The Bureau of Land Management, which administers about 245 million acres of public lands, manages livestock grazing on 155 million acres of those lands, as guided by Federal law. The terms and conditions for grazing on BLM-managed lands (such as stipulations on forage use and season of use) are set forth in the permits and leases issued by the Bureau to public land ranchers.
The BLM administers nearly 18,000 permits and leases held by ranchers who graze their livestock, mostly cattle and sheep, at least part of the year on more than 21,000 allotments under BLM management. Permits and leases generally cover a 10-year period and are renewable if the BLM determines that the terms and conditions of the expiring permit or lease are being met. The amount of grazing that takes place each year on BLM-managed lands can be affected by such factors as drought, wildfire, and market conditions.
I don't disagree with anything in your last paragraph. I don't generally disagree with the idea that if no one wants to listen to your music, well, you're pretty much out of luck.
I do think a culture of entitlement has developed that says you don't have to pay for it, even if you DO want to listen to it.
And there's virtually nothing around me. So? Anectdotal evidence is just that. It's a fact, however, that many states have made it very difficult for live venues to exist in any large number
I think you might have a slightly overinflated sense of your own worth.
Why don't you enlighten us as to your 'creative profession' that demands so much more from you than a 'mere cello' player could possibly provide?
You clearly have absolutely zero knowledge about the life of a musician.
Clue: There's just a little bit more to it than showing up for the gig and playing.
They aren't killing DirectX as much as breaking it up into component parts scattered all over the Windows SDK. There is no more DirectX SDK.
They also seem to be running away from managed code as fast as they can.
The also were a telco trying to move away from a dying business. Their 'solution' was to buy technology left and right and then have no clear path to integrating it.
This longer and longer business is kind of odd, because back in the golden age of Hollywood, it wasn't unusual for a film to surpass four hours. Of course, it also wasn't unusual for it to ring in at 65 minutes.
So basically, I worked for the people who pretended to be a real company, who picked deadlines out of their ass and then flogged people over them, but... who never actually let anyone go... so nobody really feared them....just disrespected them, were demoralized, and didn't want to work.... which didn't help the deadlines either.....
In my experience, that IS a real company. Pretty much every tech company I've worked for behaved this way.
It's way I tend to laugh at the whole 'the private sector can do it moah bettah!'
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Agency pricing isn't rare at all. Try buying a Vox AC-15C1 amp for less than $599.
I don't disagree with anything in your last paragraph. I don't generally disagree with the idea that if no one wants to listen to your music, well, you're pretty much out of luck. I do think a culture of entitlement has developed that says you don't have to pay for it, even if you DO want to listen to it.
And there's virtually nothing around me. So? Anectdotal evidence is just that. It's a fact, however, that many states have made it very difficult for live venues to exist in any large number
Why do you translate any of this into 'entitled to a life of leisure'?
I think you might have a slightly overinflated sense of your own worth. Why don't you enlighten us as to your 'creative profession' that demands so much more from you than a 'mere cello' player could possibly provide?
Except back in the day, places to play live were everywhere. Nowdays, they're few and far between.
How about not steal their music and instead pay them a fair price for it?
You clearly have absolutely zero knowledge about the life of a musician. Clue: There's just a little bit more to it than showing up for the gig and playing.
There are very few live venues left sadly.
Windows 8 is far more hideous than ANY Apple product. Apple does not try and turn their desktop computers into tablets.
They aren't killing DirectX as much as breaking it up into component parts scattered all over the Windows SDK. There is no more DirectX SDK. They also seem to be running away from managed code as fast as they can.
Nobody has mentioned MUD or TinyMUD, and later the MOO and MUSH variations.
Should have said it wasn't THEIRS.
It wasn't there. They bought it from Sublogic.
The also were a telco trying to move away from a dying business. Their 'solution' was to buy technology left and right and then have no clear path to integrating it.
This is just a stunning crock of shit.
I know mine is barely good for a week.
And then they hid the ones people don't often use, and hence may not be able to remember. Yes, that works.
Microsoft is reportedly working on something similar.
This longer and longer business is kind of odd, because back in the golden age of Hollywood, it wasn't unusual for a film to surpass four hours. Of course, it also wasn't unusual for it to ring in at 65 minutes.
It was a reply to the comment that described him as 'deranged from childhood'. It was a disagreement with the word 'deranged'.
Rock music is not designed with the single and sole purpose of killing living things.
Cite. Being high function autistic is not deranged.
In my experience, that IS a real company. Pretty much every tech company I've worked for behaved this way. It's way I tend to laugh at the whole 'the private sector can do it moah bettah!'