Firefly Likely to be Cancelled
rscrawford writes "Zap2It is reporting that Firefly, one of the best science fiction shows to make it on to network television in recent years, is going on hiatus: read, getting canceled. Well, it was an interesting, well-written, provocative and intelligent show on Fox; is anyone therefore surprised that they're doing away with it? It lasted a lot longer than I thought it would. At least they're going to show the original 2-hour pilot in December. (And yet, somehow, Just Shoot Me continues...)"
It makes you think to follow the plotlines, there are no 'magic' answers to every problem, the characters have real-life type problems, and the dialog was halfway intelligent. Who'd want to watch that when we've got David Spade?! Seriously though, look how successful lowbrow stuff tends to be, versus 'the other stuff'. How long did Roseanne run?
Don't park drunk, accidents cause people.
the show was not as good as you thought it was. How many times have we seen recently stories lamenting the demise of (insert sci-fi show) and how the networks just don't understand how good it was.
/. crowd to agree it was good let alone the general public. It's time the /. crowd faced the facts ... the average joe would sooner watch Just Shoot Me than some weird sci-fi show.
Okay, maybe to a small minority (uber-geeks) it was great but you won't even get the whole
Yes, you are a minority and as such big business is not going to care too much about you when they axe the show you love and keep another show you detest but is loved by the masses.
"She's a West Texas girl, just like me" - G.W Bush Iraqis
If Firefly had C'tarl C'tarl in it, I'd have watched.
If this is an "excellent" sc-fi show nowadays, then I fear the entire genre has gone to hell and back. This show was pure crap. It was probably the most boring show on TV, next to Dr. Phil or some other BS. I had the displeasure of watching it twice, decide dot put it on my blacklist after that. Who likes this stuff? It didn't even seem like sci-fi at all, more like a soap-opera in a giant tin can. Oh sorry, its in "a boat". My mistake. (Somehow, calling the ship a "boat" is supposed to make it hip and cool or soemthing)
http://slashdot.org/comments.pl?sid=40356&cid=4301 310
My prediction came true too. :)
It just sucked on so many levels I don't know where to start. Oh, wait. The audience was supposed to immediatly get all the tounge and cheek humor etc etc right off the back. I mean after years of watching Buffy it shouldn't be a problem.
Though that was exactly it! It was Buffy in space! Same style of humor, different setting. Why the hell should I waste my time watching this??? I'd rather watch re-runs of the 5th Wheel.
I could write more about this piece of trash but instead I'll write another letter to SCIFI begging them to keep farscape. I'll be sure to mention to them that what's was firefly posing as their competition has decided to take a uh... vacation.
www.savefarscape.com
Peter
www.alphalinux.org
Too bad each network has a few dozen shows to run each week.
This really gets back into the short term success syndrome that trashed Wall Street, among other things.
"It is a greater offense to steal men's labor, than their clothes"
I was browsing the Fox firefly boards (fox.com/firefly) today and a lot of people there know about this "hiatus" already.
It's possible show has been cancelled but, AFAIK, the "official" word from Fox is that they are going to "heavily" promote the show in December (next new ep is Dec. 6), and see if the ratings pick up. If not, it's gone.
Currently the show has 13 episodes filmed (I think, don't quote me) and a few more (up to 4) scripts ordered. If they were going to cancel it I think they would just come out and say it, rather then beat about the bush like they seem to be doing.
It would be a shame, IMO, if they cancelled it. Some of the eps were not very good (including the pilot...) but others ("Out of Gas", "Our Mrs. Renyolds") were fantastic.
Damn, I like the show. Flawed characters, dark universe, and plots that didn't always wrap up cleanly at the end of the hours. It's like the first season of Babylon 5, which ended up being the-best-scifi-show-ever (At least in my universe of non-cable TV).
./ . Honestly.
But I see that I'm in the minority.
Fox never even tried:
- They never showed the pilot, which probably explained some of the 'why' behind the creepy universe
- Never seen an ad or promotion for the show outside of
- It's on Friday night. Most Friday night shows seem to fail. Firefly is the best show that I never watch. Why? I'm usually doing something that night, and I'm the idiot who always forgets to program his VCR, comes home at midnight and slaps his hand against his forehead.
It never had a chance to get off the ground. But then, this is Fox: Beater of dead horses.
"Can of worms? The can is open... the worms are everywhere."
The re-tooled fox schedule can be seen here.
They leave hope that 'Firefly' may be moved to the Monday 9/8c timeslot at a later date. Hiatus doesn't always mean a show is canceled. 'Andy Richter Controls the Universe' is coming back soon after an extended break, for which I am thankful.
-R
It is no surprise because it is not Malcolm in The Middle in the eye of FOX executives.
FOX is not SCI-FI friendly.
Remember FUTURAMA, it's been on the edge of cancellation almost every season.
Doesn't matter iof FIREFLY is a good show, it is no TEMPTATION ISLAND!
FOX is the greatest, FOR ME TO POOP ON!
Only THE SIMPSONS remains.
But really, compared to Enterprise, it was different and interesting. Some episodes are better than others, but the last few were getting good.
It is too bad we really are locked into this Star Trek type of Sci-Fi on the main channels. You have to get SciFi to get Farscape, and most people don't get SciFi.
Is there some petition somewhere to save the show?
It's either on the beat or off the beat, it's that easy.
I moderate therefore I rule!
--
I discovered Firefly two months ago when it was a Slashdot poll and now I'm hooked. That would totally suck if it was cancelled... I reckon.
-- Thou hast strayed far from the path of the Avatar.
This would have been a perfectly good answer to the story earlier about likelyhood of OpenSource going mainstream. Why would anyone want OpenSource to do just that.
Help fight continental drift.
You know, I wish Fox would can that lame John Doe show, and would promote Firefly more. Joe Doe is total trash. Nothing new in that show.
It's either on the beat or off the beat, it's that easy.
I moderate therefore I rule!
--
Firefly is a great example of a show that runs counter to every trend on tv today. It is not dialogue driven - instead of shooting two pages of script per minute (like Friends), they're content with shooting maybe a half a page. There is no formulaic bad guy vs. good guy, with predictable special effects climax every episode. It is serial - every episode builds on previous episodes to develop the characters, instead of waiting a few seasons to give each character a defining moment.
Basically, it's a throwback to TV of maybe 40 years ago, with a deliberately slower pacing. As a result, it's pissing off executives, all of whom grew up on MTV and who are twiching for more dialogue, more scenes, more explosions. They don't feel that they're getting their money's worth, thus, lots of pressure on Josh to either change the show, or get quashed.
I only hope someone on one of the cable channels (SciFi, or Showtime) picks up Firefly, so I'll be able to catch the rest of the series when they syndicate it...
Mark my words, eventually all you'll see on network TV is Jerry Springer, Judge Judy, and America's Most Dangerous Police Chases, and the crap that they like to pass off as the nightly news. I only hope that we can limit the brain-damaged execs just to network tv, and keep stuff like PBS and cable relatively uncontaminated.
A Sci-Fi televison show is one of the trickiest of products to sell because the consumer base is much too fragmented. You have your "hard sci-fi" fans, your sci-fantasy/space opera buffs, your military SF fans, your fans who always want a "Politically Correct" message, etc.
With such multipolar market psychographics, the tendency is to try to be safe and give the show "something for everyone". Of course, the result is invariably a fragmented mess of a show, and the viewers stay away in droves: thus Firefly. Occasionally, a television show will be able to pull off the trick of satisfying most if not all of the sci-fi consumer market, Star Trek: TNG being the classic example, but such instances are far and few between.
A simpler strategy is to go for a single segment of the target market, and hope that a cult following develops, one which may even blossom into a mass following. These types of show are usually seen in syndication or on smaller networks. Successful examples of this type of show include Buffy The Vampire Slayer (target market: Goths) and Xena, Warrior Princess (target market: Lesbians).
In retrospect, it is obvious that Firefly was much too ambitious a show. The producers of the show took a big chance, and they failed big-time. It didn't help matters that the show was badly written - they couldn't even get the title right: how many sci-fi fans are going to get excited about watching a show called "Firefly"? - and shown in an unfriendly time slot. Television programmers developing future sci-fi shows would do well to pay better attention to the people who watch them.
This is not flamebait.
I watched Firefly for a few episodes and found it very boring. The only part that was slightly interesting (the hidden crush thing) was overcome with the hokey idea of the gunslinger in space theme that, while interesting, was never taken advantage of, and therefore it lost viewers.
I'm sure showing the pilot would've helped the show, but the first three episodes that aired (the only ones I watched), just got more and more drab. It would've been nice to actually seen the origins of these characters but, gathering what I did on those that aired, the whole thing was a misfire. Regardless of its cult-like status (whenever a show is beginning it falter and the three people who like it complain, suddenly there's a "cult"), maybe Josh Wheadon doesn't have the golden goose.
You want to see a high-concept new show that's actually worth your hour? Check out John Doe. A slightly sci-fi, slightly X-Files, slightly CSI type show that delivers on suspense, mystery, and solid writing. While it can't be this good for long, it sure beats Firefly.
Good riddance.
Shows like Firefly give bad name to scifi genre. I've seen every episode of the show except for the pilot and everyone of them was a shameless ripoff of a 50's spaghetti western show dressed up as scifi. It is difficult to translate good science fiction literature to film and even more difficult to translate it to TV series because the best scifi (IMHO) deals with a new ideas and how these ideas shape the environment and behavior of people. I consider books by Neal Stephenson or Vernor Vinge to be in this category -- they are popularly known as hard scifi. The other end of the spectrum are the books that use unusual setting like space ships or exotic planets to suspend disbelief in order to expose fundamental and unchanging elements of human behavior by putting characters into unlikely situations. Solaris which is coming out on big screen is allegedly this kind of a movie. Succeeding in this category requires a truly gifted director who can get the most out of actors and the human elements of the script.
The first few episodes weren't great at all. I was about to stop watching, but somebody lent me a couple more taped episodes and they were really good. Good old Josh has struck a great combination of interesting characters, unusual situations, and funny dialog. There's just something appealing about a honorable thief and his crew of misfits.
If it really gets cancelled I will definitely miss it, best SciFi since ST:TNG.
I got hooked on "Space Above and Beyond"... canceled
I then got hooked on "Earth 2"... canceled
I knew as soon as I got into Firefly that it would probably have the same ending. It seems the general population can't appreciate simple, innocent humor and are too impatient to let the characters develop. If the orginal Star Trek didn't have such a cult following I wouldn't have been surprised if TNG got canceled after the first season as well (which obviously turned out to be a great show !
Yet another sign of societies seemingly downward spiral... hopefully not I hope.
Eddy.WriteLinux.Com
Red Dwarf was much more entertaining than firefly.
The one episode I saw wasn't terrible but it wasn't great either.
The man who trades freedom for security does not deserve nor will he ever receive either. - Benjamin Franklin
Honestly, I wasn't a fan of this show, either. The whole "Gunsmoke in space" theme wasn't working for me, as I REALLY can't believe that human beings will still be having sword fights and rustling cattle two centries from now.
the whole show was just a ripoff of Outlaw Star anyway.
That bitch is about five months out of date. Before the show debuted, lots of know-it-alls were comparing it to Outlaw Star. Since the show's been on, the only people to draw that comparison have been people who've never watched Firefly.
Complain all you want, but at least make a passing effort to stay up-to-date.
I write in my journal
I like just shoot me!
====
Crudely Drawn Games
I'm thoroughly convinced the entire nielsen
system needs scrapped. It's outdated, and
not representative anymore. How hard would it
be to come up with a better system? How inexpensive
would it be to poll directv customers to see if
they'd be cool with having their viewing habits
monitored? Or cable customer for that matter? In
this age of computers, how hard would it be to
compile data if every single viewer ELECTED to participate
in this type of monitoring? Not very hard me thinks.
Those nielsen ratings are why morons like Barry Diller
decides he doesn't like "space shows" and why
they do dumb shit like show freaking Braveheart
on SciFi now.
The most important thing any republican needs to know.
There is no formulaic bad guy vs. good guy, with predictable special effects climax every episode. It is serial - every episode builds on previous episodes to develop the characters, instead of waiting a few seasons to give each character a defining moment.
Sound familliar to another genre perhaps? You don't have to go back 40 years to see this style. As I said above, Firefly is nothing more than a crappy space soap opera. That is why it is being canned. Sci-Fi fans like me don't want to watch Days of Our Lives on a "space boat". We want interesting, believable stories with a scientificlly plausable background at least (not some faster than light boat that uses a gear powered engine). The show was horrible. It is over with. Move on.
Remember they cancelled another good scifi show they could show this tripe. Dark Angel was infinitely better then Firefly IMHO.
Gorkman
It's Dark Angels old time slot. That's why Dark Angel got canceled. I mean Jessica Alba rocks but on a Friday night I'm looking for the real thing.
I hate Firefly with a passion, it wouldn't have done well in any time slot, but that slot sucks for any show.
One thing that Firefly got right was that whenever the camera was in the vacuum of space there was no sound. That's one thing that's always bugged me about sci-fi shows.
The show failed because it never had an audience. Science aspects of the show (as much as I could suffer through) are abysmal; one can find more science in "The He-Man" :-) Fiction aspects (human relationships) are hardly appealing to technologically inclined. Style of a western best caters to my grand-grand-parents. So who is left there to watch?
For me, the show was not interesting. I watched only 1/2 of an episode; could not tolerate more. If there are good scenes elsewhere, I will never see them, because I am not willing to dig through a huge heap of junk for that. Yes, episodes are available on the Net. But they are not worth a blank CD.
However, Lexx is interesting, and Farscape, because these are shows which build their own Universe and play by the rules of that Universe. These show's writers have imagination. I like that.
Wait, let me get this straight...
New TV shows are actually rehashing old plots?
Oh the travesty!
The melange of a futuristic society with Old West paraphernalia and situations was just too much to allow the suspension of disbelief. I watched 3 episodes and have the rest on my Tivo; I can't bring myself to watch them.
Oh, leave it out. Dark Angel was okay for about six episodes. The concept was entertaining, but they never went anywhere interesting with it. The chemistry between the leads was good, but then they blew it with that incredibly convenient virus subplot or whatever it was. Dark Angel started strong, but just went nowhere.
I write in my journal
I'm dissapointed in two things, actually- first that Firefly is getting mistreated by Fox, and second that the majority of the posts on here are anti-Firefly.
Seriously, the writing for this show is great. I like the dialogue, and I think the acting is passable even at it's weakest moments. I happen to LIKE the Buffy sense of humor- it's dark, sarcastic, and funny as all hell. The only problem with it that I notice is that they're a little inconsistant with when they use their southern drawl, but if they actually get a fair run in a decent time slot I'm sure they'll clean that up.
They've got some pretty ingenius stuff in there that no one else has the guts to do: for example, every so often the characters will break into a little rant of Chinese. And they're the only scifi show I can remember that's actually done the no sound in space thing. It's not formulaic at all- it doesn't steal from Star Trek or Star Wars, though it's closer to Star Wars out of those two. It's the best example of genre-blending I've seen in a long time.
Some individual responses:
Blacklist Blacklist: Sounds like you just need to learn how to use your Tivo- Firefly's on Fox, Everybody Loves Raymond is on CBS, and Just Shoot Me's on NBC. Oh, and King of the Hill is lame.
Leonbev, Anoynymous Coward #1, It's the first bloody season. Let them work out the kinks before you condem them based on the first episode. As for the sword fight, fencing has been a sport for hundreds of years, and I don't see it going out of style anytime soon.
Zaren:
What you saw wasn't the real pilot, Fox is just retarded. That big bad guy hasn't been in any of the other 9 episodes, or even mentioned. And I for one thought it was hysterical when the big buff guy got kicked into the engine. Dark humor rules.
Snoopy77: I think a more likely explaination is that it is every bit as good as I think it is, but people watch too much Friends and trash like that to be able to appreciate it.
Bowie J. Poag: Um... there's one black chick. Other than that, there's eight white people. You dazzel me with your intellect.
Brunes69, you like Enterprise... I just don't know how to classify you other as than someone with no taste whatsoever. Lemme guess, you liked Voyager too? What're you, 12? These last two shows have nearly killed one of the greatest franchises of all time with lame ass writing. Enterprise couldn't even come up with an original ship design that fit into the era it's supposed to take place in- they just stole the design from the Akira Class. They have way too much technology too. I could go on for pages about why Enterprise sucks.
Jpt.d, Andromeda was something they fished out of Gene Roddenberry's trash pile.
Ko5mo, I don't know what show you've been watching, but there's been virtually nothing BUT character development.
Ppetrakis: You're just bitter 'cause they canceled Farscape. The ONLY thing this show shares in common with Buffy is the humor, which, as I said before, I find very funny.
Xagon7: John Doe is a ripoff of The Pretender. It was ok... but it didn't really grab me after the first couple of episodes like Firefly did.
Ok, I've given my 2 cents. It's a good show, dammit!
I watched the first two episodes of Firefly, and just thought it was okay. It didn't put the hook in my heart like 24 did after I caught one episode. Still, I can feel the pain of those who loved the show. FOX has fucked us all at one point or another-- for example, I stubbornly refuse to remove Family Guy and Undeclared from my TiVo's Season Pass list, for sentimental reasons.
Someone needs to start up a cable network just for all these promising and/or loved-by-a-small-but-loyal-army shows that were killed prematurely-- maybe make it a pay channel like HBO, and let the subscribers vote on the schedule. Then we discriminating viewers will have something to watch while the majority (read: morons) are enjoying "American Idol 8," "Celebrity Bukkake" and "World's Wildest Snuff Videos."
~Philly
I REALLY can't believe that human beings will still be having sword fights and rustling cattle two centries from now.
Why the heck not? We are still having sword fights and rustling cattle today, after all. We live in a world where 747s and Bedouins coexist. We have soft-serve ice cream, HDTV, and artificial limbs, but we also have subsistence farmers, yak herders, and those stone-age people they discovered in New Guinea a few years ago.
If you go to Australia, you can drive a couple of days from a 21st century city of four million people into the middle of the desert where people live pretty much the same way they did 40,000 years ago. But once you get there, you'll probably see somebody wearing an Adidas tee shirt or a pair of Reeboks.
The writers of Firefly just expanded this idea. Instead of having a few population groups living pre-modern lifestyles scattered across the globe, they have a few planets full scattered through a solar system. And just like in the real world, those scattered groups of "primitives" will have a few pieces of modern technology at hand, surrounded by whatever they could make themselves.
It's a much more plausible idea than you may realize.
I write in my journal
but without Sean Connery. I had trouble finding a character I could identify with, much less care about, and found it confusing - they have hyperdrives, but need people-power for 1800s technology for things like railroads, food, and mining. Much of the rest was cliché - in fact it seemed like a collection of them.
Another thing was too many characters, all with some complex secret past that wouldn't be fully revealed until a 4th season. No one was on screen long enough to make enough points to be 3-d.
I still have the episodes on my PVR, and may scan through them yet. Some of the later episodes seemed to begin to explain things.
Many people seem to want to watch anything labled "sci-fi" that isn't really good, or has no science. And part of the problem is too much is PC so I doubt any real issue will be tackled which was the redeeming feature. Simply writing a plot that occurs in the future, or in a fantasy or spirtual meta-world doesn't redeem the plot, or the characters.
And especially if there is bad science. Farscape at least had one character admit it (we can't have been shrunk since the oxygen molecules wouldn't shrink so we wouldn't be able to breathe). It is one thing to ask me to suspend disbelief. It is another thing to push absurdity or contradiction.
SciFi is interesting because of the wonder of exploring new worlds.
But I find many cartoons (and I don't mean Animé which almost always achieves a high level) better than something like FireFly, at least as it started.
Firefly was followed by "John Doe" which was more interesting and had the scifi elements including a main character that knew everything about everything except himself and this created tension from the first episode. It replaced Dark Angel which also had a similar tension (though the last episode of the first season and the transition pegged my absurdity meter).
Maybe it will pick up, or maybe it will be cancelled. But I don't think it will be the death of SciFi. They will need to wait for something more innovative and something that does take chances.
Step back. Breathe. Now chill out a bit.
Being the kind of guy I am, when a likely potential presents itself, which does not depend on me thinking the worse of other human beings, I will tend to latch on to it in the hopes that such common sense thinking will prevail.
Let's look at another likely occurance here before throwing up the age old (but experience-proven, I will grant you that) addage of the average intelligence of your network executive and *gasp* give them the benefit of the doubt here for a second.
Firefly episodes will run thru December.
Farscape, which also airs in that exact same "Timeslot of Doom" will begin its run of final (Yes. I know. That argument is neither here nor there. Save it for 2003. I'll be there in the trenches with you.) 11 episodes starting in January.
Can we see a pattern here?
So a hiatus with the provision that the show will return in a different timeslot than it's main competition in the genre this year makes a bit of...well..sense, doesn't it?
Quite possibly Firefly will move to Monday's at 9pm, but I don't know how well that will fit, with Boston Public likely to stay in the preceeding timeslot. But as long as I don't have to compete with Farscape and Firefly on at the same time, my scheduling duties will be that much less of a hassle and if this prooves to be true, I will be grateful to the execs at Fox...
That's assuming we all aren't right back here again within 6 months.
Experience-worn truths are usually that way for a damned good reason.
Oh, you mean like that incredibly moronic Andromeda episode, "Slipfighter the dogs of war?" `Course, Andromeda doesn't air on Fox last time I checked (syndicated), but still.
It just wasn't my cup of tea. I like SF shows, but this one just didn't do it for me. My reasons for not liking it shouldn't matter to you, so they won't be listed. If you liked it, more power to ya. In a perfect world, we'd all get to see the shows we like. Anyway, you guys should already know that "quality" in art is subjective. One man's treasure, etc.
You want art? Paint a fucking picture. Want to be entertained? Watch our shows.
The two aren't necessarily mutually exclusive, you know.
Although if you're talking about ABC, NBC, or CBS, they probably are. The last time I saw anything risky or artistic on one of those three networks was the pilot episode of ABC's short-lived and shamelessly political 1997 anthology series, "Gun." The pilot episode starred Daniel Stern as a struggling actor who interrupts a robbery at a convenience store and becomes a hero and a celebrity. It's got a "Sixth Sense" style twist to it, years before that movie was made, and it's brilliant. It also featured a subtly ironic theme song: "Happiness is a Warm Gun" performed by U2. None of the "big three" networks have done anything even remotely like it since.
Want to be entertained? Watch their shows. Want to be entertained and challenged? Change the channel. TV like that is out there to be had, but you won't find it on the low-numbered channels in prime-time.
I write in my journal
> ... the problem is too much is PC ...
Too much PC?!
You mean politically correct like kicking a bound bad-guy through your engines because you didn't like his attitude?
Or do you mean politically correct like having a prostitute lauded as the most socially acceptable member of the crew?
Or perhaps you meant politically correct like having the captain toss his first mate out the airlock for mutiny? (yeah-yeah I know he changed his mind before he died...)
Or you must mean politically correct like having the "naive" female engineer's first meeting with the captain with her dress around her ankles as she screws the previous engineer?
Yeah, you're right. This show is too timid to do anything that wouldn't be deemed "PC".
You must be watching a different Firefly than I am. I am watching a show with the most 'real-life' characters I've seen on any TV show.
- For the complete works of Shakespeare: cat
Comment removed based on user account deletion
Dark Angel had Jessica Alba in tight hotpants. It didn't need a freaking plot.
True, kind of. That young lady definitely had the best ass on television at the time, but that, by itself, somehow wasn't enough to hold my attention. I suspect it's because I knew this was a network-- Fox, yeah, but a network nonetheless-- and the chance for a glimpse of thong or, bless my stars, of butt cleavage was precisely zero.
Wanna know how to make the highest-rated show on tee vee? Put Jessica Alba in tight pants and have her run around a lot. Guarantee-- right there in the ads-- that there will be at least one gratuitous shot of Jessica's peekaboo thong per episode. Watch the ratings share for male viewers between 12 and death climb steadily toward 100%.
These are pearls I'm giving away here. Pearls, I tells ya.
I write in my journal
Actually Joss Whedon wrote the theme himself. Apparently it was the first thing he did after getting the show approved.
> they didn't understand the difference between a galaxy and a solar system
heh heh... you noticed that?
They fixed it in later episodes. Now the opening dialog doesn't say 'a new solar system' anymore. Now Mal says 'galaxy' or 'planets' or something that makes sense.
For the record though, I love the show.
I didn't realize it was in a bad time slot because I have Tivo. I only know that there's usually a new Firefly for me to watch by the weekend.
- For the complete works of Shakespeare: cat
Per fox's PR7
http://www.fireflyfans.net/news.asp?newsid=32
They are going to trade it. BTW, Zap2it has been ragging on firefly since day one. Take anything they say with a grain of salt.
"Firefly, one of the best science fiction shows to make it on to network television in recent years"
Hmmm, there must be another series called Firefly that I missed. The ones I saw were even less believable than Andromeda!
* As is generally the case, my opinions do not reflect those of my employer.
This is the first time I've heard of it. Yet, you can't watch Fox 5 minutes without seeing an ad for an upcoming episode of Just Shoot Me which I can stand to watch for all of 15 seconds before experiencing spontaneous clicker spasms.
Maybe they should promote it during Futurama... oh... wait.
That, and it says something about how sucky your promotion is when you don't find out about the show until it's about to be concelled, and you find out about it on Slashdot.
For all intensive purposes, "whom" is no longer a word. That begs the question, "who cares"?
Fox can't really change their audience quickly, so they just drop the good stuff.
"It's here, but no one wants it." - The Sugar Speaker
Dark Angel was a good show. I thought that the 2nd season was getting a tad weird but they could have dramatically improved it over a 3rd season. The cost for producing Dark Angel was cited as the main cause for opting for Firefly. Well, IMO they could have just spent less on the 3rd season instead of axing the entire show. IIRC Firefly wasn't even going to make it as the 3rd season of Dark Angel had been pretty much confirmed but it was at the very last minute that fox went with firely at the detriment of dark angel. Ahhh well...blame fox!!
Assuming people move into space, then all those people in space would be of the same heritage and desire the same technology
No, not under these rules. The premise behind Firefly isn't that the people who felt like it moved to other planets; the mission statement of the show starts with, "After the Earth got used up." Migrating to other planets wasn't optional. This results in a blindingly diverse universe in which to set one's stories.
All colonies and space-faring civilizations would tend to use as much tech as they could get their hands on & I'm sure companies would be perfectly happy to sell them that tech for a fair price just as they do today.
First of all, imagine being a Bedouin and wanting to buy a DVD player. To you and me, a DVD player costs about $90. To a Bedouin, that's more money-- equivalent exchange value, that is-- than he'll see in five years. Not to mention the fact that he's somehow going to have to get his hands on an electrical generator to power the thing.
And that's just in our world, where getting DVD players to Bedouins is only marginally more difficult than getting them to suburban teenagers. Imagine a setting in which you'd have to send an entire cargo ship across millions of miles of empty space to do the same job. Suddenly the barriers to trade become very real.
Furthermore, how long do you think that DVD player would hold up strapped to the ass-end of a camel in the middle of a desert? The sand alone would turn it into a $90 boat anchor in a few months' time, and boat anchors are of even less use to the Bedouins than DVD players are.
So we have three things: (1) the poorer settlements simply lack the resources to trade for even moderately expensive goods; (2) the moderate cost of these goods is multiplied many times over by the extraordinary cost of transporting them to the outer worlds; and (3) the rough-and-ready lifestyle of the frontier colonists puts serious limits on their demand for technological goods, either because they lack the infrastructure to support them, or because the goods just aren't durable enough.
One of the most durable pieces of electronics I've ever seen is an old Walkman that I've had since the late 80's. That thing has been hauled all around the world, dropped, submerged in water, you name it, and it still works. So I probably could give it to a Bedouin with reasonable confidence that it's not going to fall apart in a week of exposure. But where's he going to get the batteries for it?
In general, when cultures merge, the more primitive one adapts to include the technology of the other. This is evident in the lives of american indians, eskimos (enuit ), numerous tribes in africa, and most in south america that have had contact with the outside world.
Um... actually, in most of those examples you just named, the more "primitive" (for lack of a better word) group has been wiped out by the more "advanced" group, either through active genocide, or through disease. The Europeans became the dominant group on the North American continent because smallpox killed off most of the natives.
But if you look at examples where two groups of wildly disparate technologies meet without war or disease in the mix, a different conclusion presents itself. Consider the native peoples of Siberia, or of Mongolia, or the Australian blackfellas that I mentioned earlier. There's some cultural and technological assimilation along the borders, but for the most part both groups continue to exist as they did before they met. In most cases, of course, the more "advanced" group has grown at a dramatically greater rate than the "primitive" group, so from a certain point of view it looks like the "primitive" group is dying out, but that's not really what happens.
The simple reason that there are areas where people live like they are in the stone age is because they have yet to either meet people more advanced, or have yet to learn how they can trade their goods for more advanced ones.
That's not true. There are stone-age peoples in South America, Australia, Africa, and the Pacific islands, and probably lots of other places that I'm not thinking of right now. They're not living in huts or caves and chipping tools out of flint because they don't know any better; they're doing it because, whatever each member's personal motivation, they want to.
Even tribes in south america that had never previously seen outsiders were more than willing to trade goods for knives made of steel.
Sure, but that doesn't mean that they're clamoring to move into condos and drink inexpensive but charming California chardonnays and rent movies from the Madang Blockbuster.
I imagine if they had seen or heard of a gun, they might have tried to bargain for one so they could use it instead of a spear to hunt with.
Not once they realize that it takes a shitload of infrastructure to supply oneself with bullets. These particular examples we're talking about are called stone-age peoples because they don't typically work with metals at all. They're cool with the idea of a knife made out of carbon steel, because it's useful as long as you rub it against a rock every so often to keep it sharp. But if you try to tell them about gunpowder, and mining minerals to make gunpowder, and melting lead to make bullets, and so forth and so on, their interest will turn rapidly back to the ka-bar on the other table.
If there is a better, faster, cheaper way of doing something (and likely there is)... people will use it over primitive technology anyday.
Yes. But "better, faster, cheaper" means different things in different settings. To an iron- or steam-age group-- say, like a medium-sized town out of the old west-- the idea of manufacturing bullets to use in their expensively bought rifles makes sense. But to a stone-age group, that's about as practical as microwave popcorn.
Joe Shmoe yak herder would be instantly working for acme corporation pushing paperwork after the mojo corporation found a better way to do his job for less $ on his planet.
Except... that's not the way it happens in real life.
Cowboys? please, they'd have electronic collars on all the cattle, robots, and cow kibble instead of real oats and grains for the cows in no time.
Not if electronic collars cost the equivalent of $5,000 each, and cow kibble went for hundreds of bucks per pound. Branding irons are easy enough to make from raw iron, and grass is free.
I write in my journal
Low sci-fi appeal?
Are you nuts?
Take a look at any list of the top grossing movies of all time. Here's one from July 2002:
1: Titanic
2: Star Wars (*)
3: E.T (*)
4: Star Wars I: The Phantom menace (*)
5: Spider-Man
6: Jurassic Park (*)
7: Forrest Gump
8: Harry Potter I
9: Lord of the Rings I
10: The Lion King
Four of the top ten are sci-fi, and three more are fantasy or comics, sharing much of the same demographic. If you'd looked just a year ago, instead of the newer movies you'd see two more Star Wars movies, Terminator 2, and Independence Day.
I've seen survey results that over 2/3 of americans consider themselves fans of "Star Trek". This is a TV franchise that has been going on for what, 36 years now? On it's fifth show, with weekly viewerships still in the tens of millions? And which has spawned 10 movies? Can any other show anywhere make claims like that?
On the whole people LOVE visual Sci-fi. Fewer people read it, but in the film/video worlds it's a genre with a great deal of pull for most Americans.
-Evan
I stole this sig from someone cleverer than me.
Not particularly surprised, no. Imagine that you have a product to sell. Now, do you want to sell to thoughtful, intelligent, and insightful people (that can see through hype, false analogies, and while they may ogle the cheese/beef cake, won't let it influence buying decisions), or do you want to sell to a drooling Cro-Magnon that doesn't have the IQ to pour p*ss out of a boot, and will buy anything you put a sexy model in the ad? It is sad, but Galliger's remark about the brightness knob is true*.
Television execs are anything but stupid. They know where the bread is buttered.
--=--
*"They ought to have a knob to turn up the intelligence of Television. It's got a knob called brightness, but it don't work!"
Necessity is the plea for every infringement of human freedom. It is the argument of tyrants; it is the creed of slaves.
Successful examples of this type of show include Buffy The Vampire Slayer (target market: Goths) and Xena, Warrior Princess (target market: Lesbians).
Waho... flamebait, eh? How did this get modded up?
Exscuse me, but I'm not a lesbian, and I liked Xena. In fact, the majority of viewers of Xena were Male, like myself.
Also, you're use of the term 'goth' has many problems (almost as many as your broad and incorrect market audience for Xena) - not the least of which being that no standard definition of 'Goth' exists to even market to! Do a search on google for 'goth definition' - every site will have its own. I know many people who watch buffy, and most of them would never want to be called 'Goth'. I know middleaged housewives who watch the show. How many people do you know who watch it? Apparently not many, since you seem to have written off its audience using a stereotype. Funny thing is, from the sort of things advertised durring Buffy, I'd have to say the average demographic is much different from your generalization.
Ireguardless of the quality of firefly, I find it disturbing that the moderators have 'modded up' a post containing such gross generalisms. I thought the slashdot crowd was better than this - or are we all label-users at hearts?
man is machine
Exactly. The show is clearly a ripoff of Cowboy Bebop.
Two factors that you fail to take into consideration are aversion and poverty. Just because technology exists and existed to get the people to where they were doesn't mean that it was either affordable or that they were eager to continue it's use. It's the means to an end debate. Would a group of people in the near future, seeking a puritan lifestyle, use technology to find a world where they could live free from technology? Possibly. Lesser of two evils.
Additionally you don't include the price of war on societies. Then there's disease, climate changes on worlds not fully studied (think Wrath of Khan), and then there are governments and/or people who would choose to control what gets used and by whom.
In today's America where we discuss the digital divide and talk about how to get everyone a computer, meanwhile the Native American population struggle with how to get running water, electricity and phones to more than half of their population that "need" it. And this is with the government being minutes to hours away. What happens when communications takes weeks to months and travel likewise months to years?
In the past we have seen the rich sell everything they have to move to strange new lands. It then often took those families generations of squaller to build it back up. What's to say that the same thing doesn't happen again?
The last point I would make is that you assume that because native peoples of today use some conveniences that it was by choice. Often in today's world it is by necessity and survival that they must take on the modern trappings. Other times it's because someone else told them that they must. Just because the south American tribesman is shown wearing a Camel shirt and has an outboard motor on his boat doesn't mean that he's scrambling to buy an HDTV or has a microwave. To say that we scramble to use the latest in technology is not a true assumption. Even today we have technology in continual use that's been outdated by a generation (space shuttle, air traffic control, automobiles, trains, airplanes, naval fleets, etc). Will that gap shorten or lengthen when space travel occurs between planets.
"Do not be swept up in the momentum of mediocrity." - anon
How did these "primitives" get off of earth in the first place, if they don't have advanced technology?
This isn't a new idea in science fiction; for a point of reference, read either The Legacy of Heorot or Destiny's Road by Niven. They're both very easy reads, and they tell the story of extrasolar colonies that are basically designed on the seed-pod principle.
A plant normally needs light and nutrients to grow, but a seed is buried beneath the soil and has no roots with which to feed. So how can a seed sprout? A seed-pod contains both the embryonic plant itself and also a bit of tissue that feeds the plant while it's sprouting. As the plant sprouts, it "digests" that bit of plant-stuff to get the energy it needs to grow.
It's easy to imagine a colony that works the same way. The spacecraft-- a giant slow-boat, in this case-- is packed to the gills with lots of useful stuff: mining tools, farming tools, seeds and bulbs, livestock, pre-fab housing, a certain supply of prepared food, and so on. When the boat lands and the colonists get out, they have a great big party and start making babies willy-nilly, and then the next morning they start tearing their spaceship apart. All the stuff inside, and even the structure of the spaceship itself, gets turned into houses and mines and farms and fields and stuff to eat and build and use. This is like the seed-pod; it gives the colony enough stuff to set up a basic community, with shelter and sources of food and of minerals and all that, but that's all. After that point, the colony has to start squeezing out the pups and getting back to nature. Till the soil, milk the cows, real frontier-type stuff.
So to get the whole world off the planet, we have to postulate some of the spaceships. How many? Well, let's start by guessing that there are about 8 billion people on Earth when the shit starts to hit the fan. Due to disease and famine, say that population drops by 50% over a century: 4 billion people. Of those, half are going to get left behind, either because they're too old or too sick or too young or whatever: 2 billion.
Figure each spaceship can hold about 200 people, and the tools, equipment, and supplies they need to start a colony on a habitable world. That comes to 10 million spaceships. Ten million spaceships, each filled with stuff like goats and guns and clothes and lumber and pigs and wrought iron and seeds and medical supplies and books and ploughs and anvils and chickens, with a little room left over in the corners for the passengers.
Who could build such a vast fleet of spaceships? Oh, let's say in the West it was a joint venture of the National Geographic Society, the Gates Foundation (can't sell Windows if humanity is extinct, can you?), and Fox. (Fox got in by selling the ad rights to a yet-to-be-produced series called "When Space Colonies Go Bad." Check your local listings.)
The government of China, of course, accepted the responsibility for migrating its vast population upon its own shoulders; in 2250, Chairman Ken (China having become surprisingly Westernized in the past couple of centuries) proclaims the Great Leap Upward, and they start building Little Red Spaceships in low Earth orbit.
Improbable? Of course. Impossible? Probably. But remember that the fundamental purpose here is to establish a setting in which stories can be told. Maybe the number of people who got off the Earth is a lot smaller than 2 billion. Maybe it's more like 2 million, which would only require 10,000 spaceships, which is a hell of a lot easier to imagine. But whether you go with the high or the low figure, it's just plausible enough to make the reader, or watcher, or whatever go "Oh, okay, that's all right then, now get on with the stories."
I write in my journal
Actually "Nowhere Man" was on UPN. This was when "ST: Voyager" first took off and UPN thought it would be a good idea to make good shows. Turns out they were wrong and it is better to make feel good (crap-tacular) comedies.
I used to love "Nowhere Man" and I was a bit miffed that they canceled the show and didn't even let them try to tie the story together (although it probably would have been hasty and very, very bad). Oh well, real life goes on!
"However," replied the universe, "The fact has not created in me A sense of obligation."
The only show on fox worth watching any more is the Simpsons. Even the Simpsons makes fun of the stupid stuff fox does. They took off dark angel and I quit watching anything on fox. I want them to die a painful death. Seeing that firefly is on the way out doesn't supprise me it is probably a ploy to increase ratings. I won't be watching.
As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
The first episode shown was badly chosen. If it wasn't for a mistake setting up my ReplayTV, I would not have caught any of the following episodes and realized that it was a good show.
A much better choice for the first episode would have been the one where they flashbacked to each crew member being added. That was very funny, and it got my wife hooked too.
climate changes on worlds not fully studied (think Wrath of Khan)
(Hang on a sec while I wave goodbye to the topic as it recedes in the distance. Bye-bye, topic.)
See, that always pissed me off. Wrath of Khan is a movie so close to being flawless as to make no difference, but there's one glaring thing that drives me positively bat-shit every time I see it.
They put Khan on Ceti Alpha 5, right? Fifth planet out from Alpha Ceti, which is the brightest star in the constellation Cetus, the Whale. (Astronomy geek.) Six months later, Ceti Alpha 6 (the next planet out) explodes. The shock shifts the orbit of Ceti Alpha 5, and that planet becomes a barely inhabitable rock.
Got the mental picture? There's Ceti Alpha 1-4, then Ceti Alpha 5 (Khan's planet), the smoking crater in space where Ceti Alpha 6 used to be, and then (just for sake of discussion) Ceti Alpha 7.
Years go by. Chekhov and whahisname come by and take a long, hard look at what they believe to be Ceti Alpha 6. They beam down, find Khan, learn about the whole Ceti Alpha 5/Ceti Alpha 6 mixup, have a good laugh, all hell breaks loose, and so on.
How the hell did they end up landing on Ceti Alpha 5, thinking it was Ceti Alpha 6? The way I figure it, it's impossible.
Let's say Chekhov and his buddies come flying in to the Ceti Alpha system and start counting planets. There's 1-4, there's 5 (better stay away from there, that's Khan's hood and we don't wear his colors), and there's 6. (Remember, 6 blowed up, so what they think is 6 is actually 7.) They beam down to Ceti Alpha 7 (which they think is 6) and find... nobody. Because Khan's gang is one planet sunward.
So they must not have counted planets. Instead, let's say they just started looking where they believe Ceti Alpha 6 should be-- based on the radius of its orbit-- and find a planet. Assuming that it's Ceti Alpha 6 (it's really 5), they beam down and get into all sorts of trouble.
But for that to have happened, Ceti Alpha 5 would have to be in a more distant orbit than it used to be. This is possible, thanks to orbital dynamics; if Ceti Alpha 6 exploded while Ceti Alpha 5 was either ahead of it or behind in orbit, the "shock wave" (yeah, I know, but nitpicking only goes so far, you know?) would give 5 a push, either speeding it up or slowing it down, which would have the net result of increasing the semimajor axis of its orbit. In other words, the orbit would become more elliptical, with its aphelion farther from the sun than it used to be. If you balance everything just right-- making the explosion the right size, and putting Ceti Alpha 5 in the right place relative to it-- Ceti Alpha 5 could be at just the right distance from its sun when Chehkov's ship arrives to pass for Ceti Alpha 6.
But what are the odds? Remember, Ceti Alpha 5's new orbit isn't circular; it's a more eccentric ellipse with a perihelion inside Ceti Alpha 5's original orbit and an aphelion near or outside Ceti Alpha 6's orbit. So the planet is only at the right distance from its sun to pass for Ceti Alpha 6 twice a year. The odds that Chehov and crew could show up at precisely the right time of year, and that they could, out of laziness or criminal misconduct or whatever, skip the part where you start at the sun and go "1, 2, 3, 4, 5, 6, okay that's the one we want," are just too high to accept.
And that doesn't even get into the fact that an orbit sufficiently elliptical to put Ceti Alpha 5's aphelion at or near Ceti Alpha 6's original orbital radius would almost certainly render the planet completely uninhabitable, not just mostly so.
Why does this bother me so much? Simply because it would have been so easy to avoid it in the scriptwriting stages. If their target had been Ceti Alpha 4 instead of Ceti Alpha 6, no problem. Offscreen, Ceti Alpha 4 explodes, so when the white hats show up, they assume Ceti Alpha 5 is Ceti Alpha 4 (because 4 isn't there any more), and all is well with the world. Simple, easy, and with no impact whatsoever on the rest of the story.
The only reason I can think of for the writer's wanting to use Ceti Alpha 6 instead of Ceti Alpha 4 is simple euphony: Ceti Alpha 6 really rolls off the tongue, while Ceti Alpha 4 feels like you're chewing when you say it.
Okay, now that I go back and re-read this, I realize that this was a really long and essentially pointless rant about a matter of trivia so meaningless that other trivia looks at it and goes, "Pfff, whatever." Sorry about that. Can't do anything about it now, though; the backspace key on my keyboard is mysteriously broken all of a sudden.
I write in my journal
That Jewel girl is really cute. I'm gunna have to go download all the eps now =^/ damn fox for killing good shows.. Family Guy, Futurama, now Firefly..
The Doormat
If you're not outraged, then you're not paying attention.
I REALLY can't believe that human beings will still be having sword fights and rustling cattle two centries from now.
The most recent episode took Serenity and crew into the core system. They were in a city that could have been Trantor or Corsicant, or whatever that city was that Bruce Willis lived in, in The Fifth Element. Totally high tech, and well done fx for tv.
The outer planets, where most of the shows take place, is relatively dirt-poor fringe-folk. They are the beaten enemy of a civil war. Mostly second class citizens of the government. It's like the difference between New York City and some unnamed village in Afghanistan. In that context, it makes good sense.
Weren't Luke's aunt and uncle water farmers on Tatooine? For a space opera, that was pretty low tech.
Software Wars
The only two shows that I make sure to watch are Futurama and Firefly.
Anyone want to buy a cheap TV, barely used?
Call me a skeptic, but I've heard this before and it will certainly make a lot of people think twice before jettisoning Firefly out of the airlock if you join the campaign to save the show.
If you want to support what many (including me) consider to be the best show on television, join the campaign to support Firefly by voting to save it at SaveMyShow.com, by sending a postcard asking Fox to save the show to:
FOX BROADCASTING CO
ATTN: SANDY GRUSHOW, CHAIRMAN, FOX ENTERTAINMENT GROUP
10201 WEST PICO BLVD
LOS ANGELES CA 90035
Donate (via paypal) to Firefly: Immediate Assistance to support the campaign to save the show.
Put a banner, graphic, or link on your web site to support the show.
Indeed. For another excellent and easy read which perfectly illustrates your point there is the Pern series by Anne McCaffrey, most particularly the Dragons of Pern. Big colony ships high technology, and the establishment of a brand new low-tech society.
Let Microsoft know, whether it wishes us well or ill, that we shall pay any price, bear any burden, meet any hardship
Someone has said this before, but why wouldn't you use a six-shooter? If you go with the premise of the show (a central core of high-tech planets and outlying low-tech planets), which is going to be easier to repair and find ammo for on a backwater planet? That sparkly new laser/death-ray/BFG9000 or the pistol? You're still dead, whether you are ashes on the ground or a corpse with a hole in it.
Yeah, but I don't see how other won't embrace the new technology to kill the idiotic guy with the gun. I mean, of course I like the mixture, but it is not realistic. It's deliberately not realistic, so I can accept that. Maybe they could think of a reason why that works that way (military prohibition of advanced weapons, with areas scanned permanently would work for me). I still preffer gun to the i**otic weapons used in star trek (an "aimed" laser? Come on, aiming with what should be a super hi-tech, best of the herd gun? NO WAY.
unfinished: (adj.)
How did these "primitives" get off of earth in the first place, if they don't have advanced technology?
Just because someone understands advanced technology dosn't mean that they can replicate an advanced technological infrastructure from scratch. Also consider the difference between buying a plane ticket, buying a 747 and building a 747 from scratch.
Even tribes in south america that had never previously seen outsiders were more than willing to trade goods for knives made of steel.
A knife made of stainless steel is very obviously a better knife than one made of other materials. It is sharp, stays sharp for a long time and can be easily resharpened.
I imagine if they had seen or heard of a gun, they might have tried to bargain for one so they could use it instead of a spear to hunt with.
Guns require different hunting techniques compared with spears, they also require a supply of ammunition and make a loud noise when fired. (The latter a big drawback if you need more than one dead prey animal to feed everyone in a tribe.)
"Another classic science fiction show cancelled before it's time."
"Oppression and harassment is a small price to pay to live in the land of the free." -- Montgomery Burns.
In the past we have seen the rich sell everything they have to move to strange new lands. It then often took those families generations of squaller to build it back up.
Especially if the transportation is expensive, both for people and cargo.
If you look carefully (I'm in europe so watched it from download) you'll see that the guns are decidely not 1900s pistols. I think the idea is that they're much more high-tech, but look 'western' by design.
It's just a tv show so it doesn't have to completely be rational, but I think there's more to it than meets the eye on casual viewing. IMHO the shame is that if it is cancelled we'll never know the back-story - and there sure is a hell of a lot of that.
Actually Trigun is a pretty close match. Well if you only count the atmosphere. Trigun has a much more complicated story behind it as usual.
Perhaps it's time for SF writers to go to a 13 or 26 (half or two season) format instead. Just like they often do with anime. That way they'd have a goal to get the story in within that time and they're likely to be cancelled in any case after that time frame.
The problem with the Lone Gunment was that they focused more on their dorky, fish-out-of-water antics than on their hacking and general cool activities.
There is also the little problem of the first episode being overtaken by real world events.
Nowadays I consider Babylon 5 as the best all around Sci fi show I've ever seen. I picked it up in the second season when a friend recommended it to me, enjoyed it from then on. When TNT showed the reruns I finalyl got to see the first season to pick up the pieces.
If I had started watching B5 right away with the first season, I probably would have given up due to the simple msitakes that others have mentioned, like poor dialogue, actors not seeming 'in tune' with their characters and such. And if I had given up, I'd have missed the best sci fi ever.
Since then I've always though that a new show should be given a shot despite initial showings. Firefly has great potential, once the actors really get in tune and people get used to the different universe, it could really take off.
.. Firefly is the most promising sci-f[ai] series I've seen since Babylon 5.
It's less cheesy than Farscape, less predictable than SG-1, more interesting than any series of Star Trek ever, and infinately less lame than the hugely pathetic Andromeda.
Like B5 it has a Universe I want to see more of, it has interesting characters it's actually bothering to develop, the dialogue isn't totally predictable, it's not depending on unlikely (and suspiciously human-like) aliens, it's got an interesting looking story arc, and despite being odd at first, it has a really nice style that works suprisingly well.
And now they're preparing to axe it before it's even past introducing itself. I personally blame that lame "Earth got used up" speech at the start -- I'm sure it has nothing to do with Fox being mindless rating chasers, or the average TV viewer being barely capable of watching TV and drooling at the same time.
*grumble*, we don't even get Fox over here; I've only seen ffly as VCD, SVCD and XviD. Bah.
Blockquoth the poster:
"Hard" science fiction most certainly is about the science. What you're describing is "soft" science fiction.
And you think John Doe is good? I'm not saying it's bad, but it sure is extremely contrived. Every episode of late has made it appear as John Doe would find out the secrets surrounding his predicament... That's not suspenseful, it's stupid.
Sticking feathers up your butt does not make you a chicken - Tyler Durden
Don't forget the rescue efforts.
Many Firefly fans decided that instead of waiting to see if the show would be canceled they would start a rescue effort right away. Firefly support has been raising money, and on December 9th they will run a full page add in Variety supporting Firefly, they are sending copies of that issue to advertisers and to the execs at Fox. They have also used some of the money raised on producing T-shirts and bags with the Logo of the support campaign, this too will be send to Fox execs.
One guy in American Mensa paid for an add to telling other members about this new program, another guy in Ohio bought cable adds to get other people to watch. And tons of people have been writing the advertisers thanking them for supporting the program, and generally oozing goodwil towards it.
Its not over yet. There are two episodes and the pilot to be shown in December, and two more episodes already in the can. I you like the show, make a different spread the word, send a postcard, take a chance on something which is not the usual premasticated gruel. If you hate the show... don't do anything, no need to actively annoy other people is there?
http://fireflysupport.com/
Think its sick to try to save a TV program? A sign of looserhood? Perhaps, but it makes more sense to fight for something you like, as opposed to spend effort on something you dislike, no?
If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
It's annoying because nowadays, a new show gets an average of two or three episodes in which to 'prove' itself, and that's just bloody stupid.
This also trains the viewer to have a much shorter attention span, leading to shorter, less 'deep' shows, perpetuating a vicious cycle.
Vintage computer games and RPG books available. Email me if you're interested.
You know, I love Birds of Prey, and I hate that it's getting cancelled, but every episode, I think 'it would be a plot twist IF it wound up not being the standard plot twist.'
Like if Helena's friend who shows up out of the blue after seven years winds up NOT being the mysterious assassin who also just showed up in New Gotham.
Or if the metahuman who just showed up chasing a serial killer winds up NOT actually being said serial killer.
Of course, it doesn't help that now adays, even hour long shows in America often don't have any real continuity or multi-episode plot arcs.
Vintage computer games and RPG books available. Email me if you're interested.
Dude, he said "city" not "planet". Or are you implying that he lived in a city called "Earth"? and instead of having mayors, they have a President (President Guiliani anyone?)
You're right. Appart for James Bond who spawned 20 movies so far, and doesn't seem to slow down a little, Star Trek might be the most succesfull Sci-Fi saga/serie ever.
People will cheerfully line up once every six months to see a big special effects laden space opera, but that doesn't make them fans. It doesn't make them obsessive enough to tune in every week to watch something much less spectacular on TV.
My personal opinion is that the hard core nerds they are trying to appeal to have more interesting things to do than sit around watching a lot of television. I know I do.
-aiabx
Just this guy, you know?
Dude, chill out. The reason they made the mistake was that they were counting IN from the edge of the solar system since that was the direction they were traveling. Now this may still be a glaring mistake, but at least more plausable. After all, theoretically there'd be no problem with doing it that way, though you'd think that unless CA5 assumed CA6's orbit, they would have noticed that something was amiss.
Keep in mind that they cancelled Dark Angel to open up the time slot for Firefly. . .
1. Get marketing data from Tivo or Replay, or Satellite companies who offer Tivo-like systems (Dish), and look on Gnutella et. al. for illegal copies.
2. Find shows which are being watched more often by the "skippers". (and therefore are getting less eyeballs per ad than other shows).
3. Demographically, sci fi fans are geeks, and geeks are more likely to Tivo, Replay, or Gnutella.
therefore -
Sci fi, or any programming which appeals to the Tivo demographic is doomed.
These are my friends, See how they glisten. See this one shine, how he smiles in the light.
ahh, but those under age 24 were not around to experience those first 2 or 3 really GOOD years of MTV when the videos were good, experimental, breaking new ground. And that's all they showed. Of course, after that, MTV became tired, boring, and with the addition of MTV2 and VH1 (et. al.) redundant.
These are my friends, See how they glisten. See this one shine, how he smiles in the light.
I liked the concept behind Birds of Prey - (Batman and Catwoman had a fling, and had a daughter).
But it has to be said: Birds of Prey is an attempt to use the very successful "90210" formula on the geek demographic.
Just like Smallville. Just like Charmed. prolly a half dozen other crappy shows I never watched.
Oddly enough - Buffy is a similar formula, but with gutsier writing, it does not cause intense pain.
These are my friends, See how they glisten. See this one shine, how he smiles in the light.
after all. We live in a world where 747s and Bedouins coexist.
Sorry, I don't buy that. Bedouins and Quakers live their backwards lifestyles out of religious conviction. You expect me to believe that a zillion people on hundreds of different worlds all suddenly agree to adopt a cult-like belief that "the simple life is best"? And if that's the case, how come it's not ever mentioned in the storyline? Simple - because no thought was ever put to it. It's 100% stylistic.
Style is fine and dandy - but why cant they at least put a little thought to it?
For instance, the clothing. I know it's really important to convey the "western" style that these people on backwater worlds are wearing handmade vintage clothing. Who is making it?
Here's how I see things.
Earth's used up.
Big megacorps launch pre-fab factories to the other planets, and settlers come looking for work. They'll be the exploited third world labor of the future. This is the culture, clothing, and architecture you'll see in the future on these backwater worlds. Not some glorified historical re-enactment society.
These are my friends, See how they glisten. See this one shine, how he smiles in the light.
Ever read "The Dragon Riders of Pern"?
Basic "primitive" society on a different planet. You don't find out until quite a few books into the series, but it was simply a matter of a high tech civilization going to another planet, and finding that they didn't have the resources to maintain all their gadgets. There were lots of unexpected hardships (big surprise on a new planet), and things like power cells eventually broke down to the point where they had to learn how to do things by hand.
Remember, most of the technology we are familiar with has literally thousands of years of history behind it. Throw it at a brand new environment, and there's a significant chance that it will simply collapse, and people won't know what to do to fix it.
Your Servant, B. Baggins
Bedouins and Quakers live their backwards lifestyles out of religious conviction.
WHAT? Your ignorance is showing. The Bedouin are the desert-dwelling nomads of the Arabian peninsula, and the Negev and Sinai deserts. The live their "backwards" (oh, the arrogance) lifestyle out of tradition and preference, not out of religion. The Bedouin traditions go back much further than Islam; before 600 AD, the Bedouin practiced a polytheistic and animistic religion. Now they're Muslims. There's nothing in the Koran about living the life of a desert nomad; they do it because that's their tradition and that's what they choose.
You expect me to believe that a zillion people on hundreds of different worlds all suddenly agree to adopt a cult-like belief that "the simple life is best"?
Nope. The world-- and, by extension, the fictional solar system in which Firefly is set-- is a big place. Some people prefer the simple life, free from government interference but largely bereft of luxuries. Others live in big cities-- or on highly developed planets-- trading a degree of independence for comfort.
And if that's the case, how come it's not ever mentioned in the storyline?
Jesus, dude, it's right there in the prologue, for chrissakes. "Here's how it is. The Earth got used up, so we moved out and terraformed a whole new galaxy of Earths. Some rich and flush with the new technologies, some not so much. The central planets, them as formed the Alliance, waged war to bring everyone under their rule. A few idiots tried to fight it, among them, myself."
That's it, right there. All the premise you need in about ten seconds.
I know it's really important to convey the "western" style that these people on backwater worlds are wearing handmade vintage clothing. Who is making it?
Uh... they, themselves, are? That's what "handmade" means. If you want to put socks on your kids' feet, you'd better either own a sheep or buy some wool and knit them yourself. If you get a hole in the seat of your best pair of dungarees, you get a needle (which you paid dearly for) and some thread (ditto) and you sew it up. You don't just throw them away and pick up another pair at the Try-n-Save.
Here's how I see things. Earth's used up. Big megacorps launch pre-fab factories to the other planets, and settlers come looking for work. They'll be the exploited third world labor of the future. This is the culture, clothing, and architecture you'll see in the future on these backwater worlds.
Okay, now throw in the impact of a system-wide civil war, armed revolt, and the mass exodus of the independently minded souls to the outer planets where they could live on their own terms. Somehow your premise and the show's premise end up in the same place.
I write in my journal
Pop people in the freezer, dump them on a backwater planet with limited technology and get them to use the indigenous resources to start a viable colony. If you don't have high-tech, then go back to steam, no expensive alloys? Use wood.
So you have things like fusion-powered wooden paddle-steamers coexisting in a Universe with faster than light star-ships and energy weapons.
Oh and they're also damn good books.
Best wishes,
Mike.
Firefly has (had, whatever) strong characters, conflict, a little sexual tension, and humor; it lacked muppets...Arguing that Firefly sucked while Farscape rocked just doesn't hold water.
Au contraire! You said it yourself, it lacked muppets. Therefore, sucked. QED.
"I don't care about the Constitution!" --Bill O'Reilly, November 17, 2009
Comparing movies and TV is very much a matter of apples and oranges, despite the superficial similarities. A 2hr story built around a short story with limited originality is a far cry from 26 episodes spread over the better part of the year.
Most SF isn't franchised, and when it's not the viewers are low (for reasons I won't go into here). Of course any franchised show is bound to go stale eventually. Obsessive fanboy types are what keeps Star Trek on the air. The ironic thing is that SF should be by definition original.
Furthermore, 3 out of 4 of those movies were only SF in the perfunctory sense (it's got aliens, so it must be SF). Only one (Jurrasic Park) is SF in the true sense (i.e. it takes a speculative look at our future based on what we know today).
---If you can't trust a nerd, who can you trust?
The computer had all the old orbital details of the original set of planets and said "6 should be about _here_"; they went "there" and found a planet (5's orbit being more elliptical, now extending out as far as 6's used to be, and they were unlucky enough to find 5 in a place that would be reasonable for 6) and didn't do any more checking.
But, like a said before, an orbit that elliptical would result in a planet being completely unable to support human life. Khan and his posse survived on Ceti Alpha 5 for decades post-explosion. It doesn't add up that way, either.
How often would they find any situation in which that would give them any surprises?
Given the number of solar systems in the known galaxy, the number of starships visiting those solar systems, and the probability that an event like this is going to occur, I'd say fairly regularly.
Let's say each starship visits about 50 unique star systems per year. And, just to pull a number out of the air, let's say there are 2,000 starships in the fleet. (The US Navy has about 400 ships; Starfleet covers not only all of Earth but also the whole Federation, so it's fair to assume that it's proportionately larger.) That comes to 100,000 visits per year. (Yeah, lots of those are dupes, but let's ignore that for the moment.)
Those calculations give us a mental picture of a galaxy-- or a part of it, anyway-- that's fairly teeming with starships, coming and going hither and yon. With all that activity, the odds that a starship is going to end up in a solar system where something interesting has happened become pretty significant.
It's unreasonable to think that a notional starship wouldn't use at least some form of dead reckoning, if for no other reason than to make sure that they're where they think they ought to be. When you zap into the outskirts of a solar system, take a quick look to make sure that it includes the right number of stars and planets, just as a sanity check.
Yes, the whole premise of a fleet of starships zipping across space is absurd all by itself. But there's no reason to make it any more absurd than it has to be. This whole thing could have been avoided simply by replacing the name "Ceti Alpha 6" with "Ceti Alpha 4" in the screenplay. What a waste.
I write in my journal
It's exactly because of idiots like you that this show, the best sci-fi show ever bar none, is getting canceled. What's staying? Enterprise? Gimme a fucking break. Talk about "hard to believe..."
I gave up on the show after 2 or 3 eps, but was any of thiese expalnations you give even hinted at in the show?
You mean apart from the fact that it's all covered-- albeit in super-brief summary-- in the V/O prologue? Well, it's a TV show, you know? The purpose of the show is to tell entertaining stories. While some people get entertained by this sort of "here are the rules" exposition, most people don't. So no, you probably won't see a "here's how we colonized this particular rock in space" episode.
But, for the record, the complete backstory is included in the series bible. I don't remember enough details of it offhand to quote chapter-and-verse, but it's there, and it's plausible enough to build stories on.
I write in my journal
Thank you! At least one person is paying attention. I agree with the analysis in your comment, and further I think it shows just how much thought went into the making of Firefly. I find this premise a thousand times more interesting (and plausible) than Star Trek ("the navy with aliens who speak english") and other shows in the genere.
"the navy with aliens who speak english"
Yeah, speaking of which, my respect for the guys who make Stargate SG-1 went up a few notches when I read the FAQ they publish on their web site. One of the questions is, "Why does every group of people SG-1 encounters speak perfect English?" The answer was, basically, "Uh... they don't. Each group has their own language, but they're close enough to Earth languages to make it possible for Dr. Jackson to learn them relatively quickly. Just assume that part happens off-screen. Look, it's only an hour-long show; do you really want to spend that time watching language lessons every week?" I have a lot of respect for a group of storytellers who aren't afraid to invoke magic when it's in the best interest of the story.
This comes up in Firefly, too. How does the artificial gravity work on the ship? Magic. It actually says that, right there in the series bible. Artificial gravity works by magic; it's not relevant to the story-- and never will be-- so it's not important enough to bother explaining.
I write in my journal
WHAT? Your ignorance is showing. The Bedouin are the desert-dwelling nomads of the Arabian peninsula, and the Negev and Sinai deserts. The live their "backwards" (oh, the arrogance) lifestyle out of tradition and preference, not out of religion.
I don't see the difference. And don't get all PC on me - I use backwards not as a "cultural imperialist" term, but as a relative descriptive term, which more quickly and efficiently communicates my idea, without offending anyone who might possibly be reading slashdot. Except for those wired busybodies who live vicariously through the opressed of the world.
"Here's how it is. The Earth got used up, so we moved out and terraformed a whole new galaxy of Earths.
But this almost certainly did not happen overnight, and almost certainly was not backed or funded by "homesteaders" or political refugees. Perhaps the term "terraformed" is used quite liberally, but it's already well-established that interplanetary travel itself is quite expensive, colonization quite a bit more so - and my whole point is - without the availability of mass-produced goods, and exploitation and industrialization, it's just not very believable.
I can see how things like mass media and communication might be absent - and your local convenience store - but basic technologies which are enormously time saving, and make our modern lifestyles possible - at the very least, in the absence of petroleum products and technologies, solar power?
All I'm asking is for a little more rational thought about the presence of mass-produced goods. My complaint is that apparently, nobody put any thought to it - it's all stylistic.
Uh... they, themselves, are? That's what "handmade" means.
Who has the TIME to make this stuff? 19th century settlers did it because there simply was no alternative. The people of Firefly would almost certainly have alternatives that were much cheaper.
These are my friends, See how they glisten. See this one shine, how he smiles in the light.
And don't get all PC on me - I use backwards not as a "cultural imperialist" term, but as a relative descriptive term
Yeah, but it just kind of rubs me the wrong way when people use terms like "backwards" that imply a directionality to these sorts of things. I'm right in the middle of getting ready for a primitive camping trip-- we're leaving in the morning, and we're hoping to spend Friday through Sunday in a place far from other people, or the things of man. The only metal items I'm taking, apart from things like aluminum tent poles and such, are a handgun (just in case), a couple of good knives, my cast-iron skillet and my dutch oven. Everything else will be stone age all the way.
I do this for fun. My idea of a perfect vacation is to go out into the middle of nowhere and live off the land for as long as I can; I'll take some food with, like pancake mix and rice and potatoes and some meat, but I don't pack enough food for the whole trip. If I can, I fish or scavenge to make up the difference; hunting is usually not allowed where we go, and anything bigger than a rabbit would be wasted anyway. In the worst case, we stretch our provender out a bit to make those extra two or three days; it's not a bad way to drop a couple of pounds of flab.
My point is that I do this for fun. I do it because I like it. Calling that sort of life "backwards" implies that modern life is the acme of human experience, and I just don't buy it. I don't mind expressions like "primitive" or "advanced" to describe relative lifestyles, but calling people who live in the woods and who don't watch TV "backwards" just kinda bugs me.
But that's more about me than it is about you, so don't worry about it.
I can see how things like mass media and communication might be absent - and your local convenience store - but basic technologies which are enormously time saving, and make our modern lifestyles possible - at the very least, in the absence of petroleum products and technologies, solar power?
Solar power for what? Electrical items are, for the most part, substantially less durable than their non-electric equivalents. Compare a kerosene lantern to an electric lantern. After a year or ten, the electric lantern's bulb is going to burn out, and it'll be useless until that bulb is replaced. Ever tried to manufacture your own electric light bulb? A kerosene lantern, on the other hand, will remain useful forever as long as you keep it stocked with fuel (which can be made more easily than manufactured goods, and thus would be far more readily available) and wicks (which can be made from old rags, or from rope, or from just about any pulped and dried plant matter).
You're thinking of the people on Firefly as being deprived; don't. It's not that electric lanterns don't exist any more, or that it's impossible to get them. It's more about the fact that kerosene lanterns are a hell of a lot more useful in that environment than electric ones would be.
Who has the TIME to make this stuff? 19th century settlers did it because there simply was no alternative. The people of Firefly would almost certainly have alternatives that were much cheaper.
Well, first of all, if you need a pair of socks and you can't buy them, you find the time to make 'em. In fact, you start making them in the spring, because you know you'll need them in six months when winter comes.
Now, as to why they can't just buy 'em. Imagine you live on another planet-- say, Mars-- and yours is the only pair of socks there. Literally, I mean; you're wearing the only pair of socks on the entire planet. But they're starting to wear thin, so you decide you need a new pair.
Where are the socks? Earth, millions of miles away. On Earth, you can buy socks by the truckload for almost nothing; they're manufactured in such vast quantities that the cost is acceptable to even the desperately poor.
But you're on Mars. In order to get socks, somebody on Earth will have to put a pair of socks in a rocket, and fire that rocket off toward Mars. Not an inexpensive proposition; the cost of blasting a pair of socks into orbit is only slightly less than the cost of blasting a person into orbit, and that cost is huge. So if you want to get socks from Earth, you're going to have to pay a fortune for them.
What can you pay with? You don't have anything remotely like the money it would take to pay for the cost of shipping your socks; you have to trade somehow. What will you trade with? You're living a subsistence lifestyle as it is; you don't have the energy budget to go digging for rubies to ship back to Earth in exchange for your socks.
Long story short: you can't buy socks. There's just no way to make it practical for anybody on Earth to ship socks to you on Mars.
So what do you do? By god, you go out to the pasture and you shear a sheep and you whittle a couple of knitting needles and you make your own socks.
I write in my journal
First of all, when I said "effective access control mechanism," I meant it in the sense that the law means it: left alone, region codes work to prevent DVDs from one region from being played in another region. That's the legal definition of "effective."
Anyway, yeah, you're right, it would be theoretically possible for you to just buy one DVD player from each region so you can watch any DVD in your home. There's nothing wrong with that idea at all, except that I believe it's illegal to import non-region-1 DVD players to the US. (I'm not positive, but I've been told this by people who ought to know.) A better idea is to have a friend smuggle a region-free NTSC/PAL DVD player in from Australia or the Pacific Rim. If you can get it past customs-- and you almost always can-- it's a good solution. You'll need to put an adapter on the electrical plug, but that's all.
None of that is illegal under the DMCA, because it doesn't involve circumventing the region coding system. You're merely using the correct tool to view DVDs from different regions. (Importing DVD players without region controls is a different matter; that's covered under trade laws, not copyright laws.)
But if you "de-regionize" your DVD player to turn it into a region-free device, that's against the law under the DMCA. That's circumventing the access control mechanism itself, and that's a no-no.
I write in my journal
How does the artificial gravity work on the ship? Magic. It actually says that, right there in the series bible.
Where did you get the bible?
If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
Think about it. They zoom up to a solar system and bang, they're at the planet. How much time would they have to stop and stand there to watch which way the planets are going to calculate new orbits?
Um, how about, "as long as they need"? They're working for a famously obsessive scientist who just finished reaming them out about having to be sure of everything because they are choosing a planet to be utterly obliterated and reconstructed on the subatomic level.
Yup, it's bothered me too since the moment I saw the scene.
"Botany Bay? Botany Bay ?!?" Checkov, you're a dimwit.
At the very least. The circumstances of Khan's stranding and the use of shipping containers as transfer vessels always made it obvious to me that there would without a doubt have to be damn near indestructable transceivers sent down with the "genetic criminals" with a heavy duty "Stay away! Stay away! Very very bad people here" IFF* on permanent repeat and designed to be unreachable/unmodifiable by Khan's crew.
But then, I lost hope of ST making sense when they had them in those big-ass space suits that were supposedly for maintenance work back in the first ST movie. Even then I knew enough to know that suit design was heading towards something closer to bike shorts material or current wet suits then to anything that bulky.
The only thing that redeemed the tech for me was the whole idea of a major plot point being built around the importance of understanding systems and how they can be hacked. After all this is the movie with both:
"You have to learn why things work the way they do on a starship" and "I got a commendation for original thinking".**
How could I *not* love a movie that revealed that James Tiberius was a hacker?
*Identify Friend/Foe - automated and extremely standardized signal output device whose sole purpose is to say "This is me. I'm a (blah) registry, (foo) type vessel of reg number (zorch)
**(Those quotes refer to hacking the command systems of the Reliant and reprogramming the simulator for the Kobiashi Maru test for those of you with lives)
Yup, as the old Be OS pocket protectors say: "We be geeks".
Rustin
Data is the lever, rigor the fulcrum, brains the force that drives it all.
You call yourself a trekkie?
An emphatic no. I liked Wrath of Khan quite a bit, but the rest of it pretty much leaves me cold.
Besides, look elsewhere for my comments on why the whole counting-from-the-outside thing doesn't work.
I write in my journal
Oh brother, it's that whole "why do they have to make it look like the American West bullshit again! I am so sick of this pathetic ignorant claptrap.
Okay, let's start with the whole clothing thing. Do you know what herders and ranchers wore in the old Roman Empire? Hmmm....try big floppy hats, leather breaches, heavy footwear, and usually carrying around lengths of rope or leather that they were using to tie things closed/harness animals/etc.
Oh, but that's gotta be an exception. Yeah, sure.
South American "cowboys"? Same thing.
China, modern backwoods or just old days backwoods? Same thing.
Europe in the Middle Ages? Take a look and there it is.
Do I need to keep going or have I made my point?
When you're in the sticks and tech and money are in uncoomfortably low supply you wear leather or equivalent because it's tough, flexible, and comparatively soft. You wear big hats because they keep the sun and wind and rain off; you probably wear ones made of soft fabric so you can pull down the sides or push them up or simply because even if they start out crisp, they don't stay that way. You wear a few bits of "fancy" patterned fabric because it doesn't show the dirt while still letting you go into town. Heavy boots or shoes should be obvious. Rope should be too. A mid-sized knife, ready to hand, is just gonna happen. Thick but short gloves, some kind of scarf. All of these are just the choices that become self-evident when you're doing that kind of thing.
Heavy frame houses with dropped in bits of ornament and dusty windows come along too.
Back when I was a wee lad I was taught to call a bandana an "A.P.", as in "all purpose". That's because we were taught to use them for everydamnthing. Since then I've used them as hats, headbands, bags, liquid carriers (for short distances), tie-downs, cushions, placemats, wrapping for stuff from machine tools to chopsticks, bandages, dust covers, and more. And that's just stuff I've done while living (pretty much) in the city. The same is true of a dozen other "western" cliches.
Personally, I tend more towards what people think of as modern English country (baggy tweed jacket, long substantial scarf, twill pants or jeans, lighter shoes but still heavy socks) but I'll tell you that I reached that because I found that it worked. The style came after the function; not the other way around.
The "western" look predates the white/black/hispanic settling of the American West by thousands of years and will still be current out at the ass edge of wherever as long as there continues to be such a place.
There. Are we done now?
Rustin
Data is the lever, rigor the fulcrum, brains the force that drives it all.
Well now, tftp I've got a suggestion for you. Get a fact (any one will do) and come back.
Okay, where do I start? Hmm. . . let' s start with the horses.
First of all, here and now on our own little planet, more and more rural folk are switching *back* to horses or mules. They don't need roads or level ground, they can (if necessary) find their own way home, they can be "fueled" with a much broader range of materials, they are quieter, less polluting, and are self-replicating if you care for them right.
Want some specifics? I can tell you that in Vermont and Oregon, enough small lumber companies are switching back to affect what woods are coming to market, who is willing to have their land selectively lumbered, and how. People are finally learning that sometimes the switch to mechanical tech everywhere is just plain marketing. Are tractors or other mechanical devices better for, say, plowing? Yes, reliably so. Are they better for transportation? Depends on where you're going, what you're carrying, and how soon you need to get there.
Want another example? Police departments all across the industrialized world are switching from cars to a mix of foot patrols, bicycles, horses, SUV-type vehicles, and cars to handle the rest. It turns out that horses are better for crowd control, bikes are the fastest way to move on a crowded city street, and foot patrols are a lot more likely to, for example, notice the anomalous sound that will lead to catching a burglar.
Another? The newest trend in wastewater treatment is fields of reeds and other plants. Cheaper, faster, more reliable. One of the biggest advancements happening in building design is putting plants on the roof. Insulates them, makes the roof last longer, cuts stormwater treatment needs, and cleans the air. The cities of Stuttgart, Toronto, and Chicago have all made greenmantle a major municipal priority. New York City's government just had sixteen (count 'em, sixteen) municipal departments sit down together with a bunch of experts in this stuff and spend a day going over options (and you heard it here first).
In terms of the whole "low-tech" look, I think I covered that one just fine in the post higher up.
Oh, and by the way, what sort of cockamamie ignorant city boy thinks that horses or cows are "low tech"? Do you have any idea at all of the computer power and state of the art infrastructure behind modern cattle breeding? Texas alone has more Star Trek-looking gear for stud work then half the dot coms in California combined. We've got this stuff now, it's called "genetic engineering". Maybe you've heard of it.
Ever been in a biology lab? We've got some real purty stuff now, looks just like real technology and everthin'. Got blinkin' lights and hummin' disk drives and them watchamacallems; you know, oh yeah, parallel processors.
Now personally, I haven't done tech in a bio lab since the early nineties, but even then it was pretty clear that not all the fruits of modern science have QWERTY keyboards attached to them.
So, tell me again, why exactly is it that a backwoods impoverished frontier in the far future will necessarily look like Ronald Reagan's bright shiny idea of a space station?
Rustin
Data is the lever, rigor the fulcrum, brains the force that drives it all.
Hmmm, visualizing.. damn. Perhaps that would get me to tune in! ;-) She's got some damn fine genes, and I don't mean her character!
"Common Sense Ain't" -Unknown
I love how everyone that posts to slashdot is an armchair expert in whatever they're posting about, be it tv demographics, marketing, computer security, whatever. /., which, btw, includes most everybody writing, implementing, hacking, or documenting the field), whatever.
Uh, first of all, I hate to break it to you (no, I don't) but some of us *are* experts in TV demographics (see TwirlipOTM), marketing (no certain examples this thred, they turn up), computer security (well, that would be about five percent of
Ya see, if you check the posts, you'll find fanwing comments from aircraft materials designers, media comments from Wil Wheaton, chip design comments from chip fab experts, and so on.
Kinda reminds me of a party I went to once when somebody got pissed at a comment I made while I was still working on wiring systems for missiles and fighter planes. Some dimwit got snotty and yelled at me, "what are you, a rocket scientist?" and a little cluster of engineers I knew all started laughing and said, "well, actually, yes, he is."
You wanta point that comment at me? Go ahead. My site should give you some of it. Otherwise, bio labs? Let's say that I started as an assistant helper guy at NYU Med Center and last did tech work at (among other places) the genetic engineering labs at Rockefeller University.
Hell, even the "what would they be doing with horses" guy sounds like he probably has some relevant tech background.
But even beyond all that, I don't know about you, but I come here to chat. If you care to tell me that the discussions here are even a tenth as off-base, ill-informed, or done by people without professional standing in the subjects being discussed as the appalling grunts and ego ballooning about football sure to be happening all around America this very day, then you simply aren't paying attention. Sure, we ramble; this is our off time. You want formal overviews? Go to the IEEE or APS.
And yes, I really am pissy today, aren't I?
Rustin
Data is the lever, rigor the fulcrum, brains the force that drives it all.
She's got some damn fine genes...
If you're wondering, her father is Mexican of Spanish extraction, and her mother is French Canadian with Danish roots.
They say, what with modern migration and transportation and all, that some day everybody will be a mix of various proportions of every ethnic group and racial type. If Jessica Alba is any evidence, oh, how I long for that day.
I'm doing my part; I'm white-bread American boy, and my girlfriend's Vietnamese. I hope our kids look more like her than like me...
I write in my journal
But then they couldn't milk their success and stay on several years too long like the X-Files.
Ah, but maybe the weren't numbered in order of distance from the star. They were probably numbered in order of discovery.
Possible, but that's not the way we do things today. Since the movie still uses the Bayer naming scheme, it's reasonable to assume that they're also using the same numbering scheme for planets that we use. Note that I'm not talking about the solar body catalogue system you're referring to. I'm talking about the Bayer system that uses Greek letters (and Roman letters) to name stars in order of apparent magnitude, and gives us names like Alpha Ceti (or Ceti Alpha). By the Flamsteed system, for instance, the star would be called 92 Ceti instead of Alpha Ceti (or Ceti Alpha), but the planets in it would still be numbered in order from the sun outward.
I write in my journal
You're right. From now on, all shows about the future should describe everything in the exact same, most plausible way. After all, who wants anything outlandish, odd, or creative to ever happen in anything? WE WANT ABSOLUTE REALISM IN OUR SCIENCE FICTION!!! oh wait...
With the Friday evening timeslot, I never got a chance to watch Firefly until I got a TiVo recently. It wasn't awful, but I haven't been sitting on the edge of my seat waiting for the next installment. For a prime-time show, and especially one on Fox, I can understand how it might not last (at least in the eyes of the network). It was pretty different from the tried-and-true Trek crap that's been getting pumped out lately. (Don't get me wrong, I enjoy Enterprise. And, thanks to TiVo, I've been getting to see a lot of DS9 lately; I forgot how good that show was - at least back in the early seasons.)
:^)
Anyway - I guess I should get to my point. Firefly reminded me of Blake's 7, the old BBC sci-fi about rebels flying around the galaxy and going up against the evil empire. (Not evil like Darth Vader... a more 'creepy' evil.) There was a lot less 'western' in that show, though. (Heh, understandable, being a British series.)
Fortunately, the entire B7 DVD series is coming out in 2003, so I'll have SOME good sci-fi to watch each week.
I guess Chris isn't a fan of comedy but as he brought it up I'll use his "Just shoot me" to explain why Firefly was doomed from the start.
Firefly is a frighteningly innovative show. I mean it's great. The two eppisodes I watched were exelent. I was hooked.
I cought one show in passing and the next as it was cancled.
It's not like anything else on TV.
This is frightening for TV executives who are settled on what works.
Now for "Just shoot me"
A well done comedy. The formula here is open for innovation so Just shoot me is free to act under certion guidelines.
Of comedys it's the better I think of the available mostly dreck comedy showa.
But Just shoot me never threatons the tv exe comfort zone.
The forumula execs like in sifi is "Star Trek wanabe" Firefly is certonly not.
With the Internet anyone fed up with the drek can get better stuff from online text fiction and comics.
Most of Firefly's target audence don't watch tv anymore.
My fav shows
Amercan gothic, Asif & Firefly.
Dam it...
I don't actually exist.
This is not to say there weren't plenty of thoughtful, well written American Westerns, just to explain the term Spaghetti Western...
Frontier Science Fiction is a perfectly sound sub-genre of science-fiction, a lot of Heinlein's early stuff like Tunnel in the Sky dealt with it, and arguably much of Asimov's Foundation trilogy dealt with a similar theme.
All the creatures will die, And all the things will be broken. That's the law of samurai. (Jubai, 1605)
I think the last one is the kicker. Firefly is good, but it needed to have been thought through in more depth.
The frontier setting just doesn't convince. It needs less Little House on the Prairie, more modern day third world. I mean, hoop skirts? The way they're doing it now screams "Space Rangers" when their show is grim and gritty.
Moreover, it seems to me that he's making up the larger setting as he goes along. He probably had a couple pages of notes, bad central alliance, good rebels on the fringes of civilization, that sort of thing. But nothing like the depth and subtlety of Babylon 5. He did the same thing on Buffy, but got away with it because the background was the real world, and needed no justification or work to develop. With Firefly, I'm seeing a bunch of pieces that really don't seem to fit. In the core worlds, we have seemingly "modern" societies and the 1984-ish Alliance. On the frontiers, we have Amish farming towns and some kind of Old South-style aristocracy. The two don't fit together. And it's not just the society: the astronomy and technology have the same kinds of huge holes in them. The background just needs more work.
Lastly, he could have condensed the cast: there are just too many characters on that ship. Nearly every episode wastes time getting some of the characters off-stage. They need to go from nine regulars to around five. Make the rest recurring parts. Like Inara, or Book, both characters who could come and go and sometimes take other ships and still run across Serenity from time to time when the plot called for it.
Anyway, let me end on a positive note: I still like the show, and hope it continues. I like the characters, the actors, and the writing. And I like the fact that the show is different from other sci fi on TV. So, good luck to Joss and company!
Jon Acheson
All opinions expressed herein are my own, and not those of my employers, who are appalled.
Good stuff. But one difference that I would note- as a suburb kid, when we went camping, we called toilet paper "AP". I guess suburban kids don't use bandanas a whole lot in those ways, since we always called them "bandanas".
Just wanted to say that for whatever little worth that merits.
Vote monkeys into Congress. They are cheaper and more trustworthy.