NYT Magazine: Are Comics The New Mainstream Novels?
securitas writes "The New York Times Magazine cover story this week is a (typically) long feature about the rise of comic books and graphic novels into mainstream culture, with writer Charles McGrath (former editor of the Book Review) stating: 'Comic books are what novels used to be -- an accessible, vernacular form with mass appeal ... perfectly suited to our dumbed-down culture and collective attention deficit.' McGrath cites the mid-1980s birth of a movement that began and fizzled with Maus (Art Spiegelman), Love & Rockets (Hernandez Bros.) Watchmen (Alan Moore and Dave Gibbons) and Batman: The Dark Knight Returns (Frank Miller). The current renaissance in graphic novels include non-fiction Palestine (Sacco), non-fiction Persepolis (Satrapi) which has sold 450,000 copies, Ghost World (Clowes), American Splendor (Pekar), Road to Perdition (Collins) and Chris Ware's Jimmy Corrigan: The Smartest Kid on Earth, which won the 2001 Guardian Prize for best first book and has sold 100,000 in hardcover. McGrath interviews Marjane Satrapi, Julie Doucet, Joe Sacco, Art Spiegelman, and Alan Moore, among others. The article also has a multimedia interactive feature with many of the graphic novelists (registration required) in the magazine article."
The author of the article barely makes mention of it except to crack a joke. Manga has been mainstream entertainment for people of all ages/social status for years in Japan, and accounts for about 1/3 of all books and magazines published there (and several billion US dollars in sales). Where 'Comic Books' are considered Geeky in the US, Manga is read by everyone from children to housewives to businessmen.
It's about time we started catching up...
Urge to post... fading... fading... RISING!... fading... fading... gone.
> Are Comics The New Mainstream Novels?
This may be true, although I have a slightly different perspective. I think we just really like the people who make comics, because they are expressive people; these same people could do anything else and we would like it just as much. For example, take Scott Adams, the creator of Dilbert. I have been holding out for the next Scott Adams novel (not comic, read: handbook). I was greatly amused, and felt better protected against the weasels in society, after reading "The Way of the Weasel." This was a fantastic read, filled with cynical, yet practical knowledge, to help combat the weasels ruining our workplaces and our private lives. Sure Dilbert comics make an appearances in TWotW, to illustrate concise points, but they only accent the rest of the book and support points raised with classic Dilbert humour. His writing is stunning -- and wholly useful. I can only hope he writes another one of these because I found it totally useful, as I'm sure many of you have.
The dangers of knowledge trigger emotional distress in human beings.
...for all your dumbed down graphic-novel reading needs.
Seriously, if you've never read it, it doesn't get more bloody or offensive than that... my favorite graphic novel by far.
Perfectly suited to our dumbed-down culture and collective attention deficit...
I think that's a bit harsh for novels and graphic novels. Some of the comics cited above are difficult, intelligent stories with involved character development and a good story to tell.
Calling that dumbed-down undersells the artists and the readership.
I'm pretty sure someone was saying that about Dickens in his day.
How can you have a post on graphic novels without including Neil Gaiman's "Sandman" series? ;)
:)
Seriously, this is some of the most amazing stuff ever to come out, both with respect to storyline and art. Gaiman is a master wordsmith and weaves elements of ancient religion, existential philosophy, and wry british humor into his works. More here, here, and at Gaiman's Blog.
Seriously, check it out. This stuff is awesome
-JT
Don't get me wrong: I'm a lifelong fan and reader of the medium, I've done a little on the creative end of it as well, and continue to do so as an avocation. But it is not (yet) a phenomenon of mainstream media.
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