$340 Audiophile Ethernet Cable Tested
An anonymous reader writes: Ars Technica has posted a series of articles attempting to verify whether there's any difference between a $340 "audiophile" Ethernet cable and a $2.50 generic one. In addition to doing a quick teardown, they took the cables to Las Vegas and asked a bunch of test subjects to evaluate the cables in a blind test. Surprise, surprise: the expensive cables weren't any better. The subjects weren't even asked to say which one was better, just whether they could tell there was a difference. But for the sake of completeness, Ars also passed the cables through a battery of electrical tests. The expensive cable met specs — barely, in some cases — while the cheap one didn't. The cheap one passed data, but with a ton of noise. "And listeners still failed to hear any difference."
What is this data passing noise?
I am thinking $340 thousand to test it seems reasonable. After all, when I test a $3.40 cable, they easily spend 34 thousand to test it.
excitingthingstodo.blogspot.com
They sold at least 2 of them now. I'm betting someone just won a bet.
This comes up whenever audiophile cables are discussed, but it's worth repeating: don't buy the cheapest cable.
There may be no useful difference between a $10 cable and a $1000 cable, but very often there's a real difference between a $10 cable and a $1 cable. Even for digital data, really cheap cables often don't meet spec, and can cause frustrating intermittent problems. You don't need anything exotic to avoid that, just avoid the bottom tier.
An example from my living room: I use a 45 foot HDMI cable to plug my TV directly into my HTPC (for reasons of convenience that aren't that interesting). The spec calls for thicker-gauge wiring for HDMI cables over 30 feet (IIRC), and you'll quickly see the price jump between cables that meet that spec and cables that don't. Don't buy the cheapest junk possible, that's all it takes.
It used to be that Dayton Audio was the only "solidly built, not too expensive" brand I knew about for cables, but Amazon changed that - now there are a bunch of options, including some sort of Amazon store brand that seems to be fine.
It's worth paying a bit more for solidly-built cables that meet spec (and especially for Ethernet cables, for some guard on the cable that keeps the clip from snagging or breaking off it you need to pull it through a tangle). Anything beyond that is a bit silly.
Socialism: a lie told by totalitarians and believed by fools.
The reason that the listeners could not hear a difference is not because the cables did not differ in quality, but because Ethernet is digital and has the capabilities of error correction and retransmit. The chip might have extra signal processing as well, to do noise reduction for example. In the test, these kind of characteristics were enough to fully compensate for the flaws of the crusty cable.
There's still many scenarios in which you can benefit from better EMI shielding and conductivity, even when talking about a digital application.
ETHERNET cable?
Oh come on.
The sad thing is, people will assume by this that people can't hear a difference between, say, speakers or playback devices. Way to just idiocrafy the world a tiny bit more, guys :P
Slashdot.. the only place to read news... the next day
I mean it's a digital signal! If it fails the crc on receiving the protocol asks to re-transmit. The transfer might be faster, but definitely not more lossy.
There is no ethernet cable in the world which is sufficiently bad, that there are enough retransmits for mere audio to stutter or stall.
The whole review is asinine.
In other news...... Buy our overpriced cables so you can listen to MP3s and pretend your really an audiophile. #thepowerofmarketing
...category from the seller (Cat 7 or Gaming Class RAM, JDM Type 2 Racing Intake), just walk away. Any tech person will know this cable is just a stupid waste of money. It's likely about a $8 to $10 cable, they don't need to sell very many to make a profit.
that audiophile either means "wealthy" or "sucker" or maybe both...
I get that you want the best possible sound... and in some cases the placebo effect may actually help you enjoy your music more... but are there really enough of these people to base a business on?
I suppose, if you don't have to do anything except throw some gold plating on a connector and you are already in the cable business.. why wouldn't you?
This reminds me of another product, I think I saw on /, a while back... it was just a little plastic riser that kept your cables elevated off the floor and separated from each other... the cost was something like $100 per "device"...
Well... whatever floats your boat...
My eyes reflect the stars and a smile lights up my face.
I've had similar arguments with telco people. If the DIGITAL part of the system is not dropping (or delaying) packets then there is no problem with the DIGITAL part of the system.
Swapping cables that are not causing dropped/delayed packets for other cables that won't drop/delay packets is useless.
And testing the digital portion is very easy.
If you think you hear a difference, it is probably your imagination or the analog portion on either end.
You begin with a lecture to your Vegas audience of confirmed skeptics about the pseudoscience of high end digital audio cables ---- and afterwards claim with a straight face that confirmation bias didn't taint your so-called experiment.
The entire affair was inexcusable pop-science crap and wholly unworthy of Ars.
Ya gotta paint the use magic marker to color the plugs green (not the contacts) to get the effect! Fools.
The cheap cable may have had signalling noise on the line in some way. Improper shielding right next to an electric cable will do that. However, until the noise reaches a level that the error handling can't compensate you shouldn't notice it at all. The odds of you consistently passing Ethernet frames that pass the checksum so you'll hear the noise is unimaginable unless deliberately setup to do so. It's a simple checksum fail - resend frame. It'll cut down on your bandwidth with re-transmissions, but not on the quality. The fact that people don't hear the quality difference on WiFi is all the proof you need. The day my Ethernet line has more errors than my WiFi signal is the day I replace the cable.
It looks like there is some unaccounted for variance in their design: "The listeners would be asked which audio sample (electronica, male vocal, female vocal, or instrumental) they wanted to audition. The requested sample would then be played through one cable, then we'd swap and repeat per the test protocol."
They should have either made people listen to the same audio sample or made everyone listen to all the samples.
I've always wondered about people who buy these kind of cables. I mean, they're expensive cables, but what do they plug them into? Do they spend $340/$4000/$10000+ on a cable only to plug them into a cheap $15 D-Link switch?
I mean, what are the "audiophile" switches out there? Do they buy those $10,000 Cisco Catalyst switches? Or do they prefer HP ProCurve? Or do they just plug them in any old switch or whatever came with their $20 router?
It's just like power cables. You're telling me that the power, which came from a power station hundreds or thousands of miles away, travelling through copper wires, then coming into your house wired with regular Romex style house wiring, that some special cable used in the last 6 feet really matter? Or do they rewire their house with special audio quality wire? Do they buy special electrons from their power company? Or paid to have their house wired using the special cable? Are you telling me that after hundreds/thousands of miles, the last 6 feet really matter?
As long as bits are not irrecoverably lost, how is it going to sound any different?
Jitter, the relative timing of when bits arrive. Audiophile tests led to its having been identified as a measurable problem in S/PDIF installations, which led to use of a circular buffer to mitigate jitter. True, S/PDIF is connection-oriented, and networks using Ethernet are packet-switched with such a buffer being implemented in the network stack and in the application. TCP in particular retransmits packets corrupted by noise. But if the retransmitted packet doesn't arrive in time, emptying of the buffer causes an audible interruption. And if the buffer is enlarged to prevent this, this can affect perceived responsiveness in interactive applciations such as music production and video games.
Wouldn't a layer of forward error correction using a BCH code, as used in Compact Disc Digital Audio and QR code, help with real-time UDP streaming?
An upgrade from 96K MP3 to 112K Opus would probably provide substantial fidelity improvement to your CELTic music, as it's 2 codec generations later.
Fewer retransmits lets you push the buffer length lower for less audio latency. This can become important for real-time applications such as gaming and music production.
These can not be very good cables because they lack the direction arrow that the Belden audiophile Ethernet cables have (had?). This was so you would know which way to plug them in. Packets flow from hub/switch to the device.
And if you believe this, I have a bridge to sell you.
It is orange and you will make your money back in picture postcard royalties.
The speed of TCP error correction on the laptop and router and laptop have a greater effect on the audio quality than the cables. Why? Less likelihood of drooped frames by the software when errors do occur. (Even the premium cable was out of spec.)
affect
These can not be very good cables because they lack the direction arrow that the Belden audiophile Ethernet cables have (had?). This was so you would know which way to plug them in. Packets flow from hub/switch to the device.
And if you believe this, I have a bridge to sell you. It is orange and you will make your money back in picture postcard royalties.
It's in the caption of the very first picture:
Audiophile-grade "Vodka" Ethernet cables, from AudioQuest. They even have directional indicators!
But, surprisingly for Ars, they missed the point of those directional indicators. The article on electrical testing hints at it:
Finally, the braided shield inside the cable drew some comments. "There is no continuity from the body of the one connector to the body of the other, indicating that the shield has not been terminated to one or both of the connector," noted Denke. "Our 6A uses an absorptive shield—that is, the cable is shielded but the shield is not terminated at either end. Alien crosstalk is the crosstalk which occurs between cables, as opposed to the internal crosstalk which occurs between the pairs in a cable. This may also be why there are unterminated shields on the Audioquest cable—I’m not really sure what the reason is there, though I had thought that the shields on Cat 7 were required to be tied to ground. It is also possible—I have no handy way to test—that they've tied the shield to one end only, though this would be highly nonstandard for network cabling." (emphasis added)
It's highly nonstandard for network cabling, but highly standard for audio cabling - it's called a telescoping shield and is used to prevent ground loops and audible (60 Hz) hum. Typically, you leave the shield connected at the low-impedance source, and disconnect it at the high-impedance load... as a result, the cable actually does have a directionality, but on the shield, rather than the signal lines. I can guarantee that's the intent with these cables and why they're marked with directional arrows, and it's pretty surprising that Ars and Denke missed it. Maybe they were stuck thinking "network" cable rather than "audio" cable.
That said, because these are network cables, that telescoping shield is irrelevant. You're not going to get ground hum into your amplifier from your network card, the way you would with a shield on an analog audio cable. They're simply not connected, and if they were, you'd have much bigger issues - like that hum causing all sorts of problems on your PCI bus. This is why network cable shields are typically connected at both ends: ground loops are irrelevant.
I'm starting to wonder if all the loud music when I was younger damaged my ears. Every time I turn on the radio, everything sounds like shit.
You are welcome on my lawn.
I think I see the problem: They didn't allow any burn-in time for the cables before doing the listening test - they just plugged them in and started listening as if that was going to sound correct.
A real listening test needs at least of couple of weeks for the atoms in the cable to settle down after moving/bending it in any way.
No sig today...
There is no ethernet cable in the world which is sufficiently bad, that there are enough retransmits for mere audio to stutter or stall.
I think you'll find that this very expensive cable has sufficiently poor quality that it will impact the reception of data.
There is an old joke in the audio industry.
* If you want to make a million, spend a million.
Works for crap such as Monster Cable, Bose, Beats, etc.
-- :-)
Married Audiophile Joke:
"When I die I hope my wife sells my speakers for what they're worth rather than what I told her I paid for them."
Personally, I would have run Gigabit transfers over the two cables and compared.
APK likes to ask for responses to the same things over and over. Maybe he just likes the responses?
I'm going to both agree and disagree with you. Yes, everyone missed that this introduced noise making it to the analog side is the reason for the shielding they use. It's not about missing bits that will be retransmitted anyway.
But on a cheap DAC, I get all sorts of PCI bus noise going through my speakers. Have you never owned a cheap computer where moving a wired mouse produces noise through the speakers? Or gotten coil whine from a GPU to introduce noise to the speakers? Obviously an audiophile will own better equipment, but there's theoretically a chance of interference.
Of course the solution for that is just just use optical cable to your speakers to prevent any possible analog noise.
Have you ever looked at a typical RJ45? It is a plastic plug mating with a plastic socket.
There is no standardized way for a plug to pick up ground from the socket. There is no ground pin in the Ethernet RJ45 pinout. Neither side of the cable can possibly have a grounded shield.
Category 7 and 7A are not recognized by TIA/EIA and are not real categories and are not used by any networking standards. TIA/EIA is currently defining a Cat 8 cable specification for use by 40Gbps being defined in 802.3bq
They used the cheap $340 ethernet cable. They should have used the $10k one. Literally anyone can hear the difference with that one. i think its because it has electrolytes.
http://hothardware.com/news/10...
I was an audiophile, worrying about the last 0.00001% THD and IM and noise and everything else, until a transducer Engineer (read: a professional who designs microphones and speakers for a living) casually mentioned that the very best, cost-is-no-object, hand-assembled microphones and speakers distort at least several percent.
Each.
Which means that no matter how great the ELECTRONIC portion of your signal path, the beginning and end have distortion measured in numbers with nonzero digits to the left of the decimal point. Doesn't matter how clean your electronics or special magic cables or whatever are, they can't remove the distortion that's already there in the original signal (unless your source is purely electronic) nor prevent your speakers/headphones from adding even more right before you listen.
After that, I paid attention mostly to noise floors and ignored everything else. I keep a lot more of my money and I have a lot more self-respect because I know I'm not wasting said money imagining that I can hear something that I cannot.
It's your money, spend it how you like.
W. C. Fields was right when he said there's a sucker born every minute and some of them throw their money away on fancy cable. So what?
I'll bet that most everyone here who dumps all over the fancy cables also has a crap audio system of their own, or thinks that they know what good sound is because they bounced for expensive headphones. Sorry guys, but listening to iTunes on headphones doesn't qualify you to declare your superiority about anything audiophile. A real audiophile isn't someone who lusts after $50,000 loudspeakers or buys the stupid cables we've been talking about.
A real audiophile is someone who builds his own power amps or loudspeakers. A real audiophile gets some microphones and goes out recording music at live events, brings it home and gets a faithful recreation on the home system. A real audiophile is someone who combines a love for music and a love for getting their hand "dirty" with the engineering of sound reproduction. That has little to do with stupid cables or excessively expensive gear of any kind.
If you want to experience startlingly realistic audio reproduction and not have to take out a 2nd mortgage on your home, check out the DIY designs at Linkwitz Labs.
So I shoot someone in a video game, and I hear it one second later. Or the video and audio in a movie are out of sync by a second. Is either acceptable, and if not, what's the workaround?
What's next? Earth isn't flat?
---Technology will liberate us if it doesn't enslave us first.
You should consider the possibility that electrical engineers who regularly use the term "ground loop" just might understand the concept better than you do.
Run two identical wires down to your "green wire buried in the dirt".
Run some current along one of the wires.
Observe the voltages at the near end of each line. You'll find that the line carrying current is no longer at "zero volts" relative to the line not carrying current. That's because those ground lines are not perfect conductors.
that's enough. All it takes now is a few secret deals with high-fidelity audio manufacturers to intentionally degrade performance of their equipment when electric noise is detectable (even if it can be compensated for). The argument will then automatically become that you can't hear the difference because you are not using top-quality equipment in the 1st place. And then the manufacturers of the cables will be able to peddle it to everyone buying top-quality audio devices just because the devices will seem to need them. I am actually curious (no, I have not read the article) whether the cheap cables can still sustain the required rates. In other words, can they still sustain 1Gbps transmission between 1Gbps eth cards? Cat5e definitely CANNOT. It will top out at around 350-400Mbps. If these cheap cat6 cables have too much noise they can't guarantee 1Gbps. It may not matter to those using them with household devices, but it definitely matters to people have quality of service contracts which require them to pay when they can't supply a promised level of performance.
Any guest worker system is indistinguishable from indentured servitude.
There is no ethernet cable in the world which is sufficiently bad, that there are enough retransmits for mere audio to stutter or stall.
Oh? Why not? Most people will be able to hear 1/50th of a millisecond of missing data. Regardless of bandwidth, if your transmission drop requires a round-trip re-request of data, the latency of the connection can delay the arrival of the data past the point where it is needed to be played.
Any guest worker system is indistinguishable from indentured servitude.
Digital audio has no "sound". It is where it becomes analogue and what happens after that that matters. Assuming no data errors, the only way anything in the digital chain affects the sound quality is by the interference and jitter it induces on the DAC and analogue components. This can be quite noticeable (and measurable), if you've ever heard the background mush from a cheap MP3 player or some mother board sound outputs through headphones, but a decent DAC would be well isolated and the clock would be at the DAC, and preferably be the audio master clock and not just phase-locked to something.
And that has what relevance for audio? Right, none at all.
Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
Seriously, you have no clue how TCP/IP works. Case in point: TCP has absolutely no error correction. At all. Your statement is complete and utter BS.
TCP has retransmission, but for that to be needed over a single cable hop, the cable needs to be close to complete failure. It basically does not happen. Basically all bit-errors are introduces by broken Ethernet cards and switches. A lot of the drops are caused by overloads and are intentional drops under software/firmware control.
Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
It is a system interface test. Quite standard. Requires some actual engineering knowledge though to understand why these are sensible.
Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.
Using error correction to achieve 0% loss over cheap ethernet cables is cheating.
Cheating how? This is a test of network cables. If the cable gives you 0% errors by any usable meant then it works perfectly. If I want my 60 kbit MP3s transferred losslessly over the network, I really don't give a crap if it's using trellis codes or retransmits.
SJW n. One who posts facts.
If there's a more gullible group of people on this planet than audiophiles, I've never met them. I suspect it's the same on other planets as well.
I mean, who else would pay $400 for a wooden knob that supposedly makes the sound better? Or colored pebbles in a jar that (again, supposedly) "purify the tonal balance" of the room the music is played in?
Just cruising through this digital world at 33 1/3 rpm...
I'm not. Selling an expensive POS for something that is at it's very nature subjective only proves it's just for bragging rights.
I'm sure that there are a few Audiophiles that will screech that X makes Y sound better, or X is better for data transfer. However, no amount of empirical data can change the immutable fact that "sound quality" is a subjective observation. What one person thinks is "sounding great" might not for another.
Sure, there is some general agreement that an audio track that sounds clear is way different than one that sounds like a jack hammer got at it and tossed into a blender. Again though, there is going to never be a consensus with people that hear the same audio file but the only difference is something extremely trivial (and ridiculously expensive).
I was hoping the facetiousness of my post would be obvious.
Unlike Unshielded Twist Pair (UTP) which uses an RJ45 style connector with a plastic body, shielded twisted pair (STP) uses an RJ45 style connector with a metal body that connects to the cable shield.
The ground loop formed by using ethernet over shielded twisted pair is not irrelevant if it corrupts the chassis ground which is also the shielded side of any singled ended signals like RCA audio. It would be very unlikely to affect the ethernet but it could sure screw up sensitive single ended signals.
woosh
Yeah, and it's so amazingly ridiculous that it must be completely serious. Jesus...
I have had the same rare chance of failure with Ethernet cables but weirdly enough i just happened to encounter such a failure last week, the cable looked fine, and it was transmitting but i was getting 40-50% packetloss, when i swapped out the cable the problem went away.. we had just gone through a cubicle shuffle and i believe the cable was handled roughly in the move and hurt the wires in some way.
First time i have encountered an Ethernet cable "fail" without an obvious show of defect (broken plastic covering/wires pulled free of their crimping, etc).
RAM has latencies that make overclocking possible by upping the speed of the ram past it's normal rating to match the OC of the cpu, so yah, gaming class RAM is legitimate if it has lower CAS latencies.
the company that sells these say that the arrows are determined by testing the cables to determine which end to put the arrow on from the basis of best audio quality, this would denote that it is not from some special shielding or construction but pure bullshit.
nope, your sarcasm has evolved to a near perfect form. I frequently have the same problem :(
smiley faces help but defeat the purpose :)