control of Superman
AliasMarlowe writes "Warner Bros have won an important legal victory over the heirs of one of the creators of Superman, giving it total commercial control of the superhero. An appeals panel unanimously ruled that Jerome Siegel's heirs must abide by a 2001 letter accepting Warner's offer for their 50% share of Superman. The letter was never formally turned into a contract, but the Judge considered that it represented an oral agreement, which was binding. Warner Brothers now owns 100% of the Superman franchise."
Then all this arguing would've been for nothing.
I think the most sensible thing for creators to do now is license rights, as opposed to sell. I'd rather copyright just go away after 20 years, opening up a whole new realm of fiction based on the original, but with the current system licensing seems better than someone getting the rights to your creation and then locking you out of it completely.
To a big company buying up the rights from the little guys isn't a huge expense in the scheme of things, while an artist or writer may find that the offer they are facing will keep a roof over their head for a year or two longer, putting them at a disadvantage at the bargaining table.
How is Superman not public domain by now? He first showed up in 1938. That's over 70 years ago. This is ridiculous.
A band of rogues led by Wile E Coyote and Elmer Fudd attempt to wreak havoc in Gotham City, and only Superman can save it. Trouble is, Superman has not been seen for months, as Clark Kent struggles against banks trying to foreclose his condo while his pal Bugs Bunny provides comic relief.
Copyright?
Crowbar.
"Flyin' in just a sweet place,
Never been known to fail..."
I thought contract law made written agreements mandatory for anything over a certain value. I seem to remember my high school teacher saying that (at least in California) that anything over $200 REQUIRED the contract be on paper. Am I mistaken? Of course, this particular suit was in Federal court, so that wouldn't apply.
...The Flash is feasting on some Road Runner he caught earlier in the day.
"Good, Fast, Cheap: Pick any two" -- RFC 1925
I guess when offering Warner their 50%, this was against compensation.
If Warner paid and the heirs accepted the money (or whatever the compensation consisted of), I don't see how they could then claim to still have any rights. If you want to keep something, don't sell it.
If they asked for compensation and Warner didn't pay anything, I can't see how they could own the rights.
And if the heirs didn't demand compensation for transferring their rights, well, they just pay the price for their stupidity.
The Tao of math: The numbers you can count are not the real numbers.
Up in the sky!
it's a bird!
it's a plane!
No it's WarnerMan!
Making the world a safer place for Large Media Conglomerates everywhere!
Just as long as they're not "super heroes", or they'll have a whole different royalty problem.
You can hold down the "B" button for continuous firing.
Authors death + 70 years.
Superman was invented 75 years ago in 1938, in 2013 a god awful movie comes out which must be stopped at all costs. Due to the Grandfather Paradox, we can not stop the creation of Superman; but if Superman falls into the Public Domain before the movie is released, Warner Bros will crease production immediately, knowing that they will never make money off of it. This gives our time traveling hero a short window of 5 years to track down and kill Jerome Siegel before it is too late.
This idea is not protected in any way, if somebody wants to make it into a movie, please do!
I'd rather they do it than Warner Brothers. Please, multibillion dollar corporation vs. 1 family who makes money off grandpa's comic book. WB can fuck off and pay them to use it, it's likely a paltry amount compared to the investment of the movie itself.
There are limits to which a trademark can be used to extend copyright-like exclusive rights after the expiry of the copyright term in the United States. Dastar v. Fox .
DC Comics did pay them...several times over. This is the third time that the heirs went after DC (and Warners) and signed a "final" agreement. In fact, back in the mid or late 40's, DC paid both of them $50k each to settle.
On thing not mentioned here is the reason why this turned into a court case is the lawyer on Siegel's side. Had the Siegel's won, the lawyer would have actually become the controlling party of Superman, not the Siegel's.
Nearly all "official" stories suck big time. I'd rather we could choose from all the unofficial stories and hopefully decent ones would prosper. It is not like copyright is required to make megabucks -- look at how Disney made nearly all his success off the public domain.
I'm not a moron who wants to see "reboots" every decade (or less) because 1 studio figures it is easier than taking the risk on a "new" story (which itself is just new to film... and likely the screen writers will have fucked up the transfer plenty good.)
Democracy Now! - uncensored, anti-establishment news
" ...the families of both creators have been paid in excess of $4m since 1978." So each "family" has received $2 million over the past 35 years? That comes out to a little over $57k a year. Meanwhile, movie grosses alone for the same time period were claimed to be $500 million. So the creators got less than 1% between the two of them, and we're not even talking merchandising. Fuck you, Warner Brothers.
On thing not mentioned here is the reason why this turned into a court case is the lawyer on Siegel's side. Had the Siegel's won, the lawyer would have actually become the controlling party of Superman, not the Siegel's.
Wait, what? Why was it set up that way?
Come on now, it's not that long. It's only Mickey Mouse's age + 1.
george lucas did to star wars, what your society has done with all of nature's gifts
those 'taiwanese shit shops' are the same factories responsible for the innards of the macbook ibook itoilet idouche ietcetetc.
they would become our new 'masters of xyz universe'.
*shudder*
there are many many thousands of products, universes, concepts, etc, even houses and buildings, that go 'idle' because their 'owners' dont want to mess with them.... whether individuals or corporations.
If only Lex Luthor had made his chains from Copyright instead of Kryptonite!
Probably because the siegels have no money to pay the lawyer (guessing you missed the mention of a 50K settlement).
Using an old character has the advantage of getting a setting with it. You don't need to setup the character and the world, you can simply take the defaults that come with Superman and then add your ideas and/or characters. It's simply more efficient than starting from scratch.
There are several, but one obvious one would be to help examine what, if anything, in the 1930s is worthy of preserving in the 2010s. Why has this character survived for 80 years and what has changed over the years? Why is Superman still relevant enough for this story to make it to the front page of Slashdot?
Forget magic. Any technology distinguishable from divine power is insufficiently advanced.
It's no crime to steal from a thief.
That's the truth of the DMCA.
The content cabal has nothing to do with protecting the creators of art, they are simply destructive rent seeking parasites and should be treated as such.
Or imagine if people didn't glom onto old characters constantly and instead looked for new and interesting characters and ideas.
like using a stronger-than-the-rest protagonist?
...
Warner may be the only one who can make money on Superman but the character belongs to the fans.
Okay, but why do you require this of the heirs. But don't require it of the bulti-billion dollar corporations?
DC has made billions off of Superman, and they're complaining about paying $4 million.
I am of the opinion, that there should be a 2% rule. A perpetual 2% of profits to the creators and their heirs so long as the copyrights exist.
First, off, I don't believe IP rights should not be owned by corporations.They're far too abused.
Second, sure some are griping about them making money off their grandparents creative works. While I think that's wrong, I think it's far less wrong than a mega corp making those profits.
Third, from what I understand of the article. This wasn't even a contract. It was a word of mouth discussion. Then DC/Warner Bros wrote a contract based on that, and claimed it was a done deed. The lawsuit sounded as if the heirs were complaining that they never even signed/agreed to the contract.
Four, the problem with selling of creative rights, is that it's too easy to rip off the individual owners. Wait for them to be in financial stress, and then !@#$% over.
Five, if these folks owned 50% of the rights, and billions were made. They've been pretty well !@#$% for the past few decades. Because $4 million is pittance compared to billions.
Six, the courts always seem to favor the bigger company. It's rather disgusting. And why I really don't give a darn about protecting copyrights. MPAA/RIAA spend millions advertising against piracy and media cloning. Their big argument is it hurts the artist. BS. All the pirating in the world has not hurt artists half as bad as the copyright cartels have.
4chan is leaking again
"I disapprove of what you say, but I will defend to the death your right to say it." - Evelyn Beatrice Hall, re Voltaire
No, you can make a derivative of the Grimm's version too -- it just can't copy anything that Disney (or anyone else, where there's still a valid copyright) added to it.
Feel free to name the dwarves something different.
-- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.