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Sherlock Holmes Finally In the Public Domain In the US

ferrisoxide.com writes "As reported on the Australian ABC news website, film-makers in the US are finally free to work on Sherlock Holmes stories without paying a licencing free to the estate of Sir Arthur Conan Doyle after a ruling by Judge Ruben Castillo. A quirk of U.S. copyright law kept 10 stories out of the public domain, on the basis that these stories were continuously developed. In his ruling Judge Castillo opined that only the "story elements" in the short stories published after 1923 were protected and that everything else in the Holmes canon was "free for public use" — including the characters of Holmes and Watson. Holmes scholar Leslie Klinger, who challenged the estate, celebrated the ruling. 'Sherlock Holmes belongs to the world,' Mr Klinger said in a statement posted on his Free Sherlock website. IANAL, but the ruling of Judge Castillo that "adopting Conan Doyle's position would be to extend impermissibly the copyright of certain character elements of Holmes and Watson beyond their statutory period," is surely going to have implications across U.S. copyright law. Mark Twain must be twisting and writhing in his grave."

137 of 207 comments (clear)

  1. A bad remake is a foot! by Anonymous Coward · · Score: 5, Funny

    I smell a lot of vile and unsavory SyFy productions ramping up with this ruling.

    "SyFy, that great cesspool into which all the loungers and idlers of the Empire are irresistibly drained."

    1. Re:A bad remake is a foot! by ChunderDownunder · · Score: 2

      They already ruined Star Trek for me by casting Sherlock in the role of Khan, who looks nothing like the previous Punjabi-Mexican...

    2. Re:A bad remake is a foot! by bloodhawk · · Score: 1

      Perhaps they should be covered by some other means of protection so that the blood sucking scum called Hollywood can't piss all over great literary works. I shiver to think of the shit they will produce as a result of this,

    3. Re:A bad remake is a foot! by narcc · · Score: 5, Insightful

      Er, the "the blood sucking scum called Hollywood" has already pissed all over Sherlock Holmes. I don't see how this changes anything.

    4. Re:A bad remake is a foot! by PhrostyMcByte · · Score: 3, Funny

      Finally, someone finds a great case for extending copyright.

    5. Re:A bad remake is a foot! by Panoptes · · Score: 1

      "A bad remake is afoot!" - corrected that for you.

    6. Re:A bad remake is a foot! by davester666 · · Score: 4, Funny

      I believe Congress now has a first order of business when they next convene, to add another 20 years to copyright, retroactively applied of course. Because Doyle would never have written a word knowing his heirs would not be able to continue mooching off his work 3 generations later.

      --
      Sleep your way to a whiter smile...date a dentist!
    7. Re:A bad remake is a foot! by drkim · · Score: 2

      Doyle would never have written a word knowing his heirs would not be able to continue mooching off his work 3 generations later.

      Doyle was only making about £500 an installment.

    8. Re:A bad remake is a foot! by davester666 · · Score: 2

      If the purchasers had known the work would eventually leave copyright protection, they would have paid less. Much less.

      --
      Sleep your way to a whiter smile...date a dentist!
    9. Re:A bad remake is a foot! by jamstar7 · · Score: 2

      Doyle would never have written a word knowing his heirs would not be able to continue mooching off his work 3 generations later.

      Doyle was only making about £500 an installment.

      Back then, a £ was worth $2.65 American or so. And in the 1890's, 1325 bucks was REAL MONEY

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    10. Re:A bad remake is a foot! by hairyfeet · · Score: 1

      And? I never understood why this so called "IP" deserves to be treated differently than regular property. Does Ford get a cut of every used Ford ever sold? Does Joe the carpenter get a cut every time a house he built changes hands for decades?

      Of course not and that is because IP is bullshit and has given rise to "forever minus a single day" copyrights and to the wholesale theft of our public domain. Hell Doyle has been dead longer than most of us has been alive yet it is only coming out of copyright NOW? Copyrights were a contract between the artist and We,The People to gain a richer public domain while allowing the artist to make a living on his/her art. That contract is broken and until REAL reforms happen, such as ONLY the artist being allowed to hold their copyrights and for ONLY the length of time in the original law? Well like any other unjust law it should be disobeyed and ignored until We,The People get a seat at the negotiations again.

      --
      ACs don't waste your time replying, your posts are never seen by me.
    11. Re:A bad remake is a foot! by Chas · · Score: 2

      And the reason he failed?

      No high stress watermelon apparatus!

      As such, Rawhide loses a lung!

      --


      Chas - The one, the only.
      THANK GOD!!!
    12. Re:A bad remake is a foot! by gnasher719 · · Score: 4, Insightful

      And? I never understood why this so called "IP" deserves to be treated differently than regular property. Does Ford get a cut of every used Ford ever sold? Does Joe the carpenter get a cut every time a house he built changes hands for decades?

      Let me explain. If you write for example a book, there are in theory two ways to get paid for your work: A. Find someone who is willing to buy the book, copyright and everything, and pay you a fair value for the work. You are not going to see a penny after that. Or you get a little bit of money from everyone who buys it, forever. It's a different business model. Not one sale for big money, but many sales each giving you a tiny amount.

      But look at it in a different way: Either you want a book, or a video, or a music performance, or you don't. If you don't want it, you shouldn't care whether it's for sale or free. And if you want it, then surely you should agree that it is _worth_ paying for. You can't seriously argue that you want it but it's not worth money.

    13. Re:A bad remake is a foot! by tomhath · · Score: 2

      Does Ford get a cut of every used Ford ever sold?

      Try building a pickup truck that looks just like an F150, put a Ford logo and nameplate that says F150 on it, and see what happens when you try to market it.

      You can buy a used book (at least a real printed one) without paying a copyright fee, but you can't make a movie based on a book that's still under copyright any more than you can make that F150 truck.

    14. Re:A bad remake is a foot! by _Shad0w_ · · Score: 2

      £500 then or now? Because that would be about £215k now.

      --

      Yeah, I had a sig once; I got bored of it.

    15. Re:A bad remake is a foot! by devent · · Score: 4, Informative

      Copyright law was never about to offer a business model to authors. Copyright law was always about to ensure that works are produced and published, to enrich society. If it turns out that copyright laws actually reduce the amount of works produced and published, then copyright law should be abolished. Normally, copyright law should be at balance to offer authors enough protection that they can make a dime of their works, but also short so that society (the public domain) can be enriched.

      That is why the original copyright term in the USA was just 14 years with the option to extend for another 14 years, and also only for registered works. With the Internet the copyright term should been shortened because the Internet offers a faster way for authors to make a dime of their work. You obviously bought into the Hollywood propaganda that copyright is a natural right of authors to have a business model. No it's not. It's an monopoly right that is granted to benefit at the end the public domain.

      --
      http://www.mueller-public.de - My site http://www.anr-institute.com/ - Advanced Natural Research Institute
    16. Re:A bad remake is a foot! by BrokenHalo · · Score: 1

      And in the 1890's, 1325 bucks was REAL MONEY

      I don't know what world you're living in, but $1325 is real money right now. And I suspect my dog might appreciate whatever that works out at in dog money.

      That aside, one of the big advantages of Project Gutenberg's sister sites is that there are servers outside the US that are not tied to predatory American copyright legislation, so many texts that should (by reasonable, ethical expectations) have passed into public domain have often already done so somewhere.

    17. Re:A bad remake is a foot! by rossdee · · Score: 1

      IMHO Sherlock Holmes is not Science Fiction

      and NOT_Science_Fiction is whats on the SyFy channel
      (It should be called The PsyPhi channel)

    18. Re:A bad remake is a foot! by rsilvergun · · Score: 2

      It's $9275 in dog money.

      --
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    19. Re:A bad remake is a foot! by ganjadude · · Score: 1

      exactly. Alos lets not forget that at the time of ford, most parts on a car were off patened and they made it very dificult for new automakers to come in (in a way not much different than today re tesla) There are some interesting reads about how ford went about getting around it to start his company, I just pulled this one up but there are many more http://www.fee.org/the_freeman/detail/how-henry-ford-zapped-a-licensing-monopoly#axzz2omaK6uK7

      --
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    20. Re:A bad remake is a foot! by bzipitidoo · · Score: 3, Insightful

      Several problems with your argument.

      Although copyright can be used against plagiarists, counterfeiters, and other sorts of fraudsters, that's not it's purpose. We have other laws to deal with those problems, we don't need copyright for that. Shouldn't keep copyright alive for such purposes either. If someone tries to pass that homemade F150 off as the real thing, if it's such a good copy that it fools prospective buyers, and someone buys it under the impression that they are buying a real Ford F150, then the seller has committed fraud. That's counterfeiting. Also trademark infringement. Very common for the copyright extremists to conflate these separate issues in their attempts to justify their positions.

      You can make a homemade F150 truck, and you don't need Ford's permission. It can be a cardboard cutout, or a toy sized miniature that you can hold in your hand, or a full sized replica with a working engine and all. People have made replicas of cars that while antique, are not old enough for copyright to have expired on them. No one is going to sue you for making a replica of a Studebaker automobile! Just don't pass it off as the real thing.

      There's also the Ship of Theseus problem. If you use some parts from a real antique car, and fabricate the ones you can't find, does the whole qualify as genuine? Can a T-bucket be a genuine Ford Model T?

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    21. Re:A bad remake is a foot! by fast+turtle · · Score: 1

      Was that 1325 bucks Antelope or White Tail bucks. You also forgot the big problem of what to smoke em with - Hickory or Yew.

      --
      Mod me up/Mod me down: I wont frown as I've no crown
    22. Re:A bad remake is a foot! by tomhath · · Score: 1

      I wasn't talking about a single replica or committing fraud. I meant building an assembly line and manufacturing trucks that have "Made By bzipitidoo Motor Co." on the title, but everything else is exactly the same as a Ford. Saves you all the time and money that goes into design, engineering and marketing a product if you can just copy it.

    23. Re:A bad remake is a foot! by Immerman · · Score: 1

      >Copyright law was never about to offer a business model...
      > Copyright law was always about to ensure that works are produced and published...

      Do you not see a conflict between these two statements?

      Copyright law most definitely *was* about offering an otherwise problematic business model, in order to promote production. The problem, as you point out, is that modern law has forgotten that the business model was only the carrot, not the purpose.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    24. Re:A bad remake is a foot! by Immerman · · Score: 2

      Don't worry, the RIAA will be happy to collect the royalties and distribute them to the proper parties, if they can be found. (Hey, come one, looking in the phonebook is HARD, and it's only a few hundred thousand dollars. What do you expect of us?)

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    25. Re:A bad remake is a foot! by toddestan · · Score: 3, Informative

      That's because "Ford" is trademarked, and "F150" is also trademarked (in the context of vehicles at least). That has nothing to do with copyright.

    26. Re:A bad remake is a foot! by Areyoukiddingme · · Score: 2

      I wasn't talking about a single replica or committing fraud. I meant building an assembly line and manufacturing trucks that have "Made By bzipitidoo Motor Co." on the title, but everything else is exactly the same as a Ford.

      That's legal, in both the vehicle industry and the fashion industry, and for the same reasons. "Trade dress" protections do not apply to shapes which are largely functional, and there's case law declaring that the shape of sheet metal in a car or the cut of cloth in an item of apparel are more functional than not, so it doesn't qualify for protection.

      This state of affairs persists because the brand has sufficient value all on its own. Knock-offs of designer clothing is legal, but always sell for far less than the "real" thing, that is the legally branded version. Knock-offs of vehicle designs are also legal, but the number of people willing to buy the knock-off is microscopic. You can buy something that looks just like a Ferrari, for much less than the actual Ferrari. The products exist. People don't buy them. Vehicle brands are that strong.

    27. Re:A bad remake is a foot! by lgw · · Score: 1

      That's, what 100,000,000 Dogecoin?

      --
      Socialism: a lie told by totalitarians and believed by fools.
    28. Re:A bad remake is a foot! by blackest_k · · Score: 1

      You do not have to watch it, there are plenty of bad movies made any way crud is crud.

    29. Re:A bad remake is a foot! by sixsixtysix · · Score: 1

      Or you get a little bit of money from everyone who buys it, forever.

      That's absolutely absurd and goes against what copyright was founded on. Now if you had said "Or you get a little bit of money from everyone who buys it, for a reasonably limited time (definitely not a lifetime or for your children's children), and we will protect this work, but at some point it goes back to the public, from whence it came". Don't you get it? All works are inherently public domain, but the creator's get a little time to monopolize on it. This life + 90 is treachery at its finest.

      --
      ...
    30. Re:A bad remake is a foot! by jamstar7 · · Score: 1

      And in the 1890's, 1325 bucks was REAL MONEY

      I don't know what world you're living in, but $1325 is real money right now. And I suspect my dog might appreciate whatever that works out at in dog money. That aside, one of the big advantages of Project Gutenberg's sister sites is that there are servers outside the US that are not tied to predatory American copyright legislation, so many texts that should (by reasonable, ethical expectations) have passed into public domain have often already done so somewhere.

      In the 1880s/1890s you could buy a HOUSE for under $700. THAT'S what I meant by 'real money'.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    31. Re:A bad remake is a foot! by sjames · · Score: 1

      That was big money at the time.

  2. Arthur Conan Doyle was Scottish by Anonymous Coward · · Score: 2, Insightful

    But of course US Law is World Law because the US rules the world by bombing the shit out of anyone who disagrees.

    1. Re:Arthur Conan Doyle was Scottish by msauve · · Score: 1

      Bombs are so old school. We have drones these days.

      --
      "National Security is the chief cause of national insecurity." - Celine's First Law
    2. Re:Arthur Conan Doyle was Scottish by Anonymous Coward · · Score: 5, Informative

      No the US law applies because a Georgian Princess bought out the other English heirs of the Scottish author who then assigned it to Swiss to manage it.Later when the swiss started skimming off the top, she then sold the whole thing off.The person who purchased it was American but the estate was managed by another Swiss man. Due to a quirk in the US law, the british (dis)inherited tried to reclaim the property, but were conned by a texas lawyer who sent the notices to a non existent address in Switzerland instead of the correct address in US or Switzerland. So the ownership of the estate remains in the US. Hence US law applies.

      I did not make any of this up .

    3. Re: Arthur Conan Doyle was Scottish by GTRacer · · Score: 4, Funny

      Have you *heard* bagpipes played? Badly?

      --
      Defending IP by destroying access to it? That makes sense, RIAA/MPAA. Go to the corner until you can play nice!
    4. Re: Arthur Conan Doyle was Scottish by Paradise+Pete · · Score: 5, Insightful

      Have you *heard* bagpipes played? Badly?

      Is there any other way?

    5. Re:Arthur Conan Doyle was Scottish by ILongForDarkness · · Score: 1

      They paint them black and call them Reapers for a reason.

    6. Re:Arthur Conan Doyle was Scottish by ixuzus · · Score: 1, Informative

      replying to undo incorrect moderation

    7. Re: Arthur Conan Doyle was Scottish by Vainglorious+Coward · · Score: 5, Insightful

      I've heard that the definition of a Scottish gentleman is one who knows how to play the bagpipes, but refrains from doing so.

      --
      My next sig will be ready soon, but subscribers can beat the rush
    8. Re:Arthur Conan Doyle was Scottish by jamstar7 · · Score: 2

      "Droning the shit out of the terrorists" just sounds wrong.

      Don't watch CSpan much, do you?

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    9. Re: Arthur Conan Doyle was Scottish by cascadingstylesheet · · Score: 1

      Have you *heard* bagpipes played? Badly?

      Is there any other way?

      Simple answer, yes.

      Good place to start might be Fred Morrison, for example.

    10. Re: Arthur Conan Doyle was Scottish by BrokenHalo · · Score: 2

      Yes. And there's the piano accordion...

      The best definition for perfect pitch is being able to chuck a piano accordion down a well without it touching the sides.

    11. Re: Arthur Conan Doyle was Scottish by BrokenHalo · · Score: 1

      I've heard that it was the Irish who gave the Scots the bagpipes, but the Scots haven't got the joke.

    12. Re: Arthur Conan Doyle was Scottish by PeterJamesFoote · · Score: 1

      I thought they were still more afraid of our lawyers...

      --
      - I can't help punning, I'm the product of a Jesuit Education. -
  3. My favorite Sherlock Holmes quote by Anonymous Coward · · Score: 5, Funny

    "Watson, come here, I want you!".

    1. Re:My favorite Sherlock Holmes quote by tomhath · · Score: 1

      Wasn't that Alexander Graham Bell?

  4. Finally... by msauve · · Score: 4, Insightful

    Disney will now be able to bring the stories of the the brothers Grimm to the big screen, like Snow White and Sleeping Beauty. No longer will our culture be stolen from us by dead people and uncreative "owners of intellectual property."

    --
    "National Security is the chief cause of national insecurity." - Celine's First Law
    1. Re:Finally... by TubeSteak · · Score: 3, Informative

      What you can't use is any recent (re)translation or re-imagining or edition from [publisher].
      That's the reason that "American Classics" keep getting new editions cranked out, even though the story hasn't changed in a century.

      So while Disney doesn't own Snow White (or any of the other stories), they own their version.
      The Disney version strays enough from the Brothers Grimm that Disney has claimed and received copyright and trademarks.
      Of the two legal claims, Disney is vastly more likely to slaughter you with trademarks than copyrights.

      --
      [Fuck Beta]
      o0t!
    2. Re:Finally... by PRMan · · Score: 2

      Cool. I'll get right on my new Mickey Mouse stories...

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
    3. Re:Finally... by _KiTA_ · · Score: 3, Insightful

      They also own their version of Nadia: Secret of the Blue Water and Kimba, the White Lion.

      Just a reminder that Disney doesn't just shamelessly steal from American folklore and then try to lock it up forever; they are quite happy to steal from other cultures too.

      Keep this in mind in a few years when Disney tries to find a way to loophole their way into retaining ownership of the original Steamboat Willie -- which, if I'm understanding this ruling, Disney can no longer keep perpetually copyrighted through bribing congress.

  5. is Peter Pan next? by turkeydance · · Score: 1

    both Scottish based.

    1. Re:is Peter Pan next? by Em+Adespoton · · Score: 2

      Peter Pan is a different story...
      From the copyright page on the official website:

      Copyright in the USA is governed by the Universal Copyright Convention, by which a publication enters the public domain 25 years after the author’s death – in Barrie’s case, 1962. However, it was agreed in 1971 that the Berne Convention should take priority over the UCC in countries signatory to both conventions, and therefore Barrie’s extended copyright [was] guaranteed until 2007 in the USA as well. In the UK, the situation is a little more complex with regard to the Peter Pan Gift in that the House [of] Lords passed a special resolution in 1988 via the Copyright, Designs & Patents Act, effectively granting the Great Ormond Street Hospital a perpetual extension to its right to royalties in the UK “in respect of the public performance, commercial publication or any other use of Peter Pan.”

      Yes, in the UK they can do that. At least it's for a good cause (Pan royalties fund the hospital).

    2. Re: is Peter Pan next? by Soluzar · · Score: 1

      Which country did you pick? Personally I'm terrified by the way things are going here. Would be good to gather information about my options.

  6. You're surprised by the gay undertones? by Anonymous Coward · · Score: 4, Funny

    I thought that the subtle homosexual undertones throughout the entire series were well known. In fact, they play prominently at the start of the The Private Life of Sherlock Holmes, a feature film from 1970. No, it's not a pornographic flic, but a comedic mystery directed by Billy Wilder that even features Christopher Lee.

    In my personal view, however, there's nothing homosexual about Sherlock Holmes. Just because a man dislikes women, and prefers the company of another man, treating him as a life-long companion in work and play, even when at the Turkish baths, it does not mean that he's a homosexual. He might like to smoke a pole as much as he likes to smoke a pipe, but again, that does not make him a homosexual. It's perfectly normal and straight for two completely heterosexual males to touch one another's genitals. Just because two men love each other and form a bond stronger than steel it does not mean that they are gay.

    1. Re:You're surprised by the gay undertones? by ChunderDownunder · · Score: 1

      They attempted to resolve the orientation question for conservative US audiences by casting Lucy Liu as Holmes in Elementary.

    2. Re:You're surprised by the gay undertones? by jamstar7 · · Score: 1

      They attempted to resolve the orientation question for conservative US audiences by casting Lucy Liu as Holmes in Elementary.

      So what? Holmes still isn't banging Watson, even with the switchup.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    3. Re:You're surprised by the gay undertones? by CrimsonAvenger · · Score: 1

      They attempted to resolve the orientation question for conservative US audiences by casting Lucy Liu as Holmes in Elementary.

      Pretty sure Lucy Liu was Watson, not Holmes, in Elementary....

      --

      "I do not agree with what you say, but I will defend to the death your right to say it"
    4. Re: You're surprised by the gay undertones? by ChunderDownunder · · Score: 1

      yes, sorry. I only watched 1 episode.

  7. But now he won't write anymore books! by Anonymous Coward · · Score: 4, Funny

    How can Sir Arthur Conan Doyle be incentivised to write more Sherlock Holmes books, if he can't enjoy exclusive rights to his works?!

    Nooooooooooooooooo!

  8. Better late than never, I guess by mark-t · · Score: 3, Insightful

    Still, 90 years is an awfully long time... these copyrights should have reasonably expired several decades ago.

    1. Re:Better late than never, I guess by jamstar7 · · Score: 1

      "Reasonable" has no place when the unreasonable have the more expensive l*wy*rs.

      Fixed that for ya...

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    2. Re:Better late than never, I guess by Ash+Vince · · Score: 1

      Still, 90 years is an awfully long time... these copyrights should have reasonably expired several decades ago.

      You may be right, but you can be damn sure if Conan Doyle had been American then the court would have come to a different judgement.

      --
      I dont read /. to RTFA, I read /. to offend people in ignorance.
  9. A correction: by Ralph+Spoilsport · · Score: 1, Funny
    Holmes scholar Leslie Klinger, who challenged the estate, celebrated the ruling.

    Holmes scholar Leslie Klinger, who challenged the SCUM SUCKING PARASITE LAWYERS AND WORTHLESS TWATWAFFLE DESCENDENTS OF DOYLE, celebrated the ruling.

    TFTFY

    --
    Shoes for Industry. Shoes for the Dead.
    1. Re:A correction: by Anonymous Coward · · Score: 1

      I don't know the specifics of the Sherlock Holmes copyright controversy, but authors (and by extension, some of their heirs; yes not all of them are purely driven by money) tend to be protective of their creations. They don't necessarily like the idea of anyone coming up with new adventures of Sherlock Holmes, some of which may be badly thought out and create confusion, for instance. If people want to create more stories in that vein, why don't they come up with their own characters and plots, even if there is an obvious similarity to Holmes and Watson? If I have an urge to compose Viennese classical music in the style of Mozart, is it parasitic to legally prevent me from calling my new creations "Mozart symphonies"?

      I know that Charles M. Schulz, creator of the Peanuts cartoon strip, had it written into his contract with King Features than nobody would continue the strip after he died.

    2. Re:A correction: by DirePickle · · Score: 2

      I think that at some point society becomes inseparable from the creative works that influence it. A culture becomes so suffused with references and allusions to novels, music, movies, that they become almost essential knowledge. At that point (and this is what the expiration of copyright is supposed to enforce), the rights ought to go to the public. This concept where copyright could last for 90 years is a pretty new one. It was supposed to be much shorter.

      Today's myths and legends and fairy tales and other cultural keystones were someone's creative "property," once, and it would be bizarre if one were, say, prevented from reinterpreting King Arthur, Robin Hood, Beowulf, Shakespeare, the Bible, the Iliad, etc. etc. Some things from a century and less ago like Holmes, Cthulhu, Superman, Mickey Mouse, and so on could be argued to be getting pretty close to a level like that.

    3. Re:A correction: by next_ghost · · Score: 1

      Exactly, the Tamarians aren't so alien after all.

    4. Re:A correction: by RabidReindeer · · Score: 1

      Today's myths and legends and fairy tales and other cultural keystones were someone's creative "property," once, and it would be bizarre if one were, say, prevented from reinterpreting King Arthur, Robin Hood, Beowulf, Shakespeare, the Bible, the Iliad, etc. etc.

      Snow White and the 7 Dwarfs? Sleeping Beauty?

  10. Shocked by Impy+the+Impiuos+Imp · · Score: 1

    From a the NYT:

    Chief Judge Rubén Castillo of the United States District Court of the Northern District of Illinois, Eastern Division, stated that elements introduced in Holmes stories published after 1923 — such as the fact that Watson played rugby for Blackheath, or had a second wife — remain under copyright in the United States.

    I'm pretty sure Sherlock Holmes is gay. I was on tumblr the other day...

    --
    (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
  11. Decision text by Flamerule · · Score: 4, Informative

    There's a slightly more detailed story posted on the plaintiff's website. They're also hosting a copy of the full decision from Judge Castillo, of the United States District Court for the Northern District of Illinois.

  12. On Twain... by TheloniousToady · · Score: 3, Insightful

    Reports of Mark Twain twisting and writhing in his grave have been greatly exaggerated. In fact, the late Mr. Twain has been quite immobile since the most recent reports of his death.

  13. Guy's probably dead anyway. by Impy+the+Impiuos+Imp · · Score: 2

    The Mark Twain article reproduces a 100 year old NTY microfiche where somebody corrected a spelling incorrectly.

    Don't call me a spelling Nazi because it was 25 years before that.

    --
    (-1: Post disagrees with my already-settled worldview) is not a valid mod option.
  14. sigh by bigdavex · · Score: 3, Funny

    Great, now he'll never write any more.

    --
    -Dave
  15. Hitler must be pissed by TrollstonButterbeans · · Score: 4, Interesting

    Sherlock Holmes --- an imaginary character --- has more rights than real people.

    Hitler, Albert Einstein and Elvis make frequent cameos in media and often star in YouTube videos, having no rights because they are *REAL* people.

    But Mickey Mouse and Sherlock Holmes and Barbie have more rights as imaginary characters.

    Curious legal system we have. Feel free to use Ronald Reagan or Jimmy Carter or Richard Nixon (hello Futurama!) in a story ... it's just bizarre!!!

    --
    Priest: "Universe from nothing, no laws of physics, sped up time"+ huge discrepancies. Creationism? No. Big Bang Theory
    1. Re:Hitler must be pissed by bloodhawk · · Score: 2

      I am not sure what you find bizarre here. Why would you think real people should be covered by copyright protection? the characters have no rights, the owners of the art have the rights, i.e. real people.

    2. Re:Hitler must be pissed by WillyWanker · · Score: 1

      In many cases you are not free to do this, as celebrities and their likenesses are trademarked and highly regulated. I imagine if you tried to use Ronald Reagan in any significant way in a novel or artwork you'd hear from his estate. Unless it was fair use or parody, and then you have a lot more flexibility.

    3. Re:Hitler must be pissed by rtb61 · · Score: 1

      So where would you fit the typical psuedo celebrity whose public image is an imaginary work created by public relations (PR=B$) specialist who crafted it to market and promote crappy products. Are they a person or an imaginary caricature of a person.

      Oddly enough to in order to gain copyright protections in court for those fake caricature of psuedo celebrities, the public relations types would have to prove what kind of narcissistic arse holes the typical pseudo celebrity really is versus the crafted public image (of course destroying the value of the crafted image). So thing many a psuedo celebrity has managed to do on their own, when their ego starts make them ignore their public relations handlers.

      --
      Chaos - everything, everywhere, everywhen
    4. Re:Hitler must be pissed by bloodhawk · · Score: 2

      Generally it comes under trade mark protection and protection against false endorsements.

    5. Re:Hitler must be pissed by TubeSteak · · Score: 1

      Sherlock Holmes --- an imaginary character --- has more rights than real people.

      Not really. Though imaginary characters' rights most likely last for longer.
      http://en.wikipedia.org/wiki/Personality_rights

      Hitler, Albert Einstein and Elvis make frequent cameos in media and often star in YouTube videos, having no rights because they are *REAL* people.

      I know Einstein & Elvis' estates are litigious, but I couldn't say for sure about Hitler's estate.
      They almost exclusively go after people who don't get a license to use the image for *commercial* purposes.

      --
      [Fuck Beta]
      o0t!
    6. Re:Hitler must be pissed by lxs · · Score: 1

      There's a thing called portrait rights although according to Wiki it's officially called personality rights in the English speaking world (or at least where the editor lives).

    7. Re:Hitler must be pissed by jamstar7 · · Score: 1

      In many cases you are not free to do this, as celebrities and their likenesses are trademarked and highly regulated. I imagine if you tried to use Ronald Reagan in any significant way in a novel or artwork you'd hear from his estate. Unless it was fair use or parody, and then you have a lot more flexibility.

      I'm thinking that's unfair. After all, when Ronnie Raygun did his last acting job, that of El Presidente, he sure used us unfairly. We're still paying down the debt he saddled us with, and we haven't seen a cent of teh 1.5 TRILLION he looted from Social Security to pay for Star Wars.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    8. Re:Hitler must be pissed by garyebickford · · Score: 1

      Actually if Congress hadn't passed new spending increases, the budget would have been balanced. From my recollection, tax revenues did in fact increase under Reagan, as predicted. But Congress passed (and in fairness RR signed into law) spending increases almost double the increased revenues.

      --
      It's easier to be a result of the past, but more fun to be a cause of the future! http://www.spacefinancegroup.com/
    9. Re:Hitler must be pissed by jamstar7 · · Score: 1

      Actually if Congress hadn't passed new spending increases, the budget would have been balanced. From my recollection, tax revenues did in fact increase under Reagan, as predicted. But Congress passed (and in fairness RR signed into law) spending increases almost double the increased revenues.

      Add to that Ronnie Raygun's tax cuts to the 'job creators', the beginning of 'trickle down economics', and you'll understand why the national debt ballooned. Clinton got rid of them, Dubya brought them back.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
  16. Trademark as ersatz copyright by tepples · · Score: 2

    You're thinking trademark. In the United States, it appears per Dastar v. Fox that a trademark cannot be used to extend the term of an expired copyright. It might be different in Canada, given what I've read about Anne of Green Gables.

  17. Re:A bad remake is a leg! by Anonymous Coward · · Score: 2, Insightful

    Hey now, Buckaroo Banzai is all kinds of cool.

  18. I'm confused... by king+neckbeard · · Score: 5, Interesting

    Doyle has been dead since 1930. That means that Sherlock Holmes has been in the public domain in Scotland since 2000. If something is PD in the country of origin, it is PD to all Berne signatories. That's part of how the CTEA was sold to the US public, as our authors would be 'disadvantaged' if we kept a shorter term.

    --
    This is my signature. There are many like it, but this one is mine.
  19. Clemens and Copyright by bill_mcgonigle · · Score: 2

    There's no grave gymnastics to be had here. Clemens had planned to add to his stories over time, so that people would want to preferentially purchase his editions over the free-culture versions. He didn't want to sit on his laurels while jackbooted thugs ensured him a rent-seeking income - he was, after all, a writer.

    Today, those against the Copyright regime frequently propose similar strategies.

    --
    My God, it's Full of Source!
    OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    1. Re:Clemens and Copyright by ChunderDownunder · · Score: 1

      copyright has been a problem for a least 400 years since an unauthorised sequel to Cervantes.

      70 years sounds about right but I do wish Hollywood would stop remaking films from 30 years ago and create some new material.

    2. Re:Clemens and Copyright by Eivind+Eklund · · Score: 3, Interesting

      You got an extra zero in there, right? As in 7 years sounds about right?

      I know some authors protest that seven years is too long, and the majority of income is made in the first three years and after five it would be advantageous to have the works available in the public domain (but the publishers don't want the competition from previously released works), but I think that varies from author to author, so doing a compromise of seven seems reasonable - we can experiment with shortening it further after having seen what happen when we cut it to seven.

      --
      Doubting the existence of evolution is like doubting the existence of China: It just shows that you're uninformed.
    3. Re:Clemens and Copyright by number6 · · Score: 1

      I'd say 15, so if an author becomes widely popular and Hollywood want to try to cash in on that by making a film of their books whilst they're still fresh in the public's mind, then at least the author gets a chance to make a profit from the films.

      --
      I'm a number, not a free man!
    4. Re:Clemens and Copyright by jones_supa · · Score: 1

      7 years? That's way too short. Time flies quickly. You might have created a really good brand which might easily survive for more than 7 years.

    5. Re:Clemens and Copyright by devent · · Score: 2

      Then you can register your work and extend for another 7 years. That would be my proposal and would be just like the original copyright term of the USA, which was 14 years, plus 14 years per extension.

      --
      http://www.mueller-public.de - My site http://www.anr-institute.com/ - Advanced Natural Research Institute
    6. Re:Clemens and Copyright by plopez · · Score: 1

      Artists profiting from their works? Are you some sort of Socialist? Only corporations have a right to profit. Everyone else has a right to be wage slaves.

      --
      putting the 'B' in LGBTQ+
    7. Re:Clemens and Copyright by plopez · · Score: 1

      If Clemens lived to see the current abuses of copyright law he would probably rip into the corporations and politicians doing it.

      --
      putting the 'B' in LGBTQ+
    8. Re:Clemens and Copyright by Common+Joe · · Score: 1

      I think that if stories were allowed 7 or 14 years then put into the public domain, the "original brand" would survive just fine. If I write a story which people liked and then others started writing with those same characters, the people who liked my book are going to come back to me. Go to the grocery and look in the breakfast isle. There's always room for another raisin bran cereal or corn flakes, but Post and General Mills will have that market locked up pretty good even though others can jump in and fight for a piece of the market.

    9. Re:Clemens and Copyright by gnasher719 · · Score: 1

      I know some authors protest that seven years is too long, and the majority of income is made in the first three years and after five it would be advantageous to have the works available in the public domain (but the publishers don't want the competition from previously released works), but I think that varies from author to author, so doing a compromise of seven seems reasonable - we can experiment with shortening it further after having seen what happen when we cut it to seven.

      I've never heard of _any_ author protesting that any length of copyright for their own work is too long. Dune didn't take off at all in the first five years. And I'd like to see the argument why something that I write being in the public domain would be beneficial for society, with the exception of works that are being neglected and therefore neither available for free nor available for money.

  20. Gotta love the US legal system by hyades1 · · Score: 1

    I guess this means a US court will bravely stand up to bring Mickey Mouse into the public domain somewhere around 3500 AD.

    --
    I've calculated my velocity with such exquisite precision that I have no idea where I am.
    1. Re:Gotta love the US legal system by jamstar7 · · Score: 1

      I guess this means a US court will bravely stand up to bring Mickey Mouse into the public domain somewhere around 3500 AD.

      Wouldn't count on it that soon. When the Sun explodes, the only thing that will survive are the roaches and Disney copyrights.

      --
      Understanding the scope of the problem is the first step on the path to true panic.
    2. Re:Gotta love the US legal system by hyades1 · · Score: 1

      Brilliant! Thanks for starting my day off with a good laugh.

      --
      I've calculated my velocity with such exquisite precision that I have no idea where I am.
    3. Re:Gotta love the US legal system by jader3rd · · Score: 1

      I guess this means a US court will bravely stand up to bring Mickey Mouse into the public domain somewhere around 3500 AD.

      Wouldn't Disney be able to keep a trademark over Mickey Mouse preventing any new works, but eventually the copyright on Steamboat Willie will expire, allowing any publisher to publish copies of Steamboat Willie?

  21. Re:You did make it up by phantomfive · · Score: 4, Informative

    US law governs a copyright's enforceability in the US. How could it be any different?

    Because of international treaties; the Berne convention, among others.

    --
    "First they came for the slanderers and i said nothing."
  22. Re:You did make it up by cpt+kangarooski · · Score: 5, Informative

    No, according to US copyright law (17 USC 104(c)), the Berne Convention has no effect in the US.

    And this isn't odd; copyright treaties are typically not self-executing. They obligate the various treaty states to enact domestic legislation that brings them into compliance with the treaty, but do not serve as copyright laws themselves. In addition, in the US, all treaties stand at an equal level with ordinary federal legislation, and a last-in-time rule dictates which trumps in the event of an irreconcilable conflict. This means that Congress is not bound to adhere to treaties, and can refuse to pass laws that treaties require, and can even pass laws that directly contradict the treaty. This may embarrass the executive branch, and may cause problems for the US in its foreign relations, but sometimes that's the way the cookie crumbles.

    A fun example is WTO Dispute 160, the gist of which is that certain copyright exceptions in US copyright law violate our treaty obligations, a complaint was brought against the US by the Irish, the US lost the case, and we've never bothered to comply by changing our laws in the decade-plus since we lost.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  23. Re:You did make it up by swillden · · Score: 2

    US law governs a copyright's enforceability in the US. How could it be any different?

    Because of international treaties; the Berne convention, among others.

    The Berne convention requires that signatories' copyright statutes meet some requirements for duration and scope of copyright, but it doesn't say that people in one country must apply the law from another country.

    US copyright laws apply in the US, regardless of whether the copyright owner is US-based. Same for other countries; they each get to apply their own laws.

    --
    Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
  24. Donald Duck, here we come - a few more years by G3ckoG33k · · Score: 1

    Hmmm. A Donald Duck pr0n version?

    Wait, a pr0n version of Sherlock and Wa..., err, John Holmes? A century worth of speculations is over?

    1. Re:Donald Duck, here we come - a few more years by Anonymous Coward · · Score: 1

      Donald Duck pr0n is already used for advocating safer sex: "Duck and cover" is a well-known meme.

      And if you ever saw a duck penis, you probably know why. Really: what got into ducks? A cloaca is a perfectly fine reproductive organ for the overwhelming majority of birds.

  25. Re:You did make it up by phantomfive · · Score: 1

    The Berne convention requires that signatories' copyright statutes meet some requirements for duration and scope of copyright, but it doesn't say that people in one country must apply the law from another country.

    Look up the "rule of the shorter term."

    --
    "First they came for the slanderers and i said nothing."
  26. It's nice for some... by fostware · · Score: 1

    Mickey also belongs to the world, yet we'll never see it hit public domain. Not until Walt's defrosted.

    --
    "We know what happens to people who stay in the middle of the road. They get run over." - Aneurin Bevan
  27. Wait, let me get this straight by Arancaytar · · Score: 2

    A judge in the United States of America ruled against an unreasonable extension of copyright law?

    1. Re:Wait, let me get this straight by plopez · · Score: 1

      Definitely not a Republican. They believe in in rights and freedoms only if you are a corporation or law enforcement.

      --
      putting the 'B' in LGBTQ+
    2. Re:Wait, let me get this straight by Arancaytar · · Score: 1

      Unfortunately, when it comes to IP law we can rely on being screwed over by both parties. The DMCA and the Sonny Bono act both passed unanimously in the senate.

      (Of course that was 15 years ago, and the current administration appears somewhat more reasonable.)

  28. Re:You did make it up by dbIII · · Score: 1

    Look up cpt kangarooski's reply to you above or all those other replies you've ignored all the other times you've brought this up. It's your own nations laws at fault which your own nation is attempting to spread like a pox via conditions on "free trade" agreements. If it was all in the treaty and fully binding they wouldn't have to do that would they?

    Face the facts - Hollywood bribed people and you ended up with this shit.

  29. Lousy summary by Jiro · · Score: 1

    A quirk of U.S. copyright law kept 10 stories out of the public domain, on the basis that these stories where continuously developed.

    1) This conflates two things: the normal 1923 limit which kept 10 stories out of the public domain, and the "continuously developed" idea which was used to keep the characters (not the stories) out of the public domain based on the fact that the stories are not in the public domain.
    2) Neither one of those two conflated ideas is a "quirk of copyright law". The 1923 limit is well-known and can't sensibly be called a quirk. The "continuously developed" idea is something that is not a quirk for the opposite reason: the Sherlock Holmes heirs pretty much made it up.
    3) The judge ruled against the "continuously developed" idea on the grounds that copyright doesn't work that way. Only the incremental changes made to the characters in the last 10 copyrighted stories cannot be used, but the characters themselves can be used as long as only story elements from the public domain stories are used.

  30. Enough to make lawyers’ eyes roll up in thei by braindrainbahrain · · Score: 1

    The convoluted story of Sherlock Holmes ownership was covered in a New Your Times piece a while back when the recent crop of movies came out

  31. Let's see how the U.S reacts by Reliable+Windmill · · Score: 1

    when other countries do the same, and rule that the works of American authors long gone is not subject to copyright law outside of the U.S. "Sherlock Holmes belongs to the USA" is probably what they mean here, and I think more of these rulings will come.

    --
    Signature intentionally left blank.
    1. Re:Let's see how the U.S reacts by dk20 · · Score: 1

      Just look to Canada.

      We have copyright laws here, but they are not the same as in the US as ours are not as strict. On multiple occassions the US has attempted to have Canada modify the laws to "bring them in line" with US laws (longer with much harsher punishments).

      Thanks to wikileaks you can read the "top secret" cables where Canada was put on the "piracy watch list" as an attempt to force changes.

  32. Oh boy! I can't wait for all the porn parodies! by oscrivellodds · · Score: 1

    oh wait.... nevermind....

  33. Conan-Doyle's position? by wonkey_monkey · · Score: 1

    adopting Conan Doyle's position

    Lying flat on your back with your eyes closed six feet under ground?

    would be to extend impermissibly the copyright of certain character elements of Holmes and Watson beyond their statutory period

    That sounds more like the position of Conan-Doyle's ancestors. Conan-Doyle himself famously replied to someone who wanted to stage a play in which Holmes got married with:

    "You may marry him, murder him, or do anything you like to him."

    --
    systemd is Roko's Basilisk.
  34. So price is not an issue? by langelgjm · · Score: 3, Interesting

    And if you want it, then surely you should agree that it is _worth_ paying for. You can't seriously argue that you want it but it's not worth money.

    The problem is, that logic runs into pricing issues. Take this book for example. At the time I wrote this post, the new price was $218, the Kindle edition was $180, and used copies also sold for $180. I would be happy to pay for that book, but not $180, and certainly not $218. I might pay $30.

    In reality, I'll pay nothing, since it's so expensive that I'll just have to rely on the library's copy.

    Now you can argue that this is a special case since it's a limited run academic book, but the point is that when there is a gap between what someone is willing to pay, and the actual price of the item, you have a lost sale. With respect to physical goods, maybe that's a sale you don't want, since you'd have to take a loss. But with respect to copyrighted goods, in many cases any price is going to net you a profit.

    --
    "Anyone who [rips a CD] is probably engaging in copyright infringement." - David O. Carson
    1. Re:So price is not an issue? by Immerman · · Score: 2

      > But with respect to copyrighted goods, in many cases any price is going to net you a profit.

      Quite right. But the goal is to *maximize* profit. And that changes things, even for digital works with no incremental cost. For example, there's a lot of games that I'd gladly pay $5 for, but they're only offered for $50, and so they lose a sale to me. They could lower the price to $5 to get my sale, but then nobody would pay $50 so they'd have to sell 10x as many copies to make the same profit, a dubious proposition at best. Sure, it might work for the first game to try it (or not - lots of people might see the low price and dismiss it as junk), but as an industry standard, how many people would actually buy 10x as many games as they do now? Heck, even at $50 all my friends have backlogs of games they haven't gotten around to playing - 10x the backlog doesn't do them any good.

      And yes, they can (and do) wait for a few months and start reducing the price to pick up additional sales, but that doesn't really solve the problem, especially if continued forever. I only have so many hours a month I care to spend gaming/reading/etc. Once I've got enough material to fill those hours my purchase rate drops dramatically, and so being able to buy old material at reduced prices cannibalizes sales of new material at elevated prices.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    2. Re:So price is not an issue? by langelgjm · · Score: 1

      They could lower the price to $5 to get my sale, but then nobody would pay $50 so they'd have to sell 10x as many copies to make the same profit, a dubious proposition at best... And yes, they can (and do) wait for a few months and start reducing the price to pick up additional sales, but that doesn't really solve the problem, especially if continued forever.

      It seems like some publishers/content owners do this, but others don't. You gave the example of games (I myself have picked up $5 and $10 specials on Steam); it also happens with books (paperbacks are released later and cost significantly less).

      Thing is, I doubt it will happen with the book I gave as an example. It's too limited an audience to justify doing a paperback version. Yet the book was published in 2008. It's five years old, and the e-book price is still $180. I'd imagine they've probably sold most of the physical library copies they're ever going to. Why not reduce the e-book price so that people might actually buy it?

      Or, what I'd really like to see is an agreement between publishers and print-on-demand services, so that I can buy a deeply discounted electronic version, and have it printed cheaply elsewhere and mailed to me.

      --
      "Anyone who [rips a CD] is probably engaging in copyright infringement." - David O. Carson
    3. Re:So price is not an issue? by Immerman · · Score: 1

      I suspect that limited audience is exactly the reason the ebook is still $180. not many people * not much money = not much profit. Would they sell twice as quickly at $90 do you think? 4x as quickly at $45? If not then what exactly is the point of making it cheaper? It reduces the revenue stream to no benefit. And I suspect that as a general rule merchants of high-end merchandise are far more wary of devaluing their goods with sales than more commodity stuff. I mean look at you - you want this book but can't justify the expense. Will you still want it in 5 years when your wallet is fatter and the income-adjusted price is lower? If so then selling to you now at a lower price is throwing away money.

      --
      --- Most topics have many sides worth arguing, allow me to take one opposite you.
    4. Re:So price is not an issue? by langelgjm · · Score: 1

      Obviously I have no way of knowing, but I suspect they aren't selling any copies at $180, and that that price was chosen just to be a slight discount off the physical version. Even researchers with book budgets are going to think hard before spending that kind of money on a book. If that's the case, then bringing the price out of the stratospheric range might increase profits.

      In five years, the book will be 5 more years out of date, and I will have moved on to different research projects, making it far less valuable to me than it would be now. Because of its limited shelf life, in my case no sale now likely means no sale forever.

      --
      "Anyone who [rips a CD] is probably engaging in copyright infringement." - David O. Carson
  35. A modest proposal by BrokenHalo · · Score: 1

    I'm going to change my name to William Shakespeare and claim royalties for all those plays (and sonnets, of course) that have been reproduced without my permission. That'll show 'em.

  36. Re:You did make it up by Kasar · · Score: 2

    A single copyright law would be nice. The book "1984" is public domain in Canada, but since the British author died in 1950, it won't be public domain in the US until 2045, allowing the author to benefit from ongoing royalties in case he wants to write again...

    --
    vi? Who's that?
  37. Character Depth by bigdavex · · Score: 1

    I'm not sure this really matters. (Caveat: I'm not a fan and haven't read the books since I was very young.)

    The BBC Benedict Cumberbatch/Martin Freeman incarnation is closer kin to the show Monk than to the Robert Downey Jr/Jude Law incarnation. Using the name Sherlock Holmes is more of a marketing decision than a creative one. Basically, the original stories donate two things: the pairing of a genius with a more ordinary sidekick and the names.

    Meanwhile, there have been decades of stories with Holmes influence, which have suffered very little if at all from using different names.

    --
    -Dave
  38. Re:You did make it up by cpt+kangarooski · · Score: 1

    It was my understanding that international treaties ratified by the USA ranked higher than any law other than the US Constitution and it's amendments.
    Although amendment six ... would seem to be ambiguous as to whether treaties rank equal with the US Constitution or equal with federal law.

    Article VI simply says that the federal constitution, federal law, and treaties are all superior to state constitutions and state law. It doesn't otherwise set priorities. But Article V provides the only possible methods for amending the federal constitution: 1) 2/3ds votes of both the US House and Senate to propose an amendment, followed by ratification by 3/4ths of the state legislatures. Or 2) ratification conventions are called by 2/3ds of the state legislatures, followed by ratification by 3/4ths of the state legislatures. (The latter method has been threatened but never used; if it were it would likely result in an entirely new government, just as the current constitution was meant to be an amendment to the old Articles of Confederacy but would up replacing it altogether)

    If treaties were equal or superior to the federal constitution, it would effectively permit the President and 2/3ds of the Senate to change the constitution if they can but find a foreign country willing to act as an accomplice to such a treaty. That can't happen, so the Constitution must be superior to treaties.

    The only ambiguity left is federal law v. treaties, and the rule has been to have them equal in priority, to attempt to reconcile them if possible, and if not, for the more recent to override the earlier.

    From Reid v. Covert, 354 US 1, 16-18 (1956):

    The obvious and decisive answer to this, of course, is that no agreement with a foreign nation can confer power on the Congress, or on any other branch of Government, which is free from the restraints of the Constitution.

    Article VI, the Supremacy Clause of the Constitution, declares:

    "This Constitution, and the Laws of the United States which shall be made in Pursuance thereof, and all Treaties made, or which shall be made, under the Authority of the United States, shall be the supreme Law of the Land; . . ."

    There is nothing in this language which intimates that treaties and laws enacted pursuant to them do not have to comply with the provisions of the Constitution. Nor is there anything in the debates which accompanied the drafting and ratification of the Constitution which even suggests such a result. These debates, as well as the history that surrounds the adoption of the treaty provision in Article VI, make it clear that the reason treaties were not limited to those made in "pursuance" of the Constitution was so that agreements made by the United States under the Articles of Confederation, including the important peace treaties which concluded the Revolutionary War, would remain in effect. It would be manifestly contrary to the objectives of those who created the Constitution, as well as those who were responsible for the Bill of Rights -- let alone alien to our entire constitutional history and tradition -- to construe Article VI as permitting the United States to exercise power under an international agreement without observing constitutional prohibitions. In effect, such construction would permit amendment of that document in a manner not sanctioned by Article V. The prohibitions of the Constitution were designed to apply to all branches of the National Government, and they cannot be nullified by the Executive or by the Executive and the Senate combined.
    There is nothing new or unique about what we say here. This Court has regularly and uniformly recognized the supremacy of the Constitution over a treaty. For example, in Geofroy v. Riggs, 133 U. S. 258, 133 U. S. 267, it declared:
    "The treaty power, as expressed in the Constitution, is in terms unlimited except by those restraints which are found in that instrument against the action of the government or o

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  39. Re:You did make it up by cpt+kangarooski · · Score: 1

    I disagree. Each country should enact whatever copyright laws are best for its own people. There's no need for treaties at all, or uniformity. The only constant rule should be unilateral national treatment: that copyright laws won't discriminate between domestic and foreign authors, copyright holders, etc. And there should be informal international cooperation to try to avoid mutually exclusive copyright laws (eg country A only grants copyrights to works first published only in country A and nowhere else, and country B only grants copyright to works first published in country B and nowhere else, forcing authors to choose between A and B or neither but not both).

    The current craptastic regime is in part the product of a desire for uniformity as a goal more important that what's actually appropriate.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  40. Re:You did make it up by cheekyjohnson · · Score: 3, Insightful

    I disagree. Each country should enact whatever copyright laws are best for its own people.

    So get rid of copyright law, then?

    --
    Filthy, filthy copyrapists!
  41. Re:You did make it up by cpt+kangarooski · · Score: 1

    Some places might. If that's honestly what they think will best serve their interests, I can't fault them for it. Other places will no doubt still have some sort of copyright laws on the books. Perhaps they will differ from the usual sort we have now, what with the lack of minimum standards allowing for experimentation; perhaps they'll be better. If they're worse, well, at least there are fewer obstacles to changing them for the better.

    I for one would like to see the US continue to have copyright for as long as copyright can, and our laws actually do, provide an overall benefit for society. I don't see how entangling ourselves in the private affairs of other countries and listing our flexibility helps us, though.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  42. Copyrights MUST expire by plopez · · Score: 1

    It says so right there in the US Constitution. It is in fact one of the first things the Constitution says, so those who wrote it must have decided it was important. I think it was a reaction to Royal copyrights and patents which stifled creativity. And from the loos of it I think Jefferson and Franklin were two driving personalities behind it.

    On another note, as far as Mark Twain twirling in his grave, I think he would have been very angry if he had know how abusive copyrights have become of late. Persecuting innocent people and ripping off artists while giving a pile of cash to people who produced nothing would probably enrage him.

    --
    putting the 'B' in LGBTQ+
  43. Re:Oh wonderful FILM MAKERS are free by plopez · · Score: 1

    The Hobbit sucks.

    --
    putting the 'B' in LGBTQ+
  44. What about trademark? by jader3rd · · Score: 1

    Isn't the purpose of copyright the rights to copy the original work, and wouldn't the characters be part of trademark? So if book publishers wanted to make new copies of the Sherlock Holmes stories, they now have all rights to do so, but any new works, would still require licensing from the owners of the trademark?

    1. Re:What about trademark? by cpt+kangarooski · · Score: 1

      Isn't the purpose of copyright the rights to copy the original work, and wouldn't the characters be part of trademark? So if book publishers wanted to make new copies of the Sherlock Holmes stories, they now have all rights to do so, but any new works, would still require licensing from the owners of the trademark?

      No.

      The sine qua non of trademark is that it identifies all similarly marked goods as originating from some common source. If you buy a computer labeled COMPUTER, that's generic; that could be from anywhere. If it's labeled APPLE, then you know that it comes from Apple, Inc. Only Apple can use the APPLE mark for computers, but anyone can use generic or purely descriptive terms like COMPUTER or PC or PDA.

      Trademarks aren't allowed to operate as a substitute for copyrights. Once a work is in the public domain, anyone can make copies of it, and can make derivative works based on it.

      This means that a book with the character of Sherlock Holmes in it could be from anywhere. And if that's the case, it can't operate as a trademark.

      Take a look at this for a similar thing involving patents and trademarks. And this for copyrights and trademarks.

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      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    2. Re:What about trademark? by jader3rd · · Score: 1

      Once a work is in the public domain, anyone can make copies of it, and can make derivative works based on it.

      Perhaps that's what we should change about copyright then. Perhaps those who love long copyrights will give up long copyrights in exchange for a way for them to hold onto the rights for derivative works.

    3. Re:What about trademark? by cpt+kangarooski · · Score: 1

      1) They won't give up the long copyrights, they're not those sorts of people;

      2) Rights on derivative works, aside from being part of copyright, are extremely useful for the public and should not be bargained away so casually. Indeed, we ought to seriously consider reducing the scope of derivative works rights in copyright itself.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  45. Re: Peter O'Toole by Mabhatter · · Score: 1

    That was literally the same character with a different name.... Starfleet admiral trying to start a war....

    I guess we can be happy JJ even watched Enterprise... Although in many ways the nuTrek seems to be a continuation of Enterprise rather than redoing OTS.

  46. Re:You did make it up by Kasar · · Score: 2

    It was flexibility that created the 95 year rule to protect Mickie Mouse and Sonny Bono's royalties for his work with Cher.
    Those seemed to be the primary concerns at the time, and changing federal law to benefit a few while ignoring the compromise explained in the Constitution seems wrong. I'd agree about international treaties in general though, surrendering sovereignty in small degrees is done too flippantly by the current crop of politicians.

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    vi? Who's that?