Posted by
michael
on from the before-the-law dept.
Anonymous Coward writes "Here's some interesting legal commentary on the continuing saga of copyright enforcement and Apple's attempt at a constructive approach."
It also compared them to other RIAA sanctioned online music systems that are failing miserably because of their price structure. The fact that the article finishes with a very viable (IMO) business model that would not only increase the distribution and profits for the MPAA and RIAA backers, but also lower the price for consumers is a welcome change from the rampant "RIAA BAD! MPAA BAAAAAD!" arguments I see.
The article is a how-to for both sides. It points out the flaws of failed file sharing systems as well as what the current ones are doing right (and why the corporate strongmen hate them for it). It also looks at the other side as to why the corporate anti-piracy measures and their on-line distribution methods are both failing and why Apple sold 1,000,000 songs in it's first week.
From the article, only apple users can use their service. Apple has 4% of the computer market. I'd guess about 20% of the world is on the net. 5,000,000,000 people on the planet. This leads to:
5,000,000,000 *.2 *.04 = 40,000,000
At 1 million songs, that's 1 song for every 40 MAC users. Now consider that MACs have a heavy niche in primary and secondary education facilities where kids under the age of 18 can't use the service or in college computer labs where the users can't keep the songs or play them at their fancy (at least not like a home computer). All in all, the overwhelming early success of MACs new service shows that at a reasonable price, people ARE willing to pay for music online, but only if it is quality sounding, fairly priced, and their's to own after purchase.
Obviously you didn't catch my other post, about fears regarding copyright infringement for reading such an article.
The fact remains, however, that in common nomenclature, P2P has been taken to mean something similar to "person to person" file sharing, which has absolutely nothing to do with the P2P network model. In my view of it, a pure P2P environment doesn't have a "server" you connect to, to view other users. This means that services such as DirectConnect, Napster, and WinMX are _not_ P2P services, though they are commonly lambasted as such in the media.
True P2P networks (Gnutella is the only one I can think of) have a "few" central IPs, but they result in an organic network model where no one machine is totally responsible for handling queries.
Re:Wait a min...
by
jspoon
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· Score: 2, Informative
It isn't mentioned in the article, but iTunes now has peer to peer streaming of music. You can share your library or specific playlists and let people access those lists over the internet or LAN (using Rendezvous) and choose songs to play. This feature effects me more than does the music store, and I think it has lot's of cool implications for more legal music sharing.
Re:Wait a min...
by
Anonymous Coward
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· Score: 0
I think your estimate of the number of Macs is a bit high, probably because of introducing the total population on the planet, most of whom have never heard of a Macintosh, much less own one. Let's try another way.
Apple's gross sales for the last three years were about $19B. Let's call it $20B, and assume that all sales were of Macs and that the average Mac costs $2000. That's 10 million Macs on the street, and that's almost certainly on the high side. Adjust the number of years to suit your own idea of computer obsolescence.
With enough actual research, I could probably turn up some actual unit sales numbers. But then, who really cares?:)
20% of the world is not on the net. Considering that 85% of the world population cannot feed itself properly, let alone have access to a computer, I think your estimate is a bit off.
Hmmm, - maybe the RIAA, MPAA really are bad and that's why they get bashed. I say fuck em', they are obsolete and on the wrong side of historical precedent. It is the artists who have talent - it is the artists I want to support, and now they have the ability to cut out the middle man. This will progress slowly but surely. The only way the RIAA and MPAA can keep this power shift from happening is by turning us into a police state, shredding our Constitution, and getting Congress to grant them vigilante powers - which they are doing, by the way. And I want to find common ground with these fascists because why?
I think people should support artist they like, don't get me wrong. But we need to empower the artists, not these bastards that are trying to screw us every which way.
Done and done. I read the article and then read two more that were linked from the first one. All I remember is that the Senator that is proposing new P2P "fight back" legislation looks earily familiar to Sen. Kelly from the two X-Men movies...
-- It's only an island when you look at it from the water. -Chief Brody, Jaws
this is slashdot. You don't have to read the article (you are new here aren't you?)
Re:Hmm
by
Anonymous Coward
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· Score: 1, Interesting
Incidental copies made as a necessary step in the course of an otherwise lawful use of a copyrighted work are fair use (in the US).
(As I recall, this point of view actually has some case law precedent to back it up, but has not yet been explicitly introduced into the copyright law itself.)
Apparently your magic-8-ball has never had the pleasure to use it personally.
My magic-8-ball has been formerly introduced to the product. When I asked it's opinion, I recieved "Outlook not good".
Try exposing your 8-ball, and rechecking it's results. If the message does not change, you may have a defective 8-ball, and should call the manufacturer for a replacement.
I understood that the decision rested primarily on the fact that these networks were determined to have significant uses other than copyright infringement, rather than their distributedness? Am I wrong, or is this article wrong?
Re:Non-infringing uses?
by
johnnick
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· Score: 4, Informative
While the Napster decision may have rested on that (didn't read the decision), that wouldn't qualify as a difference between Napster and Grokster/Morpheus. Because Napster was client-server as opposed to true P2P, Napster as a company was found to know about and also to be able to prevent copyright infringement. Since they could've done something, and since shutting them down stopped the problem, they were rightly (IMHO) held liable.
Grokster/Morpheus, OTOH, because they are pure P2P, are more like copy machines. They have substantial non-infringing uses and there is no way for the manufacturer to know whether a user is copying an item in violation of a copyright.
If, for example, record companies included some kind of encryption in their files that would prevent them from being played without some kind of key, and if Grokster/Morpheus included in their software some ability to strip out that encryption, then Grokster/Morpheus would be violating the DMCA, and might also be held liable for copyright infringement.
John
-- "The plural of anecdote is not data."
Re:Non-infringing uses?
by
Sylver+Dragon
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· Score: 3, Interesting
Each was a part of the ruling. In the Grokster/Morpheus (G/M for brevity) ruling it was found that the programs from G/M did have significant non-infringing uses, but this in itself does not free them from the Contributory/Vicarious infringment charge by itself. They also had to show that they did not have a right and responsibility to police the network. This is where the distributed nature of the network came into play. G/M have really no way to watch over what is traded on the network, they do not, in fact, control it really. They have no way to kick off a user who is abusing the network. As such, the judge in the case found that they did not have a right and responsibility to police the network. It was the combination of the two things that made for the not-guilty ruling. If either test had failed, then G/M would have been shut down, just like Napster.
-- Necessity is the mother of invention.
Laziness is the father.
If, for example, record companies included some kind of encryption in their files that would prevent them from being played without some kind of key, and if Grokster/Morpheus included in their software some ability to strip out that encryption, then Grokster/Morpheus would be violating the DMCA, and might also be held liable for copyright infringement.
Except that it's not files being distributed by the record companies... it's discs. And while they do make attempts to make discs unrippable, it usually screws up their playback ability as well. Since it's not the xxAA ripping the discs, they have little ability to encrypt the content.
--moot--
Re:Magic 8-ball
by
BlaKnail
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· Score: 1, Redundant
Obviously, the 8-ball hasn't noticed all the gaping security holes.
Outlook is not good.
/. proof mirror
by
cultobill
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· Score: 5, Informative
Sorry, no links.
Why Grokster and Morpheus Won, Why Napster Lost, and What the Future of Peer-to-Peer File Sharing Looks Like Now By CHRIS SPRIGMAN ---- Thursday, May. 08, 2003
On April 25, in M-G-M v. Grokster, U.S. District Judge Stephen Wilson dismissed a copyright infringement lawsuit brought by a group of movie studios and record companies against Grokster and Morpheus. (Grokster and Morpheus are peer-to-peer services that enable users to share copyrighted music, movies, and other content over the Internet without paying a dime to the copyright owners.)
Many observers were surprised. They had assumed that Grokster and Morpheus would - like Napster in A&M Records v. Napster - be shut down for facilitating individual file sharers' copyright infringement. But Judge Wilson, after carefully examining the underlying technology, found that though users' infringement was occurring, Grokster and Morpheus were not contributing to or authorizing it. Thus, they could not be held liable.
The decision is obviously bad news for Hollywood studios and record companies. If it is upheld on appeal, they will continue to face wide-scale infringement of their copyrights.
If the decision is indeed upheld on appeal, will that be good news for consumers? That is a more complicated question. The answer depends heavily on Hollywood's reaction. Will it continue its battle on other fronts - focusing perhaps not on the services, but on their users? Or will it, instead, launch new strategies to take advantage of the powerful business opportunities that peer-to-peer might provide?
Comparing and Contrasting Grokster, Morpheus, and Napster
To see what is likely to occur in the future, it's helpful first to take a closer look at the differences between Grokster, Morpheus, and Napster.
First, Grokster. It offers for download a branded version of software owned by Sharman Networks, a company incorporated in Vanuatu - a remote Pacific island chain that markets itself as protecting corporate secrecy.
When a user boots the software, his computer is directed to sign on to a "root supernode" (a server owned by Sharman), which then directs the user to a "local supernode." The "local supernode" is some user's computer, which has been temporarily designated to route file-sharing requests among a large number of other users. (A particular user's computer may function as a local supernode one day but not the next; the process is largely invisible to the user).
Suppose a Grokster user requests a certain file - it could be a song, a movie clip, a video game, or an e-book. His search request is relayed among a large number of local supernodes and on to individual users. Once the requested file is found, it is transferred directly between the users.
Now let's look at Morpheus. Its software is based on the Gnutella peer-to-peer platform, built from "open source" code. Morpheus users connect to the Gnutella network by contacting another user who is already connected. (This initial connection is usually made by linking to a computer on the network that maintains a constantly changing list of IP addresses for certain currently active nodes.)
The Gnutella network is a "pure" peer-to-peer network - composed of users running Gnutella-compatible software such as LimeWire, BearShare and Shareaza. It does not use supernodes. Instead, user search requests are passed from user to user in the network until the requested file is found. The file is then transferred directly between the two users.
So what's the difference between Grokster and Morpheus, on one hand, and Napster, on the other? It is this: when Grokster and Morpheus users search for and receive digital files, they do so without information being relayed to or by any computer owned or controlled by Grokster or Morpheus. Thus, as the district court noted, if Grokster or Morpheus shut down, their users could continue to share files with little or no disruption.
In contrast, Napster users relayed se
-- --
Bill "Houdini" Weiss
Re:/. proof mirror
by
Timesprout
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· Score: 3, Insightful
The decision is obviously bad news for Hollywood studios and record companies
Doubt it. More like bad news for a lot of people sharing copyrighted material who can start expecting to hear from the legal attack dogs shortly
-- Do not try to read the dupe, thats impossible. Instead, only try to realize the truth What truth? There is no dupe
I think it's hilarious when people read the article in a post then respond to the post as though it was its own information. As if people on Slashdot will read random posts but not the article itself.
I hope that Apple sees the chance to pull in some extra revenue, and ports this to PC. I doubt anyone would switch to a Mac just because of iTunes, but it'd give them an extra stream of cash if they let PC users share in the goodness.
While $10 is still higher than I'd spend for most craptacular CDs, it is a reasonable fee. I'd love to be able to just download the new Metallica CD as soon as it comes out, legitimately.
-- I'm a lawyer, but not yours. I wouldn't represent someone who thinks taking legal advice from Slashdot is a good idea.
Re:Nifty Apple Service
by
oneishy
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· Score: 3, Informative
Read the article: "Apple has announced that it is adding additional music to its library, and will introduce a version of its service for Windows machines by year-end."
I hope that Apple sees the chance to pull in some extra revenue, and ports this to PC. I doubt anyone would switch to a Mac just because of iTunes, but it'd give them an extra stream of cash if they let PC users share in the goodness.
They are already working on it. The Windows version should be out by the end of the year.
-- NetInfo connection failed for server 127.0.0.1/local
Re:Nifty Apple Service
by
Sylver+Dragon
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· Score: 2, Insightful
I hope that Apple sees the chance to pull in some extra revenue, and ports this to PC. I doubt anyone would switch to a Mac just because of iTunes, but it'd give them an extra stream of cash if they let PC users share in the goodness.
From the Article: Meanwhile, Apple has announced that it is adding additional music to its library, and will introduce a version of its service for Windows machines by year-end.
There you go...
While $10 is still higher than I'd spend for most craptacular CDs, it is a reasonable fee. I'd love to be able to just download the new Metallica CD as soon as it comes out, legitimately.
I'll just be glad to be able to download just the couple of songs that I want from a CD, and not have to pay for the filler crap. This is one of the reasons I don't buy many CD's, there is usually 1 or 2 songs I want on the CD, and the rest is mediocre at best. I often wait for a "Greatest Hits" type CD from a band before I'll buy one of their CD's, and even then I try to get it cheap/used. Call me a skinflint if you want, but I don't think of $20 as a small amount of money that I can just throw around, I want to get a good value for it. And $15-$20 for a new CD with a handful of songs that I like is just not a good value. Now $1 for a song I do like, now that's a pretty good deal.
-- Necessity is the mother of invention.
Laziness is the father.
Re:Nifty Apple Service
by
Anonymous Coward
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· Score: 1, Insightful
This whole Apple thing confuses me. I mean what they are doing is not in any way innovative. I think pretty much everybody has been asking for something like this for years. The question is why is Apple able to provide what noone else could or wanted to?
I think it is because they are operating at either a loss or tiny profit with the idea of making it up in Computer and iPod sales. When they do finally release software for the PC I am sure it is going to be awful like Quicktime is on the PC, which they will of course blame on Microsoft. This way they can say they are supporting Windows (and maybe make some money in the process) but they can also say how much better the service is on the Mac.
Re:Nifty Apple Service
by
Anonymous Coward
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· Score: 0
Metallica's still making CDs? I thought that whole Napster thing killed 'em.
Re:Nifty Apple Service
by
Sloppy
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· Score: 2, Funny
Yeah, they still make CDs. Too bad they stopped making metal.
-- As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
Re:Nifty Apple Service
by
cappadocius
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· Score: 1
I hope that Apple... ports this to PC.... I'd love to be able to just download the new Metallica CD as soon as it comes out, legitimately.
The first part is promised for the end of this year. As for the Metallica part, you're out of luck. Metallica offers no songs or albums for sale on the iTunes Music Store.
--
omnia tua castra sunt nobis
Re:Nifty Apple Service
by
Anonymous Coward
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· Score: 0
I doubt anyone would switch to a Mac just because of iTunes
Ahh.. I will! They have just released the new IPODs. I'll have mine when I get my tax refund check:-)
Oh, and I'll be nabbing a TI-book and claiming it on Tax. Muhahahahaha!
Another thing I would like to see with Apple's service, is that it not limit itself to just albums that are currently in circulation right now...
There is a huge source of additional potential revenue, making available, cuts that are no longer in circulation. Albums that were released pre-CD era for one, that is just impossible to replace the way things are now.
For example, quite some time ago I picked up a tape, "Live at the Playboy Jazz Festival"... I had this tape for about a month before it was ripped off or lost, I don't know which. When I bought it, it was the only one the store had on the shelf, and I have found it impossible to find and replace ever since. Even searching on Kazaa, IRC servers, and other sources of music, have been a total waste of time.
I don't care about most of the songs on the album, but the 3 in particular I want so badly to replace, are from Grover Washington Jr... they had 3 songs in a row (one of them being 'Swept Away', and I believe one of the others was 'Limelight'), recorded continuously in one cut, that I would be willing to pay serious money to replace. I have checked out the other recordings of these songs on Grover's other CD's, but they all pale in comparison... you just can't get the energy from a studio recording, that you can get from a live recording...
It shouldn't be too difficult. I'm sure many digital or high-quality analog recordings still exist in some company's archives somewhere, as they are always re-releasing songs on greatest hits or oldies albums, remastered. Since the costs of electronically distributing these out-of-circulation cuts would be as negligible as the current cuts (not counting cleaning up the older recordings), and you wouldn't have to make the investment of making more CD's and distributing them, this should be feasable.
(and if anyone has the cuts I've been looking for for so long, please, lemme know? I've just about given up replacing them.)
-- Cogito cogito, ergo cogito sum, cogito.
Download AND Pay?
by
Malicious
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· Score: 3, Insightful
This is a great idea that would be embraced by the public... until someone asked:
Why would i pay to download music on one service, that i can download for free on another?
Re:Download AND Pay?
by
Tokerat
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· Score: 5, Interesting
Guarenteed quality. Guarenteed speed. Instant preview streaming. No one cuts off your download because they're shutting down, or just being an asshole. Guarenteed complete albums. Cover art. Exclusive artist news and videos which are also free with the service.
$0.99 isn't exactly rock bottom prices, but it's better than going to a store and dropping $19 for the one track you like, and it's way better than sitting on the computer for 3 days trying to find a reliable download on Gnutella.
I just tired the iTunes store yesterday, and it's BETTER than I thought it would be, and I'm a die-hard Mac user. Honestly, I have no idea why it took so long for someone to get it right, and all sly remarks about "leave it to Apple to show you how it's really done" aside, I'm glad it's been done, and prehaps this whole "Threat of the Digital Age" bullshit can finally be the fuck over with.
-- CAn'T CompreHend SARcaSm?
Re:Download AND Pay?
by
Mononoke
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· Score: 4, Insightful
This is a great idea that would be embraced by the public... until someone asked:
Why would i pay to download music on one service, that i can download for free on another?
You're absolutely right!
Why, just the other day I was thinking about how Home Depot leaves those crates of stuff out front and how I should just drive by after midnight and take what I wanted. Why pay, right? Then there was this time driving through a school zone. I went 40MPH, just because I felt like it.
I hope my neighbor doesn't mind me parking on his lawn, because, well, Why Not? Right?
-- NetInfo connection failed for server 127.0.0.1/local
Re:Download AND Pay?
by
dracocat
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· Score: 1, Flamebait
Why would you goto a job and earn money when you can just take it from somebody else?
Downloading music and stealing money are both illegal and wrong.
This is why people are willing to buy music, movies, and other art forms. It pays for the process of creating them. If you don't buy music, then then the people that created them can't create it. And if everybody stops buying music, then someday we will end up with advertisements being sung as part of our songs.
Believe it or not, it takes money to produce a CD, record, or movie. Even if the artist doesn't get as much of that money as you think they deserve, that doesn't give you the right to copy it without paying for it--unless you already own it and then fall under fair-use.
Lets be realistic, how many slashdot readers would be without a job if their software was copied freely.
Why would i pay to download music on one service, that i can download for free on another?
Considering over 1 million songs were downloaded the first week, it would appear plenty of people are willing to do the right thing, and pay for the songs they listen to. Same reason many of buy software in the stores even though it is available on P2P.
sigh... now the only thing keeping me needing P2P is my Inu Yasha downlaods. Someday it will be easy to get the latest anime in the U.S....
There's a (IMHO) humorous poke at this (and Mac users) at BBSpot.
-- This has been a test. Had this been a real emergency, we would have fled in terror and you would not have been informed.
Re:Download AND Pay?
by
Anonymous Coward
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· Score: 0
I don't know how trash like you gets modded up but you are obviously unaware of the distinction between civil and criminal law. Infringing on a copyright is not a criminal offense (unless you fall under the DMCA).
> until someone asked: > Why would i pay to download music on one service, that i can download for free > on another?
For the same reason a company would use one service to have a person killed (legal system) vs another (doing it themselfs for free) One is alot more annoying, in this case killing someone else yourself for free. You have to go through all the work of not getting caught and covering it up etc etc. If you got your ends through means that people dont complain about, its generally easier even with the added cost of money, than getting the same ends through means that people DO complain about.
It just really depends which is worth more to you, the money or the convience. Doesnt matter what that applys to, its just always true. Music is no different here.
To some people, the money is worth more than anything else you could offer them, and those people will take for free if they can get away with it even despite there being some (or alot of, depending) annoyance with it. These people you cant do anything about.
Re:Download AND Pay?
by
JudgeFurious
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· Score: 5, Insightful
I don't think he'll mind you parking there since really, if you think about he's not out anything. His lawn's still there, albeit under your car and there should be ample time for the grass to get sunlight and water during those times you're at work or just out using your car. I say go for it.
Since Napster was cranking along I've been downloading what I wanted and just flat out not caring whether it was stealing or not. I'm 37 years old and the record labels have been bending me over for music for decades so right or wrong I just plain didn't give a fuck what they thought. I always said that I wasn't going to give them $15 or $20 for one song on a CD that sucked and that if I had a legal and affordable alternative I would be glad to pay for it. Well now I do and I am..99 a song is fine. The quality is fine. The freedom to do what I want with my freshly bought track is adequat for my needs.
I'll pay to download from Apple instead of searching for it on Kazaa because it's the correct thing to do. Put-up or Shut-up time for those of us who said "we would if they would...".
-- Appended to the end of comments you post. 120 chars.
Re:Download AND Pay?
by
NanoGator
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· Score: 4, Insightful
"Why would i pay to download music on one service, that i can download for free on another? "
Why would you go to Starbucks and buy a coffee when you could make your own? Simple: you get your coffee quicker with more consistent quality. $.99 buys you a fast download plus really good search capabilities.
-- "Derp de derp."
Re:Download AND Pay?
by
yy1
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· Score: 2, Interesting
just tired the iTunes store yesterday, and it's BETTER than I thought it would be, and I'm a die-hard Mac user. Honestly, I have no idea why it took so long for someone to get it right, and all sly remarks about "leave it to Apple to show you how it's really done" aside, I'm glad it's been done, and prehaps this whole "Threat of the Digital Age" bullshit can finally be the fuck over with.
The reason noone else did it right before was because they (RIAA Cartel) wouldn't license anyone else to do it. Somehow Jobs + Gore (on Apple board, emember Tipper and her parental advisory warnings, he must have some music industry contacts) got the licensing.
What this article sidesteps and the real issue is that the reason the RIAA is fights all this is because they are scared we won't need them anymore, that they will lose their monopoly.
That artists might have another place to go instead of begging the existing companies/structure to sell their music, that the RIAA might not get a cut of their royalties for administering the fee processing.
Apple's store is "ok" cause the RIAA gets a cut and they finally realized pressplay and musicnet and the limited use crap they were selling before noone would go for.
This is the battle for control of distribution, as we have seen previous articles about how most cds are made using ProTools which is reletively inexpensive (ie less than a car). They are scared they won't have the bands groveling at their feet, instead they might competing directly with them.
This fight for the control of distribution will continue, the RIAA paints p2p or any distribution system as "EVIL INFRINGING MUST BE SQUASHED" and the recent Grokster/Morpheus suit shows that they can't buy everyone in the judicial system. This article seems to think that it will be upheld on appeal, hopefully those judges will be fair.
--
Because, sometimes they just have to touch the stove. -YY1
Re:Download AND Pay?
by
TGK
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· Score: 2, Interesting
Why would you goto a job and earn money when you can just take it from somebody else?
Downloading music and stealing money are both illegal and wrong.
Please tell me you're smarter than that. People refrain from steeling or whatever because it's moraly WRONG?
Read up on Social Contract theory. There's lot of different Social Contracts (Locke, Montesque, etc) but I'll outline one in breif.
In the State of Nature human beings are lawless and anarchistic. It's like Faith says in Buffy, "See, Want, Take." The strong prevail over the weak. Governments are formed to protect the weak from the strong. Those who submit to these governments give up some of their freedoms (freedom to steal, freedom to kill, etc) in exchange for certain garuntees (protection, equal standards, etc).
Do people refrain from stealing because it's wrong? Some do, certainly, but the majority do so because their fear the consequences. Governments can put you in jail for stealing. If an individual considers this to be a reasonably probable outcome of theft they will likely refrain from doing so. Simple cost benefit analysis.
This is why it only takes a few people to start a looting spree. Take Iraq last month. I seriously doubt that the entire city of Baghdad was just waiting for the US forces to show up so they could make off with everything in every shop, store, and office in the city. A few individuals decided that the fall of Saddam's government made the risk accecptable. They got away with it. Suddenly everyone else realised two things.
1 - The government (such as it exists) is incapable of stoping this or unwilling to do so.
2 - If everyone else gets it for free and I don't I'm behind.
Now to bring this back to music.
People didn't copy music that terribly much before the Internet Music Craze (great phrase, wonder who came up with it) because it was difficult and because it wasn't the status quo to do so. Same goes for video tapes. Remember when people actualy worried about that FBI warning?
The IMC (lots of letters in that phrase) changed the status quo. Suddenly EVERYONE was getting music for free. When that happens no one wants to be the chump who's paying for it. More to the point, with apparently no consequences for downloading the music the action wasn't really "illegal" anymore... at least not in the sence that illegal means getting punished for doing it.
Human kind WILL revert back to the state of nature if governments fail to enforce the laws. Similarly, once pressure is let off, society will generaly not let it be put back in place without overwhelming force. Example -- The Soviet Union. Under Stalin the Soviets ruled with an iron (or rather steel) fist. When Khrushchev came to power he first let a bit of the pressure off. The populace reacted, and despite the development of hardline elements in his government later on, he was unable to tighten the screws back down. Once freedoms, long lost, had been enjoyed the government was unable to take them back without extraordinary measures.
It will be interesting to see how this will play out for the music industry. Will an iTunes like solution be enough to bring the industry out of the flat spin it's entering? I don't know. I'm not buying Time Warner stock though.
-- Killfile(TGK)
No trees were killed in the creation of this post. However, many electrons were inconvenienced.
Re:Download AND Pay?
by
PhreakOfTime
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· Score: 3, Insightful
Lets be realistic, how many slashdot readers would be without a job if their software was copied freely.
Ummm...I use linux, and write some freely available drivers in all my projects.
You live in your world, leave everybody else alone.
Re:Download AND Pay?
by
Anonymous Coward
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· Score: 0
Right now, it's hard to track a P2P user, therefore there's little risk of being sued.
If the laws are clarified to the point where it's not so easy to hide (ie, Verizon loses), then the risk goes up.
Given the choice of "free, but there's a good chance of getting caught and paying huge fines" and "pay 99 cents and stay out of trouble", which would you prefer? What if it were 49 cents, or a higher degree of risk?
At some point, it comes down to the same reason why you don't steal stuff left outside of Home Depot. It may have nothing to do with morality, and just plain fear of jail.
Re:Download AND Pay?
by
bnenning
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· Score: 2, Insightful
how many slashdot readers would be without a job if their software was copied freely
Most software development is never released to the public; it's done for in-house business-specific projects. If copyright were entirely abolished there would still be a sizeable demand for programmers.
-- How to solve most of our problems: 1.Lots of nuclear plants. 2.Cure aging.
Even if you don't pay for they tracks you are supposed to be buying, the RIAA still has you because they tend to limit the exposure of the artists you have access to. They push one with so much hype to make quick sales and then go to the next artist.
If you really like to listen to music, then listen to the music, not the artist. There's plenty to choose from. Just pick your favorite genre and listen. You have permission to download these songs for personal enjoyment. However, if you really like the artist's music, give them something in return. They're happy, you're happy and the RIAA can kiss your E-Ass.
Re:Download AND Pay?
by
jeffasselin
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· Score: 2, Insightful
Lets be realistic, how many slashdot readers would be without a job if their software was copied freely.
And here I thought many Slashdot readers were Open-Source proponents who indeed wrote software that could be freely downloaded on the internet...
-- If he explores all forms and substances
Straight homeward to their symbol-essences;
He shall not die.
Re:Download AND Pay?
by
Anonymous Coward
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· Score: 0
Hey dracocat.
Inuyasha's first 60-80 or so episodes are out on Toonami/Cartoon Network. Currently reairing them at 12:30am EST too.
I have them all ripped to 640res divx ~300 MB an episode (excessive quality;)
I have all that now with a $10 a month usenet account. I point my web browser at their handy interface, browse for files I want (or do a global search of everything posted to usenet in the last 28 days) and click on what looks interesting. The quality will instantly be apparent to me, as the second it begins downloading I can "preview" the file in winamp. if the file sucks (low bitrate, bad rip) it's no problem at all to delete the download from the queue in my download manager. All in all it takes LESS time than visiting a "store" AND I have all the bandwidth I can muster (not hard when you view the e-world through two dixie cups and a string).
"Do the right thing?" Far as I'm concerned "the right thing" is putting the RIAA out of business as soon as possible. damn skippy I "do the right thing" - they'll never get another penny from me; I done bought my last copy of Sergeant Pepper's.
> Why, just the other day I was thinking about how Home Depot leaves those crates > of stuff out front and how I should just drive by after midnight and take what I > wanted. Why pay, right?
Actually that is a very good question. I do realize the intent of your post, so this is sorta 'side tracking', but let me ask you this:
If you could 'take' a crate worth of stuff from Home Depot, yet both a) home depot was not at all deprived of the crate, and b) they had no idea you now have the same stuff from that crate that they still have.. would you take it?
Basically put, if 'replicators' from startrek (sorry to those that dont watch the show) existed here and now and were real, would you concider being able to turn the air in the unit now into any type of atoms in any arragement at all (to create matter of the type you need) to be theft?
Remember, to data, there is no such thing as a move, only a copy then delete. Your example is like one person saying 'murder is right/wrong' and you said 'but shoes feel great on my feet!' (Speficially, your example had nothing to do with the topic at hand) so I wanted to rearange your example to make it fit. The only way to do that is to COPY the items being 'stolen' so that the person that had them first did not lose anything or was not inconvienced (in terms of the items taken) by you doing it. To copy real life things (IE to steal something, that something has to exist in reality) you literally need to copy them, just like people do with data that is copied (yet labeled stolen)
And the only way to do that is to have startrek like replicators.
So then I turn the question around... If i spent $3000 on a new computer, and you dont wanna pay $500 for the 3ghz CPU i just bought, so i 'copy' my CPU so not only do I have one but you do too. Using your morals/ethics/laws/logic I just let you 'steal' that CPU from me.
Now, lets replace computer/cpu with food. We can rearange the atoms in the air to make them into food. The person that grew the food first (that had to be there to be copied this way) has already been paid LONG ago for that food. If you have an ear of corn, and you go to sell it, you expect to get paid in exchange for the corn, and after that you dont care what happens to it. Well, if the buyer can make copys and give them away, that doesnt at all deprive you of income (Being the corn grower) because you didnt grow the corn being given away for free, just the one they were copied from.
Ironically intelectual property was suppost to work the same way when the laws on it were made, before companys paid off congress to change them. An artist that say makes music for example. That artist is NOT suppost to get paid for each COPY made. That artist gets paid for their time, knowledge, and experence, and get paid ONCE for that one time job.
And this is how it mostly works now. The artist creates a song, and sells it to the RIAA once. The RIAA is who is suppost to be allowed to make these copys and sell them to us. The artist has already been paid for their work and is 100% out of the loop at this point.
We (the people) now have the abilitys via technology to do everything the RIAA does, except we can do it at home on a simple PC. Why are we not allowed to? Copyright isnt to garentee income, its to put back the physical security aspect that cant exist without a physical object.
If I could copy corn, as per the previous example, under current laws this would be legal. Yet following IP laws it would not be. Yet clearly in both cases (farmer growing corn or artist making song) both only get paid for the work they do.
Farmer grows 100 ears of corn, he can sell 100 ears of corn. Artist makes one song, they can sell ONE SONG, not one million copys of the same song!
Yes im talking how things should be, not how they are in the US. But it should be clear how IP laws do not mesh with the same logic for normal property. If its property, it should share atleast one characteristic with all other types of property (No, the law does not count as a shared property, the law is artificial and not real)
I haven't tried the service. Can you download full CD-quality files or are all the downloads MP3's?
MP3's are good for many things, but many audiophiles will want CD-quality (or better). Granted, that's probably less than 10% of the population, so Apple's business plan may prove to be quite sound. (Pun unintended.) I hope so.
But - One of my persistent worries is that while technology makes higher and higher recording quality available, the distribution medium will be predominently lossy-compressed files. Great for independent artists working on a tight budget, trying to get their names out there. It's not good for the professional recording engineers or the pro equipment manufacturers who really push the state of the art in quality.
-- Alan Parsons got paid scale for his engineering work on "Dark Side of the Moon."
Re:Download AND Pay?
by
grmoc
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· Score: 3, Informative
No offence, but your phrasing STINKS.
Downloading music isn't illegal. Downloading movies isn't illegal.
Doing either of the above in breach of copyright law IS illegal.
Blanket statements such as: "Downloading music is illegal" are misleading and inaccurate.
On to your other points.
Fair use is and has been eroding. The fact that you can't buy your Inu Yasha DVDs straight from Japan and play them on your DVD player is a perfect example of this. Modify your dvd player to play discs from other regions? Face years in Jail!
I'm all for fair play-- That is why it is my intention to screw those who screw me in equal measure.
How do you feel about price fixing? I don't believe -for a moment- that I'll be getting back my fair share of money from their activities.
IMHO, what they are suffering from now is what happens when you act the part of the big bully- People don't invite you to the party, and work around you.
There is a HUGE difference between illegal and wrong. You seem to be making the assertion that illegal==wrong. *BUZZZZ* AAhh, you're a loser at the game of morality!
Since when does the law==justice==right/wrong? The law is an approximation of a justice system. It isn't even arguably the best we can do!! Do you condone slavery? You DO know that people were allowed to -own- people not too many years ago, right?.. And a matter of fact, it protected under law...
Keep in mind that the RIAA isn't really in the business of producing music. Music has never been a way to make money (for the majority of people who play/produce it throughout history)... The RIAA is in the business of making STARS. Celebrities.. i.e. trademarks, -are- a good way of making money. The music is incidental (And if you're going to argue that it isn't, what is the purpose of a for-profit corporation? )
Re:Download AND Pay?
by
Anonymous Coward
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· Score: 0
if I make a copy of the home depot crate with my own wood, and home depot doesn't miss anything, it's not stealing. If I copy your post on my legal pad, it's not stealing. If I brew my beer, to look and taste exactly like yours, it's not stealing.
Then someone else asked - why would I download something for free when I could help out the artist I really like.
Do you run out of restaurants all the time without leaving tips? You could, but why? Sometimes you want to give someone something because you appreciate what they've done. It just happens to work out nicely with music that I can give a little bit to someone who wrote something I like and in return I can keep the song... while the masses of people who write stuff I don't care for get nothing, just like a really bad server.
I had a song from Dido that I really liked called "hunter" that I had downloaded from P2P a while ago. I don't really like the rest of her stuff, just that song. After the Apple store opened I bought a copy of that one song, just because I could... and the original was a good 160k copy (though after some tests I really can't tell the difference between the APple version and my MP3)
-- "There is more worth loving than we have strength to love." - Brian Jay Stanley
Re:Download AND Pay?
by
limbostar
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· Score: 1, Insightful
Nice rant, but you're wrong. I wanted to be the chump that paid for the music while the IMC was all the rage. I've never used Napster, Kazaa, or any of their clones, and I never will. The only MP3s I own I ripped myself from discs I bought and still own. While everyone else was looting the town square, I was standing in line at the checkout with money in my hand.
Am I in the minority? Probably. But I did this because it's just wrong to take something that you didn't pay for. If you want to justify your actions by saying the RIAA is fucking you over, fine. But there are lots of record companies that aren't in the RIAA, and oddly enough their CDs cost $18 too.
As for the other crap, whatever. Look at the 21st century USA. Freedoms are being taken left and right and the populace is just taking it. Governments can't tighten the screws? Like hell they can't.
What about the part where it only takes an hour or so to download and burn a popular CD off a P2P using mostly high-quality (192 kbps) MP3s, not to mention being able to stick some of your favorites on the OTHER half of the CD RIAA & Co. don't like to bother using?
I'll pay to download from Apple instead of searching for it on Kazaa because it's the correct thing to do. Put-up or Shut-up time for those of us who said "we would if they would...".
I'd love to... but I have to pay $1000.00 or more to get started using their service....
you see all I have is INTEL based machines running linux and 1 running W2k for video editing.. and apple isn't interested in my demographic because I am not a mac owner.
Sorry but they surely could have rolled it out for all platforms at the same time... come on, a client written in java would be just fine, and would run on everything except for my toaster.
Until then... I'll stick to www.IUMA.com for all my music... it has a better selection than the big record companies have.
Guarenteed quality. Guarenteed speed. Instant preview streaming. No one cuts off your download because they're shutting down, or just being an asshole. Guarenteed complete albums. Cover art. Exclusive artist news and videos which are also free with the service.
Very true. An analogy: which is more desirable, eating at a chain restaurant with a consistent branding and franchising scheme or eating at Billy's Roadkill Shack? Maybe this week's roadkill is really good...then gain, maybe not.
If you could 'take' a crate worth of stuff from Home Depot, yet both a) home depot was not at all deprived of the crate, and b) they had no idea you now have the same stuff from that crate that they still have.. would you take it?
No, I wouldn't. Even if HD were "not at all deprived of the crate" they would still have lost the time and energy (real and human) involved in procuring it and presenting it for sale.
Basically put, if 'replicators' from startrek (sorry to those that dont watch the show) existed here and now and were real, would you concider being able to turn the air in the unit now into any type of atoms in any arragement at all (to create matter of the type you need) to be theft?
Questions for you:
Have I paid for the energy being converted into matter?
What if the matter I created was a newly-conceived widget that allowed me to cloak my ship, and you were the creator of ideas behind that widget? Wouldn't you want to be compensated for the R&D time you spent in the conception and testing of the widget?
Ironically intelectual property was suppost to work the same way when the laws on it were made, before companys paid off congress to change them.
An artist that say makes music for example.
That artist is NOT suppost to get paid for each COPY made.
That artist gets paid for their time, knowledge, and experence, and get paid ONCE for that one time job.
Why shouldn't the artist get paid for each copy made and sold? If the artist creates a work that is exceptionally enjoyable, then why shouldn't the artist gain more highly for it?
And this is how it mostly works now. The artist creates a song, and sells it to the RIAA once.
The RIAA is who is suppost to be allowed to make these copys and sell them to us.
The artist has already been paid for their work and is 100% out of the loop at this point.
No, that's not really how it works now. The RIAA is a distribution channel, working on behalf of the artist. The artist never "sells it to the RIAA".
Farmer grows 100 ears of corn, he can sell 100 ears of corn.
Artist makes one song, they can sell ONE SONG, not one million copys of the same song!
Coder writes one excellent game, they can only sell one copy of it? Doesn't sound fair to me.
Coding and songwriting are much more closely related than many people think: Both require years of study to become proficient; Both evolve in ever-changing environments (new hardware/new musical styles) yet both are grounded in past knowledge; Both are dependent upon the general public for acceptance.
I'm guessing that part of the problem is that musicians make it look easy. They even call it 'playing', for heaven's sake. Yet it takes years of hard work, years of study, and quite a bit of luck to ever make a real living at it. Musicians have it bad enough without their work being trivialized by people who would rather give excuses about how 'music should be free' instead of paying the piper.
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I'm 37 years old and the record labels have been bending me over for music for decades so right or wrong I just plain didn't give a fuck what they thought.
They've been forcing you to buy music all this time?
I'd have bought a radio by now.
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I haven't tried the service. Can you download full CD-quality files or are all the downloads MP3's?
128kb/s AAC files. Better than MP3, but not as good as AIFF.
MP3's are good for many things, but many audiophiles will want CD-quality (or better). Granted, that's probably less than 10% of the population, so Apple's business plan may prove to be quite sound. (Pun unintended.) I hope so.
Audiofiles will buy the CDs to play in their $2000 CD players with their directional AC cables, etc.
I think people who care are really less than 0.1% of the population. Certainly not more than 1% can actually hear the difference anyway.
About your sig: Alan Parsons got paid scale for his engineering work on "Dark Side of the Moon." So? All the engineer does is place mics, thread machines, and push buttons. I think what he learned about record production during those sessions was much more valuable than any amount of cash would have been.
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Allow me to clarify then. When I was a kid I bought records. It's possible to play that record until it starts to sound bad. You've paid for the songs but your lp is no longer what it once was. When I was a kid I bought 8 track tapes. 8 tracks and later cassettes aren't exactly what I would call "sturdy" and even if many of those 8 track tapes were still sitting on my shelf in pristine condition I'd have a hard time finding a player for them today. Again I bought songs in a format that is either no longer supported or on a media that didn't last.
Regardless I paid for the songs. CD's made all the difference and I've got darned near every CD I've ever bought and they sound as good now as they did then. Now I've got files and I can back them up perfectly and don't expect to ever see the day I want to hear a song I've paid for and can't play it and I don't have pay for a CD with one good song on it and 9 other tracks of crap.
The filesharing services are the way people wanted to get music. The Apple version combines that with actual revenue for the companies that produce music. It's finally what I consider to be an fair and fully equitable relationship.
-- Appended to the end of comments you post. 120 chars.
Your arguments hold more water when you read my post.
Am I in the minority? Probably. But I did this because it's just wrong to take something that you didn't pay for.
Good for you, you're part of the relitively small group of people who have been sufficiently indoctrinated into the Judeo-Christian moral ethic of our society that it remains with you despite a partial reversion to a state of nature. You're the type of person that would be among the first to attempt to form a government because the rule of law appeals to you. This would be a great argument against what I said except I specificly pointed it out in my post
As for the other crap, whatever. Look at the 21st century USA. Freedoms are being taken left and right and the populace is just taking it. Governments can't tighten the screws? Like hell they can't.
Never said they couldn't. I said that when people are granted a freedom they've done without for a very long time, or are otherwise relived of a brutaly repressive regime they are generaly none to thrilled to have it back and will fight tooth and nail against it. If you'd read my post you'd know that.
So yes, the US is enduring a period of having freedoms stripped away left and right at the moment. Unfortunately for the point you're tring to make those freedoms were in place earlier and are being lost now. In order for this to at all address my point they would have to have been taken away, reinstated fairly recently, and then revoked again.
An excelent example of this might well be the draft. The draft represents the removal of a freedom, specificly the freedom not to die for my country (agree with it, disagree with it, whatever, in the state of nature it's a freedom).
We did away with the draft shortly after Vietnam. Freedom reinstated. Pressure removed. Now, how would the American people react to a new draft? Think they'd take it lying down? Would all those kids who burned their draft cards back in the 60s be dancing with glee to see their children carted off to die in a jungle somewhere?
Before you post the knee jerk reaction to my conclusions, please read my reasoning. It helps to facilitate intelectual discourse.
-- Killfile(TGK)
No trees were killed in the creation of this post. However, many electrons were inconvenienced.
Well, look at it the way I look at that latest and greatest game I want. It's usually available for the PC and the Mac users should be seeing it some months later.
As a member of the "demographic" that most game companies "aren't interested in" I feel your pain. It'll get there and then you can try it. Look at it like this. You got all these Mac users beta testing your upcoming software. That's the way I approach waiting for a game to appear on the Mac.
-- Appended to the end of comments you post. 120 chars.
He said it all. Accurately too regarding what you get from the Apple music store. I personally don't fall into that audiophile catagory and with my ears (deafened by years of music too loud and too much time spent at the shooting range without wearing hearing protection - stupid younger me) they are excellent sounding files. YMMV of course.
-- Appended to the end of comments you post. 120 chars.
Actually its episode 1-35. Played Monday through Thursday. The time is correct. But the story is 111 episodes total, so you are still missing a lot when they start over at episode 1 after episode 35!!! Arghhh... and Kazaa is so slow to get these things. Any other places?
All the engineer does is place mics, thread machines, and push buttons.
Hah! That is a troll, right? Or sarcasm? Recording engineers will tell you that the art of placing mics, and knowing which mics to pick in the first place is the most important thing they do to get a particular sound on tape (or disk).
Many might concede that their knowlege of what processing to use (preamps, EQ, reverb, delay, even knowing how loud to record something to get tape distortion) is equally important.
And almost all good engineers will tell you that *the* most important thing they do is work with the artist to capture their best performances -- even if that means knowing to roll tape when the artist thinks that no tape is rolling.
And that's just the recording engineers; the mixing engineers (who may be the same people) have to have a whole bunch of other talents and tricks up their sleeves.
My whole point here is that being a great (not just good, but great) audio engineer requires either a lot of talent, or a lot of experience, or some combination of both.
And my point in making that point is that a lot of the benefit to listeners of this talent and experience - namely, superb sound - gets lost in ACC/MP3/OGG/ATRAC compressed formats. Hell, a lot of it gets lost in CD-quality 44KHz/16-bit digital. That's why pros are moving to higher bitrate formats.
As much I want to see digital distribution of music succeed, I really don't want it to blast us back to the days of cassette tape as far as audio fidelity goes.
And finally, my mention of Alan Parsons and DSotM was partially flippant, and partially a reminder that for at least 20 years, people considered that album a landmark in recording techniques. Some Pink Floyd biographers think it stayed on the charts as long as it did because people bought new (vinyl) copies every time they bought an upgraded stereo system, to demo it without pops and ticks. (Sales of the album declined as CDs became more established.) I doubt that DSotM, or Michael Jackson's Thriller, for that matter, would have had the impact they did if they had been reduced to a lossy-compressed digital bitstream before distribution. OTOH, I own many remarkably well-recorded (and musically good) albums that didn't sell well at all, so I think you're probably right on that a very small percentage of people even care.
Hah! That is a troll, right? Or sarcasm? Recording engineers will tell you that the art of placing mics, and knowing which mics to pick in the first place is the most important thing they do to get a particular sound on tape (or disk).
Many might concede that their knowlege of what processing to use (preamps, EQ, reverb, delay, even knowing how loud to record something to get tape distortion) is equally important. And almost all good engineers will tell you that *the* most important thing they do is work with the artist to capture their best performances -- even if that means knowing to roll tape when the artist thinks that no tape is rolling.
No, you are confusing recording engineers with Producers. Recording engineers work closely with the equipment, not the talent. The producer is the one with his fat finger on the talkback. Yes, sometimes the roles combine, but not always.
And finally, my mention of Alan Parsons and DSotM was partially flippant, and partially a reminder that for at least 20 years, people considered that album a landmark in recording techniques.
Floyd had been developing many of those techniques long before Dark Side, Alan Parsons just happened to be in the right place at the right time when the music and the technology came together.
I own my share of half-speed-mastered vinyl, so I understand. However, I'm not anal enough to be unable to enjoy the music however I find it.
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Did you ever stop to think that maybe downloading Inuyasha episodes was as wrong as downloading music?
You said it yourself, music and movies take money to produce. Anime is no different. Downloading anime off P2P is no more legal or right than downloading music.
Besides, you don't "need" P2P... I love anime, but I don't get to see very much. I don't suffer from withdrawal or anything. Beside that... if I'm not mistaken, Inuyasha is shown on Cartoon Network.
As for your comment per software downloads: there is a very big reason that software isn't as heavily downloaded as music and movies... music and movies can't carry viruses. I seem to recall someone who got a virus from a warez copy of Norton Antivirus - software piracy carries its own immediate consequences. Unlike music, where someone generally has to find out that you have music on your computer to punish you, the software can burn you the moment it gets executed.
Did you ever stop to think that maybe downloading Inuyasha episodes was as wrong as downloading music?
I never said it wasn't wrong. But I do download it because I can't get it any other way (Cartoon Network has first 35 episodes).
I was responding to the original poster who claimed that people wouldn't buy music off of iTunes when there were free alternatives. I was saying that people would, because downloading the music for free was wrong. Likewise, when I can buy or legally download for a fee all 111 episodes of Inuyasha, I will. Untill then, I will be downloading them--wrong or not.
You can mix tracks into any order. You dont' just buy a CD and that's how it is. An album consists of just the tracks, no burning restrictions. And I loved it the one time I was able to download an entire album in under an hour from a P2P network...of course I was on a college campus back when Napster existed and it was a 6 song album...
Really, I thought it would be lame as hell, it's much more responsive than any FTP, IRC bot, P2P client, AIM share, Windows Share, anything I've used to get music before. And quality is guarenteed.
Apple owns eMagic and Logic Audio now. After ProTools and perhaps Steinberg's Cubase VST/VST-32/SX etc... Logic Audio is probably the largest program in use in professional studios. Perhaps Jobs was going to crank up the price unless the music companies agreed to give it a go...
Why would i pay to download music on one service, that i can download for free on another?
All the replies to this post are missing the point. They talk about the historical "If only I could pay $1 a track I wouldn't steal" argument or the "Paying for the guaranteed quality or guaranteed albums". Even those that talk about the "premium" price for the convenience of a guaranteed download and always availability, are missing the real point.
The real issue is that _all_ you are paying for is these conveniences. The capital invested in the servers, software, comms and admin to run the service comes out at $0.00X per download and the rest is the price _you_ are willing to pay for the luxury good that is the convenience of all the benefits mentioned by all the other posters. Any portion of the fee that goes to the record company is theft, and is discounting what you are willing to pay for the service by the amount of the royalty, or inflating the price and thus eliminating some downloaders from the process since it is above their threshold.
Do you not worry when something of such an arbitrary price is such a convenient price? I mean jeez, it's less than a buck a track, but then so is $0.98 or $0.37. What manufacturing process is squeezed to hit the $0.99 price point. In competetive business this is the way of things, you target a price point and the constrain the manufacturing process to hit it. Why do you think that a $14 floppy drive is made of plastic?
This whole model is just bollox. IP is bunk and once the track is out there and recorded it should be free for all. That we have to suffer the ignomy of crap downloads from Kazaa et al is the price we have to pay until the law catches up with the truth.
-- "The first thing to do when you find yourself in a hole is stop digging."
No, you are confusing recording engineers with Producers. Recording engineers work closely with the equipment, not the talent. The producer is the one with his fat finger on the talkback. Yes, sometimes the roles combine, but not always.
Well - I won't disagree with you. We could debate a while where producer ends and engineer begins, but, as you said, the roles combine. There doesn't seem any sense trying to etch out such a fuzzy line. I just meant to clarify that an engineer is generally much more than a button-pusher. The producer may know the talent and the kind of sound s/he wants, but it's the engineer's job to translate that into reality. There's a lot of technology to understand now, and that's generally the engineers' role.
And yes, Dark Side was a confluence of many fortuitous happenings, from the moods of the band members and the writing/compositions it inspired, to advancements in technology.
Well, I think I've taken this thread far enough off topic now. What's next...????
No step 5? What happens when you find the song you're downloading sucks?
Your list is stupid - listening too much to Geoff Goldblum, I see. Honestly, the way so many mac users seem to be mindless drones for the jobs machine is what keeps me from even considering a mac - just as I avoid all cults.
Example: itunes "preview": click for 30 second "preview." Waste precious bandwidth (important for modem users) downloading crap that will be thrown away.
My way: download the file I want. The only difference is I have to be proactive to stop the download, you have to be proactive and download (30 seconds of) the same song twice.
Most of the music I download is 256kbps or better MP3. More importantly, most of it is NOT same-as-the-others crap you find in domestic distribution. This afternoon I downloaded Goldfrapp's latest "Black Cherry" - can you even get Goldfrapp at ye olde itunes shoppe? (I went there to see for myself, but apparently you can't even browse the catalog unless you've already become an apple-fied corporate drone).
How about Natacha Atlas? Linda? Nome? Garmarna? Blowzabella? Most of these I had never even heard of before I found them on usenet, and ALL of them I find infinitely more listenable than most of the US domestic stuff I have heard in ages. The domestic stuff I want (Bjork, Luscious Jackson, heart, led zepp, pink floyd and the other 70's "classic" bands, cranes, siouxsie, pil and other punks of the 80's) I already bought AT LEAST once - no way am I gona pay a buck a track for the "priviledge" of downloading tracks of lower quality than those I can get free while supporting the same crooks that have been corrupting "the industry" (at least) since I was a kid.
And that's most important of all: giving money to itunes means giving money to the RIAA. If Neil Young sets up a tipjar where I can send him ten bucks I'll happily dip into paypal. But he won't be doing that anytime soon, because that would violate his "exclusive" contract with his label. The goal of anyone who values this medium should be to avoid, at every turn, feeding more dollars into any corporate lobbying machine that thinks nothing of suing young college students for operating a goddamn search engine.
The distributedness was really the clencher though. Basically, the opinion states that Morpheus and Grokster had no ability to prevent copyrighted files from being shared due to the nature of the network. This, of course, requires that there were significant other uses than copyright infringement.
-Alison
Dragged kicking and screaming...
by
Sanity
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· Score: 5, Insightful
The entertainment industry always needs to be dragged kicking and screaming into new business models. Look at how hard they fought against VCRs, and now 2/3rds of their revenue comes from video sales and rentals.
It is quite likely that at some point the music industry will end up making more money out of Internet distribution of their music than they do out of selling CDs. It is also entirely likely that they will continue fighting against P2P tooth and nail until they have exhausted all possible options.
The problem is that right now the lawyers are making the decisions. If you are a hammer, everything looks like a nail, and if you are a laywer - you often assume that all problems can be solved with a law suit. This mentality will likely continue to persist until it is absolutely obvious, even to the lawyers, that it can't work.
What does this mean? Well, for one it means that we should fully expect legal attacks against users of P2P networks to continue. This will simply serve to encourage greater use of Freenet and other future systems which protect user anonymity (Freenet still needs work to make it well suited to this task - but if there is a demand, someone will create a suitable third-party app which uses Freenet as a back end).
After Freenet or its successors have finally demonstrated the futility of trying to use the law to halt progress in communications technology - the music industry may eventually accept that it needs to adapt, but don't hold your breath for it to happen any time soon.
Re:Dragged kicking and screaming...
by
julesh
·
· Score: 4, Interesting
What is needed is an application that scans your MP3 (or whatever) collection, matches up artists with labels through some database and allow you to choose what you already have a paid-for copy of to remove from the list (it would store this information for later use). Then it would calculate a cost for a licence for your entire MP3 collection. A bulk discount would be applied for people with thousands. Then you could whip out your credit card and make that 10Gb legal.
I know people who would do this if they could.
Re:Dragged kicking and screaming...
by
Sanity
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· Score: 0, Flamebait
I know people who would do this if they could.
If people want to do that, then good for them - but you can be sure that the music industry won't be happy unless people are forced to use such software.
Re:Dragged kicking and screaming...
by
julesh
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· Score: 1
Well, of course not. But the point is that they don't even offer the option of doing so at the moment, which is shear short-sighted stupidity on their behalf.
Of course, what they want to do is search your hard disk for all your illegal MP3s and then fine you hundreds of millions of dollars for each one they find...
Re:Dragged kicking and screaming...
by
mcrbids
·
· Score: 1
Then it would calculate a cost for a licence for your entire MP3 collection.
Wow. This is probably one of the best ideas I've seen in a long, long time.
If I had mod points, you'd my vote!
-- I have no problem with your religion until you decide it's reason to deprive others of the truth.
Re:Dragged kicking and screaming...
by
SvnLyrBrto
·
· Score: 2
> matches up artists
That's not the problem. I'd love to support the ARTISTS. I go see my favorite DJs and bands perform all the time. If they are, themselves, selling merchandise, I'll not uncommonly buy something... from the ARTIST.
> with labels
Therein lises the problem. The RIAA/Metallica had repeatedly and unerringly demonsteated that they do NOT, in a million years, deserve my money. I have no desire EVER to support them, their minions, or their supplicants. Any scheme (including Apple's music store) which delivers so much as a PENNY to the likes of hillary rosen or lars ulrich is, so far as I'm concerned, wholely unacceptable.
cya, john
-- Imagine all the people...
Re:Dragged kicking and screaming...
by
sacrilicious
·
· Score: 1
It is quite likely that at some point the music industry will end up making more money out of Internet distribution of their music than they do out of selling CDs. It is also entirely likely that they will continue fighting against P2P tooth and nail until they have exhausted all possible options.
Agreed. Wouldn't it be funny and ironic if they realized someday that p2p had become their real cash cow and that cd sales were actually affecting their p2p revenues adversely, prompting them to go on an enormous anti-piracy campaign against cd distributors and cd burner manufacturers: "When you purchase a cd, you're stealing! Do the honest thing and download from the net."
-- -
First they ignore you, then they laugh at you, then ???, then profit.
Re:Dragged kicking and screaming...
by
cvdwl
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· Score: 1
Yes, and why not grab those diary entries whil we're in there, and sell the information gathered to the RIAA, MPAA, Direct Marketing Associations and GlobalMarketing.org while we're at it.
Nothing against pay download, mind you. I just want it to be easy, cheap and Linux compatible! And I want fries with that.
-- ... grumble, grumble, grumble, mutter, mutter, Millenium... Hand... Shrimp, I tol' 'em, I tol' 'em.
Re:Dragged kicking and screaming...
by
phrackwulf
·
· Score: 1
"Why, that's as crazy as, I don't know,letting lawyers make laws." P.J. O'Rourke
[-)
-- What would Richard Feynman do, if he were here right now?
He'd do some math and he'd follow through!
Apple's (& RIAA's) long-term plan
by
Pyrosophy
·
· Score: 5, Funny
Sell at $1 a song until business gets sluggish, then surprise users with a $20 a month, download-all-the-songs-you-want subsription service. Everyone goes gah-gah because they have been paying $100-a-binge for songs and signs up for the service. Mac users revel in the fantastic deal they're getting from Jobs.
RIAA now has the business model it wants, though Apple gets a small cut, in that instead of people paying $17 a few times a year for a cd, they now have them automatically paying $240 a year. Cell-phone pricing syndrome has everyone blissfully unaware that they are paying way more than they ever wanted to in the first place and the RIAA uses the extra dough to have public executions of P2P software engineers.
Company execs could be jailed?
by
dafoomie
·
· Score: 5, Insightful
"And a recent article in the New York Times details quiet efforts by the major record companies to develop software programs that would interfere with - and, in some cases, damage - computers engaged in file sharing.
Of course, resorting to such extreme measures would almost certainly inflame public opinion. And, as George Washington University Law School Professor Orin Kerr has argued, it might even land a few record company executives in jail, absent Congressional immunity for such tactics, which (believe it or not) has been proposed."
I personally would love to see this happen, if they damage my computer, I want the bastards in jail. If somebody came into a music store and stole a bunch of cd's, they can't just break into their house and smash them - along with anything else they might believe is stolen, they'd have to notify the authorities. I'm not trying to defend copyright infringement here, but two wrongs do not make a right.
Re:Company execs could be jailed?
by
Sloppy
·
· Score: 1
Surely they would buy a Berman Bill (or something like it) before they actually deployed their software.
-- As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
Re:Company execs could be jailed?
by
Anonymous Coward
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· Score: 0
...two wrongs do not make a right.
No, but three lefts do.:)
Sorry, couldn't resist.
Re:Apple's (& RIAA's) long-term plan
by
Anonymous Coward
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· Score: 0
It's scary cause it's true. Or maybe I'm just a cynic.
Executive Summary:
by
foo+fighter
·
· Score: 4, Interesting
Napster was ruled against because it isn't really P2P; requests went through a central server.
Grokster and Morpheus were not ruled against because they are really P2P; if the backend companies shut down the users wouldn't be affected.
Previous attempts at online music services failed because they were too expensive and too restrictive.
Apple's online music service will not fail because it is not expensive and not restrictive.
The media industries should follow Apple's lead.
IMO, this article wasn't that interesting, nor that informative. It was yet another summation of the story thus far. At least it was a quick read.
-- obviously no deficiencies vs. no obvious deficiencies
"Napster was ruled against because it isn't really P2P; requests went through a central server."
It was P2P in the sense that the users provided the content and did the transferring. Napster didn't make the content availble, they just made it searchable.
I understand your point, but Napster did have some defense by claiming that the users were the ones making the stuff available to download. I'm not saying they were right, just saying the argument could be made.
-- "Derp de derp."
Re:Apple's (& RIAA's) long-term plan
by
Anonymous Coward
·
· Score: 0
Yes, that would be great, except for $0 a month, everyone can download all the songs they want through ftp, irc, newsgroups, web, etc.
Then there's the Stephen Hick case
by
Anonymous Coward
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· Score: 0
Which he talked about here. He nearly went to jail simply because of having some p2p friendly ports on his computer!
How it all works.
by
Anonymous Coward
·
· Score: 0, Insightful
or, Ignoring that Cognitive Dissonance
You may notice a large number of posts made on Slashdot concering KaZaA, or similar programs such as Gnutella or FreeNet. Often these will be posted under "Your Rights Online" (YRO), in order to show how the use of KaZaA affects your "rights". You may wonder what the hell programs whose sole purpose is to circumvent copyright laws is doing on a conservative (yes, I mean it) site such as Slashdot.
Let me explain to you. In the back of their minds, most Slashdot readers ("Slashbots") know that they simply don't want to pay for anything which they can get illegally for free. Most people are exactly the same way. KaZaA et al allows them to get music for free, so they use it. They know that this is copyright violation, which is a bad thing to do. This brings them feelings of guilt which they want to do away with.
How do they do this? They rationalize it away. It's the copyright laws that are wrong, not them. DCMA needs to be rewritten. The MPAA needs to be destroyed. It's an expression of free speech. And those greedy record companies take all the money anyway. Never mind that with pirate mp3s the artist never sees any money anyway. This way, they are sticking it to "the Man", who exists to make life difficult for 31337 Linux users like themselves. Yes, it is flimsy, and yes, it allows them to take the moral high ground by robbing hard-working artists. Yes, many will say that modern popular music is all horrible anyway, and that their favorite music is the only worthwhile type, but then go on to slam others for being "elitist" in any discussion in which Gnome or KDE is mentioned.
And what about the SCO Linux beta? Didn't that violate the GPL by attaching a NDA agreement? And remember the cries of the Slashbots that Corel should be sued, destroyed. boycotted, etc.? All because SCO who was helping out the Linux community mistakenly added a certain clause to their beta, which violated the GPL. As you can see, the "community" is quick to cry foul when the copyrights on their software is violated, even by companies with good intentions. Our copyright good, yours bad.
It's called "hypocrisy" and if you read Slashdot enough, you'll have to get used to it.
Now ask yourself exactly why ther is coverage of KaZaA on a site obstensibly devoted to Free Software. KaZaA is proprietary as hell. Those protocol specs had to be reverse engineered. Isn't proprietary software bad? Isn't all free software superior? Isn't "open sourcing" a piece of software the best way to improve it?
These are all bleatings of the party lines. Here, we consider proprietary software Evil until Rob Malda tells us otherwise, or it gets ported to Linux. Then it becomes a special class of proprietary software which somehow becomes better than the rest. KaZaA is one example. SCO is another. Somehow, they are able to ignore this seemingly large discrepency by claiming that these companies are "helping" the "community". The only one being helped is VA Research^W Linux^W Software who gets to sell ads to these people after giving them free publicity on the most popular "Linux" site of them all.
Stop lying to yourselves.
Re:How it all works.
by
NanoGator
·
· Score: 5, Insightful
"Let me explain to you. In the back of their minds, most Slashdot readers ("Slashbots") know that they simply don't want to pay for anything which they can get illegally for free."
Then explain to me how Apple sold 1 million songs? Explain to me why a lot of people would pay $300-$400 for an iPod or similar piece of hardware when they don't want to spend $15 for CD?
You assume it's about price tag and it never occurs to you that what's really wanted here is to be able to make music more interesting and entertaining. MP3s have brought on an interesting revolution in music by making it more portable and more customizable to the listener. (Playlists, etc.) Meanwhile, in an effort to combat this on every level (including the legal uses of MP3s), the RIAA's gunning for sweeping changes to destroy the rights of individuals, instead of just doing the right thing and filling the demand people have. Apple's site proves that people are happy to pay for music as long as the service is good and prices are fair.
So yeah, nice troll. Congrats on getting your ill-thought comments modded up. Never mind that people want their music to be more interesting, no no, it's all about making it free. That's why MP3 players are making so much money when people could burn their MP3s to a music CD.
-- "Derp de derp."
Re:How it all works.
by
Anonymous Coward
·
· Score: 0
To be honest, I don't have ANY illeagal music on my hard drive. I don't use KaZa, but have used Napster and Scour for certian peices that I know are public domain. While I can't speak for all slashbots, I can say this... DCMA is a violation of the freedom of speach, as is demonstrated by the RH's patch whose discription couldn't be reaslesed in the US, because it COULD POTENTIALLY lead to circumvention of copyright measures.
There is a serious flaw in the Copyright law, as it is today. The fact of the matter is that little by little we are being stripd of our rights. I will remind you that the U.S. Revolutionary War was fought over a tiny taxation on certian imported products... I will also remind you that the federal government has used "nesecary and proper" to mean "what ever the hell we feel like passing." There is a are freedom issues that come into play with the advent of todays technology.
I do find there to be a hipocritical side to/., that being what you mentioned. However, your example wasn't a good one, the NDA violates the OPENESS of the LGPL, thus defeating the effort of creating a copyLEFT in the first place. Stallman isn't after free beer, and corrective action needed to taken, but lining the FSF's pockets in gold would have demonstrated that indeed this community is more about free beer than free speach. I believe that the place they really drop the ball, is in their support on of Anti-Spam legislation. Yes to the right to distribute freely, but use my "OPEN" relays and your the pawn scum of the earth??? I hate spam as much as the next guy, but you can't have it both ways.
The issue isn't to make make free beer legal, it is that we must sometimes let theives steal beer to retain our right to distribute software made free to everyone... Unfortunatly, some theives will join the fight to steal the beer. But I am all for speach, even if it means I have to listen to people with extreamly different veiws than I screaming from on high that they are right.
How this anonymous troll got moderated as insightful is beyond me - the proof is simply in reading all the posts from those supporting Apple's new service - and those macless people being excited about the Windows client coming later this year.
In other words, for the most part, it seems like what Slashdotter's have been saying for years is true - they'd be willing to pay for such a service.
They know that this is copyright violation, which is a bad thing to do. This brings them feelings of guilt which they want to do away with.
Sorry dude, but I for one feel absolutely no guilt about downloading music. Maybe I'm not doing it enough?
Honestly though, as an aspiring musician, I feel incredibly lucky to be coming of age at a time when this kind of distribution is possible, and I believe that it could eventually create several viable business models, and ones with far more merit than the current industry.
The contention you make that most slashdotters are rabid copyright violators and that their love of p2p networks is a result of pure greed is flawed. There are actual good reasons why p2p, DMCA, DRM etc affect peoples rights. The DMCA doesn't protect copyrights, it eliminates fair use. You can't copy a song(that has always been illegal except for personal backup purposes and the DMCA hasn't changed this), but now you can't take a song you own and put it where you want it or change it to a form you want it in. The DMCA obviously has little to say about current p2p issues else the RIAA would have lost their lawsuit. P2P technology represents probably the only realistic way of having decentralized anonymous communication(see freenet.org). DRM can be no different than the police breaking into your house to make sure there are no stolen goods inside.. it's a privacy violation. I could give a fuck less if there's a Kazaa port for Linux. Windows users by far pirate more software/music. They started by pirating their OS.
You forget the stereotype of those Slashdot users who lump all slashdot users into one big group, and then become confused when the free software anti-Microsoft group suddenly likes the new, $50 release of Age of Empires.
These Slashdot users tend to see things in black and white, as in "all contracts are contracts" or "the law is the law." They also tend to be the type that at some point fell in with the slashdittoheads, but have come to the realization that this is not the ultimate source for moral certitude.
I'm glad to see that you have come to that realization, but the black-or-white golden-or-damned bifurcation is a fallacy, but neither does Slashdot deserve to be in the category of the damned nor will your quest for the ultimate source of moral certitude bear fruit, for there is no such thing.
Slashdot is a diverse community, and like any diverse community the extreme viewpoints are always the loudest. Some believe strongly that all software should be Open Source and free. Some believe that building your own cruise missile is a good idea. Some believe that all government surveillance will be misused. Many people here don't believe in one or more of the above, but if you aren't passionate about a subject why post?
Re:How it all works.
by
jeffasselin
·
· Score: 2, Insightful
Some who read this post may start wondering if he's not right, but trust me, he's just a sophist. And his whole logical construct falls apart when you examine this innocuous proposition of his:
They know that this is copyright violation, which is a bad thing to do.
The correct thing to say is that it may be an illegal thing to do, but to say it is wrong borders on religion. Laws only state things that are illegal, not whether things are right or wrong.
And it's a fine line between fair use and illegality, and as we all know, blocking the illegal behavior also prevents fair use. And fair use is legal; or do you think it shouldn't be?
-- If he explores all forms and substances
Straight homeward to their symbol-essences;
He shall not die.
What you don't seem to understand is that Kazaa is a great tool for evaluating movies, songs, software, etc...
For years I haven't purchased cd's. About 10 years not a single one. Then Kazaa comes along and I download dozens of songs. I discover there are actually a few songs I liked and kept. Before I realize it, I'm listening to the song often.
The point is I've purchased several dozen cd's because of Kazaa. Software? Same thing. Half-Life, CounterStrike mod to H/L, Battle Field 1942, Return to Castle Wolfenstein and so on. All purchased because I found a copy on Kazaa, played it soo much that I bought the damn thing.
Sure complain about Kazaa or any other P2P network sharing stuff like this. Before I spend my money on POS songs/games/whatever I evaluate it. Oh and don't tell me about the reviews or any of that junk. I've purchased POS songs/games/whatever based on their reviews. If someone wants to give me my money back then they can have it since I can't return it.
-- Has Comcast disconnected your Internet account? Same here.
You can read about it at http://comcastissue.blogspot.com
The issue isn't to make make free beer legal, it is that we must sometimes let theives steal beer to retain our right to distribute software made free to everyone... Unfortunatly, some theives will join the fight to steal the beer. But I am all for speach, even if it means I have to listen to people with extreamly different veiws than I screaming from on high that they are right.
Here's a tip for you: Free beer is legal.
Free beer doesn't need to be "made legal" so I'm glad you don't think that's the issue. As to what you do feel is the issue -- I have no fucking clue. I get more coherency and lucidity from/dev/urandom than this scattershot of words you call a post.
At least you've done the community a service by adding anecdotal evidence in support of the original AC's premise.
Good lord, dude, you make absolutely no sense at all.
They would pay for an iPod because it holds many MP3s. That is like asking why people would pay for a bag to carry their CDs, but not a new monitor. One really doesn't have much to do with the other.
As for what Apple's service (and the RIAA's service, don't forget that they are a part of this as well) will make a long term difference, we don't know. It may make P2P obsolete, or it may make no difference at all. There is nothing saying that the people using their service are the ones using P2P. The real test will be to see what happens in a year. Is there a significant decrease in the number of P2P users? Are people still buying from iTunes? Saying tha=ey did good their first week is no proof at all, as it could be just the fun of something new, a completely seperate group of people buying the music (who don't currently use P2P), or just a small group of people buying a lot of music.
--
"Information wants to be expensive" - Stewart Brand, the same guy who said "Information wants to be free"
Ok, and those are all excelent arguments. I agree 100%.
I'm also honest enough to say "I'm down with the whole 'free' thing"
I went into college a drone. I listened to a top 40 radio station, bought top 40 albums. I ate what the RIAA fed me.
My freshman year in college this nifty program called Napster popped up.
Today I listen to Classic Rock, Blues (New Orleans blues in particular), Jazz, and Creole/Island music. Top 40 makes me heave.
Practicly every single artist I listen to I found over Napster and the subsequent P2P networks that popped up in its place. I -=never=- would have found these artists without these services, and I certainly wouldn't have blown 20 bucks on a whimsical decision to pick up an obscure blues artist's album just to see if I liked it.
Do I buy CDs now? Yes. And most of my money goes to the smaller less well known recording companies that deal in the particular niche of the market I'm interested in.
I know it's not my right to infringe on other's copyrights. I know it's illegal. My argument is this. There are two categories of copyrights I've violated.
1 - The music I listened to, hated, and never listened to again. I will never buy these albums, and I never would have. Net loss to Artist, Record Company, Etc -- $0.00
2 - The music I loved, listen to today, and enjoy. I never would have paied for these albums without these free samples of the music to listen to. Because of these samples I have bought albums. Net Gain for Artist, Record Company, Etc -- Quite a bit.
The problem is there's no way to prevent the "bad apples from spoiling the bunch." For every user like me who buys the content we love and uses the system to introduce our selves to new styles of music there are a thousand Brittney Spears fans who are downloading her latest single "I'm a Ditzy Slut in Spandex" and costing her and the company she sold her soul to millions.
Ultimately the RIAA is gonna have to decided if the free publicity this generates is worth the losses to the teenybopper pirates. In the final analysis I think (hope) they'll see these networks as free advertising. Unfortunately, that may be a long time in coming.
Until then $1.00 a track isn't great, but it's not bad either. Anyone know if iTunes files will work on other devices or will those tracks only play on the little Apple doohickey?
-- Killfile(TGK)
No trees were killed in the creation of this post. However, many electrons were inconvenienced.
"They would pay for an iPod because it holds many MP3s. That is like asking why people would pay for a bag to carry their CDs, but not a new monitor. One really doesn't have much to do with the other."
Wrong. They do it because they love music and don't mind paying for it. Why spend that much for an iPod when you could by a $50 CD player and just burn your MP3s to music CD? Afterall, if you're so much of a cheapskate that you won't buy CD's, you're not going to dump 20 albums worth of cash on a slightly smaller player for them.
" There is nothing saying that the people using their service are the ones using P2P. "
I don't think that's true. The people who'd find the service the most interesting would be those who already know the ins and outs goods and bads of compressed music, i.e. those who've already been on the P2P road. Apple's service is a lot more convienent. Don't forget that P2P is a painful service to use.
" The real test will be to see what happens in a year."
Yes, you are absolutely right. I'd caution you, though, that Apple's success is entirely within their own control. They can't just turn the service on and wait for ppl to give them money. 200,000 songs is a lot, but hardly covers what all's out there. They could lose their grip simply by not providing what people want. I subscribed to Listen.com where they have 300,000 or so songs to listen to. Unfortunately, half the songs I *want* to find aren't availalbe on it. This pushes me towards P2P where I will find them. Get my point? Apple's fate here is not solely based on the price of music.
It may be cracked, but the majority of the customers who have said DRM scheme (ie DVD's), are too busy to rip a DVD on their PC. Most people want something that will easily let them dupe DVD's they rent at Blockbuster (ie DVDXCopy) that allows them to play the copy in their home dvd player. Mostly related to ease-of-use, but also don't forget that most of the MPEG4 codecs used for DVD rips don't support Dobly 5.1 sound (or at least they didn't last time I asked a Divx enthuseist friend of mine).
apple not P2P and doing exactly what you hate
by
Anonymous Coward
·
· Score: 0
what the fuck?!? why are you claiming the apple is doing anything useful or vaguely P2P? they're also doing exactly what you railed on anyone else against in the past: Selling restricted use DRM-wrapped music online that you DO NOT HAVE FAIR USE OF.
Re:apple not P2P and doing exactly what you hate
by
stratjakt
·
· Score: 1
Because it's apple.
If it was MSFT, with the exact same service, it would be tacked onto michaels childish "I hate MS" whine of an article. In fact, there was a bunch of DRM whining in that article.
You must realize you're dealing with hypocrites.
--
I don't need no instructions to know how to rock!!!!
PARENT POST IS FLAMEBAIT! MOD DOWN!!!
by
Anonymous Coward
·
· Score: 0
slashdot is to conservative what Stalin is to Right-wing.
Re:Apple's (& RIAA's) long-term plan
by
imadork
·
· Score: 1
Steve's said on more than one occasion that subscriptions suck, which is why iTunes is structured the way it is. Why would anyone buy music that goes away if you don't re-up every month?
Apple's success hurts fair use
by
Logic+Bomb
·
· Score: 3, Interesting
I'm very much enjoying the iTunes Music Service. However, for pure fair use ideology it presents an extremely unpleasant development. The existence of a "balanced" solution that succeeds in the market means the general public will not feel compelled to challenge awful laws like the DMCA. A lot of people have to get very unhappy about something for, say, Congress to take notice and take action. If the cries of disgust are isolated to the geek sector, nothing is going to change.
Folks like the recording industry are mostly out for short-term profits (if a given executive can make his millions and get out, what does he care about the future?). However, they have probably finally realized that slowly pulling the rug out from under an unengaged public will make their long term goals easier to achieve than trying an all-at-once lockdown.
If you use mencoder (mplayer) and dump the audio with -oac copy, you can encode the ac3 5.1 surround with mpeg4 video and is playable with mplayer with full surround.
Re:Apple's (& RIAA's) long-term plan
by
feldsteins
·
· Score: 4, Interesting
Actually what's going to happen is that Napster is going to reform, retool and re-appear on the scene letting users download any and all music for $0.10 per song with no DRM restrictions using lossless open source audio compression techniques. The RIAA will take them to court, be defeated, and all of it's members will be jailed for being jerks to music lovers.
Naturally I have no evidence to back up these wild claims.
Which is exactly the same amount of evidence you have for claiming that Apple and the RIAA are going to pull a PressPlay on its customers.
Here's a concept: Maybe they're the first people to do this thing correctly. Maybe in a year's time everyone will be doing it this way. Maybe all non-Mac users will look back on the fact that Apple led the way with this model and laugh nervously and rapidly change the subject. Kind of like they do with most of the other innovative firsts to come out of Cupertino.
-- You like your Macintosh better than me, don't you Dave? Dave? Can you hear me Dave?
Re:Apple's (& RIAA's) long-term plan
by
Sylver+Dragon
·
· Score: 2, Interesting
RIAA now has the business model it wants, though Apple gets a small cut, in that instead of people paying $17 a few times a year for a cd, they now have them automatically paying $240 a year. Cell-phone pricing syndrome has everyone blissfully unaware that they are paying way more than they ever wanted to in the first place and the RIAA uses the extra dough to have public executions of P2P software engineers.
This is not automatically true. I remeber when AOL did this sort of switch (yes, I was at one time an AOL'er, I'm sorry, I have learned better now). When I first started with AOL they gave you so many hours per month, and then charged you for any extra hours you used. And with Neverwinter Nights(the original) still running on AOL, I burned out those hours pretty quick, but since I didn't have the money to pay for extra hours, I forced myself to not run over. Then they introduced the $20 all you want method, and people went nuts (me included). It was hell trying to connect to a server, all of the modems in my area were clogged constantly. But when I did connect, oh baby. Since I was in high school at the time, and not working, I would play NWN all night and day during the summer and weekends. I was on constantly, and so was everyone else in my area. It stayed this way for as long as I stayed on AOL. Then, sadly, they killed NWN. By that time I had pretty much seen that I didn't want to be on AOL anymore and cancled my subscription shortly thereafter (I had a job by this point, and was paying for the subscription to feed my addiction).
Moral of the story, a flat rate is not always going to be overcharging. If there is enough value in the service people may well get their money's worth out of it. But as the customer, you have to decide which type of pricing will be right for you. Will it be cheaper to pay per song, or flat rate per month (assuming that gets offered). Me, I'll try and stick with the per song rate, my roomate on the other hand would be a good candidate for the flat rate idea. We'll just have to see where this goes.
-- Necessity is the mother of invention.
Laziness is the father.
Apple's constructive approach?
by
Anonymous Coward
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· Score: 0
Apple's attempt at a constructive approach.
The attempt is not constructive! I guess only apple could convince people that a platform independent, DRM enabled, pay per song model was what they wanted. Everyone has always been asking for mp3 or ogg, no DRM, and subscription based. The only requirement they satisfied is instant downloads. Yes, per song is better than per album. Still, DRM? I don't want to burn to CD and back to get mp3! I have an mp3 player that plays mp3s on CDs! RIAA is still getting money, artists aren't. We can still make a better service. Don't settle for Apple's crap.
Re:Apple's constructive approach?
by
Anonymous Coward
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· Score: 0
No kidding, Apple is more fascist than IBM not to mention MS. You have to say that AC though because somebody with a curly shelled mexican dish in his nick is in bed with these monsters. No accounting for taste I suppose.
It's true though, I mean MS was actually liberating in a way compared to Apple. GNU/Linux is the real deal obviously, but Apple's corporate game plan is the worst. Talking about a monopoly. Their plan was so greedy they lost the advantage they had back in the days. And I have an AppleII that's still on downstairs to this day.
Re:Apple's constructive approach?
by
phorm
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· Score: 1
But it's a step. A small one... with one foot ahead and one back... but it's a step.
And once somebody starts such a service, we can hopefully expect more. And we can expect themto try and cater to our needs (little/no restrictions, etc etc), as growth will breed competition.
Even this little step shows that the xxAA business model is not the only way to make a profit, so in that sense it's still a very good thing.
Who cares about DRM? Copies of media on the net have been created by the users from other sources, for example CD to mp3, or DVD to DivX. For DRM to work, the content creator must enable it. I doubt the people making the files to share are going to tick the DRM box.
DRM will only restrict legimate media outlets. The consumer will have a choice...pay for a cripled version, or download an unrestricted version for free. They are shooting themselves in the foot. At least we are getting to watch history in the making.
don't forget that most of the MPEG4 codecs used for DVD rips don't support Dobly 5.1 sound
They support any audio/video codec you want to throw at them. Of which Dolby Digital 5.1 is one. AVI, the most common DixV "format", is merely a container for the data streams.
Re:About DRM
by
Anonymous Coward
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· Score: 0
Dear Tinysack,
It is I who makes more money than you, doing even less work spamming people about viagra alternatives.
Don't piss ME off or I will ping flood all 256^2 machines on your puny network, they won't work correctly for at least two months. You don't need to remind me to send you your Trollbot updates every month.
So, stick up for your class of unskilled M$2k admin, and bend over, BITCH!
Reguards,
Your freakin' sex dominator
PS: Your posts suck anyway... I mean they suck shit.
Not insightful.
by
Midajo
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· Score: 1, Insightful
...KaZaA...whose sole purpose is to circumvent copyright laws...
This smells like flamebait to me, and the post goes downhill from there. Armchair psychology and broad generalizations are not insightful.
Kazaa is covered on/. because it's "NfN.Stm."
article is flawed
by
smd4985
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· Score: 4, Informative
in a couple of ways, but one specifically - the author states that Gnutella does not use supernodes. in fact Ultrapeers (the gnutella term for supernodes) have been on gnutella for quite some time. there weren't as effective as hoped, but that was because of several bad iterations of implementations. things are getting better - check out any respectable (BearShare, LimeWire) gnutella servent and you'll see.
well, it might be cracked - but what about if apple starts watermarking all the files you download on the fly (much easier than doing it with individual cds)so they can be tracked to the original downloader. you could still burn them on cd for yourself but you won't make them available for download. yanking a good watermark out of an audio file will be hard to do and it shouldn't suffer too much from format conversion.
in my eyes, that'd be a good approach - fair use would be covered but illegal downloading would be stopped. but they shouldn't stop you from burning it on cd in the first place then so people have to crack the drm before they can get their fair use.
Here's a tactic he left out
by
McChump
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· Score: 4, Informative
-- I'd be a Libertarian, if they weren't all a bunch of tax-dodging professional whiners. - Berke Breathed
Re:Here's a tactic he left out
by
uhmmmm
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· Score: 1
This story was also in OSU's student newspaper, The Lantern today. You can read the first part of the story on the front page, or for the full story, you have to register.
Duuuuude! You must have one of those cheap Mexican ripoffs, because when I broke open my official Magic 8-ball to dring the purple juice, the little DND die-looking thingie clearly had "Outlook not good" embossed on one of the faces.
Now remember, the Magic 8-ball was invented before Microsoft was even formed as company, so HOW DID THEY KNOW?!!!
Obviously, Hasbro is actually prescient!
--
the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff
How do the artists feel??
by
CoolCash
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· Score: 4, Interesting
I wonder what the pricing breakdown per song for iTunes is. What percentages are going to the Record Industry and the Artists? Since there is no cost of the physical "CD", besides advertising, promotions, etc.
I don't think that this is necessarily a solution for the artists, but a solution for the consumers. The RIAA always talkes about how it's artists are loosing money because of P2P. I hope whatever "tax" that Apple has to pay the record industry to pay for the copyright use of these songs, that a greater percentage goes to the artist.
Re:How do the artists feel??
by
TrollBridge
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· Score: 1
If the artists weren't getting their fair share, they'd stop whoring themselves to the RIAA. When you buy a car, are you just as worried that the guy who sewed the seats together got as fair a share as the CEO of the company?
I know you mean well, but I think you're worrying too much. If the artists didn't feel they were getting a good, let alone fair deal, the market wouldn't be saturated with every kid who ever picked up a guitar in their parents' garage.
Just be happy that music buyers now have a much better alternative to overpriced CDs.
-- There's a Mercedes gap too. I want one and can't afford one, but it's not government's job to do anything about it.
Re:How do the artists feel??
by
ivanmnemonic
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· Score: 1
The artists have always been on the receiving end of the industry's shaft, and this new business model does nothing to change that. I've heard it said that the contract terms that are considered standard and acceptable for musicians would be laughed at in any other industry (authors, graphic artists, etc.).
What I find most encouraging about the ability to share music files is that it creates an opportunity for musicians to sell their music more directly.
Basically, the internet is a better middle-man between artist and consumer than the traditional music industry is. So the industry is grappling to maintain its current position. Nobody likes being laid off. But shit, sometimes it's time to move on...
Re:Magic 8-ball
by
Anonymous Coward
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· Score: 0
"when I broke open my official Magic 8-ball to drink the purple juice..."
Obviously, the effects haven't completely worn off yet!
Re:Fuck you bitch
by
DJ+FirBee
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· Score: 0, Flamebait
You are getting better, but still you are an insipid wannabe. Try a little harder boy. Drink your milk.
Re:Apple's (& RIAA's) long-term plan
by
gosand
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· Score: 2, Interesting
Cell-phone pricing syndrome has everyone blissfully unaware that they are paying way more than they ever wanted to in the first place
Not unaware, they are just too stupid to care.
Not everyone (although it sure does frickin seem like it) has a cellphone. I used to own a cell-phone when you could pay for the minutes you used. I paid $11 a month for service, and got 0 free minutes. I loved it! Why should I pay for something I don't use? I am convinced that the American public is just stupid. "Hey, I've got 1000 minutes, I think I'll call my buddy and blather on about absolutely nothing." People are always asking for my cell number, and they look at me like I have a tree growing out of my forehead when I tell them I don't have one. I am no luddite, I just refuse to be convinced that I need something just because everyone else has it and it is the cool thing to have. I think that about 90% of people don't need a cellphone, or at least only need to use it 1% of the time they currently do. Same goes for SUVs. The herd mentality is just overwhelming, and is really sad. Maybe that is why I don't want Linux to succeed on the Desktop, because the idiot sheep in this country will suck all life out of it.
--
My beliefs do not require that you agree with them.
Slashdot isn't a monolith.
by
isaac
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· Score: 3, Insightful
Slashdot contradicts itself? Very well then, it contradicts itself. Slashdot is large, it contains multitudes. (Apologies to Walt Whitman)
I'm not sure it's fair to assert anecdotally, absent evidence, that the same persons most vocal about e.g. GPL compliance also advocating copyright infringement via Kazaa or otherwise. Furthermore, I see *no* inconsistency between saying people should respect copyright law and that copyright laws should be changed. A charge of hypocrisy really can't be levelled at a group of users where each user may (and often does) have differing views on any two given issues.
</SOAPBOX>
-Isaac
-- I am not a lawyer, and this is not legal advice.
For Entertainment Purposes Only.
Apple demonstrates pent up demand
by
Wansu
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· Score: 4, Interesting
The customer was not being served by the music industry. Apple's recent Music Store opening offers ample evidence of that. It certainly has shortcomings but the overwhelmingly positive response to it clearly demonstrates that people will pay a reasonable amount to download a quality recording.
-- Wansu, th' chinese sailor
One major error in the article...
by
faedle
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· Score: 2, Informative
...regarding eMusic. In the article, he implies that eMusic's subscription model requires you to continue paying the monthly fee, otherwise your previously downloaded songs stop working.
This is not true. eMusic's files are straight MP3s, with no DRM encumbrances. They do require you to sign up for a minimum 1-year commitment, but after that year you are free to cancel, and all the files you downloaded will continue to work just fine.
Re:One major error in the article...
by
chasm!killer
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· Score: 1
And one more error. At least when I signed up last year, you could sign up month-to-month as well (it's just a bit more expensive, like with an ISP). It also carries a lot of independent, psuedo-non-label music (to be listed you have to have a label, but serveral bands I and my son like are self published and the label is pretty near the same as the musician....
-- -- Ancient (IBM 1620 and Atari 400) Programmer
Re:Executive Summary
by
achbed
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· Score: 2, Interesting
I have an problem with this analysis of the Grokster/Morpheus ruling. The dismissal of each suit was for slightly different reasons, which will have a major impact on Sharman Networks and all sublicensors of their technology.
Neither company operates "supernodes", which facilitate entry into the P2P network. Grokster does rely on Sharman to operate a "supernode" for all clients attaching to the KaZaa network. Once connected, the clients do not go through this central machine. According to the logic of the ruling, operating this server would be equal to contributory infringement. It was specifically noted that Grokster did at one time operate a server. It can be deduced that Sharman will be found liable using the same logic, and may be forced to shut their server down (if it is located in the US anyway). This will effectively "decapitate" the KaZaa P2P network, as no new clients will be able to be connected.
Morpheus (and all other Gnutella-based systems) will not have this liability, and if this ruling is not overturned on appeal, will be basically immune from these types of lawsuits. Those that rely on a central server for anything can and will be held accountable based on this ruling.
As for the P2P vs. Apple/Other services, it's a basic principle - Get rid of the "free" but cumbersome and unreliable option (via lawsuits) while opening up a cheap and quality service on the other side. Now if the RIAA did this on their own, they might be raking in the dough... good luck ever changing thugs like them without a shotgun and backup though.
Hurts fair use? Not really!
by
TrollBridge
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· Score: 1
"The existence of a "balanced" solution that succeeds in the market means the general public will not feel compelled to challenge awful laws like the DMCA."
Maybe that suggests that if a legal, convenient, and "balanced" online music distribution system can exist under the DMCA, then perhaps the DMCA isn't as evil and restrictive as some here would like us to believe.
-- There's a Mercedes gap too. I want one and can't afford one, but it's not government's job to do anything about it.
Re:Apple's (& RIAA's) long-term plan
by
Petronius
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· Score: 1
Couldn't agree more. The best cell phone to have is a quarter in your pocket.
I see so many articles about this but even on a law site the OBVIOUS point is still missed. These are TOOLS. Tools do not break the law, people break the law. If there is even one small legitimate use to a certain piece of software, no one should have any argument against its use even if millions are breaking the law with it. HTTP and FTP can and ARE used to host files that violate copyright. So can Windows file and print sharing, my goodness, you can even encode hidden files inside of picture files. Are all of these going to be outlawed by the government and the RIAA and MPAA? Get a grip. Go after the ones breaking the law not the tools people are using to do it.
Moral rant ***** ALSO just because you break the law doesn't mean your not on the moral high ground.
Mull over the following fact: I am definitely to the point of refusing to buy CD's and movies because I am treated like a criminal. Yes... I use it. I just downloaded all of Fallen by Evanescence. I liked it so much that I went to their website and tried to find ANY method to pay them directly because I REFUSE to give any money to the RIAA. There is no way to do it there. I know there sites out there that are trying to do this but there should be the option to pay the artists directly because I want to KNOW where my money is going. I'm not saying I'm right and that I'm not hypocritical by doing this and finding excuses not to pay, but I'm fed up with it. There has to be another way.
-- Digital is, by definition, imperfect. Analog is the way to go.
Re:Get a grip
by
Anonymous Coward
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· Score: 0
I just downloaded all of Fallen by Evanescence How'd you like the blatent seeding of screwed up songs? I don't know whether the band had anything to do with it, but I am determined to download the entire album now just out of spite.
These are TOOLS. Tools do not break the law, people break the law. If there is even one small legitimate use to a certain piece of software, no one should have any argument against its use even if millions are breaking the law with it.
You seem to have some misguided notion that tools are legal simply because they are inanimate or incapable of thought or action. There are many tools, however, which are not legal. Lockpicks, silencers, and weapons of mass destruction are all tools which are in most cases illegal for individuals to own. The "right" to own and operate a motor vehicle is actually a privelage, at least in the US. Drugs could be considered tools as well. Your argument is not based in fact or sound reason.
ALSO just because you break the law doesn't mean your not on the moral high ground.
True, but you fail to state the moral principles upon which you supposedly stand.
I am definitely to the point of refusing to buy CD's and movies because I am treated like a criminal. Yes... I use it. I just downloaded all of Fallen by Evanescence.
So you don't mind being a criminal, or committing criminal acts, as long as you're not treated like a criminal? Or are you treated like a criminal when you purchase your entertainment through legal channels, and if so, how?
Don't get me wrong, I refuse to buy music as well, but not because of some deluded sense of moral fortitude that I invent to justify my actions -- I simply don't want to pay $12 for a CD.
Grokster not centralized?
by
Chris+Burkhardt
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· Score: 2, Insightful
When a user boots the software, his computer is directed to sign on to a "root supernode" (a server owned by Sharman), which then directs the user to a "local supernode."
I've never used KaZaA or Grokster, but if the above is true, how is it that "when Grokster and Morpheus users search for and receive digital files, they do so without information being relayed to or by any computer owned or controlled by Grokster or Morpheus." is also true? If Sharman Networks were to shut down their servers, how could Grokster/KaZaA users find each other?
Or is the article saying that the company behind Grokster isn't responsible, Sharman Networks is -- but they are way over in some island and hard for the RIAA and MPAA to find?
If I were the RIAA, I would do what I could to shut down Sharman Networks. Have they tried that yet?
And how does Gnutella work? Can someone explain how a network can be "pure" peer-to-peer and anonymous at the same time (how would you connect to a the network)? The article explains it as: "This initial connection is usually made by linking to a computer on the network that maintains a constantly changing list of IP addresses for certain currently active nodes.". How do you find that computer with the list? Isn't that a central server, the maintainers of which should be targets for the RIAA?
-- "And there be unix which have made themselves unix for the kingdom of heaven's sake." - Matt. 19:12
Re:Grokster not centralized?
by
EvilSporkMan
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· Score: 1
The computer with the list is called a hostcache, and you set your client (or it comes preset) with addresses of several of the computers containing lists of IP addresses. The network is capable(?) of running without these, but it takes much longer to find servers in your area. In any case, these "central servers" only carry IP addresses of "centrally located" clients, which are connected to lots of smaller clients (like you, as you connect to one of these). All these connections are used simply for passing along searches, file transfer is via direct connection. Anyone can run a hostcache or be "centrally located", it's just a matter of who you're connected to.
-- -insert a witty something-
Re:Grokster not centralized?
by
EvilSporkMan
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· Score: 1
Ack, that was in reference to Gnutella.
-- -insert a witty something-
Re:Grokster not centralized?
by
Chris+Burkhardt
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· Score: 1
Thanks SporkMan...
The computer with the list is called a hostcache, and you set your client (or it comes preset) with addresses of several of the computers containing lists of IP addresses
ah, sounds similar to the FastTrack protocol (KaZaA/Grokster)'s "Supernodes". But my question is, how do you connect to one of the hostcaches or supernodes in the first place? If the client software comes preset with the address of one, then the network is not highly decentralized (in which case the RIAA has someone to go after). If you have to set the address to a hostcache/supernode yourself, then the network is not anonymous (which is okay for Joe Pirate until the RIAA starts going after individuals).
I realize that the network can run without any hostcache... at least without any of the initial servers (which, I think, is why Judge Wilson said Grokster was not responsible), and in order to be part of the network you simply have to connect to one other computer on the network (connect to one, connect to them all). It's that initial connection that I am having trouble with. Is there some sort of mechanism which allows the unconnected client (or "servant") to send out a "broadcast ping" in order to find any Gnuetella servants on the physical network? If so, then I think I finally understand.
-- "And there be unix which have made themselves unix for the kingdom of heaven's sake." - Matt. 19:12
"I liked it so much that I went to their website and tried to find ANY method to pay them directly because I REFUSE to give any money to the RIAA. There is no way to do it there."
That's not the fault of the RIAA; it's the fault of the entertainers who whore themselves to the RIAA. If entertainers wanted to maintain control over the music they create, and sell it via their website, they wouldn't sign contracts with the RIAA.
Don't blame the RIAA because entertainers make foolish deals with them.
-- There's a Mercedes gap too. I want one and can't afford one, but it's not government's job to do anything about it.
Re:Apple's (& RIAA's) long-term plan
by
Anonymous Coward
·
· Score: 0
However, if you can get away without the 30/month landline. You could have a cellphone instead. If all you use it for is talking, the cell phone is the better deal.
Last time I had to get a landline, I told them no to every option they had, refused long distance and still couldn't get the bill any lower than 25/month.
Re:Apple's (& RIAA's) long-term plan
by
gimpboy
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· Score: 1
i wish i could, but the new download manager doesnt work that well for me. i really like what emusic has to offer, but the service really got bad at the beginning of may.
-- --
john
I still don't see how P2P is infringement.
by
ahfoo
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· Score: 2, Interesting
The Federal Code has several sections on Fair Use.
The first section on individual Fair Use may not be all that relevant to P2P, but the second section seems to go straight to the heart of the matter.
The second section is about Libraries and Archives. It's the Archives part that seems particularly relevant to P2P. That's what P2P is, isn't it --a distributed archive.
Moreover, the law itself specifies what it means by a library by saying that a library is a publicly accessible non-commercial media lending facility.
Libraries and Archives are allowed not one, not two, but three. Count them, three big copies of any copyrighted work. And what is the purpose of these three copies? Specifically, the purpose of these copies is to lend to other publicly accessible non-commercial archives.
So, let's compare this to P2P. A hypothetical user has two copies of a copyrighted work on CD backups and another on the hard drive. That's three copies. Hmm, so far I don't see any infringement. But what's the intent. Let's see here. It appears our hypothetical user is going to lend a copy to another publicly accessible non-commercial archive.
According to US Federal law this seems to be completely legal activity.
Re:I still don't see how P2P is infringement.
by
EvilSporkMan
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· Score: 1
Well, IANAL, but the hole here appears to be that these CD backups, unless perpetually (or at least frequently, I doubt that sections of libraries aren't allowed to close sometimes) in drives that are shared over a P2P network, are not usually "publically accessible".
-- -insert a witty something-
Re:I still don't see how P2P is infringement.
by
ahfoo
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· Score: 1
No, see the purpose of these three copies is as backups so that if one of them gets destroyed then you can make a copy from one of your existing copies. That's why you're supposed to use the copies to lend, so you don't have your original copy get screwed up.
But don't take my word for it, please go look for yourself. I don't have the link, but google copyright and then once you get to the Federal Code search for Fair Use. It's right there for the whole world to see. It's open source.
Re:I still don't see how P2P is infringement.
by
TGK
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· Score: 1
You mean how a public library has to close at certain times so the librarian can go home, sleep, shower, eat, get laied, whatever?
Or perhaps how University libraries will frequently be spread out over several buildings, and will leave only one building open after hours for student use.
I'm not aware of any federal law regulating how libraries are required to keep hours.
HOWEVER I am aware that most of the laws congress passes say things like "this superceeds all other written law on this topic etc etc yada yada yada" so even though there's an apparent loophole in the Fair Use laws, other more recent laws may close that loophole.
-- Killfile(TGK)
No trees were killed in the creation of this post. However, many electrons were inconvenienced.
Re:Hurts fair use? Not really!
by
Nugget
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· Score: 1
I'd also add that if the public accepts a balanced solution then perhaps the content providers will not feel compelled to defend themselves by pushing for drastic legislation like the DMCA.
The DMCA is the understandable backlash from the content providers in response to the rampant and widespread subversion of payment for copyrighted works that exists today. It, and the motivation behind it, wouldn't exist if the rampant piracy weren't taking place.
Re:Apple's (& RIAA's) long-term plan
by
Anonymous Coward
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· Score: 0
Pay phones cost 50 cents where I live. Better have a pocket full of quarters if you need to make calls.
Look on the bright side, at least they went with the Scottish convention and didn't name it after an Irish guy, McIntosh. Then everyone would be calling them MCs and the model releases would be "Hammer", "Lyte", and "P" (for our Tron fans/freaks out there).:)
Btw, where did the name MacIntosh come from?
-- Nothing fails quite like prayer.
Re:MAC could be worse ...
by
ahknight
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· Score: 1
MacIntosh is Scottish. The Irish variety of family names usually beings with O (O'Reilly, O'Banyan, etc.). The abbriviation "Mc" is an Americanism that stemmed from English writing of "M'c" which denoted the non-vocalizing of the vowel.
As for where, well, a while back there was a family, the MacIntoshs, and they bred a really nice apple (the fruit). A few centuries later some marketing guy figured it'd be a nice pun. It was. =)
Gonna have to agree to disagree with you on this one. I am Scottish and yes, Mac* is a familiar Scottish prefix for last names (though my clan's was "Byrne"). Mc* is most definitely Irish, though, as shown by several families around me with the last name McHale who can trace their lineage back to 14th century Ireland, long before their 'ancesters' came to America in the 1860s.
Mac, Mc, O', de, Del, von, -son all stem from the same thing. They all mean in their language (or translated into another) "The son of..." or "from". People used to say (pardon my anachronism of using modern english to explain old languages), "Hi. I'm Samuel, John's son" This became "Samuel Johnson." "I'm Sean of Hare" --> "Sean O'Hare". Mac/Mc is gaelic for the same thing.
My magic-8-ball has been formerly introduced to the product. When I asked it's opinion, I recieved "Outlook not good".
Try exposing your 8-ball, and rechecking it's results. If the message does not change, you may have a defective 8-ball, and should call the manufacturer for a replacement.
Kinda obvious, and by now possibly redundant (if so, forgive me-- I'm at work, so it's taken me a while to get to typing this), but...
That's not a defect. That's a feature!
--Mark
-- "It is nice to know that the computer understands the problem. But I would like to understand it too."
--Eugene Wigner
Re:Apple's (& RIAA's) long-term plan
by
Anonymous Coward
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· Score: 0
RIAA now has the business model it wants, though Apple gets a small cut, in that instead of people paying $17 a few times a year for a cd, they now have them automatically paying $240 a year.
Of course, the difference is people are paying $240 a year for the songs they actually want, instead of $17 a few times a year for a cd with one or two songs they want and 10 to 15 songs they don't.
You do have fair use, because you can..
by
SuperKendall
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· Score: 2, Interesting
1) Move files between machines 2) Play files forever if you like 3) (most important) make a CD.
Really #3 is the only reason why I consider fair use to be decent for Apple files. I could always re-encode them if I liked, or store them in a non-lossy format that would keep the quality frozen forever just as it is now - which is good enough for me.
In practice I don't really do that though, because I do use iTunes for music and don't need to convert the files. If I had a dedicated music server for my home I'd probably store all my CD's lossless anyway.
To summarize, most people consider what Apple doing as useful because there is a way out of that file format. Just like an airplane emergency exit, you don't use them every day but they are there and you can use them.
What I find intriguing are how iPods are able to play these files... couldn't you copy files from one iPod to any other when mounting them as FW drives? Does the new iPod software have some idea of who the user is when the user synchs?
-- "There is more worth loving than we have strength to love." - Brian Jay Stanley
Re:Apple's (& RIAA's) long-term plan
by
timmyf2371
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· Score: 1
The cellphone pricing plans can be quite suitable for some people.
In the UK, for example, I pay Orange rental of GBP 50 per month (USD 80) which gives me:
200 minutes to any UK mobile network; 150 free SMS 10mb GPRS transfer (emails on PDA); Free handset upgrade each year (I like my gadgets);
and my cellphone insurance.
I can guarantee you that my monthly bill would be a lot higher without these pricing plans - while people like yourself may see them as a con, a cellphone can be most useful, and affordable.
From the article:
"If Hollywood really wants to get rough, they might get down to the ugly task of cyberwarfare."
Oh yes, I'm sure that Hackers everywhere are trembling from Hollywood's l337 c|2@ck3r sk1llz.
It would be a U.S. vs. Iraq type of war.
If the RIAA had really wanted to scare Kazaa users they would have the users see this when they boot up "MBR not found."
Instead they send out messages to everyone using Kazaa....real scary.
--
"Much work is lost, for the lack of a little more." -Edward H. Harriman
All men are created equal...
by
Spetiam
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· Score: 1
...but some are more equal than others:
Of course, resorting to such extreme measures would almost certainly inflame public opinion. And, as George Washington University Law School Professor Orin Kerr has argued, it might even land a few record company executives in jail, absent Congressional immunity for such tactics, which (believe it or not) has been proposed.
I guess it goes without saying, but this is a load of crap. Am I the only one that sees an "equal protection under the law" problem here?
1.) The only way I was able to download RedHat 9 CD1 was via a Gnutella link posted here on/.
2.) I can't upload *.zip files larger than 1MB to my website, so when I want to make a project I'm working on available to the world, I just post a Gnutella link.
3.) Same goes for mp3's of ME playing PUBLIC DOMAIN music.
4.) And I'm sure others here can expand this list significantly.
Re:Apple's (& RIAA's) long-term plan
by
Zebbers
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· Score: 1
ummm, just because you dont use it..and it'd be a rip off for you to own a cellphone doesnt mean others dont.
christ, herd mentality? what makes you a cut above the rest? do you get out much, i think you'll find in general the american public is your average american joe. they have a nice standard of living, dont mind shelling out money for the convienence of being able to make a call from anywhere, even if they dont use it that much.
christ, you are just as bad as "followers" if by standing by on your soapbox you tear them down. you are being distracted and manipulated just as much. look at how excited you got over OTHER people wanting cell phones.
and by the way. nearly every major provider has prepaid cellphones now. you pay per unit of airtime. so ya, you can get by on 11$ a month. but im sure you know that. cause you seem to know everything, about everybody:)
Sort of. Several people I know have commented that if they had the option of downloading quality recordings at a reasonable price, they would abandon music piracy because it would be (is now, with iTunes) easier to "do the right thing."
My big question is what will Apple do when their downloads appear on the P2P networks?
Will they wring their hands about it, or will they go after the people sharing them, or will they stalwartly ignore them?
--
Practice Kind Randomness and Beautiful Acts of Nonsense.
Re:Apple's (& RIAA's) long-term plan
by
gosand
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· Score: 1
christ, herd mentality? what makes you a cut above the rest? do you get out much, i think you'll find in general the american public is your average american joe. they have a nice standard of living, dont mind shelling out money for the convienence of being able to make a call from anywhere, even if they dont use it that much.
Absolutely herd mentality. Why do you have such a problem being part of the herd?
You are missing the point. They get a cellphone because they are taught that they need one. They use it all the time because they are most likely getting "free" minutes, which is a stupid concept because they are paying for it. You are right about convenience - everything is so convenient that people don't think anymore. When in doubt, get on your cellphone and annoy everyone. If people used them responsibly I wouldn't have a problem, but THEY DO NOT. They don't turn them off in restaurants or movie theaters, they drive while yammering on them. Everyone likes to think that they are so important that they need to be reachable at all times. It is a farce that the providers are feeding people, and they are just standing in line eating it up. If it didn't impose on my life, it would simply be comical, but it does impose itself on me.
christ, you are just as bad as "followers" if by standing by on your soapbox you tear them down. you are being distracted and manipulated just as much.
Uhh, what? This makes no sense.
look at how excited you got over OTHER people wanting cell phones.
I don't care who has a cellphone. I care when it impacts me, and it does on a daily basis. People at work, in meetings, taking calls. People cutting me off on the road because they are not paying attention. People in the grocery store, or the video store, or everywhere else, just talking for the sake of talking. When it impacts me, it bothers me. It has become an annoying habit.
and by the way. nearly every major provider has prepaid cellphones now. you pay per unit of airtime. so ya, you can get by on 11$ a month. but im sure you know that. cause you seem to know everything, about everybody:)
Yep, that is the phone my wife has. We use it when we NEED to. I am not anti-cellphone, I am anti-cellphone simply for talking your stupid head off and not only annoying me in public places, but endangering me on the road.
--
My beliefs do not require that you agree with them.
unless you want to be accused of using your 57 CD-burners (equivalent to 1 24x burner) to produce 14,000 mp3 cds (1 or 2 cds, with highly "valuable" content), then get off kazaa.
--RIAA
-- "Smoking helps you lose weight - one lung at a time"
-- A. E. Neumann
Re:Apple's (& RIAA's) long-term plan
by
Anonymous Coward
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· Score: 0
Kind of like they do with most of the other innovative firsts to come out of Cupertino.
You mean like the WIMP? Oh, wait, that came out of Xerox PARC. Apple is about as "innovative" as Microsoft.
If it wasn't for Microsoft, we'd all be bitching about Apple abusing it's monopoly power. And if it wasn't for IBM, Microsoft would be just some other tech company no one ever heard of.
Can you resell your i-TUNES CD s -e.g. on Ebay ?
by
Anonymous Coward
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· Score: 0
Presumably by giving you the right to burn your own CD you have the right to do anything with it.
You can certainly resell shop-bought CDs. So is there any earthly reason why you couldn't resell a CD you had burned (made up of MP3s that you had legally downloaded) ?
Of course that begs the question as to how they could tell a fake MP3 from the real thing provided they were both the same bitrate etc...
Why Apple is not ready for Prime time
by
cvdwl
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· Score: 1
Apple's a marginal step on a long road to decent service. This is just a conscience-pleasing sop for the moneyed nerd, not a true solution to the problem of massive overpricing of music.
Only useful for those who own an Apple, and eventually Window$, and have an iPod and iTunes. BLATANT integration.
If they'd just release MP3's, this problem would have been solved up front. Note that this is not a deal-breaker: download song, burn CD, rip CD... done.
$0.99 per song is too much. CD's cost ~$15 these days, and contain ~15 songs. The cost of purchase, download, transfer and burn time, plus media easily makes up the difference in price. Add depreciation in hardware (that "cheap" Apple hardware) necessary to join this service. Suddenly a dollar per song ain't cheap.
Get with it. Try $0.50 per song (effectively half-price and close to used CD store price) in decent rate mp3 format. Anyone that wants high fidelity buys the CD, the rest of us lowlife P2P scum actually feel like paying for what we can get for free.
And, in final analysis, the cost to the industry of running this service is minimal beyond storage and bandwidth. Certainly less than burning and distributing CD's.
redhat:~>gtk-gnutella &
-- ... grumble, grumble, grumble, mutter, mutter, Millenium... Hand... Shrimp, I tol' 'em, I tol' 'em.
I'm sure i've said this in other similar threads, but i'll say it again..
Apple is doing something wonderful and putting a legit business model to music downloading. It provides users with access to music, for a fee, which i'm sure a percent goes to the hardware and such to keep the site up, a percent goes to apple, and a percent goes to music industry.
This is a valid business model.
So, let's say in the real world, and you get a copy of a CD from a friend, wonderful thing about the digital world is that whole (almost) lossless copy issue. A CD quality copy, assuming it was from a CD is there and about of.25cents these days.
There presently is NO system in place for people who actually which to support the bands they like who get pirated copies.
The next step I feel in this digital music revolution would be for record lables and such to actually legalize private and public sharing of media, and offering a license for it. Why buy the CD when you can get a copy, but how do you support the band? Buy a license, possibly in the form of an offical flyleaf, a nice CD label, jewel case for your home brewed CD solution. Word of mouth has always been the best means of marketing, and you have people willing to dedicate their bandwidth to distubute this material.
Users will get a warm fuzzy feeling and will be able to say, "hey, I support music" wether or not they are a signed artist or unsigned independent. It would reconize the value of peer to peer networks for their distubution of material that tradationaly was very costly.
-- There is no sanctuary. There is no sanctuary.
SHUT UP!
There is no shut up. There is no shut up.
Yeah, I thought that statement was stupid. Dracocat is clueless.
Getting around copy protected cds
by
Anonymous Coward
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· Score: 0
Yesterday I bought a copy protected cd by accident (now why is that they only have a tiny inconspicous sticker on the front cover?) and only realised it was copy protected when I sat down to enjoy the front cover. The thing is I really liked the cd but am dead against copy protection so I will return it. For fun I put the cd in the cd-rom and dvd-rom, sure enough it wouldn't play unless I install an update to windows media. That really pissed me off so I used Clone CD to rip out the tracks. Sure enough in less than 7 minutes, all 14 tracks of Sarah Brightman's new CD got burnt into a blank cd. The copy protected cd contains two sessions, the first is the audio session with all the tracks that a regular audio cd player can read. The second session makes all the audio data in session 1 invicible so the cd-roms and dvd-roms can not see them. Oh they also put in bad sectors in track 1. I presumed the regular audio cd player skips those sectors? But when it comes to ripping the tracks NERO attemps to read all the tracks from track 1 but fails becasue of the bad sectors. Work around? Simple, use CloneCD, set the setting to copy session 1 and turn off subchannel audio capability and go. It is so easy to rip and my question is why do record companies continue to spend money on copy protection technology such as this? I personally will buy cds because currently that is the only way I can support the artists instead of downloading music. I do think most people will do that and for the ones that want to freeload... well they always will find a way no matter what the record companies do. All this talk about record companies loosing millions and billions of $ and record sales going down year after year and blaming on piracy is just a lot of hog wash. May I suggest the reason for sales dropping isn't due to piracy but due to the crap they are putting out?! Oh and they are way overpriced for the crap, consumers have just got smarter that's all.
Re:Apple's (& RIAA's) long-term plan
by
feldsteins
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· Score: 1
You quite clearly have no idea what you're talking about. Let a guy watch "Triumph of the Nerds" on PBS and suddenly he's all-knowledgeable on the history of the personal computer industry. Not.
-- You like your Macintosh better than me, don't you Dave? Dave? Can you hear me Dave?
sounds similar to the FastTrack protocol (KaZaA/Grokster)'s "Supernodes".
Hostcaches and supernodes are completely different. In the WinMX, FastTrack, and Gnutella protocols, supernodes (which correspond to "servers") are responsible for forwarding queries and results from one leafnode to others. (Nodes on dial-up and low-end DSL and cable are typically leafnodes.) Hostcaches, also called trackers, list working supernodes.
If the client software comes preset with the address of one, then the network is not highly decentralized (in which case the RIAA has someone to go after).
Client software may come preset with the addresses of a dozen or so hostcaches, and each client program may come with a different set of addresses. And even with well-known hostcache addresses, it's still possible that the network has a substantial non-infringing use, like for trading rpms or debs of free software, and if the client program maintainer is not the hostcache maintainer.
Hostcaches are not needed in IPv4. All that is needed for introduction to the network is a random scan of the/12. The larger address space of IPv6, however, makes random discovery impractical.
$0.99 per song is too much. CD's cost ~$15 these days, and contain ~15 songs.
First of all, the price of most albums on iTunes is capped at $9.99. (Multiple disc sets may be more expensive.) Second, most albums in pop genres that contain 15 songs do not contain 15 good songs.
Re:Can you resell your i-TUNES CD s -e.g. on Ebay
by
phorm
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· Score: 1
I doubt it. It might be more useful if the iTunes users could transfer rights to another users' iTunes account though, which would also make trading a disc acceptable - so long as the songs are then owned by the receiving party.
Outdoor pay phones are all broken where I live, mostly vandalized. It's said that street urchins sabotage public pay phones to make calling police difficult.
I'd blame cell phones as the reason pay phones never get fixed, but actually the problem's been around since the mid-80s, before cellular became ubiquitous. <troll style="bait: shrill-right-wingers;">So I blame Reagan</troll>.
Available on Kazaa soon
Je t'aime Stéphanie
I was under the impression that iTunes was Client/Server, not P2P... How does it possibly relate to Napster/Kazaa/Gnutella, etc.
They are more akin to Amazon.com no?
I am become Troll, destroyer of threads
I'd read that article, but isn't it copyrighted by the person who wrote it?
....
I wouldn't want to break the law or anything
Apparently your magic-8-ball has never had the pleasure to use it personally.
My magic-8-ball has been formerly introduced to the product. When I asked it's opinion, I recieved "Outlook not good".
Try exposing your 8-ball, and rechecking it's results. If the message does not change, you may have a defective 8-ball, and should call the manufacturer for a replacement.
I understood that the decision rested primarily on the fact that these networks were determined to have significant uses other than copyright infringement, rather than their distributedness? Am I wrong, or is this article wrong?
Obviously, the 8-ball hasn't noticed all the gaping security holes.
Outlook is not good.
Sorry, no links.
Why Grokster and Morpheus Won, Why Napster Lost, and What the Future of Peer-to-Peer File Sharing Looks Like Now
By CHRIS SPRIGMAN
----
Thursday, May. 08, 2003
On April 25, in M-G-M v. Grokster, U.S. District Judge Stephen Wilson dismissed a copyright infringement lawsuit brought by a group of movie studios and record companies against Grokster and Morpheus. (Grokster and Morpheus are peer-to-peer services that enable users to share copyrighted music, movies, and other content over the Internet without paying a dime to the copyright owners.)
Many observers were surprised. They had assumed that Grokster and Morpheus would - like Napster in A&M Records v. Napster - be shut down for facilitating individual file sharers' copyright infringement. But Judge Wilson, after carefully examining the underlying technology, found that though users' infringement was occurring, Grokster and Morpheus were not contributing to or authorizing it. Thus, they could not be held liable.
The decision is obviously bad news for Hollywood studios and record companies. If it is upheld on appeal, they will continue to face wide-scale infringement of their copyrights.
If the decision is indeed upheld on appeal, will that be good news for consumers? That is a more complicated question. The answer depends heavily on Hollywood's reaction. Will it continue its battle on other fronts - focusing perhaps not on the services, but on their users? Or will it, instead, launch new strategies to take advantage of the powerful business opportunities that peer-to-peer might provide?
Comparing and Contrasting Grokster, Morpheus, and Napster
To see what is likely to occur in the future, it's helpful first to take a closer look at the differences between Grokster, Morpheus, and Napster.
First, Grokster. It offers for download a branded version of software owned by Sharman Networks, a company incorporated in Vanuatu - a remote Pacific island chain that markets itself as protecting corporate secrecy.
When a user boots the software, his computer is directed to sign on to a "root supernode" (a server owned by Sharman), which then directs the user to a "local supernode." The "local supernode" is some user's computer, which has been temporarily designated to route file-sharing requests among a large number of other users. (A particular user's computer may function as a local supernode one day but not the next; the process is largely invisible to the user).
Suppose a Grokster user requests a certain file - it could be a song, a movie clip, a video game, or an e-book. His search request is relayed among a large number of local supernodes and on to individual users. Once the requested file is found, it is transferred directly between the users.
Now let's look at Morpheus. Its software is based on the Gnutella peer-to-peer platform, built from "open source" code. Morpheus users connect to the Gnutella network by contacting another user who is already connected. (This initial connection is usually made by linking to a computer on the network that maintains a constantly changing list of IP addresses for certain currently active nodes.)
The Gnutella network is a "pure" peer-to-peer network - composed of users running Gnutella-compatible software such as LimeWire, BearShare and Shareaza. It does not use supernodes. Instead, user search requests are passed from user to user in the network until the requested file is found. The file is then transferred directly between the two users.
So what's the difference between Grokster and Morpheus, on one hand, and Napster, on the other? It is this: when Grokster and Morpheus users search for and receive digital files, they do so without information being relayed to or by any computer owned or controlled by Grokster or Morpheus. Thus, as the district court noted, if Grokster or Morpheus shut down, their users could continue to share files with little or no disruption.
In contrast, Napster users relayed se
-- Bill "Houdini" Weiss
I hope that Apple sees the chance to pull in some extra revenue, and ports this to PC. I doubt anyone would switch to a Mac just because of iTunes, but it'd give them an extra stream of cash if they let PC users share in the goodness.
While $10 is still higher than I'd spend for most craptacular CDs, it is a reasonable fee. I'd love to be able to just download the new Metallica CD as soon as it comes out, legitimately.
I'm a lawyer, but not yours. I wouldn't represent someone who thinks taking legal advice from Slashdot is a good idea.
This is a great idea that would be embraced by the public... until someone asked:
Why would i pay to download music on one service, that i can download for free on another?
0110100100100000011000010110110100100000011000100
The distributedness was really the clencher though. Basically, the opinion states that Morpheus and Grokster had no ability to prevent copyrighted files from being shared due to the nature of the network. This, of course, requires that there were significant other uses than copyright infringement.
-Alison
It is quite likely that at some point the music industry will end up making more money out of Internet distribution of their music than they do out of selling CDs. It is also entirely likely that they will continue fighting against P2P tooth and nail until they have exhausted all possible options.
The problem is that right now the lawyers are making the decisions. If you are a hammer, everything looks like a nail, and if you are a laywer - you often assume that all problems can be solved with a law suit. This mentality will likely continue to persist until it is absolutely obvious, even to the lawyers, that it can't work.
What does this mean? Well, for one it means that we should fully expect legal attacks against users of P2P networks to continue. This will simply serve to encourage greater use of Freenet and other future systems which protect user anonymity (Freenet still needs work to make it well suited to this task - but if there is a demand, someone will create a suitable third-party app which uses Freenet as a back end).
After Freenet or its successors have finally demonstrated the futility of trying to use the law to halt progress in communications technology - the music industry may eventually accept that it needs to adapt, but don't hold your breath for it to happen any time soon.
Sell at $1 a song until business gets sluggish, then surprise users with a $20 a month, download-all-the-songs-you-want subsription service. Everyone goes gah-gah because they have been paying $100-a-binge for songs and signs up for the service. Mac users revel in the fantastic deal they're getting from Jobs.
RIAA now has the business model it wants, though Apple gets a small cut, in that instead of people paying $17 a few times a year for a cd, they now have them automatically paying $240 a year. Cell-phone pricing syndrome has everyone blissfully unaware that they are paying way more than they ever wanted to in the first place and the RIAA uses the extra dough to have public executions of P2P software engineers.
Of course, resorting to such extreme measures would almost certainly inflame public opinion. And, as George Washington University Law School Professor Orin Kerr has argued, it might even land a few record company executives in jail, absent Congressional immunity for such tactics, which (believe it or not) has been proposed."
I personally would love to see this happen, if they damage my computer, I want the bastards in jail. If somebody came into a music store and stole a bunch of cd's, they can't just break into their house and smash them - along with anything else they might believe is stolen, they'd have to notify the authorities. I'm not trying to defend copyright infringement here, but two wrongs do not make a right.
It's scary cause it's true. Or maybe I'm just a cynic.
Napster was ruled against because it isn't really P2P; requests went through a central server.
Grokster and Morpheus were not ruled against because they are really P2P; if the backend companies shut down the users wouldn't be affected.
Previous attempts at online music services failed because they were too expensive and too restrictive.
Apple's online music service will not fail because it is not expensive and not restrictive.
The media industries should follow Apple's lead.
IMO, this article wasn't that interesting, nor that informative. It was yet another summation of the story thus far. At least it was a quick read.
obviously no deficiencies vs. no obvious deficiencies
Yes, that would be great, except for $0 a month, everyone can download all the songs they want through ftp, irc, newsgroups, web, etc.
Which he talked about here. He nearly went to jail simply because of having some p2p friendly ports on his computer!
or, Ignoring that Cognitive Dissonance
You may notice a large number of posts made on Slashdot concering KaZaA, or similar programs such as Gnutella or FreeNet. Often these will be posted under "Your Rights Online" (YRO), in order to show how the use of KaZaA affects your "rights". You may wonder what the hell programs whose sole purpose is to circumvent copyright laws is doing on a conservative (yes, I mean it) site such as Slashdot.
Let me explain to you. In the back of their minds, most Slashdot readers ("Slashbots") know that they simply don't want to pay for anything which they can get illegally for free. Most people are exactly the same way. KaZaA et al allows them to get music for free, so they use it. They know that this is copyright violation, which is a bad thing to do. This brings them feelings of guilt which they want to do away with.
How do they do this? They rationalize it away. It's the copyright laws that are wrong, not them. DCMA needs to be rewritten. The MPAA needs to be destroyed. It's an expression of free speech. And those greedy record companies take all the money anyway. Never mind that with pirate mp3s the artist never sees any money anyway. This way, they are sticking it to "the Man", who exists to make life difficult for 31337 Linux users like themselves. Yes, it is flimsy, and yes, it allows them to take the moral high ground by robbing hard-working artists. Yes, many will say that modern popular music is all horrible anyway, and that their favorite music is the only worthwhile type, but then go on to slam others for being "elitist" in any discussion in which Gnome or KDE is mentioned.
And what about the SCO Linux beta? Didn't that violate the GPL by attaching a NDA agreement? And remember the cries of the Slashbots that Corel should be sued, destroyed. boycotted, etc.? All because SCO who was helping out the Linux community mistakenly added a certain clause to their beta, which violated the GPL. As you can see, the "community" is quick to cry foul when the copyrights on their software is violated, even by companies with good intentions. Our copyright good, yours bad.
It's called "hypocrisy" and if you read Slashdot enough, you'll have to get used to it.
Now ask yourself exactly why ther is coverage of KaZaA on a site obstensibly devoted to Free Software. KaZaA is proprietary as hell. Those protocol specs had to be reverse engineered. Isn't proprietary software bad? Isn't all free software superior? Isn't "open sourcing" a piece of software the best way to improve it?
These are all bleatings of the party lines. Here, we consider proprietary software Evil until Rob Malda tells us otherwise, or it gets ported to Linux. Then it becomes a special class of proprietary software which somehow becomes better than the rest. KaZaA is one example. SCO is another. Somehow, they are able to ignore this seemingly large discrepency by claiming that these companies are "helping" the "community". The only one being helped is VA Research^W Linux^W Software who gets to sell ads to these people after giving them free publicity on the most popular "Linux" site of them all.
Stop lying to yourselves.
Hell yeah.
BeOS 'till I die!
...and many of us do so for $10 a month from emusic.com.
It may be cracked, but the majority of the customers who have said DRM scheme (ie DVD's), are too busy to rip a DVD on their PC. Most people want something that will easily let them dupe DVD's they rent at Blockbuster (ie DVDXCopy) that allows them to play the copy in their home dvd player. Mostly related to ease-of-use, but also don't forget that most of the MPEG4 codecs used for DVD rips don't support Dobly 5.1 sound (or at least they didn't last time I asked a Divx enthuseist friend of mine).
what the fuck?!? why are you claiming the apple is doing anything useful or vaguely P2P? they're also doing exactly what you railed on anyone else against in the past: Selling restricted use DRM-wrapped music online that you DO NOT HAVE FAIR USE OF.
slashdot is to conservative what Stalin is to Right-wing.
Steve's said on more than one occasion that subscriptions suck, which is why iTunes is structured the way it is. Why would anyone buy music that goes away if you don't re-up every month?
Folks like the recording industry are mostly out for short-term profits (if a given executive can make his millions and get out, what does he care about the future?). However, they have probably finally realized that slowly pulling the rug out from under an unengaged public will make their long term goals easier to achieve than trying an all-at-once lockdown.
If you use mencoder (mplayer) and dump the audio with -oac copy, you can encode the ac3 5.1 surround with mpeg4 video and is playable with mplayer with full surround.
Actually what's going to happen is that Napster is going to reform, retool and re-appear on the scene letting users download any and all music for $0.10 per song with no DRM restrictions using lossless open source audio compression techniques. The RIAA will take them to court, be defeated, and all of it's members will be jailed for being jerks to music lovers.
Naturally I have no evidence to back up these wild claims.
Which is exactly the same amount of evidence you have for claiming that Apple and the RIAA are going to pull a PressPlay on its customers.
Here's a concept: Maybe they're the first people to do this thing correctly. Maybe in a year's time everyone will be doing it this way. Maybe all non-Mac users will look back on the fact that Apple led the way with this model and laugh nervously and rapidly change the subject. Kind of like they do with most of the other innovative firsts to come out of Cupertino.
You like your Macintosh better than me, don't you Dave? Dave? Can you hear me Dave?
RIAA now has the business model it wants, though Apple gets a small cut, in that instead of people paying $17 a few times a year for a cd, they now have them automatically paying $240 a year. Cell-phone pricing syndrome has everyone blissfully unaware that they are paying way more than they ever wanted to in the first place and the RIAA uses the extra dough to have public executions of P2P software engineers.
This is not automatically true. I remeber when AOL did this sort of switch (yes, I was at one time an AOL'er, I'm sorry, I have learned better now). When I first started with AOL they gave you so many hours per month, and then charged you for any extra hours you used. And with Neverwinter Nights(the original) still running on AOL, I burned out those hours pretty quick, but since I didn't have the money to pay for extra hours, I forced myself to not run over. Then they introduced the $20 all you want method, and people went nuts (me included). It was hell trying to connect to a server, all of the modems in my area were clogged constantly. But when I did connect, oh baby. Since I was in high school at the time, and not working, I would play NWN all night and day during the summer and weekends. I was on constantly, and so was everyone else in my area. It stayed this way for as long as I stayed on AOL. Then, sadly, they killed NWN. By that time I had pretty much seen that I didn't want to be on AOL anymore and cancled my subscription shortly thereafter (I had a job by this point, and was paying for the subscription to feed my addiction).
Moral of the story, a flat rate is not always going to be overcharging. If there is enough value in the service people may well get their money's worth out of it. But as the customer, you have to decide which type of pricing will be right for you. Will it be cheaper to pay per song, or flat rate per month (assuming that gets offered). Me, I'll try and stick with the per song rate, my roomate on the other hand would be a good candidate for the flat rate idea. We'll just have to see where this goes.
Necessity is the mother of invention.
Laziness is the father.
Apple's attempt at a constructive approach.
The attempt is not constructive! I guess only apple could convince people that a platform independent, DRM enabled, pay per song model was what they wanted. Everyone has always been asking for mp3 or ogg, no DRM, and subscription based. The only requirement they satisfied is instant downloads. Yes, per song is better than per album. Still, DRM? I don't want to burn to CD and back to get mp3! I have an mp3 player that plays mp3s on CDs! RIAA is still getting money, artists aren't. We can still make a better service. Don't settle for Apple's crap.
DRM will only restrict legimate media outlets. The consumer will have a choice...pay for a cripled version, or download an unrestricted version for free. They are shooting themselves in the foot. At least we are getting to watch history in the making.
don't forget that most of the MPEG4 codecs used for DVD rips don't support Dobly 5.1 sound
They support any audio/video codec you want to throw at them. Of which Dolby Digital 5.1 is one. AVI, the most common DixV "format", is merely a container for the data streams.
Dear Tinysack,
... I mean they suck shit.
It is I who makes more money than you, doing even less work spamming people about viagra alternatives.
Don't piss ME off or I will ping flood all 256^2 machines on your puny network, they won't work correctly for at least two months. You don't need to remind me to send you your Trollbot updates every month.
So, stick up for your class of unskilled M$2k admin, and bend over, BITCH!
Reguards,
Your freakin' sex dominator
PS: Your posts suck anyway
This smells like flamebait to me, and the post goes downhill from there. Armchair psychology and broad generalizations are not insightful.
Kazaa is covered on
in a couple of ways, but one specifically - the author states that Gnutella does not use supernodes. in fact Ultrapeers (the gnutella term for supernodes) have been on gnutella for quite some time. there weren't as effective as hoped, but that was because of several bad iterations of implementations. things are getting better - check out any respectable (BearShare, LimeWire) gnutella servent and you'll see.
smd4985
well, it might be cracked - but what about if apple starts watermarking all the files you download on the fly (much easier than doing it with individual cds)so they can be tracked to the original downloader. you could still burn them on cd for yourself but you won't make them available for download. yanking a good watermark out of an audio file will be hard to do and it shouldn't suffer too much from format conversion.
in my eyes, that'd be a good approach - fair use would be covered but illegal downloading would be stopped. but they shouldn't stop you from burning it on cd in the first place then so people have to crack the drm before they can get their fair use.
The RIAA might just let the cops do it for them.
Be afraid, be very afraid.
I'd be a Libertarian, if they weren't all a bunch of tax-dodging professional whiners. - Berke Breathed
Duuuuude! You must have one of those cheap Mexican ripoffs, because when I broke open my official Magic 8-ball to dring the purple juice, the little DND die-looking thingie clearly had "Outlook not good" embossed on one of the faces.
Now remember, the Magic 8-ball was invented before Microsoft was even formed as company, so HOW DID THEY KNOW?!!!
Obviously, Hasbro is actually prescient!
the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff
I wonder what the pricing breakdown per song for iTunes is. What percentages are going to the Record Industry and the Artists? Since there is no cost of the physical "CD", besides advertising, promotions, etc.
I don't think that this is necessarily a solution for the artists, but a solution for the consumers. The RIAA always talkes about how it's artists are loosing money because of P2P. I hope whatever "tax" that Apple has to pay the record industry to pay for the copyright use of these songs, that a greater percentage goes to the artist.
Obviously, the effects haven't completely worn off yet!
You are getting better, but still you are an insipid wannabe. Try a little harder boy. Drink your milk.
Not unaware, they are just too stupid to care. Not everyone (although it sure does frickin seem like it) has a cellphone. I used to own a cell-phone when you could pay for the minutes you used. I paid $11 a month for service, and got 0 free minutes. I loved it! Why should I pay for something I don't use? I am convinced that the American public is just stupid. "Hey, I've got 1000 minutes, I think I'll call my buddy and blather on about absolutely nothing." People are always asking for my cell number, and they look at me like I have a tree growing out of my forehead when I tell them I don't have one. I am no luddite, I just refuse to be convinced that I need something just because everyone else has it and it is the cool thing to have. I think that about 90% of people don't need a cellphone, or at least only need to use it 1% of the time they currently do. Same goes for SUVs. The herd mentality is just overwhelming, and is really sad. Maybe that is why I don't want Linux to succeed on the Desktop, because the idiot sheep in this country will suck all life out of it.
My beliefs do not require that you agree with them.
I'm not sure it's fair to assert anecdotally, absent evidence, that the same persons most vocal about e.g. GPL compliance also advocating copyright infringement via Kazaa or otherwise. Furthermore, I see *no* inconsistency between saying people should respect copyright law and that copyright laws should be changed. A charge of hypocrisy really can't be levelled at a group of users where each user may (and often does) have differing views on any two given issues.
</SOAPBOX>
-Isaac
I am not a lawyer, and this is not legal advice. For Entertainment Purposes Only.
The customer was not being served by the music industry. Apple's recent Music Store opening offers ample evidence of that. It certainly has shortcomings but the overwhelmingly positive response to it clearly demonstrates that people will pay a reasonable amount to download a quality recording.
Wansu, th' chinese sailor
...regarding eMusic. In the article, he implies that eMusic's subscription model requires you to continue paying the monthly fee, otherwise your previously downloaded songs stop working.
This is not true. eMusic's files are straight MP3s, with no DRM encumbrances. They do require you to sign up for a minimum 1-year commitment, but after that year you are free to cancel, and all the files you downloaded will continue to work just fine.
Neither company operates "supernodes", which facilitate entry into the P2P network. Grokster does rely on Sharman to operate a "supernode" for all clients attaching to the KaZaa network. Once connected, the clients do not go through this central machine. According to the logic of the ruling, operating this server would be equal to contributory infringement. It was specifically noted that Grokster did at one time operate a server. It can be deduced that Sharman will be found liable using the same logic, and may be forced to shut their server down (if it is located in the US anyway). This will effectively "decapitate" the KaZaa P2P network, as no new clients will be able to be connected.
Morpheus (and all other Gnutella-based systems) will not have this liability, and if this ruling is not overturned on appeal, will be basically immune from these types of lawsuits. Those that rely on a central server for anything can and will be held accountable based on this ruling.
As for the P2P vs. Apple/Other services, it's a basic principle - Get rid of the "free" but cumbersome and unreliable option (via lawsuits) while opening up a cheap and quality service on the other side. Now if the RIAA did this on their own, they might be raking in the dough... good luck ever changing thugs like them without a shotgun and backup though.
Maybe that suggests that if a legal, convenient, and "balanced" online music distribution system can exist under the DMCA, then perhaps the DMCA isn't as evil and restrictive as some here would like us to believe.
There's a Mercedes gap too. I want one and can't afford one, but it's not government's job to do anything about it.
Couldn't agree more. The best cell phone to have is a quarter in your pocket.
there's no place like ~
I see so many articles about this but even on a law site the OBVIOUS point is still missed. These are TOOLS. Tools do not break the law, people break the law. If there is even one small legitimate use to a certain piece of software, no one should have any argument against its use even if millions are breaking the law with it. HTTP and FTP can and ARE used to host files that violate copyright. So can Windows file and print sharing, my goodness, you can even encode hidden files inside of picture files. Are all of these going to be outlawed by the government and the RIAA and MPAA? Get a grip. Go after the ones breaking the law not the tools people are using to do it.
Moral rant *****
ALSO just because you break the law doesn't mean your not on the moral high ground.
Mull over the following fact:
I am definitely to the point of refusing to buy CD's and movies because I am treated like a criminal.
Yes... I use it. I just downloaded all of Fallen by Evanescence. I liked it so much that I went to their website and tried to find ANY method to pay them directly because I REFUSE to give any money to the RIAA. There is no way to do it there. I know there sites out there that are trying to do this but there should be the option to pay the artists directly because I want to KNOW where my money is going.
I'm not saying I'm right and that I'm not hypocritical by doing this and finding excuses not to pay, but I'm fed up with it. There has to be another way.
Digital is, by definition, imperfect. Analog is the way to go.
When a user boots the software, his computer is directed to sign on to a "root supernode" (a server owned by Sharman), which then directs the user to a "local supernode."
I've never used KaZaA or Grokster, but if the above is true, how is it that "when Grokster and Morpheus users search for and receive digital files, they do so without information being relayed to or by any computer owned or controlled by Grokster or Morpheus." is also true? If Sharman Networks were to shut down their servers, how could Grokster/KaZaA users find each other?
Or is the article saying that the company behind Grokster isn't responsible, Sharman Networks is -- but they are way over in some island and hard for the RIAA and MPAA to find?
If I were the RIAA, I would do what I could to shut down Sharman Networks. Have they tried that yet?
And how does Gnutella work? Can someone explain how a network can be "pure" peer-to-peer and anonymous at the same time (how would you connect to a the network)? The article explains it as: "This initial connection is usually made by linking to a computer on the network that maintains a constantly changing list of IP addresses for certain currently active nodes.". How do you find that computer with the list? Isn't that a central server, the maintainers of which should be targets for the RIAA?
"And there be unix which have made themselves unix for the kingdom of heaven's sake." - Matt. 19:12
That's not the fault of the RIAA; it's the fault of the entertainers who whore themselves to the RIAA. If entertainers wanted to maintain control over the music they create, and sell it via their website, they wouldn't sign contracts with the RIAA.
Don't blame the RIAA because entertainers make foolish deals with them.
There's a Mercedes gap too. I want one and can't afford one, but it's not government's job to do anything about it.
However, if you can get away without the 30/month landline. You could have a cellphone instead. If all you use it for is talking, the cell phone is the better deal.
Last time I had to get a landline, I told them no to every option they had, refused long distance and still couldn't get the bill any lower than 25/month.
i wish i could, but the new download manager doesnt work that well for me. i really like what emusic has to offer, but the service really got bad at the beginning of may.
-- john
The Federal Code has several sections on Fair Use.
The first section on individual Fair Use may not be all that relevant to P2P, but the second section seems to go straight to the heart of the matter.
The second section is about Libraries and Archives. It's the Archives part that seems particularly relevant to P2P. That's what P2P is, isn't it --a distributed archive.
Moreover, the law itself specifies what it means by a library by saying that a library is a publicly accessible non-commercial media lending facility.
Libraries and Archives are allowed not one, not two, but three. Count them, three big copies of any copyrighted work. And what is the purpose of these three copies? Specifically, the purpose of these copies is to lend to other publicly accessible non-commercial archives.
So, let's compare this to P2P. A hypothetical user has two copies of a copyrighted work on CD backups and another on the hard drive. That's three copies. Hmm, so far I don't see any infringement. But what's the intent. Let's see here. It appears our hypothetical user is going to lend a copy to another publicly accessible non-commercial archive.
According to US Federal law this seems to be completely legal activity.
I'd also add that if the public accepts a balanced solution then perhaps the content providers will not feel compelled to defend themselves by pushing for drastic legislation like the DMCA.
The DMCA is the understandable backlash from the content providers in response to the rampant and widespread subversion of payment for copyrighted works that exists today. It, and the motivation behind it, wouldn't exist if the rampant piracy weren't taking place.
Pay phones cost 50 cents where I live. Better have a pocket full of quarters if you need to make calls.
now I understand why all the posters on /. seem like they've never read the article...
"There is more worth loving than we have strength to love." - Brian Jay Stanley
IANAL, but this really looks like common sense.
Oh wait, the **AAs have none of that. Gee, this ruling IS interesting.
You could've hired me.
Look on the bright side, at least they went with the Scottish convention and didn't name it after an Irish guy, McIntosh. Then everyone would be calling them MCs and the model releases would be "Hammer", "Lyte", and "P" (for our Tron fans/freaks out there). :)
Btw, where did the name MacIntosh come from?
Nothing fails quite like prayer.
My magic-8-ball has been formerly introduced to the product. When I asked it's opinion, I recieved "Outlook not good".
Try exposing your 8-ball, and rechecking it's results. If the message does not change, you may have a defective 8-ball, and should call the manufacturer for a replacement.
Kinda obvious, and by now possibly redundant (if so, forgive me-- I'm at work, so it's taken me a while to get to typing this), but...
That's not a defect. That's a feature!
--Mark
"It is nice to know that the computer understands the problem. But I would like to understand it too." --Eugene Wigner
Of course, the difference is people are paying $240 a year for the songs they actually want, instead of $17 a few times a year for a cd with one or two songs they want and 10 to 15 songs they don't.
1) Move files between machines
2) Play files forever if you like
3) (most important) make a CD.
Really #3 is the only reason why I consider fair use to be decent for Apple files. I could always re-encode them if I liked, or store them in a non-lossy format that would keep the quality frozen forever just as it is now - which is good enough for me.
In practice I don't really do that though, because I do use iTunes for music and don't need to convert the files. If I had a dedicated music server for my home I'd probably store all my CD's lossless anyway.
To summarize, most people consider what Apple doing as useful because there is a way out of that file format. Just like an airplane emergency exit, you don't use them every day but they are there and you can use them.
What I find intriguing are how iPods are able to play these files... couldn't you copy files from one iPod to any other when mounting them as FW drives? Does the new iPod software have some idea of who the user is when the user synchs?
"There is more worth loving than we have strength to love." - Brian Jay Stanley
In the UK, for example, I pay Orange rental of GBP 50 per month (USD 80) which gives me:
200 minutes to any UK mobile network;
150 free SMS
10mb GPRS transfer (emails on PDA);
Free handset upgrade each year (I like my gadgets); and my cellphone insurance.
I can guarantee you that my monthly bill would be a lot higher without these pricing plans - while people like yourself may see them as a con, a cellphone can be most useful, and affordable.
Tim
Backup not found: (A)bort (R)etry (P)anic
From the article: "If Hollywood really wants to get rough, they might get down to the ugly task of cyberwarfare." Oh yes, I'm sure that Hackers everywhere are trembling from Hollywood's l337 c|2@ck3r sk1llz. It would be a U.S. vs. Iraq type of war. If the RIAA had really wanted to scare Kazaa users they would have the users see this when they boot up "MBR not found." Instead they send out messages to everyone using Kazaa....real scary.
"Much work is lost, for the lack of a little more." -Edward H. Harriman
...but some are more equal than others:
Of course, resorting to such extreme measures would almost certainly inflame public opinion. And, as George Washington University Law School Professor Orin Kerr has argued, it might even land a few record company executives in jail, absent Congressional immunity for such tactics, which (believe it or not) has been proposed.
I guess it goes without saying, but this is a load of crap. Am I the only one that sees an "equal protection under the law" problem here?
You might be allowed to read it, but you certainly can't tell anyone what the article is about.
P2P definitely has legit uses:
1.) The only way I was able to download RedHat 9 CD1 was via a Gnutella link posted here on /.
2.) I can't upload *.zip files larger than 1MB to my website, so when I want to make a project I'm working on available to the world, I just post a Gnutella link.
3.) Same goes for mp3's of ME playing PUBLIC DOMAIN music.
4.) And I'm sure others here can expand this list significantly.
ummm, just because you dont use it..and it'd be a rip off for you to own a cellphone doesnt mean others dont.
:)
christ, herd mentality? what makes you a cut above the rest? do you get out much, i think you'll find in general the american public is your average american joe. they have a nice standard of living, dont mind shelling out money for the convienence of being able to make a call from anywhere, even if they dont use it that much.
christ, you are just as bad as "followers" if by standing by on your soapbox you tear them down. you are being distracted and manipulated just as much. look at how excited you got over OTHER people wanting cell phones.
and by the way. nearly every major provider has prepaid cellphones now. you pay per unit of airtime. so ya, you can get by on 11$ a month. but im sure you know that. cause you seem to know everything, about everybody
Here: Gnutella
And here: Edonkey
i think you'll find in general the american public is your average american joe.
Did you work that out all by yourself?
Sort of. Several people I know have commented that if they had the option of downloading quality recordings at a reasonable price, they would abandon music piracy because it would be (is now, with iTunes) easier to "do the right thing."
Try exposing your 8-ball,
That's ok. You can expose your balls. I'd rather keep mine under wraps until use.
Will they wring their hands about it, or will they go after the people sharing them, or will they stalwartly ignore them?
Practice Kind Randomness and Beautiful Acts of Nonsense.
Absolutely herd mentality. Why do you have such a problem being part of the herd?
You are missing the point. They get a cellphone because they are taught that they need one. They use it all the time because they are most likely getting "free" minutes, which is a stupid concept because they are paying for it. You are right about convenience - everything is so convenient that people don't think anymore. When in doubt, get on your cellphone and annoy everyone. If people used them responsibly I wouldn't have a problem, but THEY DO NOT. They don't turn them off in restaurants or movie theaters, they drive while yammering on them. Everyone likes to think that they are so important that they need to be reachable at all times. It is a farce that the providers are feeding people, and they are just standing in line eating it up. If it didn't impose on my life, it would simply be comical, but it does impose itself on me.
christ, you are just as bad as "followers" if by standing by on your soapbox you tear them down. you are being distracted and manipulated just as much.
Uhh, what? This makes no sense.
look at how excited you got over OTHER people wanting cell phones.
I don't care who has a cellphone. I care when it impacts me, and it does on a daily basis. People at work, in meetings, taking calls. People cutting me off on the road because they are not paying attention. People in the grocery store, or the video store, or everywhere else, just talking for the sake of talking. When it impacts me, it bothers me. It has become an annoying habit.
and by the way. nearly every major provider has prepaid cellphones now. you pay per unit of airtime. so ya, you can get by on 11$ a month. but im sure you know that. cause you seem to know everything, about everybody :)
Yep, that is the phone my wife has. We use it when we NEED to. I am not anti-cellphone, I am anti-cellphone simply for talking your stupid head off and not only annoying me in public places, but endangering me on the road.
My beliefs do not require that you agree with them.
Don't click that link, it's the goatse guy.
These people look deep into my soul and assign me a number based on the order I joined.
And that is exactly how emusic operates now. $10/month, all you can eat. And it's freakin great. Fast, no hassle d/l, consistent quality.
As has been said before, the only problem is their selection. A lot of minor/new stuff, but sadly lacking in the majors. Beatles, Pink Floyd, etc.
Monthly is not necessarily a detriment.
Include Gnucleus in your eval, it's highly respectable and open source as well.
unless you want to be accused of using your 57 CD-burners (equivalent to 1 24x burner) to produce 14,000 mp3 cds (1 or 2 cds, with highly "valuable" content), then get off kazaa.
--RIAA
"Smoking helps you lose weight - one lung at a time" -- A. E. Neumann
You mean like the WIMP? Oh, wait, that came out of Xerox PARC. Apple is about as "innovative" as Microsoft.
If it wasn't for Microsoft, we'd all be bitching about Apple abusing it's monopoly power. And if it wasn't for IBM, Microsoft would be just some other tech company no one ever heard of.
Presumably by giving you the right to burn your own CD you have the right to do anything with it.
...
You can certainly resell shop-bought CDs. So is there any earthly reason why you couldn't
resell a CD you had burned (made up of MP3s that you had legally downloaded) ?
Of course that begs the question as to how they could tell a fake MP3 from the real thing
provided they were both the same bitrate etc
- Only useful for those who own an Apple, and eventually Window$, and have an iPod and iTunes. BLATANT integration.
- If they'd just release MP3's, this problem would have been solved up front. Note that this is not a deal-breaker: download song, burn CD, rip CD... done.
- $0.99 per song is too much. CD's cost ~$15 these days, and contain ~15 songs. The cost of purchase, download, transfer and burn time, plus media easily makes up the difference in price. Add depreciation in hardware (that "cheap" Apple hardware) necessary to join this service. Suddenly a dollar per song ain't cheap.
Get with it. Try $0.50 per song (effectively half-price and close to used CD store price) in decent rate mp3 format. Anyone that wants high fidelity buys the CD, the rest of us lowlife P2P scum actually feel like paying for what we can get for free.And, in final analysis, the cost to the industry of running this service is minimal beyond storage and bandwidth. Certainly less than burning and distributing CD's.
... grumble, grumble, grumble, mutter, mutter, Millenium... Hand... Shrimp, I tol' 'em, I tol' 'em.
I'm sure i've said this in other similar threads, but i'll say it again..
.25cents these days.
Apple is doing something wonderful and putting a legit business model to music downloading. It provides users with access to music, for a fee, which i'm sure a percent goes to the hardware and such to keep the site up, a percent goes to apple, and a percent goes to music industry.
This is a valid business model.
So, let's say in the real world, and you get a copy of a CD from a friend, wonderful thing about the digital world is that whole (almost) lossless copy issue. A CD quality copy, assuming it was from a CD is there and about of
There presently is NO system in place for people who actually which to support the bands they like who get pirated copies.
The next step I feel in this digital music revolution would be for record lables and such to actually legalize private and public sharing of media, and offering a license for it. Why buy the CD when you can get a copy, but how do you support the band? Buy a license, possibly in the form of an offical flyleaf, a nice CD label, jewel case for your home brewed CD solution. Word of mouth has always been the best means of marketing, and you have people willing to dedicate their bandwidth to distubute this material.
Users will get a warm fuzzy feeling and will be able to say, "hey, I support music" wether or not they are a signed artist or unsigned independent. It would reconize the value of peer to peer networks for their distubution of material that tradationaly was very costly.
There is no sanctuary. There is no sanctuary. SHUT UP! There is no shut up. There is no shut up.
Yeah, I thought that statement was stupid. Dracocat is clueless.
Yesterday I bought a copy protected cd by accident (now why is that they only have a tiny inconspicous sticker on the front cover?) and only realised it was copy protected when I sat down to enjoy the front cover. The thing is I really liked the cd but am dead against copy protection so I will return it. For fun I put the cd in the cd-rom and dvd-rom, sure enough it wouldn't play unless I install an update to windows media. That really pissed me off so I used Clone CD to rip out the tracks. Sure enough in less than 7 minutes, all 14 tracks of Sarah Brightman's new CD got burnt into a blank cd. The copy protected cd contains two sessions, the first is the audio session with all the tracks that a regular audio cd player can read. The second session makes all the audio data in session 1 invicible so the cd-roms and dvd-roms can not see them. Oh they also put in bad sectors in track 1. I presumed the regular audio cd player skips those sectors? But when it comes to ripping the tracks NERO attemps to read all the tracks from track 1 but fails becasue of the bad sectors. Work around? Simple, use CloneCD, set the setting to copy session 1 and turn off subchannel audio capability and go. It is so easy to rip and my question is why do record companies continue to spend money on copy protection technology such as this? I personally will buy cds because currently that is the only way I can support the artists instead of downloading music. I do think most people will do that and for the ones that want to freeload... well they always will find a way no matter what the record companies do. All this talk about record companies loosing millions and billions of $ and record sales going down year after year and blaming on piracy is just a lot of hog wash. May I suggest the reason for sales dropping isn't due to piracy but due to the crap they are putting out?! Oh and they are way overpriced for the crap, consumers have just got smarter that's all.
You quite clearly have no idea what you're talking about. Let a guy watch "Triumph of the Nerds" on PBS and suddenly he's all-knowledgeable on the history of the personal computer industry. Not.
You like your Macintosh better than me, don't you Dave? Dave? Can you hear me Dave?
Since there is no cost of the physical "CD"
Then what do you call Apple's bandwidth bill?
Will I retire or break 10K?
sounds similar to the FastTrack protocol (KaZaA/Grokster)'s "Supernodes".
Hostcaches and supernodes are completely different. In the WinMX, FastTrack, and Gnutella protocols, supernodes (which correspond to "servers") are responsible for forwarding queries and results from one leafnode to others. (Nodes on dial-up and low-end DSL and cable are typically leafnodes.) Hostcaches, also called trackers, list working supernodes.
If the client software comes preset with the address of one, then the network is not highly decentralized (in which case the RIAA has someone to go after).
Client software may come preset with the addresses of a dozen or so hostcaches, and each client program may come with a different set of addresses. And even with well-known hostcache addresses, it's still possible that the network has a substantial non-infringing use, like for trading rpms or debs of free software, and if the client program maintainer is not the hostcache maintainer.
Hostcaches are not needed in IPv4. All that is needed for introduction to the network is a random scan of the /12. The larger address space of IPv6, however, makes random discovery impractical.
Will I retire or break 10K?
You can't sell a CD-R disc on eBay unless:
Will I retire or break 10K?
If they'd just release MP3's
Try here.
$0.99 per song is too much. CD's cost ~$15 these days, and contain ~15 songs.
First of all, the price of most albums on iTunes is capped at $9.99. (Multiple disc sets may be more expensive.) Second, most albums in pop genres that contain 15 songs do not contain 15 good songs.
Will I retire or break 10K?
I doubt it. It might be more useful if the iTunes users could transfer rights to another users' iTunes account though, which would also make trading a disc acceptable - so long as the songs are then owned by the receiving party.
I'd blame cell phones as the reason pay phones never get fixed, but actually the problem's been around since the mid-80s, before cellular became ubiquitous. <troll style="bait: shrill-right-wingers;">So I blame Reagan</troll>.