Music Industry Compared to Movie Industry
tgibson writes "The Denver Post has an article comparing the missteps of the recording industry to the movie industry's success with DVDs: 'The best-selling "Chicago" movie soundtrack is available on CD starting at $13.86. The actual movie, with the soundtrack songs included, of course, plus additional goodies ranging from deleted musical numbers to the director's interview and a "making-of" feature, can be had for precisely $2.12 more...'"
They're nickel-and-dime-ing the consumer to death, and no one will do anything about it. What, do they think we're made of money? The surcharges and the "Artist" tax for all CDR related equipment has to stop. When will people take notice? (fp)
A programmer is a machine for converting coffee into code.
Simply put, in my sole estimation, DVDs are worth my money--music CDs aren't.
On the other hand, not everybody (*gasp*, I know!) has a DVD player, and moreover I'm not even sure how easy it is to rip music from a DVD. Never mind the fact that it's probably evil...
Condemnant quod non intellegunt.
Even if CD's were priced at $3, it would be much easier to download them instead of buying them.
RIAA: Evil group of people with no morals, who are currently hated by 99% of /.
MPAA: Not the RIAA.
I think that says something.
When you don't have a leg to stand on, don't even get up.
Why waste your money when you can watch it for free on broadcast TV a few years later?
Seriously. A DVD might have 3 hours of content on it while a CD might have 1 hour of content, but I can bet you 99.9% of the time, the CD is going to be listened to way more than the movie is watched, and therefore is the better value.
I can't watch a movie walking down the street or on my commute to and from work (or at work for that matter), but I can sure listen to music. These arguments are pretty stupid, IMO.
It doesn't mean much now, it's built for the future.
The artists who make movies get paid reasonable sums of money for their work.
I still go to see movies. I no longer buy CDs from major labels.
DO NOT WRITE IN THIS SPACE
okone decent justin timberlake song
uh huh right and I'll find that along with element 118, cold fusion and bigfoot, and non-buggy M$ products.
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I've been saying this for a while! Why buy a CD for $13-15 when you can get a DVD for 15-20. DVDs have way more entertainment value than a CD. With DVD players in cars to occupy your passangers, music CDs realm of entertainment is also being displaced. Somethings you cant watch a DVD to but you could listen to a CD (work for example). Like its been said, bring CD prices to $9.99 and its a far better value.
The Doormat
If you're not outraged, then you're not paying attention.
Buy CDs used. They're a more reasonably price, even if still over priced.
Hoist Number One and Number Six.
The article's ending is wrong. The big five record labels have pissed everyone off.
Buy from unsigned artists. Buy from independent labels which are not members of the RIAA. It isn't good enough for the RIAA to lose. Their competition has to do well.
Big Brother Bush is doubleplus ungood.
Even if CD's were priced at $3, it would be much easier to download them instead of buying them.
To be quite honest, I would rather have cds of my entire music collection. When I purchase cds, I listen to them much more intently, I hear music the way it was intended in an album sense.
I have no idea what songs I have are on what album. I couldn't name you 1/4th my collection on a good day, but I can name you almost every cd I own.
When I burn a cd, it just doesn't feel the same.
If you priced cds at 5 bucks a pop, I would never download another song (aside from learning about a band to subsequently buy.)
I walk into a music store, and I WANT to buy thier music. I do. I refuse to because of the prices (except for punk/emo/techno comps that are reasonably priced.)
I can purchase a video game with the latest graphics, or two cds.
It has EVERYTHING to do about the money, and not about the ease. I hate walking into music stores because I want to buy their albums.
I really do.
http://use.perl.org
Although I agree with the author on most topics. Heck, my household doesn't buy music anymore on principle, but we still buy DVDs. The price point is right.
Buy one factor is not considered. A CD of music is more readily conveted to mp3s and shared over the internet than a DVD. The shear size of a movie (800-1600+ MB) make them more resistant to on-line sharing than music (for the moment).
I do have to applaud the movie industry for trying to make the DVD format more attractive with special content: the making of, choice of widescreen or scaled, alternate endings, etc.
If they further lowered their prices, people would buy more dvds as a matter of convenience. Everyone likes a nice box and cover art instead of two cdrs and a handwriten index card in the case where someone downloaded a movie.
The article has a nice junxtaposition bewteen the music and movie industry.
http://dialspace.dial.pipex.com/town/estate/dh69/
The problem is psychological. People simply do not compare the prices of CDs and DVDs. It is not how we think. In America, everything is $15 instead. Exchange rates do not matter--it is the number that is significant.
P.S. Why does slashdot strip the pound symbol?
In the past year I've bought over 52 DVDs that works out to at least one a week. In that same time period I bought exactly NO CDs. Why is this? The DVDs are a much better value, many cast as little as $10, few are more than $19, they typically include making of featurettes, director's commentary, music videos, actor interviews, a good story PLUS the movie itself.
I would say that I love listening to music, but at the prices CDs are going for I find that my money is MUCH better spent on DVDs. For the same or less than the price of a CD I can buy a movie with all sorts of extras. The DVD has audio on it and a picture, the CD just has audio and no extras, why should it cost the same? The answer is it shouldn't.
I also have a lot of problems with the way the RIAA is trying to keep hold of their antiquated distribution methods and huge markups. Why should I support thier lawsuits with my money? Granted, the MPAA has not been the best player all along wither (they fought the introduction of the VCR for example) of course they have learned their lesson as the sales of movies in VHS form have made them a bundle of money. The RIAA refuses to see the future of music, not even doing a good job of promoting legal online distribution methods or interested in lowering prices.
I'll continue to add to my DVD collection, but until prices are MUCH more reasonable for a CD (say under $5 for ANY title I'm interested in) I won't be buying very many, if any. If the price and distribution method are right I think the record companies can get people to buy music again. Of course, this assumes the music is worth listening to, but that's another story.
Today I decided to try to find some music. I visited no less than 5 different stores. I listened to maybe 35-40 different albums using the in-store headphones (yuck!) but I was less than impressed. Album after album sucked, with at best 2 good songs per album.
While I'm complaining here, I have to say that I really don't like the extra material on CDs, and I really can't stand CDExtra. The material slows down my computer, makes it crash some times, and generally is pretty lame. It often autoruns too, which drives me crazy. In short, I am inclined to avoid the new-and-improved CDs even if I think I'll like the band. How do you feel about this?
Earlier today, I was thinking (contemplating really) about how I buy music on eBay or used on Amazon or trade on Trodo. I decided that I like that approach much better than buying from a store. eBay is at least 1/2 price off and often you can even get new CDs for a low price. On Amazon, you can often get a music preview, so there is no advantage to visiting a brick and mortar (do people still say that?) music store. And, to top it all off, I can find music I like faster on the web. I can find recommended music, related music in the right genres, and more. It is easier and cheaper. So, can anyone explain wny I should actually visit a store? (My only answer is instant gratification -- I can buy and listen immediately.)
How to Download YouTube Videos
This is ofcourse totally subjective but, it seems to me the general quality of music has decreased with time while movies have improved.
I feel contempt when I watch MTV while I actually pay attention to movie trailers.
I feel used by ("new") musicians while moviemakers entertain me.
Smoke me a kipper, I'll be back for breakfast.
I say that buying the DVD is definietly worth it. You'll probably only watch the movie a couple times, but you'll listen to the music a lot. Last time I checked, Blockbuster charged about $3-4 per rental. The DVD costs $5 more than the CD. So, if you buy the DVD and only watch the movie twice, it's still cheaper than buying the CD and renting the movie twice... correct me if i'm wrong, plz
"73% of quotes on the Internet are made up" -Ben Franklin
The more people that say this, the greater chance the music industry will start paying attention to their customers' wants again.
Most record companies are owned by a company that also owns a movie studio. Warner music / Warner Bros. / AOL Time Warner. Sony Pictures / Sony music. Universal music / Universal (studios) / Vivendi Universal. They even tie in CD releases to movie releases and book releases. They're competing against themselves.
I can name several films in the past two or three years alone that I consider classic films, that I would watch over and over and are well worth the 20 bucks tops to get on DVD: Lord of the Rings, Star Wars, Pixar movies, etc.
Out of all the music released in the past three years, I honestly cannot name a single CD I can say the same for. Seriously. The music these days is pure chewing gum. Single songs, maybe. A big maybe. But whole albums? None.
I don't think I'm alone in recognizing this total pure crap ola level of quality in the music biz.
I remember buying a VHS of Pink Floyd's The Wall so I could record the songs to an audio cassette for my Walkman because the double CD was just too expensive. I couldn't figure it out at the time but a few years later the band I was in decided to get out of a deal with an Indie label (Beggars Banquet) and onto a major. Within weeks of dealing with major label A&R, PR, Marketing and assorted assistants I realized the music industry was a lost cause. It really wasn't about making great, innovative music (as I used to believe) but merely about making as much cash as possible. OK, call me naive but I was a musician who really likes music and thought, just maybe, that the industry was geared to help me make more great music. Nope. We made several demo reels, paid for by several majors (each one costing thousands to make) and on every occasion had to listen to some clueless A&R rep tell us the sound was "wrong". After several months of this we decided to call it a day. No more music from me or my band (The Bolshoi). That was the mid 80's and the slope has been getting slippier for the music industry ever since. And, yes, I wish we'd just stayed with that little old indie!!
We wouldn't have had VCR's at all, and there would be no movie rental/purchase industry today. They were legally forced into allowing this industry to develop, which today they earn 60% of their revenue from. If they had had their way, the only way you could see a movie would be in the theater or on TV (and you couldn't record it as you'd have no VCR).
The music industry can follow suit. Embrace file sharing, don't try to stop casual non-commercial copying, and sell CD's for $3.99 each. They'd make a fortune.
The problem in both situations is that, when confronted with technology that seems potentially threatening, suing it until it goes away seems less risky and more economical than embracing it and trying to develop a new business model around its existence. Fortunately for both us and the MPAA, they lost. Now they make a fortune in the video industry. Unfortunately for both us and the RIAA, they have not yet lost (better lobbying) and are suing themselves into oblivion, while hurting end-consumers as well. Especially the 12 year old ones.
Stupid people make stupid things profitable.
The point is that the DVD COMES with the soundtrack on it (obviously, Chicago is a musical, the whole movie *is* the soundtrack). And because it's all just digital an dyou bought the DVD you can LEGALLY record the soundtrack right off the DVD for your listening pleasure with any decent Hi-Fi setup.
What bugs me is that on a typical music CD, even very recent releases, there is no track titling put on the disc to identify track names.
It would cost nothing to put on there, would be of (some) value to people with more recent CD players. As it stands the copied CDs where I put track titling on them are of more use as I don't have to find the jewel box to see what the track title is, as most burning software is intelligent enough to look it up and put it there.
If we can't get basic value added items on our music discs, what hope is there of competing with DVDs where there is more "bonus features" (subtitles, translations, extra scenes)? (rhetorical)
Nobody expects the Spanish Inquisition!!
To paraphrase the introduction to an early Copyright Board ruling:
On March 19, 1998, Part VIII of the Copyright Act came into force. Until then, copying any sound recording for almost any purpose infringed copyright. Part VIII legalizes one such activity: copying of sound recordings of musical works onto recording media for the private use of the person who makes the copy.
It does not matter whether you own the original sound recording (on any medium), you can legally make a copy for your own private use.
To emphasize this point, endnote 4 of an early Copyright Board ruling says:
Section 80 does not legalize (a) copies made for the use of someone other than the person making the copy; and (b) copies of anything else than sound recordings of musical works. It does legalize making a personal copy of a recording owned by someone else.
Note that the Copyright Act ONLY allows for copies to be made of "sound recordings of musical works". Nonmusical works, such as audio books or books-on-tape are NOT covered.
The wording of the Copyright Act gives rise to some very odd situations. In the 6 examples below, "commercial CD" means a commercially pressed CD that you would normally buy at a retail store.
2 1337 4 u!
Over the last 80 years the movie studios have had their business models dramatically disrupted on numerous occasions. In the 40's the movie studios lost anti-trust suits which forced them out of the exhibition business leaving them only control over movie production and distribution. Revenue and profits plummeted within the span of a single year and started the end of the "studio system" of stamping out movies on a weekly basis. Additional jarring changes came in the 50's with the advent of television, the rise of independent studios and actor/producers in the 60's, purchases by multinational conglomerates in the 70's, and then the introduction of the VCR in the 80's. While it is natural to resist change to the status quo, the movie studios have repeatedly demonstrated an amazing adaptability to change when left no other recourse. Learning to cope with disruptive change may be one reason the industry has been able to turn movie video/DVD sales into greater revenue than the actual exhibition of movies.
Only time will tell if the recording industry can demonstrate similar adaptability to challenges of their traditional business model or go the way of the Dodo.
Josie and the Pussycats DVD: 17.99 pounds ($29)
Josie and the Pussycats soundtrack CD: 19.99 pounds ($32)
Same retailer, same movie, two pounds ($3) less for the DVD than the soundtrack CD ! It's ironic really, because the movie is only OK, but the soundtrack is utterly fantastic - I have it on auto-repeat at the moment...
A music CD, on the other hand, I could easily listen to the music on it hundreds of times, if the songs are good.
So even for the same price, music vs. DVD, the music gives me more entertainment value. However, I am refraining from buying either, partly due to economic reasons, and partly due to the fact that I hate the RIAA and the MPAA.
They say the first thing to go is your penis. Well, it's either that or your brain. I forget which...
I buy DVDs instead of going to the theater. Why? Because it's cheaper to buy it than take someone with me to the theater. Also, I like lending a "find" to a friend and borrowing something from someone else. Do I watch them over again. Yes, but maybe one old movie a month.
I buy a DVD about once a month, and like building up my collection. Not too much overlap with my VHS collection, because a lot of my DVDs are of movies that have come out in the last 10 years. I like the extras, especially when the extra scenes are inserted into the movie, like in the Lord of the Rings trilogy.
On the other hand, I rarely listen to the Top40 music stuff in the last couple years. My station is almost stuck on the classic rock and light rock stations.
I completed my classic rock CD collection about 3-4 years ago, and haven't bought a music CD in the last 2 years -- more out of disgust against the RIAA. Haven't borrowed a CD from anyone in a couple years. And now that I ripped all my CDs to my PC, I prefer listening to my own mixes of favorites rather than a store-bought.
Not sure if the RIAA wan't my business anymore. Not sure if I care.
alias uptime="echo '5:33pm up 22342352324 days, 6:28, 2124315623 users, load average: 2432.40, 12312.31, 123123.19'"
High prices didn't lead to people downloading music. The pure convenience of being able to download songs en masse online couppled with fairly high prices brought many people to download music. Which in turn lead to higher prices. Which lead to more pirating again because of its ease.
But you forgot to point out that people do it because it's more convenient. It's not just about high prices. It's about how people do what's easier.
Sock puppets stole my sig.
Yeah, cause clearly DVDs currently have no problem of the sort cough and the difference between read-only and read/write takes a mind of staggering genius to understand. Fluff.
On the surface it sounds wrong that CD's and DVD's differ in price but only a few dollars. But understand DVD sales, while important, aren't the ONLY source of revenue for movie makers. Each movie makes money by selling tickets in theaters, selling ads before (and sometimes during) movies, product tie-ins, etc. So that CD, which should cost $30, only ends up costing $15 because it's subsidized by all of the other ways Movie makers make money.
Music writers & singers have no such options. There is no advertsiing capability on a Justin Timberlake CD. There are no Justin Timberlake action figures.
The price of CDs at $15 is not a mis-step, it's the reality of the costs and lack of other ways to make money off of CDs.
If the movie was any good it would have made a reasonable profit in theatres and the DVD should be able to be released at $3.00 a copy 18 months later. Anything else is a rip off. At least CDs have a production cost to recoup. DVDs have recouped by the time they are released.
You obviously have no idea about how much of the pie is taken up by the retailer, distributor, manufacturing, etc.
Typically, 25-40 percent of the price you'll pay in store goes to the retailer. So, on a $20 DVD that's $5-$8, which pays the rent, the wages, the electricity bills, covers shoplifting losses, etc. Turn that $5-$8 into $.75-$1.20 and watch stores go bankrupt in weeks. That's assuming that you could make and distribute a DVD title (whilst covering the cost of DVD extras, advertising, royalties, etc) for around $2 to acheive your mythical $3 price point.
Frankly, even large scale DVD pirates (who obviously don't have to worry about half the costs the original publishers have to deal with) would struggle to make any money selling DVDs at $3.
Time for you to come back from never-never land and learn that there's more to making and selling a DVD than you realise.
"Accept that some days you are the pigeon, and some days you are the statue." - David Brent, Wernham Hogg
Remember that the MPAA was implicitly complicit in purchasing the Digital Millenium Copyright Act from Congress. I hear they got it for a song.
;))
They brought in Celin "Aaaaaaaaaaaaaaai will alwaaaaaaaaaaaaaais luuuuuuuuuuuuuuuuv juuuuuuuuuuuu" Dion and got it for not singing a song. (Pardons to any fans out there. You have my sympathies
Kjella
Live today, because you never know what tomorrow brings
I have to say, I love this article selection for SlashDot. In a sea of articles that complain but offer no solutions, this article clearly shows a path to financial success. In other words, instead of poo-pooing the music industry for all their mistakes, this gives some pretty interesting evidence that taking another route leads to profit.
Believe me, as a business owner (and a techie who feels both sides of the equation), complaining alone gets a lot less of my attention than something with a solution.
Sunny
Be my Friend
DVD's in Japan typically come out months later than in the USA and cost about 2x as much. As for wanting to copy DVD's etc, if a DVD is really packed with content it just isn't worth the time. It's not as easy or fast to copy DVD's as it is to copy CDs. It takes 4 hours+ to rip a DVD plus DVD costs. Why do it if you can get commercial dvd's, save time and get pretty packaging for $15 bucks. Also XVID, DIVX are not the same as MPEG2 in quality.
OK, I am absolutely sick and tired of hearing people complain about how there is "no good music" that has been released in the past couple of years. This is the most ludicrous statement I have ever heard. When you say "no good music has been released in the past couple of years" you really mean "the music that is marketed to me by my local ClearChannel radio station and my Viacom Cable TV music networks is not satisfying me" -- that's like saying "the era of good sports cars is over" and using only Kias as a point of reference.
:-)
So, for your information, I am going to list brilliant albums of the past ten years (even half-brilliant ones), and categorize them by genre. Please try one of these out -- you're not guaranteed to love each one, but I do. If you hate all of these, then you don't have good taste in music to begin with...
Rock/Alternative/Folk/etc
Badly Drawn Boy - The Hour of Bewilderbeast
a-ha - Minor Earth Major Sky
Grandaddy - The Sophtware Slump
Radiohead - OK Computer
Beck - Sea Change
Beck - Mutations
Clinic - Internal Wrangler
Coldplay - A Rush of Blood to the Head
Elliot Smith - XO
Yo La Tengo - And Then Nothing Turned Itself Inside Out
The Hives - Veni Vidi Vicious
The Flaming Lips - The Soft Bulletin
The Flaming Lips - Yoshimi Battles the Pink Robots
Hey Mercedes - Every Night Fireworks
Brand New - Deja Entendu
At The Drive In - Relationship of Command
Hot Water Music - No Division
Sting - Brand New Day
Counting Crows - Hard Candy
Ben Folds - Rockin The Suburbs
Ben Folds Five - Whatever and Ever Amen
Thrice - Illusion of Safety
John Mayer - Room For Squares
Jazz/Blues/Classical/etc
Don Byron - A Fine Line: Arias and Lieder
Soulive - Turn It Out
Kronos Quartet - Nuevo
Clint Mansell and Kronos Quartet - Requiem for a Dream OST
Christian McBride - Vertical Vision
Pat Martino - Live at Yoshi's
Pat Metheny - Speaking of Now
Greyboy Allstars - A Town Called Earth
Tan Dun - Hero OST
Electronic/Techno/Ambient
Air - Moon Safari
DJ Shadow - The Private Press
DJ Shadow - Endtroducing...
Goldfrapp - Felt Mountain
Royksopp - Melody A.M.
Crystal Method - Vegas
Sigur Ros - Agaetis Byrjun
UNKLE - Psyence Fiction
Turin Brakes - The Optimist
Hip-Hop/Rap/R&B/Urban
Breakestra - Live Mix Part I & II
D'Angelo - Voodoo
Greyboy - Mastered the Art
Mos Def and Talib Kweli - Black Star
The Roots - Things Fall Apart
Quannum - Solesides Greatest Bumps
The Coup - Steal This
Cannibal Ox - The Cold Vein
Deltron 3030 - Deltron 3030
Mr. Lif - I Phantom
RZA - Ghost Dog OST
Jurassic 5 - EP
Again, you're not guaranteed to love each and every single on these -- but it's a good start. More info on any of these: AMG: All Music Guide
Small potatoes make the steak look bigger.
Having RIAA and the music industry trying to prevent people from copying music digitally is like trying to have a law that keeps people from using tractors on a farm to save the plowmans' job.
Technology has advanced where we do not need a recording industry to capture and distribute music, any more than we need to have farmers plowing fields by hand.
The DMCA should be argued against as the act of corporate welfare that it is.
Goodyear didn't get gov't breaks against the onslaught of radial tires which lasted longer. Horse and buggy makers didn't get breaks against car engine makers. Propeller plane makers didn't get breaks against the Jet engine makers. Neither too should the recording industry get breaks against the new computing industry.
Imposing artificial restrictions and charges in the music world completely goes against the grain of technological progress and truly free markets.
This is my sig.
I chalk this up to an even more basic concept. You don't need to compare music to movies... it's even more simple than that:
The market changes. You either embrace these changes or you die.
The problem is our global economy (due mainly to legislation like the 1996 Telcom Act) has ended up with less competition and larger players, and when they can't quickly adapt to meet the needs of the new marketplace, they try to scare (RIAA), Mislead (AT&T) or coerce (Network Solutions) consumers into continuing to do business with them.
We saw Microsoft try to do the same thing when they initially ignored the Internet, but eventually MS had to embrace this new medium. History is full of new market dynamics that the established entities claim is unfair and will put them out of business (mail, telephone, radio, television, VCR, CDR, fax, modems, cellular, satellite, cable, digital photography, etc.) It's a never ending cycle.
Some companies try to legislate the maintaining of the status quo, like the RIAA is doing now, but it will never work, just like SCO can't stop the open source community by suing IBM. These are the companies that don't want to adapt and lose their spot at the feeding trough and have to start over. Unfortunately that's the nature of things. You adapt or you die. Organizations like the RIAA and SCO are either unable, or unwilling to fairly compete using the new market dynamics, so they resort to feeble bullying tactics that don't work.
Maybe if CDs were more like DVDs more people would buy them. For example:
Slap some extra tracks, out-takes, alternate versions, remixes on the cd.
Stick some multimedia content on 'em: music videos, band interviews, behind the scenes making of, tour videos, live video.
Stick some "trailers" as the first track of every cd: some sample songs from other artists on the same label with releases coming out soon.
I don't think any of this content would jack up the price to make a cd in the least.
A redbook CD is about 650 megs (usually less) of uncompressed audio. With audio compression techniques, (MP3, Ogg etc.) the CD becomes about 100megs (at a compression rate that doesn't *completely* mangle the music.) and each track comes out to about 5 megs or so. A CDR can be had for much less than a dollar. The last CDRs I bought were FREE after discounts and rebates.
So, to copy the Original CDR at "full quality" Redbook audio costs nearly nothing and when compressed to MP3, eats 100 megs on my drive.
DVDs are already compressed, and if the movie is over 2 hours, they are often VERY compressed. The DVD eats (usually) about 4.2 GIGs of space on my drive.
Now, until very recently hard drives weren;'t all that cheap. The first one I could afford of consequence was in 1994 when I bought a 1 gig drive for $580 and I got a damn good deal on it. DVDs didn't exist, but even if they did, my computer didn't have a large enough drive to store a movie, unless I wanted to experience it at 180x240 at 15ips and compressed beyond all human imagining. Also, the computers were so slow, that to rip that much data would have taken....a reeeally long time, given I was running a 48 mHz machine...
So, music was the first to get digitised due to its file size. the rest follows, really.
When the $400 desktop computer I pick up at best buy has a 4 terabyte drive, and processes data in the multiteraflop range, and has 7.1 audio built right in, and the video card has a gigabyte of VRAM, Hollywood will be making the same kinds of noises that the RIAA are right now.
Compressed audio sounds lousy, but no more lousy than DVDs presently look. Once the file size for DVDs relative to the hard drives and CPU speeds isn't such a big deal, people will cheerfully rip DVDs and burn them for their friends, and their will be precious little Hollywood can do about it.
When will the bandwidth to my house via (whatever succeeds DSL / cable modems) in 10 years be? No idea, but I kind of doubt that it will be able to move movies around with the rate of speed I can move a title of MP3 / Ogg choonz.
therefore, the bandwidth for trading movies over the internet at a reasonable quality will lag far enough behind that Hollywood won't give a rats ass about it for quite a while.
However, as we all know, the bandwidth for trading music, even entire CD Titles, has been around for quite a while, and hence, the RIAA get their knickers in a twist.
Therefore: Hollywood comes off looking better than the RIAA, because they know that I might have 1000 CDs of music on my 120 gig drive at a quality not very different from the original, but there is no way I'lll have a 1000 movies on my 120 gig drive at the same relative level of quality. Consequently, they toss out DVD movie titles for not that much more money than the MSRP CD title prices...
Now, when I have a 60 terabyte drive in my machine loaded to the gunnels with movies, and the bandwidth is there and affordable for me to P2P a full length MPEG2 movie in 7.1 audio in less than a half hour, and I'm just sitting back and burning DVDRs for friends and fambly, Hollywood WILL hunt my ass down, just like the RIAA hunted down the Kazaalings.
RS
Shoes for Industry. Shoes for the Dead.
They've already been paid as a part of the movie. IF the music is orignal, the composers and preformers were paid directly as part of the deal with the studio as a work for hire. If it is preexisting music, royalties were paid, often millions of dollars for a 30 second clip if the song is popular.
This would of course beg the question as to why a movie soundtrack would be so expensive, given that it was already paid for in the context of the movie. This gives rise to another intersting question: The music industry wants to pretend like when you buy music, you are buying a liscence to listen to it, not the actual good itself. In that case, do you have a right to the movie soundtrack through owning the movie (of which the soundtrack is a part)?
Really. I think the main problem that these people (record labels and such) just don't care about music at all. A decade or so ago the recording industry transmformed itself into "industry of the cool" but because the music is what a lot of regular people still care about the record companies are having problems right now.
I think it all happened in the beginning of 90's with rap invading a mainstream and an unexpected breaktrhough from Seatle. It all was raw, real and it was for sure cool. However gangsta rap was really difficult to package in the beginning while Seatle bands just did not want to sell out on the industry terms. So the recording industry took a lesson and started to manufacture all that stuff. And we all eded up with a lot of overproduced shit performed by people we do not care about.
I think recording industry have been hearing for whom the bell tolls (for them that is) for quite some time. You could see that on those so called "music channels" all the way through the 90s. When they constantly were trying to get in bed with fashion industry, movie industry etc. They just forgot about the music in the process.
Instead they are trying to fuel the public's interest by all that other shit such as rivalaries between rap artists, who is screwing with whom, extreme sports, lame models that cannot put to words together without spraining their brain and so on.
Lately they started to produce really wierd shit. Such as punk band that never went on tour but got a major record label (Good Charlotte) or a "garage band" that went straight on MTV awards (White Stripes, I mean they are pretty good, but nothing special. Really).
Of course all that "manufacturing of cool" requires a huge overhead. So music becomes even more fogotten.
As for movie industry. They are the same greedy bastards as RIAA. The only thing that they do differently is ... let me see... They still make and sell movies...
- Back off man. I am a scientist
CDs first came out around when I started college in 1984. You could only buy them new, and they cost at least $13. All of the news articles claimed that the high price (about twice an album cost) was because there were only a few factories in the world making the things, but the price would go down soon. I bought an average of one CD a week.
In 1989, the prices still hadn't come down, but I started seeing widespread sales of used CDs. I bought everything used. Aside from a new CD I bought in 1999, the labels haven't seen a penny direct from me since 1989.
In 1999, the prices of CDs still hadn't caught down, but I started downloading music, making MP3s, ripping my friends CDs, and doing direct hard-drive exchanges of MP3s.
It's 2003 -- 19 years since I started college -- and the price of CDs is about the same as it ever was. Two months ago, I finally bought a CD burner of my own -- a 52X -- so I can make my own CDs. I got it for ten dollars after the rebate.
If they can't get those damned facories built by now to significantly lower the price of CDs, they deserve to go out of business.
http://techcentralstation.com/081803C.html
From chatting with friends, the gist is that it's illegal to upload music to a public ftp server but it's perfectly legal to have file sharing turned on in your computer.
It's also perfectly legal to download.
WAKE UP PEOPLE!
This is monopolistic pricing clean and simple. They are charging what you are willing to pay rather than basing the cost to you on their costs plus profit. Considering that a movie costs 2 to 3 orders of magnitude more to make than a CD and the actual medium costs about the same, CDs should be a lot cheaper. If there was any real competition between the record labels prices would drop dramatically but they're all in on this together so you pay through your noise for something that should be very cheap.
Nerd: Derogatory term typically directed at anybody with a lower Slashdot ID than you.
Whitney Dione, Celine Houston, who can tell them apart? And the Backstreet Boys vs NSync... is NSync the band where the tough one wears the bandana, or is it that sensitive angsty one? Personally I spend my money on cds from the pop amalgem sensation Boy George Michael Jackson Browne Vs Board Of Education, he rocks!
- First they ignore you, then they laugh at you, then ???, then profit.
The article leaves out mention of subsection 2 of the relevant section.
Subsection 2 states that copying is not allowed if it is for the purposes of: (a) selling or renting out, or by way of trade exposing or offering for sale or rental; (b) distributing, whether or not for the purpose of trade; (c) communicating to the public by telecommunication; or (d) performing, or causing to be performed, in public.
It seems to me that it would not be hard to make a legal argument that P2P file sharing is prohibited by either section (b) or (c).
The theatre I go to has a picture out front of a pirate and talks about no pirates allowed. So a friend and I (while inebriated) dressed up as pirates and tried to get in. While using every pirate phrase we could ("Ahoy there bonnie lass, give us some tickets for the 9 o'clock showing or you'll not live to see another day") we got our way in and were able to see a movie! We asked a guy why pirates weren't allowed, that we felt it was disciminatory, and the guy just shook his head and said "No, the other kind of pirate." I still have no idea what he means by that.
This is my digital signature. 10011011001
Through a combination of intelligent design, lucky accident and the good sense to follow the consumer's lead, movie companies settled on the VHS video format for 25 years before gently introducing a DVD alternative.
Try lucky accident. Jack Valenti of the MPAA is the guy who said that home taping would kill the movie industry when he was trying to get Congress to stop it. If they'd had their way, there would have been no VHS.
The main difference between the MPAA and RIAA is that the MPAA companies had sense enough to pick a lower price point and add extra content over and above the movie.
Why is the MPAA fighting alongside the RIAA to kill filesharing?
P2P pirating of movies simply isn't economically significant. The bandwidth to the home just isn't there yet and isn't going to be as ubiquitous as the TV for years and years.
So what's the problem?
Same as the RIAA, it's about control. When those broadband pipes to the home are in place, it'll be possible for the next Steven Spielberg to make a movie on his desktop with capabilities better than the best high-end Hollywood has to offer now, rendering and special effects courtesy of a closet full of PCs loaded with high-end programmable video cards... and consumers will be able to download it.
Where is Hollywood in this picture?
For them, that's the problem.
So they're willing to go along with the RIAA on proposals that'll turn the Net into a controlled domain where the only audio/video entertainment content available for public distribution will be "blessed" by Hollywood.
Why is the RIAA out there all by itself suing 12 year olds?
It seems that the RIAA is being the "bad guy" to the MPAA "good guy", and this makes no sense. Gangs of scumbuckets don't make sacrifies for each other unless there's benefit in store for them.
Tech Public Policy stuff
You don't have kids do you? I have a couple grandkids. I've lost count of how many times I've watched Monsters Inc. Too bad stuff on TV has gotton so bad that it's almost never on. most of it is not suitable for kids except some stuff on PBS and FOX. I remember when all broadcast TV was suitable for all ages. (except the cig adverts.)
The truth shall set you free!
Oddly enough, this Friday, September 19, is International Talk Like a Pirate Day. Sounds like you and your friend should be celebrating.