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Which Artists Support Music Swapping?

jtauber asks: "With RIAA's new campaign to 'educate' people that unauthorized downloads of music are illegal and with the range of artists who are endorsing the campaign, I thought it would be interesting to ask the question: which well-known artists (if any) go against the RIAA and are _in favour_ of music swapping? Certainly many unsigned bands like my own encourage it, but what about those signed with major record labels?" We did a question along a similar veign not too long ago, except its focus was non-RIAA Record Labels. What artists are you aware of (popular or not) who have come out in favor of music-swapping?

94 comments

  1. one... I guess by Vodak · · Score: 2

    that moron fred durst of Limp Bisquick supported napter

    1. Re:one... I guess by dotgod · · Score: 1
      fred durst of Limp Bisquick supported napter

      Yep...they had a free tour sponsored by Napster.

  2. Pete Steele of Type O Negative by Anonymous Coward · · Score: 0

    Is on record as saying anything which rips of the record companies is a good thing...

    1. Re:Pete Steele of Type O Negative by macdaddy357 · · Score: 2

      The recording companies continue to rake in billions, and artists continue to starve. The labels are the real pirates! Any RIAA affiliated artists who publicly voice their support for file trading face retaliation from management. Boycott the Recording industry.

      --
      How ya like dat?
  3. Ever heard of The Newsboys? by carpediem55 · · Score: 1

    I was in a question/answer session with them a couple years ago, and at that time they said they didn't have a problem with it.

    --
    Sig!
  4. Rage Against the Machine by dotgod · · Score: 3, Informative
    This site has a record of the following quote from RATM's Tom Morello:

    Rage Against the Machine would like to sincerely apologise to all of our fans who were kicked off of Napster for downloading 'Renegades'. The move to take action against Rage fans was taken completely unilaterally by our new management. In their zeal to keep the record from getting out before the release date, they did not consult the band before instructing Sony Music Corp. to institute the Napster ban. As soon as I was made aware of this horrible mistake on their part, I immediately phoned our management and the record company to see what we could do to get our Napster-using fans reinstated as soon as possible. I'm told that the easiest way to get back on Napster as quickly as possible is to download one of many files floating around on the Internet to get around the ban.

    1. Re:Rage Against the Machine by mshurpik · · Score: 1

      The move to take action against Rage fans was taken completely unilaterally by our new management. In their zeal to keep the record from getting out before the release date, they did not consult the band before instructing Sony Music Corp. to institute the Napster ban.

      Sony: "OK, we're all set on this end. Now you guys go make a big stink about this."

      RATM: "No prob, man. When the girls coming over?"

      Sony: "About 45 minutes."

  5. They don't face the risk by nelsonal · · Score: 3, Interesting

    Most of the artists who came out against it in the early days, like Metallica, did so because studio tracks were being leaked before they had even been decided upon. Because they don't face a lot of risk from any potetial lost sales, or gains from additional sales, the sales aspect is not a big concern at least from what I have seen. I think if pre release tracks were not shared, most artists would not care. The artists coming out against sharing are probably doing it to please their contract holders.

    --
    Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    1. Re:They don't face the risk by Anonymous Coward · · Score: 0

      What on earth are you talking about?

      The ones "like Metallica" were the ones that were old enough to see how the industry works. You play by the record company rules, you get some scraps. You speak your mind, you get fucked.

      Come on, like Metallica the francise is worried about annoying their "fans."

  6. Do they have a choice? by anthony_dipierro · · Score: 3, Insightful

    It's quite irrelevant what most popular artists think, since they don't own the copyright on their recordings.

    1. Re:Do they have a choice? by TRACK-YOUR-POSITION · · Score: 2

      It's irrelevant to the law, but not to the morality, which are completely different things.

    2. Re:Do they have a choice? by anthony_dipierro · · Score: 1

      Why is it relevant to the morality? It's moral to "steal" from the RIAA but not moral to "steal" from the artist? I don't buy that argument (and no, I don't think it's ever immoral, or "stealing").

    3. Re:Do they have a choice? by TRACK-YOUR-POSITION · · Score: 1

      No, it's not moral to steal from the RIAA. But the creation always belongs partly to the artist and partly to the people, no matter what our broken laws say. So no theft takes place.

    4. Re:Do they have a choice? by anthony_dipierro · · Score: 1

      But the creation always belongs partly to the artist and partly to the people, no matter what our broken laws say. So no theft takes place.

      But the artist does enter into a fraudulent contract with the RIAA, then. Is it moral to conspire to enter into a fraudulent contract?

      Personally I don't believe the creation belongs to anyone, no matter what our broken laws say. So yes, I agree no theft takes place, but I say no theft takes place regardless of what the artist says.

    5. Re:Do they have a choice? by Anonymous Coward · · Score: 0

      Thank God! Someone please mod this up. Dave Matthews can say whatever the hell he wants about music sharing, but the fact remains that the music doesn't belong to him, he sold it to his record label.

    6. Re:Do they have a choice? by Anonymous Coward · · Score: 0

      you must not believe in compensation for work or effort.

      how does an artist make $$ to live without compensation.

      does a steak belong to the grocery store that cut and prepared it? What about a piece of pottery created by an artist? just because you > doesn't mean it isnt wrong to steal.

      if the potter wants to give pots away, that's his choice, and is fine, but if someone steals a couple because they like them, or just want to use them for a while, they should still be charged with theft.

      imo.

    7. Re:Do they have a choice? by anthony_dipierro · · Score: 1

      how does an artist make $$ to live without compensation.

      They get a job.

      if the potter wants to give pots away, that's his choice, and is fine, but if someone steals a couple because they like them, or just want to use them for a while, they should still be charged with theft.

      On the other hand, if someone buys a pot and then makes another pot which looks the same, s/he shouldn't be charged with theft.

    8. Re:Do they have a choice? by Proneax · · Score: 1

      First of all, the cost of actually making a cd is somewhere less than a dollar and they sell for 12,16 or even 20 dollars. Now, most of that money goes to the Record label, and a very small amount (somewhere around 10%) goes to the artist. Artists don't get rich solely off record sales. They make most of their money from concerts. Just think: people buy the tickets at 20 to 100 bucks a head, and they probably buy a tshirt or two for like 20 bucks while they're there and maybe some memorabilia. It adds up much faster than cd sales and artists usually get a better cut than 10%.

      IMO the RIAA is only protesting filesharing because they don't like losing the ability to line their pockets from inflated cd prices.

      In theory, there really isn't a purpose for record labels anymore. With the internet, artists have the power to distribute their own music. However, in the current situation this isn't completely feasible. Unfortunatly, lawmakers have little or no reason to kill an industry that provides millions if not billions of dollars in tax revenue annually.

  7. Shameless, shameless by melquiades · · Score: 2

    What artists are you aware of (popular or not) who have come out in favor of music-swapping?

    Me!!

    Although, with the really lame license I have, I'm desperately wishing for the Creative Commons to get the heck on with it and put their license generator online!

  8. There are lots, for live music by mikemulvaney · · Score: 5, Insightful
    There are a ton of bands that allow taping their live shows, and then encourage fans to trade those recordings. This includes bands like:
    • Phish
    • Grateful Dead
    • Tenacious D
    • Oysterhead
    and so on. There are several communities that can help you get lossless versions of shows from these bands and others:
    • www.etree.org
    • www.furthurnet.com
    -Mike
    1. Re:There are lots, for live music by stubear · · Score: 5, Interesting

      There's a difference between taping the live show and ripping the CD and passing it around. First, fans have only been given permission to tape the show, something that won't likely be a huge seller anyway for most bands and if a song or two does happen to make it onto a compilation album at some point, these bootlegs won't affect sales of the compilation that much.

      Second, the bootlegged recordings might be nice to listen to but they don't compare to being at a well produced concert. Good quality MP3 rips on the other hand can encapsulate the exact same experience the original CD does. The next step in P2P music swapping is to scan the liner notes and offer PDFs of them. After that what's the point of buying the CD?

      People who go to concerts, even to record the show and pass it around (is it really bootleg is the bands allow it to happen?) People who download hundreds of MP3s are leeches.

    2. Re:There are lots, for live music by cornice · · Score: 2

      You're missing the point when it comes to trading Phish and Grateful Dead recordings. To most hard core fans the studio recordings are hardly worth listening to. It's the live shows that people are interested in. Many of the fans follow the groups around and collect the shows that they attend and miss. It's a big deal to get the best recordings (if tape is used then the earliest generation too) of all the best shows. The rules of distribution are that you can charge for copying and media but not content. This then creates a bigger market for live performances which can't be pirated anyway.

    3. Re:There are lots, for live music by pyite · · Score: 1

      Yea, the difference is that many recorded shows kick the crap out of live recorded releases and even studio albums as far as quality goes. Studio albums are compressed to all hell so they sound louder (hotter). You listen to a live recording made with good microphones (Neumann, Schoeps, Bruel & Kjaer) with a good pre amp (Oade M148) and a good Analog to Digital Converter (Apogee) and then you know what "live" is supposed to sound like. You get incredible dynamic range and incredible stereo imagery. I'll take a recorded show over most commercial releases any day as far as quality goes.

      --

      "Nature doesn't care how smart you are. You can still be wrong." - Richard Feynman

    4. Re:There are lots, for live music by pyite · · Score: 1

      Actually, the rules are that you cannot charge for anything at all. NO money is allowed to change hands, only blank media and postage.

      --

      "Nature doesn't care how smart you are. You can still be wrong." - Richard Feynman

    5. Re:There are lots, for live music by zonker · · Score: 0

      exactly. phish for one spent much more time touring than they did in the studio. i think it'd be safe to say they made most of their money on their tours rather than cd sales.

    6. Re:There are lots, for live music by jon+doh! · · Score: 1

      i guy i used to work with at another job was a fan of one particular artist (can't/won't remember the name now). back in the late 90's when burners were just about beginning to be affordable he started asking me for help with buying one, setting it up, etc. turns out he was part of some group that would trade bootlegs of this artist's concerts, and these other fans asked no money or anything. all the postage came out of their own pockets. only cost to you was return postage and cost of the media you wanted to copy it too. anyway, i happened to listen to some of these once he'd burned them to CD, and the quality was outstanding.

      not every bootleg recorder out there is a guy with a cheap mini-cassette recorder.

  9. Not very free by anthony_dipierro · · Score: 1

    I can't even use this music in an internet radio station if the station has ads (and I don't pay the digital audio transmission fee).

  10. U2 by bhize · · Score: 5, Informative

    BONO: "My feeling," he adds, "is that it is cool for people to share our music -- as long as no one is making money from the process. We tell people who come to our concerts that they can tape the shows if they want. I think it is cool that people are so passionate about our music"

    THE EDGE: The terror of online song-trading and bootlegging that has occurred in the wake of Napster is not something the members of U2 are losing any sleep over. "In fact, as long as fans aren't being exploited and bootleggers aren't raking in huge money from the practice, it's a part of the music business they've come to accept."

    1. Re:U2 by Night+Goat · · Score: 2

      It's Island that you need to watch out for. There's an amusing interview done in a sneaky fashion that Don and Mark of Negativland did with The Edge after the big lawsuit that Island filed against Negativland and their label, SST. It's funny, The Edge was sort of sympathetic toward Negativland, he claimed that Island went ahead and filed the lawsuit without really talking to U2 at all.

  11. And me! by Pembers · · Score: 2, Interesting

    You can find four (count 'em!) complete and unrestricted songs by yours truly here. They're in RealAudio, I'm afraid; at the time I didn't know any better. I'll get around to replacing them with MP3s or OGGs one of these years. I'm too old and cynical for a career as a musician now, so do whatever you like with them, as long as you don't sell them or represent them as someone else's work. Ta!

  12. Did anyone say... by C0LDFusion · · Score: 2, Informative

    ...Janis Ian?

    She has at least 2 articles on her website, http://www.janisian.com, that are quite anti-RIAA.

    --
    Only in slashdot are posts of solidarity modded at -1 Redundant, while posts of antagonism are modded as -1 Flamebait.
    1. Re:Did anyone say... by zonker · · Score: 0

      i wouldn't say she was anti-riaa, but against some of the more bonehead things they are doing nowadays... she hasn't really advocated getting rid of them.

    2. Re:Did anyone say... by C0LDFusion · · Score: 1

      Most likely because there is almost to practical method of eliminating them. It's like the Matrix, where Morpheus says that the Agents are the "gatekeepers", holding all the keys and opening all the doors.

      The RIAA as a whole has most of the copyrights and they represent the most artists. The sad thing is that artists think that going with the flow with the RIAA Evil Empire is the only way to get out there.

      --
      Only in slashdot are posts of solidarity modded at -1 Redundant, while posts of antagonism are modded as -1 Flamebait.
  13. Projekt Records by cjpez · · Score: 3, Insightful

    Projekt Records' frontman Sam Rosenthal has been quite supportive of P2P music trading, saying that it's an excellent way for the "smaller" labels like his to get more of a widespread audience. You can find a lot of Projekt bands on mp3.com, etc, too. If you sign up for the weekly email list thing, he'll rant about it occasionally. He was quite pissed off when Napster got shut down.

    1. Re:Projekt Records by cjpez · · Score: 2

      Ah, they do archive the list, though only since last year sometime. Here's an example, in case you didn't believe me. :)

    2. Re:Projekt Records by Anonymous Coward · · Score: 0

      I found interesting that last post. Unfortunatly, it shows a lack of understanding about the motives behind the RIAA. The studios do NOT fear music being trafficed. It has happened forever and they know it sells. They want to shutdown p2p because it is a new cheap uncontrolable path of music. If napster (or better gnuttella) takes off, then it is possible for a musician to easily distribute their music without them and they are out of control.
      Rather than looking for owned musicians who will allow their music to be shared, you should be looking for new talent. Set-up a site (with ads) where one page is allowed for any band that wants a page. Set up a directory. Consider a future contract along the lines that napster did. Use money to help promote other groups.
      The riaa was afraid of what napster was about to become. The new version of a studio.

    3. Re: Projekt Records by elemental23 · · Score: 2

      More information on Projekt's stance can be found at:

      http://www.projekt.com/projekt/audio.asp and

      http://www.projekt.com/projekt/napster01.asp

      It's worth noting that Sam Rosenthal is not only the label's owner, he's also a musician with a fairly large number of recorded albums of his own.

      --
      I like my women like my coffee... pale and bitter.
  14. Planeside by Anonymous Coward · · Score: 1, Informative

    smaller local type band, with great potential. here

  15. Radiohead ok with live tracks by DamienMcKenna · · Score: 2, Informative

    Radiohead have commented about this before, saying that they're ok with live concerts being redistributed at will, but apparently their publishers aren't quite as keen as they've shut down several sites because of it.

  16. The artist formerly and currently known as... by glamslam · · Score: 2, Informative

    Prince. He released a single on Napster. He appears to take the U2 stance: He doesn't like bootleggers who rake in cash from his work. But he appears to appreciate anything that shakes up a broken system... as explained in: A Nation of Thieves (As seen in a previous Slashback)

  17. Point of clarification? by Diamon · · Score: 2

    I assume the question is what artists support Napster scale digital swapping. Heck, even Lars "Napster Bad!" Ulrich has supported analog tape swapping amongst friends. It's the lossless generational copy, free for all with the entire universe he doesn't support.

  18. Speaking of Limp Bizkit by shoppa · · Score: 2

    I never understood. Limp Bizkit vs Steely Dan. Limp Bizkit vs Steely Dan. Not that I'm in the market, but if I was looking, the choice seems pretty obvious to me.

  19. Ani DiFranco by RevAaron · · Score: 2

    Ani at least used to have a thing on the back of her CDs about it being OK to make copies for your friends, but that they should buy it if they can afford it. This was before Napsterchic was in effect. I wouldn't be surprised if she wasn't into it anymore, she's lost some of her coolness. :P

    --

    Working toward a usable PDA environment in the spirit of Newton OS: Dynapad
    1. Re:Ani DiFranco by freeefalln · · Score: 1

      shit, ani difranco is one of the few artists out there that give a shit about other people. probably one of the most prolific songwriters to date, incredible stuff. shes passionate and doesnt care what anyone thinks of her. great person.

    2. Re:Ani DiFranco by greenhide · · Score: 2

      If I remember correctly, the exact text was,

      Although sometimes necessary, unauthorized duplication is never as good as the real thing

      --
      Karma: Chevy Kavalierma.
    3. Re:Ani DiFranco by EaTiN+cOfFeE+bEaNs · · Score: 0, Troll

      too bad her music sucks

      --
      No TiVo and no caffeine make me something something...
  20. Bowie by pete-classic · · Score: 3, Insightful

    David Bowie is the most enlightened artist that I know of as far as this goes. I don't care for his music, but he seems to "get it."

    OTOH, his site is flash only :-(

    Now, flame on about how he is already rich, blah, blah.

    -Peter

    1. Re:Bowie by zonker · · Score: 1, Informative

      say what you will about his music, but yeah, he definitely understands the importance of cherishing his audience. in fact, i have (amusingly enough) an mp3 of him speaking on the radio in the early 70's talking about how he really digs that his fans have been bootlegging his stuff and people are listening to his stuff more. more recently, i have another interview of him where he was talking about how he really doesn't see the harm in trading music files of his stuff...

    2. Re:Bowie by pete-classic · · Score: 2

      What is the deal?

      You comment seems to be on-topic and at least interesting if not insightful.

      You have an ultra low ID#.

      And you post at 0. (And crapflood your own journal.)

      What gives?

      -Peter

  21. Not very clear by melquiades · · Score: 2

    I don't think it's clear at all from the text of the license that this is the case. The only relevant clause is: The music is not used for any form of advertising or promotion. You certainly can't use the music in an advertisement, but that's something else. I don't think a court would consider playing a song for free on an ad-supported station "use in advertising or promotion."

    Regardless, it's a little ambiguous, and it's a pretty lamely worded license in general. This sort of confusion is why I'm excited about the CC's license generator project. Like it or not, there is a reason they have actual lawyers write this crap up.

    Note that the original question was "which artists support file-swapping" -- which this license explicitly does. The question was not "which artists use licenses that would make Richard Stallman happy".

  22. Courtney Love... by greenhide · · Score: 2

    Judging by this article in Salon Magazine, I'm guesing that Courtney Love isn't that big a fan of the recording industry and she (sort of) supported/defended Napster when it was still around.

    --
    Karma: Chevy Kavalierma.
    1. Re:Courtney Love... by EaTiN+cOfFeE+bEaNs · · Score: 1

      The only reason Courtney Love doesn't like P2P networks is because she knows that once she makes a mistake of leaking out any unreleased Nirvana music, it's all over the place and she has nothing to fall back on when her bank account flounders.

      --
      No TiVo and no caffeine make me something something...
  23. I understand by anthony_dipierro · · Score: 1

    I guess I did just misread it then if that's what you meant for it. And yeah, I realize you were answering the original question, my response was off-topic.

    One way to make things unambiguous is to allow public performance (including by digital audio transmission) without restriction.

    And by the way, I most certainly wasn't interested in pleasing RMS, I was considering what I'd personally want to be allowed to do.

  24. Bands That Allow Taping by rdfager · · Score: 1

    This is certainly not the same as allowing someone to copy a commercially produced recording but there are a lot of bands that allow the trading of their live recordings. For a list of these bands see http://btat.wagnerone.com

    Also, as someone else has already mentioned, etree.org and furthurnet.com are great resources for this material.

  25. U2's Bono vs. Sonny Bono by yerricde · · Score: 1

    This can get confusing. There's one "Bono" who's pro-sharing, and there's another "Bono" who was (and whose widow is) strongly anti-sharing. In fact, the confusion has even inspired some bad jokes about volunteer legal work: is it possible for an attorney to fight the expansion of copyright law "pro bono"?

    --
    Will I retire or break 10K?
  26. Smashing Pumpkins... by mr-moxie · · Score: 1

    The Smashing Pumpkins have been major supporters of digital music, they infact made their entire last studio album, Machina II: Friends and Enemies of Modern Music 100% free for download on the internet. At their website you can also find many MP3's of some of their latest commercially availiable music. They also have often times stated that they fully approve of live recordings, and Billy Corgan's new band Zwan has live recordings availiable on their website.

    1. Re:Smashing Pumpkins... by zonker · · Score: 0

      good album, but they released it in relatively low bitrate so it is awfully noisy...

    2. Re:Smashing Pumpkins... by homer_ca · · Score: 2

      There were 25 copies pressed on vinyl that were given to friends with instructions to copy it and give to the world.

      From spfc.org:

      "A followup to Machina, and the last album from the band. As a final farewell, and a "fuck you" to a record label that didn't give them the support they deserved, a limited pressing album was made (3x10" +
      2LP, 5 discs total) and given away to be bootlegged out among the fans." ...

      "Just to clear up any possible confusion, this is the final album from the band. There are 25 copies on vinyl only. There is not, and will not be a CD pressing."

  27. I started to cataloge this.... by Odinson · · Score: 2


    Check out www.musiciansview.com I haven't had alot of time to work on it but I will post any info I can confirm at contribute@musiciansview.com with info on how a musician or band sees it.

  28. Zaraza by Anonymous Coward · · Score: 0

    http://www.musicbuilder.com/zaraza

    They offer ALL their stuff in MP3, high-bitrate too (LAME --alt-preset standard), not just the crappy 128kbps

  29. The Offspring? by travisbecker · · Score: 1

    I remember hearing that The Offspring wanted to release all the songs from their "Conspiracy of One" album for free on their web site, until the record label stepped in. Does anyone else remember this?

    Travis

    1. Re:The Offspring? by Glytch · · Score: 2

      I do. And you're right, that's pretty much exactly what happened. It got even funnier when Offspring started to sell Napster-logo hats off their website.

  30. Dave Matthews Band by Wonko42 · · Score: 2

    Dave Matthews Band was on Carson (Daly) a month or two ago, and said (if I remember correctly) that they don't mind song-trading at all, except when it involves their unreleased studio tracks, which they're a little embarrassed about.

  31. "You can burn a cd, but.." by feelsinister · · Score: 1

    John Mayer doesn't mind copying of his albums (at least his first album, which was out of print for quite a while). In his words, "You can burn a CD, but you can't burn a t-shirt". He also allows audience taping of all his live shows. Oh, and Strike Anywhere have pretty much their entire discography available in [128kb/s] Mp3 on their official website, so I'd say they're pro trading.

  32. This need is real by melquiades · · Score: 2
    I was considering what I'd personally want to be allowed to do.

    ...which is the most reasonable thing in the world. There's a real need for making licensing options a natural part of music distribution, for both the artist and consumer. I'd actually like to see an industry standard for encoding specific licensing grants (e.g. commercial use, derivative works, etc.) as a part of standard audio formats. A curious listener could just click a button in their audio player to see a track's licensing. Since audio generally doesn't come with a README, making this information part of the file format itself is essential.

    Responsibility for respecting copyright ultimately falls on individual consumers -- so it seems a good idea to make that responsibility as easily and approachable as possible.

  33. the Legendary Pink Dots are taping-friendly by Bogatyr · · Score: 2

    and encourage non-commercial trading of live performances of their shows. A given venue they are playing at may not permit taping, of course.
    Some links if you're unfamiliar with the Dots:
    fall 2002 north american tour dates so you can go tape :),
    The Official Live LPD Archive, roughly 30 live shows complete, over much of their twenty-year history
    LPD official website
    (Not an affiliate of any kind, just a fan)))

  34. MOJO by jayayeem · · Score: 1

    Mojo Nixon Supports taping and distributing of his performances,\ and his studio recordings. He may even own the rights to his songs.

    Don Henley must die

    --
    I metamoderate, therefore I am
  35. a lot by Antipop · · Score: 3, Interesting

    I think just about every single indie band supports it, or at least doesn't mind. The more people these bands can get their music out to the more people who will come to their shows. I know that I will look up show listings for my area, download some MP3s of the bands I haven't heard before, and make my decision as to who gets my money for that weekend.

    I know I've heard a few bands say that turnout for shows in smaller cities has actually been getting better, and a lot of kids will say it's because they checked them out via MP3.

  36. Metallica by leviramsey · · Score: 1

    Metallica are dead-set against sharing of studio albums (and concerts which they have recorded and released). However, they have always allowed taping of concerts and trading/sharing of concert recordings.

  37. Leftover Salmon by Llama+Keeper · · Score: 3, Interesting

    Leftover Salmon those crazy "Polyethnic Cajun Slamgrass" musicians allow live taping of their shows and have several shows "off the board" up in MP3 format on their website here.

    I think the majority of bands of the "jam band" genre are cool about low key bootlegging and people trading their music.
    The local jam band from my whereabouts Toadstool Jamboree is pretty cool about bootlegging as well. I got permission to throw my DAT on the board at a couple of their shows.

    I think its mostly the uptight corporate bands that have such an issue with people MP3'ing. Most of the lowerkey / unsigned / indie bands don't really make much off of CD Sales and aren't in music to make a bundle, rather they love entertaining and would rather you buy a t-shirt and pay admission to their show. They also manage themselves typically so they aren't getting screwed by industry insiders.

    Just my Opinion, but check out Toadstool and LOS... rocking music, plus you get to say slamgrass :)

    --


    Rule of Life Number 2: Remember, it can all go to hell at any minute. --Jimmy Buffet
  38. Answer: Some of the same one's quoted... by WEFUNK · · Score: 2

    ...on www.musicunited.org which is the website of the RIAA backed organization behind the recent ads and TV spots. If you check out their page of quotes you'll notice that some of the quotes like "artists should get paid" have apparently been taken out of context. And their list of 80 names really isn't very impressive considering the numbers they could have gotten.

    For instance, they quote Neil Young as being against file-sharing by using a quote from Yahoo! Entertainment News: "I don't like to have a record out and have people hear versions that we don't want them to hear. With the Internet, there is no more privacy and not even the chance to express yourself in front of your audience in the intimacy of a concert that lets songs evolve. You can't do this because they immediately get circulated."

    For enough, but this doesn't necessary mean he's against file-sharing, only that he's frustrated when unauthorized songs are released. Maybe they did get his permission, but since he isn't listed on the actual ads I sincerely doubt it. He's also on the record as talking to BusinessWeek about Napster: "It's great. Whatever gets the music around. The record labels will worry about that, and I'll worry about the music." I wonder how many of these other artists have similar views and if they realize they are the being represented as the poster children for anti-piracy.

    I would LOVE to see someone make a parody of the these ads with a list of equally prominent artists that have come out in favour of file-sharing. You could change the tag-line to "we don't care about file sharing" or something, and maybe take a dig at the RIAA for mispresenting certain artist's views ("libel is wrong").

    --
    My next sig will be ready soon, but friends can beat the rush!
  39. Bj�rk does by dragonfly_blue · · Score: 5, Informative
    She had the most interesting things to say about why she wrote her album, Vespertine. It's an amazing work, I've never heard anything like it before.

    "...Its also like a love affair with a laptop. I wanted to make modern chamber music. And it's a love affair with two things: the home and laptops, basically saying that a hundred years ago the most ideal music situation was in the home, where people would play harps for each other, or tell each other stories. And in the middle of the century it became the opposite, the most ideal music situation was something like Woodstock, with many hundreds of thousands of people hearing the same song in the same mud pit, having the same euphoric experience, and the target, sonically, was to make a stack of amplifiers that could reach China. I think we've come full circle and the most ideal music situation now, through Napster and thr ough the Internet and downloading and DVD, is back to the home...."

    In another interview I read, she said she composed the album with the idea in her mind of her fans sharing the album through the web, and wrote much of the lyrics as a kind of "whispered secret" for listeners to enjoy. I think she's one of the few artists who realizes that without her fans, she wouldn't be where she is today.

    Chuck D. has also seemed to be fairly clueful about the web, although I'm not sure how he feels about P2P apps.

    --
    Free music from Jack Merlot.
  40. The Sound of Urchin by mcSey921 · · Score: 1

    The Sound of Urchin supports both "tape trading" and the free distribution of everything but their latest work (CD) online.

    At first I thought that seemed naive... the songs are gonna get shared, but then it occured to me that the average time it takes to get a "non-hugely popular" track seeded to a P2P network is far less than the amount of time that most new CD's have on a national distributors (Best Buy etc...) store shelf.

  41. Pearl Jam by Puggs · · Score: 1

    Im not too sure what thier stance on p2p etc is, but they released all the live concerts for their last tour - all 70-odd of them! the good thing about these releases is that there is NO COPYRIGHT anywhere on the cds - Pearl Jam even encouraged copying them between friends & p2p iirc, their words were something like this: We're releasing these so anyone can hear our shows - buy the one you went to but beg,steal copy the others if you want them Theyre also very friendly about personal camcorders at their show & have a HUGE fanbase of vcd traders of their shows - http://www.theskyiscrape.com/

    1. Re:Pearl Jam by cavaroc · · Score: 1

      I remember seeing Pearl Jam on Letterman right around the time when Napster was gaining publicity. Letterman asked them what they thought about people copying their music and I pretty clearly remembering Eddie Vedder saying something to the effect of "get it any way you can."

      --
      My spoon is too big.
    2. Re:Pearl Jam by Puggs · · Score: 1

      Yeah, that sounds like Eddie ^_^

      'Any way you can' in my case means buying the albums (twice in one case *drools over Vitalogy on 12"*),buying the one concert i went to (and getting a vcd of it as well) then getting all the others from p2p/ftp etc

      I did have a huge collection of live/rare covers by PJ, all thanks to napster, until partition magic decided to die whilst resizing my music partition to fit linux on, but thats another story........ - About a week after this happened, napster was effectivley shut down & ive never been able to get them back....

  42. Most if not ALL of them ... by trexl · · Score: 1

    I know that it might not be the 'technically' correct answer, but I've been hearing things like 'cover songs', 're-mixes', 're-interpretations', 'sampling', and so on and so on.
    Metallica has 'shared' songs on garage days where they paid a royalty and distributed millions of copies. Dr. Dre shares quite a few things, some of them without permission(there's a lawsuit filed against him now for that song 'contagious')
    I'm not trying to bash the artists, I like both of their work, but just thought that I'd offer examples of the two biggest opponents of file sharing.

  43. But look what's happening by Anonymous Coward · · Score: 0

    http://www.theonion.com/onion3618/kid_rock_starves

  44. Re:Ever heard of The Newsboys? Gospel spreading by Anonymous Coward · · Score: 0

    I'm going to guess that it's because they're a Christian band and are happy to have their work spread as a teaching of the Lord or something along those lines.

    ruthie - who is NOT Christian, but still loves their Going Public album

  45. Music that's free to copy by zoeblade · · Score: 1

    You can copy my music which is available in Ogg Vorbis format. How many other musicians here have released their music online? Surely more than have spoken so far.</SHAMELESS PLUG>

  46. Acoustic Rock for you by Washizu · · Score: 2

    Feel free to share my music files:

    bengarvey.com

    --
    OddManIn: A Game of guns and game theory.
  47. Diskonto! by Anonymous Coward · · Score: 0

    Diskonto play fierce hardcore punk (if you think blink 182 and friends play punk, this is not for you) and they have their complete discography available in mp3 format.

    http://www.diskonto.org

  48. Passive Aggressive by donutz · · Score: 2

    They don't technically exist anymore, but they're all for getting their music heard. Download their songs from mp3.com, or the solo songs from the lead guitar/singer, Charles Balter.

  49. Mod Parent Up! by DeltaSigma · · Score: 1

    Mod Parent up +1 Real Punk.

    I just checked them out and, yes, they're real punk. I'll tell you something AC, I didn't expect to see anything true to a subculture in this thread. Whoever the hell you are, thanks for being able to see past the RIAA's (mostly successful) attempt at commercializing what should have always been free.

    If you know any other Punks, tell them to "hang in there" for me.

  50. Public Enemy and Slamjamz by Tha_Chaotic_1 · · Score: 1
    I attended a lecture conducted by Chuck D of Public Enemy and I reckon he may be the coolest human being I have ever met. He's started an online label called slamjamz which allows sharing of music files (all MP3, but I assume he would be down with Ogg) and has a pretty nice method to allow users to pay for downloads and support the artists. You pay for credits which you can then use to purchase tracks, although many are free to download and all are Free to share.

    On a shameless side note, my band will be releasing tracks which are available free of charge and Free to share.

  51. YASP by Anonymous Coward · · Score: 0
    No, not W.A.S.P.--not sure if they're still around, nevermind supporting p2p. ;) Yet Another Shameless Plug: Cold Fusion!!! Mp3s are in the media section. Great, great band in the NYC area. A nice blend of folk and rock. Ignore the horrible page layout--it was done by a band member (he's a *MUCH* better guitarist than he is a web designer).

    If you like what you hear, drop the band a line and mod this up!!! :)

  52. Geez, its obvious you are not a musician. by teamhasnoi · · Score: 2
    C'mon, get a job? Is that to say that actors, comedians, writers, and freakin' jugglers don't work? Or that they should 'get a job' too? Or that if they do these things they should not get paid? What constitutes a job? Coding software? Digging ditches?

    I 'worked' for two years as a musician(only - no day job), and it was hard work and rewarding ($$ and otherwise).

    Fun is fun, but people should get paid for entertainment. It's their time and talent in exchange for your money.

    Hmm. That sounds a lot like my day job.

    Forgive me, but when I hear 'get a real job' I about have to smack the person (who most likely has never even attempted what I do - drunken kararoke doesn't count)

    1. Re:Geez, its obvious you are not a musician. by anthony_dipierro · · Score: 2

      C'mon, get a job? Is that to say that actors, comedians, writers, and freakin' jugglers don't work?

      No, it's not. But most of them don't own copyrights either.

      Or that they should 'get a job' too? Or that if they do these things they should not get paid? What constitutes a job? Coding software? Digging ditches?

      A job is "a regular activity performed in exchange for payment." But I thought you knew that.

      I 'worked' for two years as a musician(only - no day job), and it was hard work and rewarding ($$ and otherwise).

      What's your point?

      Fun is fun, but people should get paid for entertainment. It's their time and talent in exchange for your money.

      I never stated that people shouldn't get paid for entertainment. Firefighters should get paid for fighting forest fires. That doesn't mean they should own the trees and houses that they save. Teachers should get paid for teaching. That doesn't mean they should own the students they teach, or should receive royalties when those students get a job. Entertainers should get paid for entertaining. That doesn't mean they should own the entertainment they produce.

      Hmm. That sounds a lot like my day job.

      And if your day job is something that benefits society, then you will still get paid. That's how capitalism works. If you can perform a service that people desire, people are willing to pay for that service.

    2. Re:Geez, its obvious you are not a musician. by anthony_dipierro · · Score: 2

      Let me add this...

      I 'worked' for two years as a musician(only - no day job), and it was hard work and rewarding ($$ and otherwise).

      Did you ever sue anyone for copyright infringement? Do you think fear of being sued for copyright infringement caused anyone to buy your music?

    3. Re:Geez, its obvious you are not a musician. by teamhasnoi · · Score: 2
      Entertainers should get paid for entertaining. That doesn't mean they should own the entertainment they produce.

      Do you mean to say that when a writer writes a book and publishes it himself, that he no longer owns the story? Granted, the purchased book is yours to do with what you will, but copyright prevents me from slapping my name on it and calling it mine. I wrote about this earlier..here

      I DO think I should be able to 'own' a song I write. I wrote it! I labored over it, was not under contract ('write a jingle for Goldfish crackers for us'), and created it out of nothing. If someone wants to share it online, I don't care (talk to me when I'm a rock star, I may feel differently. ;) But the song is mine and attributed to me, not the Doobie Brothers or Elliot Smith.

      I appreciate the 'twilight zone' confusion of copyright, especially now that it has been pushed into things that it was never meant to deal with, and situations that were not forseen (instant mass publishing) however, I believe copyright is a useful thing for what it was originally intended to do: Protect an authors work from plagarism and allow the author of a work exclusive use of it for a *limited* amount of time.

      A quote I read the other day was, "Copyright in America seems to be extended whenever Micky Mouse is about to fall into public domain." That's what I hate.

      BTW; I have not sued anyone for copyright infrigement, nor been sued, but there is always hope - bad artists borrow, good artists steal. :)

    4. Re:Geez, its obvious you are not a musician. by anthony_dipierro · · Score: 1

      Do you mean to say that when a writer writes a book and publishes it himself, that he no longer owns the story?

      Yes, that's exactly what I mean, except for the "no longer" part. He never owned the story. You can't own stories. They're not physical things.

      Granted, the purchased book is yours to do with what you will, but copyright prevents me from slapping my name on it and calling it mine.

      No, plagiarism laws prevent that. I never implied plagiarism was OK, I implied copyright infringment was.

      I DO think I should be able to 'own' a song I write. I wrote it!

      Fair enough. I disagree.

      BTW; I have not sued anyone for copyright infrigement, nor been sued, but there is always hope - bad artists borrow, good artists steal. :)

      Well, the reason I bring that up is because I contend that it shows that you don't need copyright law to make money off music. You know this, since you've done it.

    5. Re:Geez, its obvious you are not a musician. by teamhasnoi · · Score: 2
      Ironically I made money by playing cover songs. But that's just between you and me. ;)

      So you are for the complete freedom of intellectual 'property' (for lack of a better word).

      Now the Devil's Advocate in me asks what you do for a living, since I can't help but think you might feel differently if you were an 'author'...

      To be fair, I personally saw the end of copyright when Napster was just starting up and I heard you could pretty much find whatever you wanted on there. My idea of the music 'buisiness' took a sharp turn on that day. I realized that mp3s and p2p were going to shake things up and mess with a lot of wallets. (not mine, at the time)

      Of course, when you are deeply involved with biz and study up on that whole scene, it's tough to let some ideas go.

    6. Re:Geez, its obvious you are not a musician. by anthony_dipierro · · Score: 1

      Yeah, I pretty much don't believe in copyright, though maybe I could see it being necessary for fiction books.

      I'm not an author, but I think that's what allows me to see the issue more clearly. I mean I don't blame tax preparers for being opposed to vastly simplified tax laws on the grounds that it will put them out of business, but at the same time I don't think the fact that some people will have to change professions justifies keeping a particular law in place. I dunno, maybe that's a bad analogy...

      But even most 'authors' (now I'm talking about independent songwriters) I've met don't really make any money due to copyright. I mean, they rely to some extent on people buying CDs, but really that's a donation, not people paying because they're afraid the feds are going to come after them. It seems to me that abolishment of copyright would only help them, because it would probably eliminate the mega-pop-star, and send more money the way of the independents.

      I dunno, I guess I realize I'm being naiive and idealistic, not so much in whether or not it would work, but in whether or not it's possible. Like the simplified tax laws (although admittedly much more so) there are just too many people making too much money off the current situation for it to change. Napster is a step toward it, but I still doubt I'll see copyright law overhauled in my lifetime.

      Of course maybe if we had replicators... Of course that would probably be the end of the world anyway, due to nuclear terrorism, if nothing else.