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Audacity 1.2.0 Released

mbrubeck writes "After almost two years of development, the free cross-platform sound editor Audacity has released a new stable version for Linux, Mac OS X, and Windows. Audacity 1.2 has major improvements including professional-quality dithering and resampling, and new pitch- and speed-changing effects. Our previous stable release was announced on Slashdot in June 2002. More recently, Audacity was presented at this year's CodeCon in San Francisco."

99 of 329 comments (clear)

  1. Slashdot math... by Anonymous Coward · · Score: 4, Funny

    2004-2000 = ~ 2 years

    1. Re:Slashdot math... by Short+Circuit · · Score: 4, Funny

      You big-endian biggot.

      Where I'm from, it's "10"

      (j/k)

    2. Re:Slashdot math... by Dominic_Mazzoni · · Score: 4, Informative

      2004-2000 = ~ 2 years

      To clarify, it has been two years since we last released a stable version of Audacity, version 1.0.

      Dominic
      Audacity Lead Developer

    3. Re:Slashdot math... by stor · · Score: 3, Interesting

      Hey Dominic!

      I just wanted to let you know:

      I was flipping through a PC Mag at Sydney airport while waiting for a plane and it had a section reviewing sound applications.

      So there was SoundForge, CoolEdit, a wholy bunch of expensive proprietary Windows sound applications and... Audacity!

      I had to blink to ensure I wasn't hallucinating. It got a good review, too. The reviewer was impressed.

      Just thought you'd like to know that you're officially playing with the big boys.

      Cheers
      Stor

      --
      "Yeah well there's a lot of stuff that should be, but isn't"
  2. Finally by Underholdning · · Score: 5, Informative

    Anyone interested in Audacity should pay their Audacity Wiki! homepage a visit. Audacity is open source, cross platform and it actually works. If you haven't tried it yet, now is the time.

    1. Re:Finally by TheLink · · Score: 2, Interesting

      I'm looking for digital Dolby B/Dolby C filters to convert some dolby tape recordings to CD.

      http://www.dolby.com/cassette/bcsnr/ctype.html

      Looks like Audacity doesn't do it yet. Doesn't seem to be an easy way to do a complete Dolby B/C filter digitally - it's not static - the filtering depends on sound output levels. Can do a simplistic one I suppose.

      --
    2. Re:Finally by Dominic_Mazzoni · · Score: 2, Informative

      From the wiki page: ...
      Maybe it's just me, but where's the frickin' download link?


      The Audacity homepage is http://audacity.sourceforge.net. There are nice, big, download links there.

      The Audacity Wiki is a community-maintained site for organizing information and resources relating to Audacity. It's publicly editable, so if you want to put download links there, you're welcome to do so!

  3. Hopefully studio costs going down by 192939495969798999 · · Score: 3, Interesting

    Hopefully open source software will help make studio recording costs go down... it costs a freaking fortune to record a band/etc., and that's part of the reason that artists get little out of their gross profits.

    --
    stuff |
    1. Re:Hopefully studio costs going down by Anonymous Coward · · Score: 4, Interesting

      With Ardour, JAMin, and Audacity my cost (software) to record is $0.00.

    2. Re:Hopefully studio costs going down by m00nun1t · · Score: 5, Insightful

      Software is a trivial cost in the grand scheme of things. Mixing desks, monitors, amps, sound proofing, mics, and of course rent & engineer fees are far more.

      For example, you can get a top of the line recording package such as Logic Audio for around $1000. However, a decent vocal microphone such as a Neumann U87 will set you back around $3000.

    3. Re:Hopefully studio costs going down by LizardKing · · Score: 5, Interesting

      Software is a trivial cost in the grand scheme of things

      That really depends on what you are trying to acheive. If you want a respectable home setup, then software is likely a major part of the cost. Most amateur and semi-pro setups now consist largely of direct to disk recorders and editing suites. Effects, synths and samplers implemented in software are increasingly replacing standalone hardware.

      a decent vocal microphone such as a Neumann U87 will set you back around $3000

      That's not a "decent" vocal mic, it's an exceptional one. For most people recording popular music styles (be it rock or dance stuff) will not need anything more sophisticated than a Shure SM mic which will set them back $100.

      Chris

    4. Re:Hopefully studio costs going down by BlackHawk-666 · · Score: 2, Informative

      A Rode NT 2 would be a better choice for home studio use since it is a cheap but decent capacitor mic. They go for around the 200 mark IIRC. CuBase however is more like 600 - 1000 (Nuendo) so even in a project studio this is going to make little difference to the setup costs.

      --
      All those moments will be lost in time, like tears in rain.
    5. Re:Hopefully studio costs going down by 0x0d0a · · Score: 2, Interesting

      I've always wondered how unnecessarily inflated those prices are.

      I was skimming through some audio forums a while ago when considering getting a nice (well, by my standards) pair of headphones. I was surprised by what a lot of musicians were using for live performances -- relatively inexpensive microphones and headphones. Unless the standard for recording is *far* higher than for live performances, it just seems that musicians are getting overcharged.

      Don't get me wrong, I'm sure a zillion dollar amp and zillion dollar microphone sound nice...but are they worth the order of magnitude increase over the next-lower grade of audio hardware?

    6. Re:Hopefully studio costs going down by m00nun1t · · Score: 2, Informative

      Most rock music with any budget would be done with a decent mic such as a U87 (I don't use the word exceptional as better mics are available). The difference between a U87 and an SM58 is enormous, can't even begin to compare the two. I wouldn't use an SM58 even for a demo tape. A rode would be good for a demo as another poster suggested.

    7. Re:Hopefully studio costs going down by gordguide · · Score: 4, Informative

      " ... unless the standard for recording is *far* higher than for live performances, it just seems that musicians are getting overcharged. ..."

      Bingo.

      Live performing requires rugged microphones. Workhorses like the Shures mentioned earlier are preferred.

      A Neumann will explode if you blow on it. Send in for repair. Spend $2000.

      But, there is no comparison in the sound.

    8. Re:Hopefully studio costs going down by LizardKing · · Score: 2, Interesting

      Most rock music with any budget would be done with a decent mic such as a U87

      Again, it depends on the budget. I have recorded on top flight digital stuff as well as two inch analogue tape, and the difference in quality was not noticable to the human ear. The overall quality of the recording is rarely down to the equipment used, more often it depends on the ability of the engineer / producer.

      Chris

    9. Re:Hopefully studio costs going down by LizardKing · · Score: 2, Interesting

      Another thing that adds to the recording costs of major label artists is that they frequently go into the studio with no completed material. The label demands a new album when the band has just finished touring to support the last one. Enthusiasm and energy are at a low ebb, and the band spend ages knocking new material together. This often gets written off as "pre-production".

      Chris

    10. Re:Hopefully studio costs going down by m00nun1t · · Score: 4, Informative

      Live equipment has a whole different set of requirements than studio gear, so you can't say the standard is "higher", just different. Let's compare the top two mics, live is SM58, studio is U87.
      They are fundamentally different, SM58 is a dynamic mic, U87 is condenser. Dynamic mics tend to be less sensitive (a good thing on a loud stage), are very robust (it's live, stuff gets dropped & thrown around), have good feedback rejection, and a frequency response that gives them maximum cut through in a live mix. A u87 has none of these things. It is designed to be sensitive and sound beautiful. It is designed to be treated with kid gloves. Is $3000 a rip off? Maybe, maybe not. But if someone else comes up with a mic that sounds as good for less, I'm all ears.

      Remember when you look around audio forums and look at what "most musicians" are using, remember that "most musicians" have little money and have either no ear or just never been exposed to high end gear to appreciate the real difference. Find a good shop and a helpful sales person, bring along a well mixed CD you know well, and listen to a few pairs of headphones - listen to the $50 ones and the $500 ones and make up your own mind. Personally, I have a set of Beyer DT770 headphones. Not the *best* sounding for the money, but good for studio work where isolation is also important. A good balance, around $220.

      (Note: while I like it, the U87 isn't my favourite studio vocal mic. I prefer the TLM 170 - the warmth of a U87 but much clearer).

    11. Re:Hopefully studio costs going down by Lumpy · · Score: 4, Informative

      exactly. I know of almost NO studios that put >$200.00 mic's in front of artists espically rock or rap artists.

      sound proofing is dirt cheap... you don't have to buy real sonex and citiscape ceiling tiles at $100.00 per 2foot X 2foot panel. a mixing console will cost very VERY little today. no you don't need a 200 channel automated mixing station. Most studios now get away with a single 24 channel mackie and have the software controlling the 24 track soundcard do most of the work... as well as 99% of all mixing is done in the computer now.

      you can set up a good quality recording studio in your basement for less than $10,000.00 with open source tools.
      I know, I recently hepled one artist build his.

      --
      Do not look at laser with remaining good eye.
    12. Re:Hopefully studio costs going down by blackmonday · · Score: 2, Informative

      While I wouldn't use an SM58 for anything other than live use, the SM57, its twin brother, will do great. The difference between these two mics is the shape and endpiece (flat VS a pop filter). That's all. Other than that they're identical.

      Not only is the $90 SM57 the world standard for recording guitar cabinets, Michael Jackson used it for lead vocals on Thriller (spare the jokes its a kickass record). Of course a nice mic pre can be very pricey, but in a pinch use your mixer's pre and be done with it.

      I'll take great musicians through crappy equipment over the inverse any day.

    13. Re:Hopefully studio costs going down by blackmonday · · Score: 4, Insightful

      I'm a huge fan of open source tools, but there's just no software out there to compete with the big boys. Audacity is great as a learning tool, but you'll never find it in a professional recording studio. Steinberg's Cubase and Nuendo, and Digi's Pro Tools, and Apple's Logic division are not worrying about the free competition yet.

      And OK I'm not trolling here, but Audacity is just not that great. I tried using it to record a simple demo, and I just didn't find it useful. I'm glad its open source and it'll surely improve, but the simple free program that came with my Mac to record audio is better. Seriously. Ultimately maybe Audacity will kick Pro Tools' ass, but I just don't see it coming yet.

    14. Re:Hopefully studio costs going down by afidel · · Score: 2, Interesting

      You don't have to spend huge amounts of money to get great sounding headphones. I personally own a pair of Sennheiser HD 495's. Only set me back $60 and they blow away almost anything under $150 (check out this graph to see how they perform). I would love to spend $200+ on a great pair of headphones but not in this crappy economy.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    15. Re:Hopefully studio costs going down by Dominic_Mazzoni · · Score: 4, Informative

      I'm a huge fan of open source tools, but there's just no software out there to compete with the big boys. Audacity is great as a learning tool, but you'll never find it in a professional recording studio. Steinberg's Cubase and Nuendo, and Digi's Pro Tools, and Apple's Logic division are not worrying about the free competition yet.

      There's a big difference: Audacity is free, and so there's no reason professional recording studios couldn't use Audacity in addition to everything else. If Audacity does just one thing better (or faster, or easier), then there's no reason not to keep it around.

      And OK I'm not trolling here, but Audacity is just not that great. I tried using it to record a simple demo, and I just didn't find it useful. I'm glad its open source and it'll surely improve, but the simple free program that came with my Mac to record audio is better.

      I don't think you've tried Audacity since version 1.0. Or maybe I forgot and the Mac sound recorder had support for 32-bit-float samples, on-the-fly resampling, and noise removal?

      Dominic
      Audacity Lead Developer

    16. Re:Hopefully studio costs going down by blackmonday · · Score: 2, Informative

      Hi Dominic, not trolling, but impressed that you replied. My Mac came with this program, and it's very cool. I believe it's only free if bundled with the mac, it seems to be shareware, and I like it better than Audacity.

      By the way, my sister is in college and they're teaching audio recording 101 with....Audacity. Congratulations, I think that's very noteworthy. I didn't mean to put your efforts down in my post.

    17. Re:Hopefully studio costs going down by JabberWokky · · Score: 3, Insightful
      Steinberg's Cubase and Nuendo, and Digi's Pro Tools, and Apple's Logic division are not worrying about the free competition yet. No, but then, neither are MS Word, PeopleSoft's HR Tools or SNK King of Fighters series worrying about the competition from Audacity. However, when you compare it to the windows software that exists in every single radio station, such as GoldWave, usually running on some Win98 computer in the corner, you're looking at a really nice drop in replacement.

      This software is used to record a voice, lay it in over a track from a CD, and then possibly, at the most technically advanced, compress the time on the voice a bit. In other words, make ads, which is what radio stations do all day. In many stations, even today, you then dump it to a cart... basically an eight-track. For the rest, you load it up into a system that stores all the ads.

      This is perfect for that use, and as a result, this is a useful piece of software. I'd also say that it's good for throwing up while rehearsing or jamming to nab stuff in case you hear something really nice.

      --
      Evan

      --
      "$30 for the One True Ring. $10 each additional ring!" -- JRR "Bob" Tolkien
    18. Re:Hopefully studio costs going down by Mr.+Slippery · · Score: 2, Informative
      I'd say the Foo Fighters have budget. You see Dave Grohl singing into an SM 57 in the Monkey Wrench vid. SM57's are quite popular and quite cheap.

      The SM 57 and 58 are pretty much the default for live sound; one is for vocals, one for instruments, the same core but different housing that affects the frequency response. (I'm not an audio engineer, but in addition to occasionally playing out at bars and such I've been helping set up sound at the Free Spirit Festival for the past few years, so I've started to pay attention to these things.) You can get them for around $60 used.

      For those not familiar with mics: these are dynamic mics, which are basically teeny tiny generators - a moving coil generates current. This means that your microphone has to be an energy source.

      In a condenser mics, OTOH, you're moving one plate of a capacitor (condenser == capacitor), changing capacitance and thus impedence to your AC signal. That plate is typically lighter than a coil, so condensor mics track the air pressure changes - the sound - better, with wider-range and flatter frequency response and better transient response. The price is that you have to supply power ("phantom power") to it.

      You can pay as much as you want to for a condensor mic :-). I have an AKG C1000 which is affordable (under $200), can power itself of an internal 9V battery, and is rugged enough to cart around. It definitely has a brighter, cleaner sound than my SM 57/58s, and I'll probably be using it when I record my CD later this year. (My resolutions for this year: 1. get a story or poem published, 2. make a CD of my original songs.)

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
  4. Linux On The Desktop by osewa77 · · Score: 3, Insightful

    Programs like this are a big step forward for the dream of "Linux on the Desktop"

    1. Re:Linux On The Desktop by Underholdning · · Score: 4, Insightful

      I'd like to see linux on the desktop as much as the next guy, but I really don't see why this program, albeit great, helps. Linux on the desktop will not happen until my mother can install linux. She can install Win XP, but she's not even close to installing a standard Debian. Since Audacity is cross platform, it really doesn't give linux any edge at all.

    2. Re:Linux On The Desktop by revividus · · Score: 2, Insightful
      This is a step toward desktop acceptance of Linux. These type of programs are among those that get brought up when people say "But I work with music and Linux doesnt have xyz-tools....".

      It being cross-platform is even better for Linux, because it means people who begin using it on Windows (for example) could easily switch to Linux at a later date.

      Also, your mom will not need to be able to install Linux (IMHO) -- rather, she'll have to be able to go to Best Buy (or wherever) and say...

      Your mom: I need a new computer.
      Best Buy: Do you want Linux or Windows on that?
      Your mom: What's the difference?
      Best Buy: It's $50 cheaper with Linux.
      Your mom: Can I still do [random sampling of standard PC activities/file opening/web browsing]?
      Best Buy: Yup.
      Your mom: Sure, why not.

      Now, when that conversation can take place, then Linux on the desktop will have "arrived". IMHO. But then, I use it already.

    3. Re:Linux On The Desktop by yog · · Score: 2, Informative

      I think the OP's point was that Linux users (not necessarily your mother but people who consciously want to adopt Linux despite the lack of some software availability) now have one more useful tool that runs natively and one less reason to have to run Windows. The fact that Audacity is cross-platform is only good news; it can get adopted more widely this way. Spreading the roots makes the tree stronger.

      I think CoolEdit and its successor Adobe Audition are slicker, more mature products, but Audacity does a lot of the same basic audio editing stuff natively in Linux, and it's only getting more powerful. I've been using 1.2rc1 for several months and I love the new effects that have been implemented. For example, it's great to be able to highlight a section of a track and change the pitch. Now I have to believe you can do that in CoolEdit 2000 but it's not obvious to me how.

      As for installing Linux, you should have your mom check out recent versions of Red Hat, Suse, Mandrake, etc., which come with slick, user-friendly installers that anyone can operate. Debian is more geared toward the hobbyist/techie/professional class of users.

      --
      it's = "it is"; its = possessive. E.g., it's flapping its wings.
  5. The world of Out Of Phase Stereo by Anonymous Coward · · Score: 5, Interesting

    I use Audacity a lot to do "Out Of Phase Stereo" or OOPS to remove the "center" of a stereo recording.
    Many songs put the vocalist at the center so this is a useful way to remove vocals from a song.
    1) Load your favorite .MP3, .OGG, or .WAV song
    2) one click to split into two tracks (left & right)
    3) click on either left or right track, select "Invert" from the Effects menu...this is the key step.
    4) click-select both tracks and select "Quick Mix"
    5) you are left with a mono recording that has the former "center channel" (usually the vocals) removed!

    This won't work on "live" concert recordings and works best with "Pop/Rock" from the 1960s & 1970s

    Thomas Dz.

    1. Re:The world of Out Of Phase Stereo by Anonymous Coward · · Score: 5, Funny

      Stop him! He's trying to make more songs available for Karaoke!

    2. Re:The world of Out Of Phase Stereo by Golantig · · Score: 4, Funny

      It also removes the kick drum and anything else placed right in the centre. Good job...

    3. Re:The world of Out Of Phase Stereo by Anonymous Coward · · Score: 5, Informative

      Oh crap, I left out a crucial step.
      After step 2), but before step 3)
      2a) you have to convert both channels to mono before you do the invert. You can do that with the little down-arrow icon next to each (left & right) waveform.

      Thomas "fping" Dz.

    4. Re:The world of Out Of Phase Stereo by Captain+Large+Face · · Score: 5, Funny

      O O O O O O O O O OO O O O O O O
      Stop him! He's trying to make more songs available for Karaoke!

    5. Re:The world of Out Of Phase Stereo by mivok · · Score: 4, Funny

      How about doing the reverse of this, and just leaving the center channel (removing the instruments)?

      Then I could fake karaoke!

  6. still lack vital ui feature? by Anonymous Coward · · Score: 4, Interesting

    i remembered testing it and being really satisfied with its editing features. but, i had no index while playing a project, of where the sound-head was in the file. i am used to seeing a line that shows which audio data is played at the moment, yet audacity lacks that features? is this now available?

    1. Re:still lack vital ui feature? by Ben+Hutchings · · Score: 2, Informative

      While playing it shows a red triangle above the tracks and a vertical red line through all the tracks at the playing position. When you pause the line goes away but the triangle stays.

  7. comparing the wrong things by qortra · · Score: 4, Interesting

    Audacity is a fantasic wave editor, but it is neither a sampler (like the s900) nor a multitracker (like cubase) nor a proprietary hardware money-making machine (like protools). If you're looking for a computer based DAW, check out Ardour; it's quite nice, and its all graphical (so long as you have jack running somewhere).

    1. Re:comparing the wrong things by torpor · · Score: 4, Informative

      Duh, Ardour isn't a sampler, either.

      For that, though, you've got tons of options in Linux. Specimen, for example, is a great sampler for Linux. JACK-friendly too, which means you can run it alongside Ardour or Audacity or whatever, and away you go ...

      --
      ; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
  8. !Cool! by tcdk · · Score: 3, Interesting

    And I was looking around for a new sound edit program. I've been using CoolEdit for a long time but Audacity seems to do everything I need.

    Just took it for a spin and it looks good. It even have a noise reduction function...

    Hey, just checked the undo feature and you can even undo the mp3 import.

    The mp3 export function seems a bit lacking, but thats what programs like CDex is for (on windows).

    --
    TC - My Photos..
    1. Re:!Cool! by carpe_noctem · · Score: 3, Insightful

      I use cooledit for most of my audio editing, and your post blows me away. My first thought using the program was "wow, they finally made it run on my mac. Badass!". However, my second thought was, "hrm, it's -like- cooledit, but without any of the effects or features".

      This program looks like it's off to a good start, but it's not gonna replace cooledit for me. Namely, it lacks a lot of basic plugins (ADSR, amplification envelopes, fade ins/outs that don't suck, spectrum analysis, etc). Hopefully, the VST enabler project will take care of most of this.

      --
      "Quoting famous computer scientists out of context is the root of all evil (or at least most of it) in programming." - K
    2. Re:!Cool! by einer · · Score: 2, Interesting

      No VST is a real killer. I was told that, even as flawed, ugly, hacked, and putrid as VST is, it's the only real name in the game right now. My DJ friends won't move to a platform without VST. No matter how enthused they are about free software or the ideas of open source, no matter how much the ideals of the open source community ring true to them, if it doesn't work, they're not going to switch.

    3. Re:!Cool! by CoughDropAddict · · Score: 2, Informative

      This program looks like it's off to a good start, but it's not gonna replace cooledit for me. Namely, it lacks a lot of basic plugins (ADSR, amplification envelopes, fade ins/outs that don't suck, spectrum analysis, etc). Hopefully, the VST enabler project will take care of most of this.

      For spectrum analysis, go View->Plot Spectrum. There's also spectrum view mode, which you can select from any track's menu. Envelope editing is built in to the interface; just choose the envelope tool and start dragging points.

      We definitely could use some more effects though. The most impressive ones right now are noise removal, and change pitch/tempo/speed.

    4. Re:!Cool! by carpe_noctem · · Score: 3, Insightful

      Like many plugins for audacity, the tool exists, but it is either non-functional or useless. The main reason I use cooledit's frequency analysis is for resampling instrumunts, a task at which audacity cannot currently do.

      Say you resample someone's bassline, and you want to use this sample within another program such as reason or buzz as a machine. So you grab your sample from a file, isolate it, etc. After clipping the wav, you're good to go.

      However, when you take this note into reason, you can't just go off and start programming notes into it... even though reason will happily make a melody for you, the notes that you program into the machine are only relative to the sample that you give it. That is, they do not actually reflect the sample you put in.

      For instance, say the bass note you grab is an F#. However, when you feed this into another machine, it will assume it is tuned to a C. So when you tell it to play something like "C, C#, D", you would actually be hearing "F# G G#". So, everything is off-tune and sounds like ass.

      In cooledit (I'm on a mac atm, so sadly, I cannot tell you specifically where to find this tool), you can whip out ce's analysis program, which will tell you the exact tuning of a given sound. So, you can figure out that the note is actually an F# rather than a C, and either work around it in buzz or reason, or you could change the pitch of the sample to adjust it to a C. In case you're curious, audacity's analysis doesn't support this. It'll run a freq analysis, but not actually tell you anything useful out of it.

      I only bring this lengthy example up because it is one of the things that really pisses me off about the open source community. It's as if everyone is really excited about this program just because it's finally -somewhat- useable, and it's OSS. It's kind of like praising the retarded kid in elementary school when he spells "dog" correctly in the spelling bee. =) My point is, I'm optimistic for audacity, but it lacks a lot of -basic- functionality for composing or editing music.

      --
      "Quoting famous computer scientists out of context is the root of all evil (or at least most of it) in programming." - K
    5. Re:!Cool! by CoughDropAddict · · Score: 4, Informative

      In cooledit (I'm on a mac atm, so sadly, I cannot tell you specifically where to find this tool), you can whip out ce's analysis program, which will tell you the exact tuning of a given sound. So, you can figure out that the note is actually an F# rather than a C, and either work around it in buzz or reason, or you could change the pitch of the sample to adjust it to a C. In case you're curious, audacity's analysis doesn't support this. It'll run a freq analysis, but not actually tell you anything useful out of it.

      That's simply not true. Open View->Plot Spectrum. You will see the spectrum, and it should peak at the pitch of the fundamental note. Now move the cursor over that peak. Now you see a display of the form "Cursor: 3239 Hz (G#7) = -41 dB."

      Of course Audacity doesn't have everything, and we would love to have time to develop more features. But at least give us credit for the features we do have.

    6. Re:!Cool! by Dominic_Mazzoni · · Score: 2, Informative

      This program looks like it's off to a good start, but it's not gonna replace cooledit for me. Namely, it lacks a lot of basic plugins (ADSR, amplification envelopes, fade ins/outs that don't suck, spectrum analysis, etc). Hopefully, the VST enabler project will take care of most of this.

      Audacity has built-in amplification envelopes with linear-dB interpolation - i.e. fades that don't suck. You can also use built-in or plug-in effects for other types of fades. It has lots of spectrum analysis, including a spectrogram display and a frequency plot window.

      And Audacity does have VST support - but currently it's limited because the VST SDK does not let us distribute the source code to it, which means that we can't integrate it directly into Audacity. Right now quite a few VST effects plug-ins work, without their GUI, and hopefully soon we will have full VSTGUI support and support for more advanced VST plug-ins, too.

      Dominic
      Audacity Lead Developer

  9. Rock on Linux!!! by torpor · · Score: 5, Informative

    There's some great audio stuff happening in linux land lately. I'll give you the two examples I've been playing with today alone, for example:

    GALAN - Graphical Audio Language

    and

    Specimen, MIDI sampler for Linux

    These two apps alone prove that Linux is as ready for Audio applications development as any other, and Audacity proves that its possible to do it in a way that caters to -all- platforms.

    Gonna be an interesting year for Audio apps in Linux land this year, I think ... Very interesting.

    --
    ; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
    1. Re:Rock on Linux!!! by LizardKing · · Score: 4, Informative

      Another "killer app" is Rosegarden, which is rapidly becoming a suitable replacement for Steinberg Cubase. The Hydrogen sample based drum machine is also worth a mention. The exciting thing is that JACK allows easy multiplexing of things like Rosegarden and Hydrogen, and has kickstarted a whole load of audio and MIDI projects.

      My only regret is that my preferred operating system lacks an ALSA compatability layer, so things like JACK and Rosegarden are Linux only at the moment.

      Chris

    2. Re:Rock on Linux!!! by JayJay.br · · Score: 3, Informative

      And don't forget Ardour, an excellent project for a Linux DAW. They're releasing new betas every other week and coming close to the 1.0 release. A great substitute for Cakewalk/Sonar.

    3. Re:Rock on Linux!!! by WWWWolf · · Score: 2, Informative

      The others are flinging around other cool Linux audio apps, allow me to mention one more.

      GNU Lilypond, simply the sweetest music typesetting package ever made. It is very very amazing.

  10. Sweet!!! by Bill+Kendrick · · Score: 2, Interesting

    As a game developer, I need tools like Audacity to make and tweak the lame little sfx in my games. ;)
    Congrats guys and gals!!!

  11. maybe... by beware1000 · · Score: 5, Funny

    wow! maybe Australian local television networks can actually afford to make their advertisments sound decent now!

  12. Most important questions... by Anonymous Coward · · Score: 2, Interesting

    Does it support recording to hdd and does it declick recordings from phono?

    1. Re:Most important questions... by Handpaper · · Score: 2, Informative
      Yes, you can use it as a sound recorder
      No, it doesn't have an automatic declick function - and declicking manually is no fun.

  13. this is good for OSS by Anonymous Coward · · Score: 5, Informative

    GIMP 2(third release) - 2D almost ready to topple paintshoppro and then on to the long road to victory over photoshop http://www.gimp.org/

    SODIPODI - vector 2D maturing nicely http://www.sodipodi.com/

    Blender 2.32- 3D models already quite powerful http://www.blender3d.com/

    Audacity 1.2.0 - very nice http://audacity.sourceforge.net/

    Now all we need is some developers to get into gear helping out with Jahshaka so that it can compete on that "entry level" ticket that will allow it to really take off. But until that time, it hasn't got what it takes. Linux needs a non-linear editor pretty bad these days, so come help out.
    http://www.jahshaka.com/

    And then maybe an OSS game engine that can keep improving. Many games these days come from the brains of a few mod creators (counter-strike, day of defeat, natural selection) and as proven by counter-strike it isn't graphics, but gameplay (and in the case of single-player, storyline) which matter most. So a good engine that accepts and interfaces well with blender would make OSS quite simply rule.

    We have won (there is never total victory) the server market, and the corporate desktop (mozilla+openoffice) is about to crumble - now onto the home desktop! Freesoftware and beyond!

    1. Re:this is good for OSS by lazy_arabica · · Score: 2, Insightful

      Well, just had a look at the "new" audacity. I don't find it so innovative ; indeed, I was expecting for many features which were not included here. Some are pretty simple ; for example, I would like the FFT filter to have a "log scale" option, which would make it much more interesting and usable.
      Anyway, Audacity is an interesting project. I will keep suggesting it to people wanting a simple and quite powerful audio editor on Linux. But the time we get something like Protools or Adube Audition seems quite far, far away...

    2. Re:this is good for OSS by Quarters · · Score: 3, Insightful
      GIMP 2(third release) - 2D almost ready to topple paintshoppro and then on to the long road to victory over photoshop http://www.gimp.org/

      Hyperbole like this only helps to underscore either a)the closed mindedness of OSS developers or b)the ignorance of the person who said it.

      Software development is not a war or a contest. A rival piece of software rarely (EXTREMELY RARELY) ever obliterates the market for its competitors. Most of the time, though, the decline/loss of a viable program is due to the developer being lost in a merger or acquisition or by the advertising money spent by a rival to achieve massive market penetration. Mergers, buyouts, and marketing blitzes aren't something for which most OSS projects have the $, time, or inclination.

      The GIMP is not going to "topple" PaintShop Pro. Most people aren't OSS savvy but they can buy PSPro off of the shelf at BestBuy--so they'll get what they can acquire. If GIMP shows any detectable difference to Photoshop it will probably only be in the lessening of Photoshop piracy since there is an adequate free tool some people to use. Even then, though, the warez-monkeys will still download Photoshop because it's available to them.

    3. Re:this is good for OSS by arkanes · · Score: 3, Insightful
      The best and most common use of a computer is to make existing tasks easier. This naturally precludes , in the general case, "innovation". There's nothing that Excel (or any spreadsheet program) does that people didn't do before with (lots of) pen and ink.

      Now, in most cases, OSS projects aren't conciously attempting to re-create an existing product - but they're attempting to solve a certain set of problems, and where theres a particular app or set of apps that dominate that space they will inevitably be compared to that product. Photoshop is successfull because it accurately addresses the needs of graphics professionals. Anything else that accurately addresses those needs will neccesarily be very similiar to Photoshop, and anything that doesn't will be derided as "not suitable for professionals", and rightly so.

    4. Re:this is good for OSS by 110010001000 · · Score: 2, Insightful

      Yes! Lets put all of those commercial software companies out of business! That will teach all those greedy programmers a lesson! Don't they know they should be working for free?

    5. Re:this is good for OSS by Dominic_Mazzoni · · Score: 2, Informative

      Well, just had a look at the "new" audacity. I don't find it so innovative ; indeed, I was expecting for many features which were not included here. Some are pretty simple ; for example, I would like the FFT filter to have a "log scale" option, which would make it much more interesting and usable.

      This is available with the Equalizer effect. I agree, it's a little confusing. These effects will be merged in a future version.

      Please add your other ideas to the Audacity Feature Requests page!

      Dominic
      Audacity Lead Developer

    6. Re:this is good for OSS by Dominic_Mazzoni · · Score: 3, Informative

      And in this you see one of the major problems I feel open source has today.

      None of the programs you describe are trying to do something new and imaginative, their aim is simply to clone someone else as efficently as possible.


      That's not entirely true. OpenOffice is a good example of this; it clones Microsoft Office way too much in my opinion. Yes, there are differences, and some more substantial ones in 1.1, but it's still very much a clone. Then again, that's probably the only way to get lots of people to switch away from Microsoft Office.

      The Gimp is not a clone of Photoshop. Obviously it's not as powerful, but for non-professional users, it's just different. Does certain things in a different way. Sometimes easier - for example I think it's easier to work with transparency in the Gimp.

      Audacity is not a clone of any audio editor. It has some superficial similarities to some other programs, but that's only because they have some similar capabilities. Audacity was designed from the beginning to be as intuitive and easy-to-use as possible, while making as many professional capabilities available as possible.

      We need more OSS apps which aim to be good in their own right, not simply because they are "a free replacement for X".

      That sounds good in theory, but it seems like more than half of the posts in this article are saying "Audacity is good, but it will never replace audio editor X until it has feature Y". And in half of the cases, Audacity already does have feature Y - it just implements it in a different way.

      Dominic
      Audacity Lead Developer

  14. Mandrake package available by G�tz · · Score: 5, Informative
    I've uploaded the Mandrake package of audacity 1.2.0 to the contribs, it's available from any cooker mirror.

    If you have Mandrake 9.2, it should be possible to install it there as well.

  15. A question for Audacity users.. by Mr+Smidge · · Score: 3, Interesting

    Perhaps I can take advantage of this discussion to ask a quick question..

    How might I record from the line in port of my sound card? I generally record vinyls that I own to a digital format to listen to more conveniently, and audacity's GUI option dialog only allows me to record from /dev/dsp, which records everything, i.e. "What U Hear".

    I tried changing it to /dev/mixer in the config file, but the effect was the same.

    This is annoying, if I'm recording and GAIM happens to make a noise, or something else does. I know I could just kill every other sound-producing process, but I'd rather work out how to record directly from line-in.

    Any clues? Thank you, knowledgeable /. crowd.

    Before you ask, I have STFW somewhat on this..

    1. Re:A question for Audacity users.. by imroy · · Score: 3, Informative

      It sounds like a fairly simple issue. Just get into a mixer program and set it to "record" or "capture" from line instead of mix/master or whatever it's currently using. If you're using ALSA then I'd recommend gamix. Sorry I can't recommend what to use with the older OSS drivers, I've been using ALSA for so many years. On my SB! Live!! gamix has a seperate "capture" section where I can select from quite a few sources. Console mixers like alsamixer or aumix (which uses OSS not ALSA) just show the capture source as some button or option next to each slider.

  16. Re:I think we agree by torpor · · Score: 2, Informative

    We do agree: Ardour rocks.

    But it just sounded like the way you were framing it, it was an answer to the problem of Audacity not being a sampler, nor a DAW.

    Regardless though, the division between DAW and Audio Sample Editor is a good one - I think its good to have smaller, lighter tools for things like editing ... and that said, I know that you can integrate Audacity with Ardour if you prefer to use it for your edits, which is a really nice capability.

    Linux Audio apps may not have the ProTools, or the Cubases, but hell. There is some *freakin'* nice audio hacking going on in Linux land...

    --
    ; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
  17. Debian Woody packages? by Bill+Kendrick · · Score: 3, Interesting

    I was so excited when I saw "Debian" listed on the download page, til I discovered it was about some _POTATO_ packages! :^(

    I tried replacing "potato" with "woody" in the apt source URL, but to no avail. :^( Anyone built Audacity 1.2.0 for Woody yet? C'mon! Backports! Backports! I LIVE off 'em! ;^)

    -bill!
    (yes, yes, I know about apt-pinning :^P )

    1. Re:Debian Woody packages? by GuyWithLag · · Score: 2, Informative

      At the time of writing, Audacity 1.1.99pre3 is in Debian sid(unstable).

  18. Re:Plugins are working fine in Linux, with LAPSDA by zero0w · · Score: 5, Informative

    Plugins are working fine in Linux, if you got LADSPA installed. I got my mandrake rpm here and there are many built-in plugins which are not found in the Windows version:

    http://rpm.nyvalls.se/sound9.2.html

  19. incredibly useful by breakinbearx · · Score: 2, Informative

    This software is a must for ANYBODY who has recording and editing needs, especially if they need it on the cheap. My neighbors and i have a band, which has been just playing around for a year. Being just a lowly garage band, we have no cash for studio time. However, Audacity, a sound card, and a mic have allowed us to record a semi-decent demo! I've even experimented with some friends' tools i.e. ProTools and Acid, and i still haven't found something as productive and useful as this. I'm so glad to hear this is still progressing well and that there is this large of a support base for it.

    --
    Skill is successfully walking a tightrope over Niagara Falls. Intelligence is not trying. -- Anonymous
  20. Good, but not good enough by djtrialprice · · Score: 5, Insightful

    I know that it depends on what you want to use it for, but I don't think Audacity is actually useful for "live recording" i.e. listening to something and concurrently recording alongside it.

    I do have to admit that it is a great piece of software with loads of features but when I do some multitrack recording with my full duplex, 24-bit, DMX 6Fire soundcard: I expect good results. I don't expect a latency of about half a second. That's the bottom line - until that problem is addressed I can't swap Audacity for CoolEdit Pro, or Cakewalk. As a user and supporter of GPL stuff, that's what I really want to do.

    I guess sometimes there really is a reason why software *can* rightly cost hundreds of thousands of $$$s.

    1. Re:Good, but not good enough by Anonymous Coward · · Score: 2, Informative

      Your latency issues may be entirely unrelated to Audacity. Playback on linux often suffers from latency because of sound servers. Are you using artsd or esd? If so, you'd likely get much lower latency with ALSA directly, or JACK. JACK is a bit more of a pain to set up, but offers exceptional latency (10ms or less, normally).

    2. Re:Good, but not good enough by jkantola · · Score: 2, Interesting

      I personally pipe my guitar from the POD to a laptop with Audacity to a home stereo/PA. Very nice, I always get my playing recorded, and with Audacity's very efficient handling of large files it's easy to pick out the good bits.

      You should check out Ardour for a more professional, multi-track recording environment. It shouldn't have any serious latency issues, at least given that you run a low-latency kernel. It's still under (active) developement but it works quite well already.

    3. Re:Good, but not good enough by Nadir · · Score: 2, Interesting

      What you really want then is not Audacity, but Ardour together with Jack and an ALSA-supported soundcard

      --
      --
      The world is divided in two categories:
      those with a loaded gun and those who dig. You dig.
    4. Re:Good, but not good enough by CoughDropAddict · · Score: 3, Informative

      Have you tried 1.2? The audio i/o layer was completely rewritten to use a real-time threading model. You certainly shouldn't be getting latencies of half a second.

      (I did a lot of the real-time audio work)

  21. The state of Linux content production software by 0x0d0a · · Score: 5, Informative

    It's not all rosy:
    Smurf, the Linux soundfont editor/creator, seems to have fallen behind the times, and hasn't been updated to GTK2.

    XMMS, the Linux WinAMP clone, seems to be primarily static -- I don't see a lot of development on it these days.

    Sound servers are still par for the course -- current sound driver systems like OSS and ALSA cannot fall back to software mixing when all hardware channels have been exhausted. Frequently, general audio use is through asound or aRts, which add latency and make it easier for audio to stutter.

    On the up side, the 2.6 kernel brings everyone the low-latency and preempt patches, nice for pro audio work. ALSA (Advanced Linux Sound Architecture, a new set of sound drivers) is standard in 2.6, and the aging OSS/Free is finally deprecated as the official Linux sound API. Hardware mixing, wavetable sample loading, and other things not in OSS/Free are now generally available. JACK, the Linux pro audio server, is mature and being used in a ton of projects.

    PlanetCCRMA, an *excellent* source of packaged software for anyone using a Red Hat distro and interested in audio work, has been maintained and has become a good resource.

    The Rosegarden MIDI sequencer is now a complete, pro-class set of composition software.

    The main content creation areas:

    * Page Layout - Scribus is supposed to fill this gap. I really have no idea how it compares to current pro-class page layout software.

    * 3D Modeling - I'm personally not a huge Blender fan (not really comfortable with the interface), but it apparently does a good job. I was always kind of sad that front ends for POVRay never really took off, as that's a renderer with a lot of hours put into it. Not sure what the state of CAD is.

    * Vector graphics: Sodipodi is slowly getting there, but there's nothing that I can currently think of that's really on par with Illustrator. For the special case of diagrams, Dia does a pretty good job -- as a matter of fact, I find it to be much faster to enter data into Dia than Visio.

    * Natural media raster graphics -- Like Painter, software for producing natural-looking artwork on a computer. Essentially nonexistent in the OSS world -- apparently nobody wants to do a thesis on modelling natural media effects mathematically.

    * Video Editing -- not sure what the best of breed is here. I'd be interested in hearing from people about what there is.

    * Spreadsheet -- from what I've heard, unless perfect Office compatibility is a primary goal, Gnumeric can pretty much handle anything that Excel can.

    * Presentation -- Not sure about how current software adds up. Last time I tried OO.org's presentation module, it was too buggy for day-to-day use and inverted a number of elements of an imported Powerpoint presentation.

    * Word Processor -- unless Office compatibility is a primary issue, Open Office seems to be acceptable. I used to run into a number of cosmetic bugs, but it seems to have been cleaned up a lot, even if it is still a bit slow and has a widget set that works differently from native sets.

    There are a lot of projects out there, and even a lot of promising ones, but there are few areas that open source content creation apps are on par with their commercial counterparts today, unfortunately (well, as I see it).

    1. Re:The state of Linux content production software by torpor · · Score: 2, Insightful

      There are a lot of projects out there, and even a lot of promising ones, but there are few areas that open source content creation apps are on par with their commercial counterparts today, unfortunately (well, as I see it).


      Ah, but the point is there is work being done, and progress is being made.

      It may not be commercial movement, but it is movement.

      --
      ; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
    2. Re:The state of Linux content production software by Anonymous Coward · · Score: 2, Informative

      FYI if you didn't know some of the Sodipodi developer base grew impatient and forked the code. The new app, Inkscape is off to a very fast, very promising start.

  22. Re:Whats this? Freshmeat? by 0x0d0a · · Score: 2, Interesting

    Not many people know about Linux audio software -- the Linux audio world is surprisingly quiet (no pun intended). It's easy to lose track of how usable Linux is for audio work...this is kind of like a new version of Apache is for the Linux webserver world. Audacity has at least the potential to be the best-in-field for what it does at the moment, so it's a bit of a big deal.

    To be honest, if Linux video editing becomes significantly more feasible suddenly, where one can swap out a Windows or Mac box and use Linux in its place happily, and kino is to credit for this, then I suspect that kino will be on Slashdot before long...

  23. Windows, too by Evil+Grinn · · Score: 4, Insightful

    Audacity is also pretty darn useful on Windows. It fills a niche between Windows' built-in sound recorder program (that will only record one minute) and more advanced non-free (in any sense of the word) apps. I am not aware of another free sound editor for Windows with the features of Audacity.

  24. Wiki ClickPop entry by IronyChef · · Score: 2, Informative
    Wiki ClickPop entry

    The compression effect works nicely for removing clicks and pops from recordings (don't apply post compression gain for this!); the low pass filter is easier sometimes or you may need the pencil; use the magnifer (on the control toolbar) to magnify on one pop for selection.

  25. Doing the opposite ? by Thomas+Miconi · · Score: 2, Interesting

    Many songs put the vocalist at the center so this is a useful way to remove vocals from a song.

    What I'd like to know is how you can remove the instrumental background so you only have the vocals.

    Would be damn useful for Bjork remixes.

    Thomas Miconi

  26. Re:Whats this? Freshmeat? by autechre · · Score: 4, Funny

    No, we require all freshmeat announcements to have good spelling and grammar by the time they hit our front page :)

    --
    WMBC freeform/independent online radio.
  27. Minor nit - stops audio when launched in OS X by sjonke · · Score: 2, Interesting

    A minor nit - when I launch Audacity in OS X it kills sound from other applications, particularly iTunes. I have to stop and start playback in iTunes to get the sound back. Not a big deal, but slightly annoying. It seems like a pretty nice audio editor albeit with a somewhat clunky user interface. I really want to drag that little playback triangle around, but can't! The change tempo and change pitch effects are highly amusing. I just wish it could directly input and output AAC format, but I suppose that's unlikely.

    --
    --- What?
  28. Re:Mass converters? by erik_fredricks · · Score: 3, Informative

    That process is known as transcoding, and it's a bad idea.

    This'll come up as more and more people switch from mp3 to Ogg. The plain fact is, mp3 and ogg use different compression algorithms, both of which are lossy. If you've converted a file to mp3, then you've lost some information. Transcoding it over to Ogg will cause loss of even more information. It will always sound worse.

    Unfortunately, the only real solution is to reconvert from the original source material.

    --

    THE GOOD HUMOR MAN CAN ONLY BE PUSHED SO FAR
    Bart Simpson on chalkboard in episode 2F18

  29. Audacity Rocks by FatherBusa · · Score: 2, Insightful

    Audacity really rocks, and one of the reasons it rocks is because people like me (who know virtually nothing about sound engineering) can use it do do simple things (like cutting and pasting sound segments).

    It's really a model for how to create usable software.

    1. Re:Audacity Rocks by croddy · · Score: 4, Insightful
      I've spent many long hours working in Peak and in Audacity, and not only is Audacity more stable, but the interface is a whole lot faster and more intuitive.

      and Peak and SoundEdit 16 don't support LADSPA plugins. Audacity does.

      kudos, Dominic et al! along with Samba, LADSPA, and Ardour, your software has been critical in all the recording I've done recently.

  30. Rezound by Anonymous Coward · · Score: 3, Interesting

    http://rezound.sourceforge.net
    I think this is better...

  31. Re:Videoediting by madsdyd · · Score: 3, Interesting

    I like Kino - so much that I actually contributed to it. Lots of people seem to like Cinerella There are a lot of other projects.

  32. For Windows Users Only by blackmonday · · Score: 2, Interesting

    If you're running windows, check out this software. Closed source but free. 16 tracks, and supports VST. Looks nice.

  33. Re:Fedora by bonch · · Score: 2, Insightful

    Because not everyone is a developer or even savvy enough to package something, and so they "pathetically hope" some heroic person will do this stuff for them. These peons we call users.

  34. Re:Videoediting by TuxBeej · · Score: 3, Interesting

    I used Cinelerra for a project in my Japanese theatre class and it was a *very* steep learning curve. Of course, it was also the first time I had done any sort of non-linear video editing, so that is probably paritally to blame.

    After I got used to the interface and the specific methods of inserting transitions and whatnot, I found it pretty simple to add in voice-over tracks and sound/video effects. I was also using it on a Duron 933 w/ 512 MB RAM - not at all a powerhouse video-editing workstation by any stretch of the imagination (check the recommended system on the Cinelerra home page).

    I basically just imported clips from a FireWire digicam, spliced in some clips from some anime to illustrate my points, and added effects to clean up the transitions. I didn't get the project done, but I did find that learning the software was a fun experience. I'll probably try it again someday, but this time, I'll be using a better class of system.

    I would definitely recommend that people at least *try* Cinelerra when they have some time to spare to learn the interface. Having not tried Kino for some such forgotten reason, I can't compare the two.
    --

    --
    Brendan "Beej" Dery "Only in Canada, eh?"
  35. Re:Good point! by Dominic_Mazzoni · · Score: 4, Informative

    For me, Audacity 1.0 is just fine for what I do - digitizing tapes and records, simple home-studio recordings. What I always missed:
    -fade in and out tools


    Either use fade in/out effects or plug-ins, or use the built-in amplitude envelope editor - just click on the tool that looks like two triangles surrounding a control point.

    -what you said

    Audacity 1.2 displays the line showing the current playback/recording position

    -and to be able to chose the soundcard, if you have more than 1 installed

    That's always been there, in the preferences dialog.

  36. Re: try goldwave too by Wilk4 · · Score: 2, Informative
    Goldwave is a nice, inexpensive sound editor, with good features. worth checking out, particularly since it's uncrippled shareware.

    I use it for making MP3's of sermons for our church website. Nice features at a great cost.

  37. Re:Is Audacity JACK-aware? Will it be? by mbrubeck · · Score: 3, Informative

    Yes, native ALSA and JACK support are being developed for PortAudio (the input/output layer used by Audacity).

  38. Nightmare for equipment brokers, wet dream for us by Dr.+Zowie · · Score: 2, Interesting
    One of my friends' dad works in the studio-equipment business. As he pointed out, almost the only thing left for them to "sell" is the nice look-and-feel of a full sound board with thousands of manual controls on it. Even traditional-looking soundboards these days are mostly front ends for digital mixers.

    Audacity is a case in point -- a small workstation with a few SoundBlaster cards can handle as many tracks as you like and produce sound at least as good as was used to make all that old vinyl, and costs under $1,000. Ultimately, that means anyone who can afford an instrument can probably afford to play at being a sound engineer, with really good postprocessing equipment.

    I've been using Audacity for about a year and a half to work my way through my record collection, mp3ifying it. It's great -- I record the records with a SoundBlaster card, depop the recording with some shareware, and noise-gate, adjust levels, and chop up the tracks with Audacity. The results sound better than the original vinyl, since the noise gating gets rid of the surface noise.

    My rip of "Layla" off the original Derek and the Dominos vinyl is clear enough that you can hear the master's tape hiss change as each of those famously many mixing tracks gets switched in and out by the recording engineer. I never noticed that when I used to just play the record -- but once the the vinyl surface noise is gated out, it's obvious.

    Audacity is good enough that I was able to digitize a friend's old clay '45 of the Clouds singing "Wyatt Earp" in the late 1950s -- even after the record had broken in half! I superglued it back together and played it at 33rpm. Of course, there were two loud "pops" for each revolution of the record, since there's no way I could line the grooves up perfectly. In fact, it wouldn't play at 45 -- the bumps would throw the needle out of the groove. But I was able to go in with Audacity and clip out all the pops, then resample to get a full-speed recording. The resulting MP3 accurately reproduces the sound-and-feel of a 1960s era jukebox :-)

  39. It's Getting Somewhere... by eston · · Score: 2, Interesting

    I've been using Audacity since its really early beta releases on Win32 and OS X (and now, on Linux), and even with 1.0 I was frustrated by how instable it was. It's more stable now, and I love its multitrack feature, but it's still lacking the stability that's required for when I'm making a recording longer than ten minutes. :p On OS X Audacity seems to find it amusing to crash right as I finish a recording.

  40. Not even close by Dog+and+Pony · · Score: 2, Insightful

    Funny, we as Game developers recently evaluated three of those tools you are mentioning: GIMP, Blender and Sodipodi - none of them are close to being usable. Actually, most of the time it isn't that they can't do the work - it's the fact that NOONE ever puts any thought into the interfaces. And there are no, or bad, docs on the subject either. Sure, they lack features too, but no showstopping ones.

    Sodipodi might come out being usable someday, but our GFX artists probably never will try Blender or GIMP again after having to go through this horrible experience (press TAB to save a state, to be able to make an undo, anyone?).

    Why, oh why is it taboo to replicate something that *works* and works *fine*??? If somebody took the excellent core code of these apps and just copied the interface from the leaders, these apps would grow their user numbers by factors of tens immideately. Lots of people are looking for free (in several meanings) replacements for the apps they use, but it will still be cheaper in terms of money *and* sanity to pay for Maya and Photoshop than to wrestle with stupidness every day.

    Do something about it, or forever stand in the shadows.

  41. Audacity uses the wxWidgets toolkit by motown · · Score: 2, Informative

    For the interested folks who are impressed by the quality of its GUI under various Operating Systems: Audacity makes use of the wxWind...Oops, wxWidgets-toolkit. AFAIK, this is one of the most prominent applications based on this toolkit. It really shows off the quality of wxWidgets as a cross-platform GUI toolkit.

    wxWidgets is released under the LGPL-license, making it suitable for both open- and closed-source application development.

    Audacity is such a cool and useful tool. Linux NEEDS more quality applications like this. Excellent work, Audacity developers! Keep up the good work! :-)

    --
    "Oooh, does that mean we get to kick some puffy white mad zionist butt?"