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Sherlock Holmes Finally In the Public Domain In the US

ferrisoxide.com writes "As reported on the Australian ABC news website, film-makers in the US are finally free to work on Sherlock Holmes stories without paying a licencing free to the estate of Sir Arthur Conan Doyle after a ruling by Judge Ruben Castillo. A quirk of U.S. copyright law kept 10 stories out of the public domain, on the basis that these stories were continuously developed. In his ruling Judge Castillo opined that only the "story elements" in the short stories published after 1923 were protected and that everything else in the Holmes canon was "free for public use" — including the characters of Holmes and Watson. Holmes scholar Leslie Klinger, who challenged the estate, celebrated the ruling. 'Sherlock Holmes belongs to the world,' Mr Klinger said in a statement posted on his Free Sherlock website. IANAL, but the ruling of Judge Castillo that "adopting Conan Doyle's position would be to extend impermissibly the copyright of certain character elements of Holmes and Watson beyond their statutory period," is surely going to have implications across U.S. copyright law. Mark Twain must be twisting and writhing in his grave."

57 of 207 comments (clear)

  1. A bad remake is a foot! by Anonymous Coward · · Score: 5, Funny

    I smell a lot of vile and unsavory SyFy productions ramping up with this ruling.

    "SyFy, that great cesspool into which all the loungers and idlers of the Empire are irresistibly drained."

    1. Re:A bad remake is a foot! by ChunderDownunder · · Score: 2

      They already ruined Star Trek for me by casting Sherlock in the role of Khan, who looks nothing like the previous Punjabi-Mexican...

    2. Re:A bad remake is a foot! by narcc · · Score: 5, Insightful

      Er, the "the blood sucking scum called Hollywood" has already pissed all over Sherlock Holmes. I don't see how this changes anything.

    3. Re:A bad remake is a foot! by PhrostyMcByte · · Score: 3, Funny

      Finally, someone finds a great case for extending copyright.

    4. Re:A bad remake is a foot! by davester666 · · Score: 4, Funny

      I believe Congress now has a first order of business when they next convene, to add another 20 years to copyright, retroactively applied of course. Because Doyle would never have written a word knowing his heirs would not be able to continue mooching off his work 3 generations later.

      --
      Sleep your way to a whiter smile...date a dentist!
    5. Re:A bad remake is a foot! by drkim · · Score: 2

      Doyle would never have written a word knowing his heirs would not be able to continue mooching off his work 3 generations later.

      Doyle was only making about £500 an installment.

    6. Re:A bad remake is a foot! by davester666 · · Score: 2

      If the purchasers had known the work would eventually leave copyright protection, they would have paid less. Much less.

      --
      Sleep your way to a whiter smile...date a dentist!
    7. Re:A bad remake is a foot! by jamstar7 · · Score: 2

      Doyle would never have written a word knowing his heirs would not be able to continue mooching off his work 3 generations later.

      Doyle was only making about £500 an installment.

      Back then, a £ was worth $2.65 American or so. And in the 1890's, 1325 bucks was REAL MONEY

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    8. Re:A bad remake is a foot! by Chas · · Score: 2

      And the reason he failed?

      No high stress watermelon apparatus!

      As such, Rawhide loses a lung!

      --


      Chas - The one, the only.
      THANK GOD!!!
    9. Re:A bad remake is a foot! by gnasher719 · · Score: 4, Insightful

      And? I never understood why this so called "IP" deserves to be treated differently than regular property. Does Ford get a cut of every used Ford ever sold? Does Joe the carpenter get a cut every time a house he built changes hands for decades?

      Let me explain. If you write for example a book, there are in theory two ways to get paid for your work: A. Find someone who is willing to buy the book, copyright and everything, and pay you a fair value for the work. You are not going to see a penny after that. Or you get a little bit of money from everyone who buys it, forever. It's a different business model. Not one sale for big money, but many sales each giving you a tiny amount.

      But look at it in a different way: Either you want a book, or a video, or a music performance, or you don't. If you don't want it, you shouldn't care whether it's for sale or free. And if you want it, then surely you should agree that it is _worth_ paying for. You can't seriously argue that you want it but it's not worth money.

    10. Re:A bad remake is a foot! by tomhath · · Score: 2

      Does Ford get a cut of every used Ford ever sold?

      Try building a pickup truck that looks just like an F150, put a Ford logo and nameplate that says F150 on it, and see what happens when you try to market it.

      You can buy a used book (at least a real printed one) without paying a copyright fee, but you can't make a movie based on a book that's still under copyright any more than you can make that F150 truck.

    11. Re:A bad remake is a foot! by _Shad0w_ · · Score: 2

      £500 then or now? Because that would be about £215k now.

      --

      Yeah, I had a sig once; I got bored of it.

    12. Re:A bad remake is a foot! by devent · · Score: 4, Informative

      Copyright law was never about to offer a business model to authors. Copyright law was always about to ensure that works are produced and published, to enrich society. If it turns out that copyright laws actually reduce the amount of works produced and published, then copyright law should be abolished. Normally, copyright law should be at balance to offer authors enough protection that they can make a dime of their works, but also short so that society (the public domain) can be enriched.

      That is why the original copyright term in the USA was just 14 years with the option to extend for another 14 years, and also only for registered works. With the Internet the copyright term should been shortened because the Internet offers a faster way for authors to make a dime of their work. You obviously bought into the Hollywood propaganda that copyright is a natural right of authors to have a business model. No it's not. It's an monopoly right that is granted to benefit at the end the public domain.

      --
      http://www.mueller-public.de - My site http://www.anr-institute.com/ - Advanced Natural Research Institute
    13. Re:A bad remake is a foot! by rsilvergun · · Score: 2

      It's $9275 in dog money.

      --
      Hi! I make Firefox Plug-ins. Check 'em out @ https://addons.mozilla.org/en-US/firefox/addon/youtube-mp3-podcaster/
    14. Re:A bad remake is a foot! by bzipitidoo · · Score: 3, Insightful

      Several problems with your argument.

      Although copyright can be used against plagiarists, counterfeiters, and other sorts of fraudsters, that's not it's purpose. We have other laws to deal with those problems, we don't need copyright for that. Shouldn't keep copyright alive for such purposes either. If someone tries to pass that homemade F150 off as the real thing, if it's such a good copy that it fools prospective buyers, and someone buys it under the impression that they are buying a real Ford F150, then the seller has committed fraud. That's counterfeiting. Also trademark infringement. Very common for the copyright extremists to conflate these separate issues in their attempts to justify their positions.

      You can make a homemade F150 truck, and you don't need Ford's permission. It can be a cardboard cutout, or a toy sized miniature that you can hold in your hand, or a full sized replica with a working engine and all. People have made replicas of cars that while antique, are not old enough for copyright to have expired on them. No one is going to sue you for making a replica of a Studebaker automobile! Just don't pass it off as the real thing.

      There's also the Ship of Theseus problem. If you use some parts from a real antique car, and fabricate the ones you can't find, does the whole qualify as genuine? Can a T-bucket be a genuine Ford Model T?

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    15. Re:A bad remake is a foot! by Immerman · · Score: 2

      Don't worry, the RIAA will be happy to collect the royalties and distribute them to the proper parties, if they can be found. (Hey, come one, looking in the phonebook is HARD, and it's only a few hundred thousand dollars. What do you expect of us?)

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    16. Re:A bad remake is a foot! by toddestan · · Score: 3, Informative

      That's because "Ford" is trademarked, and "F150" is also trademarked (in the context of vehicles at least). That has nothing to do with copyright.

    17. Re:A bad remake is a foot! by Areyoukiddingme · · Score: 2

      I wasn't talking about a single replica or committing fraud. I meant building an assembly line and manufacturing trucks that have "Made By bzipitidoo Motor Co." on the title, but everything else is exactly the same as a Ford.

      That's legal, in both the vehicle industry and the fashion industry, and for the same reasons. "Trade dress" protections do not apply to shapes which are largely functional, and there's case law declaring that the shape of sheet metal in a car or the cut of cloth in an item of apparel are more functional than not, so it doesn't qualify for protection.

      This state of affairs persists because the brand has sufficient value all on its own. Knock-offs of designer clothing is legal, but always sell for far less than the "real" thing, that is the legally branded version. Knock-offs of vehicle designs are also legal, but the number of people willing to buy the knock-off is microscopic. You can buy something that looks just like a Ferrari, for much less than the actual Ferrari. The products exist. People don't buy them. Vehicle brands are that strong.

  2. Arthur Conan Doyle was Scottish by Anonymous Coward · · Score: 2, Insightful

    But of course US Law is World Law because the US rules the world by bombing the shit out of anyone who disagrees.

    1. Re:Arthur Conan Doyle was Scottish by Anonymous Coward · · Score: 5, Informative

      No the US law applies because a Georgian Princess bought out the other English heirs of the Scottish author who then assigned it to Swiss to manage it.Later when the swiss started skimming off the top, she then sold the whole thing off.The person who purchased it was American but the estate was managed by another Swiss man. Due to a quirk in the US law, the british (dis)inherited tried to reclaim the property, but were conned by a texas lawyer who sent the notices to a non existent address in Switzerland instead of the correct address in US or Switzerland. So the ownership of the estate remains in the US. Hence US law applies.

      I did not make any of this up .

    2. Re: Arthur Conan Doyle was Scottish by GTRacer · · Score: 4, Funny

      Have you *heard* bagpipes played? Badly?

      --
      Defending IP by destroying access to it? That makes sense, RIAA/MPAA. Go to the corner until you can play nice!
    3. Re: Arthur Conan Doyle was Scottish by Paradise+Pete · · Score: 5, Insightful

      Have you *heard* bagpipes played? Badly?

      Is there any other way?

    4. Re: Arthur Conan Doyle was Scottish by Vainglorious+Coward · · Score: 5, Insightful

      I've heard that the definition of a Scottish gentleman is one who knows how to play the bagpipes, but refrains from doing so.

      --
      My next sig will be ready soon, but subscribers can beat the rush
    5. Re:Arthur Conan Doyle was Scottish by jamstar7 · · Score: 2

      "Droning the shit out of the terrorists" just sounds wrong.

      Don't watch CSpan much, do you?

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    6. Re: Arthur Conan Doyle was Scottish by BrokenHalo · · Score: 2

      Yes. And there's the piano accordion...

      The best definition for perfect pitch is being able to chuck a piano accordion down a well without it touching the sides.

  3. My favorite Sherlock Holmes quote by Anonymous Coward · · Score: 5, Funny

    "Watson, come here, I want you!".

  4. Finally... by msauve · · Score: 4, Insightful

    Disney will now be able to bring the stories of the the brothers Grimm to the big screen, like Snow White and Sleeping Beauty. No longer will our culture be stolen from us by dead people and uncreative "owners of intellectual property."

    --
    "National Security is the chief cause of national insecurity." - Celine's First Law
    1. Re:Finally... by TubeSteak · · Score: 3, Informative

      What you can't use is any recent (re)translation or re-imagining or edition from [publisher].
      That's the reason that "American Classics" keep getting new editions cranked out, even though the story hasn't changed in a century.

      So while Disney doesn't own Snow White (or any of the other stories), they own their version.
      The Disney version strays enough from the Brothers Grimm that Disney has claimed and received copyright and trademarks.
      Of the two legal claims, Disney is vastly more likely to slaughter you with trademarks than copyrights.

      --
      [Fuck Beta]
      o0t!
    2. Re:Finally... by PRMan · · Score: 2

      Cool. I'll get right on my new Mickey Mouse stories...

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    3. Re:Finally... by _KiTA_ · · Score: 3, Insightful

      They also own their version of Nadia: Secret of the Blue Water and Kimba, the White Lion.

      Just a reminder that Disney doesn't just shamelessly steal from American folklore and then try to lock it up forever; they are quite happy to steal from other cultures too.

      Keep this in mind in a few years when Disney tries to find a way to loophole their way into retaining ownership of the original Steamboat Willie -- which, if I'm understanding this ruling, Disney can no longer keep perpetually copyrighted through bribing congress.

  5. You're surprised by the gay undertones? by Anonymous Coward · · Score: 4, Funny

    I thought that the subtle homosexual undertones throughout the entire series were well known. In fact, they play prominently at the start of the The Private Life of Sherlock Holmes, a feature film from 1970. No, it's not a pornographic flic, but a comedic mystery directed by Billy Wilder that even features Christopher Lee.

    In my personal view, however, there's nothing homosexual about Sherlock Holmes. Just because a man dislikes women, and prefers the company of another man, treating him as a life-long companion in work and play, even when at the Turkish baths, it does not mean that he's a homosexual. He might like to smoke a pole as much as he likes to smoke a pipe, but again, that does not make him a homosexual. It's perfectly normal and straight for two completely heterosexual males to touch one another's genitals. Just because two men love each other and form a bond stronger than steel it does not mean that they are gay.

  6. But now he won't write anymore books! by Anonymous Coward · · Score: 4, Funny

    How can Sir Arthur Conan Doyle be incentivised to write more Sherlock Holmes books, if he can't enjoy exclusive rights to his works?!

    Nooooooooooooooooo!

  7. Better late than never, I guess by mark-t · · Score: 3, Insightful

    Still, 90 years is an awfully long time... these copyrights should have reasonably expired several decades ago.

  8. Re:is Peter Pan next? by Em+Adespoton · · Score: 2

    Peter Pan is a different story...
    From the copyright page on the official website:

    Copyright in the USA is governed by the Universal Copyright Convention, by which a publication enters the public domain 25 years after the author’s death – in Barrie’s case, 1962. However, it was agreed in 1971 that the Berne Convention should take priority over the UCC in countries signatory to both conventions, and therefore Barrie’s extended copyright [was] guaranteed until 2007 in the USA as well. In the UK, the situation is a little more complex with regard to the Peter Pan Gift in that the House [of] Lords passed a special resolution in 1988 via the Copyright, Designs & Patents Act, effectively granting the Great Ormond Street Hospital a perpetual extension to its right to royalties in the UK “in respect of the public performance, commercial publication or any other use of Peter Pan.”

    Yes, in the UK they can do that. At least it's for a good cause (Pan royalties fund the hospital).

  9. Decision text by Flamerule · · Score: 4, Informative

    There's a slightly more detailed story posted on the plaintiff's website. They're also hosting a copy of the full decision from Judge Castillo, of the United States District Court for the Northern District of Illinois.

  10. On Twain... by TheloniousToady · · Score: 3, Insightful

    Reports of Mark Twain twisting and writhing in his grave have been greatly exaggerated. In fact, the late Mr. Twain has been quite immobile since the most recent reports of his death.

  11. Guy's probably dead anyway. by Impy+the+Impiuos+Imp · · Score: 2

    The Mark Twain article reproduces a 100 year old NTY microfiche where somebody corrected a spelling incorrectly.

    Don't call me a spelling Nazi because it was 25 years before that.

    --
    (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
  12. sigh by bigdavex · · Score: 3, Funny

    Great, now he'll never write any more.

    --
    -Dave
  13. Hitler must be pissed by TrollstonButterbeans · · Score: 4, Interesting

    Sherlock Holmes --- an imaginary character --- has more rights than real people.

    Hitler, Albert Einstein and Elvis make frequent cameos in media and often star in YouTube videos, having no rights because they are *REAL* people.

    But Mickey Mouse and Sherlock Holmes and Barbie have more rights as imaginary characters.

    Curious legal system we have. Feel free to use Ronald Reagan or Jimmy Carter or Richard Nixon (hello Futurama!) in a story ... it's just bizarre!!!

    --
    Priest: "Universe from nothing, no laws of physics, sped up time"+ huge discrepancies. Creationism? No. Big Bang Theory
    1. Re:Hitler must be pissed by bloodhawk · · Score: 2

      I am not sure what you find bizarre here. Why would you think real people should be covered by copyright protection? the characters have no rights, the owners of the art have the rights, i.e. real people.

    2. Re:Hitler must be pissed by bloodhawk · · Score: 2

      Generally it comes under trade mark protection and protection against false endorsements.

  14. Trademark as ersatz copyright by tepples · · Score: 2

    You're thinking trademark. In the United States, it appears per Dastar v. Fox that a trademark cannot be used to extend the term of an expired copyright. It might be different in Canada, given what I've read about Anne of Green Gables.

  15. Re:A bad remake is a leg! by Anonymous Coward · · Score: 2, Insightful

    Hey now, Buckaroo Banzai is all kinds of cool.

  16. I'm confused... by king+neckbeard · · Score: 5, Interesting

    Doyle has been dead since 1930. That means that Sherlock Holmes has been in the public domain in Scotland since 2000. If something is PD in the country of origin, it is PD to all Berne signatories. That's part of how the CTEA was sold to the US public, as our authors would be 'disadvantaged' if we kept a shorter term.

    --
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  17. Clemens and Copyright by bill_mcgonigle · · Score: 2

    There's no grave gymnastics to be had here. Clemens had planned to add to his stories over time, so that people would want to preferentially purchase his editions over the free-culture versions. He didn't want to sit on his laurels while jackbooted thugs ensured him a rent-seeking income - he was, after all, a writer.

    Today, those against the Copyright regime frequently propose similar strategies.

    --
    My God, it's Full of Source!
    OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    1. Re:Clemens and Copyright by Eivind+Eklund · · Score: 3, Interesting

      You got an extra zero in there, right? As in 7 years sounds about right?

      I know some authors protest that seven years is too long, and the majority of income is made in the first three years and after five it would be advantageous to have the works available in the public domain (but the publishers don't want the competition from previously released works), but I think that varies from author to author, so doing a compromise of seven seems reasonable - we can experiment with shortening it further after having seen what happen when we cut it to seven.

      --
      Doubting the existence of evolution is like doubting the existence of China: It just shows that you're uninformed.
    2. Re:Clemens and Copyright by devent · · Score: 2

      Then you can register your work and extend for another 7 years. That would be my proposal and would be just like the original copyright term of the USA, which was 14 years, plus 14 years per extension.

      --
      http://www.mueller-public.de - My site http://www.anr-institute.com/ - Advanced Natural Research Institute
  18. Re:A correction: by DirePickle · · Score: 2

    I think that at some point society becomes inseparable from the creative works that influence it. A culture becomes so suffused with references and allusions to novels, music, movies, that they become almost essential knowledge. At that point (and this is what the expiration of copyright is supposed to enforce), the rights ought to go to the public. This concept where copyright could last for 90 years is a pretty new one. It was supposed to be much shorter.

    Today's myths and legends and fairy tales and other cultural keystones were someone's creative "property," once, and it would be bizarre if one were, say, prevented from reinterpreting King Arthur, Robin Hood, Beowulf, Shakespeare, the Bible, the Iliad, etc. etc. Some things from a century and less ago like Holmes, Cthulhu, Superman, Mickey Mouse, and so on could be argued to be getting pretty close to a level like that.

  19. Re:You did make it up by phantomfive · · Score: 4, Informative

    US law governs a copyright's enforceability in the US. How could it be any different?

    Because of international treaties; the Berne convention, among others.

    --
    "First they came for the slanderers and i said nothing."
  20. Re:You did make it up by cpt+kangarooski · · Score: 5, Informative

    No, according to US copyright law (17 USC 104(c)), the Berne Convention has no effect in the US.

    And this isn't odd; copyright treaties are typically not self-executing. They obligate the various treaty states to enact domestic legislation that brings them into compliance with the treaty, but do not serve as copyright laws themselves. In addition, in the US, all treaties stand at an equal level with ordinary federal legislation, and a last-in-time rule dictates which trumps in the event of an irreconcilable conflict. This means that Congress is not bound to adhere to treaties, and can refuse to pass laws that treaties require, and can even pass laws that directly contradict the treaty. This may embarrass the executive branch, and may cause problems for the US in its foreign relations, but sometimes that's the way the cookie crumbles.

    A fun example is WTO Dispute 160, the gist of which is that certain copyright exceptions in US copyright law violate our treaty obligations, a complaint was brought against the US by the Irish, the US lost the case, and we've never bothered to comply by changing our laws in the decade-plus since we lost.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  21. Re:You did make it up by swillden · · Score: 2

    US law governs a copyright's enforceability in the US. How could it be any different?

    Because of international treaties; the Berne convention, among others.

    The Berne convention requires that signatories' copyright statutes meet some requirements for duration and scope of copyright, but it doesn't say that people in one country must apply the law from another country.

    US copyright laws apply in the US, regardless of whether the copyright owner is US-based. Same for other countries; they each get to apply their own laws.

    --
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  22. Wait, let me get this straight by Arancaytar · · Score: 2

    A judge in the United States of America ruled against an unreasonable extension of copyright law?

  23. So price is not an issue? by langelgjm · · Score: 3, Interesting

    And if you want it, then surely you should agree that it is _worth_ paying for. You can't seriously argue that you want it but it's not worth money.

    The problem is, that logic runs into pricing issues. Take this book for example. At the time I wrote this post, the new price was $218, the Kindle edition was $180, and used copies also sold for $180. I would be happy to pay for that book, but not $180, and certainly not $218. I might pay $30.

    In reality, I'll pay nothing, since it's so expensive that I'll just have to rely on the library's copy.

    Now you can argue that this is a special case since it's a limited run academic book, but the point is that when there is a gap between what someone is willing to pay, and the actual price of the item, you have a lost sale. With respect to physical goods, maybe that's a sale you don't want, since you'd have to take a loss. But with respect to copyrighted goods, in many cases any price is going to net you a profit.

    --
    "Anyone who [rips a CD] is probably engaging in copyright infringement." - David O. Carson
    1. Re:So price is not an issue? by Immerman · · Score: 2

      > But with respect to copyrighted goods, in many cases any price is going to net you a profit.

      Quite right. But the goal is to *maximize* profit. And that changes things, even for digital works with no incremental cost. For example, there's a lot of games that I'd gladly pay $5 for, but they're only offered for $50, and so they lose a sale to me. They could lower the price to $5 to get my sale, but then nobody would pay $50 so they'd have to sell 10x as many copies to make the same profit, a dubious proposition at best. Sure, it might work for the first game to try it (or not - lots of people might see the low price and dismiss it as junk), but as an industry standard, how many people would actually buy 10x as many games as they do now? Heck, even at $50 all my friends have backlogs of games they haven't gotten around to playing - 10x the backlog doesn't do them any good.

      And yes, they can (and do) wait for a few months and start reducing the price to pick up additional sales, but that doesn't really solve the problem, especially if continued forever. I only have so many hours a month I care to spend gaming/reading/etc. Once I've got enough material to fill those hours my purchase rate drops dramatically, and so being able to buy old material at reduced prices cannibalizes sales of new material at elevated prices.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
  24. Re:You did make it up by Kasar · · Score: 2

    A single copyright law would be nice. The book "1984" is public domain in Canada, but since the British author died in 1950, it won't be public domain in the US until 2045, allowing the author to benefit from ongoing royalties in case he wants to write again...

    --
    vi? Who's that?
  25. Re:You did make it up by cheekyjohnson · · Score: 3, Insightful

    I disagree. Each country should enact whatever copyright laws are best for its own people.

    So get rid of copyright law, then?

    --
    Filthy, filthy copyrapists!
  26. Re:You did make it up by Kasar · · Score: 2

    It was flexibility that created the 95 year rule to protect Mickie Mouse and Sonny Bono's royalties for his work with Cher.
    Those seemed to be the primary concerns at the time, and changing federal law to benefit a few while ignoring the compromise explained in the Constitution seems wrong. I'd agree about international treaties in general though, surrendering sovereignty in small degrees is done too flippantly by the current crop of politicians.

    --
    vi? Who's that?