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Sake Used to Make Wooden Speakers

geeber writes "And you thought Sake was only good with Sushi? Well, think again! IEEE Spectrum has an article on how JVC has used sake to enable making speaker cones out of wood. Wood has a wide frequency response which makes it desirable as a material for speaker cones. However Toshikatsu Kuwahata worked for 20 years trying to make the cones out of wood without cracking. Finally he discovered that soaking the wood in sake (but not whiskey) made the wood pliable enough to form into a speaker cone. So let's raise our glasses and toast those clever engineers as we crank up the volume!"

76 of 271 comments (clear)

  1. Lucky bastards. by aardvarko · · Score: 5, Funny

    Hell, sake enables me to make all kinds of things, most of them accessory fluids for my American Standard, but I sure as hell don't get any stinkin' Slashdot articles about them, now, do I. Harrumph.

  2. Obvious! by EmbeddedJanitor · · Score: 4, Funny

    Drink enough sake and you will not see any cracks.

    --
    Engineering is the art of compromise.
    1. Re:Obvious! by r_j_prahad · · Score: 4, Funny

      And the cracks you do see will look a lot more alluring and seductive.

  3. Can't resist it by Magickcat · · Score: 5, Funny

    So I guess the sound really does give you wood.

    --

    Si tacuisses philosophus mansisses. If you had kept quiet, you would have remained a philosopher.

    1. Re:Can't resist it by cgranade · · Score: 4, Funny

      Not really... the wood gives you sound... and not just in Soviet Russia, either.

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    2. Re:Can't resist it by AaronD12 · · Score: 3, Funny

      I don't know about you, but sake makes my wood more pliable as well... :P

  4. In other news... by kilocomp · · Score: 5, Funny

    In other news researchers are using wasabi to implement "Super Bass".

  5. "without cracking" by Capt'n+Hector · · Score: 4, Funny
    However Toshikatsu Kuwahata worked for 20 years trying to make the cones out of wood without cracking.

    Wow, 20 years is a long time to work on a problem without cracking. Congratulations, Toshikatsu.

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    1. Re:"without cracking" by stienman · · Score: 4, Informative

      but a little historical research might have saved him a decade or two.

      Making a speaker cone is not merely 'bending wood'. First the cone has to be very light, so the wood is very thin. There are lots of ways of bending nearly any thin wood. Second the cone has to be extremely dense/solid/inflexible. There is currently, as of this article, only one way to make a thin sheet of appropiate woods into the proper shape with all the desired properties.

      Besides, when's the last time you did something cool and someone dismissed it by relating a similar but non-applicable technology invented years ago? The fool is not the person who did the work. This doesn't even begin to cover all the fun 'geeky' things one might accomplish (such as a modern 8-bit computer realized in relays) for which a cheaper/better/faster/etc solution already exists.

      Less talking - more walking.

      -Adam

    2. Re:"without cracking" by iNetRunner · · Score: 5, Funny
      Wow, 20 years is a long time to work on a problem without cracking. Congratulations, Toshikatsu.
      Well.. He did turn to booze.
      --
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  6. Temperature by halo8 · · Score: 2, Interesting

    now.. was that Hot or Cold sake?

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  7. All you ever wanted to know... by tcopeland · · Score: 3, Informative
    ...about sake. From the site:
    Chouki Jukuseishu - Aged for 3 years or more in storage tanks after brewing, this sake is darker and has a heavier flavor.
    The Guinness of sake, maybe?
    1. Re:All you ever wanted to know... by Deraj+DeZine · · Score: 5, Funny
      Aged for 3 years or more

      Good. I can't stand underaged drinking.

      --
      True story.
    2. Re:All you ever wanted to know... by ChrisMaple · · Score: 3, Funny

      Oh, for Guinness sake.

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    3. Re:All you ever wanted to know... by kfg · · Score: 5, Informative

      Then that's probably a good sake to avoid, because it's expensive, and what everyone 20 years ago would have called "ruined" sake.

      Sake is beer, not wine. That "rice wine" thing is a cultural misnomer that is now confusing even the Japanese. Beer does not age for more than a few months at best. Light beers, as rice beer by its very nature is, do not age at all really. They are best consumed as close to being poured from the keg as possible. One tries to keep beer if one needs to. From going bad. It is difficult in most cases.

      The very link you provide notes that you can keep most sake for about 2 months. I'm not sure why you'd want to. It's like refusing to drink a Bud until it's past its sell by date. You buy it when you want it, and drink it. Like beer.

      These aged sakes are being marketed because the customer has started demanding that their "wine" be properly aged, and frankly, it's driving the brewers nuts. Centuries of tradition and a lifetime of practice to produce the very best, fresh sake, and now they're being forced to put it in barrels and let it go to ruin before people will buy it. For a while they responded with a "customer education" campaign, and some of them report being verbally abused by customers who thought the brewers were trying to rip them off by insisting the fresh stuff was the good stuff.

      But, they are businessmen. If that's what the customer insists upon, and is even willing to pay a premium price for, well, then I guess that's what the customer will be sold.

      Maybe it will drive the price of fresh down so I can afford more of it. I like sake.

      Now if I can only find a way to drive down the price of 25 year old cognac. I like that stuff too, but it's usually E&J for me.

      KFG

  8. But how was it discovered? by product+byproduct · · Score: 3, Funny

    20 years of effort and it's still not working. Time to get drunk. [after a few bottles] heeey woooody, you wanty some sake tooooo?

  9. Sake! by dolo666 · · Score: 2, Funny

    Drink enough sake and you become excellent karate fighter too! :-)

  10. What I love about slashdot (Was: Re:Audiophile App by B747SP · · Score: 5, Informative
    What *I* love about slashdot is that there is no requirement that a poster must read the effing article before being modded up.

    I wonder when we'll see wood-cone based speakers filter into the world of hi-fi, if ever.

    RTFA....

    This year, JVC introduced its first wood-cone speaker product based on Imamura's process

    and

    The system ships in May, at a suggested retail price of US $550. Back in Maebashi, Japan, his mission accomplished, Kuwahata has announced his retirement.

    sigh....

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  11. Re:Audiophile applications by EmbeddedJanitor · · Score: 2, Interesting

    Considering people claim to be able to tell the difference between a Stratovarius (spelling?) and an inferior wooden violin, I'm sure phonophiles will be able to tell the difference between a wooden and titanium speaker (well, will at least be sucked up to by sales droids to open their wallets and pay for the wooden ones).

    --
    Engineering is the art of compromise.
  12. Re:Audiophile applications by DigiShaman · · Score: 2, Funny

    Make sure your home is termite free. Or you just might find holes in your speakers. Damn those things, I hope they choke on a splinter!

    --
    Life is not for the lazy.
  13. fluent japanese speaker by riqnevala · · Score: 4, Funny

    After licking too many speakers, they'll start singing karaoke..?

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  14. Quality? by Ryan+Stortz · · Score: 4, Interesting

    The article mentions that "But wood, Kuwahata knew, has qualities that could make it a superior choice for sound reproduction. For one thing, sound propagates very quickly through wood, which means that the speaker can produce a wide range of frequencies. Wood also has an internal damping effect, which leads to a smoother frequency response."

    However, it doesn't tell us how they actually sound as compared to other speakers. Is there any comparison data out there?

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  15. Re:In response to the inevitable... by shog9 · · Score: 3, Informative
    Actually, the article states:
    wood, Kuwahata knew, has qualities that could make it a superior choice for sound reproduction. For one thing, sound propagates very quickly through wood, which means that the speaker can produce a wide range of frequencies. Wood also has an internal damping effect, which leads to a smoother frequency response.
    ...but then again, what do i know? Maybe they gave the same reasons back when wood-panel stationwagons first came out...
  16. Re:Audiophile applications by CaptBubba · · Score: 4, Funny
    It leads to another whole set of different things to tweak. Wood grain spacing, denisity, type sepcies, and even where the tree was grown could all alter the sonic properties.

    Of course, true to hi-fi traditions, the best wood will bee the rarest tree on the planet soaked in the oldest and most expensive saki, thereby keeping high end speaker prices in the upper statosphere.

  17. Wrong questions by DAldredge · · Score: 2, Interesting

    For Audiophiles the questions isn't how they sound, it's how much they cost and how they flavor the sound. If this takes off in the land on 'Electrons flow better if you hook a cable up one way, but if you reverse it it sounds worse' expect to see fights breaking out on what brand of Sake is best for this application.

    1. Re:Wrong questions by eric434 · · Score: 5, Interesting

      Actually, that cable phenomena you speak of has nothing to do with which directions electrons "flow better" in. Generally, many audiophile cables have a separate shield that is connected at one end, and in order for it to introduce the least amount of noise possible it should be connected at the source end -- hence cable directionality. Also (and more debatably), if you see the trace on a time domain reflectometer of an audio cable (with said construction) connected wrong way round, then you'll be pretty horrified at the massive impedance artifacts.

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  18. Twenty years for this? by vudufixit · · Score: 2, Informative

    Hmmm... I remember seeing something on TV showing the Inuits building canoes out of wooden planks that were made pliable with boiling hot seal oil. That was at least 20 years ago. If only the subject of the story had watched the same program I did back then...

  19. Violins too by mattjb0010 · · Score: 5, Interesting

    A similar trick was apparently "used" by Stradivarius in making violins, in that inadvertent soaking in brine in combination with the usual varnishes applied creates a good sound. More info further down on this page. I've listened to a talk by Nagyvary in which one of his violins was played, and it's truly stunning to hear (I used to play the violin before I found out I was better at coding :)

  20. Hmm... by odano · · Score: 3, Funny

    I hear their next move is to replace titanium tweeters with spicy rolls.

  21. Why not ammonia? by Billy+the+Mountain · · Score: 4, Informative

    Every good balsa wood butcher knows that adding ammonium hydroxide to water and boiling it and then soaking the wood in it makes the wood very pliable. This has the added benefit of 1. It's cheaper. 2. More fun because you get to drink the sake while you play with your wood.

    BTM

    --
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    1. Re:Why not ammonia? by Cranky_92109 · · Score: 5, Funny

      ...you get to drink the sake while you play with your wood.

      I tried for a long time to think of a joke funnier than this quote.
      I couldn't, so lets see it one more time.

      ...you get to drink the sake while you play with your wood.

    2. Re:Why not ammonia? by Brandybuck · · Score: 2, Funny

      No wonder you're not getting any. You're supposed to wine and dine her BEFORE the wood gets played with...

      --
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  22. In related (but pretty old) news.... by wetson · · Score: 2, Funny

    ...it's been confirmed that alcohol can loosen up the most wooden of individuals.

  23. And now for you religious music fans... by NewtonsLaw · · Score: 4, Funny

    Yes, if religious music is what spins your wheels, now you can have wooden speakers made with... what else but Christ's Sake :-)

  24. Re:Audiophile applications by DumbRedGuy · · Score: 5, Interesting

    Aside from the differing sonic qualities of the wood, I wonder how it will hold up to temperature and humidity. Even if the speakers sound great, they have to be able to be used for more than a few months.

    I wouldn't be surprised to see this be chic in audiophile circles. The irony of expensive wood sounding great but cheap paper being crap would be could be very appealing to members of the Golden Ear Club.

  25. Re:What I love about slashdot (Was: Re:Audiophile by eric434 · · Score: 4, Informative

    Uh, I did read the article. But the speakers they're making look like they're aimed at the "Executive desk stereo" market, not the audio market.

    These are audiophile speakers:
    http://www.wilsonaudio.com

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  26. Re:Audiophile applications by JanneM · · Score: 5, Insightful

    As anyone who has had a brush with the world of hi-fi knows, if the material or process just sounds exotic enough and is expensive enough, it will sell very well no matter what the actual benefits may be.

    --
    Trust the Computer. The Computer is your friend.
  27. Re:Audiophile applications by nomadic · · Score: 3, Funny

    Considering people claim to be able to tell the difference between a Stratovarius (spelling?) and an inferior wooden violin

    I'm picturing a cross between a stratocaster and a Stradivarius...

  28. After 20 years of saki on his expense reports... by Anonymous Coward · · Score: 4, Funny

    He had to show some kind of results.

  29. Leaves a lot of questions... by CNERD · · Score: 2, Insightful

    Wouldn't the wood have to be rather thick/dense/heavy to not want to crack under the pressure (thereby making the speaker ineffecient)? Wouldn't thin wood respond the same as our 20 year old paper cones?

    1. Re:Leaves a lot of questions... by DirkGently · · Score: 2, Insightful

      Maybe not. Not meaning to sound condescending, but paper is made out of itty bitty chunks of wood glued together. What's stronger, a house made out of stone or one made out of sand? Sand is just little chunks of rock, after all. Even if you were to compare cement to rock (which is a pretty good analogy), I'd still put my money on a nice slab of granite.

      The "saki process" evidently allows the wood to be reformed without the cracking, and then the sealer keeps it from cracking due to moisture. It probably also adds a certain amount of strength.

      --

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  30. Re:Audiophile applications by macshit · · Score: 2, Interesting

    High end manufacturers already use titanium for tweeters and epoxy-treated paper for woofers. The question here would be whether the wood could be manufactured with enough consistency in sonic properties as to ensure reliably good sound quality.

    I don't know about wood, but I've heard titanium tweeters get dissed on quite a bit for being too fatiguing (shrill, brittle), and a popular alternative (which are purported to sound more pleasant) are silk-dome tweeters -- so certainly organic materials are in the running.

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  31. the reverse is true by Anonymous Coward · · Score: 2, Funny

    Sake is also used to make wooden speakers
    more lifelike when they talk in front of audiences.

    Down a few cups of piss warm sour water and the most most wooden speaker is gonna be much more relaxed.

  32. Americans already drink much rice! by Osty · · Score: 2, Interesting

    Budweiser, the king of rice beers.


    (It's a flash page, so I can't link to the ingredients directly. Make up an age over 21, click on the Beer menu item, then "All About the Beer" at the bottom, then the "Making It" choice on the top left, then Ingredients.)

    1. Re:Americans already drink much rice! by raodin · · Score: 2, Insightful

      "It [rice] provides a balance necessary to Budweiser's trademark 'drinkability.'"

      I can see why they put "drinkability" in quotes.. wouldn't want to get smacked for false advertising.

  33. Re:Kanpai! by Anonymous Coward · · Score: 2, Informative
    hmmm ... you mean either:


    (o)sake wo motte kitte kudasai.


    or just


    sake kudasai!

    Let's have our gratuitous / pretentious use of Japanese at least be accurate, ne?

  34. But wait! by Captain+Irreverence · · Score: 5, Funny

    If they're made of wood, then scientifically speaking they must weigh the same as a duck. And therefore:

    They're a witch! Burn them, burn them!

  35. Speaker materials by The+Munger · · Score: 5, Informative

    You would be suprised at the different materials conventional speaker cones are made from. You've probably seen plastic and paper cones. Probably even a few different types of plastics.

    Speaker cones have to low resonance or at least a very narrow frequency range they resonate in. With a narrow resonating range, you can just put a low-pass/high-pass filter on it so it never receives the resonating frequencies - they get sent to another speaker with a different resonant frequency.

    Metal tweeters have become very popular recently. Any really light, but tough metal is good. Alumin(i)um and titanium are the most commonly used, but there are some more exotic ones like Focal/JMLabs beryllium tweeters. The problem with metal cones is that they act like tuning forks - a really narrow resonant frequency range, but if they hit it they really resonate. My B&W 603s have aluminium woofers - which I just love the sound of. They cut them off pretty low though.

    Kevlar (yes, the bullet proof vest material) is also a popular material at the moment. B&W and Wharfdale are two companies that make Kevlar based drivers. B&W have some interesting documents on their web site on what makes it such a good material.

    Wooden cones would have a nice wide frequency range. Think about how wood sounds when you knock it with your knuckles - a nice dull thud. Yes, I'm ignoring all the musical instruments made of wood. I'm talking about your normal block of wood. They already make the vast majority of speaker cabinets out of wood precisely for the low-resonant properties that it exhibits.

    This is interesting news in the world of hi-fi.

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    1. Re:Speaker materials by Reverberant · · Score: 4, Informative
      You would be suprised at the different materials conventional speaker cones are made from. You've probably seen plastic and paper cones. Probably even a few different types of plastics.

      Everything from paper to polypropylene to Kevlar

      Speaker cones have to low resonance or at least a very narrow frequency range they resonate in.

      This depends on a lot of things. A speaker driver cone by itself has a particular resonance frequency. The sharpness (or 'Q') of the resonance is dependent on the mass of the cone, and the stiffness of the surround.

      However, once you put the speaker driver into an enclosure of finite volume (like a box), the resonance changes. The amount of the resonance change, and the new Q depends on the driver parameters, and the box parameters (size, port dimensions, stuffing, etc). For some low-frequency speaker designs (notably the band-pass designs popularized by Bose and boomcars) you want the resonance - that's how you get your output. Other designs (like my own, see my web page if you're interested), try to minimize the Q while still designing for an extended bass response. It's all about give and take.

      Generally you try to stay away from resonances for mid-range and high-frequency speakers, but much of the time the resonance occurs outside of the frequency range of interest, so it's not a problem. (I suppose it could be a problem if the cross-over design is borked.)

      What can be a problem is ugly breakup modes that occur when the speaker driver stops moving as a piston, and starts flexing. This flexing causes sound waves that add and cancel at certain frequencies, resulting in nasty sounds.

      Kevlar (yes, the bullet proof vest material) is also a popular material at the moment. B&W and Wharfdale are two companies that make Kevlar based drivers. B&W have some interesting documents on their web site [bwspeakers.com] on what makes it such a good material.

      Kevlar was a very popular material in the late 80's/early 90's. It has better moisture resistance than paper cones which helps durability. It's stronger than paper, but that doesn't make a large difference - most of the strength of a driver comes from the conical shape, not the material. Plus, you can corrugate the driver for additional strength. But the added strength does help to reduce the severity of break-up modes. It can't eliminate them however, because the modal behavior is a function of it's size and shape.

      Wooden cones would have a nice wide frequency range.

      The "frequency range" of wooden (or other cones) is meaningless. A speaker cone is essentially a piston. If it stays rigid, we get well understood pistonic behavior, and all is well. If it breaks up, it sounds like crap. If the material is delicate, it will break. If the material is heavy, the resonance frequency is reduced, and you lose sensitivity. You're changing the mass and strength parameters, which I suppose can have an audible effect. This might be a breakthrough in manufacturing techniques, but this isn't a breakthrough in sound.

    2. Re:Speaker materials by JBMcB · · Score: 5, Insightful
      Wooden cones would have a nice wide frequency range.

      There is a whole school of thought in audio engineering, mostly driven by the Japaneese, that a single, crossover-less driver is the way to go in speaker design. The closest thing you can get to a single-driver full-range speaker right now is either an electrostatic, which dosen't go very low. There are many single-driver designs out there, but I haven't seen any that hit the trifecta of high sensitivity (for your 10W Single Ended Triode tube amp, of course :), low distortion, and wide frequency range.

      Think about how wood sounds when you knock it with your knuckles - a nice dull thud. Yes, I'm ignoring all the musical instruments made of wood. I'm talking about your normal block of wood. They already make the vast majority of speaker cabinets out of wood precisely for the low-resonant properties that it exhibits.

      Actually, the vast majority of speaker cabinets are made out of MDF, or Medium Desnsity Fiberboard, or what most subflooring is made out of these days. MDF is just wood dust compressed back together to make a denser, more uniform material. You can get hardwood that's just as dense, but it's much more expensive to start with, and getting a lot of it without knots or other irregularities is *really* expensive.

      The really high end speakers use exotic materials like Corian or granite. Expensive countertop materials seem to be all the rage. The ultra-high-end Wilson Audio speakers mount the tweeters and midranges on a Corian-like material, or so I've heard. The denser the material == the higher the resonant frequency == the less likely it is to resonate, enough for you to hear at lest.

      --
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    3. Re:Speaker materials by Almost-Retired · · Score: 5, Interesting

      Actually, the vast majority of speaker cabinets are made out of MDF, or Medium Desnsity Fiberboard,

      Now I have to relate a story that I witnessed as an employee of a hi-fi business in so-cal back in about 1960. The above statement hasn't always been true.

      We had just received a pair of new Bozak B-305 speakers, and the store owner/manager was a bit of an audio engineer, with as golden a set of ears as mine were at the time.

      He took just one of the two speaker cabinets apart, added some additional bracing struts from top to bottom, front to back, and side to side, then filled it up with about 5x as much of that expanded kraft paper deadening material as the box originally had. Lots of epoxy glue, and even a screw or 20 carefully laid in under the veneer on what started out as a 1" thick plywood box.

      When the glue had cured and it was all back together, with the only external differences seen being a few screws in the back panel, that box sounded like a solid block of marble when tapped with a hammer. I mean it just clicked, no thump at all. The factory stock box still had a bonk to the sound when tapped with the hammer.

      A fellow by the name of Cook had some experimental 78 rpm lp recordings out at the time, from unusual sources, like seismographic sounds of earthquakes in both real time, and sped up so they could be heard, also some persussion solo's on various instruments. The most impressive of these was a tympani solo, where at the end of each phrase of the music, the player released the pedal that tightened the skin, and you could, on the unmodified speaker, hear the squeek of the pedal as it was released, but that was the end of the sound.

      Throwing the switch to the modified box, and replaying that section of the record (we were using a Withers variable capacitor cartridge in its own arm and turntable at the time, a great cartridge, unforch stereo the design couldn't do) the squeek of the pedal was heard just as clearly, but then the air pressure waves in the room told you that the now loose skin was still flapping for about 3 or 4 more bounces. Literally, the room was moving up and down according to your senses.

      Both drivers were the special 'AL' models, and could throw the cones nearly 3/4" both ways from resting without botttoming, or generating any detectable 3rd harmonics from doing it. And they were somewhat more efficient than the soon to come on the market Acoustic Research bookshelf speakers that gave the world halfway decent, compact sound for the first time. We were using a Harmon Kardon amp, the first decent transistorized amp ever, and their magazine advs at the time called it a straight piece of wire with gain. 100 watts, response to almost DC, and was to DC if the input capacitor was shorted via a switch on the rear apron.

      I've since experimented some on my own, but nothing that matched that for shear, stand the hair up on the back of your neck, realism.

      It showed me that you can't make a speaker cabinet too solid. A couple inch thick slab of marble ought to work just fine for box walls.

      Cheers, Gene

  36. How is this NEWS? by DKConstant · · Score: 2, Funny

    I've known for YEARS that alcohol makes music sound better! Where's MY article?

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  37. Re:Audiophile applications by Reverberant · · Score: 4, Funny
    I wonder when we'll see wood-cone based speakers filter into the world of hi-fi, if ever.

    They've been around for some time. They're called "paper cones"

    :)
  38. Hmmm... Wooden speakers... by shigelojoe · · Score: 5, Funny

    I can't wait to get some of these just to have a friend come over, look at them, and say "Cool! Amish speakers!"

    1. Re:Hmmm... Wooden speakers... by Perdition · · Score: 2, Funny

      Man, the Amish that read SlashDot are gonna land on you like a badly-lashed barnwall after that cheap shot. Kiss yo' Karma Gute Nacht, John Book.

      --
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  39. What I'm waiting for... by Perdition · · Score: 3, Funny

    I'm waiting for car audio applications so that the following conversation may be possible:

    "Sir, do you know how fast you were going?"

    "Well, I'm sure I wasn't speeding, officer."

    "Sniff, sniff... Would you kindly step out of the vehicle, sir?"

    "Oh, the smell! You see, my speakers are soaked with sake. You know, for the wood. Wooden speakers soaked in sake! I don't drink and drive. Seriously."

    "Tell you what, sir, just step back here to my car..."

    --
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  40. Actually, resonance is bad in speakers by tentimestwenty · · Score: 5, Insightful

    The resonance of wood soaked in brine or sake may help a Stradivarius, but in a speaker cone the only two factors that make a good one are lightness and stiffness. Any kind of resonance introduces a sound of its own that isn't present in the recording. Hi-fi types refer to this as coloration. If the JVC guys have been working on wood cones for 20 years it's because it is relatively inert, strong and light, not because it adds a particular sonic character of its own. It's very hard to build something that has no negative effect due to its form, yet creates a large positive secondary effect - a basic law of nature and the fundamentals of engineering.

    1. Re:Actually, resonance is bad in speakers by prockcore · · Score: 2, Funny

      in a speaker cone the only two factors that make a good one are lightness and stiffness.

      Funny, I wouldn't think that any alcohol would be associated with stiffness...

  41. Re:What I love about slashdot (Was: Re:Audiophile by mesach · · Score: 2, Interesting

    When most audiophiles speak of Hi-Fi, they are not speaking of the best speakers money can buy at Best Buy, they are speaking to the fact that there are speaker manufacturers out there that sell at places that you drive past all the time but dont know about because, you have to be looking for the type of audio to know that they sell stuff there that you couldn't possibly afford.(not speaking of YOU specifically)

    $550 wont even come close to buying me a center channel let alone a PAIR of low/Highend speakers

    I Personally prefer a good set of ESL's, I just like the sound.

    --
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  42. Re:What I love about slashdot (Was: Re:Audiophile by NanoGator · · Score: 2

    "What *I* love about slashdot is that there is no requirement that a poster must read the effing article before being modded up."

    To be fair, half the stories that Slashdot links to aren't available because of too much traffic. I agree that sometimes stupid comments get modded up, but at the same time, you eventually get sick of even trying to RTFA.

    --
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  43. Re:Rice, eh? by rock_climbing_guy · · Score: 2, Funny

    I follwed that link from your post, but it says that I'm not allowed to visit their web site since I'm not old enough. Can someone here get me a fake ID so I can get in???

    --
    Wh47 d1d j00 541, 31337 15n't t3h r0xor5 ne m0r3???
  44. Three words. by EvilAlien · · Score: 4, Interesting
    --
    perl -e 'print $i=pack(c5, (41*2), sqrt(7056), (unpack(c,H)-2), oct(115), 10)'
  45. Re:What I love about slashdot (Was: Re:Audiophile by eric434 · · Score: 2, Interesting

    No kidding.

    You think those speakers were good... I recently had the opportunity to audition the Kharma Exquisite 1D ($70,000 to $120,000 depending on upgrades), albeit in a sub-standard room. Now that was audio :)

    Granted, the sources were a $15k CD/SACDAC and $75,000 turntable... complete with $30,000 speaker cables!

    No I'm not kidding!
    But man -- it sure sounded awesome. As in, mind-blowingly ear-opening good.

    All I can say is -- if you think $15 headphones is as good as it gets, I both pity and envy you. The former because you haven't heard music reproduction at anything approaching good, and the latter because you don't lust after audio systems that cost as much as a house.

    --
    This .sig temporary until a better .sig can be constructed.
  46. Re:These speakers are for one thing... by prockcore · · Score: 2, Funny

    I will use those speakers specifically for watching anime.

    Nah, put them in your rice burner.

  47. Oh geeze by spoco2 · · Score: 4, Insightful

    Why do people write these things, just because they've had some experience in a similar field? Suddenly they think that they know better than someone who has been working in the area of speaker cone manufacturing for 20 years.

    Have you ever built a speaker cone? Do you know what properties a speaker cone needs? Are they the same as what the body of a guitar needs?

    Did your guitar sides need to flex anywhere near the amount these speaker cones need to? No, you needed the timber to be flexible temporarily and then go back to being hard and rigid.

    DIFFERENT needs entirely from speaker cones which need to be able to handle being constantly vibrated at all sorts of frequencies.

    If you had spent your time building speaker cones from wood using water then fine, maybe your comment would have some weight, but you didn't and you're speaking about something you obviously don't know enough about.

    Do you think he never tried water? Do you think that maybe it's not just initial flexibility that is required? Does water make the wood flexible forever?

  48. Re:so what if it's offtopic by Doomdark · · Score: 4, Informative
    ice is used more heavily in traditional german beers.

    Nope, certainly not TRADITIONAL german beers. Such beers conform to so-called purity standard (whatever it's in german) which defines the few ingredients allowed to be used for beers (water, hop, malt, yeast?). And surprisingly enough, that centuries old list does not contain rice (or corn for that matter). :-)

    --
    I like paying taxes. With them I buy civilization -- Oliver Wendell Holmes
  49. Re:Audiophile applications by kfg · · Score: 2, Interesting

    As a matter of fact, my gut feel on this thing is that that's kinda what they've actually come up with. A better paper cone. At least in a sense.

    Ok, they tried whiskey, and it didn't work. I'm not at all sure why they thought it might. It's dilute alcohol, and if you aren't drinking it one dilute alcohol is pretty much another. Hey, I'll bet Vodka won't work either. Or gin.

    Add whatever acids are in sake to whiskey and I'll bet it won't work either.

    Sake is fermented rice water. Unlike a distilled alcohol it contains a lot of molecules in solution and very fine particulate matter that came from the rice.

    In particular starches.

    What do you want to bet that the wood has become infused with these rice starch molecules and micro particles, which act as a flexible binder for the wood fibers, creating a composite material thats kind of a wood like paper, or paper like wood?

    KFG

  50. Re:so what if it's offtopic by Anonymous Coward · · Score: 3, Informative

    You are absolutely correct. Btw, this used to be a law (untill the EU ruined it), so all german beers are made this way (despite beeing able to make it with cheaper ingredients). Also, norwegian beer is made the same way (they had the same purity laws, in norwegian it's called "renhetsloven", but it got ruined too by the EU). So although it's allowed to make bastard beers in Norway and Germany, it's not done at all. That's why german and norwegian beers are superior.

    PS! your list of ingredients are correct, but yeast was not initially allowed, because they didn't know about it's role in the process.

  51. Re:wow by Anonymous Coward · · Score: 3, Informative

    I am also a luthier. Saying that we use water to bend the sides of a guitar is innacurate. We use the steam that comes out of the saturated wood when we use a bending iron.
    after the wood has cooled down and dried it stays rigid.
    what was needed here is long-term flexability, something that water doesn't afford.
    Sake is made in roughly the same process as wine, so the alcohol content cannot rise above around 6%, due to the toxicity of alcohol to the yeast, so drying out the wood with the alcohol probley isn't a big problem.
    back to luthiery now. The sides of a guitar do not really need to flex, neither does the back. Their function is to amplify the resonance of the soundboard, which is why traditionally the back and sides of a guitar will be made out of a stable, rather stiff wood such as rosewood, mahogany, walnut, or if you like a bright sound, maple. The structural requirements of a guitar's back and sides and a loudspeaker are vastly different. You could possibly make the analogy that a guitars soundboard is like a loudspeaker (which would be a bit of a stretch considering the transient is thousands of times higher in a loudspeaker), in which case the back and sides would be the speakers enclosure, which again, do not have to be flexable.

    you may know a lot about the design and construction of guitars, but compare apples to apples.

  52. Re:so what if it's offtopic by Anonymous Coward · · Score: 3, Interesting

    No no no, Belgian beers are superior. That's why Interbrew is world's biggest (after the merger with Ambev). The whole world drinks Belgian beers: Stella, Hoegaerden, Leffe And we bought Becks, Labbatt's and Bass (and then got screwed by the EU and had to sell Bass because 'Scottish and Newcastle' was turning into a monopoly owning pubs ...)

    And don't get me started on chocolade. For people in the USA/Japan/Other: You have heard of Godiva and/or Neuhaus? Barry Callebaut (in Canada, near Calgary)? Suchard (now 'Milka')?

  53. 20 years without cracking a wood by nfabl · · Score: 2, Funny

    Maybe he should cut back on the sake a bit i say.

  54. This is true, but... by kahei · · Score: 4, Interesting


    The cultural tragedy you describe is real, but in fact there _is_ a tradition of 'real' aged sake, sake that is designed to be drunk old.

    The practise of aging sake goes back to the middle ages. Generally, aged sake was more expensive (but probably revolting to modern taste). This only changed during the Meiji era as financial factors made it more cost effective to offload the stuff asap.

    Old sake, whether aged or spoiled, can be called 'koshu' (often a negative term, but you see it on bottles these days), while sake intentionally aged can be called 'jukuseishu' or jukushu. I agree that this term is often stuck on sake which is actually just black and icky, but nevertheless there is a tradition of intentionally making sake like that.

    The problem is that there is no (commonly known) term to describe how the sake is aged -- there are many ways of doing it which basically produce totally different drinks. So nobody knows what it 'should' taste like, or how dark it should get, which leaves a lot of room for idiots to pay a lot for rubbish.

    --
    Whence? Hence. Whither? Thither.
  55. Re:so what if it's offtopic by foobsr · · Score: 3, Informative

    Such beers conform to so-called purity standard (whatever it's in german)

    In "official" German it is called the "Reinheitsgebot".

    A translation of the original is netted here.

    CC.

    --
    TaijiQuan (Huang, 5 loosenings)
  56. NSW has 5 ingredients by DABANSHEE · · Score: 3, Informative

    Traditionally beer made in New South Wales could only be made from 5 ingredients - water, barley, hops, yeast & sugar. About 30 years ago 'barley' was replaced by 'grain' on the list. Sugar was on the list (ontop of the sugar in malted barley), because it decreases limitations on the brewer, plus up until about a hundred years ago, Australian brewers normally bottle conditioned their beer with a secondary fermentation by adding a teaspoon of cane sugar during bottling. Of the traditional regional brewers I think only Cooper's still does this, as opposed to simply bottling under pressurisation, which brings up a limitation of the ingredient list.

    If one was to use gas to pressurise canned/bottled beer or to pump keg beer, it would have to be CO2 that was tapped by the brewery as a by-product of the brewing process & was thus also made from those same 5 ingredients, such brewer produced CO2 is thus commonly known as beer gas.

    This created all sorts of problems when Guiness started appearing on tap in Oz during the late 70's. You see Australian pubs didn't have hand pumps (that aerated ales with nitrogen enriched air for a creamy head), meaning Guiness on tap had to be pressurised by gas containing a CO2/Nitrogen mixture, yet nitrogen was not a by-product of the manufacture of beer using the 5 allowed ingredients (water, barley, yeast, hops, sugar). So the govt had to legislate a amendment to the liquor act permiting the gassing of beer with gasses other than beer gas. It was also arround time that 'barley' was replaced with simply 'grain' in the permisable ingredients list, so more varied beers could be made.

  57. At Least, That's What HeTold The Auditors... by nightwing2000 · · Score: 2, Funny
    Hmmm... Let's see.
    The auditors have some questions about his business expenses.

    "There's been some very unusual expenses for this lab, would you care to explain..."

    "Well, we've been buying the sake for... ummm... making speaker cones. yes,that's it! We've spent 20 years with our research budget on making speaker cones. Research gets really intense around spring break, and also about the time of our Christmas party, as you can see from our expenses profile..."

  58. making wood plastic by Anonymous Coward · · Score: 2, Interesting

    I am aware of several techniques (such as bathing wood in amonia gas) that can make wood plastic enough to deform like this. The problem is that amonia (and similar treatments) are highly toxic. I would love to hear more about the technique. It should be applicable to model ship building, etc...