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First Matrix Reloaded Review

EpsCylonB writes "The IMDB is reporting that the London Daily mirror has the first review of the Matrix Reloaded. Sounds like the Wachowski borthers have gone for an all out action movie which is a shame if true. What I liked most about the original was the way it blended stunning action with a subtle philosphical theme about how we percieve reality." I'll hold judgement until the closing credits myself.

19 of 607 comments (clear)

  1. Your impression... by dvk · · Score: 5, Funny

    Your impression that the first Matrix had any philosophical content was just a glitch in the program.

    -DVK

    --
    "The right to figure things out for yourself is the only true freedom everyone shares. Go use it"-R.A.Heinlein
  2. Re:Its a sequel by aarondyck · · Score: 5, Interesting

    Are you saying that it's not possible to innovate AND make money? It seems to me that in the first Matrix movie they were both innovative and money-making! In addition, this movie has been compared to the Empire Strikes Back by the Wychowski bros. (sp?), another movie that both innovated and made money...seems to me that Empire is still in the top 20 all time...and do you remember the scenes with the ships and the guns and the snow and the stormtroopers...cutting edge bluescreen technology, they did things that were unheard of in the movie inudstry at the time. I believe that Matrix Reloaded will be the same...right down to the romance scenes!

  3. Re:Philosophy and the matrix... by kamikazichaser · · Score: 5, Funny

    but that question was simply there to set up the action, not enlighten or challenge you. I loved the first one, but it was pure escapism, nothing more. if this movie is 10 times the action and 10 times the SFX, as the mirror reviewer states, then it will be 10 times the movie (ideally speaking of course). Hell, I want people to be passing out in the theater due to the action!

  4. Is it part two or part three by supun · · Score: 5, Funny

    where Neo is finds the buffer overflow error in the Matrix and installs Linux over the existing OS, forcing Mr. Smith to live inside VMWare session?

    --
    :w!
  5. Bogus Review by Quantum+Jim · · Score: 5, Funny
    And Persephone, a sexy bad-girl-turned-good who hooks Neo up with the all-important Keymaker.

    NO NO NO! That's wrong! He's not the Keymaker, he's the Keymaster. And he gets it on with the Gatekeeper before turning into a giant dog - pet of Gozer! Jeeze!

    --
    It is impossible to enjoy idling thoroughly unless one has plenty of work to do.
    - Jerome Klapka Jerome
  6. Re:Oh come on by spoonboy42 · · Score: 5, Funny

    Of course it has Cartesian themes. It's a Matrix, after all.

    I apologize for the prior lame math joke in response to my own post and hereby hang my head in shame.

    --
    Anonymous Luddite: "What do you think of the dehumanizing effects of the Internet?"
    Andy Grove: "Not Much."
  7. Re:640 Agent Smiths ought to be enough for anybody by the_consumer · · Score: 5, Insightful
    Actually, none of those examples are "plot holes", which generally means an error in continuity or logic in the story. It did have a couple, but on the whole, for being as convoluted as it was, it was pretty internally consistent.

    Why use humans at all? If all you need is a powersource, stick in sheep? Less troublesome by half

    a) There're no sheep left after the war between humans and machines, presumably;
    and 2) Your brain produces enough electricity to power a microwave. I'm not sure how other mammals compare in this regard, but I doubt they fare much better.

    The caloric efficiency of using bodies as massive networked energy sources is a concept I don't buy. Cripes. Burning wood has to be more efficient.

    Yeah, the efficiency thing bugged me too. You can't just keep feeding dead people to new people without losing at least the body heat of the living in the process. Perhaps there's another unexplained food source, maybe algae or something. As for trees, the sky has been 'burnt', so no solar energy gets through (which would've been the optimal solution anyway, at least until the machines develop some other source of energy based of fusion or something).

    Moreover, who cares what people in the matrix think? If they revolt, so what?

    Actually, I think the preceding two points you made answer this one nicely, if we consider the Matrix a stop-gap measure used by the machines to perpetuate themselves until such a time as they no longer need humans. They may even be using human scientists within the Matrix to provide solutions to problems which they, as machines, haven't the creative insight to solve for themselves. Approached from this point of view, the eventual extermination of the human race by the machines becomes an inevitablility if the humans to not wake up and overthrow them.

    Lastly, this is a nitpick I know, but bullets travel at well over the speed of sound. I don't care how fast you pull the trigger, with the action of a semi-automatic, the bullets will likely be 100 feet apart between shots.

    That's true if you or I are firing the gun. If an Agent inside the Matrix is firing the gun, however, the results may be somewhat different.

    Of course, you still have to jump through a lot of suspension-of-disbelief hoops to buy the premise of the movie, so if you don't appreciate crazy scifi kung-fu stoner philosophy flicks with Carrie-Anne Moss in skin-tight leather outfits, you're more than welcome to spend your movie dollar seeing The Lizzie McGuire Movie

    --
    "If you're thinking what I'm thinking, you're right." -
  8. Well... by Faust7 · · Score: 5, Funny

    At least he gets a sex scene with Moss before he heads off to the city of Zion. It's one of the few breaks from the relentless action

    I don't consider a sex scene a break from action, well, not exactly...

    1. Re:Well... by m00nun1t · · Score: 5, Funny

      I don't consider a sex scene a break from action, well, not exactly...

      If you are a /. reader, it's more like a break from tradition.

  9. Re:Oh come on by theLOUDroom · · Score: 5, Insightful

    Or maybe that's just my arrogant elitist opinion. Mod down if you really want to, I suppose.

    It is. "The Truman Show" is Plato's allegory of the cave. "The Matrix" is a different concept.

    But if by philosophy you mean anything vaguely legitimate on an academic level (I'm talking about old dead Greek and European guys here), then you're sorely mistaken.

    Wow. I wasn't aware that you had to be a dead greek or european to have "legitimate" ideas about philosophy. Holy ethnocentrism batman! I suppose you're willing to just ignore any sort of eastern philosophy? Or is it just that you have to be dead before your ideas are worth anything?

    While "The Matrix" wasn't an old, dusty book, it sure was a legitimate discussion of certain philosophical ideas. Maybe you're just too easily distracted by action sequences.
    It didn't contain any truly revolutionay ideas, but I don't think Plato's "Allegory of the Cave" did either. Both were a good story, that people can actually grasp. Who do you think they're both so popular?

    I suppose you're so eager to belittle "The Matrix" since it means people can get access to certain ideas that you had to learn in a more painful manner. No one could ever learn anything worthwhile except from a book that was written by a dead white guy. Geez. Who educated you?

    --
    Life is too short to proofread.
  10. Subtle? by Gondola · · Score: 5, Insightful

    If you thought that theme was subtle, you don't get out much.

    I've seen numerous movies with more subtle themes. The Matrix is about kicking ass and wearing leather.

  11. Re:Philosophy and the matrix... by maxpublic · · Score: 5, Insightful

    The philosophical musings of the first one weren't any deeper than you'd find in the ramblings of a wet-behind-the-ears freshman taking a required first-year course in the subject.

    Really, the 'philosophy' of the Matrix was just a set up for the theme of the movie. There was nothing at all 'deep' to it, unless your normal fare of this stuff consists of the questions Seinfeld asks during his stand-up routine at the end of his horrid show.

    What's depressing is that so many people seem to think the crap that was in The Matrix consisted of Important Questions About Existence(TM). That says more about the educational system than anything else.

    But I wouldn't sweat it. The Matrix was great, brainless fun, and that's exactly as it should be.

    Max

    --
    My god carries a hammer. Your god died nailed to a tree. Any questions?
  12. Re:I'm sorry to say it... by MourningBlade · · Score: 5, Insightful

    The message must be appropriate to the medium.

    Movies affect the senses in order to affect the mind. Books turn that around.

    Therefore, for a movie to be a "philosophical" movie, it is more important that it show the results of its motivation in a sensual manner (sensuous is acceptable as well, depending on your motivation ;-) and allow the audience to create its own framework for analysis than to spell it out for them.

    The point of the questioning in The Matrix was to provide an easily-graspable starting point for anyone to start thinking about what he had seen and felt from the movie. The action sequences were there --- at least in part --- for us to entertain ourselves with the construct so created.

    Fiction lies within the realm of "what if." It is the responsibility of the fiction writer to produce an entertaining read for his audience (even if that audience is just himself). We ask a bit more of science fiction, in that the what if must also consider philosophical ramifications, but we often balk if said philosophy bits are presented in the raw and not worked into the story.

    The point is that exposition and essay such as Descart and Herodotus wrote is completely inappropriate to a science fiction movie, and more suited to the medium in which they wrote. Otherwise they would have been writing plays or poems and songs such as their artistic bretheren were doing.

    The dialogues of Plato also are ill-suited to the movie medium. The closest good (by which I mean literary or otherwise of artistic merit) movie to the dialogues would be Waking Life --- and even that is half-baked if considered as a philosophical essay.

    The mistake is not in the creation, it is in the analysis of the critic: we do not analyse poems as we do philosophical journal articles, so why insist that movies serve as such?

    Another thing that bugs me about the above post: the author is only considering what is actually said in the movie. In a visual and auditory medium, that is insipid: would Apocalypse Now play so well as a radio show?

    Also, it is considered of higher intellectual integrity to kindly consider a piece's arguments and fill them out as you would if you were the person proposing them in opposition to your own arguments. Knocking a work because it does not address what you are arguing is of very low class. Perhaps you should read Aquinas, or talk to any Ancient Philosophy 101 teacher.

    The point of philosophy is not to bash another's views, but to discover Truth and the constructs towards Truth. That's why we call it philosophy.

    All the same, I thank you for your post because it was one of the first in its vein cogent enough to respond to.

    PS: Yes, I feel the same way towards people who consider The Matrix to be the be-all-end-all of solipsistic philosophy. Then again, it's not the worst introduction to it, and I've been shocked by how few people are familiar with solipsistic arguments.

  13. Re:Oh come on by weston · · Score: 5, Interesting
    Subtle philosophy? More like blatantly obvious and hackneyed oversimplification of philosophy.

    Oversimplified? Maybe. Muted? You bet. But:

    1. This is a story told in film. The premise isn't a vehicle for detailed philosophical discussion, it's for the story.
    2. The premise, however, is one of the first full illustrations of the "brain in jar"/"shadows on the wall"/"evil demon" philosophical themes that some people are going to encounter. Philosophy students are going to find only very well-trodden ground -- but wasn't it terribly interesting to even them before familiarity bred contempt?
    3. Furthermore, there's some interesting angles that most people totally ignore. Why would a demon keep your brain in a jar and torment you? There's evilness/enmity and that's a possibility. But in the Matrix, there's utility derived from doing so -- supposedly energy, maybe computational work. The former premise is so ridiculous to anyone who knows what's going on you wonder why they made it. I wonder if they did it to draw attention to a potential analogue: in this world, in 2003, you are plugged into a system. It's not a evil AI made VR, it's society. And it may be there are forces at work in that society that exist to keep you working as little other than a happy cog... you could use the analogy as an examination for socio/political commentary, if you like.
    4. Buit the movie doesn't seem to, really, and in fact, the movie's peripheral treatment of philosophical elements may have been one of the wisest possible moves. And akin to what Lewis and Williams and especially Tolkien liked to do: don't work with analogy so much as archetype, and not even archetype so much as simply story. It's not about creating a symbolic tapestry that the initiated can have a field day swimming in and decoding. It's about creating a compelling experience that people can taste and draw meaning out of.


  14. Speaking of Pinket.. by cioxx · · Score: 5, Funny
    I loved this part of the article.
    "KEANU Reeves turned his moribund career around by taking the part of Neo. But it could have been a lot different. Ewan McGregor and Will Smith both turned down the part before the Speed star snapped it up."

    Imagine Will Smith getting Neo's role then doing the soundtrack to Matrix. That would have been a disaster of Battlefield Earth meets Wild Wild West proportions.

    Can you imagine the famous Hallway Shootout sequence and Will Smith rapping in the background?
    1. Re:Speaking of Pinket.. by Random+BedHead+Ed · · Score: 5, Interesting
      Having said that, imagine Ewan MacGregor. We know he can go from Trainspotting (think thin, pale) for the real world to ATOTC (action hero) for the Matrix. I think he would have added a lot more dimension to Neo than Keanu did.

      I quite like the first film with Keanu, and I think it's his best role to date (which isn't saying much, but admit it - you didn't cringe at his acting in Matrix like you did in his other films). But I think a film with Ewan would have been a really interesting choice.

      You're right, though. Will Smith has a lot going for him, but he might have ruined The Matrix.

    2. Re:Speaking of Pinket.. by 1nv4d3r · · Score: 5, Funny

      Can you imagine the famous Hallway Shootout sequence and Will Smith rapping in the background?

      I now know that I can. Thanks a lot...

  15. Re:Destiny by tealover · · Score: 5, Funny

    Someone please save the parent post. It's the only known post to indicate a preference for Keanu Reeves' acting ability.

    I'm sure someone from the Smithsonian will want to archive it.

    --
    -- You see, there would be these conclusions that you could jump to
  16. Re:Its a sequel by drinkypoo · · Score: 5, Funny
    they did things that were unheard of in the movie inudstry at the time. I believe that Matrix Reloaded will be the same...right down to the romance scenes!

    I don't think that it would be appropriate to include, say, explicit close-ups of anal sex, which is what it would take to shock hollywood at this point.

    --
    "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"