Since the production and promotion of a major picture costs about $150 Million, very few risks are taken with such an investment. That's why we get the least "challenging" treatment of material with a history of success - The Brady Bunch, or a film about the police, for instance.
IANAL, but I am a Security Consultant. Considering the financial and healthcare data, there are probably SERIOUS violations of GLBA and HIPAA. Let's look for some SOX violations, and get jail-time for the CEO!
What follows is one representative newspaper account of the strange story of Merhan Karimi Nasseri, a man without country, trapped by his lack of papers in Charles De Gaulle Airport in Paris, France, since 26 August 1988:
He could be any passenger waiting for a flight, sitting patiently on a red plastic bench in Charles de Gaulle Airport's Terminal One, luggage piled neatly by his side.
He sips a cup of hot chocolate and scans the crowd, occasionally cocking his head to listen to the airport announcements. He peruses a book, Hillary Rodham Clinton's "It Takes a Village."
But Merhan Karimi Nasseri is going nowhere. He has been waiting for a flight out of France, he says, for 10 years.
Nasseri was expelled from Iran a decade ago for his political views. Through a series of fateful missteps, he landed here without any documents. Since then, Europe's increasingly stiff stance toward refugees and his fragile mental state have kept him at the airport here in legal limbo.
His is a story of broken hopes and bureaucracy, of a trip across Europe in search of a homeland that became a journey into mental chaos and despair. And it is a story of a man who has searched for his family, only to find an adopted one here, at Charles de Gaulle.
"He's like a part of the airport. Everyone knows him," says Muhamed Mourrid, the manager of the Bye Bye Bar, pointing to the spot where Nasseri, 47, has lived for a decade. "That's his table, his chair, his place." Adds Marise Petry, a Lufthansa clerk, "He's one of us. We even get letters for him."
Among the annals of horrific refugee tales, Nasseri's story is remarkable for its pathos and complexity. It begins in Iran in 1977, when Nasseri, fresh from studying in England, was expelled for protesting against the shah. His expulsion left him without a passport.
Nasseri came to Europe. He bounced from capital to capital, applying for refugee status and being refused, again and again, for nearly four years. In 1981, his request for political asylum from Iran was finally granted by the United Nations High Commission for Refugees in Belgium.
That decision gave him refugee credentials, which in turn allowed him to seek citizenship in a European country. The son of an Iranian and a Briton, Nasseri decided in 1986 on England with the hope of finding relatives there.
He got as far as Paris, where in 1988 his briefcase containing his refugee documents was stolen in a train station.
Nasseri boarded a plane for London anyway. But when officials at Heathrow Airport found he had no passport, they sent him back to Charles de Gaulle. At first, the French police arrested him for illegal entry. But as Nasseri had no documents, there was no country of origin to which he could be deported.
So he took up residence in Terminal One. From its circular confines, he and his attorney, the Paris-based human rights lawyer Christian Bourget, battled to define his status and send him to London. In 1992, a French court finally ruled that Nasseri had entered the airport legally as a refugee and could not be expelled from it.
But the court could not force the French government to allow him out of the airport onto French soil. In fact, Bourget said, French authorities refused to give Nasseri either a refugee or transit visa. "It was pure bureaucracy," said the lawyer. French immigration authorities have no comment on the case.
Bourget and Nasseri then focused on Belgium, where they hoped to reclaim Nasseri's original refugee documents. But Belgian refugee officials refused to mail them to him in France. They argued that Nasseri had to present himself in person so that they could be sure he was the same man to whom they had granted political asylum years before.
But, inexplicably, the Belgian government refused at that point to allow Nasseri to return there. And under Belgian law, a refugee who voluntarily leaves a country that has accepted him cannot return.
In 1995, the Belgian government finally told Nasseri th
To the girl with the mousy
But her mummy is yelling "No"
And her daddy has told her to go
But her friend is nowhere to be seen
Now she walks through her sunken dream
To the seat with the clearest view
And she's hooked to the silver screen...
But the film is a saddening bore
For she's lived it ten times or more
She could spit in the eyes of fools
As they ask her to focus on -
Sailors fighting in the dance hall
Oh man! Look at those cavemen go
It's the freakiest show
Take a look at the Lawman
Beating up the wrong guy
Oh man! Wonder if he'll ever know...
He's in the best selling show -
Is there life on Mars?
It's on Amerikas tortured brow
That Mickey Mouse has grown up a cow
Now the workers have struck for fame
'Cause Lennon's on sale again
See the mice in their million hordes -
From Ibiza to the Norfolk Broads
Rule Britannia is out of bounds
To my mother, my dog, and clowns...
But the film is a saddening bore
'Cause I wrote it ten times or more
It's about to be writ again
As I ask you to focus on -
Sailors fighting in the dance hall
Oh man! Look at those cavemen go
It's the freakiest show
Take a look at the Lawman
Beating up the wrong guy
Oh man! Wonder if he'll ever know...
He's in the best selling show -
Is there life on Mars?
They just changed their numbers, after the Paris Hilton "Shizzack".
Even geeks want to try and find a date!
Sony and Dreamworks have more influence on elections and appointments than a pack of citize^H^H^H^H^H^H customers ever will.
Dupe of URL,
Dupe, Dupe,
Dupe of URL, Dupe, Dupe.
As I click through this whirl, Nothing can stop the Dupe of URL
And you,
you code in Perl
No one can hurt you, oh, no...
Since the production and promotion of a major picture costs about $150 Million, very few risks are taken with such an investment. That's why we get the least "challenging" treatment of material with a history of success - The Brady Bunch, or a film about the police, for instance.
to produce articles and comments on Slashdot!
I still think you can jail'em on Sarbanes-Oxley, if you got Spitzer to do it!
IANAL, but I am a Security Consultant. Considering the financial and healthcare data, there are probably SERIOUS violations of GLBA and HIPAA. Let's look for some SOX violations, and get jail-time for the CEO!
Hooray for Hollywood! The turned the baquette into Wonderbread, again!
I wish I had something against posh totty!
He could be any passenger waiting for a flight, sitting patiently on a red plastic bench in Charles de Gaulle Airport's Terminal One, luggage piled neatly by his side.
He sips a cup of hot chocolate and scans the crowd, occasionally cocking his head to listen to the airport announcements. He peruses a book, Hillary Rodham Clinton's "It Takes a Village."
But Merhan Karimi Nasseri is going nowhere. He has been waiting for a flight out of France, he says, for 10 years.
Nasseri was expelled from Iran a decade ago for his political views. Through a series of fateful missteps, he landed here without any documents. Since then, Europe's increasingly stiff stance toward refugees and his fragile mental state have kept him at the airport here in legal limbo.
His is a story of broken hopes and bureaucracy, of a trip across Europe in search of a homeland that became a journey into mental chaos and despair. And it is a story of a man who has searched for his family, only to find an adopted one here, at Charles de Gaulle.
"He's like a part of the airport. Everyone knows him," says Muhamed Mourrid, the manager of the Bye Bye Bar, pointing to the spot where Nasseri, 47, has lived for a decade. "That's his table, his chair, his place." Adds Marise Petry, a Lufthansa clerk, "He's one of us. We even get letters for him."
Among the annals of horrific refugee tales, Nasseri's story is remarkable for its pathos and complexity. It begins in Iran in 1977, when Nasseri, fresh from studying in England, was expelled for protesting against the shah. His expulsion left him without a passport.
Nasseri came to Europe. He bounced from capital to capital, applying for refugee status and being refused, again and again, for nearly four years. In 1981, his request for political asylum from Iran was finally granted by the United Nations High Commission for Refugees in Belgium.
That decision gave him refugee credentials, which in turn allowed him to seek citizenship in a European country. The son of an Iranian and a Briton, Nasseri decided in 1986 on England with the hope of finding relatives there.
He got as far as Paris, where in 1988 his briefcase containing his refugee documents was stolen in a train station.
Nasseri boarded a plane for London anyway. But when officials at Heathrow Airport found he had no passport, they sent him back to Charles de Gaulle. At first, the French police arrested him for illegal entry. But as Nasseri had no documents, there was no country of origin to which he could be deported.
So he took up residence in Terminal One. From its circular confines, he and his attorney, the Paris-based human rights lawyer Christian Bourget, battled to define his status and send him to London. In 1992, a French court finally ruled that Nasseri had entered the airport legally as a refugee and could not be expelled from it.
But the court could not force the French government to allow him out of the airport onto French soil. In fact, Bourget said, French authorities refused to give Nasseri either a refugee or transit visa. "It was pure bureaucracy," said the lawyer. French immigration authorities have no comment on the case.
Bourget and Nasseri then focused on Belgium, where they hoped to reclaim Nasseri's original refugee documents. But Belgian refugee officials refused to mail them to him in France. They argued that Nasseri had to present himself in person so that they could be sure he was the same man to whom they had granted political asylum years before.
But, inexplicably, the Belgian government refused at that point to allow Nasseri to return there. And under Belgian law, a refugee who voluntarily leaves a country that has accepted him cannot return.
In 1995, the Belgian government finally told Nasseri th
Llywelyn ap Gruffudd. That's the last Welsh king he trounced- unles you count his brother Dafydd.
If you are named Griffith or Davis/Davies, it's likely that your ancestors held a soft spot for Welsh kingship...
Khailie, khailie! Rost megid!
That Thandy Newton, though!
White people are so unpleasant on the eyes...
You mean, American tax dollars do not buy bullets that enter the bodies of Iraqi children?
The manuscript was eaten by rats the size of cats.
Nothing is paid for by the "No Child Left Behind" program...
But her mummy is yelling "No"
And her daddy has told her to go
But her friend is nowhere to be seen
Now she walks through her sunken dream
To the seat with the clearest view
And she's hooked to the silver screen...
But the film is a saddening bore
For she's lived it ten times or more
She could spit in the eyes of fools
As they ask her to focus on -
Sailors fighting in the dance hall
Oh man! Look at those cavemen go
It's the freakiest show
Take a look at the Lawman
Beating up the wrong guy
Oh man! Wonder if he'll ever know...
He's in the best selling show -
Is there life on Mars?
It's on Amerikas tortured brow
That Mickey Mouse has grown up a cow
Now the workers have struck for fame
'Cause Lennon's on sale again
See the mice in their million hordes -
From Ibiza to the Norfolk Broads
Rule Britannia is out of bounds
To my mother, my dog, and clowns...
But the film is a saddening bore
'Cause I wrote it ten times or more
It's about to be writ again
As I ask you to focus on -
Sailors fighting in the dance hall
Oh man! Look at those cavemen go
It's the freakiest show
Take a look at the Lawman
Beating up the wrong guy
Oh man! Wonder if he'll ever know...
He's in the best selling show -
Is there life on Mars?
I also like the well-placed use of the word "fucking" in the descriptions.
but we'd have to kill 3% fewer Iraqi children to subsidise this!
It's just moreau the same...
It had ads - but the group / thread navigation was the best, lightweight, no-DHTML I've seen. Message boards should be like this.
I liked the Deja interface. Pre "consumer portal", that is.
Government is Halliburton's hired man. You are just its serf or cleric.