The goal is absolute clarity and lack of ambiguity so that decisions can be made quickly. Visual effects can obscure the facts and misrepresent proportions and ratios, thus leading to incorrect conclusions.
Of course! That's why every damn application I use these days has its own "skins" and its own custom layout. Using a standard, familiar window layout would allow me to actually get some work done without having to search for the menus and buttons. Can't have that, can we?
Ditto the part about "persistently and without reasonable cause makes use of a public electronic communications network"—again, that only applies if it's for the purpose of causing annoyance etc. Despite what the first (more hysterical) linked article says, refreshing Facebook every 10 seconds won't violate this law.
(Unless, of course, you're doing it to deliberately annoy or inconvenience Facebook.)
...And the DAR portion of RADAR stood for "Detection And Ranging". So why the nerd rage? Someone just chose to deconstruct a portmanteau into its root elements.
Same for the Air Canada flight that ran out of fuel halfway to its destination. It had Boeing's new "glass cockpit" with computer screens for everything, and guess what? When the engines died for lack of fuel, so did the computers. The crew were left with a handful of the most basic instruments; something like artificial horizon, airspeed, and altimeter.
As I recall, the pilot landed that one safely because the plane had a mechanical backup system (an air turbine) that gave him minimal hydraulic power—and also because he was an experienced glider pilot who probably got more miles out of his starting altitude than most professionals (or computer systems) could have.
I think nerd vs. geek is more useful for judging someone's age than anything else these days. I'm old enough to consider geek an out-and-out insult, because I remember when even among circus freaks the geek was unpopular. (Hearing Fred Blassie's "Pencil Neck Geek" on Dr. Demento two or three times a month all through college certainly didn't help.)
Well, considering that being a "spark" tends to mean ignoring that every mad scientist before you has eventually been destroyed by his own creations and going ahead with your lava-excreting giant cockroach experiments anyway...
There's some justification for considering the Earth-Moon system just that: a binary planet. The Moon wouldn't have to be a great deal larger for the barycenter of the Earth-Moon system to be above the Earth's surface. Mercury's only about four times more massive than the Moon, and nobody disputes that it's a planet.
And you know, there's more acrimony and vitriol in the 80-odd posts already on this story than in the 51K posts of the forum thread. What does that say about xkcd fans and Slashdotters?
Actually, "Time" appears to have been set in the remote future, about 11 millenia from today, after Gibraltar Strait has already been closed up again for a thousand years or more (no back story for that was ever given). At one point the comic presented nearly a hundred frames of night sky, with recognizable planets and constellations. Readers versed in astronomy were able to find a date 11,000 years ahead, with consistent displacements for nearby stars (within the limits of a 553x395 image resolution). Also, the castle of the "oracle" (nicknamed Rosetta in the forum thread, after her role as a translator) appeared to be the Chateau d'If of Count of Monte Cristo fame, in Marseilles harbor.
It's a comic, guys. I don't read Cathy, but I don't feel obliged to mustard all over Cathy Guisewite because her comic doesn't amuse me. Why do people dump so hard on xkcd and Randall Munroe? If you don't like the comic, don't read it, and don't read Slashdot articles about it—and shut the chirp up and let the rest of us enjoy it in peace.
I found it fun. That's all. It was fun. It was original, and intriguing, and a little challenging, and a nice change of mood when I got home from work (or when I needed a break at work).
And it was something I don't believe any webcomic had ever done before. When I submitted the original Slashdot story about "Time", I thought that aspect might interest people. Instead, the story got the same sort of molpy-chirping geek-elitist hate posts that this one is gathering.
For the record: "Time" was followed by college students and septuagenarians (I'm in my 50s, and xkcd regularly makes me laugh). Musicians, math teachers, writers, and astronomers contributed to the forum thread. The last figure we saw was that over 2 million words of original material had been posted to the thread. We weren't doing it for geek cred; we were doing it because we enjoyed ourselves.
Murray Leinster (pen name of Will Jenkins) is probably the most overlooked hard science fiction writer of the 20th century. His stories featured both deeply human characters and hard technical edges. His stories seem pretty sexist by today's standards: women exist largely as motivations for the male heroes. But in his case I think that was more a product of the market than of his personal attitudes—he sold his first story in 1919, at the height of the pulps, the year before Doc Smith finished Skylark of Space. Unlike many early pulp writers, Leinster survived the advent of John W. Campbell, and thrived into the late Sixties. He did it by being incredibly imaginative, yet painstakingly realistic and technically accurate.
In Proxima Centauri, Leinster described an attack on a human ship by aliens. They used intense 30cm microwave beams to try kill the human crew; when that attack was unexpectedly blocked by the human ship's metal hull (the aliens used cellulose), they switched to heating the metal hull by hysteresis effects from focused radio waves. He vividly (and fairly accurately, as far as I can judge today) described the effects of a molten hull rupturing in vacuum from the pressure of heated air inside. The ship itself was powered by disintegration of matter into pure energy, and had traveled from Earth to Proxima Centauri by seven years of constant acceleration and deceleration at 1 gravity. Proxima Centauri was published in 1935, four years before Lise Meitner made the first correct analysis of nuclear fission—and four years before Robert Heinlein sold his first story.
I think it was in 1952's Space Ferry, a decade before the Mercury program, that one of Leinster's characters correctly forecast the image that the government would want for its astronauts: Big, heroic men. The character himself was a midget, who pointed out how midgets would make much more practical astronauts, because they required less space, consumed less food, water, and oxygen, and—most importantly—massed less and thus required less thrust to lift. NASA still hasn't taken the hint.
Operation: Outer Space was a semi-comic, semi-satirical novel in which the exploration of deep space is led by a television executive, because it's easier to pay the expense of space exploration if it sells a lot of advertising time. That one came out in 1954.
Leinster practically invented some of the sub-genres of SF. He wrote about alternate-history parallel time-lines in 1934, over a decade before H. Beam Piper. He wrote a benchmark first-contact story—named First Contact—in 1945: If you meet an alien in deep space, where neither of you knows the other's home planet, how can both of you get safely home without revealing where you came from? In A Logic Named Joe from 1946, one of the very few early computer stories that doesn't describe a massive computer running the entire world, he described something very like the modern internet for consumers—especially Wikipedia. He wrote a lengthy series of medical SF stories, a subgenre that he and Michael Crichton still have practically to themselves.
In short, Murray Leinster wrote a hell of a lot of entertaining and imaginative fiction, much of it years or even decades ahead of its time. He's worth digging up.
(By the way: If you want others, check out George Willick's Spacelight website, a listing of all the best dead SF authors.)
I've read a dozen different articles about this, and I still can't tell: If I have a YouTube account but I've never had a "Google account," does this affect me at all?
One article mentioned "57 services" run by Google, but nobody's listed them. How do I know that I don't have an account at a site (like YouTube) Google owns but doesn't explicitly brand? I'd practically forgotten that YouTube was Google's...
Of course! That's why every damn application I use these days has its own "skins" and its own custom layout. Using a standard, familiar window layout would allow me to actually get some work done without having to search for the menus and buttons. Can't have that, can we?
Yeah, but then you don't need the engine any more...
This xkcd could hardly have been better timed for this thread.
A very good point, but still, ever read Slashdot?
First time reading Slashdot, I guess?
Ditto the part about "persistently and without reasonable cause makes use of a public electronic communications network"—again, that only applies if it's for the purpose of causing annoyance etc. Despite what the first (more hysterical) linked article says, refreshing Facebook every 10 seconds won't violate this law.
(Unless, of course, you're doing it to deliberately annoy or inconvenience Facebook.)
...And the DAR portion of RADAR stood for "Detection And Ranging". So why the nerd rage? Someone just chose to deconstruct a portmanteau into its root elements.
The "Gimli Glider" link I should have provided in my first post.
Same for the Air Canada flight that ran out of fuel halfway to its destination. It had Boeing's new "glass cockpit" with computer screens for everything, and guess what? When the engines died for lack of fuel, so did the computers. The crew were left with a handful of the most basic instruments; something like artificial horizon, airspeed, and altimeter.
As I recall, the pilot landed that one safely because the plane had a mechanical backup system (an air turbine) that gave him minimal hydraulic power—and also because he was an experienced glider pilot who probably got more miles out of his starting altitude than most professionals (or computer systems) could have.
Atoms.
aj bq cccc dhabi exxon fmc ... zx ##
Yeah, lots of English there.
I think nerd vs. geek is more useful for judging someone's age than anything else these days. I'm old enough to consider geek an out-and-out insult, because I remember when even among circus freaks the geek was unpopular. (Hearing Fred Blassie's "Pencil Neck Geek" on Dr. Demento two or three times a month all through college certainly didn't help.)
"...over two meters and twenty stone..."
I do love the metric system so.
"...the preview of Azure HDInsight (an Apache Hadoop-based hosted service)..."
Anybody wanna take odds on whether this gets nicknamed "Hindsight"?
Well, considering that being a "spark" tends to mean ignoring that every mad scientist before you has eventually been destroyed by his own creations and going ahead with your lava-excreting giant cockroach experiments anyway...
Libbed.
There's some justification for considering the Earth-Moon system just that: a binary planet. The Moon wouldn't have to be a great deal larger for the barycenter of the Earth-Moon system to be above the Earth's surface. Mercury's only about four times more massive than the Moon, and nobody disputes that it's a planet.
Rats. Every time I see a headline about an Orion spacecraft, I get all excited again.
Won't anybody ever build the real thing?
And you know, there's more acrimony and vitriol in the 80-odd posts already on this story than in the 51K posts of the forum thread. What does that say about xkcd fans and Slashdotters?
FTFY.
Actually, "Time" appears to have been set in the remote future, about 11 millenia from today, after Gibraltar Strait has already been closed up again for a thousand years or more (no back story for that was ever given). At one point the comic presented nearly a hundred frames of night sky, with recognizable planets and constellations. Readers versed in astronomy were able to find a date 11,000 years ahead, with consistent displacements for nearby stars (within the limits of a 553x395 image resolution). Also, the castle of the "oracle" (nicknamed Rosetta in the forum thread, after her role as a translator) appeared to be the Chateau d'If of Count of Monte Cristo fame, in Marseilles harbor.
It's a comic, guys. I don't read Cathy, but I don't feel obliged to mustard all over Cathy Guisewite because her comic doesn't amuse me. Why do people dump so hard on xkcd and Randall Munroe? If you don't like the comic, don't read it, and don't read Slashdot articles about it—and shut the chirp up and let the rest of us enjoy it in peace.
I found it fun. That's all. It was fun. It was original, and intriguing, and a little challenging, and a nice change of mood when I got home from work (or when I needed a break at work).
And it was something I don't believe any webcomic had ever done before. When I submitted the original Slashdot story about "Time", I thought that aspect might interest people. Instead, the story got the same sort of molpy-chirping geek-elitist hate posts that this one is gathering.
For the record: "Time" was followed by college students and septuagenarians (I'm in my 50s, and xkcd regularly makes me laugh). Musicians, math teachers, writers, and astronomers contributed to the forum thread. The last figure we saw was that over 2 million words of original material had been posted to the thread. We weren't doing it for geek cred; we were doing it because we enjoyed ourselves.
Grow up a little, guys, OK?
Will the real Douglas R. Hofstadter please stand up?
Murray Leinster (pen name of Will Jenkins) is probably the most overlooked hard science fiction writer of the 20th century. His stories featured both deeply human characters and hard technical edges. His stories seem pretty sexist by today's standards: women exist largely as motivations for the male heroes. But in his case I think that was more a product of the market than of his personal attitudes—he sold his first story in 1919, at the height of the pulps, the year before Doc Smith finished Skylark of Space. Unlike many early pulp writers, Leinster survived the advent of John W. Campbell, and thrived into the late Sixties. He did it by being incredibly imaginative, yet painstakingly realistic and technically accurate.
In Proxima Centauri, Leinster described an attack on a human ship by aliens. They used intense 30cm microwave beams to try kill the human crew; when that attack was unexpectedly blocked by the human ship's metal hull (the aliens used cellulose), they switched to heating the metal hull by hysteresis effects from focused radio waves. He vividly (and fairly accurately, as far as I can judge today) described the effects of a molten hull rupturing in vacuum from the pressure of heated air inside. The ship itself was powered by disintegration of matter into pure energy, and had traveled from Earth to Proxima Centauri by seven years of constant acceleration and deceleration at 1 gravity. Proxima Centauri was published in 1935, four years before Lise Meitner made the first correct analysis of nuclear fission—and four years before Robert Heinlein sold his first story.
I think it was in 1952's Space Ferry, a decade before the Mercury program, that one of Leinster's characters correctly forecast the image that the government would want for its astronauts: Big, heroic men. The character himself was a midget, who pointed out how midgets would make much more practical astronauts, because they required less space, consumed less food, water, and oxygen, and—most importantly—massed less and thus required less thrust to lift. NASA still hasn't taken the hint.
Operation: Outer Space was a semi-comic, semi-satirical novel in which the exploration of deep space is led by a television executive, because it's easier to pay the expense of space exploration if it sells a lot of advertising time. That one came out in 1954.
Leinster practically invented some of the sub-genres of SF. He wrote about alternate-history parallel time-lines in 1934, over a decade before H. Beam Piper. He wrote a benchmark first-contact story—named First Contact—in 1945: If you meet an alien in deep space, where neither of you knows the other's home planet, how can both of you get safely home without revealing where you came from? In A Logic Named Joe from 1946, one of the very few early computer stories that doesn't describe a massive computer running the entire world, he described something very like the modern internet for consumers—especially Wikipedia. He wrote a lengthy series of medical SF stories, a subgenre that he and Michael Crichton still have practically to themselves.
In short, Murray Leinster wrote a hell of a lot of entertaining and imaginative fiction, much of it years or even decades ahead of its time. He's worth digging up.
(By the way: If you want others, check out George Willick's Spacelight website, a listing of all the best dead SF authors.)
I've read a dozen different articles about this, and I still can't tell: If I have a YouTube account but I've never had a "Google account," does this affect me at all?
One article mentioned "57 services" run by Google, but nobody's listed them. How do I know that I don't have an account at a site (like YouTube) Google owns but doesn't explicitly brand? I'd practically forgotten that YouTube was Google's...