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Behind the Scenes
JosefK writes: "Film & Video is running an interesting and fairly in-depth article on the technology that's been used by Peter Jackson's crew and WETA for the production of the Lord of the Rings. From satellite video feeds for overseeing remote shoots, to the development of WETA's Massive program for depicting large scale battle scenes with tens and hundreds of thousands of "agents" (and it runs on Linux!), the article covers the gamut of the interesting things Peter Jackson's been doing Down Under." And Salon is running a lengthy article on the increasing use of Linux in the special effects industry.
But as (Dungeons & Dragons) we all know (Dungeons & Dragons), special effects alone (Dungeons & Dragons) without good characters and (Dungeons & Dragons) plot development (Dungeons & Dragons) is (Dungeons & Dragons) crap.
(Dungeons & Dragons)
m00.
From the Salon Article:
"At Dreamworks, Leonard laments that the thing that drove graphics card performance on Linux in the early days of the migration was the first-person shooter computer game Quake. Gamers who were fans of Linux and Quake hacked on Linux until Quake ran smoothly."
This once agian proves that the Quake engine was the primary driver of technology over the last 7 years.
What will take us to the next level of computing? Why, Quake 4 of course.
He said that the shoot turned out to be one of the worst of Jackson's career. "We had horrendous weather and all kinds of problems in the production... At one point, production had to be stopped when they were shooting in Queenstown, because there was so much torrential rainfall that the entire crew had to help sandbag the town so that it wouldn't be washed away."
I'd think the ruins of a town washed away would make an excellent set, but hey. Whatever works.
Cheers,
levine
that a PBS station was involved in the production of LoTR. Does this mean that I'll stop hearing them beg for money twice a year?
Best Slashdot Co
Wrong. They're going to do an amazing job. Here's why:
"...we've got some people on the production that are real nut jobs. But they're good to have around. They bring a real passion to the work..."
These nutjobs are going to make sure the film is true to the book and shares its appeal. If those nutjobs weren't there, and this were a purely traditional Hollywood production, I would be extremely afraid. But I think it's in good hands.
Ceci n'est pas une sig
Go easy on Jackson when his films are released. He's obviously done close to everything that a director can do to:
1. Maintain Tolkein's vision.
2. Tell the story as truly as possible
3. Work within the confines of the entertainment industry to do so AND make a movie palatable to Joe Six Pack. (If the film doesn't make money, Hollywood won't support it, fact of life here on Earth, and probably MiddleEarth as well!)
These have all been Herculean tasks, and Peter Jackson has devoted his life to them. I would hope that the LOTR faithful are willing to look past minor transgressions that HAVE to be made to bring a story of this scope and scale to the screen.
Obviously, this will be a far, far cry from the embarressing cartoon of FOTR. Let's hope people can forgive Hobbits that aren't quite rotund enough, elves who aren't quite willowy enough, and dwarves that are perhaps a smidge to tall.
This has been said many times, and I am just repeating it. Taco, can we _please_ have a aseparate LOTR category? It more than deserves one!
Call me a karma whore if you like... But this needs to be said often for it to be agreed upon!
Don't Panic
Every time I work for a company we always have a few hundred Windows machines for desktop users, a mix of NT/2000/Netware/Linux/FreeBSD machines for servers, and Macs for desktop publishing and photo editing. It doesn't seem like Windows is *ever* used for anything higher-end computationally, even with the end user.
I don't quite understand why the GPL should be a problem, as mentioned in the Salon article.
It doesn't forbid writing and selling proprietary software, as long as said software isn't based on GPL'd source fragments.
And in-house tools are an example of software that isn't meant to be published or sold to the public. So when writing such tools, they can use GPL'd source and mangle it in whatever form they want, since the result doesn't leave the company and isn't sold or distributed, they don't have to publish source.
Or did I get something wrong here?
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Jackson has kept the names of the books the same, but altered the story somewhat. He's also keeping the movies more nearly the same length than the books are (go look at your paperbacks and you'll see that The Two Towers is by far the thinnest). There is more background being shoehorned into the first movie than we found in the first book, and to keep the movies relatively the same length some of the action we read in FOTR is appearing in the movie TTT.
....
From TheOneRing.net:
The character of Rosie will be expanded slightly, in order to allow us to see the origins of her relationship with Sam before his departure from the Shire....
Also, events that were told through flashbacks in the books will have to be told visually in the movies, such as the defeat of Sauron during the Second Age, Isildur's death, Gollum's history with the Ring, and Gandalf's imprisonment by Saruman at Isengard.
the first film in the trilogy will apparently feature flashbacks that will familiarize audiences with the history of the Ring, and it is safe to assume that any flashbacks of this type will include a summary of the story of The Hobbit.
Gandalf explains Gollum's history at the very beginning of FOTR and describes Sauron's defeat at the Council of Elrond, IIRC, so both of these added scenes will appear in the FOTR movie. The explanation of Bilbo's history with the Ring will probably also occur in Hobbiton at the start, so the movie version of FOTR has lots of added material. No wonder there wasn't room for Tom Bombadil.
Tolkien geek
It is indeed the Peter Jackson who made Bad Taste and Braindead. He also made the masterpiece that is Meet the Feebles, one of the most fscked up movies you will ever see.
To see how well he can handle special effects, I'd recommend watching The Frighteners. The CGI in it looks a little dated today, but it was pretty impressive when the film was released. It was on Starz last night, so I just had to watch the Lee Ermey segments.
He also directed Heavenly Creatures, which shows how well he can capture dramatic performances. It also has some pretty wicked dream sequences that show me just how creative this director really is.
I'm really happy with this choice of directors. From his past work, it seems that he's up to the task. He's also a huge fan of the book, and it's obvious that he wants to do it justice. Put that together with his sick sense of humor, and his penchant for gore, and we could have quite a film on our hands come December.
Of course, Jackson's taste for gore is going to be toned down a bit for the initial release, as he's been contracted to make a PG-13 film. There is a rumor that the DVD will have a Rated-R cut. I hope this happens.
Ratguy
What's really weird about Linux in the film industry is that the business / distribution / promotion side of the industry would love to outlaw free software. (SSSCA, DMCA, etc.)
Meanwhile, the production side has realized that it is really useful and is wholeheartedly embracing it.
You have to wonder if sooner or later some pointy-haired boss at the MPAA is going to wake up and go "WHAT! We USE Linux!? We use that communist, anti-American.... Well that had better stop immediately!"
I wonder how the "copyright" industries will try to resolve this - they don't want regular people to have powerful tools like programmable PCs and free software. But they sure want to use free software to make movies.
Maybe they'll go for an approach of requiring "computer licensing" but only if you use "non-approved" software. Most people wouldn't care because most people just run Windows, and they wouldn't need a license. Only Linux users, software developers, and computer science students would have to get licensed.
Kind of like you need a license for a car, but not for a bicycle. (Or continuing the analogy, Windows XP == tricycle...)
Torrey Hoffman (Azog)
"HTML needs a rant tag" - Alan Cox
The Imagica Imager XE digital film scanner mentioned has a maximum resolution of 4096x3112 pixels. It does a 2k frame scan from 35mm in 4 seconds and a 4k in 6-8 secs, counting speed to a remote disk via Fiber Channel or Gigabit Ethernet. It's about the size of a refrigerator and weighs 400kg. Heavy duty stuff.