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Eldred vs. Ashcroft

Sylver Dragon writes "Business week has a story about Eldred v. Ashcroft. Seems that Eldred wants to put some of Robert Frost's works on the web, but, sadly, those were copyrighted. What makes this more interesting, is that the works would have become public domain, had congress not extended the length of copyright after an artists death. So now, the Supreme court must decide if congress overstepped the bounds of the constutional provisions for copyright laws, when they made the last extension. With any luck, the Supreme Court will choose the "road less traveled."" The plaintiffs have a webpage with much information.

305 comments

  1. Same Old Same Old by Anonymous Coward · · Score: 0, Flamebait

    Media Corporations set media laws, old news.

    The only way this could get overturned is if Microsoft or an oil company could make money off it.

    1. Re:Same Old Same Old by Anonymous Coward · · Score: 0

      The bit about MS and oil is insightful.
      Also, is it obvious to you that the law will stay?

  2. Ashcroft Strikes Again by Slashdotess · · Score: 1

    I hope something like this can catch the attention of the general public. This stuff makes me mad.

    1. Re:Ashcroft Strikes Again by Your_Mom · · Score: 2, Informative

      *lart*
      The only reason AShcroft is named is because he is the current attorney general in the US. He has had nothing to do with TCEA.

      We need a "(-1, Didn't read the story)"

      --
      Objects in the blog are closer then they ap
    2. Re:Ashcroft Strikes Again by Anonymous Coward · · Score: 0

      He's still a fucking asshole.

    3. Re:Ashcroft Strikes Again by kiltedtaco · · Score: 1

      Right. And if they still wanted the title like that, they could at least make it 'Eldred v. Ashcroft', the name of the case, and not suggesting so heavily that Ashcroft is the devil behind this.

    4. Re:Ashcroft Strikes Again by Anonymous Coward · · Score: 0

      How exactly did they suggest Ashcroft is behind this? Other than the title there is no reference to Asscrust?

    5. Re:Ashcroft Strikes Again by Proaxiom · · Score: 5, Informative
      The original name of the suit was "Eldred vs. Reno", but was renamed with the administration change.

      It's not like Reno had much to do with it either, though. Congress passed the bill into law. At the time it was dubbed the Sonny Bono Copyright Term Extension Act, as he and later his widow pushed for it. Bono was actually in favour of unlimited copyright terms, but that is prohibited by the US constitution.

    6. Re:Ashcroft Strikes Again by Herkum01 · · Score: 2, Funny

      If it would keep Sonny and Cher's music from being played again, I would be for unlimited copyrights too.

    7. Re:Ashcroft Strikes Again by Anonymous Coward · · Score: 0

      Bono divorced cher and married a woman named Mary. She is a devout scientologist.

  3. where's the link to the defendant? by Anonymous Coward · · Score: 0, Insightful
    ok, michael, you posted a link to the plaintiff's site. i would like to know why you didn't post a link to the defendant's position. why? afraid that people will make up their own mind and disagree witht he "slashdot position"?

    i hate this slant you put in your stories.

    1. Re:where's the link to the defendant? by Anonymous Coward · · Score: 0

      If you wanted to not get modded down, you should have put up a link for the defense's side yourself and possibly even gave a blurb about their position--don't bash editors. Everyone has a voice--use it to promote your view in an intellegent way; don't bring down others.

    2. Re:where's the link to the defendant? by cscx · · Score: 2

      No, actually the answer you're looking for is "post something that is positive in michael's view" because he's such an asshole. :D

  4. Darn.. by Frank+of+Earth · · Score: 5, Funny

    .. I wish there were some good sites to read about Robert Frost

    or if you want to take the road less travelled

  5. Fewer cheap books? by LinuxInDallas · · Score: 4, Interesting

    I noticed that one of the other plantiffs listed on the webpage is Dover. I have bought quite a few of their books in the past. They are great, mostly reprints of old texts bound in paperback and sold dirt-cheap. Their cheap price but good quality makes them a great additional reference for when you have to go through calculus, physics, etc. The extension of the copyright most likely means they have fewer choices for books they can print. That's too bad.

    1. Re:Fewer cheap books? by nomadic · · Score: 1

      Yep, Dover books are great. Pick up something that will last you a few subway commutes for a dollar or two, and even their science/academic reprints can usually be had for a few dollars more.

    2. Re:Fewer cheap books? by einhverfr · · Score: 1

      Of course we know that if the RIAA companies published books, they would say that Dover is stealing their rightful income ;)

      BBSPot.com recently did a satire of the whole thing "Ford Lobbies congress to end ride sharing"

      --

      LedgerSMB: Open source Accounting/ERP
  6. BookMobile by Anonymous Coward · · Score: 2, Informative

    Brewster Kahle from the Internet Archive has a 'side project' called the BookMobile which leaves San Francisco on Monday to travel across the US to Washington DC.

    His arrival in DC is scheduled to coincide with the Supreme Court hearings. More details at :

    http://webdev.archive.org/texts/bookmobile.php

  7. From the webpage... by GreyWolf3000 · · Score: 4, Informative
    Legal Documents

    In this section, we have collected the legal documents involved in the case. The case began in a federal district court. We appealed the decision of the district court to the Court of Appeals for the D.C. Circuit. That court's decision is now before the Supreme Court. Click on a link below to read the briefs and decisions at each state.

    District Court (Jan 1999-Oct 1999)
    Court Of Appeals (May 2000-July 2001)
    Supreme Court (Oct 2001-present)

    How You Can Help

    Contribute to the Eldred Legal Defense Fund

    While the lawyers in Eldred v. Ashcroft are donating their time, litigation before the United States Supreme Court is still expensive. Your donation, however large or small, can support our fight to preserve the public domain.
    If you would like to contribute, please send a check to:

    Eldred Legal Defense Fund
    c/o Carinne Johnson
    Stanford Law School
    Crown Quadrangle
    559 Nathan Abbott Way
    Stanford, CA 94305-8610

    Attach a logo to your web page

    If you'd like to help spread awareness, take one of these sample buttons, save it to your site, and use the sample code provided to link back to this site.

    The logos are on this page.

    --
    Slashdot: Where people pretend to be twice as smart as they really are by behaving like children.
  8. Excellent Wired article by Murphy(c) · · Score: 5, Informative

    There is and excellent Wired article, that touches the subject.
    It gives you the idea of why they had to go with a "low profile" like Eldred and not some one like Michael Hartthe of the Gutenberg project.

    Really an interresting read.
    Murphy(c)

  9. Re:ya right good luck by nomadic · · Score: 1

    Only America, and it's government (despite what the rest of the world believes) is not monolithic. Big business has a lot of sway, but it's not total (otherwise we wouldn't be able to sue corporations, there would be no environmental regulations whatsoever, and no FCC, SEC, FAA, etc.)

  10. Copyright Length by Student_Tech · · Score: 2, Interesting

    Why do the copyrights have to be so long anyway? If a creator of a work dies lets their heirs control what can be done with the item, those heirs will likely be dead before the copyright will be up. At this rate someone could have died durring WWII and their copyright on their works would still be good.

    Just a thought.

    1. Re:Copyright Length by broken_bones · · Score: 4, Interesting

      I'd say that copyright lengths have been extended primarily because the copyright holders have lobied for it with great vigor. Corporations like Disney have obvious economic reasons for wanting copyrights extended. They want to make money on everything they can and don't want competition from someone else using public domain works that Disney created. (ie Disney doesn't want to compete with a new Mickey Mouse movie based off the Steam Boat Willy (sp?) cartoons.) From a greed standpoint it makes sense. Competition is by its very nature tough and everyone likes things to be easy if at all possible.

      For non corporate copyright holders (I'm really speaking about families of deceased content creators) there is a sense that the work is "something special to our family." Recenty a family member of mine discovered that a long dead distant relative wrote a hymn that is now in the public domain because no one renewed the copyright.* Family members were actually distressed because they preceived that our family had lost something (despite the fact that no one had yet found a complete copy of the hymn). The hymn was pretty obscure and wasn't going to make anyone rich but people were concerned about the loss of a piece of our family history.

      In a way this is a real case of the squeeky wheel gets the grease. While people advocating what I'd call "reasonable copyright lengths" have and do lobby I've never seen that they do it with the same vigor as the copyright holders. I'd also have to admit that copyright holders have arguments that sound pretty good. Companies can moan about "lost revenue" and "negative economic impact" while families have a great line with stories about "family history" and such. (Although I have mentioned families throughout this reply I think that most of the lobbying etc. is done by corporations as they have the most to lose.) While these arguments are, in my opinion, unsound they are convincing and there isn't a politician out there who wants to be seen as anti-economic or anti-family-history.

      *Here I'm just repeating what I was told. I nevery bothered to verify any of this myself because I support short copyrights and am happy that the work is now in the public domoin.

      --

      Never disturb your enemy while he is busy making a mistake.
    2. Re:Copyright Length by Anonymous Coward · · Score: 0

      If I were in charge of devising copyright law, I would set a fixed, nonextendable limit of 50 years for all works. The limit would not be increased or decreased retrospectively. (As for the reduced rights customers using proprietary software "agree" to, I would set the maximum term at 6 years unless the licence is *signed* by both parties in the presence of each other.)

    3. Re:Copyright Length by Guppy06 · · Score: 2

      "At this rate someone could have died durring WWII"

      WWII was less than 60 years ago, so we've already reached that point. Try WWI.

    4. Re:Copyright Length by Anonymous Coward · · Score: 0

      You don't see them lobbying with the same "vigor" because there is no money in it. The handful of people who care about the public domain don't have a lot of money or time to go on hopeless crusades against the moneyed interests.

      Unless some of the public interest groups get together to do something about this, nothing will happen. I suspect that too many of the leftist "public interest" groups are beholden to Hollywood and other Big Media corporate money, and thus are not too eager to tackle anything to do with the Intellectual Property issue.

      The problem is, the people or corporations willing to donate millions to public interest groups, have a vested interest in expanding the Intellectual Property domain, not in limiting it. You can't fault the "vigor" of those opposed to this situation; they simply cannot make their voices heard with their existing resources.

    5. Re:Copyright Length by Anonymous Coward · · Score: 0

      When was the last time that major, popular copyrighted works went into the public domain? Back in the 1920's, perhaps? Unless someone forgets to renew the copyright, you can be sure it will stay copyrighted forever, because Congress keeps extending the length of copyright. Effectively, the public domain is dead.

    6. Re:Copyright Length by Anonymous Coward · · Score: 0

      What, poets like Dylan Thomas (who died just a few years after) the second world war? Not even nearly out of copyright as far as I know. Think further back, even - not all the poets from the first world war are necessarily out of copyright yet, and if they are it's a case of 'only just'. Which is a pity, because it's about time that we started listening to the dead;

      If you could hear, at every jolt, the blood
      Come gargling from the froth-corrupted lungs,
      Bitter as the cud
      Of vile, incurable sores on innocent tongues, -
      My friend, you would not tell with such high zest
      To children ardent for some desperate glory,
      The old Lie: Dulce et decorum est
      Pro patria mori.

      Wilfred Owen, who died during WWI.

    7. Re:Copyright Length by ichimunki · · Score: 1
      They want to make money on everything they can and don't want competition from someone else using public domain works that Disney created. (ie Disney doesn't want to compete with a new Mickey Mouse movie based off the Steam Boat Willy (sp?) cartoons.)

      Which is pathetic on their part because they have been plundering the public domain for source material for, oh, 75 years now. From the music they've used in their movies, to the characters and the plots, there are quite a few Disney movies that owe a great debt to the creative efforts of past artists.

      * not that you don't understand this, I just enjoy pointing it out. :)

      --
      I do not have a signature
  11. Related by GigsVT · · Score: 4, Informative

    This is probably the best collection of public domain poetry. Enjoy.

    --
    I've had enough abrasive sigs. Kittens are cute and fuzzy.
    1. Re:Related by Alsee · · Score: 1

      Enjoy? But I thought you said it was poetry?

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    2. Re:Related by Anonymous Coward · · Score: 0

      Sorry that message was for those sophisticated enough to appreciate poetry. :P

    3. Re:Related by Anonymous Coward · · Score: 0

      Enjoy? I tried, but it depresses me how few of the works are from the 20th Century. I mean there are like three generations of poets we can't have access to.

      And not all of those poems are public domain. For instance they have about four poems from Langston Hughes with copyright notices. With the CETA (and assuming no more extensions) it will be another 35 years before Montage of a Dream Deferred enters the public domain.

      Chew on this, Supremes:

      What happens to a dream deffered?

      Does it dry up
      like a raisin in the sun?
      Or fester like a sore--
      And then run?
      Does it stink like rotten meat?
      Or crust and sugar over--
      Like a sugary sweet?

      Maybe it just sags
      Like a heavy load.

      Or does it explode?

    4. Re:Related by Anonymous Coward · · Score: 0

      Hmmm, I can log onto the internet and get poetry, or I can get porn.
      decisions decisions...

    5. Re:Related by Anonymous Coward · · Score: 0

      There's no good poetry after the 1920's anyway, it's all post postmodern /Fat Bastard Voice=on cdap /FBV

      Similarly for pr0n, there's nothing good between the late '70's, the end of the hairy pussy, and the late '90's, the beginning of semi-amateur web sites with vigorous lesbianism.

  12. Now taking bets: by TheLastUser · · Score: 2, Funny

    Supreme Court upholds copyright extension vs. Supreme Court rejects copyright extension

    Shall we start the odds at 1:1000000?

    "All your judgements are belong to us"

    1. Re:Now taking bets: by Brontosaurus+Jim · · Score: 1

      Yes, let's set those odds. I'll give you as much action as you can pay off. Reply here and we can get the rest of the bet detailed. Or, if you're not serious, shut the fuck up.

    2. Re:Now taking bets: by Anonymous Coward · · Score: 0
      And extending copyright past the originally intended limit does seem to be an attempt by Congress to increase its mandate.

      There's the rub: there is no "originally intended limit". The U.S. Constitution sez:

      [The Congress shall have Power] To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries

      While all reasonable people can agree that perpetually extending copyright is counter to the spirit of this statement, it's not actually against the wording of it. Copyright terms are still "limited", they're just a hell of a lot longer than they were 200 years ago.

      There's hope that the Supreme Court will see the recent pattern of extending the copyright statute for a few years, then extending it again after those few years have passed for what it is: an attempt at an end-run around the words "limited times" and strike this law, but I reckon breath-holding in this instance is not advisable.

      Fuckin' vague-ass Constitution. If the original wording had said "25 years" or something, we wouldn't have this problem.

    3. Re:Now taking bets: by Proaxiom · · Score: 5, Insightful
      I don't think you've look at the questions the Supreme Court will be examining.

      There are two:
      1. Did the D.C. Circuit err in holding that Congress has the power under the Copyright Clause to extend retroactively the term of existing copyrights?
      2. Is a law that extends the term of existing copyrights 'categorically immune from challenge under the first amendment'?

      Note that neither question would strike down the entire act. The first, if they agreed (and many think it is likely they will agree), would strike down the retroactive portion of the law. The second only asserts it is possible to strike down the law through such a challenge, because the D.C. Circuit said it was not.

    4. Re:Now taking bets: by TheLastUser · · Score: 1

      I am not knowledgable about the world of gambling, but if by "action" you refer to a wager then, at those odds I can cover about $0.0000001.

      If you mean something else by "action" you should know that those sorts of propositions might be illegal, depending on your jurisdisction, and, at any rate, undesireable to me.

      So, just drop your wager on over to my paypal account and I will withdaw it when nothing much changes WRT the copyright situation.

    5. Re:Now taking bets: by Anonymous Coward · · Score: 0
      If they don't strike the retroactive part (IF the law is NATIONAL as opposed to FEDERAL (there IS a huge difference))we are in big trouble. Check the Constitution. Very plain language. 'Congress shall make no Ex Post Facto laws.'


      For all you Publik Skool kids Ex Post Facto means Before the Fact.

    6. Re:Now taking bets: by dbrutus · · Score: 2

      There are two reasonable grounds for overturning that I can see.

      1. It violates "limited times"
      2. It's a taking on behalf of special interests from the general public in the amount of collected royalties during the extension term.

    7. Re:Now taking bets: by Anonymous Coward · · Score: 0

      I can't tell if this is some sort of troll or if you're just really stupid, but in either case, "ex post facto" means" "after the fact".

      Back to "Publik Skool" for you.

    8. Re:Now taking bets: by GemFire · · Score: 2

      You should spend about 4 hours with Title 17 of the U.S. Code (the copyright laws) and then take another 2 hour look at the changes added for the CTEA. There is NO Retroactive portion. If retroactive extension of copyright is deemed unconstitutional, the entire CTEA MUST be struck down. It does not say, if a work is created before 1998 the term is increased to life +70 years, it simply says that copyrights shall last life +70 years, making no allowments for any other term unless it is in the class of work for hire, anonymous works and pseudo-anonymous works where the increase was also for 20 years, from 75 years to 95 years. Again, this is ALL copyrights, not separate for retroactive and proactive. Without that separation, the act cannot be judged partially okay. It's either all okay, or none of it is.

      --
      Don't just complain - DO something about it!
    9. Re:Now taking bets: by Anonymous Coward · · Score: 0

      I am not knowledgeable either, but I know math better than you evidently.

      You'll be 99.9999% likely to win, thus winning $1 on your bet of one millionth of a dollar.

      I'll gladly bet a hundred on that to win a hundred million with such likelihood. I doubt the blowhard could cover much more than that.

    10. Re:Now taking bets: by Anonymous Coward · · Score: 0

      I don't know if that is a "taking" as it is private citizens, not the government.

      Furthermore, the SC has allowed "takings" by way of environmental regulations making land economically worthless by preventing development. That amounts to several magnitudes more per year than the entire music and Mickey Mouse industry.

    11. Re:Now taking bets: by dbrutus · · Score: 2

      If the govt. condemns land to allow the building of a private commercial district it *does* have to compensate the owners. This kind of taking is similar.

      You're right that environmental regulations takings have been ruled pretty much not a taking in the past. This is why the liberals are so up in arms about conservative justices. The conservatives are starting to shift that around so that such regulations are considered takings.

  13. Comment removed by account_deleted · · Score: 3, Insightful

    Comment removed based on user account deletion

  14. Re:ya right good luck by GigsVT · · Score: 1

    And one thing people seem to forget, anyone is free to start a corporation. You don't have to be in some elite class to get the same protections afforded to mega-corporations.

    --
    I've had enough abrasive sigs. Kittens are cute and fuzzy.
  15. Protests by smiff · · Score: 2

    Is anyone planning to go to the Supreme Court on October 9 to let the Justices know their opinion?

    1. Re:Protests by Raul654 · · Score: 2

      Haha, sorry. I am actually not too far away, and had thought about it, but all the seats are usually gobbled up very quickly. I found out on a trip there about 5 years ago that they only set aside a few dozen for the general public anyway. (All the rest of the seats are reserved for participants and amicus observers) So unless you feel like tailgating the night before so you get in line early (god, this sounds like a star wars movie) I doubt you are going to get a seat. Plus, even if you do get in, they are anal about absoluste silence from the public.

      --


      To make laws that man cannot, and will not obey, serves to bring all law into contempt.
      --E.C. Stanton
    2. Re:Protests by smiff · · Score: 1

      Actually, I was think more along the lines of protesting outside the courthouse. People do it in other high-profile cases.

    3. Re:Protests by avandesande · · Score: 2, Informative

      The justices are not supposed to care what your opinion is. There duty is to interperet the law.

      --
      love is just extroverted narcissism
    4. Re:Protests by anthony_dipierro · · Score: 4, Funny

      Is anyone planning to go to the Supreme Court on October 9 to let the Justices know their opinion?

      Yeah, the lawyers.

  16. Re:Whats wrong with this law? by Raul654 · · Score: 5, Insightful

    Except that the circuit court disagrees with you. In that case (it was an appeal of an earlier one) the judge did state explicitely that the incrimental expansions, done retroactively, (a) do not inspire the artists to create more (Walt Disney sure doesn't benefit) and (b) when taken together, they *are* indefinite. It is the natural state of things that their copyrights should expire. Copyrights should be expiring every year. In fact, they aren't. Nothing has entered the public domain this way in *decades.*

    --


    To make laws that man cannot, and will not obey, serves to bring all law into contempt.
    --E.C. Stanton
  17. Re:Whats wrong with this law? by GigsVT · · Score: 3, Insightful

    It extended the law by set amount of time, not indefinately, which means that the "limited time" clause is still literally true.

    So if they extended it to 1000 years, it would still be constitutional?

    discoveries- aka, published words and inventions - not digital representations of movies, music, cartoons,

    I know you know better, but confusing copyright and patents is not a good thing to do when discussing this stuff. Scientific facts also cannot be patented, which most things that qualify as "discoveries" would be.

    TCEA is a valid law by way of the Constitution, even if it is harmful

    Is it? I think it goes against the clear spirit and meaning of the constitution. That's what the supreme court is there for anyway, to interpert the meaning of the constitution.

    A much better way to make this unjust law go away is through Congress

    That would be nice, but it is mostly the same congress that passed it, why would they change their mind now?

    --
    I've had enough abrasive sigs. Kittens are cute and fuzzy.
  18. Re:Whats wrong with this law? by Anonymous Coward · · Score: 0

    "by securing for limited Times to Authors and Inventors"

    But copyright extensions do no such thing, considering the Authors and Inventors are long dead!

  19. Question for slashdot by Raul654 · · Score: 2, Offtopic

    Every google search I've tried has come up with websites that either are put up either by the plantif or someone who filed an amicus brief in favor of the plantiff. Can anyone find something in support of Asscr^H^H^H^H^H^H err, Ashcroft?

    --


    To make laws that man cannot, and will not obey, serves to bring all law into contempt.
    --E.C. Stanton
    1. Re:Question for slashdot by jas79 · · Score: 1

      the website of the plantiff(see above) contains links to briefs in opposition.

    2. Re:Question for slashdot by dreamword · · Score: 1

      Absolutely, if you don't mind reading the actual papers filed with the court. They're still legal documents, but 100 times clearer than your average EULA. All of the briefs in the Supreme Court record filed by the respondents (Ashcroft, et al.) can be found here.

    3. Re:Question for slashdot by theCoder · · Score: 3, Insightful

      From the article, it sounds like their case is pretty weak. They pretty much say that the law is a bad law, but that's OK since there's nothing stopping Congress from making bad laws (they're right, but I don't think that's a great argument). They also contend that it's not for the courts to decide what's appropriate copyright law. I'd bet there's more than one justice that wouldn't take too kindly to that :)

      Unfortunately, the defenders do have the Constitution on their side. Hopefully the Court will look at the trend of copyright extensions that effectively turn "limited" into "unlimited". Or they might question the retroactivity of the law (Congress isn't supposed to make retroactive laws). Or maybe they'll pull a Roe v. Wade and stike down the law just beacuse they don't like it :)

      --
      "Save the whales, feed the hungry, free the mallocs" -- author unknown
    4. Re:Question for slashdot by Raul654 · · Score: 3, Informative

      They're already one step closer to that than you think. One of the circuit court judges said explicetely that incrimental+retroactive changes in copyright law have made it, essentially, indefinite. The other side of the arguement is that there has always been a quid-pro-quo in copyright: the author benefits from being given a temporary monopoly (this is his incentive to create), while the public benefits from the author's wisdom. But with retroactive expansions, there *is* no quid-pro-quo, therefore it does not promote the "arts and useful sciences", therefore it is unconstitutional.

      --


      To make laws that man cannot, and will not obey, serves to bring all law into contempt.
      --E.C. Stanton
    5. Re:Question for slashdot by Blue+Stone · · Score: 1

      "... there has always been a quid-pro-quo in copyright: the author benefits from being given a temporary monopoly (this is his incentive to create)..." (emphasis mine)

      If copyright exists for life plus x number of years, then just how is this an incentive for the artist to create?????

      If copyright existed for 15-20 years during the artist's lifetime, this would be an incentive for the artist to create more work: to pay his bills, instead of coasting on the royalties of one successful work of art, for a lifetime!

      (I can't figure out why no one seems to have argued this point.)
      (I also say this as an artist.)

      --
      Corporation, n. An ingenious device for obtaining individual profit without individual responsibility. - Ambrose Bierce
    6. Re:Question for slashdot by Anonymous Coward · · Score: 0

      "Or maybe they'll pull a Roe v. Wade and stike down the law just beacuse they don't like it :)"

      You have never read the Roe v. Wade decision have you? Religous whackos can not interfere with the health choices between a patient and doctor. Life, Liberty, and all that jazz.

    7. Re:Question for slashdot by bm_luethke · · Score: 1

      One thing to remeber is that ashcroft is an appointed law enforcement official. What this basically means is that it is his job to enforce the law, even when he dislikes it. I doubt ashcroft himself really give a damn about extension of copyright, and most likely the attourny doesn't either.

      When attourny generals do not enforce the law (such as janet reno did not in many cases) you may get a short term goodness but the long term badness is much higer. Look at it this way, which would you rather have - a copyright law that was well defended but ruled unconstitutional or a copyright law on the books that a attourny did not prosecute that a corperation uses as a threat?. Congress passes laws, law enforcement prosecutes said laws (so criminals get punished and laws go before judicial review), and the judge upholds or overturns those laws. That's the way the system is deseigned and that's the way it works best.

      lawyers regulary argue a case they feel is wrong. Especially defense attournys. In fact, as long as the defendant pleads not guilty and has maintained his innosence in private, the attourny MUST do all in his/her power to get a not guilty verdict, in the above copyright case the same is also true. In the end it makes the ruling by the judges that much stronger if both sides have good arguments.

      --
      ------- Sorry about the spelling, I suffer from two problems. Dyslexia makes it difficult to spell well, lazy makes it
    8. Re:Question for slashdot by Raul654 · · Score: 2

      One thing to remeber is that ashcroft is an appointed law enforcement official. What this basically means is that it is his job to enforce the law, even when he dislikes it.

      Agreed. Except then explain to me the Microsoft case. A new administration takes over who microsoft just happens to give a lot of money to, and viola(!), the gov't cops out. So, he is *obviously* selectively enforcing laws. QED.

      --


      To make laws that man cannot, and will not obey, serves to bring all law into contempt.
      --E.C. Stanton
    9. Re:Question for slashdot by squiggleslash · · Score: 2
      You're 60. You know you're at death's door. Do you write a book/compose a piece of music/post a comment to Slashdot to keep you alive for the next year or so, and ensure your spouse is kept economically safe for the next few years, knowing that no publisher in their right mind will touch it given there's some absurd law saying that such a book will enter the public domain on the author's death?

      Some protection for works written later on in an author's life which will not have a chance of achieving profitability before the author's death seems, to me, to be reasonable, fair, and the right thing to do. I don't see any reason for it to be longer than 10-20 years beyond the author's death however.

      --
      You are not alone. This is not normal. None of this is normal.
    10. Re:Question for slashdot by Blue+Stone · · Score: 1

      I agree totally with your point.
      Then, a better law would be, say 20 years from it being copyrighted, regardless of the author's state of being.

      My point was and is, largely, that giving a copyright for the length of time an author/artist is alive, is something that manifestly does not advance creativity.

      --
      Corporation, n. An ingenious device for obtaining individual profit without individual responsibility. - Ambrose Bierce
    11. Re:Question for slashdot by bm_luethke · · Score: 1

      well, for starters microsoft is/was in the penalty phase - it's really out of ashcrofts hands at that point. Secondly anti-trust cases have always been hard to determine exactly what needs to be done and if it is in violation. The govt has traditionally only seen intervention in cases where not only is there a monoply and it's being abused, but that it pretty muich affects the enteir citizenry. Look at the turn of the century steel mills - rockefeller had one of the tightest monoplies ever (both vertical and horizontal) yet the govt didn't step in. On the other had AT&T was just as tight but the impact to our communications was considered of enough importance to intervene - and it still took nearly 10 years (much longer if you start counting at smaller cases trying to get them to comply) because govt should only mess with a bussiness if it REALLY has too. In fact clinton/reno prosecuting would probably be one of the earliest/fastest prosecutions of an anti-trust case in history. The whole microsoft thing is still pretty young. Allowing govt expanded powers in this area is just as scary as powers with the patriot act, just a little more subtle.

      not to mention microsoft gives money to both sides of the ballot. And just because money was given doesn't mean it swayed someones mind. Look at it this way, if you had 5 billion dollars who would you give money too - people who agree with you and people who are swayed: not the crowd that hates you. Bush/Ashcroft have consistently been in favor of microsoft so it would be natural they be given money. Now if bush started his term, flatly condemed microsoft, got a bunch of money, now says they are the greatests - I would tend to be much more agreeing (clinton changed his mind more that several times conviently after donations). The key phrase in your statement is "new administration" - hating them because they like microsoft is OK (they do and have for a long time), hating them becuase microsoft gave them donations is another thing.

      --
      ------- Sorry about the spelling, I suffer from two problems. Dyslexia makes it difficult to spell well, lazy makes it
    12. Re:Question for slashdot by Anonymous Coward · · Score: 0

      You have never read the Constitution, have you? The Supreme court pulled the Roe v. Wade decision out of its ass, inventing various "penumbras" and eminations of vague ideas they had about the Constitution, and they declared that there was a "right to privacy" in the Constitution, which is irrelevent, for no one had ever pretended before that a "right to privacy" could protect a criminal from the legal consequences of performing an illegal act. The very use of such "legal" notions as "penumbras" of the Constitution shows us the obscurantist mind of the Roe v. Wade court at work.

      One might ask, if this "right to privacy" is so mighty, why it has never been used to overturn federal anti-drug laws. "Life, liberty, and all that jazz" is an exceedingly weak Constitutional argument; it in fact is no argument at all. Roe v. Wade is simply bad law, made up on the spot by "jurists" who showed their contempt for both the letter and the spirit of the Constitution, in their rush to overturn state laws of which they disapproved, but which they could not find any real Constitutional reason to overturn.

      And btw, not all of us who think Roe v. Wade is bad law and unconstitutional are "religious wackos", you know. Some of us don't like religious "wackos", but think that bad law and violating the Constitution is no way to express one's contempt for "wackos". If the pro-abortion fundamentalists had the courage of their convictions, they would have gone about legalizing abortion one state at a time, which was happening already, before Roe v. Wade. Roe v. Wade, by circumventing the democratic process and inventing Constitutional law where it did not exist, has probably poisoned American politics for countless generations to come. Thanks, Supreme Court. Way to go.

    13. Re:Question for slashdot by cei · · Score: 2

      Sure, there are a few friends of the court briefs for the defense. The one I found interesting was from Dr. Seuss Enterprises, et al...

      Their argument is that by extending copyright, the holders have been able to release the property in formats that did not exist or might not have been possible at the time of the original writing. Siting in particular the film adapatation of the Grinch and its subsequent release on DVD. They also mention derivative works in the form of CD-ROM games.

      Now, there's no great argument that someone couldn't or wouldn't take a public domain source and create similar treatments. After all, part of Edred's argument is that the bulk of Disney's early feature work was based on Bros. Grimm fairy tales, and Disney Corp. has had no problem exploting new forms of media with material that's a few hundred years old...

      --
      This sig intentionally left justified.
    14. Re:Question for slashdot by Cowculator · · Score: 2
      One thing to remeber is that ashcroft is an appointed law enforcement official. What this basically means is that it is his job to enforce the law, even when he dislikes it.
      So when Ashcroft ignores California's legalization of medicinal marijuana or Oregon's legalization of euthanasia by sending in federal agents to stop it, is he doing his job? I realize these may be contradicted by existing federal laws, but you can't ignore his comments when the Supreme Court overturned the ban on virtual child pornography - he basically said he was going to ignore the decision, constitutionality be damned. If Ashcroft really dislikes a law (or lack thereof), he will ignore it because nobody with enough power is telling him to do otherwise.
    15. Re:Question for slashdot by dbrutus · · Score: 2

      Essentially, the retroactive provisions are a taking that is uncompensated, not even by any progress in the arts and sciences.

      On another point, is anybody else disgusted that Disney's putting out a new derivative reworking of Treasure Island while all this is going on? They have no shame.

    16. Re:Question for slashdot by BlaisePascal · · Score: 2

      Let's take it a step further...

      You're 20, you know you have a long life in front of you. You just found out that the song you wrote was liked by a top Hollywood director and will be in his next, most-likely-Oscar-nominated movie. Your royalty checks as song-writer will be substantial and will keep coming for the rest of your life -- and beyond, as the movie gets played and played and played around the world for decades on TV and in the video stores.

      What incentive do you have to create new songs? Why not simply live off of that one song for the rest of your life?

      I think that copyrights should be for a fixed, limited, non-extendable time not dependent on the death of the creator. It should be long enough that the creator has a reasonable chance to market and benefit from the copyright, but not long enough that the creator can be guaranteed a free-ride forever.

      If copyright is held for, say, 20 years (period), then:

      A: Copyright holders have reasonable opportunity to benefit from the copyright.

      B: Copyright holders have an incentive to create new works

      C: Buyers and sellers of IP rights have a fixed basis to compute future value of copyrights.

      (Explanation of C: If I were to create a valuble copyrighted work, and I wished to sell the copyrights to a third party, there are ways to compute the discounted future value of the copyright, but they depend on the lifetime of the copyright. If the copyright is, say, life+5 years, then a copyright can vary in length from 5 years to 75 years (or more), depending on when the author dies. Obviously, the longer copyright is more valuble. So the value of the copyright with an unknown life is harder to compute than one of known life.)

    17. Re:Question for slashdot by GMontag451 · · Score: 2
      One might ask, if this "right to privacy" is so mighty, why it has never been used to overturn federal anti-drug laws.

      A right to privacy *has* been used to overturn drug convictions in Alaska. The Alaska State Constitution specifically mentions a right to privacy, and as such, the Alaska Supreme Court ruled that it was not criminal to have an amount of marijuana for personal use in the privacy of your own home. Once you leave a place where privacy is expected, or once you do anything other than personal use (i.e. sale), the usual rules apply. All of this was, IIRC, before Roe v. Wade.

      Now, the question of whether or not a constitutionally protected right to privacy exists is a much trickier matter, and I'm inclined to agree with you that it doesn't.

    18. Re:Question for slashdot by Raul654 · · Score: 2

      I don't know, contempt of court citation(s) might change his tune, especially in those states that have give judges broad discretionary powers in how severe they can be.

      --


      To make laws that man cannot, and will not obey, serves to bring all law into contempt.
      --E.C. Stanton
    19. Re:Question for slashdot by J.+Random+Software · · Score: 2

      Ashcroft probably isn't personally involved with the case at all. As pointed out upthread, you can't sue Congress so instead you sue the attorney general simply to get an injunction preventing them (and apparently all their subordinates) from enforcing that law.

    20. Re:Question for slashdot by Sylver+Dragon · · Score: 2

      So when Ashcroft ignores California's legalization of medicinal marijuana or Oregon's legalization of euthanasia by sending in federal agents to stop it, is he doing his job?

      Um, actually, yes. The Constitution actually has provisions in it for when State and Federal law come into conflict. Guess which one wins...Federal.
      California legalizing Marijuana was in conflict with Federal drug laws, as such the California law was really nothing more that the people making a political statement. If you get arrested for drug violations you get to go to federal court and the judge is going to laugh at you when you bring up a State law that tried to countermand the Federal law.
      As for the Oregon law for euthanasia, again, Murder is a Federal law. Again conflict in law, and again the Federal law wins.
      The only time this pattern doesn't hold true, is when Congress makes a law, which violates the provisions which dicate that States have control over certain areas. But Drug laws and Murder don't seem to fall in those defined State's responsibilites.
      I will agree that Ashcroft ignoring a Supreme Court descion would be stepping out of bounds for him, but I doubt he would actually do it. Afterall, all it would accomplish is having a bunch of cases thrown out of court. And possibly lead to some sort of censure of Ashcroft.

      --
      Necessity is the mother of invention.
      Laziness is the father.
  20. That's not the title by Hatter · · Score: 2, Offtopic
    The title of the poem you're thinking of is "The Road Not Taken." It would also be a good idea for you to re-read the poem, there's more meaning to it than most pick up on the first read. Frost's poetry is deceptively simple sometimes.

    Care to read it?

    1. Re:That's not the title by rknop · · Score: 2

      The title of the poem you're thinking of is "The Road Not Taken." It would also be a good idea for you to re-read the poem

      Er... maybe you should re-read the poem. The last stanza in particular. That's where the quote comes from.

      -Rob

  21. Re:Whats wrong with this law? by Phroggy · · Score: 2

    Is it provable in a court of law that extending the duration of copyright by this set amount of time promotes the progress of science and useful arts, or are promoted just as much by the previous duration?

    --
    $x='S24;r)>63/* h@<5+oZ)32"5cz';$me='phroggy'x$];
    $x=~y+ -xz+\0-Tx+;print$_^chop$me for split'',$x;
  22. vs DOJ, not John Ashcroft. by danbeck · · Score: 0, Offtopic

    Me thinks that the slashdot editors enjoy villifying John Ashcroft whenever they get the chance. Why not simply say the department of justice instead of Ashcroft? Whether it's Ashcroft or Santa Claus sitting in that office, his responsibility is to uphold whatever laws that congress enact, whether he likes them or not.

    If this was a real news site, I might be angry at the obvious bias.

    1. Re:vs DOJ, not John Ashcroft. by Guppy06 · · Score: 2

      "Why not simply say the department of justice instead of Ashcroft?"

      Because one of the jobs of the Attourney General is to defend the laws Congress and the President have passed. He's named specifically because it's the job he was appointed to. If George of the Jungle happened to be Attourney General, the case would be "Eldred v. George of the Jungle."

    2. Re:vs DOJ, not John Ashcroft. by dbrutus · · Score: 2

      If Ashcroft resigned tomorrow and a new AG was appointed, the case would be renamed to Eldred v. [insert AG name here]. It's just a tradition. When filed, the case was called Eldred v. Reno.

    3. Re:vs DOJ, not John Ashcroft. by Anonymous Coward · · Score: 0

      [ Me thinks that the slashdot editors enjoy villifying John Ashcroft whenever they get the chance.]

      Asscroft is quite deserving of said villification.

  23. Re:Whats wrong with this law? by Corgha · · Score: 5, Insightful
    To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;

    This is giving Congress the right to regulate copyright, essentially.


    I think the argument would be that retroactive extension of copyright does not satisfy the phrase "to promote", because of the rather obvious temporal properties of causality. You cannot promote the occurrence of something that occurred in the past.

    There is also the matter that repeated retroactive extensions, each one happening shortly before Mickey Mouse expires, do not really satisfy the phrase "limited Times".

    The Constitution does not say "To do whatever they like, by securing to Authors and Inventors and the Corporations that employ them the exclusive Right to their respective Writings and Discoveries" -- it does not grant Congress the right to regulate copyright as they see fit, but instead gives specific indication of the circumstances under which this legislative restraint on speech and trade is to be allowed.

  24. Now taking bets: by Theatetus · · Score: 1

    I'll be intrigued to see what SCOTUS does. The Rheinquist court has a tendency to say "I know this is bad, stupid, awful law that only proves our legislators are brain-dead, pointy-haired pusilanimetes who should be night-managing the local Sonic, but we can't do anything about bad law."

    OTOH, this court has had a tendency to look at *any* extension of Congressional mandate as overturnable. And extending copyright past the originally intended limit does seem to be an attempt by Congress to increase its mandate. We'll see...

    --
    All's true that is mistrusted
  25. Should stuff *ever* enter the public domain? by plasticquart · · Score: 1

    So Mr. Frost is dead. So what. I must be missing something because I do not see the line of logic that equates his death with allowing his work to be distributed freely.

    Quite being lazy and write your own book.

    1. Re:Should stuff *ever* enter the public domain? by Hitokage_Nishino · · Score: 2

      Copyright is meant to promote creative works by allowing creators to benefit from them. You can't benefit from something when you are dead.

    2. Re:Should stuff *ever* enter the public domain? by Jeremi · · Score: 2
      Quite being lazy and write your own book.


      Every book is in some way derivative of previous works. Without the public domain, it becomes legally impossible to "write your own book".

      --


      I don't care if it's 90,000 hectares. That lake was not my doing.
    3. Re:Should stuff *ever* enter the public domain? by An+Onerous+Coward · · Score: 5, Insightful

      There are problems with this line of reasoning. Copyright law isn't a codification of some obvious "natural right" to have control of your creative works after your death. In fact, it's a rather arbitrary set of laws that was put in place to protect creators from the worst effects of the cheapness of copying information.

      Copyright law is vital, because it provides a great deal of incentive to creators, allowing them to profit from their work. But the purpose isn't to ensure creative people a livelihood, but to ensure that the marketplace of ideas is continually being resupplied and enriched.

      Public domain is also a vital part of the equation. I believe that all ideas ultimately belong in the public domain, and the only argument is over what sort of delay is most effective in cultivating new ideas. The reason for this is simple: No person, no matter how creative, has ever given more to the marketplace of ideas than he or she received from it. Every work, no matter how original or unique, was inspired or influenced by ideas that did not belong to the author of the work.

      For any person or group of people to say that it's right for them to have sole ownership of their own ideas until the sun goes nova is simply unethical. They're benefitting from the seething collection of memes that makes up our culture, while minimizing their own contribution to that culture.

      Disney's willingness to use public domain works like "The Hunchback of Notre Dame" and the Grimm Brothers' stories, and then lock up the resulting ideas for what increasingly looks to be an unlimited time, is just one of the more obviously hypocritical examples of copyright run amok. Another example would be a play called, "The Wind Done Gone," which was a satire of "Gone With the Wind" as told by Scarlett's black slaves. The estate successfully sued because they'd taken the time to fill out the copyright renewal form every twenty-five years. In other words, an idea was never allowed into the marketplace of ideas, in order to protect the revenue stream to the great grandchildren of a creative person.

      Ideas aren't physical property, and to imply--as you seem to be doing--that a creator like Robert Frost has a clear right to his or her ideas for as long as he has living descendants is simply untenable. If we treat ideas as physical property, we will end up in a world where you cannot create anything of significance without paying royalties to thousands of people who were fortunate enough to have a creative ancestor.

      Do creators deserve to benefit from their work? Certainly. But for their entire lives, and at the expense of the health of our overall culture? No. Creators can certainly recoup their investment within 20 or 30 years, if their ideas have any value at all. I find it ludicrous that anyone at all is actually motivated by the idea of receiving royalty checks hundreds of years after his or her death, and I find it even more ludicrous that this additional motivation provides more benefit to society than the release of these works to the public domain.

      --

      You want the truthiness? You can't handle the truthiness!

    4. Re:Should stuff *ever* enter the public domain? by commodoresloat · · Score: 2
      Quite being lazy and write your own book.

      Don't confuse the issue. The question is not whether I can take Mr. Frost's work and put my name on it ("The Road Not Taken," by Commodore Sloat - yeah right), but whether years after Mr. Frost's death I should have to pay some company who happens to have gotten ahold of the copyrights to be able to read or distribute his work, with his name on it. We're not talking about plagiarism.

      Personally I don't see any rationale behind the idea that an author can sell copyright in the first place - if copyright is there to protect authors' ownership (as well as the public good, as outlined in the US Constitution), then Disney or whoever should not have the right to "buy" the copyright in the first place. But that's another issue - though I wonder why it's an issue that is never represented in debates over copyright.

    5. Re:Should stuff *ever* enter the public domain? by Anonymous Coward · · Score: 0

      Brilliant. Congrats for contributing the first /. post I've ever saved.

    6. Re:Should stuff *ever* enter the public domain? by JudasBlue · · Score: 1

      Actually, The Wind Done Gone was a book, not a play, and the while an injunction was handed down preventing publication by a circuit court judge breifly, the appeals court overruled it and the book went to press. There was much talk of appealing the ruling to the Supreme Court, but as best I can recall, that didn't happen.

      I rather like the reasoning of your post, aside from this error of fact.

      --

      7. What we cannot speak about we must pass over in silence.

    7. Re:Should stuff *ever* enter the public domain? by mcubed · · Score: 2, Interesting
      Personally I don't see any rationale behind the idea that an author can sell copyright in the first place - if copyright is there to protect authors' ownership (as well as the public good, as outlined in the US Constitution), then Disney or whoever should not have the right to "buy" the copyright in the first place.

      Just as a point of clarification, typically authors sell publishing rights to a publisher. They don't actually sell or transfer the copyright. Likewise, they can sell adaptation rights to a movie studio, in which case the studio would control the copyright on any film based on the original work, but would not control the author's original copyright on his own work.

      I don't agree that copyright "is there to protect authors' ownership." The Constitution says nothing about authors "owning" their work. Copyright is explicitly described as a privilege, and a limited one at that, not a grant of ownership. It is a mechanism whereby authors or other creators can profit from their endeavors, in the manner described above. If their creations were truly the property of the creators, then there would be no need for copyright protection at all -- authors and their heirs would own their books forever, period, just like as anyone who builds a piece of furniture owns it and passes it along from generation to generation. This is the irony of the Sonny Bono CTEA and, really, of Sonny's position on the matter. Sonny thought copyrights should be treated as real property; in that sense, Sonny didn't believe in copyright at all. The whole purpose of copyright was to distinguish intellectual and creative work from real property, while still providing a profit incentive to creators. By coming perilously close to treating copyright as real property, in effect CTEA invalidates what copyright was created to accomplish.

      --Michael

      --
      "No live organism can continue for long to exist sanely under conditions of absolute reality;..."
  26. Re:Whats wrong with this law? by dreamword · · Score: 5, Informative
    Agreed that this should go away through Congress. However, the constitutional case against it isn't as weak as you suggest.

    As Lessig, Sullivan, et al.'s brief notes, the argument is not that Congress doesn't have the right to regulate copyright, but that the clause imposes limits:
    • "To promote the Progress of Science and useful Arts" -- The key word here is "progress." While it can be said that handing a pile of cash to Disney and RIAA/MPAA members will lead them to produce more content (since they have a pile of money), the petitioners say this isn't good enough. They say that promoting progress can't be done just by handing piles of money to, say, Gershwin's estate, at the public's expense, since Gershwin's estate can't do anything for progress, since Gershwin's dead.
    • "For limited times" -- True, 90 years is a limited time. However, there has to be a limit to Congress's power to extend otherwise the time wouldn't be limited. And if there is a limit, we've reached or exceeded it. The retroactive portion of the CTEA really pushes the outside of any reasonable definition of "limited".

    There's no doubt that copyright fosters invention and discovery. We're not talking about abolishing copyright itself. We're just saying that handing out a longer copyright for a piece of progress that's already completed can't possibly foster invention or discovery, especially when most of these windfalls are going to corporations representing the works of dead guys.

    -- Dreamword
    (Becoming a common law fan more and more each day)
  27. Promoting progress through copyright extension by smiff · · Score: 5, Informative
    According to the government, if they can come up with just one reason that retroactive copyright extension promotes progress, the law is constitutional. They also argue that the constitution does not restrict congress at all. Here are some arguments taken from the defendants legal briefs:
    1. By extending copyrights, congress is allowing large copyright holders to continue generating revenue from old works. The copyright holders then invest that revenue in new marginal and high risk works.
    2. Historical practice confirms that "Limited Times" does not mean a single, inalterable, limited time. Every single copyright extension has extended the copyright of existing works.
    3. The CTEA's application to existing works increases incentives for copyright holders to restore and disseminate their works.
    4. The CTEA's impact on international trade promotes progress in the United States.
    5. The CTEA is not part of a string of infinite expansions, but rather a means to harmonize copyright with the European Union. "In an era of multinational publishers and instantaneous electronic transmission, harmonization in this regard has obvious practical benefits"
    6. If the CTEA is limited in regards to future works, it must necessarily be limited as it applies to existing works as well.
    7. Thomas Jefferson signed the 1808 and 1809 patent term extensions into law, and James Madison signed the 1815 patent term extension into law. Thus the nation's founders never meant "limited times" to mean "unalterable limited times".
    1. Re:Promoting progress through copyright extension by sqlrob · · Score: 5, Interesting

      Wasn't there a study of what was in print in 1925 that is still in print now show something along the lines of 30 works out of 10,000?

      If there was incentive to restore and disseminate works, wouldn't this have been a lot higher?

    2. Re:Promoting progress through copyright extension by anthony_dipierro · · Score: 4, Interesting

      According to the government, if they can come up with just one reason that retroactive copyright extension promotes progress, the law is constitutional.

      They also have to show that the law is not unconstitutional under the First Amendment.

      By extending copyrights, congress is allowing large copyright holders to continue generating revenue from old works. The copyright holders then invest that revenue in new marginal and high risk works.

      Maybe. And maybe is probably enough, because ties go to the defendent.

      Historical practice confirms that "Limited Times" does not mean a single, inalterable, limited time. Every single copyright extension has extended the copyright of existing works.

      That's irrelevant as to whether or not copyright law which does not "promote the progress" of science and arts is constitutional.

      The CTEA's application to existing works increases incentives for copyright holders to restore and disseminate their works.

      As opposed to increasing incentives for everyone to restore and disseminate their works. I don't buy it.

      The CTEA's impact on international trade promotes progress in the United States.

      You need to be more specific there. How does this promote the progress of science and useful arts in the US?

      The CTEA is not part of a string of infinite expansions, but rather a means to harmonize copyright with the European Union.

      Harmonizing with the EU is not a valid reason to pass an unconstitutional law.

      If the CTEA is limited in regards to future works, it must necessarily be limited as it applies to existing works as well.

      Why? The argument is that "limited" means limited to that which promotes the progress of science and useful arts. Just because the CTEA WRT future works arguably promotes progress, that doesn't imply that the retrospective parts do. Further, it doesn't go to the First Amendment part of the argument, for the same reasons.

      Thomas Jefferson signed the 1808 and 1809 patent term extensions into law, and James Madison signed the 1815 patent term extension into law. Thus the nation's founders never meant "limited times" to mean "unalterable limited times".

      Eldred is not arguing that "limited times" means "unalterable limited times." Your strawman is irrelevant.

      Let me note that I still think it's about 50/50 here, based upon your argument #1 and similar ones like it. Actually the best argument I've heard is that this law encourages those who have created works in the past that are protected under trade secret law to publish those works. The problem is that while it seems obvious to me that this retrospective extension is not going to promote the progress of science or the useful arts, the fact of the matter is maybe it could. And that's enough, because it's the job of Congress to make that decision, not the job of the Supreme Court.

      All of that said, the Appeals Court seemed to have made a terrible mistake by saying that copyright law is "categorically immune from challenge under the First Amendment." I think there's a good chance that the case will at least be remanded back with instructions to consider the First Amendment issues.

    3. Re:Promoting progress through copyright extension by Alsee · · Score: 2

      * Every single copyright extension has extended the copyright of existing works.

      Did you paraphrase that, or is that how they actually wrote it in their legal brief?

      I hope the latter, because a statment as horribly circular that could poison the judjes against their entire case :)

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    4. Re:Promoting progress through copyright extension by WEFUNK · · Score: 2

      Actually the best argument I've heard is that this law encourages those who have created works in the past that are protected under trade secret law to publish those works.

      You're right, this seems to be the only argument that might hold any merit, even though (at best) any impact on progress is probably very marginal (if there is any at all). But it also depends on the legal interpretation of "promoting progress". If something was invented or created by a company 70 years ago but never released it might be argued that extending copyright will encourage the owner to publish this material rather than letting it sit in a vault forever. However, isn't this really just dissemination of the work, not actual progress? While extending the copyright might give the owner economic encouragement to share the work and thus arguably promote the state of the art available to the public, I would argue that any progress took place 70 years ago but was just never released. Also, from a practical point of view, anything sitting in the vault for so long likely has such a limited value that they may be more inclined to give it away. Companies may even be hesitant to bother releasing these things to the public right now because they fall into a bit of a grey area - not worth supporting, but also not worth making public domain before their time because users may find it complicated to tell whether it really is public domain or not. They may even have liability issues in some cases.

      As an aside, the argument that extended copyrights add no incentive to create is strongly supported in the official court documents by a number of leading economists, including just about every notable living American Nobel prize winner. Everyone with an interest in IP should read these documents as this case is probably the most significant copyright/IP case ever. Even if they lose (which will only mean that is the language of the law is found to be consistent with recent interpretation) I hope this case will bring awareness to the fact that our modern interpretation of IP as a right is in absolute contridiction to the original intentions of the US founding fathers.

      --
      My next sig will be ready soon, but friends can beat the rush!
    5. Re:Promoting progress through copyright extension by dvdeug · · Score: 2

      * Every single copyright extension has extended the copyright of existing works.

      a statment as horribly circular that could poison the judjes against their entire case

      Why is that circular? You can extend the length of copyright in general without extending it for existing workds.

    6. Re:Promoting progress through copyright extension by nathanh · · Score: 4, Informative
      Thomas Jefferson signed the 1808 and 1809 patent term extensions into law, and James Madison signed the 1815 patent term extension into law. Thus the nation's founders never meant "limited times" to mean "unalterable limited times".

      Lessig isn't arguing that the "limited times" should be unalterable in the sense that you are presenting. He's arguing that once a work is created the expiry-time for that work should be unalterable. Lessig says that if the creator accepted X years copyright protection before creating the work, then a retroactive copyright extension to X+N years does not (and cannot) encourage the creator to create more work or better work. There is no value to society from retroactive copyright extension.

    7. Re:Promoting progress through copyright extension by sconeu · · Score: 2

      Just a thought, how about the ex post facto clause. Couldn't retroactive copyright be seen as a violation of ex post facto?

      --
      General Relativity: Space-time tells matter where to go; Matter tells space-time what shape to be.
    8. Re:Promoting progress through copyright extension by Nathaniel · · Score: 3, Insightful
      Sure seems like it, at first anyway.


      My guess is that the legal viewpoint would be that if the extension to copyright occurs before the violation of that extended copyright, it isn't an ex post facto law, because the law existed before the violation of the law.


      The real problem here is that <sarcasm>our representatives</sarcasm> are giving away something we value for free, presumably because they are being compensated for doing so by the industry to whom they are giving the gift of copyright extension.


      The only surprise here is that heads aren't rolling yet.

    9. Re:Promoting progress through copyright extension by rgmoore · · Score: 1

      Clearly not. An ex post facto law is one that makes an act illegal after it's already happened. If I extend the copyright on a work that's currently under copyright, I haven't done that. Any copying that happens at the time that the extension is granted would already be illegal (since the work was still under copyright) and copying of the work at a later time (while the extension was in effect) would take place after the law was passed. Thus no ex post facto. The only way that you could claim that the law was ex post facto is if it returned copyright to some things that were out of copyright and punished people who had copied them between the time that the copyright lapsed and when it was reinstated.

      --

      There's no point in questioning authority if you aren't going to listen to the answers.

    10. Re:Promoting progress through copyright extension by DeathTongue · · Score: 1, Interesting
      A few comments if I may...

      First, you should read the briefs on this case (I have read both the Petitioners--Lessig's--and the Respondents--the Government).


      Second, there are two arguments here:

      1. Do retroactive copyrights violate the copyright clause of the U.S. Constitution?

      2. Is copyright law subject to first amendment restrictions?

      The argument is that "limited" means limited to that which promotes the progress of science and useful arts.

      That is Eldred's argument, but it is not a foregone conclusion that the SCOTUS will buy it. In fact, the supremes give quite a bit of deference to past congressional practices, and as the government points out (respondent brief p. 11), every copyright law passed by congress (starting in 1790) has retroactively extended terms.
      Does a retroactive extension promote science? Government brief on p.28-37 gives several arguments that it does. Look it up first, please, then we can argue details.

      Eldred is not arguing that "limited times" means "unalterable limited times." Your strawman is irrelevant.
      In fact, Eldred argues (petitioners brief, p.18) that limited=inalterable, but the government says limited=not infinite. What will the justices say?

    11. Re:Promoting progress through copyright extension by anthony_dipierro · · Score: 2

      First, you should read the briefs on this case (I have read both the Petitioners--Lessig's--and the Respondents--the Government).

      I have as well, though it was shortly after they came out so I'm sure my memory isn't 100%.

      "If the CTEA is limited in regards to future works, it must necessarily be limited as it applies to existing works as well."

      "Why? The argument is that "limited" means limited to that which promotes the progress of science and useful arts."

      That is Eldred's argument, but it is not a foregone conclusion that the SCOTUS will buy it.

      Of course not, but what it means is that your simple answer of "if it's limited to future works then it's limited to existing works" is not sufficient. If "limited times" means "not for an infinite amount of time," and the preamble is completely inactive, then Eldred loses WRT the copyright clause part of the argument. But that's a big "if," and personally I find it to be an invalid argument. Eliminating the "preamble," the sentence reads "Congress has the power ... by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries." That's not a sentence.

      In fact, the supremes give quite a bit of deference to past congressional practices

      "neither long-standing congressional authorization nor widely prevailing practice justifies a constitutional violation" - United States v. Martinez-Fuerte, 428 U.S. 543, 566 n.19 (1976).

      and as the government points out (respondent brief p. 11), every copyright law passed by congress (starting in 1790) has retroactively extended terms.

      See, there's a huge difference between the 1998 Act and all the previous ones, though. The 1790 Act stepped in and superceded State Law. Had they not made the law effect both new works and existing works, then states would be free to enact any legislation they wanted with regard to existing works. So the 1790 Act actually placed limits on copyright that weren't already there. It didn't extend copyright on existing works at all. It simply moved it into the realm of federal law. It also required registration, unlike the 1998 Act, which gave the extended terms under no conditions whatsoever.

      Likewise, the 1976 Act also stepped in and superceded state law. Before the 1976 Act, published works were handled by federal law, and unpublished works were handled by state law. Once again congress stepped in and superceded the state law. Again, this is much different from extending copyright on works already published.

      Now I can't find the text of the other Acts, so I can't be certain, but I am under the impression that before 1976 Copyright consisted of two different rights, those for unpublished works, and those for published works. So it was still necessary to publish and register a work in order to gain this protection. Also, you needed to place a copyright notice in order to receive benefits. So all of these things further encouraged the progress of useful arts and science, something which we no longer have in the 1998 Act. The sole benefit from the 1998 act is with regard to the possibility of the creation of the work. Thus it differs greatly from all the previous Acts.

    12. Re:Promoting progress through copyright extension by Sloppy · · Score: 1
      IMHO, it's easy to shoot down a few (though not all) of those points with one attack.

      What if copyright were infinate duration and never expired? Then holders could also invest the resulting revenue into new marginal and high risk works (1). It would increase incentive for holders to restore and disseminate their works (3). It would impact trade and promote progress in the United States (4). Thus the way that CTEA "promotes progress" is not distinguishable from unlimited time copyright, in the these regards.

      Of course, some of those points are bullshit for other reasons, but killing three birds with one stone was just too irresistable...

      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  28. Ashcroft did not 'strike' by Anonymous Coward · · Score: 0

    This case started off as Eldred v. Reno. Ashcroft is only named because he is the current Attorney General. And it was Larry Lessig that 'struck'. Ashcroft is the defendant.

  29. There already is a web site... by HoldmyCauls · · Score: 1

    robertfrost.org

    Why not just link to the poems there? Am I missing something?

    --
    Emacs: for people who just never know when to :q!
  30. Copyright length should be set at time of creation by Anonymous Coward · · Score: 1, Insightful

    When you copyright something, the copyright life should be based on the law at the time of the copyright. Create something in 1950? Well, what was the law in 1950? There's your answer.

    Copyright is supposed to be an incentive for authors/creators, so changing it AFTER the fact just doesn't make sense. Why do they need more incentive for something they've already done? They don't. Instead, the copyright just goes on to protect the rights of a few large corporations intent on squeezing out a bit more money.

    If Congress wants to extend copyright, fine, but don't do it ex post facto.

  31. Re:ya right good luck by pivo · · Score: 2

    I disagree, yes anyone can form a corporation but that only provides one with the standard protections of all corporations, specifically protection against personal liability, but this thread isn't about that kind of protection.

    What most people object to is the extra attention given large corporations, attention unavailable to any corporate entity or person who doesn't have lots of cash to give to politicians and high-power Washington lobbies. That's the form of plutocracy we have in the U.S., and it's very real.

  32. Get your acronyms straight! by Anonymous Coward · · Score: 0

    It is the Copyright Term Extension Act (CTEA).

  33. USSC doesn't give a rat's ass about civil rights by browser_war_pow · · Score: 1

    Remember this is the same USSC that ruled that a police officer can arrest you for **any** offense regardless of what the local/state law stipulates. That means now that every state legislature must go back and reel in its law enforcement officers because of this group of anti-constitution miscreants.

  34. Another good article by Kenshiro70 · · Score: 1

    It concentrates on Lessig's crusade to overturn the 1998 law. A good read.

    1. Re:Another good article by Kenshiro70 · · Score: 1

      Doh! Forgot the URL: http://www.gnutellanews.com/article/5490

  35. Excellent briefs by Saib0t · · Score: 5, Informative
    If you have a bit of time on your hands, reading the briefs can be an englightening experience.
    Both are written in "plain english" that any of the slashdot readers should be able to understand.

    I'm not going to discuss them, the article on wired does that, partially...

    For those interested, the links are:
    Reply Brief for the Petitioners and
    Government Response Brief

    --

    One shall speak only if what one has to say is more beautiful than silence
    1. Re:Excellent briefs by GreyWolf3000 · · Score: 2
      I second that; often times when a court case is brought up here, much of the reasoning in the brief (or relevant court finding) is ignored, and even many of the +5 comments fall into the most basic category of opposition. They often say something like "the RIAA/M$/corporations" are somehow in control of everything and are pushing unconstitutional laws and are influencing the tech-unsavvy opinions of the judges.

      The truth is that the judges are very, very smart people, and even if you disagree with them. briefs and findings of facts and such provide a more insight and lead to better debates.

      --
      Slashdot: Where people pretend to be twice as smart as they really are by behaving like children.
  36. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  37. Re:Eldred is very stupid. by mattbland · · Score: 1

    From your sig I see that you're touting Mensa membership. Yet, you profess to be willing to sacrifice Interlectual freedoms in exchange for preserving "mickey mouse".

    You sir, are an idiot.

    --
    /usr/bin/awake/too/long
  38. Re:Whats wrong with this law? by smiff · · Score: 1
    On top of that, despite personal opinions, it is probably provable in a court of law that copyright does indeed foster invention and discovery.

    Everyone agrees that copyright promotes the arts. The question is weather or not the retroactive extention of copyright promotes the arts. We will never know if it can be proven in court. That would take place in the district court, and the district court ruled on summary judgement. There was no trial.

  39. Best line ever! by hrieke · · Score: 3, Interesting

    Moreover, the CTEA's backers say, the question of whether the law is good policy is entirely different from whether its action is constitutional. When has it ever been illegal for Congress to pass bad laws?

    Gotta love logic like that- you can't take this to court since it deals with Congress's ability to pass bad laws!
    --
    III.IIVIVIXIIVIVIIIVVIIIIXVIIIXIIIIIIIIVIIIIVVIIIV IIVIIIIIIVIII...
    1. Re:Best line ever! by Anonymous Coward · · Score: 0

      > When has it ever been illegal for Congress to pass bad laws...

      When they swore an oath to support the Constitution. That's when.

      But, then, the level of ethics in Congress make Enron look downright socially responsible.

  40. These are not trivial questions. by werdna · · Score: 2

    No doubt, the public policy of well-monied interests getting special treatment granted to them by Congress every so many years at the expense of the public domain is of dubious value to society. No doubt, the "social contract" between authors and the public that is Copyright hardly requires such overreaching. To the contrary, the Sony Bono bill was bad law, bad policy and generally bad bad bad.

    That isn't the question in Eldred v. Ashcroft. Here, the question is whether it is unconstitutional. I say this, because I would like my colleagues on Slashdot to realize the high likelihood that the Supreme Court may not opt to overturn this law, and can do so with the highest appreciation for all of these concerns. Deference of the judiciary to the Congress to make decisions, even bad decisions, is the rule, and it is highly likely that the rule will be followed in any given case.

    But here, as the various briefs filed on both sides might indicate, the issues are far from trivial. I would commend to my colleages a careful reading of ALL the briefs, and all the issues before concluding that the Supreme Court has an easy call to "do the right thing." Legally, it is far from obvious that Eldred has the best of the argument.

    In short, the vitreol may more properly be directed to the Congress that chose to pass the law than to the Court that may merely conclude that it is not its province to reverse a lousy decision made by the Legislative and Executive branches.

  41. Is this really "to define the digital age"? by dipfan · · Score: 5, Interesting

    While I support the Eldred/Lessig position, this Business Week article doesn't really tell us anything new or interesting about this case that hasn't been seen here before.

    In fact, it's overblown. This case is hardly "a case to define the digital age" as the article has it. This is an argument about whether Congress can extend legacy copyright from 50 to 70 years after the death of the holder. So if the government wins, what changes? Nothing. The European Union changed its copyright term to 70 years throughout the EU back in the mid-1990s, and I don't see that it's made much difference. If corporations are going to lose "billions in lost revenue" then they will 20 years down the road instead.

    The copyright laws apply to all media and performance styles. Digital is but a small part of all the possible media consequences, of course, although it will get more important.

    The worrying implication, I suppose one could make, is that if the CTEA is waved through, then the way is open for Congress to keep punting out the copyright envelope out further and further (perhaps to protect Mickey Mouse) - 100 years, 120 years, why not 150 years? Sadly, that's not the direct issue in this case.

    The article is also confused about copyright of works themselves and other issues, such as format, editing, translation and so on. The Adobe issue the article mentions isn't about Middlemarch's copyright (which has unambiguously expired) but about proprietary formats - anyone in the world can buy a old copy of Middlemarch, sit down and type it out and post it on their website or print it off. As for Aristotle's Politics - someone has to translate that into English (for example), and edit it, and maybe do footnotes and an introduction. That's different than the underlying copyright of the work itself. But Business Week doesn't clock that.

    But what I really fail to see is that somehow, if Eldred et al win, this has implications for the DMCA. These issues are so different that there isn't an obvious connection from one to the other (except that both the CTEA and DMCA suck generally). Copyright issues involving software and so on are much more akin to pharmaceuticals and medicine than books and poems - but that's really another story. I can see there's a global connection - Congress having a constitutional imperative to pass copyright laws that promote "science and useful arts". But that's going to require a case by case, or an act by act, resolution, whether Eldred wins or not. Traditionally, the Supreme Court sends those type of issues back to Congress to decide, and that's probably what will happen here, so don't hold your breath.

    1. Re:Is this really "to define the digital age"? by Anonymous Coward · · Score: 0
      If corporations are going to lose "billions in lost revenue" then they will 20 years down the road instead.


      No, they will "lose" that revenue now. For instance, Disney just paid $375,000,000 for the copyright on Winnie the Pooh. This payment was conditioned upon Congress passing the CTEA. That gives you some idea of what 20 years of the exclusive rights to "Winnie the Pooh" is worth. Projections are that Disney will make 4.5 BILLION dollars by exploiting that copyright for the next 20 years.

      That's for one work alone. Winnie the Pooh is arguably one of the most valuable copyrights in existance. Mickey Mouse and Donald Duck have largely fallen by the wayside -- but toy stores are jammed full of Pooh merchandise.

      The CTEA is literally worth billions of dollars -- for a small handful of very large media and copyright holding corporations.

      But what I really fail to see is that somehow, if Eldred et al win, this has implications for the DMCA

      If Eldred loses, then the public domain is "frozen" in time for 20 years, and an digital entire infrastructure will be developed with no technical or legal provision for copyright expiration and entry into the public domain.

      If Eldred wins, then every year, copyrights will expire, and works will enter into the public domain. This will force a series of legal battles that will decide what will happen when copyrights expire -- whether it will be then legal to circumvent access control schemes to access works that have just entered the public domain. This will increase the tension over the overbreadth of the DMCA, and force technology manufacturers to address the issue of non-perpetual copyrights.
    2. Re:Is this really "to define the digital age"? by Salsaman · · Score: 2
      There is one way I can see for this to affect the DMCA. If the copyright extension law is overturned, all that would need to be done would be to find a DVD containing a film that subsequently entered the public domain (Steamboat Willy, anybody).

      I believe that in that case it may be possible for a skilled lawyer to show that the DMCA was unconstitutional since there is no provision in it for removing access restrictions from works which subsequently enter the public domain. But as usual IANAL, YMMV, etc.

    3. Re:Is this really "to define the digital age"? by aaarrrgggh · · Score: 2

      One thing that bothers me is that the Library of Congress no longer gets a copy of works; they can be "copyrighted" without an unimpeded version going to the LoC!

      This is the fundemental flaw that I with the conflicts between DRM and copyright.

    4. Re:Is this really "to define the digital age"? by Anonymous Coward · · Score: 0

      No, they will "lose" that revenue now. For instance, Disney just paid $375,000,000 for the copyright on Winnie the Pooh. This payment was conditioned upon Congress passing the CTEA. That gives you some idea of what 20 years of the exclusive rights to "Winnie the Pooh" is worth. Projections are that Disney will make 4.5 BILLION dollars by exploiting that copyright for the next 20 years.

      Bad example. Disney bought the copyright off the Milne trust, to which it was already paying copyright fees for the use of the characters. Since Milne's trust is in the UK, that was covered by European copyright law, which got a 20 year extension prior to the CTEA anyway. Milne died in 1956, so copyright didn't run out until 2026 anyway. Essentially the Milne Trust just securitized the value of the copyright in selling it to Disney. And Eldred-Ashcroft wouldn't make a damn bit of difference in any case, since that copyright was already extended for 20 years.

      As for Disney making billions off it - well its been building up the Pooh brand for many years now, and paying for it, so what's the problem there? It makes movies, markets them, and makes revenues, that's business.

  42. Re:Eldred is very stupid. by fmayhar · · Score: 3, Insightful
    Sigh. This post proves that being a member of Mensa isn't an indicator of intelligence.
    "I would accept any copyright extensions if they serve to protect Micky Mouse and Goofy."
    So you would accept perpetual copyright just so Disney can continue to profit from the work of a dead man, forever? You must be kidding. I certainly hope you're kidding.

    The whole point is that new creation is very often based on old creation, viz Cinderella, Snow White, et al. These days, all these copyright extensions do is protect the profit of the corporations.

    Heinlein said (as quoted by Yale Law in Top Ten New Copyright Crimes,

    There has grown up in the minds of certain groups in this country the notion that because a man or a corporation has made a profit out of the public for a number of years , the government and the courts are charged with the duty of guaranteeing such profit in the future, even in the face of changing circumstances and contrary public interest. This strange doctrine is not supported by statute nor common law. Neither individuals nor corporations have any right to come into court and ask that the clock of history be stopped ,or turned back, for their private benefit.

    This pretty much says it all. What is a copyright extension but "turning back the clock?" I'm keeping my fingers crossed that the Supremes will follow the intent of the framers of the Constitution, rather than pandering to those in Congress who are in the pockets of those who have a vested interest in keeping the laws as they are, or worse.

    The Los Angeles Times has a very good article about this whole thing, with particular emphasis on Lessig and on the historical perspective (this debate goes back more than two hundred years); find it here.

  43. Re:Whats wrong with this law? by Deosyne · · Score: 1

    To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;

    So how does granting exclusive rights to dead people help promote science and useful arts? Do all of the scientists and artists have a secret contract with the government saying that they'll stop work immediately if their corpses don't get to own the works? I'm willing to concede a small period after death, just so the poor bastard's kids don't get stuck with three million copies of dead daddy's books that were just printed because daddy keeled over at the release party, but anything more than a few years is ridiculous, and the current rules, particularly after the Sonny Bono farce, are approaching the stupidity of Egyptian pharaohs having their servants and pets murderered and buried with them, along with all of their possessions.

  44. Re:Whats wrong with this law? by sqlrob · · Score: 2

    Would it?

    *Limited* times. With respect to a human lifetime, 1000 years is not limited.

    Nothing has fallen out of copyright since almost 50 years before I was born. How is that limited?

  45. Re:Whats wrong with this law? by Waffle+Iron · · Score: 2
    > So if they extended it to 1000 years, it would still be constitutional?
    Sadly, yes.

    Maybe congress should try to push it a little farther. The next law could extend the copyright for (as my old calculus professor would put it) "a large, but finite, amount of time".

    IOW, too large to represent with any number system, but technically not actually infinity. Who knows, it could still satisfy the constitutional mandate for a "limit".

  46. Literature/fiction as open source by rakeswell · · Score: 4, Interesting

    The case of HP Lovecraft's fiction seems to confirm that current copyright laws do defeat the aim of promoting new works.

    Lovecraft wrote wierd ficton up to his death in 1937. In his fiction, he develops what has become known as the "Cthulhu Mythos", an outlook and setting for cosmic horror. During his lifetime, he actively sought collaboration with others to work with this "mythos", and extend it.

    Because of when he wrote much of his fiction, and due to details concerning how his estate handled the copyright of his body of work, much, if not all, of his fiction is today in public domain.

    Partly because of how he actively sought other authors of wierd fiction to participate and extend his mythos, and partly because of the fact that his work is still in public domain, there have been very tangible results:

    • Authors are still contributing to and developing his mythos,
    • A pnp game company has based an RPG on his works (Call of Cthulhu), which has inducted so many new people to HPL's works (including me),
    • Movies are made (though poorly), based on his works,
    • and most importanly, people are still reading Lovecraft's fiction -- and it's available online, and in print.

    Many years ago, I loaned out all my Lovecraft books, and inevitably, no longer have them. When I recently underwent a hankering to re-read these great stories, I downloaded them into my visor using Plucker. I've also gone out and restocked my library with printed versions of Lovecraft's works.

    From this small sampling, I think it's very clear that Lovecraft's openess and the copyright status of his works have truly encouraged people to keep creating and building on his foundation.

    There is a staggering number of books which are under copyright, but have long since gone out of print. How much knowledge is unavailable because of this, and how many new works which could have been built or inspired by them were never created?

    I shudder to think that it would be quite possible that Lovecraft could today be out of print because of copyright. Had others not built on his work, I doubt as many people who are fans of his work would have had the chance to be exposed to him, and thus preclude demand for his fiction.

    --
    All one has to do is hit the right keys at the right time and the instrument plays itself. - Johann Sebastian Bach
  47. my $0.02 by Anonymous Coward · · Score: 0

    Please remember;
    It is Ashcroft's job to enforce the law, not to decide what the law it.

    1. Re:my $0.02 by ASyndicate · · Score: 3, Interesting

      Although he seems to be doing both...

      Remember the oregon assisted suicide?

      --
      This page left intentionally blank.
  48. My complaint about John Ashcroft @# +1 True by Anonymous Coward · · Score: 0


    Parts of what follows below were actually painful to write.
    However, because of the ongoing misinformation campaigns
    launched by John Ashcroft and his operatives, I feel it is
    my duty to write this. It is worth noting at the outset that
    Ashcroft's eccentricity is surpassed only by his vanity. And
    his vanity is surpassed only by his empty theorizing. (Remember
    his theory that doing the fashionable thing is more important than
    life or liberty?) Although I agree with those who suspect that it
    would be good for the press to start paying attention to things
    like this, nevertheless, I cannot agree with the subject matter and
    attitude that is woven into every one of his confused antics.
    One argument he makes is that it is better that a hundred thousand
    people should perish than that he should be even slightly
    inconvenienced. That's just plain nonsense. The truth is that
    he maintains that either his decisions are based on reason or
    that those of us who oppose him would rather run than fight.
    Ashcroft denies any other possibility.

    If you agree, read on. Common sense and scientific evidence agree:
    I believe I have found my calling. My calling is to address a number
    of important issues. And just let him try and stop me. Your guess
    is as good as mine as to why Ashcroft wants to pass off all sorts
    of clueless and obviously resentful stuff on others as a
    so-called "inner experience". Maybe it's because he plans to
    place what I call pretentious, meddlesome bullies at the top
    of the social hierarchy. I will never give up. I will never
    stop trying. And I will use every avenue possible to shape a
    world of dignity and harmony, a world of justice, solidarity,
    liberty, and prosperity.

    A small child really couldn't understand that the last time
    he reached into his bag of dirty tricks, he pulled out a scheme
    to give expression to that which is most destructive and most
    harmful to society. But any adult can easily grasp that his
    intent is to prevent us from asking questions. Ashcroft doesn't
    want the details checked. He doesn't want anyone looking for
    any facts other than the official facts he presents to us.
    I wonder if this is because most of his "facts" are false.
    I didn't want to talk about this. I really didn't. But last
    summer, I attempted what I knew would be a hopeless task. I
    tried to convince Ashcroft that he is essentially describing a
    situation that does not exist. As I expected, Ashcroft was
    unconvinced. Opposing his high-handed catch-phrases actively
    and earnestly is the moral duty of every good human being. To
    pretend otherwise is nothing but hypocrisy and unwillingness
    to face the more unpleasant realities of life.

    When I say that I speak from experience, I don't just mean that
    he wants to exert more and more control over other individuals,
    that he wants to reopen wounds that seem scarcely healed, or
    that he wants to substitute breast-beating and schwarmerei for
    action and honest debate. Sure, Ashcroft indeed wants all that,
    but he also wants much more. He wants to bowdlerize all
    unfavorable descriptions of his harangues. Let me carry my
    thoughts on this subject a bit further. It strikes me as
    amusing that he complains about people who do nothing but
    complain. Well, news flash! Ashcroft does nothing but complain.
    At first, he just wanted to mold the mind of virtually every
    citizen -- young or old, rich or poor, simple or sophisticated.
    Then, he tried to gain a virtual stranglehold on many facets of
    our educational system. Who knows what he'll do next? People often
    ask me that question. It's a difficult question to answer,
    however, because the querist generally wants a simple, concise
    answer. He doesn't want to hear a long, drawn-out explanation
    about how Ashcroft has -- not once, but several times -- been
    able to slow scientific progress without anyone stopping him.
    How long can that go on? As long as his anal-retentive,
    offensive prognoses are kept on life support. That's why we
    have to pull the plug on them and bring the communion of
    knowledge to all of us.

    I recently received some mail in which the writer stated,
    "Ashcroft must have known that his campaigns would cause
    high levels of outrage and would generate many letters
    in response (like this one)." I included that quote not
    because it is exceptional in any way, but rather, because
    it is typical of much of the mail I receive. I included
    it to show you that I'm not the only one who thinks that
    Ashcroft's apologists are too lazy to advance a clear,
    credible, and effective vision for dealing with our
    present dilemma and its most wretched manifestations.
    They just want to sit back, fasten their mouths on the
    public teats, and casually forget that even when Ashcroft
    isn't lying, he's using facts, emphasizing facts, bearing
    down on facts, sliding off facts, quietly ignoring facts,
    and, above all, interpreting facts in a way that will
    enable him to reap a whirlwind of destroyed marriages,
    damaged children, and, quite possibly, a globe-wide
    expression of incurable sexually transmitted diseases.
    Ashcroft must think that being lascivious entitles one
    to put a malign spin on important issues. The limitation
    and final abolition of particularism presuppose the
    elimination of innumerable preconditions. It's a pity.
    So maybe those who fight against his insidious stratagems
    are inevitably branded as scummy and crotchety by his
    underlings. Big deal. What's more important is that he
    should clarify his point, so people like you and me can
    tell what the heck he's talking about. Without
    clarification, his principles sound lofty and include
    some emotionally charged words but don't really seem
    to make any sense.

    Many people respond to Ashcroft's sanctimonious ideals
    in the same way that they respond to television dramas.
    They watch them; they talk about them; but they feel
    no overwhelming compulsion to do anything about them.
    That's why I insist we shed the light of truth on the
    evil that is Ashcroft. As I mentioned before, he has
    neither honor nor integrity, nor even knows what those
    words mean. But let me add that I receive a great deal
    of correspondence from people all over the world. And
    one of the things that impresses me about it is the
    massive number of people who realize that if you were
    to try to tell his shock troops that his readiness to
    call me unimaginative has to be the most egregious example
    imaginable of the pot calling the kettle black, they'd
    close their eyes and put their hands over their ears.
    They are, as the psychologists say, in denial. They
    don't want to hear that Ashcroft has commented that
    fanaticism can quell the hatred and disorder in our
    society. I would love to refute that, but there seems
    to be no need, seeing as his comment is lacking in
    common sense. Admittedly, when it comes time to take a
    stand, Ashcroft invariably dives for cover. But that's
    because Ashcroft just reported that he is omnipotent.
    Do you think that that's merely sloppy reporting on
    Ashcroft's part? I don't. I think that it's a deliberate
    attempt to regulate isolationism.

    He exhibits an overweening sense of entitlement and a
    predilection for depreciating others. Okay, that's a
    slight exaggeration, but you get the general drift. To
    Ashcroft's mind, we ought to worship presumptuous,
    pestiferous kleptomaniacs as folk heroes. So that means
    that he is a perpetual victim of injustice, right?
    No, not right. The truth is that Ashcroft will probably
    respond to this letter just like he responds to all
    criticism. He will put me down as "pernicious" or
    "disloyal". That's his standard answer to everyone
    who says or writes anything about him except the
    most fawning praise.

    He labels anyone he doesn't like as "disgusting".
    That might well be a better description of Ashcroft.
    He coins polysyllabic neologisms to make his doctrines
    sound like they're actually important. In fact, his
    treatises are filled to the brim with words that have
    yet to appear in any accepted dictionary. For better
    or for worse, Ashcroft claims that violence and
    prejudice are funny. That claim is preposterous
    and, to use Ashcroft's own language, overtly
    mawkish. No history can justify it.

    He does not tolerate any view that differs from his own.
    Rather, Ashcroft discredits and discards those people who
    contradict him along with the ideas that they represent.
    In the end, we have to ask, "Why can't he simply enjoy
    the fruits of his own labors and let other people enjoy
    the fruits of theirs?" A complete answer to that question
    would take more space than I can afford, so I'll have to
    give you a simplified answer. For starters, I have to
    wonder where he got the idea that it is my view that
    cultural tradition has never contributed a single thing
    to the advancement of knowledge or understanding. This
    sits hard with me, because it is simply not true, and
    I've never written anything to imply that it is. It has
    been said that Ashcroft's thralls fail to recognize that
    you and I have a lot more class than Ashcroft. That makes
    sense to me. I believe it's true. But it decidedly implies
    that when I first realized that Ashcroft's primary
    motivation is self-enrichment at our expense, a cold
    shudder ran down my back. End of story. Actually, I
    should add that whenever there's an argument about his
    devotion to principles and to freedom, all one has to
    do is point out that by an odd twist of fate, his
    apparatchiks like having a stamp of assurance from
    him that what they're doing is fashionable, or at
    least acceptable. That should settle the argument
    pretty quickly.

    For the time being, this is not a major issue. Of course,
    it's not that simple. If Ashcroft thinks that he can make
    me wind up in a straitjacket and locked in a padded cell,
    then he's barking up the wrong tree. My job now and for
    the immediate future -- our job -- is to shed a little
    light on some of the ignorant prejudices that reside
    within his pea-sized brain. What are the lessons for
    us in this? First, it's that it's unconscionable
    slackers like him that destroy the natural beauty of
    our parks and forests. And second, the acid test for
    his "kinder, gentler" new platitudes should be, "Do
    they still portray uneducated scum as clowns?" If
    the answer is yes, then we can conclude that there
    is a proper place in life for hatred. Hatred of
    that which is wrong is a powerful and valuable tool.
    But when Ashcroft perverts hatred in order to deny
    citizens the ability to draw their own conclusions
    about the potential for violence that he may be
    generating, it becomes clear that given a choice
    of having him attack the critical realism and
    impassive objectivity that are the central
    epistemological foundations of the scientific
    worldview or having my bicuspids extracted sans
    Novocaine, I would embrace the pliers, purchase
    some Polident Partials, and call it a day. Our
    goal must now be to restore the world back to its
    original balance. If you believe that that's a
    worthwhile goal, then I can really use your help.
    Let me hear from you.

  49. lost revenue by Kenshiro · · Score: 5, Funny

    I love creative arguments:
    " And it would be a grand defeat for corporations, which claim they would forfeit billions in lost revenues."

    And if Congress doesn't let me pass this bill requiring each of the earth's 6 billion inhabitants pay me an annual tax of $1, I stand to lose billions!

    (a nice portion of which I'll hand over to lawmakers who see things my way...)

  50. Sesame Street by Anonymous Coward · · Score: 0

    If this trend keeps up, I fear that the Children's Television Workshop might one day copyright the letters A-Z and numbers 0-9. Slashdot would then consist of nothing but blank pages and pictures of Billy G. and Tux.

  51. When suing the Government... by yerricde · · Score: 5, Informative

    How exactly did they suggest Ashcroft is behind this?

    The U.S. Constitution prohibits people from suing Congress. So if you want a federal law invalidated, you sue the current Attorney General in his or her official capacity as Attorney General to get an injunction against enforcing the law.

    --
    Will I retire or break 10K?
    1. Re:When suing the Government... by Rayonic · · Score: 2

      Exactly. You should have also mentioned that this case used to be "Eldred vs. Reno."

    2. Re:When suing the Government... by Anonymous Coward · · Score: 0

      You should have also mentioned that this case used to be "Eldred vs. Reno."

      Others already have, and yerricde did state "his or her official capacity".

    3. Re:When suing the Government... by Anonymous Coward · · Score: 0

      With Reno, "his official capacity" is still more than enough.

  52. That's actually relevant. by beleg777 · · Score: 2

    I think the meat of their argument is that it's an obviously bad law, and they would have the best chance if they could get it overturned on those grounds. Unfortunately I don't think the semantics of our legal system will allow them to get at the heart of the matter. Instead they have to argue that congress is not constitutionally allowed to make such a law. I'm not familiar enough with the law to predict the outcome of that, but it seems a lot less likely to go in their favor.

    --

    Science may someday discover what faith has always known.
    1. Re:That's actually relevant. by Raul654 · · Score: 2

      No no, keep in mind that the surpreme court overturns good laws occasionally too. (Good, depending on your political orientation) But I agree with the grandparent to this post - that the courts should only look at the constitutionality of laws, and not whether or not they are good (that is not their purpose)

      --


      To make laws that man cannot, and will not obey, serves to bring all law into contempt.
      --E.C. Stanton
    2. Re:That's actually relevant. by gilroy · · Score: 2
      Blockquoth the poster:

      I think the meat of their argument is that it's an obviously bad law, and they would have the best chance if they could get it overturned on those grounds

      Well, "bad law" has two meanings:

      "Not truly suited to advancing the public interest"

      "Unconstitutional"
      The Supreme Court is empowered to rule only on the latter. The purpose of a legislature is make the laws and to fix laws not fulfilling the public interest -- that's why we have elections, so that people can express their views and pick legislators who will tune the laws to the public's melody. The purpose of judicial review is to make sure everyone's playing by the rules -- that no one has subverted the protections of the Constitution. That's why the justices aren't elected -- to provide some immunity to the winds of political debate.

    3. Re:That's actually relevant. by TotallyUseless · · Score: 2

      Can't the courts decide if a law follows the spirit of the constitution, so to speak? Yes, constitutionally Congress has the right to pass things like the Sonny Bono Copyright Term Extension Act... but do you think preserving the copyright for a cartoon mouse created by a man who is long since dead is what our founding fathers had in mind? Copyright laws were created both to give the author/artist incentive to create new works *and* to ensure at some point new works could be created based on older stuff.

      This is exactly how disney became so popular, by using the work of authors that had gone into the public domain! Snow White, Cinderella, The Little Mermaid are just a few examples of older works that Disney has used.

      Now Disney, and other huge corporations like Sony etc. are trying to make sure that no one else can do what they have done. This, to me at least (I am not a Supreme Court Justice) goes against the spirit of the constitution. From the SFGate Story:The original decision made more than 200 years ago to limit the length of copyrights was deliberate and carefully considered. The goal, which was expressed at the time in letters written by Thomas Jefferson and others, was to allow newcomers to build on and improve works produced by others, but only after the original creators of those works were compensated fairly for their efforts. The reason: Human progress builds upon itself."

      These companies are trying to stop progress, and trying to stop other from doing to them what they did to the brothers Grimm, Hans Christian Anderson, and Victor Hugo.

      --

      Time for some tasty Shiner Bock!
    4. Re:That's actually relevant. by Raul654 · · Score: 2

      I agree that it is ironic that disney wants to prevent others from doing exactly what it did. But that is irrelavent. When you say , constitutionally Congress has the right to pass things like the Sonny Bono Copyright Term Extension Act, I disagree. Retroactive copyrights are *not* constitutional (see one of my others posts for the reasoning). How much the court takes the "spririt" of the law into consideration depends on how stricly you want to interpret it. Just thank god Robert Bork is there now.

      --


      To make laws that man cannot, and will not obey, serves to bring all law into contempt.
      --E.C. Stanton
    5. Re:That's actually relevant. by TotallyUseless · · Score: 2

      Yes, you are correct. After further reading on my part, it would seem the retroactive part is plainly unconstitutional. Striking down one part of the act will not affect the rest of it unfortunately. As far as whether the irony is relevant or not, I'm not sure I would agree with you. I am hoping that possibly the fact that Disney pushed this will help to point out the fact that this greatly harms the ability to create new works from old material. Time will tell I guess.

      --

      Time for some tasty Shiner Bock!
    6. Re:That's actually relevant. by rgmoore · · Score: 1
      Striking down one part of the act will not affect the rest of it unfortunately.

      At least according to Lessig, this is incorrect. He claims that the law, as written, is not explicitly severable (i.e. that it doesn't explicitly state that the rest remains in force if one part is struck down) and that that it isn't even implicitly severable (i.e. that if one part is struck down it necessarily takes the rest down with it). The first part is a matter of record, and I'd assume that he can't just go out and make a bold faced lie on that point, but I'm not so sure about the second, either.

      --

      There's no point in questioning authority if you aren't going to listen to the answers.

  53. The Supremes by Anonymous Coward · · Score: 0
    With any luck, the Supreme Court will choose the "road less traveled"

    Like they picked the road less voted?

  54. Legal system by hackwrench · · Score: 0, Redundant

    If the legal briefs said vs DOJ then I'm sure that Slashdot would say vs DOJ, but they don't, they say vs Ashcroft.

  55. Repeated extension flies in face of limited Times by yerricde · · Score: 2

    Copyright terms are still "limited", they're just a hell of a lot longer than they were 200 years ago.

    A 19-year extension in 1978 (56 to 75 years). A 20-year extension in 1998 (75 to 95 years). If Congress continues to pass a 20-year extension every 20 years, it exploits a loophole in the Constitution to create what amounts to "perpetual copyright on the installment plan," as some legal scholars have put it. You call that "limited"?

    --
    Will I retire or break 10K?
  56. Re:Eldred is very stupid. by TheOldFart · · Score: 1

    Well... this is sort of the other way around. This extension was given exactly so Disney could keep the copyright over their characters. Not wanting to argue the validity of the extension, what bothers me is the fact big business is changing the laws with no regards to the general public. The government is, after all, representative of the people, not the few large corporations.

  57. Devil's advoacte by yerricde · · Score: 2

    Don't get me wrong; I hate the Bono Act as much as anybody else here. But I still can't resist the urge to play devil's advocate:

    Gershwin's estate can't do anything for progress

    Wrong. The royalties from "Rhapsody in Blue" help pay for the education of those named in Gershwin's last will and testament, so that they can go to music school and eventually continue to produce new musical works.

    The retroactive portion of the CTEA really pushes the outside of any reasonable definition of "limited".

    According to a mathematician, infinity is still a limit. Positive infinity is the limit of 1/x as x approaches 0 from the positive side.

    --
    Will I retire or break 10K?
    1. Re:Devil's advoacte by John+Miles · · Score: 2

      Wrong. The royalties from "Rhapsody in Blue" help pay for the education of those named in Gershwin's last will and testament, so that they can go to music school and eventually continue to produce new musical works.

      Another point of view: at some point, it's time to quit coasting on Daddy's legacy and either do something cool yourself, or get a real job.

      --
      Dahlmann tightly grips the knife, which he may have no idea how to use, and steps out into the plain.
    2. Re:Devil's advoacte by Alsee · · Score: 5, Insightful

      But I still can't resist the urge to play devil's advocate

      In that case I'll just play devil swatter, chuckle

      The royalties...help pay...to produce new musical works.

      True, in that manner it could promote progress. I can't find the link at the moment, but I'm pretty sure that is "an unearned transfer of money by government fiat". Better known as a tax. I think it doesn't fly for that reason.

      According to a mathematician, infinity is still a limit.

      While I often bemoan the fact that there isn't a single scientist, programmer, or mathematician in the entirety of the US government, that works to our benefit in this case. The word "limited" is present, and for legal purposes it is required to be interpreted in a reasonable and MEANINGFUL sense. If it had no effect then they wouldn't have bothered including it.

      There is absolutely nothing in the constitution to say exactly what the meaning of "limited" is, and unless they can dodge the question the court has no recourse except to substitute their own best judgement. They get to define it any way they like. On this point we can toss the lawbooks out the window, it's all about getting the judges to be sympathetic to our position.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    3. Re:Devil's advoacte by Anonymous Coward · · Score: 0

      Wrong. The royalties from "Rhapsody in Blue" help pay for the education of those named in Gershwin's last will and testament, so that they can go to music school and eventually continue to produce new musical works.

      These royalties are just as likely to promote taking a vacation waterskiing at lake Tahoe as they would are promote someone to go to music school. Unfortunately the law says to promote the progress of science and useful arts.

      You are right that Gershwin's estate can do something for art. But what if all the heirs went into road construction? How does giving them money promote art?

      On a side note, The constitution says why there should be copyrights. But where does it say why it should be limited? Without that definition of why how do you determine what to set the limit to?

    4. Re:Devil's advoacte by Saeger · · Score: 1
      Not all Trustfund babies grow up to be useless SOBs. Just most.

      --

      --
      Power to the Peaceful
    5. Re:Devil's advoacte by rgmoore · · Score: 2, Interesting
      There is absolutely nothing in the constitution to say exactly what the meaning of "limited" is, and unless they can dodge the question the court has no recourse except to substitute their own best judgement. They get to define it any way they like. On this point we can toss the lawbooks out the window, it's all about getting the judges to be sympathetic to our position.

      Which means that retorical skills are going to be at a premium. The judges are going to be making a decision based on the quality of the arguments that are put before them, so having a convincing argument may be more important than one that necessarily hits the legal fine points. One strong analogy could be worth more than 10 pages of case citations.

      --

      There's no point in questioning authority if you aren't going to listen to the answers.

    6. Re:Devil's advoacte by Anonymous Coward · · Score: 0

      > According to a mathematician, infinity is still
      > a limit.

      Actually, when speaking of infinity, you must specify which infinity.

      The infinite set of real numbers is infinitely larger than the set of integers (which is the same as the set of natural numbers and rational numbers.) Indeed, the power set of any infinite set is infinitely larger.

      Thus there is no "largest" infinity, and we aren't talking about just "adding one" here.

  58. Re:Whats wrong with this law? by Ed+Avis · · Score: 2

    There's also the point that the exclusive rights are secured *to the authors* for a limited time. Now that does not preclude the author from selling this right to a publisher. But the extension of copyright does not grant anything to the author, who is dead. Perhaps the descendents of the author could sue the publisher, saying that when the author sold his copyright interest he received payment for the 50 years (or whatever) outstanding, but never received any payment for these extra years which Congress is creating. Instead of the 20 years accruing to Disney or whoever, they should be granted to the authors' descendants.

    (If copyright extension is to be granted at all, which I'd hope not - giving extra monopolies to descendents of long-dead authors is a sucky idea and not really any better than subsidizing Disney.)

    --
    -- Ed Avis ed@membled.com
  59. Re:Whats wrong with this law? by dreamword · · Score: 1
    The idea is that exclusive rights = $$, and that this will always be true. The amount of $$ certainly diminishes, but granting an extra 20 years of exclusive rights on top of the 70 already granted represents some amount of additional money for the copyright holders.


    The more money one expects to get by doing something, the more likely one is to do it. So by adding to the term length prospectively, Congress is making it more likely that people will create, since they have an added financial incentive to do so.

  60. Changing the facts to fit the theory by Safety+Cap · · Score: 3, Funny
    Quiet, you!

    Do not introduce the chaos of factual numbers into the discussion!

    --
    Yeah, right.
  61. Pro Bono? by yerricde · · Score: 1

    It's commonly called the "Bono Act" for short because that's easier to say orally than "CTEA".

    That's why the term "pro bono", meaning volunteer legal work, has become confusing over the last few years. It comes from Latin words that literally mean "for the good" of the public.

    --
    Will I retire or break 10K?
  62. Re:These are not COINCIDENCE??? by Anonymous Coward · · Score: 0

    Sonny Bono gets a Copyright law passed that will extend the term that Scientology can attempt to keep knowledge of their sham from the general public.
    The CTEA passed in 1998 directly benefits Scientology and is a very bad law.
    Unbelievable.

  63. Re:Whats wrong with this law? by Raul654 · · Score: 2

    While I agree with your cause, your statement is wrong. Sorry if this is nitpicking, but when it comes to legal semantics, you want to be as precise as possible.

    Works can enter the public domain 2 ways -

    1) Authors can wave it at anytime before it expires (and this does happen a lot, just check out the baen free library).

    2) Works continued to enter the public domain (via expired copyrights) up until the first of a series of copyright extensions in 1961. The statement "Nothing written within 50 years of my being born has had its copyright expire" would be correct, but yours is not.

    --


    To make laws that man cannot, and will not obey, serves to bring all law into contempt.
    --E.C. Stanton
  64. Re:"Road Less Traveled" by IKEA-Boy · · Score: 1

    It refers to a beautiful poem by Robert Frost: The road not taken.

  65. Re:Whats wrong with this law? by evilWurst · · Score: 1

    The copyright length has exceeded the human definition of limited - that is, lifespan. Assuming I live my full expected lifespan, and author X dies decades too young, it is not only possible but extremely likely that works created even ten years before my birth will not enter public domain before I die. (Author's birth at 0, work created at 20, I'm born at 30, author dies at 45, i die at 110, work enters public domain at 115 ASSUMING no greater extensions).

    Because of the extension is retroactive, any US citizen age 35 or younger is going to have the same problem...they'll be dead before copyrights granted before their birth finally expire.

    To us, there are NO limits on copyright.

  66. Why Congress passed it: Supply and demand by yerricde · · Score: 2

    So how does granting exclusive rights to dead people help promote science and useful arts?

    The Gershwin estate's royalties on "Rhapsody in Blue" pay for the Gershwin kids' music school.

    The real reason why Congress passed the Bono Act, if you're willing to ignore bri^W campaign contributions from DisneyCo and Time Warner, is that the European Union had recently harmonized its copyright law based on German law, which gave a life plus 70 year term, and American authors were threatening to become permanent residents of Europe. Congress didn't want a significant artistic brain drain, so it did what any competitive firm would do in such a supply-and-demand situation: it increased how much it was willing to pay (measured in years of monopoly) for works, to compete with what Europe was offering.

    That's why I'm not buying Square's Disney-licensed RPG Kingdom Hearts, even if I do get a PS2 before the PS3 comes out.

    --
    Will I retire or break 10K?
    1. Re:Why Congress passed it: Supply and demand by mike_the_kid · · Score: 2
      First off, suppose I publish a work as a resident of Germany, and it has a certain copyright term of x. The US has a copyright term of y, where y So how does granting exclusive rights to dead people help promote science and useful arts?

      The Gershwin estate's royalties on "Rhapsody in Blue" pay for the Gershwin kids' music school.


      This has two facets I don't like. For one, Gershwin's kids have as much right to benefit from Gershwin's work as the general public. If he wanted it to benefit only them, he should not have published it.

      Second, the point of promoting science and the useful arts is to increase the scope and value of the public domain. This is tied fundamentally to the idea of the "commons", which I would be speaking out of school on if I continued. Since this is Slashdot though, the idea is that there are things that should benefit everyone and be free. This domain (be it physical, such as the commons in a town where people could let their animals graze, or the public domain) has been persistantly encroached upon since it was created.

      At this point in time, the public domain has ceased growing, and so its usefulness is shrinking as the public grows.
      --
      Troll Like a Champion Today
    2. Re:Why Congress passed it: Supply and demand by Anonymous Coward · · Score: 0

      Is it about enhancing the public domain body of work per se, or about increasing the production of works, which is important independently of whether the works are public domain or not?

      Is Britney's album important because it increases the number of works, or only because it will eventually get into the public domain?

  67. Re:Whats wrong with this law? by macdaddy357 · · Score: 2

    "Limited time" is terribly vague, but "To promote the Progress of Science and useful Arts," is clear. Extending copyright so that a corporation which did not create a work, can continue to rake in bucks, and prevent artists from producing similar works, does not promote the progress of Science and the useful Arts It stifles those things. Arguing this point may serve the public domain better than arguing over what "limited time" meant.

    --
    How ya like dat?
  68. I think of M. Scott Peck by yerricde · · Score: 1

    Er... maybe you should re-read the poem. The last stanza in particular. That's where the quote comes from.

    Except the phrase "The Road Less Traveled" is more closely associated with Dr. Peck than with Robert Frost.

    --
    Will I retire or break 10K?
  69. corrections and 'apology' by evilWurst · · Score: 2, Interesting

    I'm sorry, I was calculating based on life+70 years, but I've seen some other posts assuming life+90. In that case, not only will most citizens never see the freedom of works made before their birth, most citizen's CHILDREN will never see those works either.

    Can you imagine walking into a store in your 60s and paying $18 (2002 equivalent, scale for inflation) for some music that was copyrighted before your parents were born? Does that fit your definition of "limited copyright"?

    Again, sorry for replying to myself.

    1. Re:corrections and 'apology' by Anonymous Coward · · Score: 0
      I've seen some other posts assuming life+90.

      Copyrights held by corporations last for 90 years after creation (equivalent to an individual creating something and dying 20 years later).

  70. windfalls are not an incentive to invest by stevenj · · Score: 5, Insightful
    By extending copyrights, congress is allowing large copyright holders to continue generating revenue from old works. The copyright holders then invest that revenue in new marginal and high risk works.

    There is an amicus brief by 17 economists (including Nobel prizewinners) explaining why that argument is wrong, and also refuting other supposed incentives for new works from copyright extensions. (In fact, they argue that copyright extension forms a disincentive to new works by expanding the monopoly on building-block materials.) An excerpt:

    One might argue that the windfall to authors of existing copyrights has a positive consequence, by providing them with more resources for additional creative projects. However, this argument ignores the profit maximization decision of a producer, which takes into account the producer's cost of capital for a given investment. In general, a profit-maximizing producer should fund the set of projects that have an expected return equal to or greater than their cost of capital. If a producer lacks the cash on hand to fund a profitable project, the producer can secure additional funding from financial institutions or investors. If the producer has resources remaining, after funding all the projects whose expected returns are higher than the cost of capital, this remainder should be invested elsewhere, not in sub-par projects that happen to be available to the firm. If a producer pursues the same set of projects in any event, then its incentives will not be improved from the mere fact of a windfall from consumers.
    --
    If a thing is not diminished by being shared, it is not rightly owned if it is only owned & not shared. S. Augustine
    1. Re:windfalls are not an incentive to invest by grahammm · · Score: 1

      How will it benefit authors? Copyright already lasts for the life of the author plus an additional period. So an extension of this period will only benefit the author's estate or owning corporation.

  71. Re:These are not COINCIDENCE??? Crazy?? by Anonymous Coward · · Score: 0

    I don't think so. The cult depends very heavily on copyright law and uses it whenever it can to ruin people that print excerpts of their manuals. Anything that strengthens copyright law strengthens scientology.

  72. Yes, because you have no bananas. by yerricde · · Score: 5, Informative

    Quite being lazy and write your own book.

    For books, that may be possible, but for musical works, I'm not so sure. The standard for copying under United States copyright law is substantial similarity, and courts have found that matching four notes of another song's hook is more than enough to make one melody substantially similar to another (Handel v. Silver). To match four notes, given that what key they're played in is irrelevant, you have to match the pitch interval from one note to the next, and the time interval from one note to the next. There are fewer than 50,000 possible melodic hooks (read this page for details).

    So how is it possible to write a song without stepping on somebody else's copyright?

    --
    Will I retire or break 10K?
    1. Re:Yes, because you have no bananas. by Anonymous Coward · · Score: 0

      Nobody said you had to use the standard 12-tone scale...

  73. Re:Whats wrong with this law? by Jeremi · · Score: 2
    So if they extended it to 1000 years, it would still be constitutional?

    Sadly, yes.


    I think the Supreme Court will agree that the writers of the Constitution meant "limited" in the human sense, not the mathematical sense.

    --


    I don't care if it's 90,000 hectares. That lake was not my doing.
  74. Oops, my bad. by Anonymous Coward · · Score: 0

    I just noticed that it isn't circular, the key being "existing works". My bad.

  75. Larry Lessig is a threat to Scientology by Anonymous Coward · · Score: 0

    He will be dead within the year.
    Is that clear?
    He is now fair game. an SP

  76. How do you do that? by Anonymous Coward · · Score: 0

    How do you post with no text in the body?

  77. If I remember correctly.... by xA40D · · Score: 2

    If I remember correctly, I was taught the copyright laws were there to allow the creator of "some thing" to prevent big faceless corporations from making a mint without passing along some of their good fortune.

    It seems to me that copyright laws are becoming a a method of allowing big faceless corporations to screw the public out of as much money as possible.

    The government counters that the 1998 Act promotes the arts by protecting their economic value, thereby fostering greater incentives to create.

    What a load of fetid dingoes kidneys. I've never met anybody with a creative flair who does it for the money.

    --
    Do you mind, your karma has just run over my dogma.
  78. Re:Eldred is very stupid. by Jeremi · · Score: 2
    he government is, after all, representative of the people, not the few large corporations.


    The politicians represent those who get them elected into office. These days, the main thing it takes to get elected is wads and wads of cash. Do the math.... ;^)

    --


    I don't care if it's 90,000 hectares. That lake was not my doing.
  79. Use some HTML tags by Anonymous Coward · · Score: 0
  80. Re:Whats wrong with this law? by rgmoore · · Score: 5, Insightful
    It extended the law by set amount of time, not indefinately, which means that the "limited time" clause is still literally true.

    Lessig actually had a very interesting counter-argument for this point. His argument was that in a legal sense, limited means not only finite but also for a fixed time. If you allow retrospective extensions, the time is no longer limited because it can be extended indefinitely. He argues from a standard legal position, that when a lawyer is given an extension for his case, the time is no longer limited. I'm not sure if that's actually a standard usage, but if it is then it's a very strong counterargument.

    --

    There's no point in questioning authority if you aren't going to listen to the answers.

  81. Life + 70, except for the installment plan by yerricde · · Score: 1

    I was calculating based on life+70 years, but I've seen some other posts assuming life+90

    It is life+70. But in 2018, Disney will buy yet another extension law from Congress, and it will be life+90. And in 2038, Disney will buy another law...

    --
    Will I retire or break 10K?
  82. Marxism rocks! by Anonymous Coward · · Score: 0

    Well, since we are a marxist state all ready, don't waste your time opposing this like world-wide health-care and free immigration for all.

  83. How can they do this? by Anonymous Coward · · Score: 0

    Don't they know that revising the extension on copyrights is going to hinder the war on 'Terrah'?
    Them unpatriotic commies!

  84. A bushel and a... by yerricde · · Score: 1

    The words "road less traveled" do not appear in Frost's poem, rather "the one less traveled by". On the other hand, The Road Less Traveled is the title of a book by Dr. M. Scott Peck.

    --
    Will I retire or break 10K?
  85. http://randomfoo.net/oscon/2002/lessig/free.html by dpete4552 · · Score: 1

    http://randomfoo.net/oscon/2002/lessig/free.html

    --
    http://www.archive.org/details/ThePowerOfNightmares
  86. Clinton signed the CTEA into law in Oct. 1998 by Anonymous Coward · · Score: 0

    It figures. IRS grants scientology Tax-exempt status 1993.
    CTEA 1998
    Talks with Germany to loosen up laws against scientology.
    bono was a scientologist by the way.

  87. This is a test (NT) by Anonymous Coward · · Score: 0
  88. There certainly is a quid pro quo by abe+ferlman · · Score: 2

    It's just that this time it's between Disney and Congress.

    The fact that we have to expend so much time and effort just to get the legal system to recognize such an obvious injustice points back to the fact that the government is in need of fundamental reform. Get the money out of campaigns and the courts would never have to entertain such a travesty.

    --
    microsoftword.mp3 - it doesn't care that they're not words...
    1. Re:There certainly is a quid pro quo by Anonymous Coward · · Score: 0

      Vote for people who will remove the money from the campaigns and maybe things will change.

      But as long as people either don't vote or support the demopublicans things will stay exactly the way they are.

  89. Re:Eldred is very stupid. by alangmead · · Score: 4, Interesting

    Remember that Mickey Mouse is also a trademark of Disney, and that Trademarks do not have the same expiration requirements that copyrights have. Disney could use their trademarks to prevent new works from being made with Mickey Mouse or Goofy's likeness.

  90. Re:Whats wrong with this law? by Anonymous Coward · · Score: 0

    To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective
    Writings and Discoveries;

    The fact that it makes no mention of the heirs can be taken to mean it shouldn't extend beyond the lifetime of the author

  91. how is this insightful? by commodoresloat · · Score: 2

    The commenter obviously didn't read the story, much less the articles linked to it. The Supreme Court may or may not vote that Congress overstepped its boundaries. This has nothing to do with MS or oil companies. The poster's expression of disdain (same old same old) assumes that the Supreme Court will answer to the same pressures as our elected representatives - it's possible, but it remains to be seen.

  92. Re:THIS WAR IS GOING TO RULE! by Anonymous Coward · · Score: 0

    Well those 19 year olds could try to be like Bob Kerrey, who went to vietnam and had his soldiers BLOW AWAY A VILLAGE OF WOMEN AND CHILDREN and then get rewarded with a MEDAL OF HONOR, then come home and BECOME A SENATOR.

    Gee i wonder why we don't want an international war crimes court...

    oh ya that's right BECUASE THE UNITED STATES AND ISRAEL WOULD ACTUALLY HAVE TO FACE JUSTICE.

    we wouldn't want that now would we.

  93. Spin by Anonymous Coward · · Score: 2, Interesting

    How can the parent post be modded as "Informative"?!
    It's nothing but a slanted, myopic and imbalanced view of economic policy that quite delibrately ignores all evidence except that which supports the author's point-- that all Democrats are "Marxist". (Do I hear a McCarthy-esque "Communist!" witch-hunt in the offing?)

    I'm going to try to keep my disagreement civil, and point out the actual context in which the prior poster cited the Democrats' Marxist planks. Here goes:

    1. Abolition of private property and the application of all rent to public purpose.

    You cite the War on Drugs as simply a Democratic excuse for the government to appropriate property for the purpose of a more centralized society. Go ahead and do the math for me, and tell me what percentage of land in the US is owned by the public... that's right, I thought so. Furthermore, you may note also that the War on Drugs was most strongly persecuted by a Republican administration (Reagan in the 80s... remember D.A.R.E?) So I hardly think that it can all have been part of some Democratic Marxist master plan.

    2. A heavy progressive or graduated income tax.

    Again, go check your numbers. The US has one of the lowest tax rates among industrialized countries... witness all the European countries as examples of how much wealth the US government leaves to individual industrialists. Furthermore, in a Marxist system the progressive/graduated income tax is used to redistribute wealth from the rich to the poor. And don't even give me some crock about welfare... we spend a large portion of our collected income tax on a) making the giant bureaucracy that runs our country work, and b) national defense. Again, your skewed interpretation of the facts betrays little knowledge of where your tax money actually goes.

    3. Abolition of all rights of inheritance

    Here, I have to admit you have a valid point. Inheritance rights have eroded somewhat in the form of higher inheritance taxes and such. However, you'll note that one of the planks on which Bush ran was the reduction of the inheritance taxes. Of course, he hasn't been able to push that through Congress because nobody else wants to alienate all of the voting masses who DON'T have an inheritance. Democracy's a bitch, eh?

    4. Confiscation of the property of all emigrants and rebels

    You cite the 1997 Crime/Terrorist bill as an example of Democratic repression... may I use the USA PATRIOT act as a counter-example? I can hardly think of any such repressionistic law in our nation's history... and it was passed into law by a Republican administration. With regard to property seizure by the Department of Urban Development, well, I bet you certainly enjoy the convenience of having a superhighway to get from City(A) to City(B). Don't kid yourself; without property seizue by the government (beginning way back in the Eisenhower administration, BTW- was he a Democrat? Nope, sorry...) those superhighways wouldn't be there.

    5. Centralization of credit in the hands of the state, by means of a national bank with state capital and an exclusive monopoly.

    Again, you clearly misinterpret the function of one of our most important economic institutions. The Federal Reserve's job is to print our national currency and set the rate at which it is lent to the biggest banks. It is the glue that holds our nation's economy together. Can you imagine if every state printed it's own money? They used to do so, a couple hundred years ago. Would you like to have to change a Virginian dollar for a New York dollar? What would the exchange rate be? What would happen when your Montana money was worth less than you thought it would be in Vegas? Would you try your luck in California? As for the Fed's role as the instrument of monetary policy, look at the effects of runaway inflation on some countries in South America and tell me you're not happy to have Greenspan up in that room agonizing over how to set interest rates. Or maybe you'd rather pay $4,576.82 for a loaf of bread tomorrow?

    6. Centralization of the means of communication and transportation in the hands of the State

    Maybe you forgot that the government SUBSIDIZED those railroads? That they wouldn't exist if it weren't for the millions of dollars that the government spent to persuade private companies to install them? I should think they have some right to regulate them, since they initiated their construction in the first place. And perhaps you didn't realize this either, but the telecommunications industry is a monopoly-based one... the only kind of company that can survive is the one that owns ALL the lines and equipment because only then is it cost-effective to route phone calls and data signals across the entire nation. The FCC exists to keep Verizon (or whomever your local telephone provider is) from ass-raping you on your phone bill. Don't start making stuff up about how the FCC own and control all telecommunication in our country; they don't own a damn thing and all they do is provide some regulations so the giant phone and TV companies don't bleed their customers dry and interfere with each other's air frequencies. If it weren't for the FCC, you'd pay $1,000/month for telephone service and television and radio as we know it would not exist because any local jock could simply use the airwaves for whatever he felt like. (You don't have to like the TV/Radio industries, but you can't deny that we all are better off than we would be without them...)

    7. Extension of factories and instruments of production owned by the State, the bringing into cultivation of waste lands, and the improvement of the soil generally in accordance with a common plan.

    Here you rattle off a lengthy list of all sorts of government organizations that apparently, in your mind, regulate and control industries in accordance with a common plan. What common plan would that be? The organizations you mentioned all exist basically to rubber-stamp documents okaying corporations plans for industry. The only substantive article under the purview of most of those departments you mentioned is the ability to require an environmental impact study... maybe you'd rather they simply began logging the woods behind your house and dumping in your well without one? Do you really believe that all of those alphabet-soup type organizations are actually part of some Stalinist Five-Year Plan? Come on... for a while, you were raising interesting points, but that just makes you sound like some lunatic conspiracy theorist type, (are you?) and does nothing at all to illustrate your point, (which was, I believe, that the Democratic party is a bunch of Marxist constitution-shredders, right?)

    8. Equal liablity of all to labor. Establishment of Industrial armies, especially for agriculture.

    Okay, now you've drawn a connection between the national debt and your own individual personal debt. This is a common fallacy... there is none. The national debt has been growing since around 1820, IIRC. Personal debt has only become a problem in the last ten years with the growing availability of credit cards to anyone with a pulse. In fact, the last time our country wasn't in debt, the greatest depression of the pre-Civil War era immediately followed. While some would argue the point, such great economic leaders of our country like Alexander Hamilton believe that a controlled national debt was essential to keep the economy functioning. (You do know that he was one of the founding fathers and the very first Secretary of the Treasury, right?) That was wayyy before Marx, by the way...

    And you seem to somehow associate the DESIRE of women to work (remember the whole equality of the sexes movement in the 70s?) with the Marxist Democrats, as well. I hate to break it to you, but those feminists, man, they want to work... they want the right to be drafted... it's an equality thing. If you want to tell them that they can't have total equality with men because it's too "Marxist", well then be my guest... personally, I'd rather not get kicked in the balls by my girlfriend, though. I wish you the best of luck in that one.

    9. Combination of agriculture with manufacturing industries; gradual abolition of the distinction between town and country by a more equable distribution of the population over the country.

    You cite a bunch of random-ass laws and don't say what their effect has been. You're suggesting that these zoning acts have been enacted to redistribute people evenly around the country and this somehow ties in with Democratic Marxism. Except that you might want to note that the Democratic power base is actually mostly located in cities (especially Californian cities & New York, Boston, etc.). Why on earth would they want to break up their biggest electorate and distribute them to rural districts all across the country?

    Oh, and that whole nexus of agriculture and manufacturing... that's called the Industrial Revolution, and it, too, started well before Marx did. It's what puts food on your table every night and gives you time to post on Slashdot rather than growing it all yourself. And you can't blame the Democrats for that. (You can blame some guy from England who smuggled over some blueprints for the first textile mill in the 1800s, though, if you want to go back in time to yell at him or kick his ass, maybe.)

    10. Free education for all children in government schools. Abolition of children's factory labor in its present form. Combination of education with industrial production, etc. etc.

    If you want to complain about the public education system, then complain that it's not educating our children ENOUGH to become good democratic citizens. Don't complain about it's existence and chalk it up to some Marxist conspiracy. Or do you really believe that individual parents are capable of educating their children well enough to become productive citizens in today's economy? Most parents want their children to go FARTHER than they did in life... the next rung of education, a higher position in life, call it what you will but you can't go any farther than your Dad if he's the only one teaching you.

    I normally don't post at all, but I felt your comments were so off-base and clearly biased, slanted and unbalanced (and I was so infuriated that they were moderated "Informative"!) that I felt compelled to respond. I hope to read your counterarguments soon. (Don't just be lame and flame me because I disagree with you!)

    -d

  94. Government's position flawed by dh003i · · Score: 5, Insightful
    Another slashdot user posted a summary of the government's defense of the CTEA. Unfortunately, every one of the government's points is completely invalid.
    1. By extending copyrights, congress is allowing large copyright holders to continue generating revenue from old works. The copyright holders then invest that revenue in new marginal and high risk works.
    Please. How much profit can be generated from something 70 years ago? On the scale things today, its next to nothing, if anything at all. And there's no gaurantee that even if they do profit, they'll use that profit to invest in the creation of new works. If the government is to make a point like this, it should be the rule, not the exception. It is the rule that the vast majority of copyright holders will not make either trivial or no profits from this; and its heads or tails as to whether they'll use it to invest in new works.
    2. Historical practice confirms that "Limited Times" does not mean a single, inalterable, limited time. Every single copyright extension has extended the copyright of existing works.
    Historical practices also confirm that we should enslave African Americans and burn witches at the stake. The point? Simply because something was done in the past does not make it proper or constitutional. The USSC ruled that it was constitutional for our government to keep innocent Japanese citizens locked up in camps without due cause; that hardly made it constititutional. In short, this is an is-ought fallacy. This is the way things are/were, so this is the way they should be. Anyone that buys this argument shouldn't have passed law-school.

    Lets just look at what it says and obviously means, "Limited Times". Meaning that eventually, the copyright will expire. If congress continues retroactively extending the lengths of copyrights, then copyrights will never expire and works will never enter the public domain, as has been the case for decades; works should be entering the public domain continuously. Also, I highly doubt the founding father's meant "Limited Times" to mean life + 75 years. A long copyright term is effectively indefinate from our perspective; Limited Times does not mean its constitutional for Congress to extend copyrights retroactively to last a millenium. For one thing, thats an infinite copyright term from the perspective of us mortals; for another, even shorter terms like 100 years may be effectively infinite, as we have no gaurantee the US will even exist in 100 years.
    3. The CTEA's application to existing works increases incentives for copyright holders to restore and disseminate their works.
    Firstly, this incentive is minimum since there is hardly no profit in it at all. From a profit perspective, author's time would be better spent creating new works, as opposed to restorign old one's. In fact, its undesireable that authors devote considerable time to restoring work; think of what Lucas could have done if he hadn't wasted his and our time making his miserable revised Star Wars IV, V, and VI?

    Secondly, without the CTEA, many many other people would restore these works and publish them (the works being public domain). People would do it for free, as Project Gutenberg would have done. There is a stronger net motivation for all of us to restore an old work, because we care about artistic merit; than for the typical author, because (s)he's concerned with doing something profitable.
    4. The CTEA's impact on international trade promotes progress in the United States.
    That's so vague and unsubstantiated that responding to it is impossible. However, I doubt the CTEA will have any significant impact on international trade.
    5. The CTEA is not part of a string of infinite expansions, but rather a means to harmonize copyright with the European Union. "In an era of multinational publishers and instantaneous electronic transmission, harmonization in this regard has obvious practical benefits"
    Firstly, history shows this is part of a string of a series of infinite expansions; this is but the latest retroactive copyright extension. Why should we trust what congress says? In 70 more years, they'll pass another extension act to "harmonize" with Europe and again make the same absurd claims. In short, we can't take Congress at its word that this isn't one in a series of infinite expansions. Secondly, this harmonization stuff is bullshit. Simply because Europe does things backwards, so should we? If Europe extends copyrights to last a million years, we should do so as well for the sake of "harmonization"? This is obviously another fallacy -- ad-populum. Simply because something is popular (i.e., unreasonably long copyright terms) does not mean it should be adapted. This is like saying "we should steal and lie and cheat because everyone else is doing so and if we don't we'll be taken advantage of"; this is hardly a moral justification, but rather a rationalization. Its essentially saying two wrongs make a right. -1 + -1 somehow equals +1 according to the government; no, it equals -2.
    6. If the CTEA is limited in regards to future works, it must necessarily be limited as it applies to existing works as well.
    Considering the CTEA singly, yes. However, the CTEA must be considered together with all of the other copyright extensions; a work has not entered the public domain in decades. Clearly, Congress will continue extending copyrights retroactively forever, or until Disney stops lobbying them to (w/c is never).
    7. Thomas Jefferson signed the 1808 and 1809 patent term extensions into law, and James Madison signed the 1815 patent term extension into law. Thus the nation's founders never meant "limited times" to mean "unalterable limited times".
    Yes, but i doubt that those extensions were retroactive. Furthermore, they would be mortified at the latest trend of retroactive extension after retroactive extension. Jefferson and Madison never wanted there to be an entire decade where no works entered the public domain.

    Again, this is another fallacy. I don't know what the name of this one is, but in effect its "I'm right by association". Because famous/admired/etc figure X agrees with me, I must be right.

    Essentially, Congress is on a slippery slope to what is effectively infinite copyright terms, from our perspective. They have continually retroactively extended copyrights; the pattern is clear, and its safe to infer that in another 70 years, they'll pass another piece of legislation like the CTEA. Its true that a slippery slope is a fallacy if unsupported. However, in light of obvious trends and other evidence, its not. We see slippery slopes everywhere. Look at computer programming; code has steadily gotten sloppier and sloppier. Look at university tuitions, which have continually been increased year after year, the increases being far in excess of inflation; not so long ago, $10,000 got you into the most expensive colleges; now, its $30,000. Its safe to say that at some point in the future (probably soone than we imagine), it'll be $100,000. Similarly with congress and copyright exetensions. Congress has always found some pathetic faulty reason to retroactively extend copyrights; they will continue to do so unless stopped by the courts.

    Aside from that, there is somthing fundamentally wrong and (I argue) unconstitutional about retroactive laws. In the case of criminal laws, its clearly a violation of people's rights; its obviously a violation of people's rights if congress illegalizes cigaratte smoking and then arrests all the people who've ever smoked a cigaratte in their life. In the case of copyright extensions, it is essentially the government renigging on an agreement with the people. Basically, copyright laws are an agreement between the people, the government, and copyright holders that "we the people will pay taxes to support your copyright rights, and will pay for those works according to market price while they're protected; in exchange, in X years, those works will fall into the public domain". What the government's doing is continually changing both the scope of copyright protection, and the duration, retroactively; it would be like me writing up a contract with you saying that you'll pay me $500 to do something, and then -- without your consent -- changing that figure to $1,000.

    My argument is essentially that (1) In all cases, retroactive laws are unconstitutional; (2) Copyright protections of Life + 70 years are effectively unlimited from the public's point of view, as no one will life the life of an author plus 70 years.
    1. Re:Government's position flawed by Anonymous Coward · · Score: 1, Funny

      think of what Lucas could have done if he hadn't wasted his and our time making his miserable revised Star Wars IV, V, and VI

      Ummm... he could already be done with his miserable Star Wars III, following the equally miserable Star Wars I and II?

    2. Re:Government's position flawed by kindbud · · Score: 2

      Again, this is another fallacy. I don't know what the name of this one is, but in effect its "I'm right by association". Because famous/admired/etc figure X agrees with me, I must be right.

      That would be the Appeal to Authority fallacy, which is a sub-type of the Changing the Subject fallacy. It is not appropriate to appeal to authority when the experts in the field are in disagreement.

      --
      Edith Keeler Must Die
  95. Re:Get Your War On by Anonymous Coward · · Score: 0

    Well to qoute Bush II speaking about saddam "This is the same madman that tried to kill my daddy, he needs to be held accountable" I wish that wasn't a real quote, but no that is really what he said.

    So i guess the war in iraq is just a big game of family fued where the winner gets a lot of oil and the loser instead of getting the play at home version gets blown the fuck up.

    yeeehaaawww doggies!

  96. Re:Get some PRIORITIES! by Anonymous Coward · · Score: 0

    And you assume posting retarded comments on an internet board helps these dead people?

  97. another perspective by Erpo · · Score: 1

    As I see it, the question that's being asked is: "Does the retroactive extension of copyright promote the progress of science and useful arts?" I think the obvious answer to that question is no - there's no sense in securing income for dead people, but the copyright clause in the constitution just says what congress can do, not what they have to do or even are fobidden to doing the opposite of. From this perspective, it doesn't seem like it's very likely that Eldred v. Ashcroft will turn out well for consumers.

    But there's another way to look at it. Congress is not specifically bound not to inhibit the progress of science and useful arts; however, if congress passes legislation repealing a law that inhibits the progress of science and useful arts, they are promoting the progress of science and useful arts. Isn't congress inhibiting the progress of science and useful arts when they extend the term of copyright to 70 years beyond the death of the original work's creator? If a company can sit around and get fat on old copyrights then they have a greatly reduced incentive to produce anything new. Wouldn't congress be promoting the progress of science and useful arts if they were to repeal the CTEA?

    1. Re:another perspective by dragondm · · Score: 2, Informative
      Erm, actually, It does say what they have to do, and are forbidden from doing the opposite of.

      It's a general Constitutional principal. The federal gov't is explicitly forbidden to do anything that the Constitution does not explicity say that it can do.

      --
      -- -- The Dragon De Monsyne
    2. Re:another perspective by Erpo · · Score: 1

      elastic clause

  98. yeah, all Democrats are communists by commodoresloat · · Score: 3, Funny

    And it's a good thing, too. Now, if you don't mind, I'm going to call Tom Daschle and Joe Lieberman to discuss plans for socialist revolution. I hear Lloyd Bentsen has a good blueprint for the violent overthrow of the government. And you should hear Al Gore wax poetic about the withering away of the state!

  99. Re:These are not COINCIDENCE??? by werdna · · Score: 2

    Sonny Bono gets a Copyright law passed that will extend the term that Scientology can attempt to keep knowledge of their sham from the general public.

    Coincidence, how? Bono died in January of '98. It is unlikely, no bizarre, to suggest that he fell on his sword for the faithful.

    The CTEA passed in 1998 directly benefits Scientology and is a very bad law.

    A truly staggering analysis.

  100. Re:Whats wrong with this law? by Scott+Wood · · Score: 1
    It may encourage the creation of certain works, but it also discourages the creation of others. As has been pointed out elsewhere in this discussion, many of Disney's films are derivative of works in the public domain. If those works had not been in the public domain, it would have served to discourage Disney from creating those works.

    Thus, it is far from clear that the net change in encouragement to create is positive with a longer copyright term.

  101. Re:Repeated extension flies in face of limited Tim by Anonymous Coward · · Score: 0

    Does the SC go with the letter or the spirit of the law? If the spirit of the law, then how does it define what is a "limited time"? If the SC rules that an arbitrary limit of X years meets the Constitutional mandate, then it is overstepping its bounds and actually legislating, something which Congress is supposed to do. The real problem is that Congress has been corrupted and has not been minding its own Constitutional duties, to pass laws which are in the spirit of the Constitution.

  102. Scientologist Suicide Bombers? by commodoresloat · · Score: 2

    I seriously doubt that's what the original poster was saying, but I love the idea!! L. Ron promises you 72 beautiful copies of Dianetics if you smash yourself into some trees to promote copyright law!

  103. Public domain by smiff · · Score: 1
    Nothing has entered the public domain this way in *decades.*

    Actually, works published from 1906 to 1922 entered the public domain from 1981 to 1997.

    1. Re:Public domain by Firethorn · · Score: 1

      Not really, because they had expired 19 years before, prior to the first extension. Before the extension in 1978, everything produced before 1921 became public domain. 1922 did expire in 1997, but nothing has been 'forcibly' expired since. And I'm not even sure about that.

      --
      I don't read AC A human right
  104. Re:Whats wrong with this law? by Anonymous Coward · · Score: 0
    I'm willing to concede a small period after death, just so the poor bastard's kids don't get stuck with three million copies of dead daddy's books that were just printed because daddy keeled over at the release party

    The kids could still sell the books, although perhaps at a loss. One reason to extend copyright significantly past an author's death is to remove the motive for murder.

  105. Re:KEEP DREAMING HIPPY by Anonymous Coward · · Score: 0
    Then, we're going to flatten Riyadh, then Tehran, and turn the whole damn place into a democracy.

    Ummmm, yeah, nothing like a democracy built on a piece of glass with no fucking people left!! Fucking moron.

  106. Re:Eldred is very stupid. by Herkum01 · · Score: 1

    It depends, If it is being used to indentify a product or a company then it can be trademarked. But that does not protect it from from being used in other ways. For example, Disney has several newly submitted trademarks HERE, and they mostly pertain to products, however that may prevent someone from making a Mickey Mouse line of clothes, that does not prevent someone from making a Mickey Mouse cartoon. Trademarks are unique identifiers for a line of products and/or services, but that does not keep people from working with it in some other line, whether they like or not.

  107. Re:Whats wrong with this law? by TotallyUseless · · Score: 2

    also remember that the copyright clock doesn't start counting down until the originator of the work is dead. Copyright law was meant to encourage new works by authors etc. When was the last time Robert Frost whipped out his pen and scribbled out a new poem for us all to enjoy?

    --

    Time for some tasty Shiner Bock!
  108. The audacity of Valenti! by naasking · · Score: 3, Interesting
    I can't believe he actually said this!
    "I am a great admirer of Larry Lessig," says Jack Valenti, Hollywood's master lobbyist. "But Congress has the power to say what 'limited' is. It's there, it's unambiguous. Fifty-five men in Philadelphia decided it, and there's no way a court can overrule that."

    Umm, I believe the courts can decide that something passed by congress is unconstitutional Jack. The courts can pass judgement on any law that comes before them and strike it down if they please.

    1. Re:The audacity of Valenti! by sconeu · · Score: 4, Funny

      Can we get the courts to declare Jack Valenti to be unconstitutional?

      --
      General Relativity: Space-time tells matter where to go; Matter tells space-time what shape to be.
    2. Re:The audacity of Valenti! by IndependentVik · · Score: 2, Funny

      Yea, we can use the argument that Jack Valenti is as dangerous to the Constitution as the Boston Strangler is to a woman alone.

      --
      I'd suggest you don't use Slashdot as your only news source, or you will suffer permanent brain damage.
    3. Re:The audacity of Valenti! by Malcontent · · Score: 4, Interesting

      Get GW to declare him an enemy combatant. Poof! Life in jail, no attorney, no charges, no case, no judge, no rights. Maybe the "interrogators" will confuse him for a taliban and take him on a "special ride".

      --

      War is necrophilia.

    4. Re:The audacity of Valenti! by epeus · · Score: 3, Interesting

      As I said on my weblog:

      Been there, done that, made the T-shirt.
      Lets look at it another way. Can you defend Hollywood movies as 'Science' or 'useful Arts'? Please enumerate their uses.

      Can you explain how coloured celluloid is 'writing or discoveries'?

      Constitutional literalism cuts both ways, Jack.

    5. Re:The audacity of Valenti! by Anonymous Coward · · Score: 0

      Well that should be easy enough to set up - glue a beard on him, stick a turban on his head and start calling him Al-Valenti and before you know it the goons will be breaking his door down.... (this is only partially a joke)

  109. Re:Whats wrong with this law? by jpt.d · · Score: 2

    Psuedo-Limited. As soon as the additions are likely to run out, they will add more.

    (o/t) The 1000 year thing - I highly doubt that the empire that is the United States will even be around in another thousand years. All states of greed and corruption will die eventually. Even if it remains the United States it must be in a different form. More like a world government will be there then (hopefully a good one)

    --
    What we see depends on mainly what we look for. -- John Lubbock Now search for that bug slave!
  110. IS NOT by Raul654 · · Score: 2

    Just thank god Robert Bork IS NOT there now. Holy crap, what a horrible typo to make.

    --


    To make laws that man cannot, and will not obey, serves to bring all law into contempt.
    --E.C. Stanton
  111. Re:Whats wrong with this law? by Firethorn · · Score: 1
    1) Authors can wave it at anytime before it expires (and this does happen a lot, just check out the baen free library[baen.com]).

    WRONG! The copywrite is still maintained for the books on the baen library. Essentially, they're giving away free [electronic] copies. They can still string you up to dry if you try to print your own edition of any of the books on there anytime during the next ~90 years.

    Copywrite holders can enter works into the public domain, and often do, but the baen free library does not consist of public works.

    --
    I don't read AC A human right
  112. Re:These are not COINCIDENCE??? by Anonymous Coward · · Score: 0

    Mary Bono took over from Sonny and while she did take Scientology courses, supposedly was not in the cult. But the cult is in her precinct and thus qualifies as one of her constituents. I am not saying that Sonny died for Scientology. Besides he did not fall on a sword he hit a tree.(;+]
    The CTEA pursued by Mary attempted to lengthen the term of copyright by 20 years and then she later tried to pass a bill that would make copyright law apply for an indefinite period. In other words forever. Copyright law is used by the cult quite extensively to prevent the general public from finding out about the ridiculous things that Lron wrote. And to ensure that the people brought into the cult have to pay to see the material. And thus I would say that the CTEA directl benefits the cult.
    Sonny's daughter is a lesbian and the cult is vehement in its laws against homosexuality. Sonny had tried many times to leave the cult but was unable to do so.

  113. So why not.... by Chester+K · · Score: 2

    Why not make Copyright function similar to Trademarks (in that they have a given term, can be renewed indefinately for a price, but once they lapse to Public Domain, there's no going back.

    Since the plaintiffs state that they're more concerned with all the other works being held up by Copyright extension, they don't care about Mickey Mouse at all, but at the same time Disney does care about Mickey Mouse, who is still a marketable commodity -- the works that aren't being promoted by their authors anymore (and as such, are violating the reason for Copyright as given in the Constitution) lapse, while those who are still actively using and promoting their work can pay to keep it.

    Seems like a win-win situation to me.

    --

    NO CARRIER
    1. Re:So why not.... by Catiline · · Score: 2

      Why not make Copyright function similar to Trademarks (in that they have a given term, can be renewed indefinately for a price, but once they lapse to Public Domain, there's no going back.

      Because part of this is about culture. Should Disney hold onto the 6-note phrase that composes "When you wish upon a star" forever, or should some day that piece of social heritage be free any artist to reuse?

      Also consider this argument: it takes between 4 and eight notes to make a clear, distinguishable musical phrase. At eight notes times the 88 keys on a standard piano, you have 3.6 billion combinations. But this ignores combinations that are not aestetically pleasing (highest note to lowest note four times over), shifted sequences (chords in particular sound very similar), or the fact that musically there are only 13 notes on the scale. Calculating from a 13 note selection, we have only 815 million eight note combinations. For simplicity in the argument, we can use the full 815 million to represent the reduced 88 note range. How fast do you think that range would be consumed if each one was copywritten separately? (Keep in mind that nine notes form two eight note sequences, and so forth....) I personally cannot decide if this should be measured in weeks or months, but nevertheless I think it would be quite short.

      The same could be said for language, but the numbers are far larger (and content versus style issues cannot be so easily handwaved as music theory).

    2. Re:So why not.... by mOdQuArK! · · Score: 2
      can be renewed indefinately for a price

      This falls under the description of "indefinite time", not "limited time". Plus the fact that if the fee for renewing the copyright is made small enough by Congress (like $0.01 or even $0.00) then big businesses will be perfectly happy to lock those copyrighted works up, preventing their release to the public domain indefinitely, on the off chance they might use the material "some day" - and even if they don't, they don't want a competitor making any money off of "our property".

  114. There was no extension in 1978 by smiff · · Score: 2, Interesting

    Look at this brief from the Eldred v. Reno case (start at paragraph 61). In 1961, copyright lasted 28 years and could be renewed for another 28 years (56 years total). So works published in 1905 entered the public domain in 1961. From 1962 to 1976, congress enacted ten copyright extensions. Every one of those extensions applied retroactively. At all times during those 14 years, copyright extended back to 1906. In 1976, copyright lasted 75 years (or the life of the author plus 50 years). So works published in 1906 began appearing in the public domain in 1981.

  115. Re:Whats wrong with this law? by dbrutus · · Score: 2

    Actually, setting copyright/patent to 1000 years would run up against the law of perpetuities. There is a common law and statutory rule against arbitrarily setting periods too high.

  116. Re:Whats wrong with this law? by dbrutus · · Score: 2

    The standard is a little tougher to prove. The Court must determine, not that they do provide incentive, but, that they could do so.

  117. Ex Post Facto only applies to criminal law by Anonymous Coward · · Score: 0

    Also, ex post facto only protects you from something you did before the law took effect. Suppose congress makes it a crime to kill anyone born after 1980. You decide you want to kill someone born in 1979. Congress then passes a law making it a crime to kill anyone born after 1920. You then go off and kill someone born in 1979. Have you committed a crime? Yes. However, if you killed the person before congress changed the law, then it would have been legal.

  118. Re:Eldred is very stupid. by dbrutus · · Score: 3, Insightful

    Companies like Disney, Pixar, et al. have the choice to do derivative works or original ones. The original ones are very much more hit and miss than old reliable favorites and there is a natural tendency to go more and more the safe, derivative route. This does not optimally promote the progress of the arts and sciences. By, on a well known schedule, eliminating the monopoly after a period of time it shifts the equation more towards original works and promotes greater progress.

    If Disney can't cut it, can't take its huge pile of cash and make a new character to replace its old, now public domain revenue streams, it doesn't deserve to survive. I think the creative people at Disney could do it, why don't you?

  119. It's worse than that by stevenj · · Score: 2
    How will it benefit authors? Copyright already lasts for the life of the author plus an additional period. So an extension of this period will only benefit the author's estate or owning corporation.

    Actually, it's worse than that. You could rationally argue that an author might be motivated by benefits to his/her heirs. However, because promises of future money have to be depreciated to arrive at a present value, even extending copyright terms to forever provides virtually no added incentive. (Put in more concrete terms, you could get the same benefit to your heirs by investing a few dollars now, so it's only worth a few dollars at best.)

    In short, the only economic effect of extending copyright terms is a windfall to present copyright holders. See the amicus brief I linked to above for a full analysis.

    --
    If a thing is not diminished by being shared, it is not rightly owned if it is only owned & not shared. S. Augustine
  120. The executive department legislates as well, no? by yerricde · · Score: 2

    If the SC rules that an arbitrary limit of X years meets the Constitutional mandate, then it is overstepping its bounds and actually legislating, something which Congress is supposed to do.

    Supposed to, but when Congress doesn't do what it is supposed to, the other branches have to assert checks and balances. In this case, the Supreme Court interprets whether Congress broke the law by passing an act in violation of the Constitution. If this has a side effect of dictating what the law should have been, then it's not the only side effect: look at all the executive ministries (FDA, FCC, etc.) whose legis^W regulations have the force of law.

    --
    Will I retire or break 10K?
  121. Re:Eldred is very stupid. by Nathaniel · · Score: 2
    "The government is, after all, representative of the people, not the few large corporations. "

    Yeah, just keep telling yourself that, it's easier that way.

  122. Microtones don't help by yerricde · · Score: 1

    Nobody said you had to use the standard 12-tone scale...

    Even microtonal melodies are no help. A typical judge, who is probably more familiar with the standard Western 12-tone scale, will probably consider each microtone equivalent to the closest Western tone.

    --
    Will I retire or break 10K?
  123. Re:These are not COINCIDENCE??? by Anonymous Coward · · Score: 0

    Is it a coincidence that sonny was on the U.S copyright committee and a semi-practicing scientologist?

  124. Those are better reasons than a blow job. by Anonymous Coward · · Score: 0

    No text necessary....

  125. Anyone have the voting record for CTEA? by Anonymous Coward · · Score: 0
    It would be interesting to see who voted for it.

    But methinks it won't be posted because it's too likely to show something the /sheep don't want to admit: it's the Democrats that are in Hollywood's pocket.

    See DMCA.

    See CDTBPA.

    See how Al Gore consults with ***MEATHEAD*** of all fucking people before reversing every single damn statement he ever made about Iraq!

  126. Suppose Eldred wins. *Then* what? by kcbrown · · Score: 2
    If Eldred wins in the Supreme Court, then the CTEA gets struck down, right?

    What's likely to happen then? Do you guys really think the copyright cartel will take that sitting down?

    I think what will happen is that the copyright cartel will bribe Congress into passing another CTEA with an even longer extension (enough to make up the difference in time between the last CTEA and now, at the very least). And then that will go through the legal process and eventually be struck down. And then Congress passes another one.

    And another one.

    And another one.

    Until eventually the SC does not strike it down.

    But any way you look at it, if Congress has enough incentive, they can keep passing the same law(s) that the SC keeps striking down, and those laws will have force until they reach the SC.

    So what, exactly, prevents Congress from doing what I describe above?

    --
    Use 'slashdot stuff' in the subject line in any email you send me if you want to get past the spam filter.
  127. Re:Whats wrong with this law? by zeno_2 · · Score: 2
    WRONG! The copywrite is still maintained for the...

    Try Copyright.

  128. Works are already in the public domain! by mabhatter654 · · Score: 1

    Let's turn the logic around for a moment. When a work is distributed, performed, or broadcast it is broadcast to the public. One usually produces works to effect a change in people's attitudes or behaviors (i.e. to call attention to a political cause, inform a person of scientific data, ect.) This causes the work to enter the public domain, the public already has it! The Constitution provides a limited-time bounty for those who produce works to reward them for their efforts. I place emphisis on a bounty for the work rather than a right. The work was already presented to the public, entered into their domain, and the public already chose to reward an author for a set period. Changing this is like asking one's boss for a retroactive raise for work already performed! The term of copy right must eventually be limited. The court has even limited life imprisonment at 120 years. Technically, one could get out if one lived long enough--forever has already been struck down as an option for passing laws. In other limits, this approaches the constitutional ban on Congress granting titles of nobilty. The Corporations would like nothing more than to do just that: create a Lord of Disney, and a Archduke of Universal. What's worse is that these rights are being extended not to people but to legal constructs that pretend to be people, but only when it suits them.

  129. However by Anonymous Coward · · Score: 0

    Moreover, it contends that the Constitution grants Congress, not the courts, the right to make judgments about copyright.

    Bad strategy. The Courts have the right to interpret the Constitution, which grants the rights to Congress in the first place.

  130. Re:Whats wrong with this law? by deblau · · Score: 2
    To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;

    The purpose of Article 1 Section 8 is clearly to promote progress. The method chosen to encourage progress is to secure rights to authors and inventors. At issue here is whether or not the particulars of this method, as currently legislated, actually support the original purpose.

    The theory of copyright is an economic one. The basic premise is that authors are encouraged to create by receiving monetary incentives in the form of an artifical, government-sponsored monopoly on their created works. Unfortunately, the economic value of said monopoly diminishes with time, and as a result there comes a time when the value of the public welfare is greater than the interest of the author. This is certainly true once the author is dead, hence in my opinion, copyright should never extend past the lifetime of the author.

    TCEA needs to be repealed, but the Supreme Court is a very very bad place to do it. TCEA is a valid law by way of the Constitution, even if it is harmful.

    The United States government operates on a principle of checks-and-balances. The purpose of the Legislative branch is to create the law (Article 1 Section 1), and the purpose of the Judicial branch is to interpret and validate the law (Article 3 Section 1). The purpose of the Supreme Court is to validate the constitutionality of laws passed by the Congress, hence is the proper (and only) venue in which to decide this issue.

    --
    This post expresses my opinion, not that of my employer. And yes, IAAL.
  131. Re:Whats wrong with this law? by Zak3056 · · Score: 2

    1) Authors can wave it at anytime before it expires (and this does happen a lot, just check out the baen free library.

    Works in the Baen Free Library are most certainly NOT in the public domain! The copyrights on those books are still owned by their AUTHORS, who have LOANED the works to the library for purposes of distribution to all.

    This loan can be revoked at will, and in fact, the libary asks its authors to not have more than five or six works loaned to the library at any one time.

    Were those works truly in the public domain, anyone could publish, say, On Basilisk Station in paper form, competing with Baen's version.

    --
    What part of "shall not be infringed" is so hard to understand?
  132. Re:Eldred is very stupid. by thogard · · Score: 1

    Re: your sig...
    Instant runoff voting (or prefernce voting) is what allows some very interesting people to get elected. When you have two good canidate from the popular parties where the election is going to be close, what tends to happen is a third place person ends up winning and sometimes this results in some strange winners and was how some of the most racists canidates in recent times won their seats. It's happened in Australia, Ireland, NZ and a few european countries.

  133. Re:Get Your War On by Anonymous Coward · · Score: 0

    And it gets to help make the UN security council look like a bunch of poweless pawns which helps to reduce the increasign power of the UN.

  134. To promote the Progress by yerricde · · Score: 2

    The constitution says why there should be copyrights. But where does it say why it should be limited?

    At first glance, the Constitution says that any copyright term should "promote the Progress of Science (i.e. literature) and useful Arts (i.e. technology)"; thus, the most appropriate limits would be the ones that best "promote the Progress". However, Ashcroft's position is that the text "To promote the Progress of Science and useful Arts" is a non-binding preamble and that "limited Times" can represent any finite time, even one billion years.

    --
    Will I retire or break 10K?
    1. Re:To promote the Progress by Anonymous Coward · · Score: 0

      The Ashcroft argument sounds rediculous.

      Clearly the preamble was placed to show the intention that such works are to eventually enter the public domain.

  135. Supreme whores by Anonymous Coward · · Score: 1, Insightful

    [With any luck, the Supreme Court will choose the "road less traveled."]

    Ha! you expect the same supreme court who handed bush the election because it might cause him 'irreperable harm' to rule in favor of a plaintiff against john asscroft?

    This would be funny, if it wasn't true.

  136. Re:Whats wrong with this law? by mcubed · · Score: 1
    Authors can wave it at anytime before it expires

    Not if an author has signed a contract that grants exclusive publication rights for the length of copyright. When you publish a book, you get to keep the copyright, but you don't get arbitrarily to decide how long you want that copyright to be in effect. A publication contract is enforceable and exclusive until your publisher lets the book go out-of-print or until copyright term, as mandated by Congress, expires.

    Of course, the majority of books go out-of-print long before copyright expires. It will be interesting to see how print-on-demand and/or ebook technology changes that. Books go OP now because their backlist sales, in their publishers' estimation, don't justify the cost of keeping them in print. But emerging technologies could make these costs negligible. If publishers can afford to horde their entire catalogs year-in and year-out, we may not see many reversions of rights to authors anymore. Publishers may control the bulk of not just their active backlists, but everything they've ever published for the entire term of copyright. And they aren't likely to be waving these copyrights if there is any money to be squeezed from them.

    Michael

    --
    "No live organism can continue for long to exist sanely under conditions of absolute reality;..."
  137. Wow! Lessig sheds new light on the Constitution by smiff · · Score: 2
    I've read most of the briefs in this case, but Lessig's reply brief really changed my interpretation of the intellectual property clause. According to Article I, section 8:

    The Congress shall have Power

    • To lay and collect Taxes...
    • To borrow Money...
      .
      .
      .
    • To promote the Progress of Science and useful Arts by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries

    I always interpreted it as the power to grant copyrights and patents, while promoting progress was a restriction on that right. This is backwards. Copyrights and patents are merely the means by which congress may exercise its power "To promote the Progress of Science and useful Arts".

    The distinction has major ramifications for the DMCA. Copyright is not a power for congress to tweak with digital rights management. Copyright is the means and limit of congress' power.

    Regulating circumvention devices must be an exercise of congress' power "To promote the Progress of Science and useful Arts". The clause then goes on to restrict how congress may apply this power, "by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries". A circumvention device is certainly not the author's "writing", and it is not the inventor's "discovery".

    I know the same argument was made in the DeCSS case (an argument that the court ignored), but the distinction of what power congress is exercising really clarifies things.

  138. Re:Suppose Eldred wins. *Then* what? by DeathTongue · · Score: 1, Interesting
    I think what will happen is that the copyright cartel will bribe Congress into passing another CTEA with an even longer extension (enough to make up the difference in time between the last CTEA and now, at the very least). And then that will go through the legal process and eventually be struck down. And then Congress passes another one...So what, exactly, prevents Congress from doing what I describe above?

    The lower courts will quickly suspend the new law based on the SCOTUS striking of CTEA, thus preventing enforcement until it reaches the supreme court--if it ever gets there. Thus a precedent is set against a new similar law, and, practically speaking, it won't be enforced.

  139. mod this up: Re:Suppose Eldred wins. *Then* what? by Indy1 · · Score: 2

    mod this guy up, great comment there.

    --
    Lawyers, MBA's, RIAA? A jedi fears not these things!
  140. Re:Whats wrong with this law? by fluxrad · · Score: 2

    Funny, how is your interpretation literal?

    To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;

    So, this obviously means we can give the authors of works sole custody of their intellectual property for a "limited" period of time. That being said, how is it possible to give an individual that no longer exists a copyright? Better yet, what would we have done if Walt Disney had specified in his will that everything having to do with Mickey Mouse be buried with him, so that it would effectively never enter the public domain. Certainly this would not promote the progress of art or science. The issue here is that Congress believes the words "limited time" are based on the timeline of the universe. I don't think the framers of the constitution meant this "limited time" to be relative to the duration of earth.

    Based on the congretional interpretation of this clause, you would think it might read something more like:

    To promote the Progress of Science and useful Arts, by securing for limited Times to Authors, Inventors, [and their heirs and estates] the exclusive Right to their respective Writings and Discoveries;

    --
    "It is seldom that liberty of any kind is lost all at once." -David Hume
  141. Re:Eldred is very stupid. by eclectro · · Score: 1


    That is not entirely true. If it can be "printed" then it would fall under copyright law. So somebody (if and when Mickey reaches the public domain) could take "Steamboat Willy" and print it on their mousetrap packages.

    Even though Disney as a line of "Mickey Mouse (TM)" shirts, their would still be nothing to prevent somebody from "printing" Mickey on their own T-shirts.

    Disney has very deep pockets though, so I am sure that they will try to litigate knockoffs out of existance anyway. It would be interesting to watch.

    --
    Take the cheese to sickbay, the doctor should see it as soon as possible - B'Elanna Torres, "Learning Curve"
  142. Re:Repeated extension flies in face of limited Tim by Trekologer · · Score: 2

    The Supreme Court might not have to define what a limited time is, just that the continued extending of copyrights flies in the face of it. The Court can not decide that copyrights can not last more than X years because it is not in their power to decide that; Congress holds that power. The Court can decide that the pattern of extending the duration of copyrights violates them having a "limited time" OR that Congress does not have the power to extend existing copyrights, each of these having a favorable outcome to the plaitiffs.

    Congress' pattern of extending copyrights + DMCA + DRM = perpetual copyright. That is the real problem here. Let's say that a work is published and its access is secured by some access control device under the DMCA. The publisher can effectively "lock out" access to that work FOREVER.

  143. A implies B by yerricde · · Score: 1

    Well, "bad law" has two meanings: A. "Not truly suited to advancing the public interest", and B. "Unconstitutional"

    Well, in this case, in order for a copyright law to be constitutional, it must "promote the Progress of Science (i.e. literature) and useful Arts (i.e. technology)" (U.S. Const., Art. 1, Sect. 8). Therefore, A implies B.

    --
    Will I retire or break 10K?
  144. Re:USSC doesn't give a rat's ass about civil right by Happy+go+Lucky · · Score: 1
    Remember this is the same USSC that ruled that a police officer can arrest you for **any** offense regardless of what the local/state law stipulates.

    Not quite. I assume you mean the Texas Seat Belt case?

    The ruling was, if some act is defined as a crime by statute, then a peace officer has the power to make custodial arrests for that act. No surprises. Even when it's a stupid little traffic misdemeanor (like seat belt violations in Texas) it's still criminal.

    Besides, how can a police officer arrest someone for an offense when there's no statute defining the act as an offense? There are no common-law crimes anymore in the US and have not been for a VERY long time. When someone gets lodged in the county jail, there's a charge and that charge specifies some statute.

  145. Re:A wonderful solution, then: previous art! by MickLinux · · Score: 1

    Since the definition is now set at 4 notes, and there is a ton of out-of-copyright material from the 1700's and before, you break everything from Metallica's latest hit into 4 note groups, show that it is all previously published, and then start burning and selling CDs.

    Naturally, you do it *without* the singing, which is a private matter -- but karaoke DJs will love it.

    They sue, you haul out your list. Countersue to have the copyright revoked, based upon the 4-note definition.

    Also, don't forget the relative scales. Just switching up an octave doesn't make a thing new, unless you're singing "Way Down Low" in the upper scales or something.

    --
    Correct Horse Battery Staple: 72 bits of entropy. Enter "Correct H" into google. When it generates the phrase, that's
  146. Yeah! by Anonymous Coward · · Score: 0

    It's not like the US Supreme Court was reversing a Florida Supreme Court that had totally ignored both state and federal law and had to pull reasons out of their ass (remember the "We must use the equitable powers..." crap in their decision?) in order to give Gore his shot at lawyering his way into the White House....

  147. Re:The executive department legislates as well, no by Anonymous Coward · · Score: 0

    If the SC went with the spirit of the law, we'd have no social security, medicare, nor welfare. We'd have real, valuable-metal-based currency, if not outright gold coins.

    Good or bad? Ehhh, it'll keep us ahead of China in the development of processing chips, until China gets their act together in allowing economic freedom.

  148. Re:Whats wrong with this law? by Anonymous Coward · · Score: 0

    > All states of greed and corruption will die
    > eventually.

    While your statement is technically correct (perhaps), your likening the United States to one such state belies an internal weakness of critical thinking, rather than an astute observation.

    A light study of current states and past human history show that the United States is one of the least problematic states in this respect.

    Furthermore, given the emphasis on freedom, not just of words but of action, the state cannot help but survive. If it does not, it will be by way of democratic "tyrrany of the majority" downfall as the people vote themselves more and more breads and circuses.

  149. Re:Whats wrong with this law? by Anonymous Coward · · Score: 0

    > I'm willing to concede a small period after
    > death, just so the poor bastard's kids don't
    > get stuck with three million copies of dead
    > daddy's books

    Actually, a fairly large period is needed. This protects those with whom the artist would create a contract.

    A company may invest millions of dollars in a work. Those dollars would be lost on the sudden and unexpected death of an author as other companies (seeing the millions invested) would quickly jump to rush a product out.

  150. Re:Whats wrong with this law? by Dyolf+Knip · · Score: 2

    That is definitely the most insane thing about copyrights. How does giving control of the copyright to the dead producer's heirs inspire them to create? They didn't do a thing except tag along for a lucrative ride. And what happens if a copyright is held by a corporation, which is essentially immortal?

    --
    Dyolf Knip
  151. Re:Eldred is very stupid. by Jeremi · · Score: 2

    Yeah, I know -- and I think that's a good thing. If the public can't agree on which of the top two candidates it wants, but the public does agree that the #3 candidate is a good compromise (2nd choice), then having the #3 candidate elected is the best result.

    --


    I don't care if it's 90,000 hectares. That lake was not my doing.
  152. Re:Eldred is very stupid. by thogard · · Score: 1

    The way the aussie one works, both sides provide a list of who should be #1,#2,#3,...#25. They carefuly try to match it up so that none of the lower players get the majority. The result is that sometimes the winner will be someone one who would have got less than 2% of the vote but they are at the mid point of three parties. Thats how ms hanson (the most raceist govt offical at the time) got in power. Other goverments have had that problem too.

    In the Aussie vote, you have to put a number by everyones name or vote a party line (which fills in the boxes with the party's recomened numbers). If you don't have that requirement, people will only vote for one choice most of the time according to most expierments.

  153. Re:Whats wrong with this law? by J.+Random+Software · · Score: 2

    IIRC a corporation's copyrights would have expired in 95 years (if Congress weren't going to extend them again).

  154. Re:Whats wrong with this law? by istartedi · · Score: 2

    Well, I think you've hit upon the crux of the matter but you didn't spell it out explicitly. The real problem is whatever quid pro quo Disney et. al. got from Congress. Unfortunately, the Supreme Court can't address that issue. All they can do is determine whether or not Congress acted within their authority. Arguments that they didn't can be made, but they are not as strong as the "Congress was bought" argument which might be useful in a less formal setting, such as a civil court or even a lower criminal court (especially one with a jury of ordinary citizens).

    --
    For all intensive purposes, "whom" is no longer a word. That begs the question, "who cares"?
  155. Ex post facto by achurch · · Score: 3, Insightful

    So what, exactly, prevents Congress from doing what I describe above?

    Public domain. If the law is struck down, then at least some material (that which would have lapsed into public domain under the previous law) will, in fact, become public domain. And once that happens, it will be perfectly legal to make as many copies as you want--and Congress and the copyright cartel can't touch you. Even if laws were passed such as you suggest, they couldn't apply to material that had already entered the public domain; that would be ex post facto, because it was public domain when it was copied in the first place.

    That wouldn't, of course, prevent another CTEA from being passed that applied to works still under copyright at that point, but that doesn't mean it would necessarily pass judicial scrutiny. I could also see Congress attempt to ban the future copying of works whose copyright had lapsed due to the court decision, but I strongly suspect such a law would be thrown out as soon as it was challenged. In any case, the courts aren't stupid, and they wouldn't take kindly to Congress trying to get around them; I could see a decision after two or three times around that "copyright extensions for any reason are invalid".

  156. Interesting... by Anonymous Coward · · Score: 0

    It's interesting that the same individuals in Congress that are willing to extend copyrights at the whims (or $$$) of industry are fighting tooth and nail to ensure short patent lengths in other areas. Is this because of the monetary differences in donations, or because copyrights are fundamentally different, or perhaps the individuals feel that progress is most important in technical, rather than literary or creative, areas?

  157. Re:Whats wrong with this law? by Mr.+Slippery · · Score: 1
    TCEA is a bad law, but it falls clearly within those bounds

    No, it doesn't - you're missing the most important part, the same thing most people are missing: the phrase "to Authors and Inventors".

    Not to their heirs, not to their assignees, not to their employers. Any claim of copyright not asserted by the actual people who created the wrk in question, is constituionally bogus. When the author or inventor dies, the work reverts to the public domain.

    --
    Tom Swiss | the infamous tms | my blog
    You cannot wash away blood with blood
  158. Re:Whats wrong with this law? by kalidasa · · Score: 2

    I think the Supreme Court will agree that the writers of the Constitution meant "limited" in the human sense, not the mathematical sense.

    IANAL, but it's quite possible the SC will see "limited" here in a sense akin to "speedy trial" - that the reference is to a more common understanding of "limited" (e.g., life plus fifty) rather than a more mathematical sense of "finite and bounded."

    More likely, though, it is the fact that the law keeps being extended retroactively before copyrights can expire that violates the sense of "limited."

  159. Re:Whats wrong with this law? by zemkai · · Score: 1
    A company may invest millions of dollars in a work. Those dollars would be lost on the sudden and unexpected death of an author as other companies (seeing the millions invested) would quickly jump to rush a product out.

    There's this thing called "key man" life insurance... which seems a better method of protecting "those with whom the artist would create a contract" as that term doesn't appear in any copy of the Constitution I can find...

    -ZK-

  160. Re:Eldred is very stupid. by Jeremi · · Score: 2
    Hm, I'm not sure I like that system. I'd prefer if people just rank as many or as few candidates as they choose to; if most people only want to rank a single candidate, then so be it; that would be no worse than the system we have now in the US -- but for those of us who wish to rank more, we would have the choice of doing so.


    The option to "vote the party lineup" sounds like a bad one, since it encourages people to use the (gerrymandered) party lists, rather than think for themselves.

    --


    I don't care if it's 90,000 hectares. That lake was not my doing.