They fixed some compatibility issues it seems. I still use Firefox 2 and Facebook looked so "broken" it was pathetic, now it's almost all correct. Funnily they dropped some web 2.0 features, the page reloads entirely when you check another in-page tab. The ads are invading but the design overall is better. First time they actually improve something, at least in my books. But of course, it still is just the same old useless Facebook we could all live without...
Reading comments like these, generously dissing PETA, you'd think the organization was actually set up by people who hate animals and whose only aim is to get them tortured and killed. Seriously, you guys are way off.
Everytime there's a news item related in some way to PETA, anywhere on the web, you can be sure there's a delegation of haters who are going to make these preposterous posts that get more and more implausible as you read: first PETA is described as inefficient idiots, then as liars inclined to cruelty until they are no more than a bunch of sadists and extremists. You would have people believe they eat pups meat or whatnot.
I find this totally bewildering. It's misinformation at its best; they can't just be disliked or disregarded, lies have to be spread about them in a propaganda fashion. Clearly, none of you know what PETA does for animals. All you have is this deep-rooted prejudice made of hate and ignorance, fueled by things you've read here and there online from other people who knew no better and had a grudge against them. It's just a long chain of slanders without actual knowledge of the facts or the people involved. For starters, PETA is certainly NOT against adoptions. Straight from the mouth of their president, Ingrid Newkirk (source):
"If anyone has a good home, love, and respect to offer, we beg them: Go to a shelter and take one or two animals home. The problem is that few people do that, choosing instead to go to a breeder or a pet shop and not "fixing" their dogs and cats, which contributes to the high euthanasia rate that animal shelters face."
Yes, they have to make tough decisions like euthanizing animals, because there's overpopulation, they explain it. They also explain that no-kill shelters, that someone mentioned, simply don't work (in short, they reject animals they don't find suitable for adoption or store them in cage until further notice; the lucky ones are sent to normal shelters that do perform euthanasia).
Dogs, cats and others pets are sexually mature within a year, have short gestation periods and easily half a dozen babies in one litter. Do you realize how many animals can be born in a few months time? What do you do with them? Release them all in the wild? That's why PETA has many campaigns to raise awareness on the importance of neutering and spaying, among other things.
I know some people who work for PETA. They're brave and kind, have to deal with a lot of foul-mouthed idiots on a daily basis. The only thing you could blame PETA for is to like animals too much. But this is a hardly a fault in their line of work.
As for the way they spend their funds, think of it this way: they have enough money to do both all the stupid things you complained about (ads, parody games, etc) AND all the other important things, for the animals. How did they get so much money ? Through donations and endorsement. How did they get so much support? By being talked about and known by everyone. How did they achieve that? By doing all the stupid things you complained about. Circle closed.
Maybe I've known, but I certainly didn't remember, at least I knew he didn't have wings of his own. Do you really think this is common knowledge? Frankly I don't think so.
Icarus had wings built for him (by his father Daedalus, says Wikipedia), he didn't fly on his own. But this line ticked me off too, there must be earlier examples of men flying without mechanical aid or even natural wings.
Haha, I thought the same. Since when The Lawnmower Man is a classic movie? It's been panned by the critics of the time and rates poorly at 5.0 with 11.000 votes on Imdb. Still, it made money back in 1992; I guess for some people that all it takes to make a classic!
This is an oversimplification. When you say "people would rather use prisoners for medical research than animals", I know what you're referring to, I may even agree with the idea, but this is not about using ANY kind of prisoner, you're wording it so that it would sound inarguably wrong. The prisoners we're talking about would be the most deviant, vicious kinds: murderers of children, serial killers, those who enjoyed torturing, etc. The question is, in the balance of life, is an innocent sentient being (an animal) worth less than a wicked human being (a murderer)? I'm sorry, but siding automatically with the human being because you're of the same species doesn't seem like the best of arguments to me. For a misanthrope, you seem to hold your species in quite high esteem.;)
Anyway, some people say this out of sheer anger when reading about animals being tortured, I don't think all of them mean it and would actually support the process throughout. Their ideal being that no living creature should have to suffer for the prosperity and comfort of humanity.
About the second case, you were probably right to criticize the family if it was indeed a "100lb carnivore that was bred for aggression", I've heard of that before, small children left almost on their own with rottweillers, this is pure madness. I'm not sure though why your co-worker was mad at you instead of the family, might have been something else, I'm kind of careful with stories like that told from a single perspective.
The content is rather shallow for an article entitled "History in Video Games", it's just a few recent cases. History plays an important part in several old video games: the majority of wargames (Civilization, Ages of Empire, Centurion Defender of Rome, Nobunaga Ambition, Romance of the Three Kingdoms, North and South, Napoleon), which he did not even mention once, semi-educative games like the Carmen Sandiego series and even your occasional action game !
I was reviewing SNK's Guerrilla War on NES last week on my website. The Japanese version, entitled Guevara, is clearly a depiction of the Cuban Revolution, all the key names and some locations have been retained; you play as Che Guevara and Fidel Castro and the final boss is Batista.
And a better example than Final Fantasy, among old RPGs, would have been The Battle of Olympus on NES set in Ancient Greece. Not to forget all the games from Japan who have references to their own history and myths, like Samurai Shodown.
I had heard of Pluto before but I've never read it. There's a difference though, Naoki Urasawa isn't appropriating Tezuka's universe, it's a reinterpretation, he expands on an existing story, the drawing has nothing in common and it's not even bearing the same title. The film claims to be the Astro Boy. I wasn't outraged when Disney did The Lion King, even though it's supposed to be a rip-off of Jungle Taitei.
Everything you said is true or consistent and this is why I didn't want to write a message in the first place, because it's so easy to dismiss what I said, perhaps rightfully, as the overstated ranting of the inevitable narrow-minded fanboy. I haven't even seen the movie and just basing my argument on a trailer, for Pete's sake!
In some cases, trailers tell you all you need to know, but regardless of that, what I meant by Japanese identity is that Astro as it is could not have come from a different country. Or if it did, it would have been altogether different and surely not as peculiar and charismatic; its about cultural identity and how it imprints on the artist's work. You can't deny popular culture from Japan has its own, strong personality; whenever artists from a different country try to write a story in a manga form, it never feels quite right, the dynamics are wrong and it fails to engross the reader. The filmmakers of Astro Boy seem to have turned the original characters and narratives into stereotypes of American animated movies. Just have a look at the characters they added. Why didn't they keep Tamao and Shibugaki, the clumsy kid with big glasses and the stupid bully? Because they didn't fit in THEIR vision of Astro Boy. But every bit they remove from the original is not just a detail, it's a component part of Astro Boy and a reason why people loved it.
I don't want to write this message, but I have to, because I'm an avid reader of Osamu Tezuka, because I think he's one of the greatests authors among all creative arts and because this movie adaptation, judging from the trailer, is nothing short of a blasphemy.
They didn't need to make that film, they could have come up with their own robot teen hero instead of pillaging Tezuka's ideas and sculpting them into a run-of-the-mill cartoon comedy with cool kids. This is exactly what it's going to be, you just have to hear some of the lines, the delivery or see a few of the situations to know what you're getting into. This is the killing of a Japanese icon on the altar of aseptic filmmaking and inept storytelling with all the odious cliches we've been enduring film after film in American cinema for the past 10 years or more.
Don't get me wrong, I don't think it's bad because it's a production from the US; I love American films, I love good American films. It's bad because Astro Boy, like any other Tezuka work, has so much personality and such a unique Japanese identity that if you stray from it, you're not only losing what makes it so special but you're trashing it. Tezuka could be grandiose and grotesque, humane and merciless, profound and foolish, all this in the few pages of a single story. This is precious, rare, a delight to read. Even if Astro Boy is the lighter side of his vast work, it still should be handled with great care and pertinence, which was obviously not the intention of the filmmakers: their goal was just to make it cool and trendy for modern audiences as to rake money, not critical praise from his fans and admirers.
Even though the story is completely different from the original manga, Metropolis (2001), a Japanese animation film, is certainly more faithful to Tezuka's style and spirit. Rin Taro and Katsuhiro Otomo (author of Akira, who wrote the script) perfectly grasped what made Tezuka's stories so inspiring and beautiful, the vulnerability and complexity of his characters behind the apparent simplicity. And they preserved the original drawing style! Yes, it was daring, but it was right. This is Tezuka, this is how his stories look and read, like it or not, but if you don't, leave them alone instead of trying to mend what you don't comprehend.
Funny, I saw this same Hotel California analogy a few days ago in a tweet. Where did it all start? These people must have seen it somewhere else, this is some kind of verbal meme. It often happens I noticed, a word or a comparison you wouldn't normally use that suddenly spread all around the Net.
Anyway, I thought this one was referring to the lyrics of Hotel California and specifically to this line: "You can check out any time you like, but you can never leave".
Applied to cloud computing, I also like that one: "This could be Heaven or this could be Hell"
Google Search already has the SearchWiki that doesn't seem overly popular because no one remembers it exists when writing about the "new" feature. Wasn't it already supposed to "bring comments to everyone"? I think people are just not interested in commenting websites, or rather, the ones posting comments won't be doctors and academics as shown in their example. Google lives in an ideal world where comments are relevant.
The copyrighted image is actually the "woodgrain background", quoting Technically Legal. Is this a joke? The whole story is about a background texture being stolen? Some actual artists out there who've been ripped off must be feel pretty distressed right now.
The guy who pushes the lawn mower farts too. I'm not sure what kind of gas comes out -- and I don't want to know -- but it sure is bad for my personal atmosphere.
I was only interested in the Twilight Zone episodes personally but it's not working. I'm pretty sure they forbid access if you don't live in the US, it must be that IP detection they use on the South Park site and with some YouTube videos also. That's really a dumb thing to do but was expected.
This record is hard to believe. They give the monetary value of the sales like in the film industry whereas in the game industry companies are more inclined to provide the number of units sold, making it difficult to figure their actual revenue per title. Oblivious of the exact numbers of the competition, it's easy then to claim they broke a record.
According to Wikipedia, which links to a Reuters article, the worldwide number of sales would be of above 8 million. Some games have sold much more than this (Pokemon Red/Blue, Super Mario Bros, The Sims...). Even if Guitar Hero III is more expensive, it is highly unlikely to be the first video game to pass the billion mark.
GH3 has also the advantage of being a multi-platform game.
The new favicon looks like some painting by Miro, except better. He should have made all of his awful art on a 16 px-wide square instead of canvas, it's less hideous to the eye.
I wouldn't call these obscure. A Boy and his Blob, Little Nemo and especially Shadowgate are pretty famous NES titles. There's also Uninvited in the Kemco trilogy from the MacVenture series. As for Guardic/The Guardian Legend, it's not about remaking, you should just wish Compile is still alive. Some of their staff ended up in Milestone, making the game classic shmups that don't get a whole lot of attention in mainstream media (Chaos Field Expanded on GC, who remembers?).
Rygar on NES was pretty popular too as an action/adventure game; there's also a Sega Mark III/Master System version with better graphics but Japan only I belive (like Solomon's Key).
Screw Penny Arcade! Everybody knows Penny Arcade and xkcd.com, if you don't, consider yourself lucky, they're not even funny. At the very least they don't need some more linking to their site, they don't deserve all that attention. If you want to link to a web comic, link to Dueling Analogs, maybe he doesn't update very often but at least he bothers to change the scenery and characters quite a bit, and astonishingly, he does manage to write very funny trips.
It certainly is not like MySpace, only one block on the right is fully customizable by the user and the ads are smaller and not so intrusive. I think the layout is pretty clear: your music stats in the middle with a shoutbox at the bottom, radio and site stats on the right. Actually, I love last.fm as a website, it's easy to navigate and interact with, everything feels very intuitive, it's a really well-made site; I often wish they had made Facebook...
What I'm more critical about is the way they handle data. I fail to see the prowess. "Playing with that data is one of the most fun things about working at the company.", it says in the summary. Well, perhaps they should play less and work more with it. It's quite common to see different pages referring to the same track only because of slight alterations in the track's title when it was scrobbled. Last.fm is pretty much incapable of recognizing identical tracks if they don't have exactly the same name. Same goes with the artists, if the name is written a bit differently, say with the alphabet from the Japanese set of characters, it might create a different page (example: this = that).
You wind up seeing all sorts of oddities in the artists charts, check Beethoven's for instance: Fur Elise appears in a countless number of forms along work which is wrongly credited (Flight of the Bumble Bee). Discernment isn't last.fm's greatest strength. Yet, I still think it's one of the best sites out there, because of the wealth of existing data, because of the little-advertised group radios (which let you listen to pretty much any kind of full tracks if you search right), it is to music what imdb is to films, with their own flaws. Interestingly it's sometimes described as a social networking website, but the fun part is about the statistics and data archiving. While it may sound very nerdy, I think that is what primarily appeals to people.
Slashdot Mirror
They fixed some compatibility issues it seems. I still use Firefox 2 and Facebook looked so "broken" it was pathetic, now it's almost all correct. Funnily they dropped some web 2.0 features, the page reloads entirely when you check another in-page tab. The ads are invading but the design overall is better. First time they actually improve something, at least in my books. But of course, it still is just the same old useless Facebook we could all live without...
Reading comments like these, generously dissing PETA, you'd think the organization was actually set up by people who hate animals and whose only aim is to get them tortured and killed. Seriously, you guys are way off.
Everytime there's a news item related in some way to PETA, anywhere on the web, you can be sure there's a delegation of haters who are going to make these preposterous posts that get more and more implausible as you read: first PETA is described as inefficient idiots, then as liars inclined to cruelty until they are no more than a bunch of sadists and extremists. You would have people believe they eat pups meat or whatnot.
I find this totally bewildering. It's misinformation at its best; they can't just be disliked or disregarded, lies have to be spread about them in a propaganda fashion. Clearly, none of you know what PETA does for animals. All you have is this deep-rooted prejudice made of hate and ignorance, fueled by things you've read here and there online from other people who knew no better and had a grudge against them. It's just a long chain of slanders without actual knowledge of the facts or the people involved. For starters, PETA is certainly NOT against adoptions. Straight from the mouth of their president, Ingrid Newkirk (source):
"If anyone has a good home, love, and respect to offer, we beg them: Go to a shelter and take one or two animals home. The problem is that few people do that, choosing instead to go to a breeder or a pet shop and not "fixing" their dogs and cats, which contributes to the high euthanasia rate that animal shelters face."
Yes, they have to make tough decisions like euthanizing animals, because there's overpopulation, they explain it. They also explain that no-kill shelters, that someone mentioned, simply don't work (in short, they reject animals they don't find suitable for adoption or store them in cage until further notice; the lucky ones are sent to normal shelters that do perform euthanasia).
Dogs, cats and others pets are sexually mature within a year, have short gestation periods and easily half a dozen babies in one litter. Do you realize how many animals can be born in a few months time? What do you do with them? Release them all in the wild? That's why PETA has many campaigns to raise awareness on the importance of neutering and spaying, among other things.
I know some people who work for PETA. They're brave and kind, have to deal with a lot of foul-mouthed idiots on a daily basis. The only thing you could blame PETA for is to like animals too much. But this is a hardly a fault in their line of work.
As for the way they spend their funds, think of it this way: they have enough money to do both all the stupid things you complained about (ads, parody games, etc) AND all the other important things, for the animals. How did they get so much money ? Through donations and endorsement. How did they get so much support? By being talked about and known by everyone. How did they achieve that? By doing all the stupid things you complained about. Circle closed.
Isn't it 500 million, like the movie proclaims? Even for Facebook, an approximation of 100 million is quite significant.
Maybe I've known, but I certainly didn't remember, at least I knew he didn't have wings of his own. Do you really think this is common knowledge? Frankly I don't think so.
the first time a man flew without mechanical aid
Icarus had wings built for him (by his father Daedalus, says Wikipedia), he didn't fly on his own. But this line ticked me off too, there must be earlier examples of men flying without mechanical aid or even natural wings.
Haha, I thought the same. Since when The Lawnmower Man is a classic movie? It's been panned by the critics of the time and rates poorly at 5.0 with 11.000 votes on Imdb. Still, it made money back in 1992; I guess for some people that all it takes to make a classic!
This is an oversimplification. When you say "people would rather use prisoners for medical research than animals", I know what you're referring to, I may even agree with the idea, but this is not about using ANY kind of prisoner, you're wording it so that it would sound inarguably wrong. The prisoners we're talking about would be the most deviant, vicious kinds: murderers of children, serial killers, those who enjoyed torturing, etc. The question is, in the balance of life, is an innocent sentient being (an animal) worth less than a wicked human being (a murderer)? I'm sorry, but siding automatically with the human being because you're of the same species doesn't seem like the best of arguments to me. For a misanthrope, you seem to hold your species in quite high esteem. ;)
Anyway, some people say this out of sheer anger when reading about animals being tortured, I don't think all of them mean it and would actually support the process throughout. Their ideal being that no living creature should have to suffer for the prosperity and comfort of humanity.
About the second case, you were probably right to criticize the family if it was indeed a "100lb carnivore that was bred for aggression", I've heard of that before, small children left almost on their own with rottweillers, this is pure madness. I'm not sure though why your co-worker was mad at you instead of the family, might have been something else, I'm kind of careful with stories like that told from a single perspective.
The content is rather shallow for an article entitled "History in Video Games", it's just a few recent cases. History plays an important part in several old video games: the majority of wargames (Civilization, Ages of Empire, Centurion Defender of Rome, Nobunaga Ambition, Romance of the Three Kingdoms, North and South, Napoleon), which he did not even mention once, semi-educative games like the Carmen Sandiego series and even your occasional action game !
I was reviewing SNK's Guerrilla War on NES last week on my website. The Japanese version, entitled Guevara, is clearly a depiction of the Cuban Revolution, all the key names and some locations have been retained; you play as Che Guevara and Fidel Castro and the final boss is Batista.
And a better example than Final Fantasy, among old RPGs, would have been The Battle of Olympus on NES set in Ancient Greece. Not to forget all the games from Japan who have references to their own history and myths, like Samurai Shodown.
I had heard of Pluto before but I've never read it. There's a difference though, Naoki Urasawa isn't appropriating Tezuka's universe, it's a reinterpretation, he expands on an existing story, the drawing has nothing in common and it's not even bearing the same title. The film claims to be the Astro Boy. I wasn't outraged when Disney did The Lion King, even though it's supposed to be a rip-off of Jungle Taitei.
Everything you said is true or consistent and this is why I didn't want to write a message in the first place, because it's so easy to dismiss what I said, perhaps rightfully, as the overstated ranting of the inevitable narrow-minded fanboy. I haven't even seen the movie and just basing my argument on a trailer, for Pete's sake!
In some cases, trailers tell you all you need to know, but regardless of that, what I meant by Japanese identity is that Astro as it is could not have come from a different country. Or if it did, it would have been altogether different and surely not as peculiar and charismatic; its about cultural identity and how it imprints on the artist's work. You can't deny popular culture from Japan has its own, strong personality; whenever artists from a different country try to write a story in a manga form, it never feels quite right, the dynamics are wrong and it fails to engross the reader. The filmmakers of Astro Boy seem to have turned the original characters and narratives into stereotypes of American animated movies. Just have a look at the characters they added. Why didn't they keep Tamao and Shibugaki, the clumsy kid with big glasses and the stupid bully? Because they didn't fit in THEIR vision of Astro Boy. But every bit they remove from the original is not just a detail, it's a component part of Astro Boy and a reason why people loved it.
(sorry for the typo in the title)
I don't want to write this message, but I have to, because I'm an avid reader of Osamu Tezuka, because I think he's one of the greatests authors among all creative arts and because this movie adaptation, judging from the trailer, is nothing short of a blasphemy.
They didn't need to make that film, they could have come up with their own robot teen hero instead of pillaging Tezuka's ideas and sculpting them into a run-of-the-mill cartoon comedy with cool kids. This is exactly what it's going to be, you just have to hear some of the lines, the delivery or see a few of the situations to know what you're getting into. This is the killing of a Japanese icon on the altar of aseptic filmmaking and inept storytelling with all the odious cliches we've been enduring film after film in American cinema for the past 10 years or more.
Don't get me wrong, I don't think it's bad because it's a production from the US; I love American films, I love good American films. It's bad because Astro Boy, like any other Tezuka work, has so much personality and such a unique Japanese identity that if you stray from it, you're not only losing what makes it so special but you're trashing it. Tezuka could be grandiose and grotesque, humane and merciless, profound and foolish, all this in the few pages of a single story. This is precious, rare, a delight to read. Even if Astro Boy is the lighter side of his vast work, it still should be handled with great care and pertinence, which was obviously not the intention of the filmmakers: their goal was just to make it cool and trendy for modern audiences as to rake money, not critical praise from his fans and admirers.
Even though the story is completely different from the original manga, Metropolis (2001), a Japanese animation film, is certainly more faithful to Tezuka's style and spirit. Rin Taro and Katsuhiro Otomo (author of Akira, who wrote the script) perfectly grasped what made Tezuka's stories so inspiring and beautiful, the vulnerability and complexity of his characters behind the apparent simplicity. And they preserved the original drawing style! Yes, it was daring, but it was right. This is Tezuka, this is how his stories look and read, like it or not, but if you don't, leave them alone instead of trying to mend what you don't comprehend.
Funny, I saw this same Hotel California analogy a few days ago in a tweet. Where did it all start? These people must have seen it somewhere else, this is some kind of verbal meme. It often happens I noticed, a word or a comparison you wouldn't normally use that suddenly spread all around the Net.
Anyway, I thought this one was referring to the lyrics of Hotel California and specifically to this line: "You can check out any time you like, but you can never leave".
Applied to cloud computing, I also like that one: "This could be Heaven or this could be Hell"
Google Search already has the SearchWiki that doesn't seem overly popular because no one remembers it exists when writing about the "new" feature. Wasn't it already supposed to "bring comments to everyone"? I think people are just not interested in commenting websites, or rather, the ones posting comments won't be doctors and academics as shown in their example. Google lives in an ideal world where comments are relevant.
The copyrighted image is actually the "woodgrain background", quoting Technically Legal. Is this a joke? The whole story is about a background texture being stolen? Some actual artists out there who've been ripped off must be feel pretty distressed right now.
The guy who pushes the lawn mower farts too. I'm not sure what kind of gas comes out -- and I don't want to know -- but it sure is bad for my personal atmosphere.
As if! At best it will look like Eragon or Dungeons & Dragons, they just need to be sure to hire poor Jeremy Irons to play one of the characters.
I was only interested in the Twilight Zone episodes personally but it's not working. I'm pretty sure they forbid access if you don't live in the US, it must be that IP detection they use on the South Park site and with some YouTube videos also. That's really a dumb thing to do but was expected.
This record is hard to believe. They give the monetary value of the sales like in the film industry whereas in the game industry companies are more inclined to provide the number of units sold, making it difficult to figure their actual revenue per title. Oblivious of the exact numbers of the competition, it's easy then to claim they broke a record.
According to Wikipedia, which links to a Reuters article, the worldwide number of sales would be of above 8 million. Some games have sold much more than this (Pokemon Red/Blue, Super Mario Bros, The Sims...). Even if Guitar Hero III is more expensive, it is highly unlikely to be the first video game to pass the billion mark.
GH3 has also the advantage of being a multi-platform game.
The new favicon looks like some painting by Miro, except better. He should have made all of his awful art on a 16 px-wide square instead of canvas, it's less hideous to the eye.
A new Punch-Out is coming for the Wii, it doesn't look an awful lot different from the original.
I wouldn't call these obscure. A Boy and his Blob, Little Nemo and especially Shadowgate are pretty famous NES titles. There's also Uninvited in the Kemco trilogy from the MacVenture series. As for Guardic/The Guardian Legend, it's not about remaking, you should just wish Compile is still alive. Some of their staff ended up in Milestone, making the game classic shmups that don't get a whole lot of attention in mainstream media (Chaos Field Expanded on GC, who remembers?).
Rygar on NES was pretty popular too as an action/adventure game; there's also a Sega Mark III/Master System version with better graphics but Japan only I belive (like Solomon's Key).
It's been done in Japan at least, Dragon Quest I&II for Super Famicom.
Screw Penny Arcade! Everybody knows Penny Arcade and xkcd.com, if you don't, consider yourself lucky, they're not even funny. At the very least they don't need some more linking to their site, they don't deserve all that attention. If you want to link to a web comic, link to Dueling Analogs, maybe he doesn't update very often but at least he bothers to change the scenery and characters quite a bit, and astonishingly, he does manage to write very funny trips.
One, two, three... poo!
It certainly is not like MySpace, only one block on the right is fully customizable by the user and the ads are smaller and not so intrusive. I think the layout is pretty clear: your music stats in the middle with a shoutbox at the bottom, radio and site stats on the right. Actually, I love last.fm as a website, it's easy to navigate and interact with, everything feels very intuitive, it's a really well-made site; I often wish they had made Facebook...
What I'm more critical about is the way they handle data. I fail to see the prowess. "Playing with that data is one of the most fun things about working at the company.", it says in the summary. Well, perhaps they should play less and work more with it. It's quite common to see different pages referring to the same track only because of slight alterations in the track's title when it was scrobbled. Last.fm is pretty much incapable of recognizing identical tracks if they don't have exactly the same name. Same goes with the artists, if the name is written a bit differently, say with the alphabet from the Japanese set of characters, it might create a different page (example: this = that).
You wind up seeing all sorts of oddities in the artists charts, check Beethoven's for instance: Fur Elise appears in a countless number of forms along work which is wrongly credited (Flight of the Bumble Bee). Discernment isn't last.fm's greatest strength. Yet, I still think it's one of the best sites out there, because of the wealth of existing data, because of the little-advertised group radios (which let you listen to pretty much any kind of full tracks if you search right), it is to music what imdb is to films, with their own flaws. Interestingly it's sometimes described as a social networking website, but the fun part is about the statistics and data archiving. While it may sound very nerdy, I think that is what primarily appeals to people.