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Tension Escalates Between Netflix and Its TV Foes (nytimes.com)

An anonymous reader writes: Viewership numbers are vital within the TV industry. For years, the networks have relied upon ratings to make money — higher numbers mean higher ad revenue. The most important part of the ratings system is that individual networks can't just claim whatever viewership they want; third-party companies like Nielsen control the stats. But Netflix doesn't operate by the same rulebook, and this is frustrating the networks. Execs from Netflix and various networks have started arguing about it, both at an industry event this weekend, and in media interviews. NBC had hired a firm to estimate Netflix's viewership numbers, because Netflix won't release them. Netflix says the estimate is laughably wrong, but has also suggested shows fare better on their platform than on cable or broadcast television. If true, it gives them leverage to recruit more and better talent to produce such shows. But it's impossible to refute without numbers, and the networks are increasingly annoyed they can't do that. NBC thinks the media tends to give Netflix a pass on these statements. FX chief John Landgraf said, "[Netflix's Ted Sarandos] shouldn't say something is successful in quantitative terms unless you're willing to provide data and a methodology behind those statements. You can't have it both ways."

52 of 302 comments (clear)

  1. Meanwhile... by Anonymous Coward · · Score: 3, Insightful

    My pirating escalates as well. I don't NEED either of you, so if you're going to raise the price and/or give me less to watch, I'm going to take it for free and own it indefinitely. Your choice.

    1. Re:Meanwhile... by Anonymous Coward · · Score: 5, Interesting

      You don't need to pay them, but you do need them to make the content. So, you need someone to pay them. Therefore, you should promote an environnement that results in at least one of them getting paid.

      In conclusion, while it makes no difference whether you pay or not, it's in your interest to convince everyone else that paying is a good idea.

      Just as in democracy, where voting has practically no effect but convincing many others to vote for your side can be interesting.

    2. Re: Meanwhile... by nehumanuscrede · · Score: 5, Interesting

      Easy choice.

      He who doth not innundate me with commercials will be the one I choose to pay.

      The only way I will tolerate commercials is if they are placed at the beginning or the end of the programming. I'm sure many others feel the same.

      Cable / Satellite providers: You had best take that last sentence to heart if you wish to remain a choice at all.

    3. Re: Meanwhile... by Anonymous Coward · · Score: 3, Insightful

      Pirating created avenues like Netflix in the first place...the goal was to put up a lot of media cheaper than the effort to pirate it.

      We are soon approaching the point where pirating is better again. If people go back to pirating in droves, a new Netflix will come on to fix the problem. You can't stop pirating, but you can make your service good/cheap enough for people not to pirate.

    4. Re:Meanwhile... by jedidiah · · Score: 2

      The funny thing about software is that it doesn't wear out.

      That means that we just keep on accumulating more of it. Now most of it would be in the public domain already if not for corporations corrupting the law and government. Even with that corruption, works become cheap and plentiful.

      With a high lack of originality in current works, it often makes much more sense just to go back to the source material. Sometimes it's even CHEAPER even if you're paying for it.

      Cheaper and better even without piracy...

      How sustainable do you think that is?

      Trade your cable bill for a monthly media budget and you can in relatively short order have more stuff than you can handle.

      Netflix is just the cheap and easy option...

      --
      A Pirate and a Puritan look the same on a balance sheet.
    5. Re: Meanwhile... by Vanderhoth · · Score: 5, Insightful

      Actually Netflix originated from how shitty Blockbuster was. The creator of Netflix rented movies from Blockbuster frequently, and was often charged late fees. Even after Blockbuster "did away" with late fees. I think the anecdote goes, he returned a movie and was charged a late fee. Upon complaining to the employee, the employee said, "You can always start your own video rental store", so he did.

      He created Netflix, which started as a mail order rental business with no late fees. It got popular because Blockbuster was shit and was really the only major chain renting movies at the time. Once Netflix went online, along with the rising popularity of pirated movies, it was all down hill for Blockbuster.

      I for one was glad to see Blockbuster die, and I'm even happier to see cable die. Netflix is doing good with their original content and has a good selection of overall (and I'm Canadian using the Canadian Netflix). The wife and I cut our cords over a year ago now. We get a lot of content from Netflix now (mostly for our 4 yr old) and use Kodi for a few cable programs Netflix doesn't have that we enjoy. Being on the East coast I got tired of paying cable fees for the three or four shows a season we watch that were always on so late it was a struggle to decide if we stay up to watch them and be exhausted the next day or go to bed early and skip watching TV. Sleeping often won and we eventually just got rid of cable since it was expensive and we didn't use it.

      The problem now is our cable provider is also our internet provider (There's only two ISPs in our area) and they're just jacking up internet prices to compensate for the drop in cable subscriptions. They'll get their money one way or the other. Eventually they'll probably charge Netflix, on top of us, to deliver their content so they'll get paid on both ends as the middle man.

    6. Re:Meanwhile... by tepples · · Score: 2

      Song of the South is still copyrighted. But practically, how much is that film contributing to the continued existence of The Walt Disney Company?

    7. Re: Meanwhile... by Registered+Coward+v2 · · Score: 2

      Actually Netflix originated from how shitty Blockbuster was. The creator of Netflix rented movies from Blockbuster frequently, and was often charged late fees. Even after Blockbuster "did away" with late fees. I think the anecdote goes, he returned a movie and was charged a late fee. Upon complaining to the employee, the employee said, "You can always start your own video rental store", so he did.

      Netflix did a classic " eliminate the expensive low value features while adding new ones that people re willing to pay for..." strategy. They avoided the expense of a lot of brick and mortar locations that had limited catalogues by offering a large selection of DVD's by mail and turning around the orders quickly. Since they were shipping from multiple locations they could also better tailor their inventory to demand since they didn't have to stock a bunch of the latest releases, trying to accurately estimate demand, at every location like BB did. I'm guessing they also cut a price deal with studios not to dump tons of DVDs on the used market as demand slowed, also reducing their cost to get DVDs. Once internet connectivity took off streaming became an even more viable option and Netflix could move into that without damaging their customer base, unlike BB who would lose the revenue from their stores as streaming grew. BB tried to counter Netflix with their own mail order, and later streaming, services but by then Netflix had taken off and BB was stuck with a lot of brick and mortar stores that were bleeding cash. They made it worse by offering free rentals whenever you traded in a BB by Mail DVD, further cutting into the store's revenue and hastening their demise.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    8. Re:Meanwhile... by fluffernutter · · Score: 2

      Then I suggest they don't pay the biggest stars $20m and spread it out to all those others out there that are practically starving.

      --
      Laws are rules for the court, but merely a bottom bar to hit for life. Think beyond laws in your actions always.
    9. Re:Meanwhile... by ewibble · · Score: 2

      IP is an imaginary asset constructed by law, with physical assets such as buildings, and automobiles someone actually has to come and take it. But with intellectual property all they have to do is say, naa we don't think those laws are right, and your intellectual property vanishes in a puff of logic.

      The US is playing a very dangerous game shifting all its actual production overseas, and relying so heavily on its ownership of intellectual property. What would happen, if tomorrow China said we don't believe in your imaginary property. The US could not invade, it can barely manage in Afghanistan, how would it fair against a nuclear power like China.

    10. Re: Meanwhile... by 0100010001010011 · · Score: 4, Insightful

      Netflix, Amazon Prime and Comcast's "X1 on Demand" have now caught up with how I was pirating and watching shows a decade ago. I didn't even know "binge watching" was a thing, I would just get an entire series and watch it and move on to the next series. It's what I've always been asking for but Comcast said "nah, you'll watch it on our schedule". Blockbuster required me to make an additional stop in my my way home. I could queue up a movie before I left work/school and watch it that night.

      The easier it has been to get new, good content for a reasonable price the less I pirate.

    11. Re: Meanwhile... by Vanderhoth · · Score: 3, Insightful

      isn't that illegal under current laws?

      Probably, but I doubt a little thing like "the law" would prevent them from finding some work around.

    12. Re: Meanwhile... by liquid_schwartz · · Score: 4, Informative

      I could be wrong, but isn't that illegal under current laws?

      As Disney demonstrated paying to get laws changed in your favor is pretty straight forward. Citation: https://en.wikipedia.org/wiki/...

    13. Re: Meanwhile... by LynnwoodRooster · · Score: 2

      A high school diploma will get you around $1 million over your lifetime, and college degrees up the income from there. Given that about 88% of all people have high school diploma, the $1 million over your lifetime is probably a very good estimate for what most people will make.

      Quick thought experiment: there are approximately 45 years of "work" for most people (assume the average start of adult work is 20). That means if you average $2000 per month over your entire 45 year career, you'll make more than $1 million by the time you retire.

      --
      Browsing at +1 - no ACs, I ignore their posts. So refreshing!
    14. Re: Meanwhile... by dgatwood · · Score: 3, Insightful

      Netflix didn't "start as mail order" and then "switch to online". ... It was ALWAYS online. It was always DVD only.

      The term "mail order", at least in post-1921 usage, refers to the means of product delivery, not the way that the product is ordered. We still call it "mail order", whether the ordering happens by mail, phone, or the Internet. The vast majority of mail order businesses do not take orders by mail.

      So yes, the GP was completely accurate when it described Netflix as being a mail order company originally, then switching to online (streaming) delivery.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    15. Re: Meanwhile... by dstyle5 · · Score: 4, Funny

      And quite frankly, how would a Canadian even know since it started in the US?

      This knowledge was most likely gained in one of the following manners:

      1. Canadian Witchcraft
      2. ESP
      3. A Ouija board
      4. Wikipedia https://en.wikipedia.org/wiki/...

      I'm guessing probably number 1.

    16. Re: Meanwhile... by nehumanuscrede · · Score: 2

      Cable and satellite doesn't insert the commercials, the network does. They just broadcast what the network gives them.

      Do you guys even fucking understand basic shit?

      Who inserts it is irrelevant. The point remains the same without going into micro-detail about how the damn thing works.

      You want to remain a player in this game ? Then you had best rethink your strategy. I don't CARE who inserts the commercials because unless you do something about it, more and more people will move to the providers who do not.

      It really is that simple.

  2. TV ratings methodology by retroworks · · Score: 3, Insightful

    The Nielsen ratings have never rally been without major sampling error, methodology and fallacy. If they really want the traffic numbers, they can get them from Comcast and other cable networks. And after reading the article, it's actually more just a complaint and response to a complaint than "escalation". Move along, nothing to see here.

    --
    Gently reply
    1. Re:TV ratings methodology by Anonymous Coward · · Score: 5, Interesting

      I know someone who was given a Nielson rating box and I have to say, they represent real tv viewers about as a much as a dog represents cats and vice versa. There are so many shows that had cult followings, canceled because of bad ratings (Bullshit bad ratings) and many bad shows saved by them.

    2. Re:TV ratings methodology by penguinoid · · Score: 4, Insightful

      The Nielsen ratings have never rally been without major sampling error, methodology and fallacy.

      Yet probably still better than trusting a cable company to self-report how much ad revenue they should be getting.

      --
      Don't waste your vote! Vote for whoever you want, unless you live in a swing state it won't matter anyways
    3. Re:TV ratings methodology by catchblue22 · · Score: 5, Interesting

      In general, I prefer Netflix's system that isn't based on ad revenue but rather subscription revenue. The ad revenue system seems to encourage broadcasters to seek the lowest common denominator in their audience. Netflix has won me over with series such as Daredevil and House of Cards. Other subscription based services also seem to produce better material, the best example likely being HBO with series such as Game of Thrones. I have little sympathy for the old broadcasters. They are dinosaurs and should pass into oblivion in my opinion.

      --
      This and no other is the root from which a tyrant springs; when first he appears as a protector - Plato (423 to 327 BC)
    4. Re:TV ratings methodology by flopsquad · · Score: 2

      I'm not sure I even understand what TV is so up in arms about. Isn't the primary use of Nielsen ratings to calibrate the pricing and structure of advertising? Which Netflix doesn't have any of?

      I mean, I guess it also allows HBO, FX, et al. to say they have the "most watched" $genre show. But if Netflix wants to say one of their own series is the most bestest evar, WGAF?

      Skimming TFA, the beef seems suspiciously close to "Netflix makes our dicks feel small, and they sometimes get shows that we wanted, and our numbers are bigger and theirs aren't for real! Nuh uh they're not! Nuh uh they're not and no talkbacksies!"

      --
      Nothing posted to /. has ever been legal advice, including this.
    5. Re:TV ratings methodology by amiga3D · · Score: 3, Interesting

      I will say that competition has been good for broadcast TV. They've started upping their game in the last few years. There's room for both I feel.

    6. Re:TV ratings methodology by radiumsoup · · Score: 3, Interesting

      Netflix may not have ad revenue, but they negotiate rates with content providers based on the number of times the content is watched.

      Your show sucks, and nobody watches it on Netflix? Not only will Netflix pay you less for it, when time comes to renew, they may drop it altogether unless you agree to take even less again.

      Your show is awesome and everyone watches it on Netflix? Netflix will pay you more to make sure their subscribers can still come to Netflix to watch it instead of going to Amazon or whoever else.

    7. Re:TV ratings methodology by PopeRatzo · · Score: 3, Insightful

      I will say that competition has been good for broadcast TV. They've started upping their game in the last few years. There's room for both I feel.

      You're right. Let them compete for viewers.

      The broadcasters complaints about Netflix not having to release viewership numbers is just silly. Who cares about Nielson ratings when you're not selling advertising anyway? My biggest worry about Netflix is that they're going to want to start adding commercials. I still remember when the big selling point of cable television was "it'll be commercial free because you're paying subscription fees".

      --
      You are welcome on my lawn.
    8. Re:TV ratings methodology by FlyHelicopters · · Score: 5, Interesting

      The whole thing seems bizarre, because I would think that MONEY would be the driver for most of Hollywood.

      No, not really...

      Sure, they talk about money and appear to focus on money, but the reality is that once you have a lot of money and are free from worries about money, you undergo an interesting transformation...

      Money stops being everything...

      Power, control, egos, influence, vanity, and "winning" become just as, if not more important, than money.

      Put $100 million in the bank and earn $20 million a year and you'll find that your worldview and focus changes... a lot...

    9. Re:TV ratings methodology by tepples · · Score: 2

      they want to discourage talent from getting involved with Netflix productions based on the argument that it will be damaging to their careers.

      The whole thing seems bizarre, because I would think that MONEY would be the driver for most of Hollywood.

      They're linked. Taking a less prestigious or lower paying role may limit how prestigious or high-paying your next role is likely to be.

    10. Re:TV ratings methodology by Beavertank · · Score: 4, Insightful

      That's the exact reason I refuse to use Hulu, either in the free or paid version. They want me to not only pay for their service, but also sit through mandatory ads? Yeah... no. That's why I ditched cable in the first place.

    11. Re:TV ratings methodology by Anonymous Coward · · Score: 3, Insightful

      Netflix may not have ad revenue, but they negotiate rates with content providers based on the number of times the content is watched.

      Your show sucks, and nobody watches it on Netflix? Not only will Netflix pay you less for it, when time comes to renew, they may drop it altogether unless you agree to take even less again.

      Your show is awesome and everyone watches it on Netflix? Netflix will pay you more to make sure their subscribers can still come to Netflix to watch it instead of going to Amazon or whoever else.

      This is the heart of the dispute. Netflix can claim whatever viewership they want. The content owner cannot verify this because that information is proprietary, unlike for their own content. But Netflix knows what their numbers were on TV so they know the popularity of something before they buy it. But once they do, the owner has no way to know if the title has gained, lost, or held its value because they don't know the viewer numbers. It puts the power very much in Netflix's hands because they have perfect information while the owner has imperfect. It would be like you trying to play chess against someone with invisible pieces while yours are visible--do you think you could win?

  3. Can't have it both ways? by houghi · · Score: 3, Insightful

    I agree that you can't have it both ways. That is like saying a movie is making a lot of money and at the same time claiming it is losing money.

    --
    Don't fight for your country, if your country does not fight for you.
    1. Re:Can't have it both ways? by argStyopa · · Score: 5, Informative

      You're rated +5 insightful, but considering that's precisely how "Hollywood accounting" works, it should be +5 funny.

      For example Lord of the Rings trilogy made roughly $6 BILLION worldwide, yet New Line Cinema's accounting report shows "horrendous losses" and no profit at all.

      (http://www.pajiba.com/box_office_round-ups/10-movies-that-made-hundreds-of-millions-in-boxoffice-dollars-and-yet-somehow-showed-no-profit.php)
      Links to explanations in the original page above.

      1. My Big Fat Greek Wedding cost $6 million to make and made over $350 million at the box office, and yet lost $20 million.
      2. The Lord of the Rings trilogy made over $2.9 billion in box office, and yet showed âoehorrendous losses.â
      3. Return of the Jedi made $475 million on a $32 million budget, yet has never shown a profit.
      4. Harry Potter and the Order of the Phoenix made $939 million worldwide, and yet ended up with a $167 million loss.
      5. Forrest Gump earned $667 million, yet shows a loss of $31 million.
      6. JFK earned $150 million worldwide but showed $0 in profit.
      7. Coming to America made $288 million in revenue, yet showed no profit.
      8. Michael Mooreâ(TM)s Fahrenheit 9/11 made $220 million worldwide, and yet apparently showed no profit.
      9. The Exorcism of Emily Rose made $150 million on a $19 million budget and turned no profit.
      10. Batman, which made $411 million worldwide, showed a $36 million deficit.

      --
      -Styopa
  4. vote with your wallet by umafuckit · · Score: 2

    I'm loving the fact that voting with your wallet has become very powerful in this field right now. I just cut the cord on my basic cable package and moved to Zattoo.com (in Europe), which is a web-based TV provider. I get pretty much the same thing as before for either free (but in SD with a few more adverts) or I get more than I'd have got before (a generous cloud-based DVR and replay of anything in the last week) for half the money I used to pay the cable provider for its crappy set top box. This plus Netflix is great for me.

  5. Shady Stats by HideyoshiJP · · Score: 5, Informative
    I was surprised the summary didn't mention the fact that the company NBC hired used audio recordings from people's smartphones to guess statistics.

    Mr. Wurtzel provided data from a firm named Symphony Advanced Media, which uses audio content recognition installed on phones to recognize what is being watched and when.

    I'm willing to bet most of these users didn't even realize that fun game asking for microphone permissions was doing this.

    1. Re:Shady Stats by CrankyFool · · Score: 2

      And, to forestall the next step, it's worth noting that the somewhat-reasonable rejoinder to this is that people had to self-select to install this app -- I believe it's something you actively install and opt into. Which means that it's a lousy way to create a sample population.

      So in short: Either the methodology involves installing spyware on your phone against your will, or it involves self-selecting populations. It's either morally repugnant or just incorrect. Take your pick.

    2. Re:Shady Stats by PRMan · · Score: 2

      Your bet would be wrong. Apparently it's above-board, opt-in and people get paid in $5 gift cards.

      --
      Peter predicted that you would "deliberately forget" creation 2000 years ago...
  6. Nielsen ratings by Aramoro · · Score: 5, Informative

    Last year, I got one of those Nielsen diaries to track my household's television viewing, and they had a methodology for tracking Netflix as well as DVR, but only for shows watched on a television. Netflix on a desktop computer or tablet were not tracked...

    1. Re:Nielsen ratings by Mr.+Sketch · · Score: 2

      It seems like Nielsen should allow tracking content watched on computer or tablet (or smartphone even). If anything, this situation just points to the fact that Nielsen needs to update how it collects ratings since there is no reason a Nielsen household couldn't also track viewing content from Netflix, Hulu, etc.

  7. Attn: traditional TV networks by MachineShedFred · · Score: 5, Insightful

    We, the viewers, hate you. You are sliding down a slight but increasingly steep slope into the deep dark hole of irrelevance and you don't even know it. It shows that you don't know it, because you increasingly devote time on your networks to advertising, at the expense of quality content. You continue with a business model of stretching out fairly mediocre and predictable stories over two or three hours, spread across two or three arbitrary 'ratings' weeks in order to inflate your own numbers, while admonishing Netflix for being dishonest.

    You fought tooth and nail against VCRs. You fought against DVRs. You now fight against online streaming. All of these technologies actually make experiencing your content better, yet you still fight them. We see through your bullshit, and we've found a content delivery paradigm we like better: all-you-can-stream for a low monthly charge. No advertising at all. All episodes of a season, and past seasons, available RIGHT NOW.

    As soon as someone cracks the hegemony largely preventing the streaming of live sports without having a cable or satellite subscription, you're done. And you still continue on like it's 1983. And what you don't realize, is that we can't wait to fire you for being completely inept in your own business and refusing to innovate in even the slightest ways.

    Stop clutching at the past, and embrace the future, before the future holds a pillow over your head and we all rejoice.

    Warm regards,
    Everyone

    --
    Slashdot still doesnâ(TM)t support Unicode after it was added to the HTML standard in 1997.
    1. Re:Attn: traditional TV networks by Atticka · · Score: 4, Informative

      Seconded.

      Everyone Else.

      --
      No sig here...
    2. Re:Attn: traditional TV networks by penguinoid · · Score: 4, Funny

      You do not speak for everyone.

      He meant, everyone except cable company executives.

      --
      Don't waste your vote! Vote for whoever you want, unless you live in a swing state it won't matter anyways
    3. Re:Attn: traditional TV networks by Thanshin · · Score: 4, Insightful

      You do not speak for everyone.

      As an AC, you do not speak for anyone.

  8. Netflix doesn't need external ratings by Anonymous Coward · · Score: 4, Insightful

    Why do viewer numbers matter for Netflix? They don't show ads, so they don't have to put a value on their equivalent of airtime. The ratings are only relevant to them internally when deciding which content will gain/lose the most subscribers.

  9. Sory Networks different game different rules. by DarkOx · · Score: 2

    NetFlix does not have the same success criteria. The networks need people to watch shows at a certain time, not dvr them fast forward etc, because they depend on the ad revenues.

    That means the only measure of success is viewership at original air time for the most part and that the target demographic that the advertisers want tuned in.

    Netflix on the other hand is all about obtaining and retaining subscribers. It does not matter to them when people watch their series or really even if they watch! They need their subscribers to feel they are getting value. That means for instance if Netflix produces a show that mostly appeals to 4 year olds, that is fine. Mom and Dad think $9 a month is a cheap way to keep the kids occupied while they make dinner. Advertisers would hate that though because kids that age don't spend money.

    So at the end of the day if Netflix has the money to invest in content production and keep their bottom line in the black they are succeeding. So far all indications are that they do. Financial statements etc. The proof is out there.

    --
    Repeal the 17th Amendment TODAY! Also Please Read http://www.gnu.org/philosophy/right-to-read.html
  10. Netflix learned their lesson from Starz by timholman · · Score: 2

    Four years ago, the Starz network tried to destroy Netflix by yanking its content over demands for much higher licensing fees. It was a body blow to Netflix, and many people wondered if the Netflix streaming service could survive the loss of content. Fortunately, Netflix did survive, and now they're successful enough to call their own shots.

    Any information that Netflix provides to its competitors will just be used to try to destroy them, just as Aereo was destroyed. You don't do your enemies favors in this business. All that matters to Netflix is that they get enough viewers for their original content to justify their production costs. They are under no obligation to reveal their viewership numbers to their competition. If I were in their shoes, I'd be telling the major networks to take a flying leap, too.

  11. Good to see Netflix causing the networks angst by QuietLagoon · · Score: 2

    ...NBC had hired a firm to estimate Netflix's viewership numbers, because Netflix won't release them....

    Back when it appeared as if Comcast (owner of NBC) was slowing Netflix traffic via intentionally overloaded border routers, one of the proposed solutions I read about was for Netflix to place some content distribution servers in Comcast's data centers. To do so would have required Netflix to share it's usage data with Comcast, and Netflix didn't want any part of that.

    .
    Now I understand better why Netflix didn't want to do that.

  12. Commercial interruption before each act by tepples · · Score: 3, Insightful

    The only way I will tolerate commercials is if they are placed at the beginning or the end of the programming.

    Providers can accommodate the letter of your request by redefining "the programming" as a single act of the play (or screenplay or teleplay), or what would become a single chapter of the DVD, or the like, and then deeming a whole movie to become a playlist of several such "programmings". Would that satisfy you?

    1. Re:Commercial interruption before each act by Zaelath · · Score: 3, Informative

      I always find semantics works really well for making customers happy.

    2. Re:Commercial interruption before each act by nehumanuscrede · · Score: 3, Insightful

      Providers can accommodate the letter of your request by redefining "the programming" as a single act of the play (or screenplay or teleplay), or what would become a single chapter of the DVD, or the like, and then deeming a whole movie to become a playlist of several such "programmings". Would that satisfy you?

      It would not. The same practice under a different name would just put the final nail in their own coffin.

      Can you imagine how much the movie industry would suffer if they stopped the film every fifteen minutes so they can feed you ads about what medications you should be asking your doctor about ? Or why driving a $manly-vehicle in $state is manly ? No one would go. The movie industry would implode overnight.

      If television wanted to emulate the movie approach where they set aside the advertising block ahead of the main show, I would be cool with that. Or, they could do it at the end of the show. Would be cool with that too.

      Sprinkled within the show every ten minutes or so ? Not so much.

    3. Re:Commercial interruption before each act by Zaelath · · Score: 2

      Mmmm, I don't buy that at all.

      If you explain that you "only have small, large and grande" it's pedantic to complain "you mean small, medium and large".

      Or if you explain "all you can eat" doesn't mean "all you and your 5 friends can eat", fair enough.

      However, if you claim that you sell a "capped price" plan and explain that "capped means the minimum amount we charge, we can and will charge you more" then only an idiot accepts that redefinition as kosher.

    4. Re:Commercial interruption before each act by pnutjam · · Score: 2

      They actually do this for programs aimed at young children, for example Nick Jr. or Disney's equivalent channel. PBS also does this on their Sprouts channel. No "real" commercials, but what they have is between programs.

  13. Netflix has a hard road ahead by sjbe · · Score: 2

    Thing is, people are fleeing a system controlled by 6 corporations in favor of a new system controlled by only 1.

    With apologies to Grand Moff Tarkin, I think you overestimate their chances. Netflix getting a distribution monopoly is a highly improbable outcome. They don't own the copyrights to most of what you can watch through them and that matters a lot. Could they undermine the business model of traditional networks? We can only hope... I think Netflix can succeed without being the gatekeeper for all video content which is good because it isn't likely to happen.

    Apple will be the gatekeeper for music, and Netflix for video.

    I think Google, Amazon and more than a few others may have something to say about that. I've had a Netflix subscription twice now and both times I dropped it because the cost outweighed the value. Netflix had a large catalog of movies I've either already seen or don't care about and searching for new stuff was painful to say the least. There were movies I wanted to see that routinely were not available through Netflix. I don't really care about their original programming and I'm hardly the only one. Honestly I've found Amazon Prime to be a better value.

    The big fight here is over new content. Netflix is creating their own, and it's being extremely well received.

    Being well received does not equal a monopoly nor does it necessarily equal profits.

  14. your wagon wheel broken there buddy? by mr.dreadful · · Score: 2

    Cable has shit the bed by maximizing cable profits to the detriment of the viewing experience (too many ads, extra fees for HD, too many bullshit channels) and now they complain that Netflix doesn't measure eyeballs the same way they do? Viewership ratings only matter to broadcasters that rely on advertising, Why should membership based Netflix be held to same metric? Who would that even benefit? I think a more interesting question is whats happening on Hulu, which is having its cake (subscribers) and eating it too (shows ads).