Slashdot Mirror

AndrewRUK writes "Earlier today, Project Gutenberg's founder, Micheal Hart, announced that the project has passed the milestone of 10,000 free eBooks available, with the publication of the Magna Carta.Project Gutenberg was founded in 1971, with the aim of "[making] information, books and other materials available to the general public in forms a vast majority of the computers, programs and people can easily read, use, quote, and search." In the 32 years since the project started, over 10,000 books, ranging from the Bible to school textbooks, and from the complete works of Shakespeare to the USA's declaration of independence, have been made freely available to the public by Project Gutenberg."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

RobotWisdom writes "Ibiblio's historic archive for Linux, linked recently, offers lots of old distros, but the dates aren't obvious. I went through and dug out what dates I could for my timeline, but couldn't find any date for several." Robot Wisdom managed to collect an impressive list; read on below for the result.

" The ones I got:

1993: 02Aug: SLS Linux [distro] [more]
1994: 29Jan: Debian version 0.91 [distro]
1994: 05Feb: Slackware 1.1.2 [distro] [more]
1994: Marc Ewing begins the Red Hat GNU/Linux distro [1.0] [more]
1994: 30Mar: MCC Interim 1.0+ [distro]
1994: Apr: SuSE Linux [beta distro]
1994: Oct: Xdenu linux [distro]
1994: 06Nov: SunACM ftp-archives [snapshot] SunSite [snapshot]
1995: Mario Valenti's Mini-linux [distro]
1995: 06Nov: JE linux 0.95 (Japanese extensions) [distro]
1995: 08Dec: BLADE 0.3 for Digital Alpha [distro]
1996: Jan: MIPS port [archive]
1996: 24Apr: Jurix linux [distro]
1996: 17Jun: Debian 1.1 for i386 [distro]
1996: 29Sep: MIT ftp-archives [snapshot] SunSite [snapshot]
1996: 30Sep: dilinux (drop-in for DOS systems) [distro]
1996: 07Oct: TSX-11 ftp-archives [snapshot]

If anyone can supply dates for those I missed (mainly early ports), please use the 'Suggestions' box at the bottom of my timeline page."

ipxodi writes "Logitech marks the milestone of 500 million shipped mice. Mice first widely appeared in consumer form on the original Macintosh, but have appeared in various forms back through time to 1964 when they were invented by Doug Englebart. My favorite mouse is also my current mouse, a Logitech Optical Wheel mouse. I also remember some oddities beyond the old bar-of-soap shaped mice of the mid 80's, like one with a crosshair attachment for clicking on specific points of a blueprintfor CAD input. What's your favorite current or past mouse?" My first mouse was back in 1987, for my Apple //c. It cost $50, and came with a double-sided floppy that contained an interactive instructional program on side one, and MousePaint (a port of MacPaint) on side two. Memories!

jemagid writes "Ibiblio (nee metalab, nee sunsite) has rummaged through all the old CDs and old FTP archives we could find, to put together a beautiful picture of the early days of the Linux community: Historic Linux. The files include snapshots of the early Linux archives including sunsite.unc.edu and tsx-11.mit.edu, and early distributions such as MCC (Manchester Computing Center) and SLS (Softlanding Linux Systems), which were some of the first attempts to make Linux easy to install and use. The early RedHat releases are also included, as is early Suse, Debian, Slackware, and Blade. The early distributions ran on machines as small as 386's with 2-4 MB of RAM, so these could be fun ways to resurrect ancient hardware."

jemagid writes "Ibiblio (nee metalab, nee sunsite) has rummaged through all the old CDs and old FTP archives we could find, to put together a beautiful picture of the early days of the Linux community: Historic Linux. The files include snapshots of the early Linux archives including sunsite.unc.edu and tsx-11.mit.edu, and early distributions such as MCC (Manchester Computing Center) and SLS (Softlanding Linux Systems), which were some of the first attempts to make Linux easy to install and use. The early RedHat releases are also included, as is early Suse, Debian, Slackware, and Blade. The early distributions ran on machines as small as 386's with 2-4 MB of RAM, so these could be fun ways to resurrect ancient hardware."

jemagid writes "Ibiblio (nee metalab, nee sunsite) has rummaged through all the old CDs and old FTP archives we could find, to put together a beautiful picture of the early days of the Linux community: Historic Linux. The files include snapshots of the early Linux archives including sunsite.unc.edu and tsx-11.mit.edu, and early distributions such as MCC (Manchester Computing Center) and SLS (Softlanding Linux Systems), which were some of the first attempts to make Linux easy to install and use. The early RedHat releases are also included, as is early Suse, Debian, Slackware, and Blade. The early distributions ran on machines as small as 386's with 2-4 MB of RAM, so these could be fun ways to resurrect ancient hardware."

markds writes "After a long wait, the Gentoo team has finally released the latest version of their distribution. Gentoo Linux 1.4 is now available. 1.4 includes automated kernel builds, CFLAGS generation, the Gentoo Reference Platform, and support for netless installation." And Beost writes "It looks like our favorite disto gentoo has released two of the new v1.4 LiveCDs. Enjoy!" Reader Luke-Jr points to the list of official mirrors and "unofficial (though created by developers) BitTorrents." (Of course, you can also buy CD sets for a variety of architectures from the Gentoo store.)

David Moynihan writes "July 4th marks the 32nd anniversary of that day in 1971 when Michael Hart first sped an all-caps version of the Declaration of Independence to anyone and everyone then on what later became the web, thus founding Project Gutenberg. Thanks to an army of volunteers and the Distributed Proofreaders, this is the last year PG will have fewer than 10,000 titles. Strangely, Microsoft picked this dual anniversary of literacy and freedom to re-launch their Reader product, with three free bestsellers a week, if you activate the new version with Passport, sign a EULA, etc. Real reason for the upgrade might be that the DRM on MS's old Reader was cracked. If you're not into giving away data, or are running a system other than Windows, maybe you could take the time to tell a friend about free books online, or even help out by visiting the Distributed Proofers and editing one page per day."

Ant writes "KnoppixMAME is a bootable arcade machine emulator with hardware detection and autoconfiguration. It works automatically on all modern and not-so-modern hardware, including gameports and joysticks. It is powered by Knoppix Debian GNU/Linux, X-MAME, and gxmame." Update: 06/19 23:18 GMT by S : Although there are earlier versions in the release directory, looks like V1.0 hasn't made it onto the FTP just yet. Meanwhile, Jim points out the AdvanceCD image, which is "..also a bootable ISO image of a minimal Linux distribution containing MAME, but weighing in at 16 MB rather than 200 MB so there is more room for ROMs."

Slashback brings you another source for the Unix Haters' Handbook, along with more news on the Caldera v. IBM lawsuit and other updates on topics from XPde to creating a stained-glass computer. Read on below for the details.

Why Yes, you can sell the Free books. ProteusQ writes "Project Gutenberg has released a 'Best Of' CD, April 2003 Edition. The CD compilation is copyrighted and licensed under a Creative Commons license that allows unlimited non-commercial duplication and distribution. You can even sell it, provided that you share 20% of the gross profits with Project Gutenberg. It contains almost 500 books, and the 'Best Of' project itself based on the Open Source model. All of the work was performed by volunteers (mostly by me, in this case), with the goal of building a volunteer base to create about three editions per year."

Welcome to the American legal system, mind your footing. An anonymous reader submits: "In an e-mail discussion that took place 24 and 25 April, SCO-Caldera Senior Vice President Chris Sontag told MozillaQuest Magazine that there is SCO-owned code in Red Hat and SuSE Linux distributions. He also told MozillaQuest Magazine that the tainted code is not in the Linux kernel that Linus [Torvalds] and others have helped develop. We're talking about what's on the periphery of the Linux kernel."

On this topic, Random BedHead Ed writes "IBM has released its denial of SCO Group's charges that it borrowed proprietary UNIX code in its development of the GNU/Linux system. Story at News.com.com.com.etc. The battle continues.

Also, check out PCLinuxOnline.com for a good summary of the events thus far. They also have a Boycott SCO page if you're interested."

The height of practicality. Jerami Campbell writes "I just saw your article in Slashdot 'Building a stained glass computer case?' I have made several stained glass computer cases, I thought you might be interested in checking them out. You can see all of my cases at lucentrigs.com. I will have a new one finished in a couple of days. It is black glass with a red lava lamp mounted in the front."

Gun buffs have well-adjusted sights. In regards to the MP3-player-in-a-rifle-magazine posted the other day, Mat S. writes "I would be reaaaaally surprised if this fit a standard AK-47, as it is an SVD (Russian infantry rifle, as opposed to the AK, which is in fact a carbine, although called an assault rifle) mag. It accommodates much more powerful ammo, and the cartridges are about 50% longer than the AK's. Thank you for your attention. I still WANT this player. Might be a bit on the heavy side, though. this case is stamped steel, about 3 mm thick :)"

Fair and balanced, naturally. An anonymous reader writes "For those of you who were unable to obtain the Microsoft propaganda about Unix, it's up at MIT."

Note for the humorless: the UHH is not "Microsoft propaganda."

The best Congress money can buy. If you thought Hilary Rosen writing Iraq's copyright law was an isolated incident, don't worry, she's not alone. theodp writes "The RIAA paid $18,000 for the chairman of the House Judiciary Committee to travel to Taiwan and Thailand to make it clear to government officials that the pressure to enforce U.S. laws against pirating of music and movies 'is a unified message coming from all levels of the U.S. government.' Watchdog groups say the trip may have violated House ethics rules, and one is calling for a House Ethics Committee investigation. Rep. Jim Sensenbrenner, R-Wis., said he could have used committee funds to pay for the trip but, 'I thought I would save the taxpayers some money on this.'"

Thanks a bundle.

A considerate way to fool your friends and family. We've mentioned the blink-twice Trompe L'Oeil Windows-looking desktop XPde a few times before; now xexen writes "On April 26th 2003, I received an email. The XPde Team released XPde 0.3.5, a major upgrade to the XPde desktop environment and window manager. Check out the announcement, view the screenshots, or read the detailed ChangeLog."

Build up your frequent flyer miles. A few weeks ago we mentioned that the proceedings of the most recent linux.conf.au (a Linux gathering Down Under) were available as an ISO; hemos, who was on hand at the conference, passes on word that the CDs have been sent out, and points to some more info on the next LCA.

bcrowell asks: "Here's a moral conundrum for you. The much-hated DMCA can be a tool to enforce copyleft licenses, and in my case, it may be the only effective tool. I'm the author of some free physics textbooks (all free as in beer, some free as in speech) that are available under the GFDL and OPL copyleft licenses. I've learned that there's a guy on eBay who is selling my books on CD and violating the license. (Selling is allowed, since they're free-as-in-speech, but he's violating the license in various ways, such as not informing his buyers about the license, and selling them under a different title and using the tables of contents in his ads without showing the license or listing me as the author.) It's not just me. He's doing the same thing with other copylefted books, such as this one." The submitter is worried about the ethics behind using the recent misuses we've seen so far. Those interested in this question might also be interested in Prof. Felten's answers from his recent Slashdot interview.

"eBay has several different mechanisms for complaining about this, and I used one of them. Other people have complained too, but so far the result just seems to be that eBay deletes the listings of the items (which have already been sold). Meanwhile the guy is still violating copyleft licenses (as well as selling other copyright-violating stuff, such as screensavers containing commercial porn images).

Apparently the most effective way to deal with this on eBay is to participate in their vero program, which basically means sending the DMCA Police after the guy. For instance, if I wanted to sue the guy (which I don't), I'd need to know his name and address. The DMCA says that eBay has to provide that info to someone who complains about a copyright violation.

It seems like it would be a similar deal in the software world. The conventional wisdom about how to prevent infringement is to GPL your code, and transfer the copyright to the FSF, which will contact license violators and (theoretically) sue them if it comes to that. So how long will it be until the FSF is asked by an open-source developer to invoke the DMCA in order to deal with a license violation? In my own case, should I go ahead and join eBay's vero program? It would make me feel like I was in bed with the enemy, but it does seem like it would give me some very effective options for dealing with the situation. For instance, members of the program can have eBay run automated boolean searches for copyright-violating items, and get the results e-mailed to them periodically.

One possible reply to my question is 'Why do you care?" The problem here is that this guy is doing exactly what RMS originally designed copyleft to prevent: he's taking free information and making it not-free. His customers don't know that the books are copylefted, and have effectively had their own freedom taken away: they don't know they can modify the books, copy them, or sell them."

sohp writes "The longest running Internet cartoon of all, Dave Farley's Dr. Fun, has this laugher on some tasty case mods for the Easter season." cojoco sends in a webpage covering the secret dangers of bunnies, and we here at Slashdot would like to make a public service announcement that humans have a responsibility to care for their pets even if they chew through computer cords. linuxwrangler writes "It's Easter and the 50th anniversary of the Marshmallow Peep. The fine folks at Peep Research have found them to cooperative test subjects. People with too much time on their hands (tm) have braved copyright complaints to create "Lord of the Peeps, FOTP" and we can't forget NASA's brave peep-o-nauts. Happy easter."

sohp writes "The longest running Internet cartoon of all, Dave Farley's Dr. Fun, has this laugher on some tasty case mods for the Easter season." cojoco sends in a webpage covering the secret dangers of bunnies, and we here at Slashdot would like to make a public service announcement that humans have a responsibility to care for their pets even if they chew through computer cords. linuxwrangler writes "It's Easter and the 50th anniversary of the Marshmallow Peep. The fine folks at Peep Research have found them to cooperative test subjects. People with too much time on their hands (tm) have braved copyright complaints to create "Lord of the Peeps, FOTP" and we can't forget NASA's brave peep-o-nauts. Happy easter."

savetz writes "20 years before User Friendly, Doctor Fun, and Dilbert, about the only place a geek could go for a fix of nerdy comic goodness was ... Radio Shack. Tandy Computer Whiz Kids was a comic book series that was distributed for free at Radio Shack stores. It featured overeager kids stopping bad guys with their TRS-80s and acoustic modems, sweetly naive information about computers, and constant shilling of Radio Shack products. They're now on the Web." Update: 04/19 03:44 GMT by J : We're having a bit of DB trouble tonight... bear with us.

Bowie J. Poag writes "Pete Casper has created a number of truly bizarre Speak & Spell hacks, and case mods (!) suitable for live performances. The highly modified Speak & Spell can be controlled either by the membrane keypad or using an Atari joystick of all things. Tons of photographs and MP3 samples included.. I want one. Now."

Bowie J. Poag notes this Register story about an RIAA copyright infringement bust in New York. The RIAA claims the operation had the equivalent of 421 CD-burners, which, translated from RIAA-speak, means "156 CD-burners but some of them were fast". How they expect anyone to take their statistics seriously is beyond me.

tiltowait writes In response to the incredulity expressed in this story about the technical prowess of libraries, I'd like to present a short essay titled "Librarians: We're Not What You Think" - read on for more. Update: 10/20 18:15 GMT by M : The author has also put up his essay on his own webpage. From the spinster librarian in It's a Wonderful Life to the crochety archivist in Attack of the Clones, librarians are often portrayed (in everything from movies, musicals, children's books, literature, science fiction, comics and cartoons to pornography - yes, pornography) as something less than noble or admirable. The perception of librarians has been a popular topic recently, with several articles focusing on the fringe-type librarians (ska, rockabilly, bellydancing, modified, bodybuilding, laughing, and lipstick). Although something of an anti-stereotype, these people illustrate the range of librarian personalities.

Many people may hold the image of a librarian as a shushing school marm who does little more than stamp and shelve books because that's all they've seen librarians do. Well think again - that's about as inaccurate as believing that Alan Greenspan is nothing more than a glorified bank teller. The job titles may change but the mission of the profession remains the same: organize information and help people find it. Libraries have been around a lot longer than the Internet, and even library technology can hold its own with the best out there. For example, Google's savvy results ranking was hardly the birth of citation analysis (next up: metadata - cough, cataloging, cough), and there are enormous library systems that also predate the Internet.

Although library geeks and technology nerds may have contrary images, in today's world the boundary between the career of the librarian and the information technologist is disappearing. Librarians today not only administer Web servers and dynamic databases to help manage large digital collections and thousands of electronic resources, they teach people how to use library systems. And just as enlightened computer engineers are advocates of noncommercial software and campaign for online rights, the library profession has a long history of staunchly defending freedom - from book burnings to the FBI's Library Awareness Program to the latest copyright battles and almost all other current issues in intellectual freedom.

Check out LISNews.com (recognize the format?) and some library blogs if you're interested in reading more about real librarians.

ztc writes "Gentoo has added a Unreal Tournament 2003 demo to a version of their Linux-based LiveCD. It has up-to-date nvidia graphics drivers, sound drivers, network drivers, etc. on the CD ready-to-play. LiveCDs have always been a great way to sway potential Linux-converts, but this should really impress them! You can download the iso here." A sneaky way to promote Gentoo. I like it.

Okay, here are answers from Paul Jones, director of ibiblio.org. You asked, and he responded -- and not always as seriously as you'd expect from someone who can ask us to call him "Professor Jones" or "Doctor Jones." But he's really "Just Paul," he says, "even in class." We hope a whole lot of you have a chance to meet Paul in person one day, because he's not only a warm and friendly guy, but one who has done a whole lot of good for Linux -- and for the Internet in general.

Paul:
Let me start out with a little overview of sunsite.unc.edu/metalab.unc.edu. Or better yet to point you to our annotated timeline. Then say that ibiblio.org began and has continued to be a way for the University of North Carolina (the original and still the best) to explore information sharing in the context of our missions of education, research and outreach. You folks using and contributing are the outreach part. In particular, we "acquire, discover, preserve, synthesize, and transmit knowledge" with all of your help.

We are a joint project of the School of Information and Library Science (there we are involved in digital archives and digital libraries), The School of Journalism and Mass Communication (there we are involved in electronic publishing and multimedia sharing), and the Vice Chancellor for Information Technology.

Except for one and occasionally two full time employees, our entire staff consists of students or in my case part time (as I have faculty responsibilities). So be nice to all of us, we're always learning. No matter what Robin said in the article introducing me, none of this would have happened without some very good people on staff and contributing content.

But that brings us to:

Question of Money
by too_bad
One of the things that people frequently ask about sites like ibiblio.org is "They are great. But how long will they be around?" Do you see this as a concern (esp. after the LWN announcement) and do you have any comments regarding this. Are there any good approaches you suggest (like augmenting free usership with voluntary subscriptions, etc) for such free sites in general?

Paul:
We have been very lucky, since our beginning, to have generous and understanding support from The University of North Carolina and from sponsors large and small including Sun, IBM, Red Hat, VA Linux^h^h^h^h^hSoftware, Mandrake, Cisco and others.

We also do get some research contracts and grants, but most importantly for us in the past two years has been a large gift from the founders of Red Hat and the Center for the Public Domain.

We have some top secret international funding sources as well. At the moment, we actually have a small endowment that if spent wisely should last several years. It is my hope that we will never have to charge the patrons of our digital archives.

BUT this brings me to my favorite question, which only got a rating of 4:

Donations?
by Anonymous Coward
Where do I send the cheque?

Paul:
Send your or your organization's tax-deductible contributions to:

Ibiblio.org
Campus Box 3456
University of North Carolina
Chapel Hill, NC 27599-3456

Moving on to:

Typical Questions
by suwain_2
I've downloaded my share of things, and find that the 3 Mbps cap on my cable modem is almost always my bottleneck. So my question is fairly simple (albeit broad) -- can you describe your setup a bit, in terms of bandwidth (both what you have for an Internet connection, and how much traffic you actually use), servers, storage (I'd venture to guess it's to the tune of several terabytes?), etc.

Paul:
We're on UNC's network. Our connections to the commodity and Internet2 networks are served by UNC's OC-48 network connection. We maintain a constant throughput of network traffic outbound in the 160-180Mbits/sec range.

Our current main servers were donated by IBM and serve content from a central fileserver with 2TB of disk attached. In our racks, we have approximately 5TB of space (with system disks, Sourceforge and an Internet2/Distributed Storage Initiative node). We do some load balancing between streaming services, web services, and large downloads like distros. On a typical day, we move over 1.5 terabytes of data off our servers. (Thanks to Fred Stutzman for much of this info.)

Backups
by Chris Pimlott
What's your backup strategy? I imagine it's hard to deal with both so much data as well as being under constant bombardment from clients around the world. How often is data archived? Have you had any major data loss incidents and, if so, how well were you able to deal with them?

Paul:
Like everyone else we rely on Archive.org, but seriously... (Fred answers this since he did the restore).

We run managed backups on UNC's enterprise storage facilities. We run them every night and have incremental backups for three months. UNC uses StorageTek machines and Tivoli Distributed Storage Manager for enterprise backups. We have had major data loss incidents, in which a raid card failed and lost the array's configuration. One of the disks in the array died simultaneously, we were unable to re-import the configuration to the new card, so we had to restore from backup, which took a number of days.

I, Paul, can only say that in the past things were much worse and we did have one famous meltdown in 1995 that was not pretty. Since then the UNC enterprise backup has been our friend - and for the most part disks and RAID arrays have been increasingly more reliable.

What's your biggest area?
by Otter
I know ibiblio (I still think of it as SunSite) as a) a repository of Unix software, especially useful for pre-Freshmeat apps and b) a mirror provider. "Free online publisher" wouldn't have made the list, but looking at your main page I see all sorts of things I didn't realize you hosted. Which ones get the most traffic?

Paul:
For sheer bytes, ISOs rule. But then it doesn't take too many downloads to get a lot of bytes for an ISO. Source-based distros like Gentoo have seen a lot of activity lately.

One of our most visited sites is also one of our oldest, Nicholas Pioch's WebMuseum (originally WebLouvre). An amusing reason may be that, as Nicolas writes:

"I've just found out that Microsoft Encarta Deluxe 2001 (the copy I just happened to find out and install) has direct links ('Web Links') from each artist's article to the webmuseum (on metalab.unc.edu at the time) and that's actually the only weblink provided in that 2001 edition."

Among other favorites are:

• The Linux Documention Project, which began on sunsite
• Documenting the American South
• Hong Kong Picture Archive
• Henriette's Herbal Homepage
• Hyperwar A hypertext history of the Second World War

What about content producers?
by Fluid Donkey
In general how supportive have you found the producers of such content to be of your services? Do many if any really believe that something like this will cause them to starve to death?

Paul:
First, they are all with us voluntarily and can leave any time, taking their stuff with them. That alone pretty much says that they believe in what we are helping them do.

I should say also that not all material is copyleft. But all of it is free to view, listen to and to reference. We are working with Creative Commons, which we also host, to develop a small but viable set of licenses for folks including our contributors who want to share their work on various terms (attribution, home or personal use, educational use, etc).

One important contributor, Roger McGuinn, has been making one folk song a month available for download since November 1995 on his Folk Den. He also sells CDs and performs concerts. He seems to be doing pretty well. Many contributors are scholars or students who understand the importance of sharing information.

Dave Farley, who does the wonderful Dr Fun, has a book contract with Plan 9, and we're looking forward to seeing what we've seen in electrons in print.

Relative importance of different material?
by kafka93
What is the center's view on the publishing of material that might be considered "offensive" or "dangerous", and does the center make subjective judgements upon the importance of one piece of intellectual property over another on the basis of 'artistic worth', 'decency', etc.? With only limited resources available to promote the archiving of data, is there the risk that important fringe documents may be left by the wayside, or ignored due to political/social concerns?

Paul:
Like non-digital archives and libraries, we have a Collection Policy. You'll note that we do not explicitly ban materials for content nor do we plan to. We do not maintain materials that are illegal, slanderous, libelous, or otherwise prohibited by law. Ultimately the contributors are responsible for their content and we do not review the content once a project is taken on.

Most rejections of content come about because the content is too commercial, just personal, or relies on advertising.

Metadata and easy searching
by RyanMuldoon
iBiblio stands out as an excellent repository for a wide range of culturally valuable resources. As it and other sites grow in size, the importance of good searching and indexing becomes extremely relevant. Have you given any thought to how you might want to cope with this? Specifically, are there any metadata schemata that you are considering using? I would love to see iBiblio be used more like a content feed to research/cross-referencing applications.

Paul:
Interesting that you asked about this as this is an area that we've been working in for the past couple of years. Actually we go way back to pre-Web metadata to the Internet Anonymous FTP Archive (IAFA) files which were the model for the Linux Software Map (LSM). Thanks to Jonathan Magid for this innovation and for suggesting that we host Linux in the very beginning.

When we designed our contributor-maintained Collection Index, we designed it to create and display metadata that could be shared via the Open Archives Initiative (OAI). Please note that this metadata is at the collection level - not at the item level. Item level metadata is for future work. Also since you asked: Miles Efron and I will be presenting a paper at the Digital Resource in the Humanities conference in September on the Problem of Access in Contributor-Run Digital Libraries. Serena Fenton is co-author to this paper.

On the Linux Documentation Project front, we worked with several others to create the Open Source Metadata Framework (OMF).

The OMF aims to collect data about Open Source documentation, or metadata, that will be used to describe the documentation. The idea is that the OMF will act as a sophisticated card catalog type of system for the numerous Open Source documentation projects that exist. The OMF offers a number of advantages over standard card catalog type systems, however. Chief among these is the fact that the OMF has been designed from the ground up to be completely open, standards based, and sharable. We will accomplish this by using pre-defined standards (XML and the Dublin Core description for metadata) and allowing all metadata generated to be accessed by anyone that wants it. Because the metadata itself is to be stored in XML files, anyone should be able to use it.

OMF support is included in the Scrollkeeper project. Note that none of these metadata designs are overly complex. That is by design. The idea is to keep the metadata simple enough to be understood by the creator of the digital item or collection that it describes. If I could make one strong point about metadata design it is that simplicity is the key - and the hardest thing to pull off.

Trust metric and online publishing
by Creosote
I heard you talk at the Southern Presses conference last year about the use of trust metrics (like Slashdot's karma and Advogato's peer certification) as a possible alternative to the "top-down" means of filtering that scholarly and commercial publishers use, namely formal peer review and mass marketing, respectively. Are you more or less optimistic about the long-term viability of this model then you were then? (Especially in light of the powerful efforts to keep control of the gates we're seeing these days from Hollywood, the recording industry, and their political allies...)

Paul:
Beginning here I am speaking personally and not on behalf of ibiblio.org or any of its sponsors or supporters including but not limited to the University of North Carolina.

The Blog is one example of creator-empowerment that has gotten more attention since that talk and I think there will be plenty more examples to come. I still believe that people in constant communications will result in "Smart Mobs" (thank you, Howard Rheingold, for naming and noticing and writing on this). This is not just about music or movies or about one country or even one age group. While I don't think that we will completely replace our reliance, however reluctant, on Mickey Mouse, I do think that we are entering a time in which there are new opportunities for us to share information and to work together. The slew of misguided efforts by media and information cartels, especially the RIAA, which demonize their customers and clients, will make things tough but they also are signs that the old solutions are not working well and that newer, and I hope more inclusive and more open, solutions are on the horizon.

GeekPAC and "When Congress Attacks"
by lunenburg
I noticed that you are one of the founders of the American Open Technology Consortium and/or GeekPAC - the lobbying group that got a bit of fanfare a few months back when it was formed, but has been pretty quiet since then. With Congress launching seemingly daily attacks on our technological freedom in order to support the revenue models of a few huge businesses, the need for a voice in Washington is growing urgent. Is the AOTC/GeekPAC working to get our voices heard? Is there a need for an umbrella group to tie together various groups like GeekPAC, Public Knowledge, Digital Consumer, etc.?

Paul:
Yes, (again speaking only as Paul) I am an officer of the American Open Technology Consortium (AOTC). But for various complex reasons, I am not a member of GeekPAC. As you might have guessed, getting these projects going has been no simple matter. Jeff Gerhard has been doing a wonderful job of making sure the legal and procedural steps are properly taken. So far, what you are seeing is some very motivated but very busy people learning how to work together to get the projects off the ground. The good news is that folks like Jeff, Doc Searles and others on the boards are smart, dedicated and experienced people who can and will play well with others (including Public Knowledge and Digital Consumer and EFF). We hope to represent slightly different voices than those already represented. If you are reading this, you know who you are and we need your help.

About the umbrella group, I think that a summit conference (or at least a summit listserv) would make more sense. This kind of looser structure, often called an Action Committee or Organizing Committee, has been very successfully used by both ends of the political spectrum in the past half century.

Two words...
by Anonymous Coward
DRM? Palladium?

What's your take on these two technologies?

Are you afraid they'll ultimately destroy what you have been working for, for the past 10 years? If not, why?

Optional question: What about the copyright extension we have seen?

Another optional question: Linux... or BSD? =)

Paul:
Not Linux vs BSD, but Digital Rights Management and Microsoft's Palladium. DMR is the general term for the groups of solutions to the need for creators to be compensated for their work while allowing their audience to easily access those works. Or at least that would be ideally what DRM should do.

When DRM goes wrong, it tramples on the rights of the citizens to have access to information that they have legally purchased, want to criticize, parody, legally reuse or share.

When DRM goes wrong, it creates barriers to innovation and creativity. It biases access and reproduction of information to only certain technologies.

When DRM goes wrong, it creates and perpetrates closed markets and monopolies.

When DRM goes wrong, everyone suffers. It takes us back to the Stationers Guild, a response to the printing press. "The Stationers Guild obtained monopoly rights in the printing and probably distribution of all books, a monopoly codified by the Tudors in a licensing system aimed at censoring religious dissent" which lasted until the early 1700s.

When DRM goes wrong, it is called Palladium.

The good news is that Palladium is vaporware - so far.

What is your greatest success/failure?
by burgburgburg
Simple enough question in two parts:

Looking back on 10 years of doing this, what would classify as your greatest success, and your greatest failure?

Paul:
The simplest question is the hardest, of course. Luckily, you've narrowed the success/failure question to deal only with sunsite/metalab/ibiblio and not the past 10 years of my life.

One mark of great success is that we are still here hosting some of the original collections of information to be shared on the Net including the first 7/24 radio simulcast on the net, WXYC. We've been a part of many innovations and I, personally, have been able to work with some brilliant folks who often surprised themselves with what they had accomplished. We're also funded and we enjoy support from some wonderful and diverse faculties at UNC.

There is no question in my mind that the most significant decision that I made in those ten years was to listen to Jonathan Magid when he suggested that we become the US site for an operating system that didn't even work yet - Linux. If you are reading this far and are happy, you owe Jonathan. If you are unhappy, blame me.

In research, there is no such thing as failure. As I was explaining to our Interim Vice Chancellor, we are supposed to make mistakes. As Ms. Frizzle says, "Take chances, get messy and EXPLORE! Wahoo!".

Still, I do wish that we had found a way to use WAIS or another distributed search engine in a way that is still useful. There still seems to me to be something unfinished in that area. Killing gopher. That was more fun than Wack-a-mole.

And one final answer:

Slack.
by dsb3
You host a slew of subgenius content, so it must be asked ... do you have slack?

Paul:
While I do not profess to completely comprehend slack, I have been assured by members of the Church that I do have it.

Okay, here are answers from Paul Jones, director of ibiblio.org. You asked, and he responded -- and not always as seriously as you'd expect from someone who can ask us to call him "Professor Jones" or "Doctor Jones." But he's really "Just Paul," he says, "even in class." We hope a whole lot of you have a chance to meet Paul in person one day, because he's not only a warm and friendly guy, but one who has done a whole lot of good for Linux -- and for the Internet in general.

Paul:
Let me start out with a little overview of sunsite.unc.edu/metalab.unc.edu. Or better yet to point you to our annotated timeline. Then say that ibiblio.org began and has continued to be a way for the University of North Carolina (the original and still the best) to explore information sharing in the context of our missions of education, research and outreach. You folks using and contributing are the outreach part. In particular, we "acquire, discover, preserve, synthesize, and transmit knowledge" with all of your help.

We are a joint project of the School of Information and Library Science (there we are involved in digital archives and digital libraries), The School of Journalism and Mass Communication (there we are involved in electronic publishing and multimedia sharing), and the Vice Chancellor for Information Technology.

Except for one and occasionally two full time employees, our entire staff consists of students or in my case part time (as I have faculty responsibilities). So be nice to all of us, we're always learning. No matter what Robin said in the article introducing me, none of this would have happened without some very good people on staff and contributing content.

But that brings us to:

Question of Money
by too_bad
One of the things that people frequently ask about sites like ibiblio.org is "They are great. But how long will they be around?" Do you see this as a concern (esp. after the LWN announcement) and do you have any comments regarding this. Are there any good approaches you suggest (like augmenting free usership with voluntary subscriptions, etc) for such free sites in general?

Paul:
We have been very lucky, since our beginning, to have generous and understanding support from The University of North Carolina and from sponsors large and small including Sun, IBM, Red Hat, VA Linux^h^h^h^h^hSoftware, Mandrake, Cisco and others.

We also do get some research contracts and grants, but most importantly for us in the past two years has been a large gift from the founders of Red Hat and the Center for the Public Domain.

We have some top secret international funding sources as well. At the moment, we actually have a small endowment that if spent wisely should last several years. It is my hope that we will never have to charge the patrons of our digital archives.

BUT this brings me to my favorite question, which only got a rating of 4:

Donations?
by Anonymous Coward
Where do I send the cheque?

Paul:
Send your or your organization's tax-deductible contributions to:

Ibiblio.org
Campus Box 3456
University of North Carolina
Chapel Hill, NC 27599-3456

Moving on to:

Typical Questions
by suwain_2
I've downloaded my share of things, and find that the 3 Mbps cap on my cable modem is almost always my bottleneck. So my question is fairly simple (albeit broad) -- can you describe your setup a bit, in terms of bandwidth (both what you have for an Internet connection, and how much traffic you actually use), servers, storage (I'd venture to guess it's to the tune of several terabytes?), etc.

Paul:
We're on UNC's network. Our connections to the commodity and Internet2 networks are served by UNC's OC-48 network connection. We maintain a constant throughput of network traffic outbound in the 160-180Mbits/sec range.

Our current main servers were donated by IBM and serve content from a central fileserver with 2TB of disk attached. In our racks, we have approximately 5TB of space (with system disks, Sourceforge and an Internet2/Distributed Storage Initiative node). We do some load balancing between streaming services, web services, and large downloads like distros. On a typical day, we move over 1.5 terabytes of data off our servers. (Thanks to Fred Stutzman for much of this info.)

Backups
by Chris Pimlott
What's your backup strategy? I imagine it's hard to deal with both so much data as well as being under constant bombardment from clients around the world. How often is data archived? Have you had any major data loss incidents and, if so, how well were you able to deal with them?

Paul:
Like everyone else we rely on Archive.org, but seriously... (Fred answers this since he did the restore).

We run managed backups on UNC's enterprise storage facilities. We run them every night and have incremental backups for three months. UNC uses StorageTek machines and Tivoli Distributed Storage Manager for enterprise backups. We have had major data loss incidents, in which a raid card failed and lost the array's configuration. One of the disks in the array died simultaneously, we were unable to re-import the configuration to the new card, so we had to restore from backup, which took a number of days.

I, Paul, can only say that in the past things were much worse and we did have one famous meltdown in 1995 that was not pretty. Since then the UNC enterprise backup has been our friend - and for the most part disks and RAID arrays have been increasingly more reliable.

What's your biggest area?
by Otter
I know ibiblio (I still think of it as SunSite) as a) a repository of Unix software, especially useful for pre-Freshmeat apps and b) a mirror provider. "Free online publisher" wouldn't have made the list, but looking at your main page I see all sorts of things I didn't realize you hosted. Which ones get the most traffic?

Paul:
For sheer bytes, ISOs rule. But then it doesn't take too many downloads to get a lot of bytes for an ISO. Source-based distros like Gentoo have seen a lot of activity lately.

One of our most visited sites is also one of our oldest, Nicholas Pioch's WebMuseum (originally WebLouvre). An amusing reason may be that, as Nicolas writes:

"I've just found out that Microsoft Encarta Deluxe 2001 (the copy I just happened to find out and install) has direct links ('Web Links') from each artist's article to the webmuseum (on metalab.unc.edu at the time) and that's actually the only weblink provided in that 2001 edition."

Among other favorites are:

• The Linux Documention Project, which began on sunsite
• Documenting the American South
• Hong Kong Picture Archive
• Henriette's Herbal Homepage
• Hyperwar A hypertext history of the Second World War

What about content producers?
by Fluid Donkey
In general how supportive have you found the producers of such content to be of your services? Do many if any really believe that something like this will cause them to starve to death?

Paul:
First, they are all with us voluntarily and can leave any time, taking their stuff with them. That alone pretty much says that they believe in what we are helping them do.

I should say also that not all material is copyleft. But all of it is free to view, listen to and to reference. We are working with Creative Commons, which we also host, to develop a small but viable set of licenses for folks including our contributors who want to share their work on various terms (attribution, home or personal use, educational use, etc).

One important contributor, Roger McGuinn, has been making one folk song a month available for download since November 1995 on his Folk Den. He also sells CDs and performs concerts. He seems to be doing pretty well. Many contributors are scholars or students who understand the importance of sharing information.

Dave Farley, who does the wonderful Dr Fun, has a book contract with Plan 9, and we're looking forward to seeing what we've seen in electrons in print.

Relative importance of different material?
by kafka93
What is the center's view on the publishing of material that might be considered "offensive" or "dangerous", and does the center make subjective judgements upon the importance of one piece of intellectual property over another on the basis of 'artistic worth', 'decency', etc.? With only limited resources available to promote the archiving of data, is there the risk that important fringe documents may be left by the wayside, or ignored due to political/social concerns?

Paul:
Like non-digital archives and libraries, we have a Collection Policy. You'll note that we do not explicitly ban materials for content nor do we plan to. We do not maintain materials that are illegal, slanderous, libelous, or otherwise prohibited by law. Ultimately the contributors are responsible for their content and we do not review the content once a project is taken on.

Most rejections of content come about because the content is too commercial, just personal, or relies on advertising.

Metadata and easy searching
by RyanMuldoon
iBiblio stands out as an excellent repository for a wide range of culturally valuable resources. As it and other sites grow in size, the importance of good searching and indexing becomes extremely relevant. Have you given any thought to how you might want to cope with this? Specifically, are there any metadata schemata that you are considering using? I would love to see iBiblio be used more like a content feed to research/cross-referencing applications.

Paul:
Interesting that you asked about this as this is an area that we've been working in for the past couple of years. Actually we go way back to pre-Web metadata to the Internet Anonymous FTP Archive (IAFA) files which were the model for the Linux Software Map (LSM). Thanks to Jonathan Magid for this innovation and for suggesting that we host Linux in the very beginning.

When we designed our contributor-maintained Collection Index, we designed it to create and display metadata that could be shared via the Open Archives Initiative (OAI). Please note that this metadata is at the collection level - not at the item level. Item level metadata is for future work. Also since you asked: Miles Efron and I will be presenting a paper at the Digital Resource in the Humanities conference in September on the Problem of Access in Contributor-Run Digital Libraries. Serena Fenton is co-author to this paper.

On the Linux Documentation Project front, we worked with several others to create the Open Source Metadata Framework (OMF).

The OMF aims to collect data about Open Source documentation, or metadata, that will be used to describe the documentation. The idea is that the OMF will act as a sophisticated card catalog type of system for the numerous Open Source documentation projects that exist. The OMF offers a number of advantages over standard card catalog type systems, however. Chief among these is the fact that the OMF has been designed from the ground up to be completely open, standards based, and sharable. We will accomplish this by using pre-defined standards (XML and the Dublin Core description for metadata) and allowing all metadata generated to be accessed by anyone that wants it. Because the metadata itself is to be stored in XML files, anyone should be able to use it.

OMF support is included in the Scrollkeeper project. Note that none of these metadata designs are overly complex. That is by design. The idea is to keep the metadata simple enough to be understood by the creator of the digital item or collection that it describes. If I could make one strong point about metadata design it is that simplicity is the key - and the hardest thing to pull off.

Trust metric and online publishing
by Creosote
I heard you talk at the Southern Presses conference last year about the use of trust metrics (like Slashdot's karma and Advogato's peer certification) as a possible alternative to the "top-down" means of filtering that scholarly and commercial publishers use, namely formal peer review and mass marketing, respectively. Are you more or less optimistic about the long-term viability of this model then you were then? (Especially in light of the powerful efforts to keep control of the gates we're seeing these days from Hollywood, the recording industry, and their political allies...)

Paul:
Beginning here I am speaking personally and not on behalf of ibiblio.org or any of its sponsors or supporters including but not limited to the University of North Carolina.

The Blog is one example of creator-empowerment that has gotten more attention since that talk and I think there will be plenty more examples to come. I still believe that people in constant communications will result in "Smart Mobs" (thank you, Howard Rheingold, for naming and noticing and writing on this). This is not just about music or movies or about one country or even one age group. While I don't think that we will completely replace our reliance, however reluctant, on Mickey Mouse, I do think that we are entering a time in which there are new opportunities for us to share information and to work together. The slew of misguided efforts by media and information cartels, especially the RIAA, which demonize their customers and clients, will make things tough but they also are signs that the old solutions are not working well and that newer, and I hope more inclusive and more open, solutions are on the horizon.

GeekPAC and "When Congress Attacks"
by lunenburg
I noticed that you are one of the founders of the American Open Technology Consortium and/or GeekPAC - the lobbying group that got a bit of fanfare a few months back when it was formed, but has been pretty quiet since then. With Congress launching seemingly daily attacks on our technological freedom in order to support the revenue models of a few huge businesses, the need for a voice in Washington is growing urgent. Is the AOTC/GeekPAC working to get our voices heard? Is there a need for an umbrella group to tie together various groups like GeekPAC, Public Knowledge, Digital Consumer, etc.?

Paul:
Yes, (again speaking only as Paul) I am an officer of the American Open Technology Consortium (AOTC). But for various complex reasons, I am not a member of GeekPAC. As you might have guessed, getting these projects going has been no simple matter. Jeff Gerhard has been doing a wonderful job of making sure the legal and procedural steps are properly taken. So far, what you are seeing is some very motivated but very busy people learning how to work together to get the projects off the ground. The good news is that folks like Jeff, Doc Searles and others on the boards are smart, dedicated and experienced people who can and will play well with others (including Public Knowledge and Digital Consumer and EFF). We hope to represent slightly different voices than those already represented. If you are reading this, you know who you are and we need your help.

About the umbrella group, I think that a summit conference (or at least a summit listserv) would make more sense. This kind of looser structure, often called an Action Committee or Organizing Committee, has been very successfully used by both ends of the political spectrum in the past half century.

Two words...
by Anonymous Coward
DRM? Palladium?

What's your take on these two technologies?

Are you afraid they'll ultimately destroy what you have been working for, for the past 10 years? If not, why?

Optional question: What about the copyright extension we have seen?

Another optional question: Linux... or BSD? =)

Paul:
Not Linux vs BSD, but Digital Rights Management and Microsoft's Palladium. DMR is the general term for the groups of solutions to the need for creators to be compensated for their work while allowing their audience to easily access those works. Or at least that would be ideally what DRM should do.

When DRM goes wrong, it tramples on the rights of the citizens to have access to information that they have legally purchased, want to criticize, parody, legally reuse or share.

When DRM goes wrong, it creates barriers to innovation and creativity. It biases access and reproduction of information to only certain technologies.

When DRM goes wrong, it creates and perpetrates closed markets and monopolies.

When DRM goes wrong, everyone suffers. It takes us back to the Stationers Guild, a response to the printing press. "The Stationers Guild obtained monopoly rights in the printing and probably distribution of all books, a monopoly codified by the Tudors in a licensing system aimed at censoring religious dissent" which lasted until the early 1700s.

When DRM goes wrong, it is called Palladium.

The good news is that Palladium is vaporware - so far.

What is your greatest success/failure?
by burgburgburg
Simple enough question in two parts:

Looking back on 10 years of doing this, what would classify as your greatest success, and your greatest failure?

Paul:
The simplest question is the hardest, of course. Luckily, you've narrowed the success/failure question to deal only with sunsite/metalab/ibiblio and not the past 10 years of my life.

One mark of great success is that we are still here hosting some of the original collections of information to be shared on the Net including the first 7/24 radio simulcast on the net, WXYC. We've been a part of many innovations and I, personally, have been able to work with some brilliant folks who often surprised themselves with what they had accomplished. We're also funded and we enjoy support from some wonderful and diverse faculties at UNC.

There is no question in my mind that the most significant decision that I made in those ten years was to listen to Jonathan Magid when he suggested that we become the US site for an operating system that didn't even work yet - Linux. If you are reading this far and are happy, you owe Jonathan. If you are unhappy, blame me.

In research, there is no such thing as failure. As I was explaining to our Interim Vice Chancellor, we are supposed to make mistakes. As Ms. Frizzle says, "Take chances, get messy and EXPLORE! Wahoo!".

Still, I do wish that we had found a way to use WAIS or another distributed search engine in a way that is still useful. There still seems to me to be something unfinished in that area. Killing gopher. That was more fun than Wack-a-mole.

And one final answer:

Slack.
by dsb3
You host a slew of subgenius content, so it must be asked ... do you have slack?

Paul:
While I do not profess to completely comprehend slack, I have been assured by members of the Church that I do have it.

Okay, here are answers from Paul Jones, director of ibiblio.org. You asked, and he responded -- and not always as seriously as you'd expect from someone who can ask us to call him "Professor Jones" or "Doctor Jones." But he's really "Just Paul," he says, "even in class." We hope a whole lot of you have a chance to meet Paul in person one day, because he's not only a warm and friendly guy, but one who has done a whole lot of good for Linux -- and for the Internet in general.

Paul:
Let me start out with a little overview of sunsite.unc.edu/metalab.unc.edu. Or better yet to point you to our annotated timeline. Then say that ibiblio.org began and has continued to be a way for the University of North Carolina (the original and still the best) to explore information sharing in the context of our missions of education, research and outreach. You folks using and contributing are the outreach part. In particular, we "acquire, discover, preserve, synthesize, and transmit knowledge" with all of your help.

We are a joint project of the School of Information and Library Science (there we are involved in digital archives and digital libraries), The School of Journalism and Mass Communication (there we are involved in electronic publishing and multimedia sharing), and the Vice Chancellor for Information Technology.

Except for one and occasionally two full time employees, our entire staff consists of students or in my case part time (as I have faculty responsibilities). So be nice to all of us, we're always learning. No matter what Robin said in the article introducing me, none of this would have happened without some very good people on staff and contributing content.

But that brings us to:

Question of Money
by too_bad
One of the things that people frequently ask about sites like ibiblio.org is "They are great. But how long will they be around?" Do you see this as a concern (esp. after the LWN announcement) and do you have any comments regarding this. Are there any good approaches you suggest (like augmenting free usership with voluntary subscriptions, etc) for such free sites in general?

Paul:
We have been very lucky, since our beginning, to have generous and understanding support from The University of North Carolina and from sponsors large and small including Sun, IBM, Red Hat, VA Linux^h^h^h^h^hSoftware, Mandrake, Cisco and others.

We also do get some research contracts and grants, but most importantly for us in the past two years has been a large gift from the founders of Red Hat and the Center for the Public Domain.

We have some top secret international funding sources as well. At the moment, we actually have a small endowment that if spent wisely should last several years. It is my hope that we will never have to charge the patrons of our digital archives.

BUT this brings me to my favorite question, which only got a rating of 4:

Donations?
by Anonymous Coward
Where do I send the cheque?

Paul:
Send your or your organization's tax-deductible contributions to:

Ibiblio.org
Campus Box 3456
University of North Carolina
Chapel Hill, NC 27599-3456

Moving on to:

Typical Questions
by suwain_2
I've downloaded my share of things, and find that the 3 Mbps cap on my cable modem is almost always my bottleneck. So my question is fairly simple (albeit broad) -- can you describe your setup a bit, in terms of bandwidth (both what you have for an Internet connection, and how much traffic you actually use), servers, storage (I'd venture to guess it's to the tune of several terabytes?), etc.

Paul:
We're on UNC's network. Our connections to the commodity and Internet2 networks are served by UNC's OC-48 network connection. We maintain a constant throughput of network traffic outbound in the 160-180Mbits/sec range.

Our current main servers were donated by IBM and serve content from a central fileserver with 2TB of disk attached. In our racks, we have approximately 5TB of space (with system disks, Sourceforge and an Internet2/Distributed Storage Initiative node). We do some load balancing between streaming services, web services, and large downloads like distros. On a typical day, we move over 1.5 terabytes of data off our servers. (Thanks to Fred Stutzman for much of this info.)

Backups
by Chris Pimlott
What's your backup strategy? I imagine it's hard to deal with both so much data as well as being under constant bombardment from clients around the world. How often is data archived? Have you had any major data loss incidents and, if so, how well were you able to deal with them?

Paul:
Like everyone else we rely on Archive.org, but seriously... (Fred answers this since he did the restore).

We run managed backups on UNC's enterprise storage facilities. We run them every night and have incremental backups for three months. UNC uses StorageTek machines and Tivoli Distributed Storage Manager for enterprise backups. We have had major data loss incidents, in which a raid card failed and lost the array's configuration. One of the disks in the array died simultaneously, we were unable to re-import the configuration to the new card, so we had to restore from backup, which took a number of days.

I, Paul, can only say that in the past things were much worse and we did have one famous meltdown in 1995 that was not pretty. Since then the UNC enterprise backup has been our friend - and for the most part disks and RAID arrays have been increasingly more reliable.

What's your biggest area?
by Otter
I know ibiblio (I still think of it as SunSite) as a) a repository of Unix software, especially useful for pre-Freshmeat apps and b) a mirror provider. "Free online publisher" wouldn't have made the list, but looking at your main page I see all sorts of things I didn't realize you hosted. Which ones get the most traffic?

Paul:
For sheer bytes, ISOs rule. But then it doesn't take too many downloads to get a lot of bytes for an ISO. Source-based distros like Gentoo have seen a lot of activity lately.

One of our most visited sites is also one of our oldest, Nicholas Pioch's WebMuseum (originally WebLouvre). An amusing reason may be that, as Nicolas writes:

"I've just found out that Microsoft Encarta Deluxe 2001 (the copy I just happened to find out and install) has direct links ('Web Links') from each artist's article to the webmuseum (on metalab.unc.edu at the time) and that's actually the only weblink provided in that 2001 edition."

Among other favorites are:

• The Linux Documention Project, which began on sunsite
• Documenting the American South
• Hong Kong Picture Archive
• Henriette's Herbal Homepage
• Hyperwar A hypertext history of the Second World War

What about content producers?
by Fluid Donkey
In general how supportive have you found the producers of such content to be of your services? Do many if any really believe that something like this will cause them to starve to death?

Paul:
First, they are all with us voluntarily and can leave any time, taking their stuff with them. That alone pretty much says that they believe in what we are helping them do.

I should say also that not all material is copyleft. But all of it is free to view, listen to and to reference. We are working with Creative Commons, which we also host, to develop a small but viable set of licenses for folks including our contributors who want to share their work on various terms (attribution, home or personal use, educational use, etc).

One important contributor, Roger McGuinn, has been making one folk song a month available for download since November 1995 on his Folk Den. He also sells CDs and performs concerts. He seems to be doing pretty well. Many contributors are scholars or students who understand the importance of sharing information.

Dave Farley, who does the wonderful Dr Fun, has a book contract with Plan 9, and we're looking forward to seeing what we've seen in electrons in print.

Relative importance of different material?
by kafka93
What is the center's view on the publishing of material that might be considered "offensive" or "dangerous", and does the center make subjective judgements upon the importance of one piece of intellectual property over another on the basis of 'artistic worth', 'decency', etc.? With only limited resources available to promote the archiving of data, is there the risk that important fringe documents may be left by the wayside, or ignored due to political/social concerns?

Paul:
Like non-digital archives and libraries, we have a Collection Policy. You'll note that we do not explicitly ban materials for content nor do we plan to. We do not maintain materials that are illegal, slanderous, libelous, or otherwise prohibited by law. Ultimately the contributors are responsible for their content and we do not review the content once a project is taken on.

Most rejections of content come about because the content is too commercial, just personal, or relies on advertising.

Metadata and easy searching
by RyanMuldoon
iBiblio stands out as an excellent repository for a wide range of culturally valuable resources. As it and other sites grow in size, the importance of good searching and indexing becomes extremely relevant. Have you given any thought to how you might want to cope with this? Specifically, are there any metadata schemata that you are considering using? I would love to see iBiblio be used more like a content feed to research/cross-referencing applications.

Paul:
Interesting that you asked about this as this is an area that we've been working in for the past couple of years. Actually we go way back to pre-Web metadata to the Internet Anonymous FTP Archive (IAFA) files which were the model for the Linux Software Map (LSM). Thanks to Jonathan Magid for this innovation and for suggesting that we host Linux in the very beginning.

When we designed our contributor-maintained Collection Index, we designed it to create and display metadata that could be shared via the Open Archives Initiative (OAI). Please note that this metadata is at the collection level - not at the item level. Item level metadata is for future work. Also since you asked: Miles Efron and I will be presenting a paper at the Digital Resource in the Humanities conference in September on the Problem of Access in Contributor-Run Digital Libraries. Serena Fenton is co-author to this paper.

On the Linux Documentation Project front, we worked with several others to create the Open Source Metadata Framework (OMF).

The OMF aims to collect data about Open Source documentation, or metadata, that will be used to describe the documentation. The idea is that the OMF will act as a sophisticated card catalog type of system for the numerous Open Source documentation projects that exist. The OMF offers a number of advantages over standard card catalog type systems, however. Chief among these is the fact that the OMF has been designed from the ground up to be completely open, standards based, and sharable. We will accomplish this by using pre-defined standards (XML and the Dublin Core description for metadata) and allowing all metadata generated to be accessed by anyone that wants it. Because the metadata itself is to be stored in XML files, anyone should be able to use it.

OMF support is included in the Scrollkeeper project. Note that none of these metadata designs are overly complex. That is by design. The idea is to keep the metadata simple enough to be understood by the creator of the digital item or collection that it describes. If I could make one strong point about metadata design it is that simplicity is the key - and the hardest thing to pull off.

Trust metric and online publishing
by Creosote
I heard you talk at the Southern Presses conference last year about the use of trust metrics (like Slashdot's karma and Advogato's peer certification) as a possible alternative to the "top-down" means of filtering that scholarly and commercial publishers use, namely formal peer review and mass marketing, respectively. Are you more or less optimistic about the long-term viability of this model then you were then? (Especially in light of the powerful efforts to keep control of the gates we're seeing these days from Hollywood, the recording industry, and their political allies...)

Paul:
Beginning here I am speaking personally and not on behalf of ibiblio.org or any of its sponsors or supporters including but not limited to the University of North Carolina.

The Blog is one example of creator-empowerment that has gotten more attention since that talk and I think there will be plenty more examples to come. I still believe that people in constant communications will result in "Smart Mobs" (thank you, Howard Rheingold, for naming and noticing and writing on this). This is not just about music or movies or about one country or even one age group. While I don't think that we will completely replace our reliance, however reluctant, on Mickey Mouse, I do think that we are entering a time in which there are new opportunities for us to share information and to work together. The slew of misguided efforts by media and information cartels, especially the RIAA, which demonize their customers and clients, will make things tough but they also are signs that the old solutions are not working well and that newer, and I hope more inclusive and more open, solutions are on the horizon.

GeekPAC and "When Congress Attacks"
by lunenburg
I noticed that you are one of the founders of the American Open Technology Consortium and/or GeekPAC - the lobbying group that got a bit of fanfare a few months back when it was formed, but has been pretty quiet since then. With Congress launching seemingly daily attacks on our technological freedom in order to support the revenue models of a few huge businesses, the need for a voice in Washington is growing urgent. Is the AOTC/GeekPAC working to get our voices heard? Is there a need for an umbrella group to tie together various groups like GeekPAC, Public Knowledge, Digital Consumer, etc.?

Paul:
Yes, (again speaking only as Paul) I am an officer of the American Open Technology Consortium (AOTC). But for various complex reasons, I am not a member of GeekPAC. As you might have guessed, getting these projects going has been no simple matter. Jeff Gerhard has been doing a wonderful job of making sure the legal and procedural steps are properly taken. So far, what you are seeing is some very motivated but very busy people learning how to work together to get the projects off the ground. The good news is that folks like Jeff, Doc Searles and others on the boards are smart, dedicated and experienced people who can and will play well with others (including Public Knowledge and Digital Consumer and EFF). We hope to represent slightly different voices than those already represented. If you are reading this, you know who you are and we need your help.

About the umbrella group, I think that a summit conference (or at least a summit listserv) would make more sense. This kind of looser structure, often called an Action Committee or Organizing Committee, has been very successfully used by both ends of the political spectrum in the past half century.

Two words...
by Anonymous Coward
DRM? Palladium?

What's your take on these two technologies?

Are you afraid they'll ultimately destroy what you have been working for, for the past 10 years? If not, why?

Optional question: What about the copyright extension we have seen?

Another optional question: Linux... or BSD? =)

Paul:
Not Linux vs BSD, but Digital Rights Management and Microsoft's Palladium. DMR is the general term for the groups of solutions to the need for creators to be compensated for their work while allowing their audience to easily access those works. Or at least that would be ideally what DRM should do.

When DRM goes wrong, it tramples on the rights of the citizens to have access to information that they have legally purchased, want to criticize, parody, legally reuse or share.

When DRM goes wrong, it creates barriers to innovation and creativity. It biases access and reproduction of information to only certain technologies.

When DRM goes wrong, it creates and perpetrates closed markets and monopolies.

When DRM goes wrong, everyone suffers. It takes us back to the Stationers Guild, a response to the printing press. "The Stationers Guild obtained monopoly rights in the printing and probably distribution of all books, a monopoly codified by the Tudors in a licensing system aimed at censoring religious dissent" which lasted until the early 1700s.

When DRM goes wrong, it is called Palladium.

The good news is that Palladium is vaporware - so far.

What is your greatest success/failure?
by burgburgburg
Simple enough question in two parts:

Looking back on 10 years of doing this, what would classify as your greatest success, and your greatest failure?

Paul:
The simplest question is the hardest, of course. Luckily, you've narrowed the success/failure question to deal only with sunsite/metalab/ibiblio and not the past 10 years of my life.

One mark of great success is that we are still here hosting some of the original collections of information to be shared on the Net including the first 7/24 radio simulcast on the net, WXYC. We've been a part of many innovations and I, personally, have been able to work with some brilliant folks who often surprised themselves with what they had accomplished. We're also funded and we enjoy support from some wonderful and diverse faculties at UNC.

There is no question in my mind that the most significant decision that I made in those ten years was to listen to Jonathan Magid when he suggested that we become the US site for an operating system that didn't even work yet - Linux. If you are reading this far and are happy, you owe Jonathan. If you are unhappy, blame me.

In research, there is no such thing as failure. As I was explaining to our Interim Vice Chancellor, we are supposed to make mistakes. As Ms. Frizzle says, "Take chances, get messy and EXPLORE! Wahoo!".

Still, I do wish that we had found a way to use WAIS or another distributed search engine in a way that is still useful. There still seems to me to be something unfinished in that area. Killing gopher. That was more fun than Wack-a-mole.

And one final answer:

Slack.
by dsb3
You host a slew of subgenius content, so it must be asked ... do you have slack?

Paul:
While I do not profess to completely comprehend slack, I have been assured by members of the Church that I do have it.

Okay, here are answers from Paul Jones, director of ibiblio.org. You asked, and he responded -- and not always as seriously as you'd expect from someone who can ask us to call him "Professor Jones" or "Doctor Jones." But he's really "Just Paul," he says, "even in class." We hope a whole lot of you have a chance to meet Paul in person one day, because he's not only a warm and friendly guy, but one who has done a whole lot of good for Linux -- and for the Internet in general.

Paul:
Let me start out with a little overview of sunsite.unc.edu/metalab.unc.edu. Or better yet to point you to our annotated timeline. Then say that ibiblio.org began and has continued to be a way for the University of North Carolina (the original and still the best) to explore information sharing in the context of our missions of education, research and outreach. You folks using and contributing are the outreach part. In particular, we "acquire, discover, preserve, synthesize, and transmit knowledge" with all of your help.

We are a joint project of the School of Information and Library Science (there we are involved in digital archives and digital libraries), The School of Journalism and Mass Communication (there we are involved in electronic publishing and multimedia sharing), and the Vice Chancellor for Information Technology.

Except for one and occasionally two full time employees, our entire staff consists of students or in my case part time (as I have faculty responsibilities). So be nice to all of us, we're always learning. No matter what Robin said in the article introducing me, none of this would have happened without some very good people on staff and contributing content.

But that brings us to:

Question of Money
by too_bad
One of the things that people frequently ask about sites like ibiblio.org is "They are great. But how long will they be around?" Do you see this as a concern (esp. after the LWN announcement) and do you have any comments regarding this. Are there any good approaches you suggest (like augmenting free usership with voluntary subscriptions, etc) for such free sites in general?

Paul:
We have been very lucky, since our beginning, to have generous and understanding support from The University of North Carolina and from sponsors large and small including Sun, IBM, Red Hat, VA Linux^h^h^h^h^hSoftware, Mandrake, Cisco and others.

We also do get some research contracts and grants, but most importantly for us in the past two years has been a large gift from the founders of Red Hat and the Center for the Public Domain.

We have some top secret international funding sources as well. At the moment, we actually have a small endowment that if spent wisely should last several years. It is my hope that we will never have to charge the patrons of our digital archives.

BUT this brings me to my favorite question, which only got a rating of 4:

Donations?
by Anonymous Coward
Where do I send the cheque?

Paul:
Send your or your organization's tax-deductible contributions to:

Ibiblio.org
Campus Box 3456
University of North Carolina
Chapel Hill, NC 27599-3456

Moving on to:

Typical Questions
by suwain_2
I've downloaded my share of things, and find that the 3 Mbps cap on my cable modem is almost always my bottleneck. So my question is fairly simple (albeit broad) -- can you describe your setup a bit, in terms of bandwidth (both what you have for an Internet connection, and how much traffic you actually use), servers, storage (I'd venture to guess it's to the tune of several terabytes?), etc.

Paul:
We're on UNC's network. Our connections to the commodity and Internet2 networks are served by UNC's OC-48 network connection. We maintain a constant throughput of network traffic outbound in the 160-180Mbits/sec range.

Our current main servers were donated by IBM and serve content from a central fileserver with 2TB of disk attached. In our racks, we have approximately 5TB of space (with system disks, Sourceforge and an Internet2/Distributed Storage Initiative node). We do some load balancing between streaming services, web services, and large downloads like distros. On a typical day, we move over 1.5 terabytes of data off our servers. (Thanks to Fred Stutzman for much of this info.)

Backups
by Chris Pimlott
What's your backup strategy? I imagine it's hard to deal with both so much data as well as being under constant bombardment from clients around the world. How often is data archived? Have you had any major data loss incidents and, if so, how well were you able to deal with them?

Paul:
Like everyone else we rely on Archive.org, but seriously... (Fred answers this since he did the restore).

We run managed backups on UNC's enterprise storage facilities. We run them every night and have incremental backups for three months. UNC uses StorageTek machines and Tivoli Distributed Storage Manager for enterprise backups. We have had major data loss incidents, in which a raid card failed and lost the array's configuration. One of the disks in the array died simultaneously, we were unable to re-import the configuration to the new card, so we had to restore from backup, which took a number of days.

I, Paul, can only say that in the past things were much worse and we did have one famous meltdown in 1995 that was not pretty. Since then the UNC enterprise backup has been our friend - and for the most part disks and RAID arrays have been increasingly more reliable.

What's your biggest area?
by Otter
I know ibiblio (I still think of it as SunSite) as a) a repository of Unix software, especially useful for pre-Freshmeat apps and b) a mirror provider. "Free online publisher" wouldn't have made the list, but looking at your main page I see all sorts of things I didn't realize you hosted. Which ones get the most traffic?

Paul:
For sheer bytes, ISOs rule. But then it doesn't take too many downloads to get a lot of bytes for an ISO. Source-based distros like Gentoo have seen a lot of activity lately.

One of our most visited sites is also one of our oldest, Nicholas Pioch's WebMuseum (originally WebLouvre). An amusing reason may be that, as Nicolas writes:

"I've just found out that Microsoft Encarta Deluxe 2001 (the copy I just happened to find out and install) has direct links ('Web Links') from each artist's article to the webmuseum (on metalab.unc.edu at the time) and that's actually the only weblink provided in that 2001 edition."

Among other favorites are:

• The Linux Documention Project, which began on sunsite
• Documenting the American South
• Hong Kong Picture Archive
• Henriette's Herbal Homepage
• Hyperwar A hypertext history of the Second World War

What about content producers?
by Fluid Donkey
In general how supportive have you found the producers of such content to be of your services? Do many if any really believe that something like this will cause them to starve to death?

Paul:
First, they are all with us voluntarily and can leave any time, taking their stuff with them. That alone pretty much says that they believe in what we are helping them do.

I should say also that not all material is copyleft. But all of it is free to view, listen to and to reference. We are working with Creative Commons, which we also host, to develop a small but viable set of licenses for folks including our contributors who want to share their work on various terms (attribution, home or personal use, educational use, etc).

One important contributor, Roger McGuinn, has been making one folk song a month available for download since November 1995 on his Folk Den. He also sells CDs and performs concerts. He seems to be doing pretty well. Many contributors are scholars or students who understand the importance of sharing information.

Dave Farley, who does the wonderful Dr Fun, has a book contract with Plan 9, and we're looking forward to seeing what we've seen in electrons in print.

Relative importance of different material?
by kafka93
What is the center's view on the publishing of material that might be considered "offensive" or "dangerous", and does the center make subjective judgements upon the importance of one piece of intellectual property over another on the basis of 'artistic worth', 'decency', etc.? With only limited resources available to promote the archiving of data, is there the risk that important fringe documents may be left by the wayside, or ignored due to political/social concerns?

Paul:
Like non-digital archives and libraries, we have a Collection Policy. You'll note that we do not explicitly ban materials for content nor do we plan to. We do not maintain materials that are illegal, slanderous, libelous, or otherwise prohibited by law. Ultimately the contributors are responsible for their content and we do not review the content once a project is taken on.

Most rejections of content come about because the content is too commercial, just personal, or relies on advertising.

Metadata and easy searching
by RyanMuldoon
iBiblio stands out as an excellent repository for a wide range of culturally valuable resources. As it and other sites grow in size, the importance of good searching and indexing becomes extremely relevant. Have you given any thought to how you might want to cope with this? Specifically, are there any metadata schemata that you are considering using? I would love to see iBiblio be used more like a content feed to research/cross-referencing applications.

Paul:
Interesting that you asked about this as this is an area that we've been working in for the past couple of years. Actually we go way back to pre-Web metadata to the Internet Anonymous FTP Archive (IAFA) files which were the model for the Linux Software Map (LSM). Thanks to Jonathan Magid for this innovation and for suggesting that we host Linux in the very beginning.

When we designed our contributor-maintained Collection Index, we designed it to create and display metadata that could be shared via the Open Archives Initiative (OAI). Please note that this metadata is at the collection level - not at the item level. Item level metadata is for future work. Also since you asked: Miles Efron and I will be presenting a paper at the Digital Resource in the Humanities conference in September on the Problem of Access in Contributor-Run Digital Libraries. Serena Fenton is co-author to this paper.

On the Linux Documentation Project front, we worked with several others to create the Open Source Metadata Framework (OMF).

The OMF aims to collect data about Open Source documentation, or metadata, that will be used to describe the documentation. The idea is that the OMF will act as a sophisticated card catalog type of system for the numerous Open Source documentation projects that exist. The OMF offers a number of advantages over standard card catalog type systems, however. Chief among these is the fact that the OMF has been designed from the ground up to be completely open, standards based, and sharable. We will accomplish this by using pre-defined standards (XML and the Dublin Core description for metadata) and allowing all metadata generated to be accessed by anyone that wants it. Because the metadata itself is to be stored in XML files, anyone should be able to use it.

OMF support is included in the Scrollkeeper project. Note that none of these metadata designs are overly complex. That is by design. The idea is to keep the metadata simple enough to be understood by the creator of the digital item or collection that it describes. If I could make one strong point about metadata design it is that simplicity is the key - and the hardest thing to pull off.

Trust metric and online publishing
by Creosote
I heard you talk at the Southern Presses conference last year about the use of trust metrics (like Slashdot's karma and Advogato's peer certification) as a possible alternative to the "top-down" means of filtering that scholarly and commercial publishers use, namely formal peer review and mass marketing, respectively. Are you more or less optimistic about the long-term viability of this model then you were then? (Especially in light of the powerful efforts to keep control of the gates we're seeing these days from Hollywood, the recording industry, and their political allies...)

Paul:
Beginning here I am speaking personally and not on behalf of ibiblio.org or any of its sponsors or supporters including but not limited to the University of North Carolina.

The Blog is one example of creator-empowerment that has gotten more attention since that talk and I think there will be plenty more examples to come. I still believe that people in constant communications will result in "Smart Mobs" (thank you, Howard Rheingold, for naming and noticing and writing on this). This is not just about music or movies or about one country or even one age group. While I don't think that we will completely replace our reliance, however reluctant, on Mickey Mouse, I do think that we are entering a time in which there are new opportunities for us to share information and to work together. The slew of misguided efforts by media and information cartels, especially the RIAA, which demonize their customers and clients, will make things tough but they also are signs that the old solutions are not working well and that newer, and I hope more inclusive and more open, solutions are on the horizon.

GeekPAC and "When Congress Attacks"
by lunenburg
I noticed that you are one of the founders of the American Open Technology Consortium and/or GeekPAC - the lobbying group that got a bit of fanfare a few months back when it was formed, but has been pretty quiet since then. With Congress launching seemingly daily attacks on our technological freedom in order to support the revenue models of a few huge businesses, the need for a voice in Washington is growing urgent. Is the AOTC/GeekPAC working to get our voices heard? Is there a need for an umbrella group to tie together various groups like GeekPAC, Public Knowledge, Digital Consumer, etc.?

Paul:
Yes, (again speaking only as Paul) I am an officer of the American Open Technology Consortium (AOTC). But for various complex reasons, I am not a member of GeekPAC. As you might have guessed, getting these projects going has been no simple matter. Jeff Gerhard has been doing a wonderful job of making sure the legal and procedural steps are properly taken. So far, what you are seeing is some very motivated but very busy people learning how to work together to get the projects off the ground. The good news is that folks like Jeff, Doc Searles and others on the boards are smart, dedicated and experienced people who can and will play well with others (including Public Knowledge and Digital Consumer and EFF). We hope to represent slightly different voices than those already represented. If you are reading this, you know who you are and we need your help.

About the umbrella group, I think that a summit conference (or at least a summit listserv) would make more sense. This kind of looser structure, often called an Action Committee or Organizing Committee, has been very successfully used by both ends of the political spectrum in the past half century.

Two words...
by Anonymous Coward
DRM? Palladium?

What's your take on these two technologies?

Are you afraid they'll ultimately destroy what you have been working for, for the past 10 years? If not, why?

Optional question: What about the copyright extension we have seen?

Another optional question: Linux... or BSD? =)

Paul:
Not Linux vs BSD, but Digital Rights Management and Microsoft's Palladium. DMR is the general term for the groups of solutions to the need for creators to be compensated for their work while allowing their audience to easily access those works. Or at least that would be ideally what DRM should do.

When DRM goes wrong, it tramples on the rights of the citizens to have access to information that they have legally purchased, want to criticize, parody, legally reuse or share.

When DRM goes wrong, it creates barriers to innovation and creativity. It biases access and reproduction of information to only certain technologies.

When DRM goes wrong, it creates and perpetrates closed markets and monopolies.

When DRM goes wrong, everyone suffers. It takes us back to the Stationers Guild, a response to the printing press. "The Stationers Guild obtained monopoly rights in the printing and probably distribution of all books, a monopoly codified by the Tudors in a licensing system aimed at censoring religious dissent" which lasted until the early 1700s.

When DRM goes wrong, it is called Palladium.

The good news is that Palladium is vaporware - so far.

What is your greatest success/failure?
by burgburgburg
Simple enough question in two parts:

Looking back on 10 years of doing this, what would classify as your greatest success, and your greatest failure?

Paul:
The simplest question is the hardest, of course. Luckily, you've narrowed the success/failure question to deal only with sunsite/metalab/ibiblio and not the past 10 years of my life.

One mark of great success is that we are still here hosting some of the original collections of information to be shared on the Net including the first 7/24 radio simulcast on the net, WXYC. We've been a part of many innovations and I, personally, have been able to work with some brilliant folks who often surprised themselves with what they had accomplished. We're also funded and we enjoy support from some wonderful and diverse faculties at UNC.

There is no question in my mind that the most significant decision that I made in those ten years was to listen to Jonathan Magid when he suggested that we become the US site for an operating system that didn't even work yet - Linux. If you are reading this far and are happy, you owe Jonathan. If you are unhappy, blame me.

In research, there is no such thing as failure. As I was explaining to our Interim Vice Chancellor, we are supposed to make mistakes. As Ms. Frizzle says, "Take chances, get messy and EXPLORE! Wahoo!".

Still, I do wish that we had found a way to use WAIS or another distributed search engine in a way that is still useful. There still seems to me to be something unfinished in that area. Killing gopher. That was more fun than Wack-a-mole.

And one final answer:

Slack.
by dsb3
You host a slew of subgenius content, so it must be asked ... do you have slack?

Paul:
While I do not profess to completely comprehend slack, I have been assured by members of the Church that I do have it.

Okay, here are answers from Paul Jones, director of ibiblio.org. You asked, and he responded -- and not always as seriously as you'd expect from someone who can ask us to call him "Professor Jones" or "Doctor Jones." But he's really "Just Paul," he says, "even in class." We hope a whole lot of you have a chance to meet Paul in person one day, because he's not only a warm and friendly guy, but one who has done a whole lot of good for Linux -- and for the Internet in general.

Paul:
Let me start out with a little overview of sunsite.unc.edu/metalab.unc.edu. Or better yet to point you to our annotated timeline. Then say that ibiblio.org began and has continued to be a way for the University of North Carolina (the original and still the best) to explore information sharing in the context of our missions of education, research and outreach. You folks using and contributing are the outreach part. In particular, we "acquire, discover, preserve, synthesize, and transmit knowledge" with all of your help.

We are a joint project of the School of Information and Library Science (there we are involved in digital archives and digital libraries), The School of Journalism and Mass Communication (there we are involved in electronic publishing and multimedia sharing), and the Vice Chancellor for Information Technology.

Except for one and occasionally two full time employees, our entire staff consists of students or in my case part time (as I have faculty responsibilities). So be nice to all of us, we're always learning. No matter what Robin said in the article introducing me, none of this would have happened without some very good people on staff and contributing content.

But that brings us to:

Question of Money
by too_bad
One of the things that people frequently ask about sites like ibiblio.org is "They are great. But how long will they be around?" Do you see this as a concern (esp. after the LWN announcement) and do you have any comments regarding this. Are there any good approaches you suggest (like augmenting free usership with voluntary subscriptions, etc) for such free sites in general?

Paul:
We have been very lucky, since our beginning, to have generous and understanding support from The University of North Carolina and from sponsors large and small including Sun, IBM, Red Hat, VA Linux^h^h^h^h^hSoftware, Mandrake, Cisco and others.

We also do get some research contracts and grants, but most importantly for us in the past two years has been a large gift from the founders of Red Hat and the Center for the Public Domain.

We have some top secret international funding sources as well. At the moment, we actually have a small endowment that if spent wisely should last several years. It is my hope that we will never have to charge the patrons of our digital archives.

BUT this brings me to my favorite question, which only got a rating of 4:

Donations?
by Anonymous Coward
Where do I send the cheque?

Paul:
Send your or your organization's tax-deductible contributions to:

Ibiblio.org
Campus Box 3456
University of North Carolina
Chapel Hill, NC 27599-3456

Moving on to:

Typical Questions
by suwain_2
I've downloaded my share of things, and find that the 3 Mbps cap on my cable modem is almost always my bottleneck. So my question is fairly simple (albeit broad) -- can you describe your setup a bit, in terms of bandwidth (both what you have for an Internet connection, and how much traffic you actually use), servers, storage (I'd venture to guess it's to the tune of several terabytes?), etc.

Paul:
We're on UNC's network. Our connections to the commodity and Internet2 networks are served by UNC's OC-48 network connection. We maintain a constant throughput of network traffic outbound in the 160-180Mbits/sec range.

Our current main servers were donated by IBM and serve content from a central fileserver with 2TB of disk attached. In our racks, we have approximately 5TB of space (with system disks, Sourceforge and an Internet2/Distributed Storage Initiative node). We do some load balancing between streaming services, web services, and large downloads like distros. On a typical day, we move over 1.5 terabytes of data off our servers. (Thanks to Fred Stutzman for much of this info.)

Backups
by Chris Pimlott
What's your backup strategy? I imagine it's hard to deal with both so much data as well as being under constant bombardment from clients around the world. How often is data archived? Have you had any major data loss incidents and, if so, how well were you able to deal with them?

Paul:
Like everyone else we rely on Archive.org, but seriously... (Fred answers this since he did the restore).

We run managed backups on UNC's enterprise storage facilities. We run them every night and have incremental backups for three months. UNC uses StorageTek machines and Tivoli Distributed Storage Manager for enterprise backups. We have had major data loss incidents, in which a raid card failed and lost the array's configuration. One of the disks in the array died simultaneously, we were unable to re-import the configuration to the new card, so we had to restore from backup, which took a number of days.

I, Paul, can only say that in the past things were much worse and we did have one famous meltdown in 1995 that was not pretty. Since then the UNC enterprise backup has been our friend - and for the most part disks and RAID arrays have been increasingly more reliable.

What's your biggest area?
by Otter
I know ibiblio (I still think of it as SunSite) as a) a repository of Unix software, especially useful for pre-Freshmeat apps and b) a mirror provider. "Free online publisher" wouldn't have made the list, but looking at your main page I see all sorts of things I didn't realize you hosted. Which ones get the most traffic?

Paul:
For sheer bytes, ISOs rule. But then it doesn't take too many downloads to get a lot of bytes for an ISO. Source-based distros like Gentoo have seen a lot of activity lately.

One of our most visited sites is also one of our oldest, Nicholas Pioch's WebMuseum (originally WebLouvre). An amusing reason may be that, as Nicolas writes:

"I've just found out that Microsoft Encarta Deluxe 2001 (the copy I just happened to find out and install) has direct links ('Web Links') from each artist's article to the webmuseum (on metalab.unc.edu at the time) and that's actually the only weblink provided in that 2001 edition."

Among other favorites are:

• The Linux Documention Project, which began on sunsite
• Documenting the American South
• Hong Kong Picture Archive
• Henriette's Herbal Homepage
• Hyperwar A hypertext history of the Second World War

What about content producers?
by Fluid Donkey
In general how supportive have you found the producers of such content to be of your services? Do many if any really believe that something like this will cause them to starve to death?

Paul:
First, they are all with us voluntarily and can leave any time, taking their stuff with them. That alone pretty much says that they believe in what we are helping them do.

I should say also that not all material is copyleft. But all of it is free to view, listen to and to reference. We are working with Creative Commons, which we also host, to develop a small but viable set of licenses for folks including our contributors who want to share their work on various terms (attribution, home or personal use, educational use, etc).

One important contributor, Roger McGuinn, has been making one folk song a month available for download since November 1995 on his Folk Den. He also sells CDs and performs concerts. He seems to be doing pretty well. Many contributors are scholars or students who understand the importance of sharing information.

Dave Farley, who does the wonderful Dr Fun, has a book contract with Plan 9, and we're looking forward to seeing what we've seen in electrons in print.

Relative importance of different material?
by kafka93
What is the center's view on the publishing of material that might be considered "offensive" or "dangerous", and does the center make subjective judgements upon the importance of one piece of intellectual property over another on the basis of 'artistic worth', 'decency', etc.? With only limited resources available to promote the archiving of data, is there the risk that important fringe documents may be left by the wayside, or ignored due to political/social concerns?

Paul:
Like non-digital archives and libraries, we have a Collection Policy. You'll note that we do not explicitly ban materials for content nor do we plan to. We do not maintain materials that are illegal, slanderous, libelous, or otherwise prohibited by law. Ultimately the contributors are responsible for their content and we do not review the content once a project is taken on.

Most rejections of content come about because the content is too commercial, just personal, or relies on advertising.

Metadata and easy searching
by RyanMuldoon
iBiblio stands out as an excellent repository for a wide range of culturally valuable resources. As it and other sites grow in size, the importance of good searching and indexing becomes extremely relevant. Have you given any thought to how you might want to cope with this? Specifically, are there any metadata schemata that you are considering using? I would love to see iBiblio be used more like a content feed to research/cross-referencing applications.

Paul:
Interesting that you asked about this as this is an area that we've been working in for the past couple of years. Actually we go way back to pre-Web metadata to the Internet Anonymous FTP Archive (IAFA) files which were the model for the Linux Software Map (LSM). Thanks to Jonathan Magid for this innovation and for suggesting that we host Linux in the very beginning.

When we designed our contributor-maintained Collection Index, we designed it to create and display metadata that could be shared via the Open Archives Initiative (OAI). Please note that this metadata is at the collection level - not at the item level. Item level metadata is for future work. Also since you asked: Miles Efron and I will be presenting a paper at the Digital Resource in the Humanities conference in September on the Problem of Access in Contributor-Run Digital Libraries. Serena Fenton is co-author to this paper.

On the Linux Documentation Project front, we worked with several others to create the Open Source Metadata Framework (OMF).

The OMF aims to collect data about Open Source documentation, or metadata, that will be used to describe the documentation. The idea is that the OMF will act as a sophisticated card catalog type of system for the numerous Open Source documentation projects that exist. The OMF offers a number of advantages over standard card catalog type systems, however. Chief among these is the fact that the OMF has been designed from the ground up to be completely open, standards based, and sharable. We will accomplish this by using pre-defined standards (XML and the Dublin Core description for metadata) and allowing all metadata generated to be accessed by anyone that wants it. Because the metadata itself is to be stored in XML files, anyone should be able to use it.

OMF support is included in the Scrollkeeper project. Note that none of these metadata designs are overly complex. That is by design. The idea is to keep the metadata simple enough to be understood by the creator of the digital item or collection that it describes. If I could make one strong point about metadata design it is that simplicity is the key - and the hardest thing to pull off.

Trust metric and online publishing
by Creosote
I heard you talk at the Southern Presses conference last year about the use of trust metrics (like Slashdot's karma and Advogato's peer certification) as a possible alternative to the "top-down" means of filtering that scholarly and commercial publishers use, namely formal peer review and mass marketing, respectively. Are you more or less optimistic about the long-term viability of this model then you were then? (Especially in light of the powerful efforts to keep control of the gates we're seeing these days from Hollywood, the recording industry, and their political allies...)

Paul:
Beginning here I am speaking personally and not on behalf of ibiblio.org or any of its sponsors or supporters including but not limited to the University of North Carolina.

The Blog is one example of creator-empowerment that has gotten more attention since that talk and I think there will be plenty more examples to come. I still believe that people in constant communications will result in "Smart Mobs" (thank you, Howard Rheingold, for naming and noticing and writing on this). This is not just about music or movies or about one country or even one age group. While I don't think that we will completely replace our reliance, however reluctant, on Mickey Mouse, I do think that we are entering a time in which there are new opportunities for us to share information and to work together. The slew of misguided efforts by media and information cartels, especially the RIAA, which demonize their customers and clients, will make things tough but they also are signs that the old solutions are not working well and that newer, and I hope more inclusive and more open, solutions are on the horizon.

GeekPAC and "When Congress Attacks"
by lunenburg
I noticed that you are one of the founders of the American Open Technology Consortium and/or GeekPAC - the lobbying group that got a bit of fanfare a few months back when it was formed, but has been pretty quiet since then. With Congress launching seemingly daily attacks on our technological freedom in order to support the revenue models of a few huge businesses, the need for a voice in Washington is growing urgent. Is the AOTC/GeekPAC working to get our voices heard? Is there a need for an umbrella group to tie together various groups like GeekPAC, Public Knowledge, Digital Consumer, etc.?

Paul:
Yes, (again speaking only as Paul) I am an officer of the American Open Technology Consortium (AOTC). But for various complex reasons, I am not a member of GeekPAC. As you might have guessed, getting these projects going has been no simple matter. Jeff Gerhard has been doing a wonderful job of making sure the legal and procedural steps are properly taken. So far, what you are seeing is some very motivated but very busy people learning how to work together to get the projects off the ground. The good news is that folks like Jeff, Doc Searles and others on the boards are smart, dedicated and experienced people who can and will play well with others (including Public Knowledge and Digital Consumer and EFF). We hope to represent slightly different voices than those already represented. If you are reading this, you know who you are and we need your help.

About the umbrella group, I think that a summit conference (or at least a summit listserv) would make more sense. This kind of looser structure, often called an Action Committee or Organizing Committee, has been very successfully used by both ends of the political spectrum in the past half century.

Two words...
by Anonymous Coward
DRM? Palladium?

What's your take on these two technologies?

Are you afraid they'll ultimately destroy what you have been working for, for the past 10 years? If not, why?

Optional question: What about the copyright extension we have seen?

Another optional question: Linux... or BSD? =)

Paul:
Not Linux vs BSD, but Digital Rights Management and Microsoft's Palladium. DMR is the general term for the groups of solutions to the need for creators to be compensated for their work while allowing their audience to easily access those works. Or at least that would be ideally what DRM should do.

When DRM goes wrong, it tramples on the rights of the citizens to have access to information that they have legally purchased, want to criticize, parody, legally reuse or share.

When DRM goes wrong, it creates barriers to innovation and creativity. It biases access and reproduction of information to only certain technologies.

When DRM goes wrong, it creates and perpetrates closed markets and monopolies.

When DRM goes wrong, everyone suffers. It takes us back to the Stationers Guild, a response to the printing press. "The Stationers Guild obtained monopoly rights in the printing and probably distribution of all books, a monopoly codified by the Tudors in a licensing system aimed at censoring religious dissent" which lasted until the early 1700s.

When DRM goes wrong, it is called Palladium.

The good news is that Palladium is vaporware - so far.

What is your greatest success/failure?
by burgburgburg
Simple enough question in two parts:

Looking back on 10 years of doing this, what would classify as your greatest success, and your greatest failure?

Paul:
The simplest question is the hardest, of course. Luckily, you've narrowed the success/failure question to deal only with sunsite/metalab/ibiblio and not the past 10 years of my life.

One mark of great success is that we are still here hosting some of the original collections of information to be shared on the Net including the first 7/24 radio simulcast on the net, WXYC. We've been a part of many innovations and I, personally, have been able to work with some brilliant folks who often surprised themselves with what they had accomplished. We're also funded and we enjoy support from some wonderful and diverse faculties at UNC.

There is no question in my mind that the most significant decision that I made in those ten years was to listen to Jonathan Magid when he suggested that we become the US site for an operating system that didn't even work yet - Linux. If you are reading this far and are happy, you owe Jonathan. If you are unhappy, blame me.

In research, there is no such thing as failure. As I was explaining to our Interim Vice Chancellor, we are supposed to make mistakes. As Ms. Frizzle says, "Take chances, get messy and EXPLORE! Wahoo!".

Still, I do wish that we had found a way to use WAIS or another distributed search engine in a way that is still useful. There still seems to me to be something unfinished in that area. Killing gopher. That was more fun than Wack-a-mole.

And one final answer:

Slack.
by dsb3
You host a slew of subgenius content, so it must be asked ... do you have slack?

Paul:
While I do not profess to completely comprehend slack, I have been assured by members of the Church that I do have it.

Okay, here are answers from Paul Jones, director of ibiblio.org. You asked, and he responded -- and not always as seriously as you'd expect from someone who can ask us to call him "Professor Jones" or "Doctor Jones." But he's really "Just Paul," he says, "even in class." We hope a whole lot of you have a chance to meet Paul in person one day, because he's not only a warm and friendly guy, but one who has done a whole lot of good for Linux -- and for the Internet in general.

Paul:
Let me start out with a little overview of sunsite.unc.edu/metalab.unc.edu. Or better yet to point you to our annotated timeline. Then say that ibiblio.org began and has continued to be a way for the University of North Carolina (the original and still the best) to explore information sharing in the context of our missions of education, research and outreach. You folks using and contributing are the outreach part. In particular, we "acquire, discover, preserve, synthesize, and transmit knowledge" with all of your help.

We are a joint project of the School of Information and Library Science (there we are involved in digital archives and digital libraries), The School of Journalism and Mass Communication (there we are involved in electronic publishing and multimedia sharing), and the Vice Chancellor for Information Technology.

Except for one and occasionally two full time employees, our entire staff consists of students or in my case part time (as I have faculty responsibilities). So be nice to all of us, we're always learning. No matter what Robin said in the article introducing me, none of this would have happened without some very good people on staff and contributing content.

But that brings us to:

Question of Money
by too_bad
One of the things that people frequently ask about sites like ibiblio.org is "They are great. But how long will they be around?" Do you see this as a concern (esp. after the LWN announcement) and do you have any comments regarding this. Are there any good approaches you suggest (like augmenting free usership with voluntary subscriptions, etc) for such free sites in general?

Paul:
We have been very lucky, since our beginning, to have generous and understanding support from The University of North Carolina and from sponsors large and small including Sun, IBM, Red Hat, VA Linux^h^h^h^h^hSoftware, Mandrake, Cisco and others.

We also do get some research contracts and grants, but most importantly for us in the past two years has been a large gift from the founders of Red Hat and the Center for the Public Domain.

We have some top secret international funding sources as well. At the moment, we actually have a small endowment that if spent wisely should last several years. It is my hope that we will never have to charge the patrons of our digital archives.

BUT this brings me to my favorite question, which only got a rating of 4:

Donations?
by Anonymous Coward
Where do I send the cheque?

Paul:
Send your or your organization's tax-deductible contributions to:

Ibiblio.org
Campus Box 3456
University of North Carolina
Chapel Hill, NC 27599-3456

Moving on to:

Typical Questions
by suwain_2
I've downloaded my share of things, and find that the 3 Mbps cap on my cable modem is almost always my bottleneck. So my question is fairly simple (albeit broad) -- can you describe your setup a bit, in terms of bandwidth (both what you have for an Internet connection, and how much traffic you actually use), servers, storage (I'd venture to guess it's to the tune of several terabytes?), etc.

Paul:
We're on UNC's network. Our connections to the commodity and Internet2 networks are served by UNC's OC-48 network connection. We maintain a constant throughput of network traffic outbound in the 160-180Mbits/sec range.

Our current main servers were donated by IBM and serve content from a central fileserver with 2TB of disk attached. In our racks, we have approximately 5TB of space (with system disks, Sourceforge and an Internet2/Distributed Storage Initiative node). We do some load balancing between streaming services, web services, and large downloads like distros. On a typical day, we move over 1.5 terabytes of data off our servers. (Thanks to Fred Stutzman for much of this info.)

Backups
by Chris Pimlott
What's your backup strategy? I imagine it's hard to deal with both so much data as well as being under constant bombardment from clients around the world. How often is data archived? Have you had any major data loss incidents and, if so, how well were you able to deal with them?

Paul:
Like everyone else we rely on Archive.org, but seriously... (Fred answers this since he did the restore).

We run managed backups on UNC's enterprise storage facilities. We run them every night and have incremental backups for three months. UNC uses StorageTek machines and Tivoli Distributed Storage Manager for enterprise backups. We have had major data loss incidents, in which a raid card failed and lost the array's configuration. One of the disks in the array died simultaneously, we were unable to re-import the configuration to the new card, so we had to restore from backup, which took a number of days.

I, Paul, can only say that in the past things were much worse and we did have one famous meltdown in 1995 that was not pretty. Since then the UNC enterprise backup has been our friend - and for the most part disks and RAID arrays have been increasingly more reliable.

What's your biggest area?
by Otter
I know ibiblio (I still think of it as SunSite) as a) a repository of Unix software, especially useful for pre-Freshmeat apps and b) a mirror provider. "Free online publisher" wouldn't have made the list, but looking at your main page I see all sorts of things I didn't realize you hosted. Which ones get the most traffic?

Paul:
For sheer bytes, ISOs rule. But then it doesn't take too many downloads to get a lot of bytes for an ISO. Source-based distros like Gentoo have seen a lot of activity lately.

One of our most visited sites is also one of our oldest, Nicholas Pioch's WebMuseum (originally WebLouvre). An amusing reason may be that, as Nicolas writes:

"I've just found out that Microsoft Encarta Deluxe 2001 (the copy I just happened to find out and install) has direct links ('Web Links') from each artist's article to the webmuseum (on metalab.unc.edu at the time) and that's actually the only weblink provided in that 2001 edition."

Among other favorites are:

• The Linux Documention Project, which began on sunsite
• Documenting the American South
• Hong Kong Picture Archive
• Henriette's Herbal Homepage
• Hyperwar A hypertext history of the Second World War

What about content producers?
by Fluid Donkey
In general how supportive have you found the producers of such content to be of your services? Do many if any really believe that something like this will cause them to starve to death?

Paul:
First, they are all with us voluntarily and can leave any time, taking their stuff with them. That alone pretty much says that they believe in what we are helping them do.

I should say also that not all material is copyleft. But all of it is free to view, listen to and to reference. We are working with Creative Commons, which we also host, to develop a small but viable set of licenses for folks including our contributors who want to share their work on various terms (attribution, home or personal use, educational use, etc).

One important contributor, Roger McGuinn, has been making one folk song a month available for download since November 1995 on his Folk Den. He also sells CDs and performs concerts. He seems to be doing pretty well. Many contributors are scholars or students who understand the importance of sharing information.

Dave Farley, who does the wonderful Dr Fun, has a book contract with Plan 9, and we're looking forward to seeing what we've seen in electrons in print.

Relative importance of different material?
by kafka93
What is the center's view on the publishing of material that might be considered "offensive" or "dangerous", and does the center make subjective judgements upon the importance of one piece of intellectual property over another on the basis of 'artistic worth', 'decency', etc.? With only limited resources available to promote the archiving of data, is there the risk that important fringe documents may be left by the wayside, or ignored due to political/social concerns?

Paul:
Like non-digital archives and libraries, we have a Collection Policy. You'll note that we do not explicitly ban materials for content nor do we plan to. We do not maintain materials that are illegal, slanderous, libelous, or otherwise prohibited by law. Ultimately the contributors are responsible for their content and we do not review the content once a project is taken on.

Most rejections of content come about because the content is too commercial, just personal, or relies on advertising.

Metadata and easy searching
by RyanMuldoon
iBiblio stands out as an excellent repository for a wide range of culturally valuable resources. As it and other sites grow in size, the importance of good searching and indexing becomes extremely relevant. Have you given any thought to how you might want to cope with this? Specifically, are there any metadata schemata that you are considering using? I would love to see iBiblio be used more like a content feed to research/cross-referencing applications.

Paul:
Interesting that you asked about this as this is an area that we've been working in for the past couple of years. Actually we go way back to pre-Web metadata to the Internet Anonymous FTP Archive (IAFA) files which were the model for the Linux Software Map (LSM). Thanks to Jonathan Magid for this innovation and for suggesting that we host Linux in the very beginning.

When we designed our contributor-maintained Collection Index, we designed it to create and display metadata that could be shared via the Open Archives Initiative (OAI). Please note that this metadata is at the collection level - not at the item level. Item level metadata is for future work. Also since you asked: Miles Efron and I will be presenting a paper at the Digital Resource in the Humanities conference in September on the Problem of Access in Contributor-Run Digital Libraries. Serena Fenton is co-author to this paper.

On the Linux Documentation Project front, we worked with several others to create the Open Source Metadata Framework (OMF).

The OMF aims to collect data about Open Source documentation, or metadata, that will be used to describe the documentation. The idea is that the OMF will act as a sophisticated card catalog type of system for the numerous Open Source documentation projects that exist. The OMF offers a number of advantages over standard card catalog type systems, however. Chief among these is the fact that the OMF has been designed from the ground up to be completely open, standards based, and sharable. We will accomplish this by using pre-defined standards (XML and the Dublin Core description for metadata) and allowing all metadata generated to be accessed by anyone that wants it. Because the metadata itself is to be stored in XML files, anyone should be able to use it.

OMF support is included in the Scrollkeeper project. Note that none of these metadata designs are overly complex. That is by design. The idea is to keep the metadata simple enough to be understood by the creator of the digital item or collection that it describes. If I could make one strong point about metadata design it is that simplicity is the key - and the hardest thing to pull off.

Trust metric and online publishing
by Creosote
I heard you talk at the Southern Presses conference last year about the use of trust metrics (like Slashdot's karma and Advogato's peer certification) as a possible alternative to the "top-down" means of filtering that scholarly and commercial publishers use, namely formal peer review and mass marketing, respectively. Are you more or less optimistic about the long-term viability of this model then you were then? (Especially in light of the powerful efforts to keep control of the gates we're seeing these days from Hollywood, the recording industry, and their political allies...)

Paul:
Beginning here I am speaking personally and not on behalf of ibiblio.org or any of its sponsors or supporters including but not limited to the University of North Carolina.

The Blog is one example of creator-empowerment that has gotten more attention since that talk and I think there will be plenty more examples to come. I still believe that people in constant communications will result in "Smart Mobs" (thank you, Howard Rheingold, for naming and noticing and writing on this). This is not just about music or movies or about one country or even one age group. While I don't think that we will completely replace our reliance, however reluctant, on Mickey Mouse, I do think that we are entering a time in which there are new opportunities for us to share information and to work together. The slew of misguided efforts by media and information cartels, especially the RIAA, which demonize their customers and clients, will make things tough but they also are signs that the old solutions are not working well and that newer, and I hope more inclusive and more open, solutions are on the horizon.

GeekPAC and "When Congress Attacks"
by lunenburg
I noticed that you are one of the founders of the American Open Technology Consortium and/or GeekPAC - the lobbying group that got a bit of fanfare a few months back when it was formed, but has been pretty quiet since then. With Congress launching seemingly daily attacks on our technological freedom in order to support the revenue models of a few huge businesses, the need for a voice in Washington is growing urgent. Is the AOTC/GeekPAC working to get our voices heard? Is there a need for an umbrella group to tie together various groups like GeekPAC, Public Knowledge, Digital Consumer, etc.?

Paul:
Yes, (again speaking only as Paul) I am an officer of the American Open Technology Consortium (AOTC). But for various complex reasons, I am not a member of GeekPAC. As you might have guessed, getting these projects going has been no simple matter. Jeff Gerhard has been doing a wonderful job of making sure the legal and procedural steps are properly taken. So far, what you are seeing is some very motivated but very busy people learning how to work together to get the projects off the ground. The good news is that folks like Jeff, Doc Searles and others on the boards are smart, dedicated and experienced people who can and will play well with others (including Public Knowledge and Digital Consumer and EFF). We hope to represent slightly different voices than those already represented. If you are reading this, you know who you are and we need your help.

About the umbrella group, I think that a summit conference (or at least a summit listserv) would make more sense. This kind of looser structure, often called an Action Committee or Organizing Committee, has been very successfully used by both ends of the political spectrum in the past half century.

Two words...
by Anonymous Coward
DRM? Palladium?

What's your take on these two technologies?

Are you afraid they'll ultimately destroy what you have been working for, for the past 10 years? If not, why?

Optional question: What about the copyright extension we have seen?

Another optional question: Linux... or BSD? =)

Paul:
Not Linux vs BSD, but Digital Rights Management and Microsoft's Palladium. DMR is the general term for the groups of solutions to the need for creators to be compensated for their work while allowing their audience to easily access those works. Or at least that would be ideally what DRM should do.

When DRM goes wrong, it tramples on the rights of the citizens to have access to information that they have legally purchased, want to criticize, parody, legally reuse or share.

When DRM goes wrong, it creates barriers to innovation and creativity. It biases access and reproduction of information to only certain technologies.

When DRM goes wrong, it creates and perpetrates closed markets and monopolies.

When DRM goes wrong, everyone suffers. It takes us back to the Stationers Guild, a response to the printing press. "The Stationers Guild obtained monopoly rights in the printing and probably distribution of all books, a monopoly codified by the Tudors in a licensing system aimed at censoring religious dissent" which lasted until the early 1700s.

When DRM goes wrong, it is called Palladium.

The good news is that Palladium is vaporware - so far.

What is your greatest success/failure?
by burgburgburg
Simple enough question in two parts:

Looking back on 10 years of doing this, what would classify as your greatest success, and your greatest failure?

Paul:
The simplest question is the hardest, of course. Luckily, you've narrowed the success/failure question to deal only with sunsite/metalab/ibiblio and not the past 10 years of my life.

One mark of great success is that we are still here hosting some of the original collections of information to be shared on the Net including the first 7/24 radio simulcast on the net, WXYC. We've been a part of many innovations and I, personally, have been able to work with some brilliant folks who often surprised themselves with what they had accomplished. We're also funded and we enjoy support from some wonderful and diverse faculties at UNC.

There is no question in my mind that the most significant decision that I made in those ten years was to listen to Jonathan Magid when he suggested that we become the US site for an operating system that didn't even work yet - Linux. If you are reading this far and are happy, you owe Jonathan. If you are unhappy, blame me.

In research, there is no such thing as failure. As I was explaining to our Interim Vice Chancellor, we are supposed to make mistakes. As Ms. Frizzle says, "Take chances, get messy and EXPLORE! Wahoo!".

Still, I do wish that we had found a way to use WAIS or another distributed search engine in a way that is still useful. There still seems to me to be something unfinished in that area. Killing gopher. That was more fun than Wack-a-mole.

And one final answer:

Slack.
by dsb3
You host a slew of subgenius content, so it must be asked ... do you have slack?

Paul:
While I do not profess to completely comprehend slack, I have been assured by members of the Church that I do have it.

Okay, here are answers from Paul Jones, director of ibiblio.org. You asked, and he responded -- and not always as seriously as you'd expect from someone who can ask us to call him "Professor Jones" or "Doctor Jones." But he's really "Just Paul," he says, "even in class." We hope a whole lot of you have a chance to meet Paul in person one day, because he's not only a warm and friendly guy, but one who has done a whole lot of good for Linux -- and for the Internet in general.

Paul:
Let me start out with a little overview of sunsite.unc.edu/metalab.unc.edu. Or better yet to point you to our annotated timeline. Then say that ibiblio.org began and has continued to be a way for the University of North Carolina (the original and still the best) to explore information sharing in the context of our missions of education, research and outreach. You folks using and contributing are the outreach part. In particular, we "acquire, discover, preserve, synthesize, and transmit knowledge" with all of your help.

We are a joint project of the School of Information and Library Science (there we are involved in digital archives and digital libraries), The School of Journalism and Mass Communication (there we are involved in electronic publishing and multimedia sharing), and the Vice Chancellor for Information Technology.

Except for one and occasionally two full time employees, our entire staff consists of students or in my case part time (as I have faculty responsibilities). So be nice to all of us, we're always learning. No matter what Robin said in the article introducing me, none of this would have happened without some very good people on staff and contributing content.

But that brings us to:

Question of Money
by too_bad
One of the things that people frequently ask about sites like ibiblio.org is "They are great. But how long will they be around?" Do you see this as a concern (esp. after the LWN announcement) and do you have any comments regarding this. Are there any good approaches you suggest (like augmenting free usership with voluntary subscriptions, etc) for such free sites in general?

Paul:
We have been very lucky, since our beginning, to have generous and understanding support from The University of North Carolina and from sponsors large and small including Sun, IBM, Red Hat, VA Linux^h^h^h^h^hSoftware, Mandrake, Cisco and others.

We also do get some research contracts and grants, but most importantly for us in the past two years has been a large gift from the founders of Red Hat and the Center for the Public Domain.

We have some top secret international funding sources as well. At the moment, we actually have a small endowment that if spent wisely should last several years. It is my hope that we will never have to charge the patrons of our digital archives.

BUT this brings me to my favorite question, which only got a rating of 4:

Donations?
by Anonymous Coward
Where do I send the cheque?

Paul:
Send your or your organization's tax-deductible contributions to:

Ibiblio.org
Campus Box 3456
University of North Carolina
Chapel Hill, NC 27599-3456

Moving on to:

Typical Questions
by suwain_2
I've downloaded my share of things, and find that the 3 Mbps cap on my cable modem is almost always my bottleneck. So my question is fairly simple (albeit broad) -- can you describe your setup a bit, in terms of bandwidth (both what you have for an Internet connection, and how much traffic you actually use), servers, storage (I'd venture to guess it's to the tune of several terabytes?), etc.

Paul:
We're on UNC's network. Our connections to the commodity and Internet2 networks are served by UNC's OC-48 network connection. We maintain a constant throughput of network traffic outbound in the 160-180Mbits/sec range.

Our current main servers were donated by IBM and serve content from a central fileserver with 2TB of disk attached. In our racks, we have approximately 5TB of space (with system disks, Sourceforge and an Internet2/Distributed Storage Initiative node). We do some load balancing between streaming services, web services, and large downloads like distros. On a typical day, we move over 1.5 terabytes of data off our servers. (Thanks to Fred Stutzman for much of this info.)

Backups
by Chris Pimlott
What's your backup strategy? I imagine it's hard to deal with both so much data as well as being under constant bombardment from clients around the world. How often is data archived? Have you had any major data loss incidents and, if so, how well were you able to deal with them?

Paul:
Like everyone else we rely on Archive.org, but seriously... (Fred answers this since he did the restore).

We run managed backups on UNC's enterprise storage facilities. We run them every night and have incremental backups for three months. UNC uses StorageTek machines and Tivoli Distributed Storage Manager for enterprise backups. We have had major data loss incidents, in which a raid card failed and lost the array's configuration. One of the disks in the array died simultaneously, we were unable to re-import the configuration to the new card, so we had to restore from backup, which took a number of days.

I, Paul, can only say that in the past things were much worse and we did have one famous meltdown in 1995 that was not pretty. Since then the UNC enterprise backup has been our friend - and for the most part disks and RAID arrays have been increasingly more reliable.

What's your biggest area?
by Otter
I know ibiblio (I still think of it as SunSite) as a) a repository of Unix software, especially useful for pre-Freshmeat apps and b) a mirror provider. "Free online publisher" wouldn't have made the list, but looking at your main page I see all sorts of things I didn't realize you hosted. Which ones get the most traffic?

Paul:
For sheer bytes, ISOs rule. But then it doesn't take too many downloads to get a lot of bytes for an ISO. Source-based distros like Gentoo have seen a lot of activity lately.

One of our most visited sites is also one of our oldest, Nicholas Pioch's WebMuseum (originally WebLouvre). An amusing reason may be that, as Nicolas writes:

"I've just found out that Microsoft Encarta Deluxe 2001 (the copy I just happened to find out and install) has direct links ('Web Links') from each artist's article to the webmuseum (on metalab.unc.edu at the time) and that's actually the only weblink provided in that 2001 edition."

Among other favorites are:

• The Linux Documention Project, which began on sunsite
• Documenting the American South
• Hong Kong Picture Archive
• Henriette's Herbal Homepage
• Hyperwar A hypertext history of the Second World War

What about content producers?
by Fluid Donkey
In general how supportive have you found the producers of such content to be of your services? Do many if any really believe that something like this will cause them to starve to death?

Paul:
First, they are all with us voluntarily and can leave any time, taking their stuff with them. That alone pretty much says that they believe in what we are helping them do.

I should say also that not all material is copyleft. But all of it is free to view, listen to and to reference. We are working with Creative Commons, which we also host, to develop a small but viable set of licenses for folks including our contributors who want to share their work on various terms (attribution, home or personal use, educational use, etc).

One important contributor, Roger McGuinn, has been making one folk song a month available for download since November 1995 on his Folk Den. He also sells CDs and performs concerts. He seems to be doing pretty well. Many contributors are scholars or students who understand the importance of sharing information.

Dave Farley, who does the wonderful Dr Fun, has a book contract with Plan 9, and we're looking forward to seeing what we've seen in electrons in print.

Relative importance of different material?
by kafka93
What is the center's view on the publishing of material that might be considered "offensive" or "dangerous", and does the center make subjective judgements upon the importance of one piece of intellectual property over another on the basis of 'artistic worth', 'decency', etc.? With only limited resources available to promote the archiving of data, is there the risk that important fringe documents may be left by the wayside, or ignored due to political/social concerns?

Paul:
Like non-digital archives and libraries, we have a Collection Policy. You'll note that we do not explicitly ban materials for content nor do we plan to. We do not maintain materials that are illegal, slanderous, libelous, or otherwise prohibited by law. Ultimately the contributors are responsible for their content and we do not review the content once a project is taken on.

Most rejections of content come about because the content is too commercial, just personal, or relies on advertising.

Metadata and easy searching
by RyanMuldoon
iBiblio stands out as an excellent repository for a wide range of culturally valuable resources. As it and other sites grow in size, the importance of good searching and indexing becomes extremely relevant. Have you given any thought to how you might want to cope with this? Specifically, are there any metadata schemata that you are considering using? I would love to see iBiblio be used more like a content feed to research/cross-referencing applications.

Paul:
Interesting that you asked about this as this is an area that we've been working in for the past couple of years. Actually we go way back to pre-Web metadata to the Internet Anonymous FTP Archive (IAFA) files which were the model for the Linux Software Map (LSM). Thanks to Jonathan Magid for this innovation and for suggesting that we host Linux in the very beginning.

When we designed our contributor-maintained Collection Index, we designed it to create and display metadata that could be shared via the Open Archives Initiative (OAI). Please note that this metadata is at the collection level - not at the item level. Item level metadata is for future work. Also since you asked: Miles Efron and I will be presenting a paper at the Digital Resource in the Humanities conference in September on the Problem of Access in Contributor-Run Digital Libraries. Serena Fenton is co-author to this paper.

On the Linux Documentation Project front, we worked with several others to create the Open Source Metadata Framework (OMF).

The OMF aims to collect data about Open Source documentation, or metadata, that will be used to describe the documentation. The idea is that the OMF will act as a sophisticated card catalog type of system for the numerous Open Source documentation projects that exist. The OMF offers a number of advantages over standard card catalog type systems, however. Chief among these is the fact that the OMF has been designed from the ground up to be completely open, standards based, and sharable. We will accomplish this by using pre-defined standards (XML and the Dublin Core description for metadata) and allowing all metadata generated to be accessed by anyone that wants it. Because the metadata itself is to be stored in XML files, anyone should be able to use it.

OMF support is included in the Scrollkeeper project. Note that none of these metadata designs are overly complex. That is by design. The idea is to keep the metadata simple enough to be understood by the creator of the digital item or collection that it describes. If I could make one strong point about metadata design it is that simplicity is the key - and the hardest thing to pull off.

Trust metric and online publishing
by Creosote
I heard you talk at the Southern Presses conference last year about the use of trust metrics (like Slashdot's karma and Advogato's peer certification) as a possible alternative to the "top-down" means of filtering that scholarly and commercial publishers use, namely formal peer review and mass marketing, respectively. Are you more or less optimistic about the long-term viability of this model then you were then? (Especially in light of the powerful efforts to keep control of the gates we're seeing these days from Hollywood, the recording industry, and their political allies...)

Paul:
Beginning here I am speaking personally and not on behalf of ibiblio.org or any of its sponsors or supporters including but not limited to the University of North Carolina.

The Blog is one example of creator-empowerment that has gotten more attention since that talk and I think there will be plenty more examples to come. I still believe that people in constant communications will result in "Smart Mobs" (thank you, Howard Rheingold, for naming and noticing and writing on this). This is not just about music or movies or about one country or even one age group. While I don't think that we will completely replace our reliance, however reluctant, on Mickey Mouse, I do think that we are entering a time in which there are new opportunities for us to share information and to work together. The slew of misguided efforts by media and information cartels, especially the RIAA, which demonize their customers and clients, will make things tough but they also are signs that the old solutions are not working well and that newer, and I hope more inclusive and more open, solutions are on the horizon.

GeekPAC and "When Congress Attacks"
by lunenburg
I noticed that you are one of the founders of the American Open Technology Consortium and/or GeekPAC - the lobbying group that got a bit of fanfare a few months back when it was formed, but has been pretty quiet since then. With Congress launching seemingly daily attacks on our technological freedom in order to support the revenue models of a few huge businesses, the need for a voice in Washington is growing urgent. Is the AOTC/GeekPAC working to get our voices heard? Is there a need for an umbrella group to tie together various groups like GeekPAC, Public Knowledge, Digital Consumer, etc.?

Paul:
Yes, (again speaking only as Paul) I am an officer of the American Open Technology Consortium (AOTC). But for various complex reasons, I am not a member of GeekPAC. As you might have guessed, getting these projects going has been no simple matter. Jeff Gerhard has been doing a wonderful job of making sure the legal and procedural steps are properly taken. So far, what you are seeing is some very motivated but very busy people learning how to work together to get the projects off the ground. The good news is that folks like Jeff, Doc Searles and others on the boards are smart, dedicated and experienced people who can and will play well with others (including Public Knowledge and Digital Consumer and EFF). We hope to represent slightly different voices than those already represented. If you are reading this, you know who you are and we need your help.

About the umbrella group, I think that a summit conference (or at least a summit listserv) would make more sense. This kind of looser structure, often called an Action Committee or Organizing Committee, has been very successfully used by both ends of the political spectrum in the past half century.

Two words...
by Anonymous Coward
DRM? Palladium?

What's your take on these two technologies?

Are you afraid they'll ultimately destroy what you have been working for, for the past 10 years? If not, why?

Optional question: What about the copyright extension we have seen?

Another optional question: Linux... or BSD? =)

Paul:
Not Linux vs BSD, but Digital Rights Management and Microsoft's Palladium. DMR is the general term for the groups of solutions to the need for creators to be compensated for their work while allowing their audience to easily access those works. Or at least that would be ideally what DRM should do.

When DRM goes wrong, it tramples on the rights of the citizens to have access to information that they have legally purchased, want to criticize, parody, legally reuse or share.

When DRM goes wrong, it creates barriers to innovation and creativity. It biases access and reproduction of information to only certain technologies.

When DRM goes wrong, it creates and perpetrates closed markets and monopolies.

When DRM goes wrong, everyone suffers. It takes us back to the Stationers Guild, a response to the printing press. "The Stationers Guild obtained monopoly rights in the printing and probably distribution of all books, a monopoly codified by the Tudors in a licensing system aimed at censoring religious dissent" which lasted until the early 1700s.

When DRM goes wrong, it is called Palladium.

The good news is that Palladium is vaporware - so far.

What is your greatest success/failure?
by burgburgburg
Simple enough question in two parts:

Looking back on 10 years of doing this, what would classify as your greatest success, and your greatest failure?

Paul:
The simplest question is the hardest, of course. Luckily, you've narrowed the success/failure question to deal only with sunsite/metalab/ibiblio and not the past 10 years of my life.

One mark of great success is that we are still here hosting some of the original collections of information to be shared on the Net including the first 7/24 radio simulcast on the net, WXYC. We've been a part of many innovations and I, personally, have been able to work with some brilliant folks who often surprised themselves with what they had accomplished. We're also funded and we enjoy support from some wonderful and diverse faculties at UNC.

There is no question in my mind that the most significant decision that I made in those ten years was to listen to Jonathan Magid when he suggested that we become the US site for an operating system that didn't even work yet - Linux. If you are reading this far and are happy, you owe Jonathan. If you are unhappy, blame me.

In research, there is no such thing as failure. As I was explaining to our Interim Vice Chancellor, we are supposed to make mistakes. As Ms. Frizzle says, "Take chances, get messy and EXPLORE! Wahoo!".

Still, I do wish that we had found a way to use WAIS or another distributed search engine in a way that is still useful. There still seems to me to be something unfinished in that area. Killing gopher. That was more fun than Wack-a-mole.

And one final answer:

Slack.
by dsb3
You host a slew of subgenius content, so it must be asked ... do you have slack?

Paul:
While I do not profess to completely comprehend slack, I have been assured by members of the Church that I do have it.

Okay, here are answers from Paul Jones, director of ibiblio.org. You asked, and he responded -- and not always as seriously as you'd expect from someone who can ask us to call him "Professor Jones" or "Doctor Jones." But he's really "Just Paul," he says, "even in class." We hope a whole lot of you have a chance to meet Paul in person one day, because he's not only a warm and friendly guy, but one who has done a whole lot of good for Linux -- and for the Internet in general.

Paul:
Let me start out with a little overview of sunsite.unc.edu/metalab.unc.edu. Or better yet to point you to our annotated timeline. Then say that ibiblio.org began and has continued to be a way for the University of North Carolina (the original and still the best) to explore information sharing in the context of our missions of education, research and outreach. You folks using and contributing are the outreach part. In particular, we "acquire, discover, preserve, synthesize, and transmit knowledge" with all of your help.

We are a joint project of the School of Information and Library Science (there we are involved in digital archives and digital libraries), The School of Journalism and Mass Communication (there we are involved in electronic publishing and multimedia sharing), and the Vice Chancellor for Information Technology.

Except for one and occasionally two full time employees, our entire staff consists of students or in my case part time (as I have faculty responsibilities). So be nice to all of us, we're always learning. No matter what Robin said in the article introducing me, none of this would have happened without some very good people on staff and contributing content.

But that brings us to:

Question of Money
by too_bad
One of the things that people frequently ask about sites like ibiblio.org is "They are great. But how long will they be around?" Do you see this as a concern (esp. after the LWN announcement) and do you have any comments regarding this. Are there any good approaches you suggest (like augmenting free usership with voluntary subscriptions, etc) for such free sites in general?

Paul:
We have been very lucky, since our beginning, to have generous and understanding support from The University of North Carolina and from sponsors large and small including Sun, IBM, Red Hat, VA Linux^h^h^h^h^hSoftware, Mandrake, Cisco and others.

We also do get some research contracts and grants, but most importantly for us in the past two years has been a large gift from the founders of Red Hat and the Center for the Public Domain.

We have some top secret international funding sources as well. At the moment, we actually have a small endowment that if spent wisely should last several years. It is my hope that we will never have to charge the patrons of our digital archives.

BUT this brings me to my favorite question, which only got a rating of 4:

Donations?
by Anonymous Coward
Where do I send the cheque?

Paul:
Send your or your organization's tax-deductible contributions to:

Ibiblio.org
Campus Box 3456
University of North Carolina
Chapel Hill, NC 27599-3456

Moving on to:

Typical Questions
by suwain_2
I've downloaded my share of things, and find that the 3 Mbps cap on my cable modem is almost always my bottleneck. So my question is fairly simple (albeit broad) -- can you describe your setup a bit, in terms of bandwidth (both what you have for an Internet connection, and how much traffic you actually use), servers, storage (I'd venture to guess it's to the tune of several terabytes?), etc.

Paul:
We're on UNC's network. Our connections to the commodity and Internet2 networks are served by UNC's OC-48 network connection. We maintain a constant throughput of network traffic outbound in the 160-180Mbits/sec range.

Our current main servers were donated by IBM and serve content from a central fileserver with 2TB of disk attached. In our racks, we have approximately 5TB of space (with system disks, Sourceforge and an Internet2/Distributed Storage Initiative node). We do some load balancing between streaming services, web services, and large downloads like distros. On a typical day, we move over 1.5 terabytes of data off our servers. (Thanks to Fred Stutzman for much of this info.)

Backups
by Chris Pimlott
What's your backup strategy? I imagine it's hard to deal with both so much data as well as being under constant bombardment from clients around the world. How often is data archived? Have you had any major data loss incidents and, if so, how well were you able to deal with them?

Paul:
Like everyone else we rely on Archive.org, but seriously... (Fred answers this since he did the restore).

We run managed backups on UNC's enterprise storage facilities. We run them every night and have incremental backups for three months. UNC uses StorageTek machines and Tivoli Distributed Storage Manager for enterprise backups. We have had major data loss incidents, in which a raid card failed and lost the array's configuration. One of the disks in the array died simultaneously, we were unable to re-import the configuration to the new card, so we had to restore from backup, which took a number of days.

I, Paul, can only say that in the past things were much worse and we did have one famous meltdown in 1995 that was not pretty. Since then the UNC enterprise backup has been our friend - and for the most part disks and RAID arrays have been increasingly more reliable.

What's your biggest area?
by Otter
I know ibiblio (I still think of it as SunSite) as a) a repository of Unix software, especially useful for pre-Freshmeat apps and b) a mirror provider. "Free online publisher" wouldn't have made the list, but looking at your main page I see all sorts of things I didn't realize you hosted. Which ones get the most traffic?

Paul:
For sheer bytes, ISOs rule. But then it doesn't take too many downloads to get a lot of bytes for an ISO. Source-based distros like Gentoo have seen a lot of activity lately.

One of our most visited sites is also one of our oldest, Nicholas Pioch's WebMuseum (originally WebLouvre). An amusing reason may be that, as Nicolas writes:

"I've just found out that Microsoft Encarta Deluxe 2001 (the copy I just happened to find out and install) has direct links ('Web Links') from each artist's article to the webmuseum (on metalab.unc.edu at the time) and that's actually the only weblink provided in that 2001 edition."

Among other favorites are:

• The Linux Documention Project, which began on sunsite
• Documenting the American South
• Hong Kong Picture Archive
• Henriette's Herbal Homepage
• Hyperwar A hypertext history of the Second World War

What about content producers?
by Fluid Donkey
In general how supportive have you found the producers of such content to be of your services? Do many if any really believe that something like this will cause them to starve to death?

Paul:
First, they are all with us voluntarily and can leave any time, taking their stuff with them. That alone pretty much says that they believe in what we are helping them do.

I should say also that not all material is copyleft. But all of it is free to view, listen to and to reference. We are working with Creative Commons, which we also host, to develop a small but viable set of licenses for folks including our contributors who want to share their work on various terms (attribution, home or personal use, educational use, etc).

One important contributor, Roger McGuinn, has been making one folk song a month available for download since November 1995 on his Folk Den. He also sells CDs and performs concerts. He seems to be doing pretty well. Many contributors are scholars or students who understand the importance of sharing information.

Dave Farley, who does the wonderful Dr Fun, has a book contract with Plan 9, and we're looking forward to seeing what we've seen in electrons in print.

Relative importance of different material?
by kafka93
What is the center's view on the publishing of material that might be considered "offensive" or "dangerous", and does the center make subjective judgements upon the importance of one piece of intellectual property over another on the basis of 'artistic worth', 'decency', etc.? With only limited resources available to promote the archiving of data, is there the risk that important fringe documents may be left by the wayside, or ignored due to political/social concerns?

Paul:
Like non-digital archives and libraries, we have a Collection Policy. You'll note that we do not explicitly ban materials for content nor do we plan to. We do not maintain materials that are illegal, slanderous, libelous, or otherwise prohibited by law. Ultimately the contributors are responsible for their content and we do not review the content once a project is taken on.

Most rejections of content come about because the content is too commercial, just personal, or relies on advertising.

Metadata and easy searching
by RyanMuldoon
iBiblio stands out as an excellent repository for a wide range of culturally valuable resources. As it and other sites grow in size, the importance of good searching and indexing becomes extremely relevant. Have you given any thought to how you might want to cope with this? Specifically, are there any metadata schemata that you are considering using? I would love to see iBiblio be used more like a content feed to research/cross-referencing applications.

Paul:
Interesting that you asked about this as this is an area that we've been working in for the past couple of years. Actually we go way back to pre-Web metadata to the Internet Anonymous FTP Archive (IAFA) files which were the model for the Linux Software Map (LSM). Thanks to Jonathan Magid for this innovation and for suggesting that we host Linux in the very beginning.

When we designed our contributor-maintained Collection Index, we designed it to create and display metadata that could be shared via the Open Archives Initiative (OAI). Please note that this metadata is at the collection level - not at the item level. Item level metadata is for future work. Also since you asked: Miles Efron and I will be presenting a paper at the Digital Resource in the Humanities conference in September on the Problem of Access in Contributor-Run Digital Libraries. Serena Fenton is co-author to this paper.

On the Linux Documentation Project front, we worked with several others to create the Open Source Metadata Framework (OMF).

The OMF aims to collect data about Open Source documentation, or metadata, that will be used to describe the documentation. The idea is that the OMF will act as a sophisticated card catalog type of system for the numerous Open Source documentation projects that exist. The OMF offers a number of advantages over standard card catalog type systems, however. Chief among these is the fact that the OMF has been designed from the ground up to be completely open, standards based, and sharable. We will accomplish this by using pre-defined standards (XML and the Dublin Core description for metadata) and allowing all metadata generated to be accessed by anyone that wants it. Because the metadata itself is to be stored in XML files, anyone should be able to use it.

OMF support is included in the Scrollkeeper project. Note that none of these metadata designs are overly complex. That is by design. The idea is to keep the metadata simple enough to be understood by the creator of the digital item or collection that it describes. If I could make one strong point about metadata design it is that simplicity is the key - and the hardest thing to pull off.

Trust metric and online publishing
by Creosote
I heard you talk at the Southern Presses conference last year about the use of trust metrics (like Slashdot's karma and Advogato's peer certification) as a possible alternative to the "top-down" means of filtering that scholarly and commercial publishers use, namely formal peer review and mass marketing, respectively. Are you more or less optimistic about the long-term viability of this model then you were then? (Especially in light of the powerful efforts to keep control of the gates we're seeing these days from Hollywood, the recording industry, and their political allies...)

Paul:
Beginning here I am speaking personally and not on behalf of ibiblio.org or any of its sponsors or supporters including but not limited to the University of North Carolina.

The Blog is one example of creator-empowerment that has gotten more attention since that talk and I think there will be plenty more examples to come. I still believe that people in constant communications will result in "Smart Mobs" (thank you, Howard Rheingold, for naming and noticing and writing on this). This is not just about music or movies or about one country or even one age group. While I don't think that we will completely replace our reliance, however reluctant, on Mickey Mouse, I do think that we are entering a time in which there are new opportunities for us to share information and to work together. The slew of misguided efforts by media and information cartels, especially the RIAA, which demonize their customers and clients, will make things tough but they also are signs that the old solutions are not working well and that newer, and I hope more inclusive and more open, solutions are on the horizon.

GeekPAC and "When Congress Attacks"
by lunenburg
I noticed that you are one of the founders of the American Open Technology Consortium and/or GeekPAC - the lobbying group that got a bit of fanfare a few months back when it was formed, but has been pretty quiet since then. With Congress launching seemingly daily attacks on our technological freedom in order to support the revenue models of a few huge businesses, the need for a voice in Washington is growing urgent. Is the AOTC/GeekPAC working to get our voices heard? Is there a need for an umbrella group to tie together various groups like GeekPAC, Public Knowledge, Digital Consumer, etc.?

Paul:
Yes, (again speaking only as Paul) I am an officer of the American Open Technology Consortium (AOTC). But for various complex reasons, I am not a member of GeekPAC. As you might have guessed, getting these projects going has been no simple matter. Jeff Gerhard has been doing a wonderful job of making sure the legal and procedural steps are properly taken. So far, what you are seeing is some very motivated but very busy people learning how to work together to get the projects off the ground. The good news is that folks like Jeff, Doc Searles and others on the boards are smart, dedicated and experienced people who can and will play well with others (including Public Knowledge and Digital Consumer and EFF). We hope to represent slightly different voices than those already represented. If you are reading this, you know who you are and we need your help.

About the umbrella group, I think that a summit conference (or at least a summit listserv) would make more sense. This kind of looser structure, often called an Action Committee or Organizing Committee, has been very successfully used by both ends of the political spectrum in the past half century.

Two words...
by Anonymous Coward
DRM? Palladium?

What's your take on these two technologies?

Are you afraid they'll ultimately destroy what you have been working for, for the past 10 years? If not, why?

Optional question: What about the copyright extension we have seen?

Another optional question: Linux... or BSD? =)

Paul:
Not Linux vs BSD, but Digital Rights Management and Microsoft's Palladium. DMR is the general term for the groups of solutions to the need for creators to be compensated for their work while allowing their audience to easily access those works. Or at least that would be ideally what DRM should do.

When DRM goes wrong, it tramples on the rights of the citizens to have access to information that they have legally purchased, want to criticize, parody, legally reuse or share.

When DRM goes wrong, it creates barriers to innovation and creativity. It biases access and reproduction of information to only certain technologies.

When DRM goes wrong, it creates and perpetrates closed markets and monopolies.

When DRM goes wrong, everyone suffers. It takes us back to the Stationers Guild, a response to the printing press. "The Stationers Guild obtained monopoly rights in the printing and probably distribution of all books, a monopoly codified by the Tudors in a licensing system aimed at censoring religious dissent" which lasted until the early 1700s.

When DRM goes wrong, it is called Palladium.

The good news is that Palladium is vaporware - so far.

What is your greatest success/failure?
by burgburgburg
Simple enough question in two parts:

Looking back on 10 years of doing this, what would classify as your greatest success, and your greatest failure?

Paul:
The simplest question is the hardest, of course. Luckily, you've narrowed the success/failure question to deal only with sunsite/metalab/ibiblio and not the past 10 years of my life.

One mark of great success is that we are still here hosting some of the original collections of information to be shared on the Net including the first 7/24 radio simulcast on the net, WXYC. We've been a part of many innovations and I, personally, have been able to work with some brilliant folks who often surprised themselves with what they had accomplished. We're also funded and we enjoy support from some wonderful and diverse faculties at UNC.

There is no question in my mind that the most significant decision that I made in those ten years was to listen to Jonathan Magid when he suggested that we become the US site for an operating system that didn't even work yet - Linux. If you are reading this far and are happy, you owe Jonathan. If you are unhappy, blame me.

In research, there is no such thing as failure. As I was explaining to our Interim Vice Chancellor, we are supposed to make mistakes. As Ms. Frizzle says, "Take chances, get messy and EXPLORE! Wahoo!".

Still, I do wish that we had found a way to use WAIS or another distributed search engine in a way that is still useful. There still seems to me to be something unfinished in that area. Killing gopher. That was more fun than Wack-a-mole.

And one final answer:

Slack.
by dsb3
You host a slew of subgenius content, so it must be asked ... do you have slack?

Paul:
While I do not profess to completely comprehend slack, I have been assured by members of the Church that I do have it.

Okay, here are answers from Paul Jones, director of ibiblio.org. You asked, and he responded -- and not always as seriously as you'd expect from someone who can ask us to call him "Professor Jones" or "Doctor Jones." But he's really "Just Paul," he says, "even in class." We hope a whole lot of you have a chance to meet Paul in person one day, because he's not only a warm and friendly guy, but one who has done a whole lot of good for Linux -- and for the Internet in general.

Paul:
Let me start out with a little overview of sunsite.unc.edu/metalab.unc.edu. Or better yet to point you to our annotated timeline. Then say that ibiblio.org began and has continued to be a way for the University of North Carolina (the original and still the best) to explore information sharing in the context of our missions of education, research and outreach. You folks using and contributing are the outreach part. In particular, we "acquire, discover, preserve, synthesize, and transmit knowledge" with all of your help.

We are a joint project of the School of Information and Library Science (there we are involved in digital archives and digital libraries), The School of Journalism and Mass Communication (there we are involved in electronic publishing and multimedia sharing), and the Vice Chancellor for Information Technology.

Except for one and occasionally two full time employees, our entire staff consists of students or in my case part time (as I have faculty responsibilities). So be nice to all of us, we're always learning. No matter what Robin said in the article introducing me, none of this would have happened without some very good people on staff and contributing content.

But that brings us to:

Question of Money
by too_bad
One of the things that people frequently ask about sites like ibiblio.org is "They are great. But how long will they be around?" Do you see this as a concern (esp. after the LWN announcement) and do you have any comments regarding this. Are there any good approaches you suggest (like augmenting free usership with voluntary subscriptions, etc) for such free sites in general?

Paul:
We have been very lucky, since our beginning, to have generous and understanding support from The University of North Carolina and from sponsors large and small including Sun, IBM, Red Hat, VA Linux^h^h^h^h^hSoftware, Mandrake, Cisco and others.

We also do get some research contracts and grants, but most importantly for us in the past two years has been a large gift from the founders of Red Hat and the Center for the Public Domain.

We have some top secret international funding sources as well. At the moment, we actually have a small endowment that if spent wisely should last several years. It is my hope that we will never have to charge the patrons of our digital archives.

BUT this brings me to my favorite question, which only got a rating of 4:

Donations?
by Anonymous Coward
Where do I send the cheque?

Paul:
Send your or your organization's tax-deductible contributions to:

Ibiblio.org
Campus Box 3456
University of North Carolina
Chapel Hill, NC 27599-3456

Moving on to:

Typical Questions
by suwain_2
I've downloaded my share of things, and find that the 3 Mbps cap on my cable modem is almost always my bottleneck. So my question is fairly simple (albeit broad) -- can you describe your setup a bit, in terms of bandwidth (both what you have for an Internet connection, and how much traffic you actually use), servers, storage (I'd venture to guess it's to the tune of several terabytes?), etc.

Paul:
We're on UNC's network. Our connections to the commodity and Internet2 networks are served by UNC's OC-48 network connection. We maintain a constant throughput of network traffic outbound in the 160-180Mbits/sec range.

Our current main servers were donated by IBM and serve content from a central fileserver with 2TB of disk attached. In our racks, we have approximately 5TB of space (with system disks, Sourceforge and an Internet2/Distributed Storage Initiative node). We do some load balancing between streaming services, web services, and large downloads like distros. On a typical day, we move over 1.5 terabytes of data off our servers. (Thanks to Fred Stutzman for much of this info.)

Backups
by Chris Pimlott
What's your backup strategy? I imagine it's hard to deal with both so much data as well as being under constant bombardment from clients around the world. How often is data archived? Have you had any major data loss incidents and, if so, how well were you able to deal with them?

Paul:
Like everyone else we rely on Archive.org, but seriously... (Fred answers this since he did the restore).

We run managed backups on UNC's enterprise storage facilities. We run them every night and have incremental backups for three months. UNC uses StorageTek machines and Tivoli Distributed Storage Manager for enterprise backups. We have had major data loss incidents, in which a raid card failed and lost the array's configuration. One of the disks in the array died simultaneously, we were unable to re-import the configuration to the new card, so we had to restore from backup, which took a number of days.

I, Paul, can only say that in the past things were much worse and we did have one famous meltdown in 1995 that was not pretty. Since then the UNC enterprise backup has been our friend - and for the most part disks and RAID arrays have been increasingly more reliable.

What's your biggest area?
by Otter
I know ibiblio (I still think of it as SunSite) as a) a repository of Unix software, especially useful for pre-Freshmeat apps and b) a mirror provider. "Free online publisher" wouldn't have made the list, but looking at your main page I see all sorts of things I didn't realize you hosted. Which ones get the most traffic?

Paul:
For sheer bytes, ISOs rule. But then it doesn't take too many downloads to get a lot of bytes for an ISO. Source-based distros like Gentoo have seen a lot of activity lately.

One of our most visited sites is also one of our oldest, Nicholas Pioch's WebMuseum (originally WebLouvre). An amusing reason may be that, as Nicolas writes:

"I've just found out that Microsoft Encarta Deluxe 2001 (the copy I just happened to find out and install) has direct links ('Web Links') from each artist's article to the webmuseum (on metalab.unc.edu at the time) and that's actually the only weblink provided in that 2001 edition."

Among other favorites are:

• The Linux Documention Project, which began on sunsite
• Documenting the American South
• Hong Kong Picture Archive
• Henriette's Herbal Homepage
• Hyperwar A hypertext history of the Second World War

What about content producers?
by Fluid Donkey
In general how supportive have you found the producers of such content to be of your services? Do many if any really believe that something like this will cause them to starve to death?

Paul:
First, they are all with us voluntarily and can leave any time, taking their stuff with them. That alone pretty much says that they believe in what we are helping them do.

I should say also that not all material is copyleft. But all of it is free to view, listen to and to reference. We are working with Creative Commons, which we also host, to develop a small but viable set of licenses for folks including our contributors who want to share their work on various terms (attribution, home or personal use, educational use, etc).

One important contributor, Roger McGuinn, has been making one folk song a month available for download since November 1995 on his Folk Den. He also sells CDs and performs concerts. He seems to be doing pretty well. Many contributors are scholars or students who understand the importance of sharing information.

Dave Farley, who does the wonderful Dr Fun, has a book contract with Plan 9, and we're looking forward to seeing what we've seen in electrons in print.

Relative importance of different material?
by kafka93
What is the center's view on the publishing of material that might be considered "offensive" or "dangerous", and does the center make subjective judgements upon the importance of one piece of intellectual property over another on the basis of 'artistic worth', 'decency', etc.? With only limited resources available to promote the archiving of data, is there the risk that important fringe documents may be left by the wayside, or ignored due to political/social concerns?

Paul:
Like non-digital archives and libraries, we have a Collection Policy. You'll note that we do not explicitly ban materials for content nor do we plan to. We do not maintain materials that are illegal, slanderous, libelous, or otherwise prohibited by law. Ultimately the contributors are responsible for their content and we do not review the content once a project is taken on.

Most rejections of content come about because the content is too commercial, just personal, or relies on advertising.

Metadata and easy searching
by RyanMuldoon
iBiblio stands out as an excellent repository for a wide range of culturally valuable resources. As it and other sites grow in size, the importance of good searching and indexing becomes extremely relevant. Have you given any thought to how you might want to cope with this? Specifically, are there any metadata schemata that you are considering using? I would love to see iBiblio be used more like a content feed to research/cross-referencing applications.

Paul:
Interesting that you asked about this as this is an area that we've been working in for the past couple of years. Actually we go way back to pre-Web metadata to the Internet Anonymous FTP Archive (IAFA) files which were the model for the Linux Software Map (LSM). Thanks to Jonathan Magid for this innovation and for suggesting that we host Linux in the very beginning.

When we designed our contributor-maintained Collection Index, we designed it to create and display metadata that could be shared via the Open Archives Initiative (OAI). Please note that this metadata is at the collection level - not at the item level. Item level metadata is for future work. Also since you asked: Miles Efron and I will be presenting a paper at the Digital Resource in the Humanities conference in September on the Problem of Access in Contributor-Run Digital Libraries. Serena Fenton is co-author to this paper.

On the Linux Documentation Project front, we worked with several others to create the Open Source Metadata Framework (OMF).

The OMF aims to collect data about Open Source documentation, or metadata, that will be used to describe the documentation. The idea is that the OMF will act as a sophisticated card catalog type of system for the numerous Open Source documentation projects that exist. The OMF offers a number of advantages over standard card catalog type systems, however. Chief among these is the fact that the OMF has been designed from the ground up to be completely open, standards based, and sharable. We will accomplish this by using pre-defined standards (XML and the Dublin Core description for metadata) and allowing all metadata generated to be accessed by anyone that wants it. Because the metadata itself is to be stored in XML files, anyone should be able to use it.

OMF support is included in the Scrollkeeper project. Note that none of these metadata designs are overly complex. That is by design. The idea is to keep the metadata simple enough to be understood by the creator of the digital item or collection that it describes. If I could make one strong point about metadata design it is that simplicity is the key - and the hardest thing to pull off.

Trust metric and online publishing
by Creosote
I heard you talk at the Southern Presses conference last year about the use of trust metrics (like Slashdot's karma and Advogato's peer certification) as a possible alternative to the "top-down" means of filtering that scholarly and commercial publishers use, namely formal peer review and mass marketing, respectively. Are you more or less optimistic about the long-term viability of this model then you were then? (Especially in light of the powerful efforts to keep control of the gates we're seeing these days from Hollywood, the recording industry, and their political allies...)

Paul:
Beginning here I am speaking personally and not on behalf of ibiblio.org or any of its sponsors or supporters including but not limited to the University of North Carolina.

The Blog is one example of creator-empowerment that has gotten more attention since that talk and I think there will be plenty more examples to come. I still believe that people in constant communications will result in "Smart Mobs" (thank you, Howard Rheingold, for naming and noticing and writing on this). This is not just about music or movies or about one country or even one age group. While I don't think that we will completely replace our reliance, however reluctant, on Mickey Mouse, I do think that we are entering a time in which there are new opportunities for us to share information and to work together. The slew of misguided efforts by media and information cartels, especially the RIAA, which demonize their customers and clients, will make things tough but they also are signs that the old solutions are not working well and that newer, and I hope more inclusive and more open, solutions are on the horizon.

GeekPAC and "When Congress Attacks"
by lunenburg
I noticed that you are one of the founders of the American Open Technology Consortium and/or GeekPAC - the lobbying group that got a bit of fanfare a few months back when it was formed, but has been pretty quiet since then. With Congress launching seemingly daily attacks on our technological freedom in order to support the revenue models of a few huge businesses, the need for a voice in Washington is growing urgent. Is the AOTC/GeekPAC working to get our voices heard? Is there a need for an umbrella group to tie together various groups like GeekPAC, Public Knowledge, Digital Consumer, etc.?

Paul:
Yes, (again speaking only as Paul) I am an officer of the American Open Technology Consortium (AOTC). But for various complex reasons, I am not a member of GeekPAC. As you might have guessed, getting these projects going has been no simple matter. Jeff Gerhard has been doing a wonderful job of making sure the legal and procedural steps are properly taken. So far, what you are seeing is some very motivated but very busy people learning how to work together to get the projects off the ground. The good news is that folks like Jeff, Doc Searles and others on the boards are smart, dedicated and experienced people who can and will play well with others (including Public Knowledge and Digital Consumer and EFF). We hope to represent slightly different voices than those already represented. If you are reading this, you know who you are and we need your help.

About the umbrella group, I think that a summit conference (or at least a summit listserv) would make more sense. This kind of looser structure, often called an Action Committee or Organizing Committee, has been very successfully used by both ends of the political spectrum in the past half century.

Two words...
by Anonymous Coward
DRM? Palladium?

What's your take on these two technologies?

Are you afraid they'll ultimately destroy what you have been working for, for the past 10 years? If not, why?

Optional question: What about the copyright extension we have seen?

Another optional question: Linux... or BSD? =)

Paul:
Not Linux vs BSD, but Digital Rights Management and Microsoft's Palladium. DMR is the general term for the groups of solutions to the need for creators to be compensated for their work while allowing their audience to easily access those works. Or at least that would be ideally what DRM should do.

When DRM goes wrong, it tramples on the rights of the citizens to have access to information that they have legally purchased, want to criticize, parody, legally reuse or share.

When DRM goes wrong, it creates barriers to innovation and creativity. It biases access and reproduction of information to only certain technologies.

When DRM goes wrong, it creates and perpetrates closed markets and monopolies.

When DRM goes wrong, everyone suffers. It takes us back to the Stationers Guild, a response to the printing press. "The Stationers Guild obtained monopoly rights in the printing and probably distribution of all books, a monopoly codified by the Tudors in a licensing system aimed at censoring religious dissent" which lasted until the early 1700s.

When DRM goes wrong, it is called Palladium.

The good news is that Palladium is vaporware - so far.

What is your greatest success/failure?
by burgburgburg
Simple enough question in two parts:

Looking back on 10 years of doing this, what would classify as your greatest success, and your greatest failure?

Paul:
The simplest question is the hardest, of course. Luckily, you've narrowed the success/failure question to deal only with sunsite/metalab/ibiblio and not the past 10 years of my life.

One mark of great success is that we are still here hosting some of the original collections of information to be shared on the Net including the first 7/24 radio simulcast on the net, WXYC. We've been a part of many innovations and I, personally, have been able to work with some brilliant folks who often surprised themselves with what they had accomplished. We're also funded and we enjoy support from some wonderful and diverse faculties at UNC.

There is no question in my mind that the most significant decision that I made in those ten years was to listen to Jonathan Magid when he suggested that we become the US site for an operating system that didn't even work yet - Linux. If you are reading this far and are happy, you owe Jonathan. If you are unhappy, blame me.

In research, there is no such thing as failure. As I was explaining to our Interim Vice Chancellor, we are supposed to make mistakes. As Ms. Frizzle says, "Take chances, get messy and EXPLORE! Wahoo!".

Still, I do wish that we had found a way to use WAIS or another distributed search engine in a way that is still useful. There still seems to me to be something unfinished in that area. Killing gopher. That was more fun than Wack-a-mole.

And one final answer:

Slack.
by dsb3
You host a slew of subgenius content, so it must be asked ... do you have slack?

Paul:
While I do not profess to completely comprehend slack, I have been assured by members of the Church that I do have it.