Requiem For The Record Store
Rick Zeman writes "The Washington Post has an article (minimal registration required) in which record stores ('Daddy, what's a record?') are preparing for their own demises. They attribute this to the big box stores (Best Buy, etc), online retailers (Amazon, etc) and, you guessed it, downloading, both illegal and legal. 'The fat lady is warming up, but she's not exactly singing,' says one retailer, knowing that he still has a few more years until his business is totally moribund." Get it while it's hot -- soon, the Washington Post is switching to a more annoying registration system.
Requiem for the Record Store
Downloaders and Discounters Are Driving Out Music Retailers
By David Segal
Washington Post Staff Writer
Saturday, February 7, 2004; Page A01
With a total stock of more than 85,000 albums, Manifest Discs & Tapes was a music lover's mecca in the North and South Carolina towns where it operated. And despite an industry-wide downturn in CD sales in recent years, all five Manifest stores were turning a decent profit right up until the end of 2003.
So there was shock all around when chain owner Carl Singmaster announced in late December that Manifest would close all locations and lay off all 100 of its employees. There were still plenty of consumers eager to browse the bins, Singmaster explained, but his company's prospects looked bleak and were getting bleaker.
"I felt like I needed to take this opportunity to exit," Singmaster said in a telephone interview. "Indies in the smaller markets face a very risky environment."
It's not just the indies, and it's not just the smaller markets. On Thursday the parent company of Tower Records, which has four stores in the Washington area and a few dozen more in major cities nationwide, was on the verge of filing for Chapter 11 bankruptcy, according to news reports, having failed to find a suitable buyer. In September, the bankrupt Wherehouse Entertainment chain was acquired by a company that promptly said it would close 35 under-performing stores. Mall chains such as Sam Goody are hurting, too.
As pop's superstars strut down the red carpet in Los Angeles tomorrow night for the Grammy Awards, there's something close to panic in the retail trenches of the music business. The record store is in serious trouble. Sales have been hammered by Internet piracy as well as competition from big-box retailers, such as Best Buy and Wal-Mart, which are two of the nation's leading music vendors. Online CD stores, such as Amazon.com, are gaining momentum, too -- 3 percent of the market in the most recent survey by the Recording Industry Association of America, up from zero eight years ago.
Now a new threat looms. The market for legally downloadable music is tiny today, but the success of Apple's iTunes online music store and the rush of rival services to the marketplace is expected to gobble up an ever-larger share of the pop music pie. A recent study by Forrester Research, which examines technology trends, predicts that in five years fully one-third of all music will be delivered through modems, and the CD itself will be passe, if not obsolete, in the years after. This isn't necessarily bad news for the record labels, but it could be lethal for brick-and-mortar stores.
"I tell retailers they need to get out of the plastic business," said Josh Bernoff, the Forrester analyst who wrote the report, titled "From Discs to Downloads." "Two-thirds of the people who currently download say that when it comes to music, it isn't important to them to hold a physical object. They're done with the CD. They just care about the songs."
If that's true, the album is doomed and the industry is headed back to its roots in the '40s and '50s, when the single was the most popular format. It's already moving that way. Last week, the punk trio Green Day released a cover of the rock classic "I Fought the Law" through a promotion advertised on the Super Bowl and available exclusively on iTunes. That's a peek at the future: Hear the song one minute, own it the next.
That's a transaction that doesn't require a record store, of course. As a precedent, consider the airline ticket. Thanks to online travel sites and the advent of ticketless travel, millions of flyers no longer think of tickets as physical objects that must be printed and brought to the airport. And that's been brutal for travel agencies: in the past three years, 30 percent of them have closed, according to Airlines Reporting Corp., which keeps tabs on the industry.
Plenty of stores like Manifest have surrendered, while others believe the end
I haven't been to my local videostore in over 8 months. Netflix is where I go to get my rentals.
These types of businesses will have to get creative to stay in business. Perhaps supplement their rental business with other types of goods. There is a cool video rental place in the East Village that shares space with a pizzeria, theatre and screening room. Two Boots. Check it out.
-- You see, there would be these conclusions that you could jump to
I went to the Virgin Megastore in Times Square last week, stomping through a blizzard, to browse their stacks and pick their brains, for the best collection containing an obscure Quincy Jones single. Miles of aisles, and some few and far between pimply teenagers with a 6 week "pop" memory window, and a numb touchscreen kiosk with "all the answers". By the time I navigated their catalog according to their peculiar pigeonhole system, it offered me the same unavailable compilation in two apparently different ways. They should turn the store into a theme park for their cobranded culture droppings, and drop the pretense of retailing music.
--
make install -not war
It surprised me to hear that piracy is considered responsible for the demise of classical music stores as well. I find it hard to believe that hardcore Bach-lovers are swapping the latest tracks on Kazaa...
I'll always be buying physical media whenever it's available, record shops or not. If I'm buying digital stuff, it's just a keystroke or bankruptcy away from being lost forever. With real stuff, it's much harder to destroy, can be easily backed up, and the format won't go out of style for quite a while.
Now, the knowledgeable people used to be more important, because we didn't have online sources of knowledge. Who wants to trek down to ask Record Story Guy about that obscure album when you can sit in front of your computer and make a post on some web site to the world? Sure, there are some people who want the record store experience, but I highly doubt that it's a significant number.
There's just no reason for them to exist anymore, unless they can somehow sell for less.
Sometimes it's best to just let stupid people be stupid.
Bitching about annoying registration requirements: Good idea
Opening slashdot to charges of copyright infringement by reposting an entire piece of copyrighted material here: Bad idea
But those that either appeal to specific hard-to-find genres (like places that have a lot of used stuff and let you trade in and so forth) and those that have diversified beyond recordings (like Borders) will still be around for awhile, I think. Even with the internet, I still like going to Borders and hanging out, browsing some books and previewing some cds and generally shopping around. And the used places are nice too, as you can often encounter things that you probably wouldn't find anywhere else.
i read a similar article yesterday in Newsday about Tower Records filing for bankruptcy
The article though takes a somewhat different approach stating that competition from Wal-mart and Best Buy and their lower priced CDs is causing Tower's bankruptcy..
If they actually start lowering CD prices to, say, $6 or so for an album.. i'll buy..
"The ones who dont do anything are always the ones who try to pull you down" -- Henry Rollins
Used Vinyl != your typical music store.
Used Vinyl stores are still meccas for purists and DJs. They will forever remain alive.
Karma: Non-Heinous
I have downloaded music for years, but all that has done is vastly widen my musical taste. Now I want albums from labels that the monkies in virgin and hmv haven't even heard of! So places like amazon are always going to win with a wider range. All I want now is for them to stop the stupid price fixing restrictions CDwow and i will be happy.
joe
- meta language used, please apply your own spelling and gramma
I live my an independent music store that recently shut down due to a Best Buy open up right next door. While the Best Buy is able to offer cheaper prices and more variety, they lack the human interaction I found at my local recordstore. I knew many of the sales associates there and valued their opinion as to what music to buy. They always knew the newest indie rock band to recommend to me, while at Best Buy the only thing recommended to me is Britney Spears, crappy nu-metal, or some talentless mainstream musician.
I know why the stores are at their demise versus online venues... The retail clerks...
I shop online because I've been to the stores and the retail clerks all seem to be essentially worthless.
The quality of knowledge is decreasing exponentially in these huge mega stores upon the retail clerks... or at least it seems more often than not.
Yes! I listen to NYC Speedcore and do math at 3AM. I suggest you try it too.
Video stores will stick around becuase sometimes people just need a movie to watch. I was out to dinner with friends last night and somone was talking about the evining with kevin smith special, and we were like, what the hell, lets go rent it. Thats what rental places will cater to, spur of the moment type things. Netflix is nice, but if you dont know what you want in advance it cant beat wandering the ailes trying to decide on a movie for that nite. Until VOD services get better(speed, selection and widespread) there will still be a blockbuster on the corner. Most popular movies it would be easy enough to download it p2p and output it to my tv, but even with my high speed cable connection it still takes at least 40 minutes to download a 700mb divx dvd rip, its a lot quicker to walk over to blockbuster.
"Sic Semper Tyrannosaurus Rex."
As someone who has gone to many conventions and been to stores of another seemingly dying art form -- comic books -- I have to say, there may be fewer of them but I doubt record stores will completely die out. There will always be enough collectors and people into obscure or older media to sustain at least one or two decent stores for cities. I've noticed the best ones are usually the stores that doen't just specialize in one thing, also. The store I used to go to for imports impossible to find almost anywhere else also carried rare and vintage t-shirts, concert posters, tapes, CDs, vinyl -- you name it. Comics in their traditional form are dying out, they've been replaced by tradepaperbacks, mostly... but there is enough of an audience to still sustain them for now.
Plus to the purist and somewhere where many customers are regulars, it's hard to beat a real person to walk you around and recommend new music based on everything else you've bought in the past. I know Amazon tries, but just like I believe ebooks will never replace real books, the atmosphere just isn't there. The only CDs I've bought in the last five or six years have all been used, from used CD/record stores. I've only started ordering everything online since I lost my car. That's my $.02.
My Webcomic: Asylum on 5th Street
"The fat lady is warming up, but she's not exactly singing..."
I need to know if there is a photo before I look at the article.
If the record stores really want to stay in business, then why don't they do the obvious?
Install a very high speed telecom line and a bank of DVD/CDRW burners. When someone wants the latest album by Shithead (pronounced Shee - thay - hahd; an ancient Celtic term meaning brave and worthy) then they would go to the record store and buy a CD-R or DVD that is burned from the copy that is storage in the store's hard disk RAID array. (Or they would download the album from the record company (and store it on their in-house hard disk RAID bank if it wasn't there already).
The fact is, record stores are going out of business because, they are TOO STUPID to adapt to even simple changes in the business environment.
I feel bad for the record stores. I really do. They've been screwed by the labels.
The average, mid-sized record store has been reduced to basic meaninglessness. Forget downloading. The labels focus on less megahits as opposed to a more evenhanded approach to music has left them in a pickle.
The average listerner to music only wants the latest big hits. Because of this, the big box stores can use their size advantage and price them right out of the market. As well, they don't need to dedicate much floor space to this at all.
Locally, there is not a single store dedicated to new music. Not one. One record store closed, and the other sells more DVDs than CDs, and has more store space dedicated to it. CDs are reduced to one wall and one row.
I don't think the humble record should die, and I don't think it will. Many will go, but the good ones will stay. The problem, as I see it, is that most record stores have become completely homogenized. They all play crappy R&B music (the new type, not real R&B), have generic attendants, and want to sell you DVDs, computer games, and all sorts of crap.
:-)
Back in the 60's it wasn't uncommon for people to hang out at the record store, buy records, lay around on beanbags checking out the latest stuff, and walk out with a bag of records at the end of the day. It was also quite common for bands (big and small) to play at record stores. Why can't this happen more these days?
Yeah, okay, I'm yearning for the record stores in films like High Fidelity, and to a lesser extent, Empire Records
Maybe if the poor, victimized record stores (e.g. Virgin, Warehouse, et.al) would stop charging $17.99 for a CD, they wouldn't have this problem.
Xenon, where's my money? -Borno
That wasn't "interesting" at all. Basically the parent poster said:
Oh boo hoo. I went to a store and had to search and search through the popular stuff that they sell everyday! I picked the brains of the employees, and *gasp* they weren't music historians, but knew quite a bit about the current offerings. How dare they!
I finally found what I was looking for, twice even, but they didn't have this obscure song by an unpopular artist in stock right away! What do they think they're in business for? To sell popular music to people who like popular music?!
As I passed the posters, t-shirts, books, magazines, and DVD's on my way out of the store, I thought, "If they're not going to sell the music I like, they should just stop pretending to sell music and focus on selling pop culture."
Hey buddy, the term is "target audience" and sorry, but you're not in it.
This is yet another example of why you can't trust newspapers or any "general interest" journalists (I'm a Mac owner, so I keep up with Apple very closely). As a fellow science fiction writer (I think it was S. M. Striling) said on a panel: "You know all the errors you spot when a newspaper does an article on a subject you're an expert on? Well, all the other articles are just as inacurate, you just don't know it."
Lawrence Person (lawrencepersonh@gmailh.com (remove all "h"s to mail)
http://www.lawrenceperson.com/
Resistance is futile. You will be assimilated.
I don't understand why more smaller stores
don't offer internet capabilities in their stores specifically for research. Talking about the 'knowledgeable record store employees' is fine in some stores, but most don't have people who know *everything*. I worked in a music store, and hated not having answers to people, especially when I knew I could find the answers at home via newsgroups. *NOW* it's even easier to find most info, but I don't see web connections in stores (big OR small). It would be *so* easy to put them in and throw up a $50/month DSL connection to wire 3-4 PCs for customer/employee research.
*SAME* idea - but why don't video stores have web connections to IMDB. If any of you reading this *have* that, you're lucky. Not one video store around here (big chain or indy) *has* that available. I certainly don't expect the 2-3 employees at a blockbuster to know the ins and outs of all my movie questions, but if I could get those questions answered, I'd likely rent more at that moment (assuming they *had* what I had researched).
Also, by having in store PCs, you could log what people are searching for, and perhaps actually *stock* what people are after. 90% of people who came into our stores were 'just looking' (and that's my line now too) but if I could do a bit of research, I'd likely buy more at the stores). Yeah, wireless web/PDA/cellphones will make that happen one day (right - sure!) but *for now* fight the decline of music and video retailing by making it easier for people to do quick research. They'll buy more.
creation science book
Marshall said the company and advertisers would not send messages to the e-mail addresses unless the user gave permission to do so during the registration process. However, the company is not promising not to send mail to the home addresses, he said.
There are a couple of old-as-the-routers methods to passively fight these intrusive registration system like, "Don't read their content" or "Make up a fake person" or "Use the google back-door." But the Washington Post is providing us with a great way to actively fight back here.
Everyone who registers for a pseudonymous account should be sure to use a zip code in the DC area and then pick a real home address in a more expensive part of town. But, make your pseudonym offensive.
Simply calling yourself firstname fuck lastname you probably won't work because that is easy to filter for. Instead, be creative with the spelling and the spacing for example, "C'King, AssFu" or "Suk-My Long-Dong." When they start using these addresses for their own promotion or selling them as a mailing-list, there are going to be some pissed-off, humorless rich white folk. All it will take is a lawsuit or two and the Post will see the error of their ways.
Of course they may consider canceling all free access, but that knife cuts both ways and they've got a lot of competitors who are happy enough that they don't feel the need to squeeze every last penny out of the system.
When information is power, privacy is freedom.
Personally, I've definitely been buying a heck of a lot more music in the last few years, since P2P became a big part of my life. I'm exposed to a lot more music now, so the amount of music that I end up deciding I really love is much greater, and if I really love something I want to own it. (Let's skip the list of reasons behind this, it's an argument I'm sure most of you are pretty darn familiar with.)
But it's also quite true that I've been buying stuff at record stores much less often. In fact, I remember on occasion when I was at a Tower Records and suddenly heard a familiar voice singing an unfamiliar song on the store's PA... Walked over to the section of the store that included that artist's music and found out she had a new album out... And immediately drove home to download it.
Then a few months later bought it, but not at Tower Records, at Microcenter, a computer store that also has a small section of CD's.
Why? Because Tower Records wanted almost $20 for the CD, but Microcenter wanted about $13. And because Tower Records had a scary goth kid with far too many piercings working the cash register.
Stores like Tower Records apparently base their business model on getting teenage kids with subpaar intelligence and rich parents to cough up a nice amount of daddy's money in order to get products that they could be getting for much cheaper at a regular store. Unfortunately for them, it's those same teenage kids who are also most likely to download a bunch of tracks off of KaZaA and not even notice, let alone care, that they've got a ton of skips, that they were downsampled to 32 KHz and encoded at 96 kbits/sec, that they've apparently been re-encoded several times and now have a ton of artifacts and that it's been ages since they've heard an actual album in its entirety.
It's a simple principle, really. These kids don't think and don't care, and in the past that's meant that they didn't see how the record stores were putting one over on them... But now it means that they also don't see the added value that record stores add over KaZaA downloads.
And it appears that, like the RIAA itself, these record stores would prefer to close down and blame others than to try to rethink their business model.
I used to love Tower Records. Tower and the Virgin Megastore. Because I thought of them as the two record stores that are most likely to have the sort of weirder, more eccentric music I listen to. There was a "Tower Alternative" store in a neighboring city that I used to go to a lot, which was a Tower store that specialized in weirder music.
Now that's pointless, though... Even the weirder stuff can be found online easily, and I can shop around for the best prices on it easily. If record stores want my continued business, they need to:
But there isn't a chance in hell they'd be willing to make such changes, I gather. It'd be far too logical and well thought out.
Please God, let me find my blue hat with the red trim. (Frances Farmer)
One of the troubled chains mentioned in the article tried to do exactly that. But they were stymied by the record companies.
Share and Enjoy: 09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
The White House
1600 Pennsylvania Avenue NW
Washington, DC 20500 email:georgebrush@whitehouse.com
etc. should be fun from a number of different angles
"It is a greater offense to steal men's labor, than their clothes"
A few weeks back the Green Bay Press Gazette had an article about a small music store (The Exclusive Company) in Green Bay (and a few other locations throughout Wisconsin) that are still doing fairly well and have no plans of stopping now. Small music stores can survive, they just have to find their market and stick with it.
Mom and Pop stores are never going to beat Walmart and Bestbuy trying to sell the latest Britney Spears and Outkast CDs because there is no way they will be able to compete with the volume discounts those stores receive, and on the "loss leader" practice of business. However, if they can make a name for themselves in certain areas like The Exclusive Company has, then they will do just fine.
I have moved out of the hell that is Green Bay to the east coast, but I still do 80% of my music shopping there, because I know that there is a very good chance they will have what I want in stock, and I know I can ask Tom for reccomendations on new bands which I may not know and walk out of the store with a damn fine CD I have never heard of. Small record shops will live and die on the people who run them and what they stock, not by trying to beat the giants on price.
"I have a porkchop, you have a porkchop. I have a veal, you have a veal".
Music sales were declining before music downloading took off. This situation rests on the greedy shoulders of the music industry. They had this monopoly scheme going where they could rip off music fans for $17 for medicore artists and now they think people will be sympathetic when new technology destroys their monopoly system? Like where does it say that they have a right to make billions of dollars? People have been making music for free for thousands of years. The punk movement has been distributing music cheaply for years. There are lots of quality punk CDs out there for $7.
I'm not a big music lover, but I would buy more music if it was cheaper. I had been buying CDs, but then I started wandering around Tower stores that were selling CDs for $17, which was even too expensive for a guy with a professional job. I've downloaded songs and totally support file sharing, but these days I just prefer to listening to the radio or radio stations over the Internet. I'd love to spend money on CDs, but only if they drop below $10.
The music industry just doesn't get it. And nobody sympathizes with a bully after some picked on kid fights back.
Think of the thousands of pot-heads out there who will have no place to buy questionable detox supplements, no place to buy artistic "tobacco" paraphernalia... Where will I get gallons and gallons of patchouli oil?
We must not let the local record stores die!
Maybe if you visited a non "Mega" store, you'd have some help. What you got is exactly what I'd expect from a big box store. If you want service, go to an independent store.
I prefer buying CDs at Walmart and Best Buy because the people working there arent the hardcore music freaks, they are the teenagers who need a quick job and got sent to the music department. It really gets me angered when I ask for a CD and the salesmen degrades my choice. An example at a Tower Records would be: Me: Do you have the new MXPX CD? Tower Guy: Ugh...MXPX totally sold out. They are not even punk anymore. Me: Well, where could I find it? Tower Guy: All of there new stuff is horrible. I dont know how anyone can like it. You should check out their old stuff. Me: I have their old stuff, I want the new one. Can you show me where it is? Tower Guy: We're sold out. That just pisses me off. At Best Buy you ask them, they check and they tell you if they have it and where to get it. So much easier.
On a recent trip to Japan I noticed the huge difference in attitude towards music sale. For example, there are many music stores in Japan that rent music CD's. I don't think there's a single store in the US where you can do this. In addition, these same stores sell bulk packs of CD-R's!! It costs about US$1.00 to rent a CD album for a few days. These stores are usually frequented by young people and are very busy on a typical day. Business must be good.
Legal complications aside, the US based music stores (and us consumers) might have something to gain by taking a lesson from the Japanese.
I'd rather be a conservative nutjob than a liberal with no nuts and no job.
Most record stores aren't stupid. I happen to own one and I know a lot of other people that do too. In fact, I run a whole web site devoted to finding the good ones.
The reason that record stores are going out of business is two-fold:
1. Product is too expensive and there is very poor availability. It has been like this since CDs came out.
2. People can get everything they want for free.
The result obviously is that no one except true music lovers are willing to buy anything. The blame should be shared equally between the industry for not making a good, affordable product, and the consumer for not appreciating that music is art and costs money. Neither of these has anything to do with record stores being stupid. If anything, the local independent record store has been the only reason that the whole music industry didn't implode in the 70s.
Local stores provide an invaluable "gatekeeper" service which determines what records become classics and what records become popular. All day long, I'm listening to new music and selecting the best stuff for my clients. I'm always learning their taste, and they mine, and I can pull 10 records at any time that I know a particular person will like. It's kind of sad that people don't want this kind of interaction anymore.