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New Sensor Has Real Per-Pixel RGB Sensitivity

jonr writes: "Well, the holy grail of digital photography is finally found. A company named Foveon have developed a sensor that captures RGB colours on each pixel. So what you say? Well, for the past 30 years (or since the CCD was invented) we have been using CCD with with red, green & blue sensors (or cyan/magneta/yellow) and then used software to figure out the real colour. But Foveon is the first company to deliver RGB-in-each-pixel sensor. For those of you who are not into digital imaging, this makes a lot of difference, it's would be just as revelutionary if somebody would make a flatscreen with a real colour pixels, instead of the RGB dots. dpreview.com has the scoop. (No, it won't mean the death of film, but I suspect we'll see dramatic improvement in quality)."

352 comments

  1. Sweet by NeMon'ess · · Score: 2, Insightful
    So this could mean a three-fold increase in megapixels just because each pixel no longer requires 3 sensors to measure the color.

    1. Re:Sweet by maniac11 · · Score: 3, Informative

      Sorta... but now there are 3 full arrays to capture each color. Meaning it doesn't have to just downsample the color separation... It gives accurate color representation "in software".

      A 400% increase in the amount of red and blue light accounted for and a 200% increase in the amount of green. (See figure 1.) A mean increase of 300%, but the overall image quality will be exponentially better because the true color balance will be maintained.

      This is freakin' awesome, btw.

      --
      Guvegrra?
    2. Re:Sweet by Anonymous Coward · · Score: 1, Funny

      No, Unfortunately the new sensors are three times bigger than the old ones. ;)

    3. Re:Sweet by Anonymous Coward · · Score: 1, Informative

      Actually the meaning of the term "megapixel" has been corrupted by digital photography.

      What they call 2.1 megapixels is actually 1x1600x1200 bytes of data coming out of the CCD while you probably expect 3x1600x1200 bytes (RGB values for every pixel). Never mind that 1600x1200 = 1.92M not 2.1M ("cheat by 10%" marketing rule).

      So this new sensor would only bring back the true meaning of what a "pixel" is. I don't think they will multiply their numbers by 3, just use good marketing.

    4. Re:Sweet by tweakt · · Score: 1
      Exactly.

      The current highest-end I think is 5 Megapixels. There are actually 15 Million individual sensors on that camera. Now each one can record the exact color individually, so thoretically, we should see cameras with this Foveon sensor, at least 10+ Megapixel for higher end.

      When the parts get cheaper, this means price drops across the board for current resolutions, because to get 3MP of image data, you no longer need 9 million sensors, just 3 =).

      I'm glad I haven't bothered to upgrade from my Olympus D400Z yet. 1280x960 now, maybe 3000x2000 tomorrow !!!

    5. Re:Sweet by Alan+Partridge · · Score: 1

      joking aside, the difficulty of making LARGER sensors has been something of a brake on the professional adoption of digital photography. Mind you, I didn't see anything in Fovea's release that indicated size as a problem. Sounds really fascinating tech - can't wait to see the real world performance.

      --
      That was classic intercourse!
    6. Re:Sweet by stripes · · Score: 3, Informative
      The current highest-end I think is 5 Megapixels. There are actually 15 Million individual sensors on that camera. Now each one can record the exact color individually, so thoretically, we should see cameras with this Foveon sensor, at least 10+ Megapixel for higher end

      All the 5Mpixel stuff on the market, like the CoolPix 5000 mean 5 million sensors, not 5 million of each sensor. Really. Go check some of the spec pages on dpreview if you don't believe me.

      It makes a lot less difference then you would think, but it does make some difference.

    7. Re:Sweet by Anonymous Coward · · Score: 0

      Or each pixels takes up 3x the space ?

    8. Re:Sweet by jo42 · · Score: 1

      Excellent, better flesh tones on pr0n fotos!

    9. Re:Sweet by Performer+Guy · · Score: 2

      This is true, but there will be dyes & filters involved which will limit the light and I assume there will be some undesirable crosstalk between color channels since it's unlikely the colors will be perfectly filtered. This is still an awesome development. It should greatly reduce the blue and red channel noise which seems to plague color CCDs.

  2. Ah the circle of technology... by kiddailey · · Score: 3, Interesting

    You spend $3,000 on that Sony MiniDV camera with 3CCDs and it's quickly outdated.

    No matter how many time I tell myself I'm over the fact that this will alway happen (stuff being outdated right after you buy it), the first thing that pops into my mind is "damn, if only I could have waited a little longer..."

    Actually, this is very cool. Combine it with the depth capturing story we heard about earlier and hopefully dept projection and the future looks really really awesome!

    1. Re:Ah the circle of technology... by kiddailey · · Score: 1

      Argh. I meant depth projection.

      Dept projection already exists in the form of "You're pre-approved!" spam e-mail.

      :)

    2. Re:Ah the circle of technology... by Anonymous Coward · · Score: 0

      from the you're-pre-approved dept.

      department projection?

    3. Re:Ah the circle of technology... by volsung · · Score: 1

      I wouldn't be too depressed. You're comparing real, in-your-hands technology with press-release, prototype technology that you won't even be able to purchase for a while. You've got at least another year before your camera is put to shame. :)

    4. Re:Ah the circle of technology... by Cerebus · · Score: 1

      My full-manual Pentax K-1000, handheld self-powered light meter, and pocket-sized Kodak technical reference have *yet* to be outdated, and they're almost 20 years old.

      And I can work it all without batteries, which is really neat on long backpacking trips, or when I store it away for months.

      --
      -- Cerebus
    5. Re:Ah the circle of technology... by ehiris · · Score: 1

      This happens because of closed architecture of devices such as cameras. That makes them impossible to be upgraded. So in case you will want the new technology you can't make use of any parts of your Sony DV camera that you paid for. :(

      I would like to see high resolution USB or Firewire pc cameras that you can hook up to your laptop and capture high quality images and not have to buy whole new camera and it's expensive chipset every time there's a new technology.

    6. Re:Ah the circle of technology... by kiddailey · · Score: 1

      I agree, but I also have to admit that it will take a long time to outgrow my PowerBook/Sony VX-2000 combination ;)

    7. Re:Ah the circle of technology... by ehiris · · Score: 1

      I admit the VX-2000 is very nice but it still uses CCD and you won't be able to upgrade it to per pixel RGB sensitivity :(

  3. Pixel count in camera specs... by killthiskid · · Score: 3, Informative

    So when a digital camera is said to have 3 mega-pixels, does that mean that it only has 1 million pixels for each color??? Thus, the actual resolution isn't 3 mega but 1 mega???

    1. Re:Pixel count in camera specs... by kindbud · · Score: 1, Troll

      That is exactly right.

      --
      Edith Keeler Must Die
    2. Re:Pixel count in camera specs... by Anonymous Coward · · Score: 0

      Not quite. While there are only three million sensor sites, and each one detects only one colour, you really end up with half your sensors green, and a quarter each blue and red.

      However, since your eye is more sensitive brightness than colour, you actually get something like 50-70% of the actual information in the full colour picture, unless you get pathological aliasing or something.

    3. Re:Pixel count in camera specs... by Anonymous Coward · · Score: 0

      I think that would actually be 3 mega-sensors, not megapixels. The pixels themselves are created by interpolating the data from the three separate sensors.

      I have a 3 Megapixel camera capable of taking images in something on the order of 2180x1536. That multiplies out to 3,348,480 pixels. That sure sounds like 3 megapixels to me.

    4. Re:Pixel count in camera specs... by damiangerous · · Score: 4, Informative

      That is exactly right.

      No, it's almost entirely wrong. The most common configuration for a digital camera uses what's known as a Bayer filter pattern for discerning color. Each pixel will only sense red, green, or blue (there are as many green as there are red and blue combined), and it will use neighboring pixels to extrapolate the true color. While it's true that some of the pixels are lost from the stated resolution (stated pixels actually refers to photosites), it's only about 200,000 in a 2mp CCD.

    5. Re:Pixel count in camera specs... by Lionel+Hutts · · Score: 1

      Uh, no, exactly wrong. A camera with 1 million color pixels, i.e., 1 million each of red, green, and blue, is referred to as "1 megapixel." A 3 megapixel camera has at least 9 million sensors, if you count the colors separately.

      --
      I Can't Believe It's A Law Firm, LLP does not necessarily endorse the contents of this message.
    6. Re:Pixel count in camera specs... by cnaumann · · Score: 3, Informative

      More Typically, a 3MP camera would have 1.5M green pixels, 0.75M red and 0.75M blue pixels. This is called an GRGB Bayer pattern. It is not as bad as it sounds. Every Pixel contributes to resolution (luminance) but they must be processed in groups to produce color (chrominance) information. You eye is much more sensitive to luminance resolution anyway. Digital cameras require a pretty hefty DSP to do this processing.

      Check out:
      http://www.dpreview.com/learn/key=colour+filter+ ar ray

      The pixel count is going to hurt them, Sigma will try to sell a 3.43MP Digital SLR for $3000 with an undersized (1.7X) sensor using this technology. I do not think this will compete well against a 6MP Canon D30 at a similar price.

    7. Re:Pixel count in camera specs... by Anonymous Coward · · Score: 0

      That sure sounds like 3 megapixels to me.

      Yeah but they're not "true" pixels. If you don't mind interpolation, scale your image 2x in photoshop and you get an amazing 12 megapixel image! Moron.

    8. Re:Pixel count in camera specs... by Anonymous Coward · · Score: 2, Informative

      What killthiskid wanted to know is if a 3 mega-pixel camera has

      (a) about 3 million red sensors + 3 million green sensors + 3 million blue sensors
      or
      (b) about 1 million red sensors + 1 million green sensors + 1 million blue sensors

      The truth is 0.75 million red sensors + 1.5 million green sensors + 0.75 million blue sensors, not too far from (b). So killthiskid is essentially right. The current marketing numbers are deceiving, which was the spirit of his question.

    9. Re:Pixel count in camera specs... by Anonymous Coward · · Score: 0

      I must say that I'm very confused by your sig!! Please explain it to me if it makes sense or if it doesn't....English is not my first tongue, but I am curious if it is funny.

    10. Re:Pixel count in camera specs... by xercist · · Score: 2

      I was under the impression that the human eye is more sensitive to slight changes in the blue spectrum of color. If so, why are there more green sensors used to gather color information?

      --

      --
      grep "xercist" /dev/random ...you'll find me in there someday
    11. Re:Pixel count in camera specs... by killthiskid · · Score: 1

      Hi, AC, I will answer.

      My sig: It explodes. Sort of like Michael Jackson standing in a room full of asian women.

      While reading slashdot one day, probably about 2 months ago, I ran across this bit of text in a post here at slashdot. In the context of the post, it was VERY funny. I think it is still funny all by itself, thus I decided to adopt it as my sig.

      There, now you know. Enjoy.

    12. Re:Pixel count in camera specs... by dakoda · · Score: 1

      iirc, the eye notices more in green, then blue, and then red. thats why 16bpp color mode is almost always rrrrrggggggbbbbb (565). more information in green, because we notice it more.

      the reason we see more green is *i think* because it is in the middle of the spectrum. blue is near the uv end, but farther from the end than red is from infrared. similar to how our ears hear things with higher definition in 1-2khz fairly well, but less at =20khz. or something like that. im not a doctor though.

    13. Re:Pixel count in camera specs... by p0d · · Score: 1

      The D30 has a similar MP to the Sigma SD9. No Canon digital body has a 6MP sensor...well except for the DCS-540, but that is a body-by-Canon, digital guts by Kodak joint venture...

  4. Sounds Good to Me by ScumBiker · · Score: 2

    I can't wait until I can get this in something other than a $3,000 camera. The imagery I saw, even in jpeg format, was outstanding. Anyone wanna form a pool on when you can get a camera using this tech for $400? I say October, this year.

    --
    --- Think of it as evolution in action ---
    1. Re:Sounds Good to Me by grendelkhan · · Score: 1

      I'll go with October of next year. But yeah, the quality of these images are just downright amazing for digital, or hell, even scanned analog images. I, for one, am suitably impressed.

      Now imagine a beo^H^H^H this type of sensor attached to a video camera and a quick way to suck it all into an AVID, and I think the death of film may really just be around the corner.

      --
      Wu-Tang Name: Half-Cut Skeleton Get your own Wu-Na
    2. Re:Sounds Good to Me by Bonker · · Score: 2

      I can't wait until I can get this in something other than a $3,000 camera. The imagery I saw, even in jpeg format, was outstanding. Anyone wanna form a pool on when you can get a camera using this tech for $400? I say October, this year.

      While cameras are the 'killer app' for this tech, I think we'll probably see it show up in flatbed document scanners first.

      Still, that's not an unwelcome tradeoff. I can't wait to scan an image and *not* have to correct for saturation or gamma levels.

      In the opinion of many people, an expertly shot film image is still superior to an expert digital camera image. This will be the test of that supposition.

      --
      The next Slashdot story will be ready soon, but subscribers can beat the rush and slashdot the links early!
    3. Re:Sounds Good to Me by stripes · · Score: 2
      While cameras are the 'killer app' for this tech, I think we'll probably see it show up in flatbed document scanners first.

      Why? A flatbed can "just" make multiple passes with different color filters (that is how most film scanners work, an R pass, G pass, B pass, and an IP pass to find the dust and scratches). This is much more useful for something capturing the moving world...

      In the opinion of many people, an expertly shot film image is still superior to an expert digital camera image. This will be the test of that supposition.

      Yes, but that frequently has more to do with depth of field and quality of the digital camera. If you look in Sports Illustrated or Time magazine for example you will be very hard pressed to identify the Nikon D1/D1H/D1X shots, or the Canon D30/1D shots because they are of very high quality and offer the same creatave control over depth of field. Except for the D30 they also cost 2 to 3 times as much as a high end film body (and a high end film body at $2000 costs far more then an intro level SLR which can make the same images, just slower).

      There are still plenty of areas film wins though, very slow and very fast films get results you normally can't get with digitals, and even at more normal speeds if you enlarge past 8x10 or at least past 16x10 (the D1X has done "double truck" images in SI for example) film will win again. Of corse at those sizes you almost always need a tripod, and seldom use 35mm film...

    4. Re:Sounds Good to Me by Mr_Matt · · Score: 3, Interesting

      ...and I think the death of film may really just be around the corner.

      Not so fast, though...IIRC, the upper limit right now is something like 6 megapixels, for a ludicrously expensive unit. 6 megapixels scales to roughly the granularity of 200 ASA film - fine for everyday photography, not so fine when you want to blow up images to ludicrous sizes. People who like to make poster-size prints will continue using ASA 40 and 50 film with cameras that cost a fraction of what one of these digital-wonders cost, with film that gives them not only better resolution, but superior color balance as well.

      Seems like every time there's an advance in digital imaging, somebody has to whang the "death of film" gong - the fact of the matter is, even _after_ digital cameras have surpassed analog ones, there will be people who will _still_ prefer film, if for no other reason than they like the images better. You can't measure artistic value with "real color, nn megapixel" stats - and as such, film will really never die.

      --


      But what does my opinion matter, I just vote here. It's not like I have any money or anything.
    5. Re:Sounds Good to Me by Anonymous Coward · · Score: 0

      Scanners haven't had to do multiple passes for a few years now. In fact, I challange you to find a consumer or pro level new scanner that is not single-pass.

      Scanner makers would be interested in this tech, should it get cheap enough, is to inject some new life into the market, by means of marketing and price increases.

    6. Re:Sounds Good to Me by stripes · · Score: 2
      Scanners haven't had to do multiple passes for a few years now. In fact, I challange you to find a consumer or pro level new scanner that is not single-pass

      I didn't say they did, I said they could (or at least that was what I intended to say). However if you want an example of a scanner that does multiple passes look at the Nikon CoolScan 4000, or the Canon CannoScan 4000...

    7. Re:Sounds Good to Me by Alan+Partridge · · Score: 1

      i wish people would stop trying to come up with some "resolution" and "granularity" comparisons between film and digital cameras. The system MTF of digital cameras is dramatically simpler than that of film based cameras, making your resolution comparison redundant (and no-one assesses image quality by extinction resolution anyway). And that's before you even start to consider all of the problems inherent in integral tripack colour films. If you want to find a reason to use film, you need look no further than exposure latitude.

      --
      That was classic intercourse!
    8. Re:Sounds Good to Me by TeknoHog · · Score: 2
      Seems like every time there's an advance in digital imaging, somebody has to whang the "death of film" gong - the fact of the matter is, even _after_ digital cameras have surpassed analog ones, there will be people who will _still_ prefer film, if for no other reason than they like the images better. You can't measure artistic value with "real color, nn megapixel" stats - and as such, film will really never die.

      You don't measure artistic value with ASA numbers and the size of prints either. In many cases, the technical shortcomings are seen as an aid to artistic interpretation (think of Lomo for example). So even while today's digital cameras are worse in image quality, I cannot see why they should be less artistic.

      --
      Escher was the first MC and Giger invented the HR department.
    9. Re:Sounds Good to Me by SoupIsGoodFood_42 · · Score: 1
      "While cameras are the 'killer app' for this tech, I think we'll probably see it show up in flatbed document scanners first."

      BZZT. If you had followed the link, you would have noticed the new Sigma camera with the cluster of other articals about the new sensor.

    10. Re:Sounds Good to Me by Mr_Matt · · Score: 2

      i wish people would stop trying to come up with some "resolution" and "granularity" comparisons between film and digital cameras.

      Why? I've seen side-by-side comparisons of images captured by film and by digital cameras, and I can tell the difference between the digital image and the film image based on the granularity of the image.

      --Begin pedantic optics argument--

      I will cede that newer technology allows for digital images to approach, and even exceed film resolution. I believe I stated as much in my original post. A true 6 megapixel device, with good optics (say, the Canon EOS D30 or similar, using professional lenses) would have all the optical properties of a film-based camera, with superior MTF response of the CMOS over the film based camera. Remember, though, that the the MTF of the system depends on more than just the film - I'll bet my pro Pentax lenses have better MTFs than the el-cheapo f4.5 lenses found in Joe Consumer digicameras, and cost less, to boot. As such, my dinosaur film camera can give overall MTF numbers comparable to bleeding-edge digital cameras, at a fraction of the cost. Why pay more for the same functionality?

      --end pedantic optics argument--

      And that's before you even start to consider all of the problems inherent in integral tripack colour films.

      IMNSHO, the problems with color-balance in analog film are relatively balanced with the contrast problems in CCD imaging. So that's a wash.

      If you want to find a reason to use film, you need look no further than exposure latitude.

      Amen, brother! :) I didn't mention that, because I tend to use slide film, but for blowing an exposure by a few stops and still getting a workable image, nothing beats regular ol' ASA 400 negative film. But do consider that some of us compare image quality based on "appearance to the eye" and not on optical engineering specifications. With that in mind, I find the overall granularity of consumer-quality digital images to be displeasing enough not to use 'em, and "pro" digital solutions are way beyond my humble means. :) Hope that helps!

      --


      But what does my opinion matter, I just vote here. It's not like I have any money or anything.
    11. Re:Sounds Good to Me by Alan+Partridge · · Score: 1

      "As such, my dinosaur film camera can give overall MTF numbers comparable to bleeding-edge digital cameras, at a fraction of the cost." You should know that's just NOT true. If your Pentax lens has 90% modulation transfer at 30cycles/mm, your film 90%, and your film scanner 90%, by the time you get your slide or neg to the SCREEN, you're already down to 73% by the time you're film is ready for production, a digital system can typically give you 10-15% more. I was a real sceptic for a long time (and I definitely feel film is - on balance - just much more beautiful), but the extra penetration that digital cameras give you at USEFUL spatial frequencies is really unarguable. Arguments about high frequency performance is usually completely spurious as it's so difficult to capture high frequency info with a handheld, mechanical focal-plane shutter camera. Your lens might be able to resolve 150cycles/mm, but you'd be doing REALLY well to manage HALF that in a creative photographic context. Digital technology is always pragmatic above all.

      --
      That was classic intercourse!
    12. Re:Sounds Good to Me by Mr_Matt · · Score: 2
      If your Pentax lens has 90% modulation transfer at 30cycles/mm, your film 90%, and your film scanner 90%, by the time you get your slide or neg to the SCREEN, you're already down to 73% by the time you're film is ready for production, a digital system can typically give you 10-15% more.

      See? That's exactly my point - some quick math:
      • Improvement on image quality - 10-15%
      • Relative cost to acheive above: ~600%


      I can't justify a $3000 EOS system, plus new Canon lenses, for a 15% difference in quality, especially when that difference might not exist (I'm pretty sure my 50/1.8 gets better than 30 li/mm :) Furthermore, I would defy a non-loupe equipped viewer to detect that 15% difference, and on a student budget, it's a moot point anyways. :) And I doubt that a lower-cost solution would give me that 15%. I'd back it up with numbers, but I couldn't find any comparisons of consumer-grade digital cameras to competent SLR systems. Perhaps you can provide some info regarding affordable digital quality - until then, I have to rely on what I see with my own eyes, and that's generally poorer quality images from digital systems compared to a good SLR system.
      --


      But what does my opinion matter, I just vote here. It's not like I have any money or anything.
    13. Re:Sounds Good to Me by Anonymous Coward · · Score: 0
      Quit yer bitching. In a few years, film will be completely obsolete anyway. Buy whatever you like, but stop complaining about it.

  5. Screw resolution by Reality+Master+101 · · Score: 5, Interesting

    More resolution, while nice, is not what digital photography primarily lacks. Light and shadow sensitivity is what really sucks with digital cameras. Film has a logarithmic sensitivity to light, while a digital sensor has a linear sensitivity.

    Just out of curiosity, does anyone know of any technologies in development to give better light/shadow sensitivity.

    --
    Sometimes it's best to just let stupid people be stupid.
    1. Re:Screw resolution by CrazyBrett · · Score: 2

      IANAP[hotographer], but this sounds like something that could be solved in software. If you know beforehand that your sensor has a linear sensitivity to light, but you're shooting for a logarithmic scale, then just apply a transformation to your data after you receive it from the sensor hardware. Is that a solution, or is the problem more complicated than that?

    2. Re:Screw resolution by friscolr · · Score: 2
      from the article:

      Image sensors with Foveon X3 technology gather more light. In a mosaic sensor, each pixel collects only one color out of three, or roughly one-third of the light. The remaining two-thirds of incident light is absorbed by color filters and not used - which is a significant reduction in the efficiency of the pixels. Foveon X3 pixels maximize the use of light since all three colors are collected at each pixel.

      Doesn't mention if this also means the range it captures is any greater (whats the technical term for that again?), but i'd like to have a camera that acts like ISO 3200.

      Also, this technology has less artifacts because it does not need to do any interpolation. I think that the higher response rate will be a great benefit too; i use a nikon 990 and the wait after taking a shot is crazy. and if this technology helps prolong battery life (less computing, but the main drain is lcd anyways) i'm happier. or i will be once it's in a camera that costs less than $3000.

      Personally, i'd love to have a lot more resolution so's i can crop like crazy when necessary. That and i like my Good photos printed out 20x30.

    3. Re:Screw resolution by Reality+Master+101 · · Score: 2

      Sure you could transform the scale, but the problem is that you typically only have 8 bits of intensity information (or maybe 10 in some cases, I believe). That not a very wide range. I don't remember exactly what the dynamic range of film is, but it's way higher than this (maybe someone knowledgeable could give their 2c about this).

      --
      Sometimes it's best to just let stupid people be stupid.
    4. Re:Screw resolution by friscolr · · Score: 3, Informative
      If you know beforehand that your sensor has a linear sensitivity to light, but you're shooting for a logarithmic scale, then just apply a transformation to

      i don't think that's the problem Reality Master 101 was referring to. i forget my terms and exact figures, but the general idea is like this:

      let's say pure black is light level 0 and pure white is level 10. now if traditional film can capture the range from 2-8 then digital film captures 3-7, so digital provides less shadow detail and less highlight detail than traditional film.

    5. Re:Screw resolution by platos_beard · · Score: 1

      The aim here is to extend sensitivity. Ya can't do that in software. You can decrease the range in software, but if the hardware doesn't capture it, no amount of processing will make it magically appear.

      --
      What's a sig?
    6. Re:Screw resolution by Dr.+Awktagon · · Score: 3, Informative

      Well the problem is mostly that there aren't enough bits coming out of the camera, so adjacent intensities get combined into one and you lose the shadow detail.

      Plus a lot of cameras have a lot of noise in the sensor, which further screws up shadow detail.

    7. Re:Screw resolution by bitfarmer · · Score: 0

      IANAPE[ither], but I think your solution would be complicated by the fact that the dynamic range of a logarithmically sensitive medium is something on the order of a billion to one (or more).

      So you would have to have a sensor with 30 or more bits resolution per channel (to match that dynamic range with a linearly sensitive sensor), from which you could then do the math to downconvert to make a logarithmic scale.

      Lots of memory would be needed for that plus you'd have to have a very low S/N ratio, etc...

      --
      Eagles may soar, but weasels don't get sucked into jet engines.
    8. Re:Screw resolution by esonik · · Score: 5, Informative

      Yes. At the University of Heidelberg, Germany, Physicists have developed a log-response CCD chip (covering 6 decades of intensity). They want to use it as the frontend sensor for their "tactile vision substitution system" (a machine enabling blind people to "see" with their fingers). The Log response is achieved by operating the sensor transistors in their non-linear range (very crude description, it's been a long time ago since I attended a talk about that project). Links to publications can be found following the above link.

    9. Re:Screw resolution by Romeozulu · · Score: 4, Insightful

      A bigger problem then number of pixels is quality of glass. Lens of lowend digital cameras stink. Even on higher end digital SLR, the quality of your lens has a huge effect on the quality of the image. But this is nothing new to photography. My point is, more pixels won't help if you're still using cheap PS lens.

      RZ

    10. Re:Screw resolution by Anonymous Coward · · Score: 0

      i'd like to have a camera that acts like ISO 3200

      so you can take pictures of your sister in the dark you pervert? i've seen your website with the infrared cameras, you are a sicko and need help.

    11. Re:Screw resolution by cperciva · · Score: 2

      let's say pure black is light level 0 and pure white is level 10

      What do you classify as "pure white"? Typical indoor lighting? Typical outdoor lighting on a sunny day? Typical lighting when there's a thermonuclear explosion happening a kilometer away?

      Pure black is well defined -- zero photons -- but pure white is, well, completely bogus.

    12. Re:Screw resolution by Keighvin · · Score: 1

      The "pure white" is actually a photographic standard for white balance measured in Kelvin (about 9300K IIRC).

      --
      Any spoon would be too big.
    13. Re:Screw resolution by Anonymous Coward · · Score: 0

      I had this idea that for still shots at least (and a lot of my shots are) you could get a digital camera to take two shots in quickly with different shutter speeds. You then take the two images, one slightly over exposed and one slightly under exposed, and intelligently merge the two to get a much better light response. I guess you could even do more than two shots to get really amazing light response... just an idea.

    14. Re:Screw resolution by Anonymous Coward · · Score: 0

      Um, why not just do one long exposure then? You'll have a longer sample, and that's all you can do to improve a linear ADC.

    15. Re:Screw resolution by stripes · · Score: 2
      More resolution, while nice, is not what digital photography primarily lacks. Light and shadow sensitivity is what really sucks with digital cameras. Film has a logarithmic sensitivity to light, while a digital sensor has a linear sensitivity

      That depends a lot on the camera and the output mode you use. For example look at the Nikon D1H in NEF mode, or the Canon D30 or D1 in RAW (or is that CRW?) mode.

    16. Re:Screw resolution by Cerebus · · Score: 1

      At what intensity. That's the point. Color temperature doesn't address that.

      --
      -- Cerebus
    17. Re:Screw resolution by haruharaharu · · Score: 2

      pure white is, well, completely bogus

      No, pure white is defined as maximum response for your sensor. This is, of course dependent on what you're looking with, but there isn't really any other way. If you want to compare two cameras, you should probably choose a candlepower near the limit of what a human can handle.

      --
      Reboot macht Frei.
    18. Re:Screw resolution by stripes · · Score: 2
      Doesn't mention if this also means the range it captures is any greater (whats the technical term for that again?), but i'd like to have a camera that acts like ISO 3200

      It doesn't look like it since Sigma's X3 using camera (is it the SA-9 or SD-9?) only offers ISO 100, 200, 400 and can "push" to 800 and 1600. That more or less matches what the two year old EOS-D30 can do, so I imagine that has more to do with sensor well size (the D30's sensors are just a little bigger I think).

      Also, this technology has less artifacts because it does not need to do any interpolation. I think that the higher response rate will be a great benefit too; i use a nikon 990 and the wait after taking a shot is crazy.

      That probbably has more to do with JPEGing it, or writing it to the CF card (esp those huge TIFF images).

      Personally, i'd love to have a lot more resolution so's i can crop like crazy when necessary. That and i like my Good photos printed out 20x30

      Maybe you should give film a try then :-) Try Kodak techpan, or Ilford Pan F, or if you want color Fuji Velvia. Bring a tripod though.

    19. Re:Screw resolution by McSpew · · Score: 2

      Olympus puts f1.4 lenses on many of its digital cameras these days. Admittedly, these are "prosumer" cameras and not low-end consumer cameras, but you can buy an Olympus C2040 for about $450 these days. Sony and a few other manufacturers use Carl Zeiss lenses, which while not as fast optically as the Olympus lenses, seem to frequently have more accurate imaging.

    20. Re:Screw resolution by esonik · · Score: 1

      That way you would saturate the pixels in the bright portions of your image and lose detail there (big white spot). The point of log-response is exactly to avoid that: hight S/N ratio for dark regions and no saturation in bright regions of the picture.

    21. Re:Screw resolution by CrazyBrett · · Score: 1

      Ah, I understand the issue now. So here's my next idea: Place two (or more) sensors on each pixel. Have one sensor respond to the "typical" light ranges with a certain precision. Have the other one respond only to low light variations (it would wash out completely for higher light values, but its output could be disregarded at higher light levels). Assuming it had the same level of granularity as the other sensor, but it was operating over a smaller range, you'd effectively get finer sensitivity in low light conditions.

      An example might express this better. Suppose your current technology allowed you to make a sensor that could distinguish among 10 different light levels. Suppose the normal light levels in the world have values 0 -> 100 (imaginary units). With one sensor for each pixel, tuned to respond to the normal light levels, you'd get outputs like 10, 20, 50, 90, etc. However, if you added a second sensor, and made it respond only to light levels less than 10, it could detect values like 1, 2, 5, 9, etc. With BOTH sensors and a few software tricks, you could effectively sense 10x as well in the lowest 10% of light levels, and just as well as before in the rest of the light levels.

      If it's possible to add several such sensors, you could even approach some scale that approximated logarithmic sensitivity. Plus, with some clever data compression, it wouldn't even require that many more bits.

    22. Re:Screw resolution by daviddennis · · Score: 2

      My Canon EOS D30 Digital SLR has a CMOS sensor said to have lower battery use, but I think the main secret is that you use the optical viewfinder to compose shots instead of the power-sapping LCD. As a result, my camera never, ever runs out of juice.

      The D30 buffers images, so I never have to wait for them to be saved to the CF card. When I had the Nikon 990, I had the same problem you do now, and it was horribly aggrivating.

      The D30 cost me $3,385, including lens and CF card, so if $3,000 is really your top, it's not that far away. If you got a cheap prime lens instead of the fancy zoom I got, you could probably just squeeze under the $3,000 limit.

      You might enjoy reading my review of the D30:
      http://www.epinions.com/content_55600909956

      D

    23. Re:Screw resolution by igrek · · Score: 3, Informative

      Yep, it's a good idea and it was around for some time.

      See for example the "Creating Digital Dynamic Range Wider than Film's" chapter from the excellent "Mastering Nikon Compact Digital Cameras" book.

    24. Re:Screw resolution by TheMidget · · Score: 1

      Wouldn't max "white" intensity depend on shutter speed and exposition anyways? That's why you have those, after all...

    25. Re:Screw resolution by llamalicious · · Score: 5, Informative

      Had you read the info on the site, you would know they aren't taking specifically about increasing the resolution.
      They are increasing the amount of light captured per element.
      Succinct overview: (Let's say we have a camera with 16 pixel (4x4 matrix)

      In a typical mosaic CCD pixels would be the following:

      gbgr
      rgbg
      grgb
      bgrg

      That's 8 green pixels, 4 red and 4 blue.
      Thus 50% green, 25% red and 25% blue.

      Now, after the image is captured, the camera has to do some serious image manipulation to translate the average color per pixel into an RGB value. Depending on the "correctness" of the algorithm used, you'll get all sorts of fun... low light noise, color shifts, purple fringing, moire patterns.. etc. and all that processing chews cpu time and battery life, and slows down the speed from picture to picture.
      (Yes, some cameras have higher speed processors... just means yet more battery drain)

      In their new method of capturing the layout is as follows:

      aaaa
      aaaa
      aaaa
      aaaa

      In this case, all 16 pixels capture red green and blue. This means NO processing to be done to calculate color per pixel.
      It also means a 2x increase in the amount of green light captured. And a 4x increase in the amount of both red and blue light captured.

      More light being captured = more light and shadow detail.
      Not having to process (interpolate) pixel colors = no more fringing, moire or other funkiness.

      Now, that doesn't change the fact that digital sensors rely on converting a given set of photons into an electrical charge, and that's tough work... but having more light detected at each photo element is going to give you a LOT more light and shadow definition.

      But, I digrees. I don't know of anyone pioneering new ways of doing ADC for photo elements.

    26. Re:Screw resolution by iangoldby · · Score: 1

      I was trying out my new digital camera last Saturday for the first time, taking photos from the top of the London Eye of the city at dusk. Early on, there was too much contrast between the bright sky and the dark Palace of Westminster. I took two photos, one with auto exposure (sky ok, building too dark) and one 'overexposed' by about 2 stops. When I got home, I was able to combine the two in the GIMP.

      I ended up with a much greater total tonal range than either of the individual images.

      This experiment was done hand-held. I imagine that with a tripod and by doing the maths properly when combining the images, one could achive the same or even greater dynamic range than conventional film.

      Incidently, displaying images on a CRT generally exaggerates the contrast. Compressing the raw values from the camera ought to counteract this effect, so would be a Good Thing just on its own. Of course, you have to take into account gamma curves too. As I said, you'd need to do the maths to do it properly.

    27. Re:Screw resolution by Hard_Code · · Score: 2

      "Film has a logarithmic sensitivity to light, while a digital sensor has a linear sensitivity."

      So then, isn't the question of what type of sensitivity *human eyes* have? Do we have logarithmic or linear sensitivity?

      --

      It's 10 PM. Do you know if you're un-American?
    28. Re:Screw resolution by ZoneGray · · Score: 2

      Actually, that's exactly how it's done... software, either in the camera or the PC, converts the raw sensor data, and corrects many factors, including brightness and color. In the case of the Canon D30, their software includes the ability to do a "linear" conversion of the raw sensor data to a TIFF, which results in an almost-black image when viewed on the screen. But it sometimes retains some highlight detail that gets lost in the normal conversion, so it can be used for some Photoshop tricks.

      The limitations of digital that I've noticed mostly have to do with Dynamic Range, the difference between the brightest and darkest parts of an image that can be captured without losing detail. With film, it seems you can still shoot scenes that have more highlight-shadow range than you can with digital.

      That said, I'm never going back to film... too much hassle, too much expense, and the instant gratification of seeing a digital photo you just snapped is great.

    29. Re:Screw resolution by Nurf · · Score: 2

      "So then, isn't the question of what type of sensitivity *human eyes* have? Do we have logarithmic or linear sensitivity?"

      Logarithmic, by far. The eye has an astounding dynamic range. Walking from a normally lit room out into the sunlight can mean a change in ambient brightness of around a factor of 400.

      Because of this, an 8-bit linear representation of a picture tends to have too much information (ie more than you can see) in the brighter values, and not nearly enough near the bottom end of the range.

      This is why 24-bit linear colour isnt really enough. A smoothly graduated dark blue or green will show up as banded. You could probably use less than 24 bits though, if you used a carefully tuned logarithmic scale.

      --
      ---
    30. Re:Screw resolution by Ambush_Bug · · Score: 1

      Basically, what you're talking about is dynamic range... I'm not sure what the standard bits per pixel is in photographic cameras is, but in astronomical cameras, you can get up to 32 bits per pixel. Though, when you're looking at stars and the like, the dynamic range necessary is much, much larger than normalish light conditions for photograph.

    31. Re:Screw resolution by Anonymous Coward · · Score: 0

      Pixim, Inc. is developing exactly what you are looking for. They have the image buffer integrated on the same chip as the sensor. This allows for better capture techniques to enable taking scenes with a very high dynamic range.

    32. Re:Screw resolution by Anonymous Coward · · Score: 0

      Hey that's cool (I was the original AC poster). The image gets a bit washed out to grey in parts though (the blue in the walls is going to grey for example). I suspect that might be fixable with the right mixing algorithm... I'll have to get of my butt and code the damn thing now! Thanks.

    33. Re:Screw resolution by Joe+Decker · · Score: 1
      Ah, I understand the issue now. So here's my next idea: Place two (or more) sensors on each pixel. Have one sensor respond to the "typical" light ranges with a certain precision. Have the other one respond only to low light variations (it would wash out completely for higher light values, but its output could be disregarded at higher light levels). Assuming it had the same level of granularity as the other sensor, but it was operating over a smaller range, you'd effectively get finer sensitivity in low light conditions.

      Not for free, unfortunately. The problem is that most sensors are already maxed out at how much light they can detect per unit area. So, to make a more sensitive detector, you have to increase the area of the sensor you're using to detect it. To do a low and a high sensor, you'll end up giving up image resolution--or a bigger (and exponentially more expensive) chip, probably the former.

    34. Re:Screw resolution by llin · · Score: 1

      hParnoff Coproration announced developing a CMOS sensor which could capture VGA images with 17 stops of dynamic range. Here's a link to the press release on dpreview

    35. Re:Screw resolution by llin · · Score: 1

      That should say 'Sarnoff Corporation'

    36. Re:Screw resolution by Alan+Partridge · · Score: 1

      "let's say pure black is light level 0 and pure white is level 10. now if traditional film can capture the range from 2-8 then digital film captures 3-7, so digital provides less shadow detail and less highlight detail than traditional film." Nope, you're completely wrong here. If the range of brightness in the scene is 0-100, your film camera will give you a linear response from 33-66, whereas your digital might give you linearity from 20-80. The problem with CCDs is that they will hard clip your exposure at the top end, whereas film NEVER will, and sink you into noise at the bottom - just like film will. You can also develop your latent film image in different ways to extract different results (you may do a dilute development to drag extra detail out of the toe of the curve, for example), this option isn't available with CCD images, but other exciting DSP options are. Film's REAL S-shaped response is the key to it's performance, and this is often simulated wth CCD cameras, but for no other reason than "look".

      --
      That was classic intercourse!
    37. Re:Screw resolution by Ioldanach · · Score: 1

      Sure you could transform the scale, but the problem is that you typically only have 8 bits of intensity information (or maybe 10 in some cases, I believe). That not a very wide range. I don't remember exactly what the dynamic range of film is, but it's way higher than this (maybe someone knowledgeable could give their 2c about this).


      I'm sure I'll get flamed from a filmphile for pointing it out, but at best the color range of a film camera has been placed at 100 levels by some of the most competent experts out there. Compare that to your 8 or 10 bits, and you have 100 levels vs. an available 256 or 1024. Of course, the problem may be that the 100 levels of film are logarithmic, based on what the eye can discern, and the 8 or 10 bits of a digital are linear. Of course, that just means someone needs to come up with a jpg-like format which scales the numbers logarithmically, and decodes them later for displaying.

    38. Re:Screw resolution by jafuser · · Score: 1
      [...] no amount of processing will make it magically appear.

      What? You mean all those movies where they zoom 1000:1 into an image are all fake?

      --
      Please consider making an automatic monthly recurring donation to the EFF
    39. Re:Screw resolution by tricorn · · Score: 1

      Walking from a normally lit room out into the sunlight can mean a change in ambient brightness of around a factor of 400.

      A large part of that is the iris clamping down. Cameras can do the same thing. The eye is still astounding, but you're overstating the range it can see in a single scene. The interior of that room, when you're outside, would have few or no visible details.

  6. when's this comming out? by ryusen · · Score: 3, Interesting

    Personally, this is major droll material for me. I hope this technology comes to the consumer level by the time i'm ready to dish out money for another digital...
    According to this article it says the first camera with this new sensor will be Sigma's SD9 SLR digital camera. No details on when, how much, what features. Anyone have more info on when this will be available? domo

    --

    I believe sex is highly over rated... unless it involves me
    1. Re:when's this comming out? by Troed · · Score: 2, Informative
      Quoting from the linked article in the topic:



      The first camera to use the new sensor will be the $3,000 Sigma SD9 D-SLR (Sigma lens mount), Kodak have also shown an interest in using the X3 technology.


      You _did_ ask for "how much" :)

    2. Re:when's this comming out? by Anonymous Coward · · Score: 0

      An article at the New York Times http://www.nytimes.com/2002/02/11/technology/11FOV E.html suggests that some of the digital imaging industry stalwarts, such as Sony (who just invested in a new CCD Fab), may throw their weight around to either sit on or delay the introduction of this technology into the mass market. Go Sony!

    3. Re:when's this comming out? by danEger · · Score: 2, Informative

      Here , on Foveon's site you will find some details:

      Question
      When will the Sigma SD-9 be available?

      Answer
      Sigma will begin taking orders for the SD-9 digital SLR camera at the PMA show on Feb. 24, 2002. The company plans to begin shipping in May 2002. Please refer to the Sigma website for more information (http://www.sigma-photo.com).


      Question
      How much will the Sigma SD-9 cost?

      Answer
      Please refer to the Sigma website for specific information regarding the Sigma SD-9 digital SLR camera (http://www.sigma-photo.com).

      I couldnt find any info on the camera on the sigma site though..

    4. Re:when's this comming out? by Anonymous Coward · · Score: 0

      we are not interested in NY Times articles - they are closed source.

    5. Re:when's this comming out? by Anonymous Coward · · Score: 0

      Personally, this is major droll material for me.

      Really? I fail to see the humour.

    6. Re:when's this comming out? by stripes · · Score: 2
      No details on when, how much, what features. Anyone have more info on when this will be available?

      Sure, the front page of dpreview has 3 pointers to X3 stuff, including the Sigma camera. More info in the forums, but you have to dig for that.

    7. Re:when's this comming out? by akuma(x86) · · Score: 1

      Info from the foveon faq on their website:

      Question

      When will the Sigma SD-9 be available?

      Answer

      Sigma will begin taking orders for the SD-9 digital SLR camera at the PMA show on Feb. 24, 2002. The company plans to begin shipping in May 2002.

  7. Makes sense for monitor displays by PowerTroll+5000 · · Score: 0

    Since most often colors on monitors are represented by RGB values which determine the color.

    --

    I'm not afraid of falling, it's the sudden stop at the end that frightens me.

  8. great news by DrSkwid · · Score: 2, Troll

    i think !?

    When I went vegan over 10 years ago I chose to give up my darkroom (paper & film contain gelatine). I've been waiting in earnest for the photographic digital revolution!

    Hopefully this will bring down the price of decent digital SLR cameras. All the ones I like the look of are about $1k and I've got too many other things on the list without burning a grand on a camera (+ a decent sized IBM microdrive + lenses etc.etc.)

    I wonder if this will bring other benefits like clarity & shutter speeds available.

    --
    There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    1. Re:great news by Anonymous Coward · · Score: 0
      Try meat sometime. You'll like it.

      Damn vegan weirdo.

    2. Re:great news by Asikaa · · Score: 1
      "When I went vegan over 10 years ago I chose to give up my darkroom (paper & film contain gelatine)."

      Digital cameras use plastic in their construction. Many types of plastic use a milk protein in their composition. Do you write to camera manufacturers to ensure that they do not use milk protein in their plastic?

      Just how far do you take the vegan thing?

      --

      Asikaa
      Come in, twenty-seventy-seventy, your time is up.

    3. Re:great news by Alioth · · Score: 3, Insightful

      $1K for a digital SLR camera? More like $5K.

      I don't have any idea why digital cameras that'll take my Nikon lenses are so ridiculously expensive. The reason I haven't bought a digital camera yet is that I can't stand the idea of spending more money on a camera which has the optics of a cheap compact camera than I did on my SLR camera. That and the very noticable artifacts present in most digital photographs (and the lack of being able to do things like leave the shutter open for long exposure shots).

    4. Re:great news by anonymous_wombat · · Score: 1

      You aren't supposed to eat the paper (or the film).

    5. Re:great news by DrSkwid · · Score: 2, Insightful

      Just how far do you take the vegan thing?

      as far as i can without going completely crazy

      "Strive to survive causing the least suffering possible"

      thankfully it includes my own

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    6. Re:great news by geekoid · · Score: 2

      You won't use geleting, but you will buy a camera put together by women and children making 10cents an hour, in sweat shops?
      to sum up:
      Jello bad, Slavery good.
      nice belief you got there.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    7. Re:great news by DrSkwid · · Score: 3, Funny

      hmm well yes, can't argue with that

      I have been involved in direct action to try and highlight the horrors of 3rd world debt resulting in some tokenism from our government.

      I am appalled that Western consumerism drives such business models. Almost everything in this room is an imported good manufactured outside my native country.

      I try and buy as much of my food as possible from local producers.

      So you've got your own electronics manufacturing plant there then I guess. The computer is one you built by hand from locally sourced components I suppose. I'm impressed at your resourcefulness.

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    8. Re:great news by DrSkwid · · Score: 1

      Try meat sometime. You'll like it.

      hey moron, I'm not only 10 years old!

      Who says I don't like it anyway?

      It's just wrong.

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    9. Re:great news by IronChef · · Score: 1

      In the vegan lifestyle is there any situation when meat is OK? Take hunting, for example; in some parts of the world, deer hunters are an important population control. Without them, the deer may multiply too much and begin to starve... thinning the herd is critical to the health of the population as a whole. How does a vegan see this situation?

      Is it better to let nature take its course even if that's bad for the animals?

      Can humans and their tools ever be seen as part of nature?

      Is there ever a time when a human can kill an animal and not be "exploiting" it?

      Is it acceptable to "exploit" an individual animal for the benefit of the group?

      Lastly, a hypothetical scenario for you: assume that there exists a tasty animal. This strange creature is not raised on farms... the only way it is "harvested" is when it is found dead in the wild of natural causes. For the sake of argument, if this kind of carrion was good eats, would consuming it be consistent with the vegan lifestyle?

      Just curious. Not trying to get in yer face.

    10. Re:great news by SoupIsGoodFood_42 · · Score: 1
      "You won't use geleting, but you will buy a camera put together by women and children making 10cents an hour, in sweat shops?"

      But film cameras still have to be made aswell, they're in the same boat as digital. Unfortunatly you don't really have a choice weather your camera was made via slave labour or not. But you can choose between film and digital.

    11. Re:great news by DrSkwid · · Score: 3, Informative

      vegan lifestyle : There isn't one really. It's a series of ongoing choices made by the individual. Vegan is just a quick label to tell/warn other people.

      As for the deer, they got along just fine for millions of years before people shot them. Looks like the shooters killed all the predators. What a mess! A difficult situation, my in the field decision would probably be different from the one I'm about to type. The population means nothing. Shooting an individual means everything to that individual. Deer, like most animals, self regulate their populations to food supply. Weak animals can't breed. The population will find a sustainable level given enough time.
      Solution, do nothing. Except maybe take some food down once in a while.

      Is it better to let nature take its course even if that's bad for the animals?
      "the animals" don't exist. Individuals do. Nature will take it's course no matter what we do.

      Can humans and their tools ever be seen as part of nature?
      They already are, humans seem to think that they aren't animals. The tools at our disposal means we can produce more food with less animal products. You may have gathered it's the suffereing at the individual level that I feel is important. That may not be true of other vegans.

      Is there ever a time when a human can kill an animal and not be "exploiting" it?
      I try to think without the distinction between species. So replace the word animal with the word human and see how you feel about that. That's generally how I feel.

      Is it acceptable to "exploit" an individual animal for the benefit of the group?
      An eternal philisophical question. Humans often sacrifice themselves for the good of the group. My existence is exploited every day by those that have power over my life. Everywhere I turn profit is deemed king over people. Power & wealth isn't distributed anywhere near fairly.
      If you stop considering animals and people distinct then your own values about fairness and cooperation can be applied.

      Just because a cow can't talk doesn't mean it has no emotions. It's such biological arrogance to consider NO OTHER BEING except once branch of hairless monkeys sentient.

      It's simple to see that a dog will feel hungry or cold. So why not lonely or happy?

      I've worked on farms and been involved in the "animal rights" movement. I used to eat meat. I used to shoot rabbits and birds. I've seen first hand the disdain people have for the creatures around them. It's not difficult to witness the many terrible ways humans treat each other.
      Here I am in my safe comfortable surroundings. I have no need to eat cows so why make them die for me? Mass murderers of humans are generally reviled and yet we kill millions and millions of cows, pigs & chickens. It's so wrong.

      There's no real reason I shouldn't shoot you in the face and eat your tasty flesh. Out of courtesy, I choose not to and I extend that courtesy to other species. If it came down to it though and I wasn't feeling noble you might find yourself on the barby (unless you got me first of course :)

      Carrion - nope, no reason why not (except digestion problems)

      thanks for your curiosity, much better than the usual hostility people give me just for being nice!

      It's all quite irrational but I have the luxury of choice and this is the choice I've made.

      Incedentally and quite ironically I was diagnosed with Crohn's disease a couple of years ago. Recent research has made strong links between the consumption of cows milk and the onset of the disease. Just my luck eh! The cows got me.

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    12. Re:great news by NortonDC · · Score: 1

      Buddy, I hate to break it to you, but digital cameras are not vegan-compatible either. The color LCD in the camera (all color LCD's) include proteins extracted from fish sources. I shit you not.

    13. Re:great news by WowTIP · · Score: 1

      Wasn't there some company that were experimenting with a digital back that was shaped as an ordinary roll of camera film? That seemed like an excellent idea to me at the time, because then you could use the camera best suited the situation. Anyone know what happened to that technology?

      --

      --

      "I'm surfin the dead zone
      In the twilight, unknown"
    14. Re:great news by DrSkwid · · Score: 1

      oh well, that's that sketch knackered then

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    15. Re:great news by FrostedChaos · · Score: 1
      Your arguments are based entirely on the idea that humans are no better than animals. Quote:

      There's no real reason I shouldn't shoot you in the face and eat your tasty flesh. Out of courtesy, I choose not to...

      Perhaps this indifference to humanitity is the real reason you get "hostility" from other people?


      Examine it carefully, and you will see that the rest of your argument consists entirely of childish appeals to sentiment, and a willful blindness to the cruelty of nature. Nature, red in tooth and claw, has maimed, poisoned, plagued, and eventually killed more animals than humanity will ever know. A millenium ago, a faith in the "natural balance" may have been understandable. Today, modern science has revealed nature for the monster it truly is.



      Another central tenet of your faith is the primacy of the individual. Quote:

      The population means nothing. Shooting an individual means everything to that individual. Deer, like most animals, self regulate their populations to food supply... Solution, do nothing.

      So even if my actions to save one individual cost the lives of countless others, it is still acceptable? When deer overbreed, the ones who can't find food die. And it's not simply a matter of not finding a mate... we're talking actual starvation.


      Here's a better example. Suppose everyone thought the way you did. Among other things, they would stop buying meat products and drinking milk. The result would be a mass extinction of farm animals such as chickens, pigs, and cows. "Genocide" isn't a very pretty word, is it? Neither is "hypocrisy."



      If you remember nothing else in your life, remember this: animals can experience pleasure or pain, but man is the only "animal" that can be cruel or kind. By putting yourself on the same plane as a cow, you demean your humanity and put unreasonable expectations on the animals. By the way, the idea that humans are no better than animals was a central tenet of Nazism. If the human spirit is valueless, if the human body is worth no more than that of a pig, there really is no reason not to shoot your neighbor in the face, as you put it. And no objections to the quest to breed a "superior Germanic race" through selective breeding and mass murder.



      Having said all this, I do think the conditions some farm animals are forced to live in is appalling. As soon as we are able, we should move to a better system (tissue cultures, anyone?) But you, sir, need to rethink your assumptions.


      Look in the mirror. What do you see?

      --
      "Any connection between your reality and mine is purely coincidental." -Slashdot
    16. Re:great news by DrSkwid · · Score: 1

      Your arguments are based entirely on the idea that humans are no better than animals.
      I know, that's my point. That isn't a refuation it's restating my hypothesis.

      Nature, red in tooth and claw, has maimed, poisoned, plagued, and eventually killed more animals than humanity will ever know
      So that makes cruelty & murder okay?

      "Genocide" isn't a very pretty word, is it? Neither is "hypocrisy."
      yawn, so many times
      mass extinction of farm animals - so what?
      Species don't count.
      If you knew your child would be slaughtered at 1 year old would you become pregnant?

      man is the only "animal" that can be cruel or kind.
      don't be supid

      Look in the mirror. What do you see?
      myself, nothing more

      we're talking actual starvation.
      or actual shooting, so what

      Perhaps this indifference to humanitity
      it's not indifference, it's no deliniation
      you fail to notice I don't shoot anyone in the face

      By the way, the idea that humans are no better than animals was a central tenet of Nazism.
      No it wasn't.

      If the human spirit is valueless, if the human body is worth no more than that of a pig
      I contend that the pig spirit has value not that the human one doesn't. That the pig is no less than a human. Major difference.

      I do think the conditions some farm animals are forced to live in is appalling.
      I choose not to perpetuate that by not being involved, what are you doing?

      You, sir, need to rethink your assumptions
      Why?

      I don't kill animals, I don't eat them & try to exploit them as little as possible. What should I change in that, that would make the world better?

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    17. Re:great news by Anonymous Coward · · Score: 0

      Say, what kind of living does one make as a martyr?

    18. Re:great news by Anonymous Coward · · Score: 0

      Planning on giving up the idea of digital, now?

    19. Re:great news by DrSkwid · · Score: 1

      might do, tougch choice

      as someone pointed me toward gelatine free film I might go that route with Kodak photo CDS

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    20. Re:great news by DrSkwid · · Score: 1

      20k sterling + profit share + pension + health, programming for a startup
      shareholder of an ISP
      shareholder of a recruitment agency
      work from home telecommuting
      own house
      own car

      that sound okay?

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
  9. Interesting, but no revolution by dzero · · Score: 3, Informative
    This is interesting, but not revolutionary.

    High-end digital imaging devices (mostly digital and analog video cameras, but perhaps some still cameras) have been using 3 CCD chips for a long time to achieve RGB values for each pixel. It's usually done with a prism system that splits the incoming light into different colors which then are registered on different CCD chips.

    In 1-chip devices, color is acheived through a matrix of filters which covers the CCD chip, allowing only certain wavelengths of light to reach each pixel on the CCD.

    It seems to me that what this will really do is give us smaller, higher quality imaging devices. Let's hope X10 doesn't launch a while new popunder campaign...

    1. Re:Interesting, but no revolution by ESD · · Score: 1

      >It seems to me that what this will really do is
      > give us smaller, higher quality imaging devices.

      To be honest, I surely hope this will not be the case.. One of my problems with digital photography actually is the small size of the CCD's, which gives an enormous depth of field compared to 35mm film.
      (my camera, a Minolta DiMAGE 7, at f/8 gives the same DOF as a 35mm camera at about f/32 if I remember correctly.. this is all very nice, unless you want a very shallow DOF)

      Furthermore, the usage of those small CCD's prevent SLR technology from being used in digital cameras (such as phase-detect autofocus, which is fast, a real mirror, true TTL flashmetering).
      Yes, there are digital SLRs, but I have not seen any with a full-frame CCD, so you always have a certain multiplication factor for your focal length (your lens acts as if it is more like a telelens). Your CCD is just only seeing the central portion of the frame.

      Gtnx
      Marcel

      PS. Don't think I don't like my camera... I really love it, but there are many things 35mm does better, and I'm hoping for improvements as much as anybody else.

    2. Re:Interesting, but no revolution by Anonymous Coward · · Score: 0

      They use small sized CCD to keep the cost down - save money on the cheaper & smaller diameter lens and on the silicon die.

    3. Re:Interesting, but no revolution by CConkle · · Score: 1

      An advantage of digital photography, however, is that making your DOF shallower is trivial to pretty easy, except in some circumstances. God gave us a whole lot of blur/defocus filters (some quite advanced, even) for good reason. :)

  10. Dont feel too bad by Anonymous Coward · · Score: 0

    This wont see the light of day for 5+ years. And I just did the same thing with my GeForce2 Go for my laptop. The day I buy the laptop the GeForce4 Go comes out.

    1. Re:Dont feel too bad by Alan+Partridge · · Score: 2, Informative

      try reading the article, numb-nuts. Sigma is introducing the first camera based on a Foveon X3 in around two weeks time.

      --
      That was classic intercourse!
  11. Re:fr1st p1st by Anonymous Coward · · Score: 0

    *huffs glue*

    AHAHAHAHA!

  12. Wow, better than the human eye by j3110 · · Score: 1

    So, what am I goind to do with a camera that can see things better than I can? Human eyes don't detect color and intensity on the same sensor. Is this going to help with telescopic photography? I don't understand :) Even if it made resolution sharper, or cameras smaller, I still don't see a point? Is it going to be used in medical devices? Still, fiber optics work just great. If the theatre has more problems with lighting and projecting than capturing. It won't make digital zoom a good idea.

    All arguements of usefullness aside, I could have made that on my desk. Measure intensity at the top. An orange polarizer. Measure intensity again. A red polarizer. Measure intensity yet again. Subtract blue from red from orange to get yellow. Subtract orange from unpolarized to get blue.

    Is it really that great of a technology? It's not really innovative. It's not even really useful. Do you really think CCD is the limiting factor of resolution of digital cameras? I'm still betting on memory, processor, and memory bandwidth to get the "shutter speed" down.

    --
    Karma Clown
    1. Re:Wow, better than the human eye by Anonymous Coward · · Score: 0

      Usefullness?

      How about that fact that it captures the real color for each pixel, instead of the color being extrapolated by software using surrounding pixels in most single CCD digital and DV cameras. Translation better quality pictures without the use of multiple CCDs.

    2. Re:Wow, better than the human eye by j3110 · · Score: 1

      hehe... that would make the second computer device to overlap colors. Other than printers, no other computer device nor even the human eye does it. I dare say that this offers very little over a standard CCD. It's funny that it is even mixed in software considering the computer display is just going to seperate it back into RGB again. Even if it didn't, it would offer nothing over CCD with the same number of sensors. Just think about it for a second and you'll see why. It's going to require three sensors per color on their solution. It requires three sensors per color on the current solution. The difference is, it will require much more effort to make thiers than what is already being made. They can't physically put the sensor over another sensor, therefor: they could have just put all the sensors on the bottem layer to begin with. It's an utterly useless invention.

      --
      Karma Clown
    3. Re:Wow, better than the human eye by Alioth · · Score: 3, Interesting

      It's not just the resolution - it'll do away with the awful artifacts that are present on even the best of today's digital cameras.

    4. Re:Wow, better than the human eye by Anonymous Coward · · Score: 0

      Dude what the hell are you taking about! A standard CCD capture does NOT use three sensor to capture the color for a pixel. The standard CCDs use filters to screw up the original color and only capture a third (red, green or blue) of the original color. Software then uses the surrounding pixels to extrapolate/guess the original of the pixel. This process by nature is lossy and will never give you the original for all your pixels. The only way around this for the standard CCDs was to use 3 CCDs to capture the images as done in some high end DV camera (dont know of any still cameras that have 3 CCDs). The X3 is step forward, albeit a small one, but a step forward nonetheless.

    5. Re:Wow, better than the human eye by j3110 · · Score: 1

      Thanks for explaining how the human eye works :) hehe Thats like running 32bit textures in 16bit color. If there is an increase in quality, it's so minute that it's not worth changing the production and paying the patent costs. If there is artifacting in the current process, I'm sure its because of poor design or cheep material, etc. I'm sure they don't have a device that can detect the color without a polarizer (or filter as you call it). If they don't, then they are using 3X the number of sensors, thus its really no better than a lot of CCD then is it? Just because manufacturers use pretend resolutions and calculate data to fill it in is the fault of the manufacturer, not the technology. Same number of sensors of CCD is going to give the same quality as this.

      --
      Karma Clown
    6. Re:Wow, better than the human eye by flink · · Score: 1

      A large-format camera also "sees" better than your eyes. The advantage is that you can blow the print up larger without any discernable loss of detail. You also have more fidelity to waste in processing without having to sacrifice quality.

    7. Re:Wow, better than the human eye by j3110 · · Score: 1

      yeah... but that doesn't explain why this technology is preferable to just more ccd :)

      --
      Karma Clown
    8. Re:Wow, better than the human eye by flink · · Score: 1

      I really don't know. I was just responding to why you would want a camera that sees better than the human eye. I'm not really up on digital photo tech. :)

    9. Re:Wow, better than the human eye by Anonymous Coward · · Score: 0

      There is no problem with shutter speed. There are high speed digital camera that are used to analyze explosives.

      In a CCD array, the shutter speed is just a strobe signal that is used to capture the analog charge into a capacitor. This charge is then carry out in an analog version of shift register.

      CPU speed & bandwidth etc has nothing to do with shutter speed. Light sensitivity and the size of the charge has a lot more to do with shutter speed.

      Clueless Geek: 0 AC: 1

    10. Re:Wow, better than the human eye by Alan+Partridge · · Score: 1

      why post on a subject that you clearly do not understand? The RGB sensors are effectively STACKED, and thus the sample truly coincident. It's very much like having a 3CCD design in a single chip package, and avoids ENTIRELY the Bayer filter image reconstruction phase of the process. This technology is a big advance, make no mistake about that.

      --
      That was classic intercourse!
    11. Re:Wow, better than the human eye by Anonymous Coward · · Score: 0

      if you read the article you would understand that it won't require 3 times the sensors... ONE sensor is doing the job of 3. Also, even if you don't understand the technology the sample pictures they provide speak for themselves. With a normal digital camera (yes even the expensive ones) when you enlarge the image you get artifacts and the image colors become distorted becuase it has to go through a filter. This does away with that and at even high digital zooms there are virtually no artifacts.

  13. Whats new? by zebs · · Score: 1

    It is a well-known property of silicon that light of different colors is absorbed at different depths in the silicon; blue light is absorbed near the surface, green light is absorbed farther down and red light is absorbed even deeper

    Why couldn't this have been done before? Whats been the break through that has enabled this new development?

    Or is it a case of no-one thinking of it before?

    1. Re:Whats new? by kfg · · Score: 2

      No, it's not a case of noone thinking of it before. It's simply the case that the engineering skill and knowledge to apply a known basic principle necessarily always lags behind the understanding of the basic physical properties.

      Just think about it a minute. You've just discovered a new property of a substance. Does that mean you can just run out and start making new revolutionary things?

      No, of course not, you still have to take the time to work out the engineering.

      Certainly the most commonly known story of this phenomenon is the invention of the light bulb by Dr. Swan.

      Oh, sorry. Most people don't know that story, they know the one about Edison, which actually further illustrates my point.

      When a new basic principle is discovered there are generally thousands of people to whom the implications are patently evident, and the race is on to see who gets the credit for exploiting it first.

      Swan actually demonstrated his light bulb before Edison did, and if Edison hadn't even bothered to try the light bulb would have been just as available in the exact same time frame. ( By the way, the same thing applies to the idea that Bill Gates is somehow personally responsible for the PC revolution).

      But we DO pretty much all know the story of how Edison understood the basic principle involved, and how long it took, and the sacrifices he had to undergo, in order to learn how to *apply* that principle usefully.

      N'cest pas?

      KFG

    2. Re:Whats new? by esonik · · Score: 1

      It has been done before, maybe not for RGB sensors, but certainly for solar cells: Triple Junction Solar Cells.

  14. Higher Quality at lower resolution... by Christopher+Bibbs · · Score: 2

    is better than just higher resolution. If you just keep uping the resolution of the cameras, you also need to up the memory or use some lossy compression. With this tech (if it proves to be cost effective), you can keep your images to a reasonable size and make them clearer and better suited to using in print.

    1. Re:Higher Quality at lower resolution... by TFloore · · Score: 2

      Required resolution is all a matter of what you want to do with the image. It has very little to do with what kind of sensor you are capturing it with.

      If you want on-screen display, anything larger than your monitor resolution is kinda wasted, unless you want to spend time cropping images. So that's, what, 1600x1200 as a working maximum necessary?

      If you want to print an image, you want 300pixels per linear inch, as a working minimum for something you won't mind looking at from 14inches away. Do the math there, and you get your required image resolution...
      For "normal" print sizes:
      3"x5" = 900x1500 pixels (1.3MPixel)
      4"x6" (standard 35mm print, now) = 1200x1800 pixels (2.1MP)
      5"x7" = 1500x2100 pixels (3.1MP)
      8"x10" = 2400x3000 pixels (7.2MP)
      24"x36" (poster) = 7200x10800 pixels (77.7MP)

      Okay, the poster resolution is mildly ridiculous, but that's less than what you get with a good 8x10 viewcamera.

      Resolution still matters, depending on your use. It's still nice to have the benefits of this sensor for the other reasons mentioned, though.

      --
      This is my sig. There are many like it but this one is... Oops. Frank, I've got your sig again! Where's mine?
  15. Vaporware by martin-k · · Score: 2
    Hmm, Foveon. Doesn't that name ring a bell with me? Isn't this the same company that for years has been claiming that their breakthrough CMOS sensors will kill CCD, but never delivered -- at least didn't deliver anything that fit into a standard camera body, as they wanted to.

    I'll believe it when I see it. Maybe in 2005. Or 2020.

    -Martin

    1. Re:Vaporware by stripes · · Score: 2
      Hmm, Foveon. Doesn't that name ring a bell with me? Isn't this the same company that for years has been claiming that their breakthrough CMOS sensors will kill CCD, but never delivered -- at least didn't deliver anything that fit into a standard camera body, as they wanted to.

      About two years, yes. As far as I know the Sigma will be the first camera using their stuff that costs less then $50,000 or so. (Assuming the Sigma doesn't meet the fate of the Pentax 6Mpixel full frame digital...)

      On the other hand Sigma seems pretty sure of when they will release, and Phil did shoot a prototype camera using the chip... so not totally vapor.

  16. Speaking of resolution by Reality+Master+101 · · Score: 5, Interesting

    If anyone is interested how photography resolution compares to digital, I found a great link once about this: http://www.users.qwest.net/~rnclark/scandetail.htm

    It's pretty eye-opening if you think digital photography is getting close to film.

    --
    Sometimes it's best to just let stupid people be stupid.
    1. Re:Speaking of resolution by Matey-O · · Score: 4, Interesting

      You're neatly thrashing the resolution limitatations and missing it's benefits.

      I'll direct you to Philip 'Ex-Ars Digita' Greenspun's more balanced review here: http://www.photo.net/photo/digital/choosing.html

      (Barring the fact he's talking about older digicams, there's newer stuff on photo.net, and the theory on colorspace is valid.

      Further, having dont both film scanning and digital, there's NO DUST ISSUES in a picture that starts it's life out as a digital picture!

      --
      "Draco dormiens nunquam titillandus."
    2. Re:Speaking of resolution by Alan+Shutko · · Score: 2

      It would be even better if Clark had compared digital shots of the same scene, rather than taking a picture of a print with a low-end digital camera, and setting up such things as "4.7MPixel equivalent" images.

      In general, it's an interesting link, but should be taken with some skepticism.

    3. Re:Speaking of resolution by donglekey · · Score: 2

      It isn't really the resolution that matters right now, it is the color. Current digital cameras suck. Nothing compares to film's color, but film is incredibly difficult to work with. Film's resolution will go untouched for quite a while. I could buy a camera and take a picture with 120mm film, but so what? It serves a completely different purpose than this does. If I wanted to go make a movie, it would cost a rediculous amount of money with film. If I had a camera that would do 1080i or 1080p and had color like the pictures in their demonstration page, I would be set, and it would be suitable for digital projection and even acceptable for film transfer. Resolution and quality are a balance, and sheer resolution doesn't always matter, and in this case, they have it good enough for the time being. Someone has to make high-def video cameras for consumers a reality, it would be a gold mine.

    4. Re:Speaking of resolution by Matey-O · · Score: 2

      One of the nice side-benefits of a digital camera is a) the instant feedback, leading to b) color adjustment on the fly. There's no need to burn a roll of film pushed a stop, and you can do nifty things like take a picture outside on a sunny day, then walk inside and take pictures of cars under Tungsten-halogen lamps with nothing more than a reset of the white balance.

      --
      "Draco dormiens nunquam titillandus."
    5. Re:Speaking of resolution by stripes · · Score: 2
      It isn't really the resolution that matters right now, it is the color. Current digital cameras suck

      Interesting. The first thing I noticed switching from APS to a mid-range digital was the much better color from digital. When I switched to a film SLR I noticed much worse color until I discovered that you could buy more the Kodak Gold. When I went back to digital (this time a DSLR) the color was still pretty good, better then most films, but not better then say Fuji Relia.

      I think this is going to depend a lot on the camera, your monitor, and whatever you print it on.

    6. Re:Speaking of resolution by Anonymous Coward · · Score: 0

      But if you plan to use it on computers anyway, you have to scan the films and you lose a lot of resolution in that step.

    7. Re:Speaking of resolution by SuperKendall · · Score: 1

      4000 dpi film scanners are pretty common now, so you still get higher resolution than most digital cameras (and usually the film scanners woork at 16 bit color depth or higher).

      However, with film even if you don't get all the resolution from a scanner now, it's still there on the film to be had as scanner prices drop, or if you really need a small section of a large print you can pay for a really hi-res scan of the film.

      Personally I still find film a better value if you're shooting 10+ rolls on a trip. That's a lot of storage for quality digital prints!

      --
      "There is more worth loving than we have strength to love." - Brian Jay Stanley
    8. Re:Speaking of resolution by iangoldby · · Score: 1

      Most of us don't even use a tripod, let alone large-format film. For a normal hand-held shot with normal consumer film, his comparisons are not really valid.

    9. Re:Speaking of resolution by Ogerman · · Score: 3, Insightful

      It's pretty eye-opening if you think digital photography is getting close to film.

      Depends on what you're calling 'film photography.' If you mean professionally prepared, then scanned 35mm slides, then no, digital cameras aren't quite there yet. But, if you're talking the average person who uses an automatic 35mm camera with average 35mm film and then takes it to the nearest 1-hour developer at the cost of $0.75 per picture, then yes, digital cameras have already far surpassed film in both quality and economics. Not to mention the fact that digital cameras, while not capturing quite as large a colorspace, are quite linear. IMO, color rendition is far superior to film with regards to capturing what our eyes see compared to the exaggerated colors that film often portrays. Yes, I know our eyes are logarithmic in color sensitivity, but that doesn't mean you want to compound this with non-linearities in film!

    10. Re:Speaking of resolution by ehiris · · Score: 1

      This is quite interesting because digital photography might even pass film resolution soon.

      Does anybody know the DPI of movie theater film?

    11. Re:Speaking of resolution by SoupIsGoodFood_42 · · Score: 1
      Not sure when that artical was written Or what he was on when he write it.
      He was using a Nikon Coolpix 950 2MP camera, and a HP C200 (1152x872). That should set off alarm bells to start. Then, using the results from those 2, old, low quality cameras, he simulates what the resolution would be for a higher MP camera by some fancy vapor-maths.

      For a more un-biast and real-world comparison of film vs. digital, take a look at these:

      http://www.luminous-landscape.com/iso100-400.htm
      http://www.luminous-landscape.com/d30_vs_film.htm

      This guy is a landscape photographer who works alot with film, in both 35mm, medium and large formats. It's worth a look round his site, he has some very nice images there, and plenty of other photography articals to if that's you cup of tea.

    12. Re:Speaking of resolution by Apotsy · · Score: 1

      Yes, I've found that Kodak film pretty much sucks for color. Many years ago, I started using Fuji exclusively, and have never looked back. I'm very happy with the color I get from it.

    13. Re:Speaking of resolution by Anonymous Coward · · Score: 0
      Not to mention the fact that digital cameras, while not capturing quite as large a colorspace, are quite linear. IMO, color rendition is far superior to film with regards to capturing what our eyes see compared to the exaggerated colors that film often portrays. Yes, I know our eyes are logarithmic in color sensitivity, but that doesn't mean you want to compound this with non-linearities in film!

      So you know that our eyes are logarithmic, but you still say that linear is "superior" at "capturing what our eyes see"? I think maybe what you mean to say is that it is better at "capturing what is actually there".

      Of course, the big problem I have with digital imagery is that while color accuracy may be better in some cases, the color gamut is much smaller than that of film. There are a multitude of color spaces out there (sRGB, the Adobe RGB, etc.), but all of them cover only a tiny fraction of the full human-visible color space. We need for all our equipment -- cameras, computer displays, printers, etc. -- to move towards a standard color space like Extended RGB or even RGGB before one can say that digital imagery is where it needs to be.

    14. Re:Speaking of resolution by skatedork · · Score: 1
      Yet another comparison which suprisingly finds in favor of the digital is here.

      Michael Reichmann is a professional landscape photographer from the Great White North.

    15. Re:Speaking of resolution by Ogerman · · Score: 2

      So you know that our eyes are logarithmic, but you still say that linear is "superior" at "capturing what our eyes see"? I think maybe what you mean to say is that it is better at "capturing what is actually there".

      Yes, you are right. "actually there" would be the correct wording.

    16. Re:Speaking of resolution by Anonymous Coward · · Score: 0
      "fancy vapor-maths"?

      All the guy did was say, "If you had a camera with resolution of X by Y, here is what it would look like" and scale his images to that resolution.

      Hardly "fancy" or "vapor".

    17. Re:Speaking of resolution by SoupIsGoodFood_42 · · Score: 1
      No. How can you make a judgment on the resolution of all digital camarasm simply be using the results, or 2 old-tech digital cameras. Digitals camera vary wildly in the amount of detail they can capture. No where on that site did I read that he tested other digital cameras. It's silly an unfair comparason. Not tomnetion that the lens quality of a half decent 35mm SLR will capture alot more detail that the lens of an older model CoolPix.

      I used a Nikon 950 2 MPixel camera. At different distances, the full image has varying total pixels (shall we say, virtual image size?). test areas 1 and 2 were done at 2 distances to give equivalent fields of view of about 1900 x 2470 (4.7 megapixel image) and 1000 x 1300 pixels (1.3 megapixel image).

      ??? Sorry. But the only way you really can compare digital to film, is to get a few DSLRs, that takes the same lenes as the 35mm SLR. And take the exact same photo (of course, you will have to take into account the focal length muliplyer. But tht shouldn't affect ot too much).

  17. Does this mean... by Numair · · Score: 2, Funny

    People will no longer be able to say "that's a really crappy picture of me, I actually look a lot like Ricky Martin's second cousin" anymore?

    1. Re:Does this mean... by Slicebo · · Score: 1

      Actually, they'll still be able to say this. Have you seen Ricky's second cousin? He looks like he fell out of the ugly tree and hit every branch on the way down.

  18. another article on business2.com by abde · · Score: 3, Interesting


    There's also a decent article on business2.com

    http://www.business2.com/articles/web/print/0,1650 ,37797,FF.html

    --
    Don't blame me - I voted for Howard Dean. http://dean2004.blogspot.com
  19. p00rn by Anonymous Coward · · Score: 0

    Porn will be 3x higher quality. Ya for better visual stimulation.

  20. Re:Can You imagine.. by Anonymous Coward · · Score: 0


    Dude, that would fry the flesh inside your nostrils.

  21. Range? Focus? by the+bluebrain · · Score: 1

    Just surfing through the site ... it seems a little sparse on technical details. Could be a IP issue I guess. Just some things I was looking for:

    - Dynamic range: if the pixels are "layered", what is the impact on the dynmic range of the sensor? The way it is pictured, the red layer is at the bottom (I would have expected blue to penetrate the furthest, but there you go) ... how much of the red penetrates, and are the ranges for the "bottom" colours as large as for the "top" colours?

    - Focus: depending on how thick the sensor is, this could cut both ways: as it is, if you're doing IR with chemical film, you need to take the shifted focus into account ... here, does this "layered" technology compensate for, or work against the focus shift between colours? (I think this could be quite a selling point)

    All in all, though, it looks like *another* reason to postpone getting a D-cam, until cams with these babies come out :)

    --
    yes, we have no bananas
    1. Re:Range? Focus? by Anonymous Coward · · Score: 0
      If the dynamic range is good than the penetration losses can be compensated in software.

      If the thickness of the layer is too high,
      then you would need lenses to compensate this (not too difficult). However, in my opinion, this won't be the case. If the pixel length/width are much more than the depth, then this is a non-issue.

    2. Re:Range? Focus? by Joe+Decker · · Score: 1
      Focus: depending on how thick the sensor is...

      It's gotta be small. I believe typical CMOS layers have depths on the order of a micrometer, which is effectively zero for this purpose. It's not a problem, the scales are massively different.

    3. Re:Range? Focus? by Anonymous Coward · · Score: 0

      The different reflective indices of lens at different wavelenghts results in different focal planes. Don't know if the differences is in the same order of magnitude as the depth of the sensors.

      FYI the human eyes has the same problem anyway...

  22. If I may out-geek the original article... by kindbud · · Score: 5, Interesting

    Please check out superconducting tunnel junction technology, which is the basis for detectors that can measure the frequency of impinging photons. No need for separate RGB pixels - stacked or not - because each pixel can determine the exact frequency or wavelength of each photon it detects. You can take a spectrum and create an image in one exposure with one detector, without using any diffraction gratings or RGB filters.

    --
    Edith Keeler Must Die
    1. Re:If I may out-geek the original article... by Anonymous Coward · · Score: 0

      Few problems here. First you have to read the pixel for each photon that falls on it. The amount of charge determines the frequency of the photon. Second, you need to cool the system to 1 degree Kelvin, well below the liquid helium temperature. This is extremely hard and expensive to do with today's technology.

    2. Re:If I may out-geek the original article... by Arkaein · · Score: 1

      So how does this sensor deal with colors that are only possible with combinations of different color photons, such as white light?

    3. Re:If I may out-geek the original article... by mph · · Score: 1

      It provides excellent time resolution, so that you record every detected photon as a separate event, and build up a spectrum (including time-resolution if you want it). You don't confuse a 400 nm photon with two 800 nm photons unless they arrive faster than your sampling interval (which, by design, must be made unlikely for the detector to be useful).

    4. Re:If I may out-geek the original article... by kindbud · · Score: 2

      It is not the function of the detector to perceive color, any more than it is the function of your retina to perceive color. That function is carried out by your visual cortex, whether you are perceiving the scene directly, or perceiving a representation of the scene on a display device.

      --
      Edith Keeler Must Die
    5. Re:If I may out-geek the original article... by Arkaein · · Score: 1

      Although perception takes place in our minds, the key to perception of color is in the sensory events that happen right at the retina. There are three types of cones in the retina that are each sensitive to different frequencies. One type is attuned to red, another to green, and the other to blue. A red photon strongly stimulates red cones while stimulating green and blue weakly or not at all. A yellow photon stimulates both the red and green cones moderately, since yellow is between red and green in wavelength.

      To perceive white light, all three types of receptor must be stimulated in close proximity. In this way our retinas are actually mechanically more like the current type of digital cameras, with three interspersed but non-overlapping types of color sensors (receptors). This is very different than the type of sensor described above, since each cone in our eye is only sensitive to part of the spectrum, and different types of cones working together are needed for true color perception.

  23. What about CMOS? by Zarathustra.fi · · Score: 5, Interesting
    Before we all go crazy with Foveon's buzz talk, I think we should see what CMOS cameras have to offer. Although not yet very mainstream, the CMOS sensors are in many ways superior to CCD stuff:

    • Low noise, higher quality
    • Lower light sensitivity due to bigger amount of sensors per pixel (no big ugly photodiodes)
    • Much lower power consumption (around 1% of a CCD sensor)
    • Easy fabrication process, since it's all about transistors


    There are already some (very high-end) digital cameras using CMOS technology, and judging on the sample images I've seen, they are awesome. Take a look at the review of Canon's EOS-D30, for example.
    --
    __
    Zarathustra.fi
    Modern man has no goal, no aim, no ideals.
    1. Re:What about CMOS? by stripes · · Score: 3, Informative
      There are already some (very high-end) digital cameras using CMOS technology, and judging on the sample images I've seen, they are awesome. Take a look at the review of Canon's EOS-D30 [dcresource.com], for example.

      Note that the EOS-D30 is not a "very high end" camera. It is very nice, but it's AF sucks, it has a fairly low frame rate and a small buffer (it's 3ish mega pixels on the other hand tend to crank out better images then all the 5 mega pixel $1000 cameras). The EOS-1D, Nikon D1h/D1x, and Kodak 760 are more like high end cameras (costing from $4000 to $8000), and medium format digital backs are even more expensive...

      That's not to disparage the D30 though, it is a great camera, I own one, and enjoy it quite a bit. It is just far from "very high end"...

    2. Re:What about CMOS? by MadCow42 · · Score: 3, Informative

      Foveon has been making CMOS type chips for quite some time actually... just a special "flavor" of CMOS. They're actually partnered with NEC's semiconductor division, who actually manufactures their chips. Although YOU've never heard of them, the professional photography industry has.

      They actually made cameras too in the past, but have stopped that in favor of focusing solely on the chip technology and leaving the rest to the "pros".

      Their first camera used an "analog" CMOS chip (their words... better tonal reproduction, wider exposure lattitude)... actually three of them on a prism system, just like a 3-CCD video camera. It was/is stunning... achieving the same effect as their new X3 chip, with a little more complication/cost.

      Although the new chip comes along with it's fair share of "buzz talk", they're definately a player, and have a proven track record of amazing quality cameras/chips on their side.

      MadCow.

      --
      I used to have a sig, but I set it free and it never came back.
    3. Re:What about CMOS? by Brat+Food · · Score: 1

      I used CMOS cameras, and whileits a little better, its still not a holy grail. There is still too much noise from pixle interpolation. Unfortunatly, the project i was working on had a budget of about 10k for camera/lights/etc, so i couldnt delve in to the 20k range of cameras, but i got to use a bunch of them. The difference in some of them is staggering. We have a LONG way till pro-sumer cameras catch up, unless this new tech is cheap and works as promised (hhahahahaha, scuse me). will have to wait and see...

      --

      "Stuff... In my home!? NEVER!" - Zim on Invader Zim
      "I want the toilet seat!" - Little Dog on Two Stupid Dogs
    4. Re:What about CMOS? by Joe+Decker · · Score: 1
      Actually, according to the X3 FAQ on Foveon's web site, the X3 sensors are done in a CMOS process, which should give you all the benefits you describe above.

      And yes, a well-done CMOS sensors has both practical and photographic qualitiative benefits relative to CCDs.

    5. Re:What about CMOS? by SoupIsGoodFood_42 · · Score: 1
      From the artical:

      "The Foveon X3 image sensor is the first image sensor designed and in production using standard 0.18-micron CMOS semiconductor production line."

    6. Re:What about CMOS? by CConkle · · Score: 1

      Regarding the Canon D30, you may note that their new super-high-end camera, the EOS-1D, uses a CCD sensor, not a CMOS sensor. This decision was made for a variety of reasons; primarily, the CMOS sensors are not yet fast enough to do the 8fps (!!) continuous rate that Canon was aiming for (and pretty much achieved) with the 1D. By almost all reviews (I _wish_ I could afford a $5500-odd camera--that's not including lens, incidentally), the new 1D is far superior to the D30 in many issues of image quality. Most interestingly, the 1D can take reasonable pictures at absurdly high ISO equivalence--even ISO1600 (!!) yields amazing pictures, considering. The only real problem with the ("older") CCD design is slightly greater battery draw and an isssue with dust on the sensor (very minor). The color performance of the 1D is absurdly good.

  24. Hope Canon uses it by SID*C64 · · Score: 1

    Maybe now Canon will finally make a digital camera that can do a full 35mm size frame with the current EOS lenses. This would be excellent for such a product!

    1. Re:Hope Canon uses it by Dr.+Awktagon · · Score: 2

      Interestingly, Contax just came out with what I believe is the first full-size sensor in a digital SLR, here's an article about it. But yeah full-size sensor, EOS lenses, in an SLR, that would rock! Oh yeah and it would be nice if it was under $1000...someday..

    2. Re:Hope Canon uses it by SID*C64 · · Score: 1

      Nice thanks for the link... oh btw got $7000 I can borrow? ;)

  25. Don't tell me.. by Anonymous Coward · · Score: 0

    you were eating the film and paper, were you?

    1. Re:Don't tell me.. by Anonymous Coward · · Score: 0

      Vegans refrain from using any products which are derived from animals. It makes little difference to the horse whose hooves were boiled to make that gelatine whether you're going to use it to make pictures or jell-o.

    2. Re:Don't tell me.. by Anonymous Coward · · Score: 0

      It's good to know that we can stop horses from dying with our consumer power!

    3. Re:Don't tell me.. by Anonymous Coward · · Score: 0

      *LOL*

  26. How It Works by hhutkin · · Score: 2, Informative

    Business 2.0 has a easy to understand graphic that explains how this new technology works in their article on Foveon's new chip. http://www.business2.com/articles/web/0,1653,37797 ,FF.html

    --
    Harris - seeking knowledge of a higher form...
  27. Depth of Field Limitations? Lens Requirements? by human+bean · · Score: 5, Interesting
    Each piece of the spectrum being at a different depth, will the modern apochromatic lens (designed to focus all colors in the same plane) be needing an adjustment to work well with this sensor?


    Due to the sensor thickness, is depth of field going to be restricted to smaller stops in order to have the entire thickness of the sensor in focus?

    --

    *whup* "Get along, little electrons. Heeyah!"

    1. Re:Depth of Field Limitations? Lens Requirements? by Anonymous Coward · · Score: 0

      If the pixel depth is much less than the width/length, then the depth can be ignored.

    2. Re:Depth of Field Limitations? Lens Requirements? by wowbagger · · Score: 3, Informative

      The delta in focal length from the top to the bottom of the chip is going to be in the micron range - you have more focal length variation than that in a film camera just from the tolerances of the transport assembly.

    3. Re:Depth of Field Limitations? Lens Requirements? by stripes · · Score: 2
      Due to the sensor thickness, is depth of field going to be restricted to smaller stops in order to have the entire thickness of the sensor in focus?

      Not likely, the different layers of the sensor are still likely to be closer together then the "plane" of the film in all but the vacuum back cameras, and even there pretty much all color film has 3 or more layers (and some B&W film as well!).

    4. Re:Depth of Field Limitations? Lens Requirements? by Duck_Taffy · · Score: 1

      I have no idea how thick the individual sensor layers are, but I'd like to remind everyone that color film is layered in a similar manner. The front layer filters out a certain amount of blue, and then there are several layers of emultion behind that, each sensitive to a different color. It's thin enough that it's not significant unless you are doing some extreme macro work, but I'd assume you'd use some specialty film with that anyway. Perhaps this is one of the reasons why many people percveive black & white prints as being sharper.

      --
      Karma: Ran over your dogma.
    5. Re:Depth of Field Limitations? Lens Requirements? by Amoeba+Protozoa · · Score: 3, Informative

      Probably not, as modern film emulsions are already broken into three (or more) color layers and work just fine with APO lenses. I wouldn't imagine that this new chip's light sensitive portion is much thicker than film...

      -AP

    6. Re:Depth of Field Limitations? Lens Requirements? by Joe+Decker · · Score: 1
      I have no idea how thick the individual sensor layers are...

      As chip layers, the answer is going to be on the order of microns. As you suggest, this is orders of magnitude smaller than would be necessary to cause any detectable image change.

  28. It's engineering. by Chris+Burke · · Score: 2

    I'm sure it was -thought of- before, just that the technological hurdles were too difficult/expensive to overcome. After all, stacking circuits vertically is difficult to do.

    I don't know the specifics, but I can easily look at everything else in technology. Just about everything is -conceived of- before someone actually manages to -build it-, and build it -cheap enough-. That's the reality of engineering.

    It does go the other way -- new technical capability can cause people to think of things they wouldn't have before -- but as you say, the already evident facts of the situation make that unlikely.

    --

    The enemies of Democracy are
  29. Re:Lost Screws by Reality+Master+101 · · Score: 1

    What's frightening is that this is more insightful than the responses to a lot of my posts (I'll resist temptation to link a few recent responses...). :)

    --
    Sometimes it's best to just let stupid people be stupid.
  30. Re:great news (OT) by SanLouBlues · · Score: 2

    Not all film contains gelatin (no e), a quick google search turned up which types have it and which don't. Apparently it's only in the best looking film.

    On a side note, does this mean you don't support most photographers or (non-digital) movies?

  31. Still only R, G, and B. by Anonymous Coward · · Score: 1, Informative

    It's not any more "full color" than other RGB cameras. They all, by definition, define a color by three values. There are many ways to caputre R, G, and B and this one's not revolutionary. Now I'd like to see a high speed, 2D spectral photometer. Now that's cool. It would measure "color" at each pixel in very small wavelength bandwidths, say 5 nm and give you the spectrum at each pixel. Now, that would be better than the human retina, but not even close to being better than the human end-to-end perception system.

    1. Re:Still only R, G, and B. by Anonymous Coward · · Score: 0

      end-to-end? what's the other end?

  32. Film is dead in 1-2 decades anyway by cadallin451 · · Score: 2, Interesting
    I really don't expect there to be anything but hobby film equipment by 2020 at the very outside. Which irritates me because I love film cameras.

    Question though: Why does someone (Nikon) not produce a truly modular upgradable digital SLR camera?

    The D1 is a step in the right direction, but it's too big and way too expensive.

    CCD's should be replacable like film backs on film cameras, so that you don't have to throw the whole camera away, just replace your 3Mp back with an 8, then a 12 etc.

    And interchangable lenses, preferably standard F mount, for Christ's sakes people. You can't do serious photography with crappy builtin zooms.

    My dream camera would be an updated Nikon F3, but with upgradable digital backs, and an option for an LCD screen, but not built in.

    1. Re:Film is dead in 1-2 decades anyway by stripes · · Score: 2
      Question though: Why does someone (Nikon) not produce a truly modular upgradable digital SLR camera?

      I think you can't really replace the sensor without replacing the CPU and it's memory unless you seriously overspec the CPU and buffer size (enough CPU to JPEG 4Mpixel images at 5 fps won't handle 6Mpixel images at 12 fps! Nor will the buffer keep up!). If you replace the sensor plus the imager you are talking about replacing most of the value of the camera. I'm not sure what body the $5000 D1X is based on, but I would be surprised if it was more then $1000 or so. I know the D30 (originally $3000, now down to $1450) is based on a $300 body. In both cases the resale value of a still working old one will normally be worth more then the body.

      Also since you need to carefully line up the imager with the "film" plane you are going to need to get a repair shop to do it, which eats into your savings.

      As if that wasn't enough the newer imagers may allow more features, but you want controls for them, so you might want to change the body anyway. You may also want to throw in a better autofocus system or faster shutter to help lure new customers in...

    2. Re:Film is dead in 1-2 decades anyway by Blrfl · · Score: 1
      I'm not sure what body the $5000 D1X is based on, but I would be surprised if it was more then $1000 or so.

      The D1, D1X and D1H are based on the F5, which has a MSRP of US$3,350.

      And yes, I love my D1 to pieces.

    3. Re:Film is dead in 1-2 decades anyway by stripes · · Score: 2
      The D1, D1X and D1H are based on the F5, which has a MSRP of US$3,350

      Wow! That's a lot more then the EOS-1V...wait that's MSRP, what is the street price?

      And yes, I love my D1 to pieces.

      Nice camera, pity I can't fit my lenses on it :-) Had one the last place I worked, used it for a few hours, very very nice.

    4. Re:Film is dead in 1-2 decades anyway by Anonymous Coward · · Score: 0

      FYI I have seen a CCD that are designed for SLR film camera. Don't know if that was a commerical flop or not.

    5. Re:Film is dead in 1-2 decades anyway by Blrfl · · Score: 1
      Wow! That's a lot more then the EOS-1V...wait that's MSRP, what is the street price?

      Haven't priced one, but I think they run about $2,000. On both the F5 (2000/3350) and the 1V (1800/2900), the MSRP is about 65% higher than the street price. So both Nikon and Canon have an overinflated sense of what their products are worth.

      Nice camera, pity I can't fit my lenses on it :-) Had one the last place I worked, used it for a few hours, very very nice.

      The D1X is very very nicer. :-)

  33. some limitations of this technology by dmoen · · Score: 3, Informative

    This is very cool technology. So cool that the photodetector array must be cooled to "well below 1 degree Kelvin" in order to operate. This requires a liquid helium cryostat. So don't expect this to appear in pocket sized cameras any time soon. But it sounds great for astronomy.

    Doug Moen

    --
    I have written a truly remarkable program which this sig is too small to contain.
    1. Re:some limitations of this technology by kindbud · · Score: 2

      CCDs used to require nearly that much in the way of "life support" when they were first developed (well, LN temperatures, but still...). I have no reason to doubt that once the principle of doing this measurement is mastered at 1K, someone will figure out a way to do it at room temperature, probably with some different material. Give it ten years. That would be my guess.

      --
      Edith Keeler Must Die
    2. Re:some limitations of this technology by Anonymous Coward · · Score: 0

      Not for now, the technology by ESA uses superconducting pixels, so extending this technology to room temperature means inventing a room temperature superconductor!!

  34. But .. by Anonymous Coward · · Score: 1, Funny

    .. this is HDTV!!! It has better resolution than real life!

  35. All i can say is.. by Brat+Food · · Score: 5, Interesting

    WOW. I worked on a project trying to do some pretty accurate work with digital cameras, and I can tell you this... Until you spend around $20,000US, you will not even get close to your original. Heres an example.

    The subject is a GretagMacbeth color checker (a bunch of square swatches of color with a black boarder)

    With a pro-sumer camera, say around 3k, the image overall looks OK, but zoom in to any "grayscale" swatch, and you'll see that the image is still very much little RGB dots blurred together, and your grey never has all the same RGB vales as a true grey should.

    As you go up to the 20k price range, a variety of tech is used to get more accurate color. The best I have seen was a back for a large format camera (can't remember the name for the life of me) that, when used in a studio setting only, could capture exact grey values for each pixel. What this means, is that if you took the captured image in to Photoshop, with no image correction, and you used the eyedropper over a grey swatch, your RGB values would read (x , x , x) over the whole swatch without a hiccup (1 pixel sample).

    The camera achieved this by physically moving the CCD array so that it took something like 3 or 4 shots of the image (hence needing to be in a studio set up).

    Now, a single CCD camera setup that can be used in the field, probably generating the same results as above, is going to be HUGE.

    I don't know the target price range to start, but cameras using this tech, if it lives up to its promises will be HUGE in the pro photo field. Capturing a more true color vs. totally interpolated has enormous impact on color correction and manipulation images. In my experience, images for lower end cameras don't always manipulate in ways you expect because of the interpolated nature.

    --

    "Stuff... In my home!? NEVER!" - Zim on Invader Zim
    "I want the toilet seat!" - Little Dog on Two Stupid Dogs
  36. Actually... it is revolutionary by ka9dgx · · Score: 5, Informative
    This is revolutionary. There is no alignment issue to worry about with this chip, the automatic gain and channel amplifiers will all be right next to each other, so the color accuracy is going to be phenominal. I would like to see the response curves for the different layers. The business about absorbing colors at different depths in the silicon sounds like typical marketing oversimplification, but gives enough of a clue to be useful. I can see this being extended down into a multispectral (including near infared) sensor in a generation or two, which would be even cooler yet.

    This thing could also make one heck of a nice nightvision system, if used properly... so we could all have nice color pictures at night, just like the military folks have had for a long time. (Green screens are just for the media to consume).

    --Mike--

  37. New CCD by Anonymous Coward · · Score: 1, Insightful

    Wow I think this is great!
    I think it will mean the death of film, and in the future, ENTIRE CITIES will be built around these.
    Also, I just want to say that I think Slashdot is a great site. The news story submissions are always really cool, and I can get a lot of information here, that I can't get elsewhere.

    Plus the reader commentary is second to none! Keep up the good work!

  38. Fair to compare to Velvia slide film? by Smack · · Score: 1

    The film used in that review is slow expensive slide film. It's perfect for the kind of picture he uses for the example. But the average person uses something like Kodak Max 800, which is nowhere near this good in terms of grain.

    Also, note that the digital camera tests are done off of a print, not off of reality: "The digital camera images were done by imaging a 30 x 39 inch print (from the large format)."

    1. Re:Fair to compare to Velvia slide film? by mph · · Score: 1
      The film used in that review is slow expensive slide film. It's perfect for the kind of picture he uses for the example. But the average person uses something like Kodak Max 800, which is nowhere near this good in terms of grain.
      Yes, photography is just like most things--most people are satisfied with crap. Velvia might be expensive (but you can get it for $4.19 per roll of 36, and slide processing is cheaper than prints for a given level of lab quality), but the digital technologies evaluated are also high-end. It's a comparison of the best that film and digital have to offer. If your standards are low enough for consumer-grade 800 speed film or a cheap digital camera, then you should have no trouble getting adequate quality with either technology.
      Also, note that the digital camera tests are done off of a print, not off of reality
      So were the 35mm examples in the same section, so it's an apples-to-apples comparison. Comparing either the digital or 35mm examples in that section with the 4x5 or 35mm slides of "reality" would be unfair, but the author doesn't do that.
  39. Waiting for the Nikon 990 by ka9dgx · · Score: 2
    I have a Nikon Coolpix 995, and the key is to dump the cheap SanDisk film, and get some Lexar 8x or faster CompactFlash. My shot times went down from about 8 seconds to less than 2.

    --Mike--

  40. Re:great news (OT) by Anonymous Coward · · Score: 0

    By appearances, this fellow figures that horses are being raised just to cut off their feet...

  41. Actually, RGB dots on a flatscreen are better by yerricde · · Score: 1

    it's would be just as revelutionary if somebody would make a flatscreen with a real colour pixels, instead of the RGB dots

    On a color liquid-crystal display, having the red, green, and blue dots side-by-side is actually better than having them in front of one another. The slight misregistration of side-by-side dots allows for text and line-art rendering with nearly three times the horizontal dot placement accuracy of traditional displays. See also these articles about sub-pixel rendering.

    --
    Will I retire or break 10K?
    1. Re:Actually, RGB dots on a flatscreen are better by TheAwfulTruth · · Score: 2

      Yes, but having each one of those r g and b lcd cells be an entire rgb pixel would increase resolution even further! The fact that each pixel has to be one or more rgb triple pixel now only reduces the resolution of the monitor from what it could be if each lcd cell was an rgb pixel.

      --
      Contrary to popular belief, coding is not all free blow-jobs and beer. Those things cost MONEY!
    2. Re:Actually, RGB dots on a flatscreen are better by Anonymous Coward · · Score: 0

      yes, but if the sub-pixels were all real pixels it would be even better (no colour distortions).

  42. Re:great news (OT) by Anonymous Coward · · Score: 0

    i think it involves living in boulder, colorado eating oats, and pretty much avoiding any kind of civilisation anywhere. vegans just don't respect the life cycle of animals.

  43. What's the matter? by Anonymous Coward · · Score: 0

    Jealous because you lost your job to a better educated, more skilled foreigner who was able to learn in school because he didn't have to dodge bullets from other students' guns, given to them by overzealous Second Amendment-thumping legislators?

    Go back to high school and get your GED--if, that is, you can spell that (which I doubt).

  44. if you would read the fucking article by Breakfast+Pants · · Score: 1

    you would see that the technology talked about is available TODAY. so please shut the fuck up.

    --

    --

    WHO ATE MY BREAKFAST PANTS?
  45. How low can you go? by Anonymous Coward · · Score: 0

    Yup. I own an account which recently crawled into the sunlight of positive karma, after sitting on the undercap of -25.

    Spooging Cum-Wanker hit -28 once. This is the lowest karma score I know of.

  46. What about better compression? by blamanj · · Score: 2

    This is nice, and should lower the cost of digital cameras while improving the quality. But what ever happened to JPEG2000? I thought we were going to get a lot more pictures on our FlashCards but as far as I know, no one is yet shipping a JPG2K-enabled camera.

    1. Re:What about better compression? by Dikarika · · Score: 1

      I've used jpeg2k and LDF (both designed for good quality, small size pictures), and I can tell you from experience that they are difficult at best. The file size is nice, but the compression slows down opening and saving files to a crawl. We've stuck with standard jpg and tif (as well as eps and illustrator formats) for all our image work here.

      --

      Peace, Love, Games
    2. Re:What about better compression? by NerveGas · · Score: 2

      Better compression? Holy cow, how many pictures do you need to store on that 256 MB card?

      I'd rather see more effort going into putting decent video compression codecs into these cameras, as some of them already capture MPEG movies, although the frame-rate is low. With a higher frame-rate and better compression ratios in a semi-economical camera, "regular" digital cameras could give DV cameras a real run for their money - and would probably merge into one, as the price of DV comes down dramatically.

      steve

      --
      Oh, you're not stuck, you're just unable to let go of the onion rings.
    3. Re:What about better compression? by SoupIsGoodFood_42 · · Score: 2, Informative
      Better compression? Holy cow, how many pictures do you need to store on that 256 MB card?

      256 isn't that much.
      I have a Fuji 6900, it does 2048x1354 images. I can fit 100 on my 128 card. That's only 4 rolls of film.
      There are alot of cameras out there that will create far bigger images.

      As much as I can see video being a more important feature in still digital cameras in the future, and see devices that do both well. They primarily are still cameras. And I think that they should be focasing on that more than doing video.

    4. Re:What about better compression? by hahn · · Score: 1

      it's not simply a matter of getting more pictures on a card. jpeg2000 is a superior compression format in that the picture quality is far better at a given level of compression when compared to jpeg. there are far fewer artifacts introduced at given levels of compression. plus, at roughly half the space of a tiff file, it can store a LOSSLESS compressed file. in addition, it supports metatag data and is scalable, making it very useful in making webpages, archiving, e-mailing - and all with just one file. at the hospital where i am working, we are currently evaluating its usage for our digital pathology archives.

      i agree, SOMEONE needs to start pushing jpeg2000. jpeg is simply not enough anymore. there is work being done on jpeg2000. unfortunately, a lot of it seems to be companies trying to proprietize the format.
      luratech
      lizardtech

      --
      "The only normal people are the ones you don't know very well."
  47. Very important breakthrough by MrIcee · · Score: 2, Insightful
    This is a very important breakthrough, which will not only impact digital-imaging - but also other sciences such as astronomy, biology, etc.

    Parallax and other artifacts cause headaches in all forms of digital processing... causing countless software algorithms to be written that bring things back *inline*. This should do away with much of error correction in imaging.

    Even in areas where we do noise removal and color balancing by additive techniques (e.g., image white through rgb sensors... negate it and use that as a additive mask to remove dirt, flys, etc... from your lens as well as color correct by printing the output and again subtracting that from the original to find unbalance in guns) - this will greatly improve the errors that abound surrounding such subtractive and additive region processing.

    This will also reduce geometric distortion that often affects sensors where the RG and B components are split out and each sent to a different sensor (assuming that their RGB masks in this sensor are layered properly).

    Very good work.

  48. Overly simplistic explanation by ka9dgx · · Score: 3, Interesting
    I suspect the picture is a little more interesting than things. What is probably acutally going on is that there are three diffraction layers being formed in the silicon with different thicknesses to trap the different wavelengths of light. It could be the easiest to trap out the blue light on the top, probably because it would be the thinnest, and therefor mean the other photons could go through unimpeded.

    If I'm right in my assumption, it should be possible to build an arbitrary stack of layers (with reduced efficiency) for any color ranges you care to deal with. It might be possible to make a camera that has a special layer to pick up the 700nm wavelength that chlorophyll absorbs line to determine plant health for use in agriculture.

    I suppose it could be stacked the other way, but that would probably be a much larger engineering challenge.

    --Mike--

  49. Well, sweet in a way... by ackthpt · · Score: 2, Interesting
    Sorry to dowse the optimism, but @ $3K per camera I'm not enticed in the least. I have a tighter budget and look toward the below $1K price range, otherwise it still doesn't make much sense to abandon my Nikon FE2, for which I have some very nice glass.

    The reality will be, assuming the price on these sensors is competitive, that manufacturers will run the same crummy resolution, because Joe Consumer is amazingly happy already with 35mm ASA 400 and 800 quality prints, which look terrible after a lifetime of ASA 25 & 64 film use, not to mention medium format, which is the only plausible choice for quality poster size prints.

    It's a neat technology, but I'm underwhelmed until it translates into a high enough resolution sensor in a body I can use my existing glass on for a price comparable to buying a 35mm body. Granted, you get the luxury of instant feedback on your photo (though there are drawbacks, i.e. on how fast these hi-res images process in the camera see my webpage for SF Grand Prix pictures for further explanation and examples), film is still fast and affordable. All I really need is a better way to transfer negatives or slides to my PC. I have an HP photo/slide/negative scanner, but it's unimpressive.

    --

    A feeling of having made the same mistake before: Deja Foobar
    1. Re:Well, sweet in a way... by jd142 · · Score: 2

      I have an HP photo/slide/negative scanner, but it's unimpressive.


      But don't scanners use the same kind of chips that the cameras do? I thought scanners used ccd as well, but I'm willing to be called an idiot. (I'm posting on /., so of course I must be) But my first thought was that scanners should also improve with these chips. And scanners are much cheaper than cameras to buy.



      Anyone know what this will do to scanners?


    2. Re:Well, sweet in a way... by stilwebm · · Score: 3, Informative

      Yes and no. Lower priced scanners have CCD sensors, one for each color component. This development will put drum scanner quality (think prices greater than $10,000) into scanners at much lower prices (less than $5,000 and dropping as innovation continues). Many current CCD image scanners often use separate CCD's and color filters to first scan each color channel, and then reassemble the composite image in software. This innovation will hopefully lead to much better color balancing as well as higher resolution.

  50. Re:To All Slashdot Readers on Valentine's Day Eve by Anonymous Coward · · Score: 0

    I felt the sting of unrequited lust, and chose option 2. I can say that it's easy getting laid now, "Can I buy you a drink?" is often replied "I'd rather go over to your place for sex" in bars, as opposed to the "get the fuck away from me you mongoloid" I was accustomed to hearing. These rejections from women weren't completely rude, as I am mongoloid. Luckily, all the other fags in "Wink & Pucker", the gay bar I now frequent, find this a turn on. Something to do with molesting a poor mentally handicapped "straight boy" (hey, it gets me more action) I imagine. I would like to thank you for your post, as it has greatly improved my sex life and I am a much happier person now!

    Aeeeeenggh! ayleeins! ayleeeeeeins! eeeeeeengr



  51. Re:Lost Screws by Anonymous Coward · · Score: 0

    Hey, Reality "Master,"

    Are your parents members of the Socialist Party or something, and your Anne-Rynd-hero-worship, Capitalism-Uber-Alles, anyone-left-of-center-is-a-terrorist postings are your way of rebelling?

    (The GPL Communist Boogeymen are after your money and your guns! RUN!!)

  52. Re:Lost Screws by Reality+Master+101 · · Score: 1

    "The Reality Master is dedicated to viewing the world objectively; without emotionalism, wishful thinking, cynicism or silly prejudices. The pursuit of simple Truth."

    Both Socialism and Libertarianism are both bad ideas, although Socialism is much more evil than Libertarianism. At least Libertarianism embraces freedom (just in the wrong ways).

    --
    Sometimes it's best to just let stupid people be stupid.
  53. subthreshold analog by bcboy · · Score: 1

    A few years ago Mead (of Foveon) was doing work at Caltech with subthreshold analog sensors that had logarithmic properties. I don't know if any of that research is still active. Search for "silicon retina" and "Mead" for info.

  54. 2D spectral photometer by ka9dgx · · Score: 2
    I've always wanted a 2D spectral photometer... you could look for all sorts of interesting things with it, mostly just seeing what things are really made of. It would be trivial to spot plant health by looking at the 700nm line. You could look for various things in the environment quite easily. I imagine that it would be trivial to spot the different response curves of makup as opposed to uncoated skin. So many ideas... so little likelyhood of actually getting one.

    It goes in the wish list, along with my personal KiloWatt, and personal MegaWatt, and the 10k*10k pixel CCD camera.

    --Mike--

    1. Re:2D spectral photometer by Anonymous Coward · · Score: 0

      Just think of the porno possibilities! I want me a beowulf cluster of those! All your breasts are belong to us!

  55. More important problems of digital photography by tempfile · · Score: 1

    The most important problem, IMO, is not how the sensor is constructed but the color resolution. 8 bits per color is not enough. Decent cameras work with more internally or with pseudo-logarithmic sensitivity, but the main problem that the final product has only 8 bits per color remains.

  56. Good God, man, don't you have a spell checker? by kperrier · · Score: 0, Redundant

    this makes a lot of difference, it's would be just as revelutionary if somebody would make a

    revelutionary? Can't you at least run submissions through a spell checker?

    Kent

  57. Ok, everybody together now... by Anonymous Coward · · Score: 0

    "film and paper are MURDER!"

    vegan (vee-ghin) n. 1. A vegetarian who eats plant products only, especially one who uses no products derived from animals, as fur or leather. 2. See hypocrite.

    1. Re:Ok, everybody together now... by DrSkwid · · Score: 2, Interesting

      2. See hypocrite.

      how's that then?

      --
      There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
    2. Re:Ok, everybody together now... by Anonymous Coward · · Score: 1, Funny

      moron (more on) n. 1. Ignorant person who mysteriously makes the connection between not eating meat and being a hypocrite. See also "tiny brained redneck hick".

    3. Re:Ok, everybody together now... by Anonymous Coward · · Score: 0

      Well obvious this "moron" struck a nerve....make of that as you will.

  58. FUGA and Dual Slope look promising by Blancmange · · Score: 2, Informative
    Reality Master 101:
    More resolution, while nice, is not what digital photography primarily lacks. Light and shadow sensitivity is what really sucks with digital cameras. Film has a logarithmic sensitivity to light, while a digital sensor has a linear sensitivity.

    You might be interested in Fill Factory's goodies:

    The FUGA is kinda cool in that it doesn't integrate like a CCD. It has no 'shutter time' and pixel values can be read on the fly.

    The site has an excellent FAQ.

    --
    Blancmange
  59. Flat Screens with real Colour Pixels Exist by pivot_enabled · · Score: 2, Interesting

    Actually there is a company producing a flat screen with lets call them nearly real color pixels. Rather than using filters in the panel they use extremely bright Red, Blue, and Green color LED's in the backlight. The image is then represented in a field seqntial fashion. The beauty is that each individual pixel is representing the full color, so you dont need silly and stupid gimmicks like cleartype.

    Here's the link if anyone is interested:
    LumiLeds

  60. Yeah, unfortunately... by Greyfox · · Score: 2
    They club a baby seal to death for every camera sold. Just because...

    You just can't win...

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  61. Metafilter Reposting Service by Anonymous Coward · · Score: 0

    Thanks for the Mirror of Metafilter.

    geeks looking for the real scoopo should please see the source http://www.metafilter.com

  62. Re:AC Filth Troll Filth? by Anonymous Coward · · Score: 0

    The day I get a user account to troll slashdot, taco has won.


    BOOBIES!

  63. Re:great news (OT) by DrSkwid · · Score: 1, Offtopic

    a quick google search
    oh great, thanks for the tip
    no google 10 years ago!

    side note :
    I don't support the exploitation of animals. Obviously the extreme is impossible. I used to be pretty radical about it, I've softened in my later years. I'll go watch a film but I won't make one. The distinctions get blurred and irrational. It's a somewhat irrational stance anyway. I obviously don't avoid the use of electrical transformers. I just do what feels right and these days don't get into people's faces aboutit.

    but no meat, eggs, dairy, fish, wool, leather, gelatine, milk, honey and stuff like that.

    http://www.milksucks.com

    I started in the wake of the big African starvations because meat production wastes food & water that people could use. When British pop stars & tv programs were rasiing money for Ethiopia Britain was importing Ethiopian food and that turned my head a bit. The EEC destroys food to stabilise the economy and people go hungry. I dodn't feel it's right so I decided to do something and the first thing you need to change is yourself.

    Ten years later here I am still vegan.

    I can take the insults and what have you because there's only one way of life and that's your own!

    --
    There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
  64. Carver Mead by nesneros · · Score: 2, Interesting

    Carver Mead (the driving force behind foveon) is one of the few true modern visionaries out there. He was not only the pioneer of AVLSI, and therefore responsible for the microchip boom in the 1970's, but also one of the first people to start seriously looking at making electronics more like biology.

    --
    Some men spend their entire lives trying to kill themselves for having been born. --Ross MacDonald
  65. Re:great news (OT) by DrSkwid · · Score: 2

    vegans just don't respect the life cycle of animals.

    ok i'll bite

    er, how is living in a crate part of the life cycle of a pig?

    How is living 3 to a 2 foot cage the life cycle of a chicken?

    Since when was having your children taken away unweaned and being drugged with hormones so you'll keep making milk part of the life cycle of a cow.

    The trouble with country folk is they've lost touch with nature.

    --
    There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
  66. logs by purduephotog · · Score: 5, Informative

    There are a couple of problems with logarithmic sensitivities in electronics- the little potential wells fill up too quickly. Make them too deep and they lose the low level light, make them too shallow and the electrons spill out.

    Conventional AgX can capture around 14 stops of light (thats 2^14) - conventional paper can handle 8 stops or so... a typical scene has 2^11, give or take. Depends on the scene and the subject- obviously a shot of a barn with the door open in broad daylight is going to have a bit more range than a shot inside in a white room with light bouncing everywhere.

    So, what you really want, is to have the SOFTWARE be cognizant of higher bitdepth images. When you have 8 bits to capture a 10 bit scene, information is lost. So you throw some out... and you end up with muddled highlights and muddled shadows, and something in the middle that looks decent.

    Believe it or not, but alot of companies have spent alot of money trying to figure out the correct 'mental' representation of a greyscale- not even including colour. I'm partial to Kodak (I work there, but these views are mine).

    I've worked with extended bit depth images quite a bit and know that there is none (read, big fat ZERO) ms support for anything over 8 bits.... in fact, ImageViewer simply locks up and crashes. So any sort of solution that gives you extended tonal rendering are going to have to be custom solutions... and that probably won't sit well with the average person- "what do you mean i have to process my pictures before I can view them?!?!? I'll just go buy another camera" etc etc. Even if the benefits are enormous, there is the simplicity factor that drives it.

    I personally am interested in this sensor, but there seems to be the wrong website linked... which worries me...

    1. Re:logs by Anonymous Coward · · Score: 0
      I've worked with extended bit depth images quite a bit and know that there is none (read, big fat ZERO) ms support for anything over 8 bits.... in fact, ImageViewer simply locks up and crashes. So any sort of solution that gives you extended tonal rendering are going to have to be custom solutions... and that probably won't sit well with the average person- "what do you mean i have to process my pictures before I can view them?!?!? I'll just go buy another camera" etc etc. Even if the benefits are enormous, there is the simplicity factor that drives it.


      Cams already convert the image from a raw format into JPEG. Why couldn't they convert it from raw to propietory (for hi-end pic processing) and from there to JPEG (during downloading) for viewing for quick and dirty Harry Homeoner.


      Don't cams already come with drivers though? Won't hi-end customers not give a shit about having to do processing? Can't the cam do the processing itself?

    2. Re:logs by Dwonis · · Score: 3, Insightful
      Why couldn't they convert it from raw to propietory (for hi-end pic processing)

      Or RGB, or PNG, or RGB/LZ, or RLE, or one of the many other open formats out there.

    3. Re:logs by Anonymous Coward · · Score: 0

      Hmmm, Photoshop has 48bits-support. And the MacOS supports 48 bit since 1989.

  67. Lossy compression is evil by kjr71 · · Score: 1
    We have compact flash cards in the capacity range of several hundred megabytes. Microdrives up to a gigabyte. What we need is uncompressed image data, since lossy compression always loses detail. While this might not be obvious to the naked eye (for the very reason of being engineered not to be), it will always affect the editability of the image in post processing.

    Things like level/color balance/gamma adjustment (wanna bring out that shadow detail in an underexposed pic? whoops, jpeg destroyed all of it already, shit happens), sharpening and numerous other image editing techniques really make the compression artifacts visible where they originally were not...

    1. Re:Lossy compression is evil by iangoldby · · Score: 1

      How many of you can fill a 256MB compact flash card on a single set of batteries?

      Heck, we need better batteries too. 4 weeks continuous use on a set of AA NiMHs?

  68. Wrong: 16 MP by purduephotog · · Score: 2

    The current leader is 16 megapixel made by Eastman Kodak, the sensor is 4080x4080 in a Bayer array, which means it has 16 million pixels. That creats an image that is 48 megabytes, or if you work in the raw mode 96 megabytes (since you need a 16bit dword to hold the 12 bit data).

    1. Re:Wrong: 16 MP by carlos_benj · · Score: 2, Informative

      This one's supposed to be better. According to Digital Photography Review, "...no pixels, or dots, were visible to the eye, even with the photograph blown up to a size of 8 feet by 4 feet." Wow! This chip is also supposed to be 16Mp megapixels, but at a lower price than Kodak. With the new technology though it's supposed to be "...able to capture digital images with a resolution of 4,096 by 4,096 picture elements - or pixels - per square inch. That, by some measures, is about twice the resolution of 35-millimeter film."

      --

      --

      As a matter of fact, I am a lawyer. But I play an actor on TV.

    2. Re:Wrong: 16 MP by carlos_benj · · Score: 1

      :g/16Mp megapixels/s//16 megapixels/

      And I should point out that this was a pre-release test reported on Sept. 11, so it didn't get much notice that day.

      --

      --

      As a matter of fact, I am a lawyer. But I play an actor on TV.

    3. Re:Wrong: 16 MP by carlos_benj · · Score: 1

      I should also point out that I'm brain-dead today. I found the link after Sept. 11 and keyed on that without looking at the year. When I saw the /. story I jumped to my bookmark (because I remembered info that wasn't in the link from the story) and did a cut and paste of a couple of quotes on what I thought was pretty impressive info. This likely may not even be the chip in question.

      So, moderators, don't mod the parent to the parent up, but show a little mercy - it's been a long day.

      --

      --

      As a matter of fact, I am a lawyer. But I play an actor on TV.

    4. Re:Wrong: 16 MP by Mr_Matt · · Score: 2

      Woopsie, there was supposed to be a "1" in front of that "6" up there. Time to start using that damn preview button. :)

      But in all honesty, who can afford a 16 megapixel camera? Not I, and if you can, more power to you. I'll stick to the best imaging system I can afford, which means film, right now.

      --


      But what does my opinion matter, I just vote here. It's not like I have any money or anything.
    5. Re:Wrong: 16 MP by Mr_Matt · · Score: 1

      Damn, ignore this post...I _was_ thinking about a 6 megapixel (which scales to ~200 ASA.) when I posted. I knew about the 16 megapixel CMOS, but haven't given it much thought, much in the same way I haven't looked at the latest in the Ferrari line. :)

      --


      But what does my opinion matter, I just vote here. It's not like I have any money or anything.
  69. Also invented integrated circuit compiler by peter303 · · Score: 4, Insightful

    Back in the late 1970s Carver Mead of CalTech and Lynn Conway of Xerox PARC computerized the design of integrated circuit chips. Before them chips were designed by mechanical drawing and hand-taped photo-masks. This often resulted in spaghetti-looking chip circuits. Mead & Conway reduced chip design to a hierachical set of physics and geometry issues, and wrote a compiler to issue these from higher level descriptions. Chip design was then transformed more-or-less into a computer language. People then added optimization and simulation-testing tools to further automate the process. It got so simple that chip design labs were offered in engineering colleges with same-semester turn-around. Some guy in my class twenty years ago designed a "homogeneous coordinate multiplier" which become the geometry engine of a startup called Silicon Graphics.

  70. This is great by Joel+Ironstone · · Score: 1

    Easier post processing+ x the reslution for the same sensor density.

  71. Life is not a GretagMacbeth Colour Checker by purduephotog · · Score: 2

    If you design your system to make the GretagMacbeth checker to look good, it will most likely make reality look bad.

    Personally, I prefer reality ;)

    1. Re:Life is not a GretagMacbeth Colour Checker by Brat+Food · · Score: 1

      yeah, but, the point is if you shoot something thats grey, and your color in your first generation (ie. the digital photograph) comes in not grey... your in for a world of pain as you try to color correct the rest of the image (as your blue may not be "blue", but those little RGB dots all mixed together to appear blue zoomed out)

      --

      "Stuff... In my home!? NEVER!" - Zim on Invader Zim
      "I want the toilet seat!" - Little Dog on Two Stupid Dogs
    2. Re:Life is not a GretagMacbeth Colour Checker by purduephotog · · Score: 2

      Depends on your lighting situation.

      In the professional arena, greys are reproduced slightly cold- more blue than Red and green. That isn't reflected in the Macbeth colour checker, but when you look at a neutral image, you'll pick the bluer one unless you know to pick something that looks more yellow.

    3. Re:Life is not a GretagMacbeth Colour Checker by Brat+Food · · Score: 2, Informative

      Yes, does depend on lighting, but, on the computer, the perceived color will not shift as you might expect it too,and your channels are all messy (due to the noise of interpolation). It was so nice to have a solid color be the same RGB values across the whole swatch with no hiccups(20k camera back) vs. having a solid swatch that could vary at each pixle(and it does, a lot). All im saying is, its not necessaraly color value accurate from percieved real object to screen, but the lack of noise, and to KNOW that an evenly lit patch of color RGB(198,34,56) will be even across whatever area its supposed to be in is what you need to have. Its just more accurate. The macbeth chart was just for visual reference for the example(since most photographers know what they are).

      --

      "Stuff... In my home!? NEVER!" - Zim on Invader Zim
      "I want the toilet seat!" - Little Dog on Two Stupid Dogs
  72. Great Coverage of this in Today's NY Times by Schlemphfer · · Score: 1

    I'm surprised that this story's been up for a couple hours and nobody's linked to a much more detailed piece of reporting about this technology that appeared in today's NY Times.

    --
    I'm generally "Interesting," "Insightful," and even "Funny" here. What the hell happens to me at parties?
  73. Three CCD's and 3 CRT projectors by heroine · · Score: 2

    Theoretically some cameras split light onto 3 CCDs so the RGB component on each CCD is spacially equivalent. Some projectors merge 3 CRT's so the image projection for each component is spacially equivalent. The problem is these mechanisms aren't very heavily marketed for consumers. Foveon is the first to sell to consumers.

    1. Re:Three CCD's and 3 CRT projectors by SoupIsGoodFood_42 · · Score: 1
      Theoretically some cameras split light onto 3 CCDs so the RGB component on each CCD is spacially equivalent. Some projectors merge 3 CRT's so the image projection for each component is spacially equivalent. The problem is these mechanisms aren't very heavily marketed for consumers. Foveon is the first to sell to consumers.

      They aren't heavily marketed for a reaosn. 3 CCDs for starters, cost more. Require more power, take up more space. And Then there is the whole alignment issuse. As the resultion increases. The alignmnet gets more critical. That all costs money.
      The big thing isn't so much that there is no colour interepolation going on with this new chip. But that it does it all on one chip, without the complexities/costs/dissadvantages of a 3 CCD set-up.

  74. There's a review of the prototype sensor here: by Anonymous Coward · · Score: 0

    DP Review also has a look at some image quality of the sensor. VERY nice.

    http://www.dpreview.com/news/0202/02021103foveon x3 preview.asp

  75. Tiny text by yerricde · · Score: 1

    yes, but if the sub-pixels were all real pixels it would be even better (no colour distortions).

    Not only would cost three times more, but your text would be tiny because many existing applications are hard-coded to work at a specific DPI.

    --
    Will I retire or break 10K?
  76. 8 bits IS enough by Anonymous Coward · · Score: 0

    I thought tests show that most human are incapable of distinguishing more than 256 levels of a color... granted, making the level logarithmic rather than linear helps.

    1. Re:8 bits IS enough by jpm242 · · Score: 1

      Yes 8 bits are enough for the finished product. But when you do color corrections in Photoshop, you can end out stretching 5 or 6 bits that become 8.

      It's like amplifying a sound that was sampled in 16 bits. If it only took 12 bits because it was very quiet, and you raise it's level, you end up with a 12 sound that's resampled in 16 bits...

      JP

      --
      --- Worst tagline ever.
  77. Re:great news (OT) by Noehre · · Score: 1

    Humans are part of nature.

    What humans do to other animals IS part of nature.

    It might not be good, but that doesn't mean anything.

  78. it's still 3CCDs, just stacked by Anonymous Coward · · Score: 0

    This is probably going to make manufacturing more expensive if anything because of the extra process steps and likely extra defects per sq. Although the samller die will keep costs from skyrocketing too much. I can't really say off the top of my head weather this will improve quality or not, alot will depend on the algorythm they've got adjusting their raw rgb data, 'cause I doubt it will be very clean or even strictly linear coming out of a stacked system like that.

    What I'd like to see is a single sensor cell with detectors that can quantize the voltage and current seperately, so I is luminosity, and V is chromacity and 1\V is saturation. (of course those numbers might need some tweaking to make a good looking image, but you get the idea)

  79. Re:great news (OT) by DrSkwid · · Score: 1

    It might not be good, but that doesn't mean anything.

    it means a great deal if you are the animal concerned

    that's the point

    --
    There are places where the networks are not touching,and there are places where they are-Boeing's Lori Gunter
  80. Light Phase cameras by Anonymous Coward · · Score: 1, Insightful

    I work at a digital imaging company in Canada, and recently got the chance to assist on a photo shoot for the day. They pulled out this badboy and told me not to drop it. It was called the LightPhase CONTAX 645.

    It was unbelievable the quality of images that were produced. We were outputing 20 to 25 meg files, at resolutions I could only dream of.

    Using a very nice macro lense and a powerful lighting set up, we snapped our own facial blemishes and hair growths during lunch (photographers are very serious about their craft), and the results were unbelievable.

    You could see 4 or 5 different colors within each hair strand.. It was like something out of national geographic. Except we we're just screwing around.

    Anyways, the point is, The quality is already here, the only thing this technology can do that is helpful, is drop the price tag. I understand that the model I was handling was upwards of 50 grand canadian.

    My real wish is that the technology gets adapted for video: even if the image would be an 1/8 of the resolution, it would be phenominal!

    1. Re:Light Phase cameras by Anonymous Coward · · Score: 0

      Forgot the link http://www.phaseone.com/en The model is the LightPhase Contaxt 645

  81. apparently less than 3-fold but more than 2 by porky_pig_jr · · Score: 1

    the article in NY Times states that the digital camera equiped with 3.3Mpixels using this technology is equivalent to something like 7.5Mpixels using the traditional technology. It's a good article anyway.

  82. Not Vaporware at all by Anonymous Coward · · Score: 1, Informative

    This is not vaporware at all. The sensors are manufactured by National Semi. The bodies are manufactured by Sigma, and you will be able to buy them for about $3000. This announcement comes from one of the pre-PMA announcements.
    Among the other pre-PMA announcements, Fuji has a 6MP DSLR and 2 new 3MP cameras. Nikon has some marketing about something they're going to announce at PMA, and rumors are flying about Canon announcing a successor to the EOS D30.
    The nicest thing about this new sensor is that there is no mistanking the resolution: 3.5MP That is 3.5 Million Red Sensors, 3.5 Million Green Sensors, and 3.5 Million Blue sensors. Not 3.5/4 Red, 3.5/2 Green, and 3.5/4 Blue like the rest.

  83. "Some Sources" are known as 'best marketing tools' by purduephotog · · Score: 2

    35mm image to 40x60 print at 400dpi. You do the math on how many pixels that is the equivelant of... ;) (hint: you don't need the 35mm size in the calculation...)

  84. Digital is already comparable to film by jpm242 · · Score: 1

    I've been photographing with film for a few years now, and recently converted to digital. I had a Canon AE1 before and now own a Canon G1. The truth of the matter is, ultimately, the quality of a photograph is barely reliant on the camera, rather on the photographer him/herself.

    Unless of course you're working with an extremely bad camera, but the technology that's out there today is very much capable of producing kick-ass prints on 8x10 paper.

    I have a few shots that I find quite satisfying. Click here.

    JP.

    --
    --- Worst tagline ever.
  85. It _is_ very cool - I've got a picture by Gerv · · Score: 2

    Sitting on the shelf behind me is a colour portrait of yours truly taken with a Foveon prototype at the Telecosm Conference in San Francisco late last year. It's a head-and-shoulders shot about 8 inches by 6 which rolled out of their high-end photo printer about thirty seconds after they took it.

    I didn't brush my hair very well that day, and you can see every individual sticking-out hair reflecting the light. You can see the worry lines on my forehead, despite the fact that I'm only 23, and you can see the rest of the room reflected in my eyes.

    It's amazing. :-)

    Gerv

  86. First-hand account by Anonymous Coward · · Score: 1, Insightful

    I am the network administrator at the largest all-digital photography studio in the US. We were given one of Foveon's cameras on a trial basis a few months ago, as we didn't want to spend $22,000 on a camera we weren't sure about. The color, and sharpness blew our $35,000 custom Hasselblad/Kodak DCS ProBack cameras away. We're talking about professional digital cameras that take 60-megabyte raw files. At any rate, Foveon is actually getting out of the camera business to just make these CCDs for other manufacturers.

  87. uh-oh... here comes another dumb patent by Ambush_Bug · · Score: 2, Interesting

    I don't know what exactly they've patented regarding "Variable Pixel Scale" technology, but it sounds like "binning" to me. We've been doing that in astronomy with CCDs for years. I can envision it now, a cease-and-desist next time I'm on Mauna Kea.

  88. Re:8 bits ISN'T ALWAYS enough by tempfile · · Score: 1

    Yes and no. While 8 bits might be enough for displaying a final image, it definitely isn't for the preprocessing. Classic photography has what is called an "exposure window":
    When making a positive from a negative, you can flexibly set the points of blackness/whiteness on the negative that should be the darkest/lightest point on your positive. This works because the negative film offers enough resolution for producing a naturally looking image even if you only take a part of its spectrum.
    The digital image on your camera, however, can not be used like this. If you try pulling such an image from an 8-bit image, the result would look extremely unnatural. This is also the reason why good scanners have a resolution of 12 bits per color or more, professional negative scanners sometimes work with 14 bits.

  89. Re:Some Breakthrough... by Joe+Decker · · Score: 1

    You're incorrect. Check the Foveon web site. In conventinal sensors, as you say, the software has to guesstimate colors at boundaries because you can't sample the 'red' at the same point in the image that you sample the 'green'. With the X3 sensor, it appears that you get a simultanious reading of the color channels over the same parts of the image area. This means you avoid a lot of resolution-losing filtering in the color channel to avoid chroma aliasing, and at the same time perhaps improving light sensitivity.

  90. Pixim by Krellan · · Score: 2, Insightful

    Have you heard of Pixim?

    http://www.pixim.com/pt/pt_dps.htm

    They are working on a new technology to replace CCD, to answer your question.

    Claimed on their website: DPS technology, in contrast, intelligently combines both image capture and image processing into a single system, which allows for both design simplicity and improved image quality. By marrying the quality of CCDs, the low-cost, mass production capabilities of CMOS and the power of image processing in a single system, Pixim's DPS platform revolutionizes image-making in both video and still cameras.

    From what I gather, it's a way of measuring light directly onto a chip, without having to go through the CCD process. Sounds good to me. Hopefully it will make it so digital cameras don't drink batteries :-)

    1. Re:Pixim by tricorn · · Score: 1

      From what I gather, it's a way of measuring light directly onto a chip, without having to go through the CCD process.

      From what you quoted, DPS technology, in contrast, intelligently combines both image capture and image processing into a single system, which allows for both design simplicity and improved image quality. By marrying the quality of CCDs... it sounds like they're simply integrating a CCD with some DSP onto a single chip, hardly a way of avoiding or replacing "the CCD process".

  91. Re:great news (OT) by Anonymous Coward · · Score: 0

    So what you are saying is that all humans are animals, no better no worse. In that case, why can't we do medical experiments on live humans? Wouldn't that be just as "natural" as doing it on animals? Anti-animal people have to make up their minds, either animals are inferior to humans in every way or not.

  92. What about 3D? by Anonymous Coward · · Score: 0

    With the new ZMAX stuff out, couldn't you get 3D images too?

    Now THAT will be cool.

  93. Colour differentiation by Michael+Woodhams · · Score: 2

    I'm a bit worried about how well this will differentiate colours - the colour filtering is pretty crude - i.e. how far the penetrates the silicon. Almost certainly this will be a mean-free-path like dependency - the amount of light penetrating to a given depth will drop exponentially with depth, but with a different characteristic length. (Substitute time for depth and you have the radioactive decay half-life situation.)

    The situation is likely to be something like this: Each layer absorbs (and therefore counts) 80% of the blue light, 50% of the green light and 20% of the red light*. So if the incoming intensities are R, G and B then:
    1st layer counts .8B + .5G + .2R
    2nd layer counts .16B + .25G + .16R
    3rd layer counts .032B + .125G + .128R

    So to disentagle the actual R, G, B values, it will be necessary to solve a set if simultaneous equations. This process will introduce substantial extra noise into the colour values.

    (Another way of saying this is that the colour/response curves for each layer is quite broad.)

    *This example is simpler than the real situation is likely to be, e.g. we can improve things if we make the 2nd layer twice as thick and the 3rd layer 'infinitely' thick, then we get:
    Layer 1: .800B .500G .200R
    Layer 2: .192B .375G .288R
    Layer 3: .008B .125G .512R
    which gives better colour differentiation, but no matter what we do, it will always be a mixture in each layer.

    --
    Quattuor res in hoc mundo sanctae sunt: libri, liberi, libertas et liberalitas.
  94. What military are you talking about ? by Anonymous Coward · · Score: 0

    Last time I looked at night vision was a few years back when I was in defense business. From the technology I have seen - photo-multipliers, there ain't no such thing as coloured night vision.

    The majority of the human eye cells - rods are sensitive to gray scale info and only a small part - cones are sensitive to colour information.

    What drugs are you smoking ? Can I have some ?

  95. Re:Lost Screws by Abreu · · Score: 1

    And yet you are willing to believe Bill Gates is a good person because hes idiotly showering money over Haiti (assuming he _really_ is doing that, you wouldnt believe how many people do fake charity for tax break reasons)

    A much better use for those millions of dollars in charity would be to use them to lobby the 7 richest countries in the world and the world monetary fund into forgiving foreign debt for the poorest countries in the world.

    Bono (from U2), another very rich guy, uses his charity money to this end (and also other intelligent charities like Amnesty International).
    He also is a stuck up guy with debatable ammounts of talent and a schrewd (sp?) attitude towards business, just like Gates, but you dont see people comparing him with the devil, do you?

    --
    No sig for the moment.
  96. Re:great news (OT) by Alan+Partridge · · Score: 1

    how naiive! the medical world is ENTIRELY based on doing experiments on live humans. ALL surgery is experimental to one degree or another - there are no guarantees whatsoever. FWIW, I entirely agree with the vegan morality - as I do with Christian philosophy, if I weren't so lazy and weak I might do better at adhereing to them. Pigs and lambs taste wonderful, but I'll wager a 16 year old human female tastes better still. But I only nibble those...

    --
    That was classic intercourse!
  97. mod this down by Anonymous Coward · · Score: 0

    -1 offtopic

  98. We already have "modular upgradeable" digicams by Chirs · · Score: 1

    It's called medium format.

    It's been possible to get digital backs for medium format cameras for years now. You want digital...sure, no problem. You want film? Gimme 10sec to change backs and away we go.

    Now granted, the price is kind of high, but the principle is there.

  99. Because- by purduephotog · · Score: 3, Insightful

    Format is not function.

    If you don't understand the difference between colour space and format of the data, you really don't need to post a response to either this or the previously mentioned topic. Because you don't understand it, may I reccommend a book, Digital Encoding Solutions, available from Amazon for around $45.

    1. Re:Because- by Dwonis · · Score: 2

      Bah. It was more fun being ignorant. Ten minutes of browsing through the results of a search, and I already feel like an idiot.

  100. Sensors & Sensitivity by Rui+del-Negro · · Score: 1

    > Well, for the past 30 years (or since the CCD was
    > invented) we have been using CCD with with red,
    > green & blue sensors (or cyan/magneta/yellow)
    > and then used software to figure out the real colour.

    Used software to figure out the real colour? What is that supposed to mean? Digital formats also store red, green and blue (or CMY, YUV, HLS, etc.) separately. And so do analog formats, for that matter. Colour does not vary linearly, so you'll always need at least 3 different components to define it.

    The difference here is each pixel of these new sensors can read the 3 colour components, whereas normal CCDs must have 3 times as many pixels as the final image. Too many sensors too close together causes electric noise, which translates to image noise, so the best cameras use 3 separate CCDs (one for each component).

    > this makes a lot of difference, it's would
    > be just as revelutionary if somebody would
    > make a flatscreen with a real colour pixels

    Actually, no. It's a lot more "revelutionary" than that. People want big screens, so having 3 dots per pixel is no big deal (and current dots are small enough not to be noticed). People want *smaller* CCDs, so having 1 sensor instead of 3 is a big deal.

    RMN
    ~~~

  101. Logarithmic Response by dmatos · · Score: 3, Informative

    Using CMOS sensors, it is possible to get both linear and logarithmic responses from pixels, depending on your biasing conditions.

    For a linear sensor, the photosite is generally a floating N+ diffusion, that makes up one side of an NMOS transistor. At reset, the voltage here is set to VDD. As incident light generates electron-hole pairs, the electrons are collected in the diffusion, lowering the voltage in a linear fashion, dependent upon the parasitic capacitance of the photosite. When the integration time is up, this charge/voltage is sampled, and you have a linear sensor.

    For logarithmic response, the reset level of the photosite is actually even with the biasing of the gate to that transistor (minus the Vt, of course). Incident light generates electrons, and the transistor operates in the sub-threshold region, making the voltage at the photosite vary as the logarithm of the current being generated and flowing through the gate region. Sample that voltage, and tah-dah, you've got a logarithmic response to light.

    I admit, this is much easier to understand with diagrams of the diffusions, so if you want, here is a pdf of a paper discussing a sensor that has combined linear-logarithmic response:

    CMOS Active Pixel Sensor With Combined Linear and Logarithmic Mode Operation

    --

    It may look like I'm doing nothing, but I'm actively waiting for my problems to go away.
    --Scott Adams
  102. Foveon patent for this by Performer+Guy · · Score: 2

    They have patented this:
    United States Patent number 5,965,875
    "Color separation in an active pixel cell imaging array using a triple-well structure"

    It's on uspto.gov here:

    http://patft.uspto.gov/netacgi/nph-Parser?Sect1= PT O2&Sect2=HITOFF&p=1&u=/netahtml/search-bool.html&r =3&f=G&l=50&co1=AND&d=ft00&s1='5,965,875'&OS="5,96 5,875"&RS="5,965,875"

  103. Revolution! by Foehg · · Score: 1

    > be just as revelutionary if somebody would make a flatscreen with a
    > real colour pixels, instead of the RGB dots.

    That would be a revolution indeed! All my monitors have colOR pixels :-)

    1. Re:Revolution! by Anonymous Coward · · Score: 0

      Every sane person in the world spells colour with a U

    2. Re:Revolution! by Anonymous Coward · · Score: 0

      Arrogant - assuming American English is the correct and only way of spelling.

  104. Re:It's TRUE by YourMissionForToday · · Score: 0

    Haha! The Goatse hoax is a great idea. My favorite crapfloods are ASCII goatse and BankofAmerica_ATM. Trollaxor, Tasty Beef Jerky, and a ton of other trolls are also very funny. -1 is always funnier than any "beowulf cluster" shit that gets modded up to +5.

  105. LCD's and fish by NortonDC · · Score: 1

    Here the citation:

    Full-color displays also require expensive red/green/blue filters made of dichromated gelatin--fish glue.

    from A Bright Future for Displays - April 2001

  106. gaggle by Anonymous Coward · · Score: 0

    you plonker... this is a breakthrough that'll affect anyone who experiences visual-digital.

    The door's been opened to a more realistic pixel interpretation that will become commonplace.

    http://www.dpreview.com/news/search.asp?query=fo ve on&sort=&allwords=on&detail=on