Congratulations on that! You beat everything else!
Stil sucks to be so crappy that one wouldn't even pirate the OS, though, right? Ah, well, I promise to listen to more stories of your world. It's interesting, really, I mean that, good with some change to the real world:)
Well, they're recognizing the symptoms, but missing the point completely.
It's the typical IT professional's misconception: "I'm using computers, therefore my skills are based on mathematics."
No, no, no, no, no. A programmer is a linguistic being. Mathematical skills are most definitely a plus, but in my experience, the most gifted developers are the ones who are also able to express themselves verbally and in writing, and who understand the difference between the thing and "the thing".
Mastering a programming LANGUAGE is different to mastering a human language only in that when programming, you're actually CREATING a language. The levels of abstraction are immense when you know what you're doing, as is the power, and really - if non-geeks like Heidegger, Foucault, Berger and Luckmann had the tools back then that we have know, they'd been friggin' ecstatic!
You want a good developer? Look at how the resumé and application are written and constructed. You can sort out the first 90% of crud right there. Find someone who knows how to express himself or herself concisively and correctly and you have a starting point.
(Btw, I'm Danish, so I know my English is crap;) )
Once you start to understand http://nepomuk.semanticdesktop.org/xwiki/bin/view/Main1/some of the things in the pipeline for KDE beginning with 4.0, you start to get that tickling sensation in your stomach. There's no other desktop out there with that kind of potential.
In the attached article, if people could distinguish between an MP3 and FLAC, it was because the MP3 was good enough no flaws could be detected. That's fine; people can't distinguish good compression from the real thing. However, if they COULD distinguish an MP3, but preferred to the flac, it was because they found the error pleasing... just like you and tapes.
That's a really good point! As it is today, we (musicians using computers, and producers) use plugins to re-create compression artifacts of tape machines and tube amps, hiss, pops, and crackles from vinyl source and imperfect sound booths and studio rooms, distortion from amps, etc. Some of those plugins cost thousands of dollars.
Sure, part of it is making up for the shortcomings of a 44.1kHz/16-bit eventual downsample, but most of it is about recreating what people have come accustomed to perceiving as the "right quality" of sound.
Now, as much as I loathe the lisping, watery and distorted sound of treble when exposed to bad temporal digital compression, this might just be what the new generations perceive as being the "authentic quality of sound".
We didn't have the fidelity or clarity when we were young that the CD introduced, and we're producing plugins to recreate some of the "shortcomings". Why should this be any different from the way the new generations approach music?
Argh! Can't... find... anything... to... say... that's... more... funny... than what they're already saying!
The holy book heads' battle with science a.k.a. lucency a.k.a. anti-brainwash a.k.a. non-bullshit is much akin to a talking monkey trying to explain the passing of seasons as somehow being ultimately tied to the taste of bananas.
They're just so funny!
Except, of course, when they go postal with the crusading, and the suicide bombing, and the child molestation, and the... Ah well, maybe it's not so funny after all...
It's exactly algorithms like the one used by Pandora that make me agree with the viewpoint that it's not possibly to calculate what "other music" I like based upon the "known music" that I like.
Anyone with a preference for Electro Pop will likely have been wondering when the hell Pandora would learn the difference between Miss Kittin and Scooter after mindlessly clicking "Dislike" on eurodance tracks when Pandora fails to see the difference between one type of electronic music with a repetitive beat and another.
The only really worthful algorithm we'll ever manage to produce is one that uses the collective intelligence of all its users.
Stop being arithmetic supergeeks wanting to put everything inside a box, and start figuring out how to get all these weird unpredictable people to input valuable data into your system.
Google figured this out more than a decade ago, so why are we still seeing stupid mathematical and "pattern-based" algorithms every year?
The thing about tests like these is that they say nothing about quality in general or "the truth" as perceived by the individual.
The majority of people in historic Germany voted for Hitler. The majority of people thought DDT was a good idea for keeping moths out of your clothes. The majority of people are more scared of dying in a terrorist attack than of taking a leathal step in the bath (http://freerepublic.com/focus/f-news/2362835/posts). The majority of Americans don't know that Georgia is not just an American state....and so forth.
You can either learn from this that any selected majority of people are idiots, or that they just have different opinions, but that - thank you scientists - there are actually non-idiots out there working hard to provide crisp sounding silky smooth feinschmecker audio fidelity for the ones of us who can actually tell a difference.
Think of it this way: 1/3 thinks that 48kbps AAC+ sounds better that 160kbps OGG Vorbis... Well, don't throw out those broken loudspeakers just yet - there's a market stock-full of suckers out there just begging to buy them from you, just as long as you tell 'em they're 48kbps Ready (TM).
I used to work at a video duplicating plant where we controlled our source machines (Beta, DigiBeta, C1s, D2s, etc.) via a central computer. We had about 20 source machines providing movies, commercials, logos, and trailers to over 4000 VHS recorders divided into 14 racks.
Until we got the centralized computer management thingie, we used manual switchboards and our skills to start, synchronize, and switch between, different source machines providing logos, trailers, commercials, and features, making sure each "item" was properly synchronized after each other.
This was not so difficult with just trailers before a film, but if you had two source reels that needed to be switched in the middle of a movie, you had to make damn sure you didn't switch sources more than a couple of frames out of sync, or you'd get a really bad copy. It was a fun little game, but the computerized system, of course, made the whole thing much easier and much more accurate.
But of course, this accuracy depended on the accuracy of the OS the system ran on. A running video player controlled via RF over BNC cables doesn't provide interrupts, the entire thing had to be timed to the frame from within the application itself. And not for one source and one target, but for M sources and M targets. So you needed an OS which absolutely guaranteed a time slice from the kernel at an absolutely non-negotiable point in time.
That, at the time, would be Windows 3.11:) And the time (when I left) was 1998. We were wondering at the time why the hell they'd use Windows 3.11 for that task, but I'm pretty sure they're still using that old thing, at least I don't see any reason why they wouldn't;)
Consistently, hands-down, GetDataBack is the best recovery app I've ever used for FAT and NTFS. It has never failed me. And now, with their RAID Reconstructor, Runtime even help me get my data back from a broken SiI 3115 RAID-5 array. Think your data is safe with RAID-5? Forget it:)
Slashdot Mirror
So only 60% pirated, eh?
Congratulations on that! You beat everything else!
Stil sucks to be so crappy that one wouldn't even pirate the OS, though, right? Ah, well, I promise to listen to more stories of your world. It's interesting, really, I mean that, good with some change to the real world :)
XOXO
Well, they're recognizing the symptoms, but missing the point completely.
It's the typical IT professional's misconception: "I'm using computers, therefore my skills are based on mathematics."
No, no, no, no, no. A programmer is a linguistic being. Mathematical skills are most definitely a plus, but in my experience, the most gifted developers are the ones who are also able to express themselves verbally and in writing, and who understand the difference between the thing and "the thing".
Mastering a programming LANGUAGE is different to mastering a human language only in that when programming, you're actually CREATING a language. The levels of abstraction are immense when you know what you're doing, as is the power, and really - if non-geeks like Heidegger, Foucault, Berger and Luckmann had the tools back then that we have know, they'd been friggin' ecstatic!
You want a good developer? Look at how the resumé and application are written and constructed. You can sort out the first 90% of crud right there. Find someone who knows how to express himself or herself concisively and correctly and you have a starting point.
(Btw, I'm Danish, so I know my English is crap ;) )
That settles it. I'm NOT purchasing any new hardware until 2018.
Yeah, you see, what would happen when using that plan, is that the top 1,000 sites would become the top 1,001 to top 2,000 sites.
Once you start to understand http://nepomuk.semanticdesktop.org/xwiki/bin/view/Main1/some of the things in the pipeline for KDE beginning with 4.0, you start to get that tickling sensation in your stomach. There's no other desktop out there with that kind of potential.
That's a really good point! As it is today, we (musicians using computers, and producers) use plugins to re-create compression artifacts of tape machines and tube amps, hiss, pops, and crackles from vinyl source and imperfect sound booths and studio rooms, distortion from amps, etc. Some of those plugins cost thousands of dollars.
Sure, part of it is making up for the shortcomings of a 44.1kHz/16-bit eventual downsample, but most of it is about recreating what people have come accustomed to perceiving as the "right quality" of sound.
Now, as much as I loathe the lisping, watery and distorted sound of treble when exposed to bad temporal digital compression, this might just be what the new generations perceive as being the "authentic quality of sound".
We didn't have the fidelity or clarity when we were young that the CD introduced, and we're producing plugins to recreate some of the "shortcomings". Why should this be any different from the way the new generations approach music?
Argh! Can't... find... anything... to... say... that's... more... funny... than what they're already saying!
The holy book heads' battle with science a.k.a. lucency a.k.a. anti-brainwash a.k.a. non-bullshit is much akin to a talking monkey trying to explain the passing of seasons as somehow being ultimately tied to the taste of bananas.
They're just so funny!
Except, of course, when they go postal with the crusading, and the suicide bombing, and the child molestation, and the... Ah well, maybe it's not so funny after all...
It's exactly algorithms like the one used by Pandora that make me agree with the viewpoint that it's not possibly to calculate what "other music" I like based upon the "known music" that I like.
Anyone with a preference for Electro Pop will likely have been wondering when the hell Pandora would learn the difference between Miss Kittin and Scooter after mindlessly clicking "Dislike" on eurodance tracks when Pandora fails to see the difference between one type of electronic music with a repetitive beat and another.
The only really worthful algorithm we'll ever manage to produce is one that uses the collective intelligence of all its users.
Stop being arithmetic supergeeks wanting to put everything inside a box, and start figuring out how to get all these weird unpredictable people to input valuable data into your system.
Google figured this out more than a decade ago, so why are we still seeing stupid mathematical and "pattern-based" algorithms every year?
The thing about tests like these is that they say nothing about quality in general or "the truth" as perceived by the individual.
The majority of people in historic Germany voted for Hitler. ...and so forth.
The majority of people thought DDT was a good idea for keeping moths out of your clothes.
The majority of people are more scared of dying in a terrorist attack than of taking a leathal step in the bath (http://freerepublic.com/focus/f-news/2362835/posts).
The majority of Americans don't know that Georgia is not just an American state.
You can either learn from this that any selected majority of people are idiots, or that they just have different opinions, but that - thank you scientists - there are actually non-idiots out there working hard to provide crisp sounding silky smooth feinschmecker audio fidelity for the ones of us who can actually tell a difference.
Think of it this way: 1/3 thinks that 48kbps AAC+ sounds better that 160kbps OGG Vorbis... Well, don't throw out those broken loudspeakers just yet - there's a market stock-full of suckers out there just begging to buy them from you, just as long as you tell 'em they're 48kbps Ready (TM).
This is exactly right.
I used to work at a video duplicating plant where we controlled our source machines (Beta, DigiBeta, C1s, D2s, etc.) via a central computer. We had about 20 source machines providing movies, commercials, logos, and trailers to over 4000 VHS recorders divided into 14 racks.
Until we got the centralized computer management thingie, we used manual switchboards and our skills to start, synchronize, and switch between, different source machines providing logos, trailers, commercials, and features, making sure each "item" was properly synchronized after each other.
This was not so difficult with just trailers before a film, but if you had two source reels that needed to be switched in the middle of a movie, you had to make damn sure you didn't switch sources more than a couple of frames out of sync, or you'd get a really bad copy. It was a fun little game, but the computerized system, of course, made the whole thing much easier and much more accurate.
But of course, this accuracy depended on the accuracy of the OS the system ran on. A running video player controlled via RF over BNC cables doesn't provide interrupts, the entire thing had to be timed to the frame from within the application itself. And not for one source and one target, but for M sources and M targets. So you needed an OS which absolutely guaranteed a time slice from the kernel at an absolutely non-negotiable point in time.
That, at the time, would be Windows 3.11 :) And the time (when I left) was 1998. We were wondering at the time why the hell they'd use Windows 3.11 for that task, but I'm pretty sure they're still using that old thing, at least I don't see any reason why they wouldn't ;)
I want them star-shaped, with one of Elton John's eyes in the center of each. That'll make typing a fun activity for the kids, promote literacy.
Consistently, hands-down, GetDataBack is the best recovery app I've ever used for FAT and NTFS. It has never failed me. And now, with their RAID Reconstructor, Runtime even help me get my data back from a broken SiI 3115 RAID-5 array. Think your data is safe with RAID-5? Forget it :)