"A Sound of Thunder" Movie This Summer
Syberghost writes "Ray Bradbury's classic short story "A Sound of Thunder" is being released thus summer as a movie. It's directed by Peter Hyams, who's done the time travel thing before, but it appears that some of the major characters from the Bradbury story aren't in the credits."
Here's what the Man himself has to say.
they don't accidently harm any animals in the making, wouldn't that be a shame?
Yes!
This is awesome! I have been waiting for a sci-fi remake of Sound of Music! Finaly!
No, i don't like sigs...
I just read the synopsis in the link.
To me, the original story was a great short. The ending was perfect and there was a great timing to everything.
But to make it movie length, it sounds like the bulk of the plot in the movie takes place after the ending of the story. If you want to make a story about time travel changing the present, why ruin a great short by turning it into a preface to another story? Why not just come up with a simple reason history is changed and THEN tell the story about dealing with the changes?
I love Ray Bradbury's stories. There's a wonderful sense of timing, rhythm, playfulness, poetry, horror, and fun. It sounds like some of the most important elements of what makes a Bradbury story so good are being ignored here.
Maybe, instead of wasting the time and money to see this, I'll find a DVD of Francois Truffaut's adaption of Farheinheit 451 and watch that instead.
Considering what they did to I, Robot, I've got a bad feeling about this.
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See there friend, if you flatten me silly, there will be absolutely no way to tell if you've changed the future irreparably! As the changes you've wrought have taken place way way way long time ago in the superpast, well before you and the rest of your crazy civilization were concieved and born, these changes existed before you went back in time to stomp on me and maybe change the entire history of forever!
Who knows! All I know is that I'm a butterfly and that I like nectar. Yum nectar!
(effa why eye, Mozart in Mirrorshades was better)
ALL HAIL THE BEAST THAT ASCENDETH FROM THE PIT WITH HIS CUTE WIDDLE NOSE =^o.o^=
Smart move, but I'm not sure that the guy who directed "Timecop" and "Sudden Death" was the right choice for a replacement...
My money is on the upcoming "Fahrenheit 451" directed by Frank Darabont.
Quick summary: Story takes place in 2055 where time travel is possible and occurs on a daily, regulated basis. Time Safari Inc. offers hunting safaris to any point in the past. You pick an animal, they give you big guns, send you back in time and you shoot your animal dead. Hunters are kept on anti-gravity paths in order to prevent them from changing history through the so-called butterfly effect (stomping on a blade of grass may wipe out Texas in the future, etc.)
The actual story is simple. A hunter goes back on a T-Rex safari, panics and runs off the path. He kills a butterfly in the process. The safari returns and finds the future changed for the worse. The end.
It's the one where they go hunting the dinosaur, right? And one guy crushes a butterfly and changes history. They get back to the future and the written language is completely changed, but the result of an election merely flips, as if the written language could changed, and there'd even BE an election, much less with the same two candidates.
I even recall an interview with Bradbury where he admitted the ending was not very well thought out.
There's a much better short story (I forget who wrote it) where they send a spherical probe back in time, and a project scientists is talking to reporters. The probe bounces back and forth in history, and each time we go back to the press conference, the people slowly change from humans to weird alien creatures. At the end of the experiement, the speaker declares, "See? Nothing is chnaged!"
--- Ban humanity.
It's a short story. Adapting a short story into a full-length feature film that remains faithful to the original story takes more talent, artistry and loyalty to the source material than anyone in Hollywood is willing, or able, to provide. This could still turn out to be a good film, of course; they don't always screw up. Although chances are they will.
Ah, you see, you saw that PR piece in the other timeline, the one where Czechosolvakia ceased to exist on the first of January, 1993 .
I always thought it would maje a good (or great) Twilight Zone story, but there would have to be some big padding to make a whole movie.
It may end up like the "Running Man" by Richard Bachman (aka Stephen King), in that the written story was good, the movie was good but they didn't actually have much in common. Bit like Blade Runner really...
When they came for the communists, I said "He's next door. Take him away. Goddam commies."
Actually, the first Terminator was pretty good with time travel, the best part being where Reese has some cheesy Polaroid of her, and talks about wondering what she was thinking when the shot was taken, and we find later, when the picture is taken, she was thinking of him (OK, so mushy, but still consistent). Terminator II had no problem destroying the timeline, creating a paradox where in the present, they destory the inspiration for teh future, which would send them to the present. I never saw Terminator III, even the thought of a naked Terminatrix couldn't bring me to rent it, so don't know how it's handled.
From that one story you have hosts of other authors refering to "butterfly effects" and "quantum butterflys".
That's not a simple accomplishment given the length of the story. But then, I like a lot of his stuff.
Has anyone read up on this?
Not only have they completely missed the point of the story, they've come up with some lame ass idea in order to make an action film out of it.
The story additions don't make any sense - he wipes out humanity, so they must go back to fix it? Well, if he wiped out humanity, who is it that's going to go back exactly? And if he wiped out humanity, that's a paradox! He would have to exist in order to go back and screw up the timeline.
Of course, they solve this by using a "time wave" which hasn't caught up with our time yet (then, how did were they able to travel back?).
But if it hasn't caught up, how come their reality is "markedly different"?
This is a classic screenwriting short cut. This is the writer forcing the story to serve his master (director, producer or simply his own ego) rather than letting the story play itself out based on the setup and the characters. This is just a plot device not meant to be thought about too much... well, that's fine in a Britney Spears movie, but we're talking Bradbury here. This is a science fiction story. Science fiction stories are meant to be thought about. That's the whole point! They're not about ray-guns and futuristic technology. They're metaphors for things in OUR lives. They're about people, not technology. The technology is just a tool.
Of course, having seen the horrible Timecop, I know just how much Peter Hyams cares about logic and people in his movies, so this is not a particularly surprising turn of events.
However, I will not be spending a dime to see this movie. This is something I will download and proudly announce to the world that I did so just to protest the butchering of the story.
I would gladly shell out $10 to see this story on the big screen, if it was done by ANYONE other than Hyams, who seems to have a particular fetish for destroying Science Fiction as a genre (Capricorn One, Outland, 2010, Timecop, The Relic, End of Days). This guy hasn't made a single tolerable SciFi movie, and THIS is the guy filming one of the great sci-fi short stories of all time?
-- This sig for rent.
Someone needs to go back in time and stop all these Hollywood production companies from picking up the rights to every book/classic movie on the planet and making dry/predictable over budgeted remakes/sequels. I will obviously have to see the movie too make a final judgment however I would say the majority of remakes/sequels lately have been pretty poor quality.
From my childhood reading of science fiction, I always remember Sound of Thunder(Bradbury) and Let the Ants Try(Pohl). Both had a profound effect on my way of thinking.
I spent many days as a young kid wondering if it would be possible to change history - after all if you changed the future, would the future you have gone back into the past at all?
I learned the answer many years later in electronics. In electronics, it's called "Negative Feedback"... ie, take the output signal and feed in back into the input... The output affects the input, but the signal still continues.
Now I wonder on how such a simple well thought out story can possibly change the future by altering the way people think and view the world.
Still many of Ray Bradbury's original stories still occupy parts of my idle thoughts even this much later.
That this man's writing has affected my thinking for so long and has permeated my thoughts enough to consider things I may have never considered otherwise is reason enough to see how the movie turns out...
GrpA.
Enjoy science fiction? "Turing Evolved" - AI, Mecha, Androids and rail-gun battles. What more could you want?
for anyone else who enjoyed this story, check out the book that it was published in: R is for Rocket.
although 'A Sound of Thunder' is one of my favorite Bradbury stories, right up there with 'There Will Come Soft Rains' -- I think that the entire 'Maritian Chronicals' will forever be my favorite.
Your prior bandwidth theft, in just the last 24 hours:
- here
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karmatic - thief and karma whore....Don't imagine that because a character isn't listed on IMDb 4.5 months before release, the character isn't in the film. IMDb rarely has complete credits this far before release. I'm surprised the Slashdot editors let such a silly claim through.
I'm sure the folks at IMDb appreciate that you take their listings so literally, but they try to get a title into the database as soon as it's confirmed that the film is actually greenlighted. That initial listing may have nothing more than the studio, writer, director and one or two stars. Then they add more credits and other info as they become available.
I know people there. They won't have "full" / "official" credits until they get them from a studio source (a month or two before release), a press kit (a week or two before release), or if the studio is still afraid of the Internet (and some are), they get the full credits after the film is released, usually from dedicated users who sat through the credits in theaters, scribbling furiously.
- Greg
Start a happiness pandemic
One of the producers is Moshe Diamant who not only produced but also wrote Simon Sez, a film with Dennis Rodman as male lead. let that sink in.
Moshe knows quality.
No one I trust more than Moshe to do justice
to a Ray Bradbury classic..
Well, Harlan Ellison wouldn't like it at all!
But at least I could read it again.From the story:
TYME SEFARI INC.
SEFARIS TU ANY YEER EN THE PAST.
YU NAIM THE ANIMALL.
WEE TAEK YU THAIR.
YU SHOOT ITT.
Wow! Bradbury predicted IRC!
The latest Slashdot meme.
Given that, the "Time Cop" guy probably wasn't an inappropriate choice.
Here!!
It seems it was not The Twilight Zone or The Outer Limits after all.. It was on Ray Bradbury Theater .
Much as I love and respect Ray Bradbury's writing, and much as I wish your claim were true, it simply isn't: most of those references to "butterfly effects" you cite actually relate to Chaos Theory, and apparently are attributable to none other than Lorenz (of Attractor fame) in the title of a 1972 talk entitled "Predictability: Does the Flap of a Butterfly's Wings in Brazil set off a Tornado in Texas?"
SIERRA TANGO FOXTROT UNIFORM
He's also annoyed that Michael Moore is playing off his title:
"He can't have my title," said Bradbury. "We've got an important film coming out, the book's having its 50th anniversary in October. If he wants his movie to be an homage to me, why not title it, 'Bradbury, where the hell are you now that we need you?'"
The thing with Twelve Monkeys is that we get to know so little about the future/present/whatever, that we don't really know whether anything gets changed, and so there is very little basis for saying anything about it's tretment of time travel.
Couldn't the fact that the dinosaur was killed in a different spot on the ground affect history just as much? Who knows how many butterflies it crushed when it fell, and how many other butterflies it failed to crush a few yards away? I cannot believe he safari company did not think of this, as they went to extremes to preserve history in every other way. Things like this really bother me, as you can tell.
I almost worked on this - the script was AWFUL and way weaker than the short story. There is no logic to the premise and they successfully transferred that to the script. But..with the right amount of effects and marketing it'll probably break even.
If anyone is familiar with the works of L. Sprague de Camp, he also penned a classic story of going back in time to hunt dinosaur, and what happens when one of the hunters decides to kill his expedition.
Bradbury's story was published in 1952's 'R is for Rocket', while de Camp's published in Galaxy Science Fiction in 1956.
I wonder if the similarities were intentional or accidental, seeing as both were well known in the "sci-fi" genre at the time.
According to the IMDb (the alpha and the omega of movie sites) the film is slated for an October release in the US, not summer as originally reported. --FilmGuru