'It's Always DRM's Fault' (publicknowledge.org)
A social media post from Anders G da Silva, who accused Apple of deleting movies he had purchased from iTunes, went viral earlier this month. There is more to that story, of course. In a statement to CNET, Apple explained that da Silva had purchased movies while living in Australia, with his iTunes region set to "Australia." Then he moved to Canada, and found that the movies were no longer available for download -- due, no doubt, to licensing restrictions, including restrictions on Apple itself. While his local copies of the movies were not deleted, they were deleted from his cloud library. Apple said the company had shared a workaround with da Silva to make it easier for him to download his movies again. Public Knowledge posted a story Tuesday to weigh in on the subject, especially since today is International Day Against DRM. From the post: To that rare breed of person who carefully reads terms of service and keeps multiple, meticulous backups of important files, da Silva should have expected that his ability to access movies he thought he'd purchased might be cut off because he'd moved from one Commonwealth country to another. Just keep playing your original file! But DRM makes this an unreasonable demand. First, files with DRM are subject to break at any time. DRM systems are frequently updated, and often rely on phoning home to some server to verify that they can still be played. Some technological or business change may have turned the most carefully backed-up and preserved digital file into just a blob of unreadable encrypted bits.
Second, even if they are still playable, files with DRM are not very portable, and they might not fit in with modern workflows. To stay with the Apple and iTunes example, the old-fashioned way to watch a movie purchased from the iTunes Store would be to download it in the iTunes desktop app, and then watch it there, sync it to a portable device, or keep iTunes running as a "server" in your home where it can be streamed to devices such as the Apple TV. But this is just not how things are done anymore. To watch an iTunes movie on an Apple TV, you stream or download it from Apple's servers. To watch an iTunes movie on an iPhone, same thing. (And because this is the closed-off ecosystem of DRM'd iTunes movies, if you want to watch your movie on a Roku or an Android phone, you're just out of luck.)
[...] My takeaway is that, if a seller of DRM'd digital media uses words like "purchase" and "buy," they have at a minimum an obligation to continue to provide additional downloads of that media, in perpetuity. Fine print aside, without that, people simply aren't getting what they think they're getting for their money, and words like "rent" and "borrow" are more appropriate. Of course, there is good reason to think that even then people are not likely to fully understand that "buying" something in the digital world is not the same as buying something in the physical world, and more ambitious measures may be required to ensure that people can still own personal property in the digital marketplace. See the excellent work of Aaron Perzanowski and Jason Schultz on this point. But the bare minimum of "owning" a movie would seem to be the continued ability to actually watch it.
Second, even if they are still playable, files with DRM are not very portable, and they might not fit in with modern workflows. To stay with the Apple and iTunes example, the old-fashioned way to watch a movie purchased from the iTunes Store would be to download it in the iTunes desktop app, and then watch it there, sync it to a portable device, or keep iTunes running as a "server" in your home where it can be streamed to devices such as the Apple TV. But this is just not how things are done anymore. To watch an iTunes movie on an Apple TV, you stream or download it from Apple's servers. To watch an iTunes movie on an iPhone, same thing. (And because this is the closed-off ecosystem of DRM'd iTunes movies, if you want to watch your movie on a Roku or an Android phone, you're just out of luck.)
[...] My takeaway is that, if a seller of DRM'd digital media uses words like "purchase" and "buy," they have at a minimum an obligation to continue to provide additional downloads of that media, in perpetuity. Fine print aside, without that, people simply aren't getting what they think they're getting for their money, and words like "rent" and "borrow" are more appropriate. Of course, there is good reason to think that even then people are not likely to fully understand that "buying" something in the digital world is not the same as buying something in the physical world, and more ambitious measures may be required to ensure that people can still own personal property in the digital marketplace. See the excellent work of Aaron Perzanowski and Jason Schultz on this point. But the bare minimum of "owning" a movie would seem to be the continued ability to actually watch it.
We all love to be outraged when some company or government does something that would piss us off.
However normally if you dig into the details it isn't someone just trying to mess with you but a complex set of requirements and actions that have happened to cause it.
You can disagree with it, but save your outrage until you get the full picture.
If something is so important that you feel the need to post it on the internet... It probably isn't that important.
Problem solved.
It's always DNS.
So even if my iTunes copy is broken, I can still watch my rightfully purchased media.
DRM is still the absolute #1 reason why piracy is better than paying outright for a "product" (service?)
He already bought it, go to your favorite torrent site and re-download the video.
I see no moral quandry to doing this.
Not if it has DRM on it. Circumventing those restrictions to make an archival had a temporary exemption a few years ago, but is now prohibited again.
So sick of the Cloud marketing jargon nonsense... do we have to use it on a tech website, too?
I just love how this digital holiday comes the day before a true Pirates day!
I've never heard of Day against DRM - so maybe they did this on purpose. But this story is the reason I dislike DRM and purchasing from iTunes. Apple Tv is just so darn convient - I can't possibly download all of those movies. Nor do I know that they'd be playable "next year" on a new device.
Hence my rather large BluRay collection. All I need is for the industry to keep making bluray players.
darn.
I know the topic is TV shows and movies, but keep in mind that Apple has not sold any DRM-infected music for nine years.
#DeleteFacebook
The more more stories of normal consumers (not tech nerds) getting things taken away on account of DRM the better. The pressure is rising, and hopefully customers will begin to think twice about paying for the long term rentals our tech companies are masquerading as purchases.
You are being ripped off every second of every day, so that advertisers can help rip you off even more tomorrow.
In Australia where he bought it or in Canada where he is trying to watch it? Oh, you meant the USA. But that doesn't apply to the example at hand.
Laptop? No, don't be ridiculous.
But music CDs? When the whole "music pirating" shitstorm started decades ago, the music industry was pushing for the fact that you are buying a license to listen to the music. In that sense, you should be able to go into Best Buy with a proof of purchase (which they should be keeping themselves, shared between all their stores... blockchain?) and pay for the cost of a replacement CD only since you already paid for the license.
#DeleteFacebook
Rent physical disks, rip, burn.
Problem solved.
I absolutely own the CD/DVD/Bluray discs in my cupboard.
I can copy and play them any time, any where on my devices.
I can play them when the network goes down (and/or power goes out)--not dependent on streaming.
The main thing is if the seller has provided you the ability to download and keep a perpetual copy, then they have definition provided you a copy. At that point any online redownload following a local deletion should be seen as a bonus.
If on the other hand your purchase is not downloadable, then you should be challenging the notion of buying.
Jumpstart the tartan drive.
People like you are why we can't have nice things. Theft is theft.
Ahh, but what if you pay for a movie on a service like iTunes, *then* download the pirated content as a form of backup?
I do like providing money for people that make content I enjoy, that way they get some money and you get the desired level of freedom.
That is technically theft but ethically it's not theft to me. Nor would it be to most people. I wonder if you did that, as long as you did not re-share the content if there's a jury anywhere that would convict you.
"There is more worth loving than we have strength to love." - Brian Jay Stanley
... and not just to a particular provider - in general against anyone who releases content with DRM.
The basis? The US constitution guarantees that copyrights are of limited duration. Even though congress continually extends that period, it must be finite. Since congress, in its DCMA wisdom, makes breaking DRM illegal, content consumers must be indemnified somehow.
At a minimum, providers of DRM content should escrow either the unprotected content or some monetary compensation in anticipation of the eventual copyright lapse.
The cost to replace a digital copy is near zero. If your business up and dies because youre obligated to fulfill your contracts youre a shit business and fuck you failure.
I purchased Oregon Trail from iTunes and GameLoft took it out of the store. I'm super pissed because it should still work on my older iPad, but I'll never get to play it again. The icon is still on my iPhone as proof I bought it at one point.
The one thing I learned about stuff like eBooks and other DRM-encumbered media is to buy it from the vendor that is the easiest to decrypt. I don't use iBooks, because there are no decryption methods, and one is locked to an Apple platform. Kindle and Kobo, I can use a tool to decrypt my eBooks, throw the decrypted copies into Calibre, and continue on with life. I have purchased tens of thousands of eBooks, and because I did my homework, I can read them anywhere, or even print them out and have a usable hardcopy. Had I bought the books from the Apple Store, I would be limited on the devices I could use... i.e. only current iWhatzits.
Good luck with your dead physical media bud! My FLAC files will be playable as long as theres computers.
You're deploying your content to a turing complete device. DRM won't work. It will either be ineffective or so bad it will regularly screw over your most loyal customers. All others will get the rips because it's waaaay less hassle without DRM.
It's a crying shame if you are in the business and haven't gotten that into you thick stupid skull by now.
Forget DRM and offer a good purchasing experience and people will flock to you in droves. Best current example: gog.com.
We suffer more in our imagination than in reality. - Seneca
How does that help? They will simply tell you that the price for a replacement CD is the same cost as the original CD + license, since they are bundled. Now you have 1 CD, and *2* licenses?
Content owners just don't get it, either because they are too set in their ways, or else because they are too stupid. Piracy's motivation is not, for the most part, a desire to get people to save a few dollars. Its motivation is to empower people to access the material promptly, conveniently, at all times, everywhere. I am willing to venture that most people do not resort to the Pirate Bay and others because it is free. They do so because it is convenient. Official offerings seem to be keen on making it as difficult and inconvenient as possible to access the material, with constraints on where, when, and in what devices you are allowed to play the material. The Pirate Bay and others make it easy and convenient, while at the same time removing those artificial constraints. Also, nobody will sneakily remove any material that you have obtained from such sites.
Content owners can of course do whatever they want with the material that they own. But things won't change much in piracy front for as long as they remain stubbornly anchored in their obsolete business model. Unless, of course, they want to bring about police state-like controls, that is. The realistic choices for them are either to make less money out of their content than before, or to make no money at all.
Dude, nothing I wrote is an argument in favor of limited downloads. All I'm saying is that anyone expecting unlimited downloads because the seller used the words "purchase" or "buy" is a moron.
Why did someone feel that there was more to the story? He bought movies, Apple removed them, DRM made it possible for Apple to steal them from him. End of story. That Apple had their asses covered with legal documents that made this legal for them was never in question.
Wouldn't it be possible to bring that case to court, forcing them to declare a basic cost for the CD?
And you are letting that stop you?
Anything I want to purchase that I may want to keep permanently is going to be backed up irrespective of whether or not it is legal.
This space unintentionally left blank.
And there is the problem.
That's how it should have been.
And people wonder why (and sometimes snicker at the fact that) I still buy physical blurays and music CDs. I rip them (still legal here), put them on my NAS and store them away. I never have to worry about DRM crap.
It's better to burn out than to fade away
My US iTunes account has never region jumped. I have that account and one here in Japan for Japanese purchases. The US iTunes is linked to my US credit card and mailing address, so I can continue to buy shows and movies as they come out. This is especially important with movies that usually come out in the US on DVD before they even hit the theater in Japan. I've got a 12TB RAID that downloads them as I purchase them. Need to upgrade to something bigger soon...
I don't have this problem playing my CDs. I put them in my player, any player, and they play.
No matter where I go, they work.
Must be this new fangled technology we hear is supposed to make our lives easier that is causing the issue.
We will bankrupt ourselves in the vain search for absolute security. -- Dwight D. Eisenhower
Expect? No. I don't expect a reasonable deal from the criminals in the music distribution business.
A limited number of downloads is only reasonable on unencumbered files. I've downloaded my purchase; backups are my problem.
Introduce DRM, and now I can't use my standard backup strategy. I have to rely on the seller to keep doing their part. Oops -- their part is "You have to buy it again, peasant!"
I have CDs that are from the 90s. Almost 30 years old that still play fine.
If I buy a movie, why can't I download it as many times as I want, I bought it.
Now if it said REnT. I'd agree with you.
CD is not going anywhere.
HELL, even vinyl is making a comeback. The way things are going, it looks like PCs will go out of style before physical media.
Not that "but it plays on a computer" is terribly meaningful. Most people have no interest in pulling out a PC to play something and curated mobile devices are even less controllable than DRM infested streaming libraries.
A Pirate and a Puritan look the same on a balance sheet.
And if it's illegal, why is it illegal? Who is to blame? Who is interfering with the legality of backups?
When I answered that question, I stopped doing the "purchase" part. Stop purchasing, please. Piracy of DRMed works is not only more ethical, it's easier and more convenient. Spend the money on something else, instead of giving it to them so that they can use your money to lobby against repealing DMCA. Your right hand is punching your face while your left hand is attempting to block.
Please, please stop paying them.
Then buy a burnable disc, make a copy for yourself to go with your original license. Then sell the purchased copy and license.
They pushed for it, but they didn't get it. CD licensing never ended up happening, despite the absurd proposals.
"Believe me!" -- Donald Trump
In my opinion, the reality is that media consumption is an increasingly global and almost homogeneous market, divided more by language than national borders. Other English speaking regions have come to expect access to first run media at the same time as the US markets
What I think should be done is to release titles in their original language in every country that speaks that language at the same time, with dubbed and/or subbed versions being released the same way as various language versions are available. Thus, the Australian market would have access to everything available in the US, UK Canada etc markets. A release from France would be available in Belgium, Canada, Haiti and so on. What I'm not sure of is whether machine translation of spoken word or print is good enough for a publisher to use to speed up and reduce the cost of distributing in other languages. The machine translation of text I've seen is certainly good enough to get the gist across, good enough for basic communication, but not quite good enough for say an official Russian edition of Harry Potter. Once machine translation is good enough for a release of a major title, going after the long tail of smaller foreign language markets gets much cheaper. But that does require that the media producers and IP holders get past the idea of being able to see significant income on A-list titles for years.
I'm not sure, not being a Hollywood accountant, but I suspect one hurdle that most people don't consider is that there are a number of people who get paid out of local market releases that never see a dime of foreign release revenue. It's to the IP holders advantage to keep the two markets separate as a result.
I need a wheelchair van for my son. Help me get the word out. https://www.gofundme.com/wheelchair-van-for-jj
The complexity collapse is advancing nicely I see. Now add something on top of DRM. Let's hit the accelerator.
E Proelio Veritas.
it is the content owners who insist on this, and they will not allow apple netflix amazon or anyone else to offer their content unless there is a way to meet the conditions they insist on, such as region-locking, copy protection, etc.
would you prefer if apple netflix amazon etc. had no DRM but also no content available?
complain to the studios instead.
He just was unable to get a new copy from Apple, for the reason that Apple did not have the legal right to make that copy per its contractual requirements around region-based licensing, i.e., Apple did not have the 'copyright'.
In other words, 'copyright' doesn't mean what you think it means.
Morally and ethically you can make a backup. The law even supports this in most countries. However there are laws in some countries that forbid making copies. In other words, there exist countries in which there are laws that contradict each other. You really won't find a better armed force of lobbyists than those working for the big IP holders. Given that those big IP holders are also popular with the majority of potential customers there isn't much pushback in the market to discourage this behavior.
In my view, no one should feel guilty in any way by making a personal backup of a Disney movie that they purchased. I won't advocate for this though. This is not the same as piracy and governments should be smart enough to figure out the difference if they weren't all so corrupt.
Let's say in the future your auto stops working. The text on the console says "License Revoked". You tow it to have service and they say "sorry dude, you need to get a new car, it seems you attempted to change the oil by yourself." This amazingly is not as far fetched as it sounds.
Sure. Too bad taking a case to court takes a lot of time and money vastly exceeding the cost of the original product.
Purchase a John Deere Tractor and you have this already.
http://www.aglaw.us/janzenaglaw/2017/3/29/fixing-the-right-to-repair
I bought an audio book on audible which I had downloaded and partially listen too. I later after upgrading to a different phone went to download it and was told it was no longer available. Fact is when you "buy" a title you only buy the right to play it while the provider is licensed to supply it. Yes... all those movies you have bought on Google Play/itunes can just go away when the contract that google/apple had with the movie studio expires.
ThePirateBay has a copy, in case you need backups...
Who buys movies these days? Just stream them. Do you really watch the same movie enough times that it makes sense to own it? I can count on one or two hands the movies I have seen more than once.
Good thing that such a thing only needs sorted out one time for the benefit of many, then -- eh?
It's not like we all have to individually file our own lawsuits.
Kid-proof tablet..
See Microsoft “Plays for Sure, “Zune” and most recently “Groove Music”.
drm means you dont buy stuff, you buy the right to use stuff. you dont own products anymore. if you dont like it, remove politicians who are constantly bribed to allow such nonsense.
Problem solved?
I am using Syncthing on my phone and desktop which seamlessly syncs my FLAC songs which I can then play locally on my phone, works wonders and I don't need to rely on some unreliable cloud or streaming service since I technically have my own cloud service.
If I have to get it with DRM, I don't get it.
We had it made with vinyl and tape. I used to have the dolby-enhanced cassettes for the car, made tapes with exactly what I wanted to hear, and played them, no corporate interference involved. For home, I had a big reel-to-reel, with the 10 1/2" reels, with hours of music that a played through my 100 W / channel Sansui electronics that I bought while in the Air Force at Ramey AFB, Puerto Rico in the early 70's. There was, BTW, no tape hiss with that. Everything worked, I didn't have a EULA to deal with, and was happy.
We've given up way too much just to avoid a little tape hiss. Cassettes were fine. Vinyl was fine, and even I was "taken in" for a while with the idea that digital is somehow better-sounding than vinyl. Then I fired up nearly-60-years-old turntable, put on some of my 60's and 70's vinyl, and it played with fidelity equal to or better than CD, just a few clicks and pops from dust on the record. That's all we really need. The price in hassle is just too damned high when we have to deal with DRM. Just say no.
Yeah, you better record them to MP4 and save that file with multiple backups when you can, or it will eventually go bye-bye. F them and their DRM.
Whereas my system involves (1) insert disc in player
(2) press desired buttons on front of player.
Sounds like things are getting more complicated with time.
Birds are not dinosaur descendants;birds are dinosaurs, for all useful meanings of "birds", "are" and "dinosaurs"