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EFF's Letter to the Senate on INDUCE

z0ink writes "Picked up off of EFFector today a letter to all US Senators on the topic of IICA (Inducing Infringement of Copyrights Act of 2004 -- formerly the INDUCE Act). 'In February, EFF proposed an industry-led collective licensing solution that would ensure compensation for copyright owners while minimizing the need for governmental intrusion into the digital music marketplace,' writes EFF Executive Director Shari Steele in the letter. 'It's time for a solution to the P2P conflict that pays artists, not lawyers.' IICA has been covered here on Slashdot with more information available here."

189 comments

  1. Copyright owners != artists by 0123456 · · Score: 5, Insightful

    "It's time for a solution to the P2P conflict that pays artists, not lawyers"

    Of course most copyrights are owned by publishers, not artists...

    1. Re:Copyright owners != artists by Valar · · Score: 0

      Source?

    2. Re:Copyright owners != artists by pinkocommie · · Score: 1

      The more public awareness about that, the more chance artists won't be crushed by the RIAA / ClearChannel?

    3. Re:Copyright owners != artists by EvilCabbage · · Score: 4, Insightful

      A P2P system designed with a more direct artist > consumer flow in mind could alleviate that problem too.

      Then of course it'll be blamed for putting a whole shitload of fat guys in suits out of work, they'll buy some more laws to put a stop to it, etc...etc...etc...

      Damn, I have become cynical lately.

    4. Re:Copyright owners != artists by sotonboy · · Score: 5, Insightful

      I dont think putting fat guys in suits out of work is a bad thing. And if you do create the more direct flow of cash to the artist then the fat guys wont have the money to buy the laws. Once it starts it may well snowball.

    5. Re:Copyright owners != artists by Short+Circuit · · Score: 3, Funny

      putting a whole shitload of fat guys in suits out of work

      It's for their own good. They'll lose weight that way.

    6. Re:Copyright owners != artists by rokzy · · Score: 2, Informative

      look at what follows the "little c in a circle" on CDs etc.

    7. Re:Copyright owners != artists by AKnightCowboy · · Score: 1, Insightful
      Then of course it'll be blamed for putting a whole shitload of fat guys in suits out of work, they'll buy some more laws to put a stop to it, etc...etc...etc...

      I wouldn't be too worried about those guys. I'm sure John Kerry's presidential administration would pick up any ex-RIAA executives and offer them positions of power. The democrats have a love-fest going with the entertainment industry just like the Republicans are supposedly controlled by Halliburton. :-)

    8. Re:Copyright owners != artists by Anonymous Coward · · Score: 0

      I dont think putting fat guys in suits out of work is a bad thing.

      Unfortunately,

      (a) the fat guys in suits do not share this admirable sentiment, and
      (b) our laws are mostly made by fat guys in suits.

      I'd love to see that change as much as you would, but I honestly don't see how we're ever going to start the metaphorical avalanche when there's a metaphorical security guard at the top of the metaphorical mountain with a metaphorical license to shoot dead anyone who tries to make the first metaphorical snowball...

    9. Re:Copyright owners != artists by finkployd · · Score: 1

      Then of course it'll be blamed for putting a whole shitload of fat guys in suits out of work

      You are going to have a hard time convincing fat lawyers in suits (Congress) to put other fat lawyers in suits (RIAA) out of business.

      Finkployd

    10. Re:Copyright owners != artists by goldspider · · Score: 3, Informative
      That's called treating the symptom, not the problem.

      The problem is that entertainers (I refuse to call most of them "artists") are still signing contracts with the RIAA.

      Any solution to the "P2P conflict" will have to center around getting entertainers to stop signing with the RIAA. Once that happens, the RIAA has absolutely no power over the entertainer and the means they choose to distribute their music.

      --
      "Ask not what your country can do for you." --John F. Kennedy
    11. Re:Copyright owners != artists by tehcyder · · Score: 1
      I know copyright law is different in America than the UK, but surely copyright by definition belongs to the artist (or their heirs)?

      If I write a book/song, I have the copyright of it.

      --
      To have a right to do a thing is not at all the same as to be right in doing it
    12. Re:Copyright owners != artists by geminidomino · · Score: 3, Insightful

      Generally that's the case, but in the US at least, we have what's called a "Work-For-Hire" clause which states that the result of said work belongs to the one doing the hiring, NOT the one doing the creating.

      I wouldn't be surprised to find that standard RIAA boilerplate includes such a clause.

    13. Re:Copyright owners != artists by Rhesus+Piece · · Score: 4, Insightful

      I'm not expert, but my understanding of the music industry leads me to believe that the "fat guys in suits" do serve a genuine purpose.
      They may get paid too much for what they do, but they do stuff.

      Artists cannot go national on their own; they somebody to invest in studio time, radio distribution, etc.
      From what I've seen, most artists in this day and age just go where they are told and say what they are told by their Handlers.

      In short, you don't become big without luck or a very talented promotional team.
      I, for one, would prefer the artists get to concentrate on performing and writing.

    14. Re:Copyright owners != artists by pyros · · Score: 1

      What is copyrighted there is not the songs themselves, but that particular recording. So the artist who wrote the song (and thus most likely owns the copyright on the music and lyrics) is free to re-record or perform the song without having to worry about royalties to the publisher.

    15. Re:Copyright owners != artists by mwood · · Score: 1

      Unless the artist sold the copyright to the publisher. Isn't it common practice that the publisher isn't interested in your creation unless he can own it altogether?

    16. Re:Copyright owners != artists by Valar · · Score: 1

      So, you've looked at enough published works to say that the majority of copyrights are owned by publishers? As in, you've looked at a large enough sample to tell that over 50% of creative works covered by copyright have those copyrights assigned to publishers? I was looking for a link to some stats, preferribly from some kind of academic survey.

    17. Re:Copyright owners != artists by dgatwood · · Score: 4, Insightful
      Ah, but the main reasons that artists can't go national on their own is that A. they are being artificially repressed by payola (or something resembling it), B. the recording industry's marketing machine is a juggernaut, an 800 lb. gorilla, if you will, and the individual artist is forced to compete with that, and C. most of the major media venues are owned by the same parent companies as major recording companies, so there is no incentive for them to provide alternate mechanisms for non-major-label artists.

      Let's break this down one point at a time.

      Studio time: I think there are at least three recording studios in people's homes in my neighborhood. Most of them are highly computer-based, costing a tiny fraction of what a major label studio would cost to build, but still providing similar quality. That's not saying that finding a good engineer isn't important, but a good engineer costs a tiny fraction of what it costs to rent a studio, which in turn is a tiny fraction of how much many record company-owned studios screw you for if you are signed with their label....

      Radio distribution: this one is easy. It's not like books where the cost of publication is huge and you have to be hyper-selective. You just need a handful of companies that take submissions and distribute them to radio stations. Your band would sign a waiver of liability to protect the company if you ripped off somebody else's music, and then your music would go in a slush pool. There are already a few companies that do this, though they mostly target Muzak-type markets rather than radio stations.

      Anyway, with such a mechanism, radio stations who wanted to be indie-friendly could then simply grab a random 24 songs (one an hour) from the slush pool and play them, then report upstream on whether people called in and said "that song rocks" or "that song sucks". The slush pool songs would have someone reading a URL at the end telling where you could find that artist on the distributor's website ("to hear more by this artist, search for 'My Sucky Little Band' at megamusicdb.com". Music that got a good response could be weighted higher than music that got a bad response, and thus would naturally get more airplay. The weighting could be segregated by target audience, by region, by genre, whatever.

      Most artists who "just go where they are told and say what they are told by their Handlers" end up making cookie cutter music that appeals to teenagers for three weeks, then dies out. And you're right that those sorts of disposable pop stars could never make it on their own. That doesn't mean that there aren't artists who could.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    18. Re:Copyright owners != artists by antiMStroll · · Score: 2, Insightful
      "..somebody to invest in studio time, radio distribution, etc.

      What's often forgotten is the artists already pay for this in the form of 'advances' from the record companies against future earnings. Record companies lose if future earnings don't materialize, but that's a risk management issue undertaken by banks, relatives and bookies every day and I see no reason for federal legislation to support RIAA member's poor performance in this respect.

    19. Re:Copyright owners != artists by TheScorpion420 · · Score: 0

      Perfect example, DMX in his last movie(Cradle 2 the Grave, IIRC, i may be wrong) he wanted to use his own music in it and his record label(DOn't recall who) wouldn't let him, so he basically told them to f*ck themselves. Check it out here

      --
      If you pay your taxes you support terrorism!
    20. Re:Copyright owners != artists by Richard+M.+Nixon · · Score: 2, Interesting

      Any solution to the "P2P conflict" will have to center around getting entertainers to stop signing with the RIAA. Once that happens, the RIAA has absolutely no power over the entertainer and the means they choose to distribute their music.

      There is also the problem that the majority of music is purchased by people with little musical knowledge: Teenagers

      Their primary exposer to music is mainstream radio, thus without knowing that anything better exists, they are happy to eat up the tripe the RIAA serves them.

      I suggest that we start kidnapping teenagers, tying them up, and forcing them to listen to music like John Coltrane and Miles Davis.

      What???

      Why are you looking at me like that?

      You'd probably go for the idea if JFK had suggested it.

      On a more serious note, while teenagers tend to buy more music, us grown ups do have more disposable income. If we want to loosen the RIAA's power we need to support non-RIAA artists, especially those who are openly critical of the RIAA, Clear Channel, and support p2p systems.

      Or, on a smaller scale, if you are thinking of buying 2 cds, but only have the money to buy one, and one is on an RIAA label, and the other isn't.....

      --
      Nobody died when Nixon lied.
      I'm meeting you half way you stupid hippies!
    21. Re:Copyright owners != artists by bit01 · · Score: 1

      Some good points.

      An important factor is that the market size is pretty much constant - x people each listening to y hours of music with z amount of attention each day.

      Given the excess of supply if one performer wins then another performer must lose. With a smaller number of mass market performers more will lose. By having a larger number of more indie performers (less marketing in other words) there'll be more winners, though they may not win as big. That's a healthier, more vibrant market.

      ---

      It's wrong that an intellectual property creator should not be rewarded for their work.
      It's equally wrong that an IP creator should be rewarded too many times for the one piece of work, for exactly the same reasons.
      Reform IP law and stop the M$/RIAA abuse.

    22. Re:Copyright owners != artists by Valar · · Score: 1

      I know this happens. I don't doubt that. You see it everyday. I was looking for some statistical evidence supporting the meme that this is nearly universal.

  2. No comment by duckandcoveranduck · · Score: 1, Funny
    From the website:
    EFF is a nonprofit group of passionate people -- lawyers, volunteers, and visionaries -- working to protect your digital rights.
    1. Re:No comment by Short+Circuit · · Score: 1

      Who said the money would go to the EFF?

    2. Re:No comment by Rosco+P.+Coltrane · · Score: 4, Informative

      EFF is a nonprofit group of passionate people -- lawyers

      I hear some lawyers are more than just profiteering bastards and actually want to change things...

      --
      "A door is what a dog is perpetually on the wrong side of" - Ogden Nash
    3. Re:No comment by TykeClone · · Score: 1, Insightful

      And I'll bet both of them would be ashamed to share a profession with the ambulance chasers that are so prevalent today.

      --
      A fine is a tax you pay for doing wrong and a tax is a fine you pay for doing all right.
  3. Lawyers by Rosco+P.+Coltrane · · Score: 3, Insightful

    It's time for a solution to the P2P conflict that pays artists, not lawyers

    It's time for a solution to any problem that never involves lawyers.

    Lawyers are a kind of leech that is created by the government itself: the law that governs what citizens are or aren't allowed to do (that means all of us) has become so complicated that we, the citizens, have to hire 3rd parties who are versed in its intricacies, to "interface" with the judicial system. This certainly isn't new, and it's the same thing in all countries in the world, but it never fails to infuriate me.

    Make the law simpler, and (1) the leeching caste of the lawyers will not be required each and every time you have to talk to a judge, and (2) since people won't necessarily lose money on attorney fees, frivolous lawsuits designed to impoverish the defendants, or threaten to do so like the RIAA's strong-arm technique of wrestling 3 grands out of 13 year old teens, will disappear.

    --
    "A door is what a dog is perpetually on the wrong side of" - Ogden Nash
    1. Re:Lawyers by meringuoid · · Score: 2, Funny
      It's time for a solution to any problem that never involves lawyers.

      I tell you what: the first thing we do, let's read Henry VI part II, act iv, scene ii.

      Good advice from 410 years ago.

      --
      Real Daleks don't climb stairs - they level the building.
    2. Re:Lawyers by Anonymous Coward · · Score: 2, Funny

      Someone on Slashdot actually spelled 'lose' correctly!

    3. Re:Lawyers by NoMoreNicksLeft · · Score: 1

      Isn't the guy saying that a tyrant wanting to take away people's rights?

    4. Re:Lawyers by Anonymous Coward · · Score: 0

      I think you mean someone on Slashdot actually spelled 'loose' correctly!

    5. Re:Lawyers by robertchin · · Score: 1

      Remember that laws can never give you any rights, they can only take them away. That is, they never govern what a citizen can do, only what they can't do.

    6. Re:Lawyers by Anonymous Coward · · Score: 0

      Let's not forget that lawyers are hired by someone/something. They only do the job they are hired (and paid) to do. While there may be too many laywers -- good and bad -- their profession is filling a demand. New stupid laws help create a demand for their services.

      The real problem are the entities that feel they need a lawyer to solve a problem. Maybe if people behaved in a more civilized manner they wouldn't feel the need for laywers or stupid laws in the first place.

    7. Re:Lawyers by Japer+Lamar+Crabb · · Score: 1

      Far to late to be germane to the thread, but... (if your question isn't a rhetorical one) emphatically yes. I post this less out of love for lawyers (one too many in my family who are successful in their careers yet mediocre human beings) than an overall respect for what an effective legal system affords the citizens it serves. Redresses against organizations of compelling influence and overwhelming power (state or commercial) are accommodated in court (under an English-derived legal system, at least). Doesn't always work, isn't always pretty, but, aside from convincing legions or nations that yours is a righteous cause, it is the place one has to contend for justice. Makes you wonder just who is so emphatically anti-lawyer as to rescind such avenues, masquerading under the project of a more equitable society.

      Now to drift off with too much red wine and too much time on my hands...

      --
      Habit is the ballast that chains the dog to his vomit - Samuel Beckett, "Proust"
  4. One big problem by millahtime · · Score: 3, Insightful

    One big problem is that Washington is made up of a lot of lawyers. Like they will allow the money to flow away from them.

    Not sure which is more greedy...the record labels or the lawyers. They both want all the money and are not worried about the artist.

    1. Re:One big problem by Pendersempai · · Score: 1

      Oh please. Washington is made up of politicians who will not see one red cent if another million bucks drains into the legal industry.

    2. Re:One big problem by DAldredge · · Score: 1

      Most of them where lawyers before they came to washington and most of them will still be lawyers when the leave.

      What is it about /. that makes people make statements that they say are 100% true but they KNOW are made up bullshit?

    3. Re:One big problem by Anonymous Coward · · Score: 0

      lawyers are the only group of people that are only ultimately accountable to people in their same profession. i don't have numbers, but most all judges were lawyers, most all lawmakers were lawyers, etc. not that you can paint all lawyers with one brush, but at least every other profession has eventual accountability to people with a different perspective. i don't think issues like tort reform and staggering legal fees on class-action suits will ever get resolved as long as its up to lawyers and ex-lawyers to resolve them.

    4. Re:One big problem by bluGill · · Score: 1

      True, but the people have one advantage that those in Washington worry about: votes. When people start informing themselves about issues (all the issues, not just abortion, or just copyrights, but every single one!) and make informend choices, instead of voting for whoever has the most memorable adds, or who looks best on TV things will change. Start with yourself, make sure you vote, and vote based on what they will do (and in case of those with a history anywhere, what they have done). Or if you can't bother to do that, stay home and let those who care vote. (Just beware that we might decide to ruin your life while your not looking, a chance you take)

  5. I've tired writing my Senators and Congressman by Mr.+Neutron · · Score: 5, Interesting

    But it's like talking to a brick wall. They see this as a "protecting against theft" issue, and no amount of oration will change their minds. The concepts of freedom to invent and create without worrying about being liable for any and every violation that might produce is lost on them. The concept of fair use, and reasonable limits to copyright are lost on them.

    I give up.

    --
    dinner: it's what's for beer
    1. Re:I've tired writing my Senators and Congressman by Short+Circuit · · Score: 2, Interesting

      How about sending them all a letter containing a list of all the children's stories and scientific literature that is public domain?

      Here's some examples of public domain fiction:

      Brother's Grimm stories (itemize them)
      Peter Pan
      Gulliver's Travels
      (And other collections of children's stories.)

    2. Re:I've tired writing my Senators and Congressman by Anonymous Coward · · Score: 0

      A couple of them seem to care. However, I think you are right for the most part.

    3. Re:I've tired writing my Senators and Congressman by Anonymous Coward · · Score: 1, Insightful

      Try including a few hundred thousand dollars in bearer bonds with your letter. That's what Jack & Hilary do.

    4. Re:I've tired writing my Senators and Congressman by Anonymous Coward · · Score: 0

      We all know that Peter Pan and Snow White have been written by Disney's lawers!

    5. Re:I've tired writing my Senators and Congressman by 91degrees · · Score: 1

      I don't think Peter Pan is Public Domain in the US for another 8 years or so.

    6. Re:I've tired writing my Senators and Congressman by Short+Circuit · · Score: 1

      I'm thinking of the original text story, not the animations or other performances. Granted, I don't know the original copyright date.

    7. Re:I've tired writing my Senators and Congressman by 91degrees · · Score: 1

      Death of author + 75 years isn't it? JM Barrie died in 1937.

      But this is just a nitpick. There are many great works in the public domain, and we can probably find a lot of cases of fair use and public domain works being greatly beneficial both to the public and large corporations.

    8. Re:I've tired writing my Senators and Congressman by Anonymous Coward · · Score: 2, Informative

      I wrote Feinstein and this is what she wrote me back. Looks like I know who to vote against next time she's up for reelection (I don't think she's up this time)....

      Her repsonse:
      Thank you for writing to me about music file-sharing. I
      appreciate your thoughts on this important topic and welcome the opportunity to respond.

      I have always believed that the protection of intellectual
      property rights is vital to a flourishing economy -- particularly in
      California. As new technologies, such as P2P file sharing, have
      developed over the past few years it has become increasingly
      difficult to protect intellectual property from illegal copying and
      distribution. I believe that we must work to prevent the creation of digital copies of copyrighted works that can be illegally distributed throughout the world.

      The "Inducing Infringement of Copyrights Act of 2004" (S
      2560) is currently pending consideration in the Senate Judiciary
      Committee, of which I am a member. I will certainly keep your
      thoughts in mind should this legislation come up in the Committee.

      Again, thank you for writing. Should you have any further
      comments or questions, please feel free to contact my Washington, D.C. staff at (202) 224-3841.

      Sincerely yours,

      Dianne Feinstein
      United States Senator

  6. Give 'em a chance by seaniqua · · Score: 5, Interesting

    I hate lawyers as much as the next guy, but this is a good thing.

    The current online music business model sucks a big fat one. If improvements were made (better availabiliy of new and non-pop artists, choise of file size including lossless, etc.) and the fee were changed to a per-month system, I think enough people would switch over and make it work. I would gladly pay $10 a month for unlimited downloads of lossless material (the EFF says $5, which is derived from the statistic that the average american spends $60 a year on CDs, I would recommend a higher amount, though, because I expect that people would download more music in this system than they would buy in a store).

    --
    That's right, I read at +2 and post at +1. Not even I care what I have to say.
    1. Re:Give 'em a chance by hyphz · · Score: 3, Insightful

      But it was a stupid letter.

      The big music companies can't be forced to block-license their output. They do it for radio stations because it's in their interest to have their songs played in a context where a) large numbers of people can hear them, and b) if their song isn't playing, someone else's would be.

      Neither of these applies to individual downloads. The fact you're listening to their song doesn't mean that large numbers of people will hear it. And, if you want to hear a particular song and find it isn't available for online download, it isn't particularly likely that you'll run off and buy another song which IS available for online download. (Unless you're an EFF protestor, but that's too small a group.) And if you say "if it isn't available for legal download I'll pirate it" then they'll call for the handcuffs brigade. It's ridiculous to suggest that the suggestion for addressing the devaluation of a law should be backed by the threat of breaking that law.

      Nor do either of these apply to "internet radio stations" where there are far too many for any one to have significant coverage.

    2. Re:Give 'em a chance by bubblenut · · Score: 1

      Who, whom on average spends less than $60 a year on music would spend $5 a month to download it? I would suspect the average needs to bumped up further.

    3. Re:Give 'em a chance by oneandoneis2 · · Score: 1
      it's in their interest to have their songs played in a context where a) large numbers of people can hear them, and b) if their song isn't playing, someone else's would be.

      Neither of these applies to individual downloads.

      No, but what DOES apply is that it's to their benefit to make some money out of people getting their music from P2P rather than getting nothing but lawyers' bills.

      Nothing they can do will prevent people from sharing files over the Internet. The sooner they stop trying to turn back the clock and learn to embrace new technology instead, the happier we'll all be: We'll have more music available, they'll be making money from a new market (and spending less on lawsuits).

      Everybody wins. They just haven't realised it yet.

      --
      So.. it has come to this
    4. Re:Give 'em a chance by Homology · · Score: 0
      I hate lawyers as much as the next guy, but this is a good thing.

      Gee, the "I hate XXX as much as the next guy, but ..." is so very conductive to a constructive dialog. It clearly shows that you have a balanced view of the said hate object, and is dealing with the matter in a fair, considerate and informed way.

    5. Re:Give 'em a chance by Anonymous Coward · · Score: 1, Insightful

      That's not what they want. It's clear WHAT they want is to prevent anyone from creating/copying music without permission from them.

      Sounds like a perfect monopoly to me.

    6. Re:Give 'em a chance by sgtrock · · Score: 2, Interesting

      I used to buy at least a couple of CDs a payday. I passed outside the RIAA's primary demographic of 18-34 quite a few years ago, and my music buying habits did diminish quite a bit. I was down to maybe one a month.

      About 5 years ago I quit buying any due to financial constraints. Once my situation improved, I didn't start buying CDs because; (a) I finally understood how the RIAA operates, (b) I really don't have time to sample tracks on sites like mp3.com anymore, and (c) my tastes run to mainstream music, mostly country.

      Would I pay $10/mo just to be able to DL lossless music? Nope. Would I have 20 or 30 years ago? Doubtful. But back then you could still get some damn fine concept albums. Live albums, story albums like Jeff Lynne's "War of the Worlds", Rush 2112, almost anything by ELP (Emerson, Lake, and Palmer), Frank Zappa, the Grateful Dead, etc. Lots of good stuff. Now, albums just don't seem to hang together as well.

      The point is that I bought albums because I wanted to hear all the tracks that never got airplay. So many of them were such great songs.

      If there was a $5/mo service I'd be more interested, even if there were further surcharges for DLing songs. $10/mo for a service that I would only use infrequently sounds like too much.

      Just my .02. No one else's. :)

    7. Re:Give 'em a chance by ccady · · Score: 2, Insightful

      The point is that I bought albums because I wanted to hear all the tracks that never got airplay. So many of them were such great songs.

      Interesting. Most people complain that they are forced to buy 11 tracks of crap just to get a single track that they like.

      --
      J'aime mieux les méchants que les imbéciles, parce qu'ils se reposent. -- Alexandre Dumas
    8. Re:Give 'em a chance by grahamm · · Score: 1

      I wonder why it is that whenever a news story mentions 'legal' music downloads only 'pay to download' sites are ever mentioned. Similarly with 'charts' of downnloads. The 'download legally for free' or 'purchase direct from the arist' sites are never mentioned.

    9. Re:Give 'em a chance by tsg · · Score: 2, Insightful

      The big music companies can't be forced to block-license their output. They do it for radio stations because it's in their interest to have their songs played in a context where a) large numbers of people can hear them, and b) if their song isn't playing, someone else's would be.

      Actually they can. The recording industry fought the compulsory licenses instituted for radio because they lost some control. It was in the consumer's best interest to have the compulsory licenses so the radio stations couldn't be held hostage by the recording industry. The same thing with cable television. Broadcast television programs have a compulsory license when shown on cable. That was to prevent the broadcast stations from being able to kill the CATV market by making the licenses too high.

      The same situation exists here. If the licenses are not compulsory, the recording industry can simply make the licenses so high that it's cheaper to buy a CD and thus protect their business model.

      --
      People's desire to believe they are right is much stronger than their desire to be right.
    10. Re:Give 'em a chance by thisissilly · · Score: 1
      The big music companies can't be forced to block-license their output.

      Sure they can. Copyright itself only exists (in the US) at Congress's whim.

    11. Re:Give 'em a chance by Archibald+Buttle · · Score: 1

      I'd pay $10 a month for an unlimited music download service offering lossless compressed titles.

      I'd drag down gigabytes of music every day for the first few months, slowing to gigabytes a week. I'd probably end up averaging over one album downloaded a day over the first year.

      And the company offering this service to me, and the thousands of others doing the same, would go bust. The server costs would be pretty hefty to cope with such download demands, and the bandwidth required to make this work would be hefty too.

      Yes, peer to peer technology can help, but you still need a central source, and you need your peers to continually participate in the network. I know that when I've used Bittorrent in the past eventually I end up disconnecting when I want to start downloading something new because it sucks up my bandwidth.

      Music artists already make very little from their work. Downloading 30 albums a month means paying 33c per album if you're only being charged $10 for the month. The artists cut of that 33c would either be tiny or non-existant, since there's costs involved.

    12. Re:Give 'em a chance by sgtrock · · Score: 1

      Keep in mind I was talking about stuff I was buying a few decades ago. Just to give you some idea of the albums that were available then:

      * Rush's "2112" came out in 1976. The whole first side is dedicated to telling a story of a guy who discovers an old guitar in a heavily regimented world. He tries to get the powers that be to see how great it is to no avail. In despair, he commits suicide just before the returning rebels seize control. Side 2 has some kick ass tunes.
      * Jeff Lynne's "War of the Worlds" came out in '79 or '80, I think. It's a retelling of the old H.G. Wells story, narrated by Richard Burton. I still remember "Thunder Child" fondly.
      * Pink Floyd's "Dark Side of the Moon", "Animals", and "Wish You Were Here". '73 to '78. Album release dates from 7 Hell, ANY album by Pink Floyd is worth listening to all the way through. Digital remasters occasionally show up. BUY THEM!
      * Deep Purple's "Machine Head" (1972) only had 7 songs on it. Not a dud in the bunch, although I think 'Highway Star' was the weakest. OTOH, it had 'Maybe I'm a Leo', 'Pictures of Home', 'Never Before', 'Smoke on the Water', 'Lazy', and 'Space Truckin'. All were hardcore rock and roll.
      * Anything by Jimi Hendrix. I think he was incapable of writing a bad song.
      * Aerosmith's "Get Your Wings" '72? and "Toys in the Attic" 1976?
      * Alice Cooper had several underrated albums.
      * Kansas. Some people loved them, some loathed them. Their albums really hung together, though.
      * Closer to my tastes now would be Johnny Cash. Another man who I think was incapable of writing a bad tune.

      More contemporary examples that have impressed me enough to at least consider buying albums are:

      * Alan Jackson
      * Kenny Chesney
      * Brad Paisley
      * Shannon Curfmann -- I bought her debut album and I'm still waiting to see if she releases another.
      * The Offspring
      * Guns 'N Roses -- I've got "Americana" and like it a lot.
      * Sarah McLachlan -- I've heard a couple albums and have been very impressed.
      * Sara Evans
      * Martina McBride

      That's just off the top of my head, looking at what's currently in my CD rack and thinking about what I listen to on the radio.

      However, the problems with the record industry, including the RIAA, are not new. To quote from "Wish You Were Here":

      Come in here, dear boy, have a cigar
      You're gonna go far, fly high
      Your're never gonna die,
      you're gonna makeit if you try;
      they're gonna love you
      Well I've always had a deep respect
      and I mean that most sincerely
      The band is just fantastic
      that is really what I think
      Oh by the way, which one's Pink?
      And did we tell you the name of the game, boy,
      we call it riding the Gravy Train
      We're just knocked out,
      We heard about the sell out
      You gotta get an album out
      You owe it to the people.
      We're so happy we can hardly count
      Everybody else is just green,
      have you seen the chart
      It's a hell of a start,
      it could be made into a monster
      if we all pull together as a team
      And did we tell you the name of the game, boy,
      we call it riding the Gravy Train

      -- Roger Waters, 1973

    13. Re:Give 'em a chance by sgtrock · · Score: 1
      Doh!

      * The Offspring
      * Guns 'N Roses -- I've got "Americana" and like it a lot.


      Yes, I know.
    14. Re:Give 'em a chance by CantGetAUserName · · Score: 1

      Hands up everyone who think that's a coincidence...

      --
      Semper en excreta sumus solum profundum
    15. Re:Give 'em a chance by burns210 · · Score: 1

      Wait a minute... You want 10 bucks a month to get you unlimited lossless material? Ofcourse you would, I would buy a Corvetter for $100, but it is so rediculously low that it won't happen...

      What keeps you from download 80 gig 1 month and never buying any more music for 3 years? $10 for 3 years, because it is lossless and unlimited...

    16. Re:Give 'em a chance by jp10558 · · Score: 1

      Yeah, the best price for reliable, speedy downloads I've ever seen would get you only 10,000MB for your $10 (www.streamload.com). I can't imagine anything working without some per MB charge nowadays (though at the above rates it'd be 1/10 a cent per MB)... Of course with iTunes this is worked into the per song cost.

      Of course, if someone could work in some decent per song cost to deliver right to a service like StreamLoad(A huge online storage space) I think it would be great. A basic monthly fee, say 10-15 cents a song(what I would be willing to pay if I am forgoing the CD, Case, Liner Notes etc...) and a continual online backup for your music.

      --
      Opera, Proxomitron-Grypen,GPG 0x0A1C6EE3
  7. Fair letter but ,,, by SalsaDot · · Score: 4, Interesting

    Its a fair letter but in this world political "support" speaks lounder than words, you know the kind of support that lines pockets.

    Whilst there are artists (ahem) who strive to be "superstars" and there are companies (the publishers who end up OWNING the stars and their material) who will push their resources to get them there -AND- there is an audience for these "pop" sensations, then the monetary incentive will be there to support the publishers and their whims. And that is that.

    I do wonder sometimes if the politicians passing these draconian laws have EVER copied a tape, made a compilation disc for the car OR HAVE TEENAGE KIDS who would be so inclined?

    1. Re:Fair letter but ,,, by Anonymous Coward · · Score: 0

      You know they have, just as those opposed to our gun rights hire bodyguards who carry guns, or have guns of their own, which they consider is their right as congress members or senators - above the laws they pass for us commoners.

  8. Yeah right, 5 bucks by Anonymous Coward · · Score: 0, Flamebait

    "In exchange for paying a low monthly license fee (as little as $5 a month could raise billions annually when spread over the tens of millions of filesharers), music fans will be free to download whatever they like, using whatever software works best for them."

    Great idea braniac. End lawsuits protecting intellecual proptery and copyrights. Just give everyone all the music they want for $5. That will solve all the problems, eh? That will pay all the artists and publishers?

    No. Thats a pittance. And people would still steal music (yes, I said steal, let go of your state of denial, nerd), refusing to pay this tiny fee.

    This is just more leftist propanganda. Its "big business'" fault that individuals break the law. They should have reacted with a "better business model" or something. (that is you thieves' stock answer, right?) There is no individual responsibility for anything. Its not your fault you steal music and movies that you have no right to.

    1. Re:Yeah right, 5 bucks by 91degrees · · Score: 0, Flamebait

      And people would still steal music (yes, I said steal, let go of your state of denial, nerd)

      There's nothing wrong with stealing.

    2. Re:Yeah right, 5 bucks by Curunir_wolf · · Score: 5, Interesting
      (yes, I said steal, let go of your state of denial, nerd)

      And how, exactly, is the "Sony Bono copyright extension act" *not* stealing. See, copyright is a deal (see the constitution) where the people (the folks who purportedly authorize government intrusion, BTW) allow artists to maintain a monopoly on their works for a certain period of time. At the end of that time, that work becomes public domain. That is, it belongs to everyone. The artist is compensated.

      So, for example, Walt Disney creates Mickey Mouse and produces some cartoons. He is provided a monopoly to make money from that work, and in return it will belong to everyone in 2001. Well, Walt was WELL compensated for producing it, and now he's dead, and Mickey should be ours.

      Instead, Eisner buys a few congressmen, and they steal Mickey from us! Mickey Mouse is a cultural icon. He's part of the American consciousness.

      Lots of other stuff was stolen from us, too. A lot of it are things that the corporations can't make money on, but they're like "hey, we can't just give away our assets", so it will sit in a vault and the tape or film or whatever it's on will deteriorate until it's gone forever.

      This is actually closer to the real definition of stealing, because we are deprived forever of the item, not just an opportunity to make money from it, not just an exclusive right to make copies.

      So we complain, we try to point out to them why they are wrong, but they just ignore us. So, we just ignore them, too. We just turn our backs on the bastards that have stolen our culture and our heritage and are trying to take everything else away from us, too. We turn our backs and just say "Fuck you. We're going to do our own thing". We're going to take our country back, one way or another. So you just keep taking money from the traitors that are exploiting us, and sending our jobs over seas, and leading us down the road to a litigation-based economy (how sustainable is that?). You take their money, and pass the laws they want, and we will ignore you more and more. Until your laws don't matter to anyone anymore, and you become irrelevant.

      --
      "Somebody has to do something. It's just incredibly pathetic it has to be us."
      --- Jerry Garcia
    3. Re:Yeah right, 5 bucks by Exatron · · Score: 2
      It's not denial, it's a legal fact. Copyrightable works are not property in any way, so they can't truly be stolen unless they're prevented from falling into the public domain.

      The entertainment industry's main business model is becoming unviable, so why should they be granted special protection? The large number of people who willingly commit copyright infringement (it really isn't stealing, get over it) means that the law needs to be changed in their favor because ordinary people no longer view it as a crime.

      --
      "I think so, Brain, but 'instant karma' always gets so lumpy." - Pinky
      "Decepticons FOREVER!!!" - Ravage
    4. Re:Yeah right, 5 bucks by stubear · · Score: 1

      Mickey Mouse is also a trademark and will never fall into the public domain so you can quit thinking about your delusions that you'll someday be ableto make a cartoon involving Mickey Mouse. All the original Disney characters are trademarked as well. At best, all you'll be able to do is pass around copies of Steamboat Willie amongst your friends and I'm guessing they'll think you're a cheap fucking bastard if you try to pass this off as a gift.

    5. Re:Yeah right, 5 bucks by Erwos · · Score: 2

      One problem: stealing implies you owned the thing in the first place. Bad news: you never owned Mickey Mouse. Your wonderful cultural ties are fine and good, but that never implies ownership. You made that argument up, and while it probably has some merit, culture is in the eye of the beholder. I don't want laws based on such subjective classification.

      Personally, I see Mickey Mouse as an _impediment_ to American culture. Mickey's a world-wide icon - he's not an American-specific cultural icon.

      Good job with the anti-business rant and little "America is going down the tubes" spiel, though - I can see they earned you the +5 you didn't deserve.

      -Erwos

      --
      Plausible conjecture should not be misrepresented as proof positive.
    6. Re:Yeah right, 5 bucks by gatekeep · · Score: 1

      The real irony of the Disney example is that they've made a bundle on exploiting public domain works.

      Snow White
      Cinderella
      Alladin
      Peter Pan
      Robin Hood
      Tarzan
      Sleeping Beauty
      Pinnochio
      Snow White
      The Hunchback of Notre Dame

      And lots of non-fairy tale literature that they've featured in live action movies;
      Robinson Crusoe
      The Three Musketeers
      20,000 Leagues Under the Sea
      Journey to the Center of the Earth
      The Time Machine

      That the Disney corporation has built it's empire largely on public domain works, and now fights it's own original material going into the public domain is deliciously ironic.

    7. Re:Yeah right, 5 bucks by lundbergaj · · Score: 1

      A lot of p2p traffic is simple sharing, but more of it is copywrite infringement. Call it stealing long enough and you may eventually convince us that it's really a problem. Or, call it stealing long enough and you may eventually convince us that some stealing isn't so bad.

    8. Re:Yeah right, 5 bucks by Curunir_wolf · · Score: 1
      Bad news: you never owned Mickey Mouse.

      Wrong. Copyright is a *contract*, just like a mortgage loan. When Walt created Mickey, and invoked his copyright, the deal was that ownership would revert to "public domain" (me) when the copyright expired.

      What if your mortgage company sent a letter after you had paid off the loan saying "You never owned your house in the first place, so we've decided to keep it for 20 more years!". "Oh, and we paid off some congressmen to make it OK for us to do that. Your rent will be the same as your old mortgage payment."

      --
      "Somebody has to do something. It's just incredibly pathetic it has to be us."
      --- Jerry Garcia
    9. Re:Yeah right, 5 bucks by ediron2 · · Score: 1
      If you believe that we, the non-corporate non-copyright-holders, don't own intellectual property by default (in the absence of patent/copyright laws), you're perhaps misreading commons law and copyright law's background. Everything I've ever read says that ideas are legally/historically a commons: once we've shared it, we can't own an idea. Copyright was a law to let the creator temporarily restrict the flow of some kinds of ideas, to give the creator income and inspire the creator to create more good ideas.

      So, we do own mickey, or we would have if it weren't for extensions. We own most christmas carols, nursery rhymes, fables, and folk songs, but it's a universal shared ownership, or public domain. We own '1+1=2', we own the fulcrum and lever, we all own the wheel. Strangely, we own the Jungle Book, if memory serves (it was published right near America's transition into having stronger copyright law), but Disney doesn't have to pay us for it, while we all have to pay to use his adaptation of it.

      That last one's worthy of a side note. In supporting the copyright extension law named after Sonny Bono, his widow made an oft-quoted remark in favor of making copyrights last forever. That's ironic as hell* in my book because it'd allow descendants of Kipling, Grimm, Plato, Shakespeare, etc. to all come stomping around in court demanding back royalties for use of their properties.

      Evidence that copyright extension is an affront to fundamental judicial blindness and fairness is right in front of us: copyright extends in ten to twenty year increments because copyright holders like Disney can't afford to ever see them extended enough to put Kipling (in particular) or other prior works that they've gotten free 'public domain' use of, to fall back out of the public domain.

      That's the perversion of law that I dislike the most about repeated copyright extensions: it would be revealing to turn the tables and demand a longer copyright term on behalf of Kipling's estate... imagine disney's reaction.

      *Ignoring the irony that this quote is the only time she's ever made a measurable mark on civilization at large and that she has a vested interest in getting perpetual royalties for anything of his (what's that worth... $50 a year?!).

  9. Support the EFF! by faqmaster · · Score: 5, Interesting

    Buy a T-Shirt, or become a member. A sensible organization like this deserves your support.

    --
    Are you...Are you some kind of genius?
    No, ma'am, I'm just a regular Slashdot reader.
    1. Re:Support the EFF! by Jay+Maynard · · Score: 1

      They're sensible about everything but spam...and they're wrong enough about that that it cancels out the rest of their good karma, for me.

      --
      Disinfect the GNU General Public Virus!
    2. Re:Support the EFF! by Anonymous Coward · · Score: 0

      They're sensible about everything but spam...and they're wrong enough about that that it cancels out the rest of their good karma, for me.

      Would you like to elaborate? What's this spam policy of theirs that you find so distasteful?

    3. Re:Support the EFF! by geminidomino · · Score: 1

      Glad to see I'm not the only one who feels that way.
      Sibling likens it to to the ACLU supporting the KKK's right to demonstrate, which is a flawed analogy. Allowing idiots to spout off doesn't hurt anyone, and is a valid concern of free speech. Spam is theft, costing money to those who run networks who then have to pass the costs on to users. It's been established that commercial advertising is NOT "Free speech" (which is not to say all spam is commercial. It's about consent, not content). Bringing up the KKK is a strawman at best.

    4. Re:Support the EFF! by Anonymous Coward · · Score: 0

      I'm sorry but taking a "Pro-P2P-Piracy" position is about as sensible as taking a "Pro-Trotskist" position with the current congress.

      Whatever lobbying value against stuff like INDUCE and the DMCA they might have had is pretty much nullified by the "Information Wants To Be Free"/"Copyright is immoral" angle they are pushing with glossy ads in Wired magazine.

      EFF seems to have been taken over by the slashbot faction and is totally ineffective. They're political numbskulls.

    5. Re:Support the EFF! by Anonymous Coward · · Score: 0

      So support the EFF for your other concerns, then find 2 groups that support your view on spam. One group will cancel out the EFF's support against your group, and the other will put you in the green.

    6. Re:Support the EFF! by geminidomino · · Score: 1

      Considering "Support" means "Money," I'm supposed to piss away 3x as much?

  10. Maybe I am cynical by mpost4 · · Score: 3, Interesting

    But I given up hope that anything good for fair use will come out of washington, The momentum from the clinton era is to strong now. And if Kerry gets in, he is bound to help his contributers back at hollywood, also (as much as I like Bush) Bush will not be any better, I don't think he has the time to look into and understand the issue at hand. Both canadates will not be good for fair use laws (better elect on other [more] important issues] So at this point I not going to worry about fair use anymore, it is dead, I will now give up (acturaly have a while back) and buy the DRM stuff (read iTMS, because atlest they are giving some ok rights to the user, read 5 computers can be autorized)

    1. Re:Maybe I am cynical by squatex · · Score: 1

      ...or give them the proverbial "screw you" and just start/keep pirating stuff.

    2. Re:Maybe I am cynical by Anonymous Coward · · Score: 0

      (read iTMS, because atlest they are giving some ok rights to the user, read 5 computers can be autorized)

      Uhm no, they are taking your rights to fair use, from an infinite amount of computers to 5.

      Please quit buying in to their brainwashing. :)

    3. Re:Maybe I am cynical by Anonymous Coward · · Score: 0

      Aye, amen to that!

    4. Re:Maybe I am cynical by Anonymous Coward · · Score: 0

      Or keep buying the DRM stuff (If they start releasing anything worth it) and cracking it :)

      I hope movies don't go to this crap in my lifetime though. (DVD's are bad enough with the stupid FBI warnings + non-skipable ads *although getting around that is easy so far)

  11. If this was the 80's by AngryScot · · Score: 4, Insightful
    I wonder what the current state of the computing industry would be like if during the 80's a bill similar to this was passed to stop double tape decks being manufactured?

    I belive that if this bill goes ahead it could act as a catalyst for other countries to pass similar laws and at the same time hurt the IT sector worldwide.

    --

    All spelling mistakes are due to solar flares...honest

    1. Re:If this was the 80's by Anonymous Coward · · Score: 2, Insightful

      Except in China. China will be the last bastion of digital freedom.

    2. Re:If this was the 80's by Anonymous Coward · · Score: 0

      Except in China. China will be the last bastion of digital freedom.

      Unless the "digital freedom" you want includes the right to look at Falun Gong websites...

    3. Re:If this was the 80's by goldspider · · Score: 2, Interesting
      Comparing tape-to-tape copying with CD-ripping/P2P is apples/oranges.

      There is a definite cost to illegally mass-distributing music by making multiple copies of a cassette. You'd have to buy a TON of blank tapes (not cheap). You'd only be able to make one copy at a time. You'd need a means to physically transport the copied tape to the recipient. All of that costs a lot of money and takes a lot of time to do.

      On the other hand, today all you need is a PC, CD-ripping software, and P2P software like Kazaa.

      There is virtually no cost associated with CD-to-P2P distribution (about 15 minutes to convert an entire album to .mp3). Therefore there is little to discourage people from engaging in illegal copyright violation.

      And by no means am I a RIAA apologist. It's just that the RIAA is far more concerned about P2P than they were about cassettes because the threat to their (outdated) business model posed by P2P is much greater.

      --
      "Ask not what your country can do for you." --John F. Kennedy
    4. Re:If this was the 80's by advocate_one · · Score: 1
      "There is virtually no cost associated with CD-to-P2P distribution (about 15 minutes to convert an entire album to .mp3). Therefore there is little to discourage people from engaging in illegal copyright violation."

      Not only is there virtually no cost associated to p2p sharing, there is no profit there for the real pirates, those who have boxes of badly printed up DVDs under the trestle table or in the car boot and hide everything dodgy at the slightest hint of the authorities... In fact the real piracy is done on the qt by CD pressing firms with excess capacity running off extra un-counted copies and flogging them out the back door to racketeers.

      --
      Donald 'Duck' Dunn: We had a band powerful enough to turn goat piss into gasoline.
    5. Re:If this was the 80's by antiMStroll · · Score: 1
      " Comparing tape-to-tape copying with CD-ripping/P2P is apples/oranges."

      Same old song and dance (Aerosmith TM)...

      Comparing cassette copying with reel-to-reels is apples/oranges.

      Comparing radio with live performance is apples/oranges.

      Comparing DAT copies with cassette copying is apples/oranges.

      Comparing CD burning with cassette copying is apples/oranges.

      These arguments have been used since the days printed sheet music was common at home, all were 'the death of music'. The only thing new is the near-complete technological idiocy of most lawyer/politicians who see the P2p argument as more credible.

    6. Re:If this was the 80's by d34thm0nk3y · · Score: 1

      I don't think he was necissarily saying that tape-to-tape is the same as P2P and cd-ripping. The entertainment industry DID try and stop VRC's and other tape based duplication methods.

      His comment was about what repercussions would this have had if it succeeded in the 80's. I have to wonder if we would have even been allowed tape based digital storage (or any removable or copyable (copiable?) magnetic storage for that matter), and without removable storage PC's would probably never have happened.

  12. nice proposal but ... by sebounet666 · · Score: 2, Insightful

    The problem is that the government will do anything to sustain the music industry. That involves wiping out the competition (P2P), because with P2P people can really choose the music they want to hear and discover alternative artists.
    They only care about copyright owners, not artists.

    --
    I hate sigs
    1. Re:nice proposal but ... by turnstyle · · Score: 1
      It's not a nice proposal, it's an empty proposal intended to make the EFF look charming.

      For starters, it's hinged on the notion that rightsholders will voluntarily license, and that downloaders will voluntarily pay.

      Does that sound reasonable to you? Really?

      Also note that the EFF proposal suggests that rightsholders would sue downloaders who don't pay. Sound familiar?

      --
      Here's what I do: Bitty Browser & Andromeda
    2. Re:nice proposal but ... by sebounet666 · · Score: 1

      Well, yes, I would pay a monthly fee to download, if this allowed me to download everything I want. But I really don't think that rightsholders would agree.

      --
      I hate sigs
    3. Re:nice proposal but ... by turnstyle · · Score: 1
      "Well, yes, I would pay a monthly fee to download, if this allowed me to download everything I want. But I really don't think that rightsholders would agree."

      Also keep in mind that there would need to be a way to divide up that monthly fee, presumably by popularity.

      Many of these "alternative copyright" proposals suggest adding monitoring software to personal PCs or ISPs, to gauge that popularity. Does that sound good to you?

      Others suggest limited statistical sampling, but when you do that, the less popular artists get "thrown out." Does that sound good to you?

      --
      Here's what I do: Bitty Browser & Andromeda
    4. Re:nice proposal but ... by tsg · · Score: 1

      For starters, it's hinged on the notion that rightsholders will voluntarily license,

      They're suggesting a compulsory license, much like the one used in radio. That's on purpose to prevent the very thing you are apparently concerned with.

      and that downloaders will voluntarily pay.

      If the license is reasonable, why wouldn't they? To suggest otherwise is assuming all downloaders are only trying to avoid paying for it. That simply isn't true.

      --
      People's desire to believe they are right is much stronger than their desire to be right.
    5. Re:nice proposal but ... by turnstyle · · Score: 2, Insightful
      "They're suggesting a compulsory license, much like the one used in radio. That's on purpose to prevent the very thing you are apparently concerned with."

      Nope, it's not compulsory, take a look. No rightsholder is forced to particpate if they don't want to, unlike other compulsories that you seem to be refering to.

      "If the license is reasonable, why wouldn't they? To suggest otherwise is assuming all downloaders are only trying to avoid paying for it. That simply isn't true."

      All downloaders are only trying to avoid paying? I don't know. Most? Absolutely.

      Have you ever tried to sell anything via "voluntary" payment? I have. The vast majority won't pay if they don't have to. As soon as you require payment, you see almost 10 times more payment -- and that's the money intended to go to the artists.

      --
      Here's what I do: Bitty Browser & Andromeda
    6. Re:nice proposal but ... by tsg · · Score: 1

      Nope, it's not compulsory,

      You're right. The letter to the Senate doesn't say anything about it being voluntary and compares it to broadcast radio, which is compulsory. This is where it will fail since music delivery over the internet makes the current rights holders (the recording industry for the most part) obsolete.

      All downloaders are only trying to avoid paying? I don't know. Most? Absolutely.

      I have to disagree with this. I'm only counting people who would have bought the album except for the availability of the download. Downloading by people who wouldn't have bought it even without the download shouldn't count because there's no lost sale. There are also people who download and buy it anyway. Then there are those who download songs you can't buy anymore, so again, no lost sale. And those who download songs that are in the public domain or that the rights holders have given permission to distribute freely. You also have to consider how many of these people who do download to avoid buying a whole album for one or two songs would pay for the songs if they had the option.

      Have you ever tried to sell anything via "voluntary" payment? I have. The vast majority won't pay if they don't have to.

      The difference is that copyright infringement is illegal. If people have the choice of paying a reasonable license to obtain it legally or breaking the law, most will choose the legal route.

      --
      People's desire to believe they are right is much stronger than their desire to be right.
    7. Re:nice proposal but ... by turnstyle · · Score: 1
      Again, I think that most P2P'ers like getting stuff for free, but we can agree to disagree on that.

      However, since rightsholders would have to opt into this system -- let's say some do and some don't, reasonable?

      So, downloaders who actually decide to voluntarily get a license would only be protected from those rightsholders who have opted in, and NOT those who have decided against doing so.

      Would you really want such a license? I mean, you still have to verify the "sharability" of the files you want to download -- or what, you'll just download any un-licensed files anyway?

      --
      Here's what I do: Bitty Browser & Andromeda
    8. Re:nice proposal but ... by tsg · · Score: 1

      The letter to the Senate didn't make the voluntary nature of this system clear. Thanks for the link.

      The failure in this system is going to be the lack of a clear line indicating what is covered by the license and what is not. The two possibilities I can see are people will buy the license with the misconception that it does cover everything (although it could be argued that the rights holders who aren't being compensated for the downloads are at least at partial fault for not taking advantage of the system), or people will simply not buy the license because it doesn't cover everything. Of the two, I think the former is much more likely.

      The system I had envisioned from the Senate letter was a compulsory licensing scheme where anyone who wanted to be a distributor could be, thereby opening a market for online music distribution that couldn't be held hostage by the recording industry. The recording industry has a vested interest in seeing online music distribution fail because it makes them obsolete. Asking them to help make that happen is unreasonable. Asking people to pay for a license that doesn't cover everything and doesn't make it clear what isn't covered puts an unfair burden on them. For the most part, people are downloading music because it is incredibly easy to do. Making that voluntarily harder won't solve anything.

      --
      People's desire to believe they are right is much stronger than their desire to be right.
    9. Re:nice proposal but ... by turnstyle · · Score: 2, Interesting
      "Asking people to pay for a license that doesn't cover everything and doesn't make it clear what isn't covered puts an unfair burden on them. For the most part, people are downloading music because it is incredibly easy to do. Making that voluntarily harder won't solve anything."

      And that's exactly why I say that the EFF proposal is just smoke and mirrors...

      --
      Here's what I do: Bitty Browser & Andromeda
  13. Just Lower the price of music by Anonymous Coward · · Score: 1, Insightful

    If the industry would just lower the price d/l ing of a song to something like 10 cents, this would all be moot.

    Why wont they work with p2p software and have each d/l cost like .10 cents? (cheaper if you share)
    They would make Billions and it would cost them allmost nothing to distribute the music, because the fans would be doing it for them. Sure people would still d/l for free, but most people would pay .10 cents if it was easy to get the un DRM'ed music.

  14. It'll never happen by Jay+Maynard · · Score: 4, Insightful

    'It's time for a solution to the P2P conflict that pays artists, not lawyers.'

    The problem here is that Congress is full of lawyers bent on doing things that amount to full-employment programs for lawyers and accountants. A program like this one that would have the effect of reducing lawsuits has no chance at all.

    We complain loudly about conflict of interest by legislators and regulators, while ignoring the biggest one of all: that lawyers write laws. I believe that being a practicing attorney should bar one from being eligible to serve in Congress in much the same way as being an insurance company executive, as a practical matter if not a legal one, bars one from serving as an insurance regulator.

    --
    Disinfect the GNU General Public Virus!
    1. Re:It'll never happen by Senzei · · Score: 1

      We complain loudly about conflict of interest by legislators and regulators, while ignoring the biggest one of all: that lawyers write laws. Next we'll be complaining about the fact that doctors have the upper hand on maintaining personal health, accountants seem to be better at doing taxes, and pro athletes are better at sports than Joe Sixpack. Lawyers deal with laws. The write them, they read them, and they use them to do their job. The conflict of interest is NOT that lawyers write laws, it is that lawmakers pass laws on topics and recieve contributions from parties interested in those topics. That said I am still upset that my accountant friend did a better job on his taxes than I did.

      --
      Slashdot: Where anecdotes and generalizations can be freely substituted for facts, logic, or intelligence
    2. Re:It'll never happen by pjt33 · · Score: 1

      Your analogy doesn't make sense. It corresponds to politicians being good at making (and possibly at keeping) laws and lawyers at winning lawsuits. It says nothing about the intersection of those two classes of people.

    3. Re:It'll never happen by 87C751 · · Score: 1
      We complain loudly about conflict of interest by legislators and regulators, while ignoring the biggest one of all: that lawyers write laws.
      You're overlooking the other problem. The work product of a legislator is legislation. Making laws is their job. The problem is that there are only so many good laws to be made, and the production quota exceeds that number.
      --
      Mail? Put "slashdot" in the subject to pass the spam filters.
    4. Re:It'll never happen by snot+whistle · · Score: 1

      leaving law to lawyers is like leaving daycare to pedophiles.

      --
      Where's Robin Hood? We could kinda really use him now.
  15. Why it won't work by cluge · · Score: 4, Insightful

    I hate to say this, but their are several reasons this won't work. Unless of course YOU write your congress person. [to be honest most people are too lazy]

    The EFF idea makes too much sense, and therfore violates about 10 rules of making law

    10 rules of making law
    a. Any law congress shall enact must be hard to understand and convoluted
    b. Any oppurtunity to get your face on TV to tackle a serious problem of your campaign contributer must be taken
    c. Do not pass any law that may in any way reduce any lawyers potential to earn money
    d. Keep starving artists that way
    e. The EFF is just like the ACLU - it's just a collection of letters that your constituants don't know about - but probably won't like
    f. If I don't understant it, I must fear it and pass legislation against it
    g. This letter contains the phrase " P2P technologies", get RIAA approval on how to think about this
    h. This letter contains the phrase "profound threat to innovation", get Microsoft approval after talking to the RIAA
    i. Anything that congress can meddle in the better
    j. If it's simple, makes sense, and doesn't require congressional involvement it must be wrong.

    Also remember that this is an election year. The eff proposal removes a potential income source from lawyers, the single strongest lobby in Congress. This will go nowhere until people take the time to write their congresspersons. May I humbly suggest that my fellow /.ers start writing.

    cluge
    AngryPeopleRule

    --
    "Science is about ego as much as it is about discovery and truth " - I said it, so sue me.
    1. Re:Why it won't work by RotateLeftByte · · Score: 1

      These reasons are also the reason why come the next revolution at the head of the queue to be executed will be the Lawyers. The majority are a plague that should be exterminated and, At the head of that queue will be the politicians who are lawyers. They only pass laws that will provide income for other lawyers. If I had it my way, Lawyers would be barred from being lawmakers. The one requirement IMHO to become a lawyer and politician is to have all aspects of common sense forcibly extracted like a wisdom tooth.

      --
      I'd rather be riding my '63 Triumph T120.
    2. Re:Why it won't work by Anonymous Coward · · Score: 0

      What if your congressmen are Fritz Hollings and Lindsey Graham, both supporters of the Induce Act. Write them? Ha! And voting against an incumbent in South Carolina is utterly pointless, sadly enough...(people in the South think change is evil)

  16. Comparing the INDUCE act to... by dpilot · · Score: 4, Insightful

    If gun control were pursued the way the INDUCE act goes after copyright violation:

    Fishing sinkers would be illegal because they *might* be melted down and recast into bullets.

    --
    The living have better things to do than to continue hating the dead.
    1. Re:Comparing the INDUCE act to... by Anonymous Coward · · Score: 0

      Only if they encouraged people to melt them down and recast them into bullets. Kits that modify guns, or allow you to create your own bullets would become illegal.

    2. Re:Comparing the INDUCE act to... by Short+Circuit · · Score: 1

      No, squirt guns would be illegal because they produce interest in guns in children.

    3. Re:Comparing the INDUCE act to... by ctr2sprt · · Score: 1
      Ah, but this is the way gun control is being pursued. Gun manufacturers are being sued and put on trial for the actions of sociopaths who buy their products. The argument is that certain types of guns have no legitimate purpose outside of crime, and so the manufacturers are profiting off an illegal enterprise. Sound familiar? You can't but fully-automatic weapons any more, or so I understand; but there are several semiautomatic guns out there which can, with a few modifications, be made fully automatic. So there's considerable hand-wringing not just over automatic weapons, but also semiautos which can be turned into autos; but the NRA is too powerful to ban those entirely, so they just want to get rid of the equipment needed to make the transformation.

      The situation is more directly analagous than you might think. (Note that I'm fairly undecided on the issue, myself. I dearly wish I could own a Colt M4A1, presumably because I am insecure in my manhood or played too much CS back in the day, but I certainly don't feel I have a need for a gun.)

    4. Re:Comparing the INDUCE act to... by Anonymous Coward · · Score: 0

      The argument is that certain types of guns have no legitimate purpose outside of crime, and so the manufacturers are profiting off an illegal enterprise. Sound familiar?

      Yes, but just because an argument is false in one context doesn't mean it's necessarily false in all contexts.

      Legitimate uses of guns that I can think of off the top of my head:

      - Sport: rifles and handguns.
      - Hunting: rifles and shotguns.
      - Personal protection: shotguns and handguns.

      The only category where automatic or even semi-automatic weapons might be appropriate is the one I deliberately left out, which is "guerilla warfare against an oppressive government": the likelihood of our government ever getting bad enough to justify a revolution is fairly slim.

      Now, you might say "a shotgun won't do me much good if a gang with AK-47s breaks into my house", but frankly the only time anything like that's going to happen is if you've made the sort of enemies who could probably bring in artillery support if they wanted to, and in that case you're as good as dead anyway, so deal with it.

      I really don't see why anyone "needs" autos or even semiautos, because all your leisure and protection needs can be served with manual weapons.

      And yes, someone will probably now apply that to cars, and say "you're saying we should ban automatic cars", but I'm not: I'm saying that there is a logical argument for banning automatic weapons which doesn't actually restrict any of the activities the average American wants a gun for.

    5. Re:Comparing the INDUCE act to... by slothman32 · · Score: 1

      I thought Congress was actually thinking of bills that would prevent gun makers from being sued for that reason. Exactly opposite of the P2P fiasco.

      --
      Why don't you guys have friends or journals?
    6. Re:Comparing the INDUCE act to... by RustyTaco · · Score: 1
      the likelihood of our government ever getting bad enough to justify a revolution is fairly slim.
      ... until they feel the populace couldn't posibly arm themselves well enough to mount a real resistance. I don't see it happening, but very few people forsaw 9/11, and even fewer forsaw The Shrub's response so there's no saying what might be handy to have around in 15 years.

      - RustyTaco
    7. Re:Comparing the INDUCE act to... by jvv62 · · Score: 1
      If gun control were pursued the way the INDUCE act goes after copyright violation: Fishing sinkers would be illegal because they *might* be melted down and recast into bullets.

      I believe the short but correct response here is "Did you bother to read the Act?"

      The appropriate gun law here is the one that says that you can be prosecuted for murder if you tell someone with a gun, "Shooting him would be a good idea."

      This act does not change a lot. It might make it illegal to have a link to a page which has illegally copied material on it. Since if anyone follows the link, they automatcially illegally copy the material. But it surely is not the gross violation of civil rights or whatever that it is made out to be.

      --
      -John Van Voorhis
  17. I will buy music again when.. by SlashDread · · Score: 4, Insightful

    I can -buy- a lifetime irrevocable licence to -it-.

    Not a plastic scratchy waste product. Not a shitty format digistream for my iPod.

    A -full- perpetual, amd fully paid up licence please. And THEN, ill pay.

    Ill burn my own dern copies. Ill mediashift too my own dern iPod. I just want a -licence-, and a one-time access to a 100% lossless audio format. And the burden of knowing Im a licensee, should be given to the RIAA. I fully expect THEM to proove Im a licensee, and as such can copy YOUR cd if mine gets lost.

    "This music was made for you and me"

    "/Dread"

    1. Re:I will buy music again when.. by Anonymous Coward · · Score: 0

      And the burden of knowing Im[sic] a licensee, should be given to the RIAA. I fully expect THEM to proove[sic] Im a licensee...

      This cannot work. Think about it: the RIAA is going to be the entity questioning the fact that you have a license. You should then be able to prove that you have a license. Otherwise, it'd be like demanding that your opponent's lawyer defend you in court.

    2. Re:I will buy music again when.. by thisissilly · · Score: 1

      Only a lifetime license? Why not a '1-person' sellable, transferable, inheritable license? You can inherit your parent's 33, 45, and 78 rpm records.

    3. Re:I will buy music again when.. by SlashDread · · Score: 1

      I never said the user shoud not ask for a receipt ;-)

      I would. But I loose receipts sometimes, and I find it all but fair, that if the RIAA wants to "sell" intangible stuff like music, its their problem to keep the records.

      "/Dread"

    4. Re:I will buy music again when.. by SlashDread · · Score: 1

      Perhaps. I have a problem with intangible stuff like music being treated as a "property" anyway.

      You know, Im going deaf in one ear, hopefully they can replace that function with a really cool hearing aid. Lets call it the iAid. Lets say it has 40TB memory. Its the year 2040 model.

      Can I still visit a concert?

      "/Dread"

  18. That was just "Snowball"... by EvilCabbage · · Score: 2, Funny

    ...."Why do they call him Snowball?"

    Some days I can't help myself, sorry.

    1. Re:That was just "Snowball"... by Anonymous Coward · · Score: 0

      thirty-seven?!

  19. Re:Ahh, "Flamebait" to any dissenting opinions by rokzy · · Score: 1, Troll

    he's bring up the "stealing vs. infingement". that is flamebait. it is a fact that unauthorised copying of copyrighted works without the owner's permission is "copyright infringement" and not "theft". this is true and anyone denying it is ignorant or trolling.

  20. It's too vague... by mratitude · · Score: 4, Informative
    `(g)(1) In this subsection, the term `intentionally induces' means intentionally aids, abets, induces, or procures, and intent may be shown by acts from which a reasonable person would find intent to induce infringement based upon all relevant information about such acts then reasonably available to the actor, including whether the activity relies on infringement for its commercial viability. `(2) Whoever intentionally induces any violation identified in subsection (a) shall be liable as an infringer. `(3) Nothing in this subsection shall enlarge or diminish the doctrines of vicarious and contributory liability for copyright infringement or require any court to unjustly withhold or impose any secondary liability for copyright infringement.'.
    The first paragraph isn't unreasonable and even includes the "reasonable person" test. Anything can happen in a process involving lawyers, judges and law enforcement but the "reasonable person" test has a long history of staving off overzealous lawyers and enforcement knee-jerks.

    The problem is with the third paragraph. Making a copy of your legally purchased mechandise is still against the law. According to paragraph 3, even if you make a copy of an audio disc for your purposes; Should that copy ever be found in a condition by which it isn't under your immediate control (not on your person, on an internet connected PC, in your car) you are liable under the provisions of this law.
    --


    Mod me troll, if you must, I can't help it.
  21. That $5 a month fee by 91degrees · · Score: 1

    It's not practical. It means that we assume that peopel are always going to spenda fixed amount on music in any given time. Not only that, but it means that those who can't afford it, rather than getting fewer songs, as is the case at the moment, will be entitled to none at all.

    Some of us like to be able to choose the amount we spend.

  22. Yeah right by muyuubyou · · Score: 2, Insightful

    $10 a month for unlimited downloads. Too bad neither you or the EFF will set the price.

    I think setting a fixed fee would be a bad idea. No incentive -> degraded quality -> socialism -> death of the industry.

    I'd gladly pay $200 for the latest Ferrari.

  23. Wrong audience by stud9920 · · Score: 1, Insightful
    'It's time for a solution to the P2P conflict that pays artists, not lawyers.'
    How many of the senators are lawyers ? How many musicians ?
    1. Re:Wrong audience by Anonymous Coward · · Score: 0

      Well, Orin Hatch only thinks he's a musician...

  24. Re:Copyright owners != artists :: why that's GOOD by turnstyle · · Score: 1
    Artists want to make decisions about their work. One such decision MIGHT be to sell their rights to another agent.

    Grousing that some artists decide to do just that leads to a suggestion that perhaps they shouldn't be allowed to do so?

    --
    Here's what I do: Bitty Browser & Andromeda
  25. Then nobody has any karma, right? by Bozdune · · Score: 3, Funny

    You're throwing the baby out with the bath water. Because the ACLU supports the rights of KKK members (and anyone else) to demonstrate, do you therefore not support the ACLU? What political party, anywhere, has a platform each of whose individual planks you wholeheartedly support?

    It will never happen. The best you can hope for in life is to support organizations whose views MOSTLY correspond to yours. Unless, that is, you want to be all by yourself. What's that old joke? I think it's from MAD magazine, mid 60's -- one Frenchman is a restaurant owner, two Frenchman is a political party (apologies to the French).

    Bien soir.

    (I think the joke finishes, "three Frenchmen is a love triangle," in case anyone cares).

    1. Re:Then nobody has any karma, right? by asscroft · · Score: 1, Insightful

      you mean things aren't black or white? True or False? I have to actually reason and think and oouch, this hurts. O'Rielly, what should I believe. Please tell me fox news. I don't think I can do it all on my own. The ACLU pisses me off in this respect, because they defend the KKK, but they also defend the 6th grader who gets expelled and labled a terrorist for drawing a picture of her teacher being shot with arrows. How can you not support an organization that helps defend the poor 6th grader. people have a hard time abstracting the issue in the KKK case or the burning flag case or what not with the content of the case. The ACLU defends liberty, even if that liberty is used to do somthing as dispicable as burn a flag. But that's why America is great, because we have the right to say America sucks. The ACLU defends that right. but you have a good point, it's a mental challenge to understand the ACLU on a simplistic level, in fact, it's about as possible as it is to understand vector calculus on a simple level. Somethings in life require brain power, and can't be simplified. it's too bad we have so many simpletons in this country. sorry for being offtopic, please have some pity modders.

      --
      because I have been enjoined by this Holy Office to abandon the false opinion which maintains that the Sun is the centre
  26. But Laywers.. by nurb432 · · Score: 1

    Make the business world go around.. ( so its a slow downward spiral, but it is still 'round' ).

    On a serious note, normally when we are discussing 'media copyrights', the holders are rarely the artists...

    --
    ---- Booth was a patriot ----
  27. What do artists have to say? by Pastis · · Score: 1

    Ever sinve P2P came out, and music labels started they fight against it, I saw almost nowhere artists tell us what they think.

    In one way, engineers/hackers/nerds thinking what is best for them is not better than labels/lawyers doing the same.

    A new distribution solution should involve all actors: artists, customers, distributors (whatever those become after the change).

  28. Here here! by FatSean · · Score: 0

    Lawyers know there is strength in numbers. I mean, you need at least 2 lawyers in the world, otherwise there's nothing for the first one to do!

    --
    Blar.
  29. dictionary defination by Anonymous Coward · · Score: 0

    corrupt ( P ) Pronunciation Key (k-rpt) adj.

    1. Marked by immorality and perversion; depraved.
    2. An American politician

    The ability for a few to get bribes to the detriment of the masses.
    eg:

    "I am the king of Nigeria. I have $20,000,000 for you. You can trust me. I'm not an American Politician."

  30. Re:Ahh, "Flamebait" to any dissenting opinions by Anonymous Coward · · Score: 0

    actualyl no ,they are not ignorant, they are just plain STUPID.

    yes I just called all of you that say copyright infringement is STEALING a bunch of STUPID IDIOTS..

  31. Senator writing result... by cdipierr · · Score: 2, Informative

    I wrote to Dole & Edwards (the two NC senators) when Slashdot had the first INDUCE article.

    While I've yet to hear back form Edwards's office (not suprising considering his current campaign), I did hear back from Dole's.

    I was expecting the standard "but this is good for technology, live with it..." response, but instead got a short response that essentially said that she agreed that INDUCE might have some potential bad consequences for technology and innovation and that she'd investigate it.

    Now, obviously it was just a form letter response, but it's perhaps the first time I've had a senator actually respond with potentially encouraging news.

  32. Or artists could start relying on gigs for income by Numen · · Score: 4, Insightful

    The idea that without the record industry the artists will starve is nuts. The record industry comes very recent in human industry.

    Bands and musicians might care to start performing live as a job of work rather than as an act of cherry picking and earn a buck.

    There's no reason why musicians can't earn a living like brick layers, plumber, programmers etc all do. The need for the record industry is predicated upon a desire to turn a small proportion of people into multimillionaires.

    Pandora HAS openned the box and there's no going back. All this concern about trying to wrestling the P2P networks is just tilting at windmills.

  33. also not all politicians... by Anonymous Coward · · Score: 0

    For real ppl, why all this politician hating? 6000 years ago, millions of light years from here - there was this politician that wasn't so bad.

    1. Re:also not all politicians... by TykeClone · · Score: 1
      Dude, I said nothing about any living politicians.

      I was just saying that Lincoln and Jefferson probably would consider ambulance chasing, lawsuit happy lawyers about the same way the IT community considers spam merchants and virus writers.

      --
      A fine is a tax you pay for doing wrong and a tax is a fine you pay for doing all right.
  34. lol by Anonymous Coward · · Score: 0

    translated: the only good lawyer is a dead lawyer.

  35. This law SHOULD pass by The+Analog+Kid · · Score: 2, Interesting

    This is not a trolling attempt but this law SHOULD pass. This is a law that affects Joe Sixpack. The DMCA, that was a law that mainly affect the IT sector, but this law affects anyone who owns a computer, an iPod or anything else that could possibly be used for copyright infringement. People will finally see what crooks those elected leaders are, sure there is no such things as an honest politician and Joe Sixpack knows this, but he just may not know how their representatives are huge sellouts to corporations. Once all these Joe Sixpacks see what the hell is going on, something will be done. So let this law pass, it's the only way change will happen.

  36. EFF is ineffective by SpacePunk · · Score: 1

    Why on earth would these assholes propose a new fee instead of pointing out that the act would make every single recording device in the U.S. illegal? It makes me wonder how much money the recording industry gives to the EFF.

    The act is wrong, and should be opposed on that basis. Anything else is just giving up, and the fee scheme is nothing but theft of money from those of us that do not copy other peoples property.

  37. The problem with P2P.. by PyrotekNX · · Score: 2, Interesting

    P2P gives people too much of a choice when choosing their music.

    The RIAA and Clear Channel have a monopoly over the listening audience in the states.

    Pay per download can still control what a user can or cannot listen to by only making certain records and songs available. It's not just losing money that record companies are afraid of, it's losing control over the distribution of music.

    Sure the radio is free (for now) but the listeners do not control what is played over the air.

  38. Music, Like Information, Wants to be Free by KnarfO · · Score: 3, Interesting

    I think it's time to re-examine the whole concept of copyright and intellectual property. Unless it can be proven that a person or business is profiting from copyright infringement, and that those profits are having a direct negative impact on the IP owner's ability to gain from their work, then I don't see why we should not let people share information (including music), and encourage businesses and aritists to find other ways to make a living from art, ie: performances, merchandise, etc..

    --


    "Creativity is allowing ones self to make mistakes. Art is knowing which ones to keep" - Scott Adams
  39. Absolutely wrong by CrystalFalcon · · Score: 3, Informative

    Copyrights are always owned by the artists. By law. By definition.

    The are the creator of the work, and therefore automatically assigned the copyright, which cannot be given away.

    (The RIAA once tried to change this by changing the law to allow "work for hire"-type music contracts, which would make the studios the copyright holders. Thankfully, it didn't pass.)

    What you are thinking of is the DISTRIBUTION RIGHTS to specific copyrights. Such distribution rights are typically owned by publishers, by form of a contract with the copyright holder, the artist.

    And it is exactly these distribution rights that, with the advent of the Internet and P2P, suddenly don't add nearly as much value to the music as they used to do, yet the products (albums) are still being charged for as much as they were in the old days.

    Something's gotta give.

    1. Re:Absolutely wrong by Anonymous Coward · · Score: 1, Informative

      Copyright initially vests in the author who fixes an original form of expression in tangible form. (17 USC 201)When this happens, the author receives the exclusive rights to reproduce, prepare derivatives, distribute copies, publicly display, publicly perform, and digitally transmit the work. (17 USC 106)

      It is incorrect to say that the copyright cannot be given away. 17 USC 201(d) makes it clear that "ownership of copyright may be transferred in whole or in part." And such transfers may be effected through execution fo a written instrument (17 USC 204). That is why every single music contract signed by an artist is going to contain an assignment clause by which the recording artist assigns his/her entire copyright to the publisher. The publishers do hold the exclusive rights to the copyrights.

      And there is no such thing as a work-for-hire doctrine in music. First, the artists are not employees of the record company. Next, songs do not fit into one of the enumerated categories in the work-for-hire doctrine.

  40. Effect changes in the networks by patrik · · Score: 3, Interesting

    As far as I can tell people will always be file sharing, so why don't we come up with a responsible network that gives some incentive to the sharers to be responsible. Why is P2P so good? Simply put, high availability. Beyond that low cost to the owners of the material since they don't have to own a lot of servers and whatnot. So we need a network that can track sharers trades and charge them a nominal fee (read much less than current costs). I haven't seen much in the way of this but I did google across a relatively young and in the works network called bitmunk. It's still in beta and whatnot, but they seem pretty serious about all this, I even talked to to a programmer there and bothered him for some technical questions and he seemed pretty receptive to my comments.

    They seem to have the right idea, no DRM but they do have watermarks so they can track you down and cancel your account if you start sharing elsewhere. Maybe this doesnt' solve sharing among friends but, that's probably not a solvable problem, iTunes doesn't even solve this.

    Of course all this means we have to return the copyrights to the artists or someone more responsible to the RIAA.

    My 2 cents: check out the network give them ideas, they seem pretty bright and eager to please.

    Patrik

    --
    ----------
    Just your ordinary BOFH ;)
    http://killertux.org
  41. Work with EFF by TheoMurpse · · Score: 1

    I for one hope after law school to work with the EFF or FSF somehow...maybe not as an employee, but volunteering my legal services...much the same way i believe Richard Stallman and others have been doing as counsel for the FSF...

  42. Re:Explanation of the /. moderation system (abridg by Anonymous Coward · · Score: 0

    And too bad you got modded down for speaking the truth. Actually, it just proves your point. Good job.

  43. Lawyers read this site too by Anonymous Coward · · Score: 0
    I modded this "flamebait," and as a lawyer, I consider it flamebait when someone calls lawyers "leeches."

    I wonder if someone posted that "Linux users are leeches on the captialist system," how that would be modded?

    I think we all know.

  44. That $10 a month fee for internet access by Anonymous Coward · · Score: 0

    It's not practical. It means that we assume that peopel are always going to spenda fixed amount on bits downloaded in any given time. Not only that, but it means that those who can't afford it, rather than getting fewer bits, as is the case at the moment, will be entitled to none at all.

    Some of us like to be able to choose the amount we spend. That's we insist that all internet services should charge per bit transferred, not a single "one-size fits all" monthy fee!

    1. Re:That $10 a month fee for internet access by 91degrees · · Score: 1

      Okayyyyy...

      So is there some government regulation dictating how much the broadband providers have to charge.

      Do you live in an area where it's impossible to get a service that charges based on bandwidth used?

      Are you totally unable to spend more money to get more bandwidth?

      I'm sorry. I don't see your point. Perhaps if you explained your argument rather than coming up with a trite snide comment it might have been worth responding.

  45. Bad word choice. Use "Mandatory" not "Collective" by Ungrounded+Lightning · · Score: 1

    The EFF letter makes a serious policitical oopsie by using the term "collective license".

    The word "collective" is an instant turnoff for Republicans (as well as Libertarians), and that's over half of congress at the moment. Say "collective" and from your own mouth you have labeled yourself as a socialist crypto-commie trying to steal everything that isn't nailed down, keep most of it for yourselves and your cronies, and use the rest to buy votes from illegal immigrtants and welfare cheats.

    It's also not the correct term-of-law, which is "mandatory license".

    Making something "mandatory" goes over well with most Republicans who got as far as congress, all Democrats, and the whole left-wing wacko squad. (The Libertarians will scream - but how much power do THEY have? B-) )

    --
    Bantam Dominique roosters crow a four-note song. Once you've heard it as "Happy BIRTHday" you can't NOT hear it that way
  46. Another big problem... by turnstyle · · Score: 1
    From the letter, Shari Steele, Executive Director: "EFF {snip} does not condone the widespread copyright infringement going on over the Internet."

    From the dictionary: "condone -- To overlook, forgive, or disregard (an offense) without protest or censure."

    From the EFF site: File Sharing: It's Music to our Ears and The MP3 Caper, etc.

    The EFF has long staked out a pro-P2P position, and has gladly accepted lots of membership dollars on account of it. At least when it comes to P2P, they entirely lack logical consistency.

    --
    Here's what I do: Bitty Browser & Andromeda
    1. Re:Another big problem... by hesiod · · Score: 1

      Pro-P2P != Pro copyright infringement. There is no lack of consistency. They think the software is good, but do not condone the illegal activities done on it.

      Too hard for you to read and think for yourself instead of just spouting BS?

    2. Re:Another big problem... by turnstyle · · Score: 1
      "Pro-P2P != Pro copyright infringement. There is no lack of consistency. They think the software is good, but do not condone the illegal activities done on it."

      If you don't think an ad campaign declaring "File Sharing: It's Music to our Ears" condones just such illegal filesharing, then I guess we'll never see this the same way.

      Likewise, their promotional "MP3 Caper" sets it all up as a hip dude that wants music.

      Condone: "To overlook, forgive, or disregard (an offense) without protest or censure."

      --
      Here's what I do: Bitty Browser & Andromeda
    3. Re:Another big problem... by hesiod · · Score: 1

      > If you don't think an ad campaign declaring "File Sharing: It's Music to our Ears" condones just such illegal filesharing,

      If you don't think you can find any non-RIAA music on P2P networks, you're being just as blatantly ignorant as someone who says all music should be totally free.

    4. Re:Another big problem... by turnstyle · · Score: 1
      "If you don't think you can find any non-RIAA music on P2P networks, you're being just as blatantly ignorant as someone who says all music should be totally free"

      er, when, exactly did I say that? All I said was that the EFF condones illegal file shring, and to back that up I produced two high visibility examples from the EFF's own site, as well as the dictionary definition of "condone."

      If it would make you feel better to see me say that some filesharing over P2P is legal, I will:

      Some filesharing over P2P is legal.

      But, the vast majority isn't.

      --
      Here's what I do: Bitty Browser & Andromeda
    5. Re:Another big problem... by hesiod · · Score: 1

      > All I said was that the EFF condones illegal file shring

      Which is what I'm arguing against. Neither of the quotes say that they condone illegal activities, just that they condone listening to music from P2P networks. That means that you are assuming they mean illegal files, but they do not say that.

    6. Re:Another big problem... by turnstyle · · Score: 1
      Of course they mean illegal files.

      Their "File Sharing: It's Music to our Ears" campaign specifically shows a lineup of criminals, targeted for illegally downloading music.

      If these were legal files, then this would be a non-issue, and there would be no need to use the criminal imagry.

      --
      Here's what I do: Bitty Browser & Andromeda
  47. I wonder if a case could be made by geminidomino · · Score: 1
    for something like copying Excel Saga DVDs. The FBI Warning is replaced with the following text.
    ILPALAZZO IS WATCHING YOU!
  48. The rest of the text (damn fat fingers) by geminidomino · · Score: 1
    The contents of this Excel Saga videogram are licensed for private home viewing only and are protected under the terms of both US Code (title 17, Sections 501 and 506) and the 1998 ACROSS treaty (AKA the Don't Toucha MY Toot-toot Pact).

    Under the express orders of Ilpalazzo, supreme leader of ACROSS, any unauthroized duplication, public-screening or use of the packaging as a coaster, musical instrument or contraceptive device is strictly prohibited, and will be dealt with in the most severe manner possible, most probably involving chicken feathers, cod liver oil, and a very, very depraved walrus.
    I guess it's still covered since it contains the US code reference in there, but it's still pretty amusing.
  49. $10/month = easy RIAA profit... by Mad+Bad+Rabbit · · Score: 1

    Wait a minute... You want 10 bucks a month to get you unlimited lossless material? Ofcourse you would, I would buy a Corvetter for $100, but it is so rediculously low that it won't happen

    The RIAA currently brings in about $12 billion/year in revenues. If 40% of U.S. consumers signed up for an all-you-can download music service at $10/month, the RIAA would generate the same revenue, and would no longer incur the cost of manufacturing or distributing physical CDs. They could probably increase revenues by 50% or more by offering a $20/month premium service with various value-added services (see below).

    What keeps you from download 80 gig 1 month and never buying any more music for 3 years?

    To quote an old MTV commercial, "Too much is never enough".

    a) Updates. If you're 12, you have to subscribe so you can get all this month's new songs by [lame band name]. Otherwise you WON'T BE COOL like your friends and you might DIE! Who wants, like, old music from last year. Besides, your parents are paying the $10/month.

    b) Value added services. Even if you're old enough that you could potentially be satisfied with a stash of back-catalog songs from your youth, they can probably get not just $10, but $25/month out of you, by adding premium features like:

    • personalized playlists and algorithms
      • "always add any new songs from this week's Top 10 HipHop chart"
      • "add all songs from Yes albums prior to 'Tormato'."
      • "delete 'Hey Ya' and 'Roses', I'm tired of them."
      • "put these songs on my 'Road-trip' list; these on my 'At work' list; these on my 'Jogging' list. etc.
      • and so on...
    • similar music search ("given my playlist, find me more songs I'll like")
    • name-that-tune search (find that song that goes "[da-dun-da-dun-da-dun] Cross-town traffic, doo doo doo...")
    • lyrics
    • videos
    • Vanity Publishing

    Vanity Publishing could potentially become the faster/better/cheaper mechanism for the RIAA to obtain new content. Imagine a hundred 'Open Mike' channels (sorted by genre) where anybody can upload their stuff, paying a slight fee for the privilege (both to fatten the RIAA's wallet, and to keep spam and truly worthless songs out of the slushpile).

    With such a mechanism, wannabe artists can get their original songs published; or even covers, remixes and other derivative works (fan videos, etc.) that once upon a time would have just gotten them sued instead of famous (i.e. Negativland). All Open Mike submissions will be rated via a Slashcode-like mechanism; the best ones will be copied over to the main 'Signed Artist' channels and the artists will start getting royalties.

    --
    >;k
  50. Re:Copyright owners != artists :: why that's GOOD by hesiod · · Score: 1

    > Grousing that some artists decide to do just that leads to a suggestion that perhaps they shouldn't be allowed to do so?

    Nooo, they should have the right, but If someone chooses not to join that, they should not be cut off from the world & radio, etc.

  51. The scapegoat of the Induce Act. by AgVulpine · · Score: 1

    AgVulpine writes "Take a visit to Amazon.com and search for Doom3. Mixed in with the search results you'll find an interesting sponsored link. "Doom 3 on BitTorrent -- Download Doom 3 using BitTorrent at Suprnova (aff) -- www.suprnova.com" . It's this kind of crap that will give the US Senate Committee the leverage they need to push through the Induce Act (or ICAA), a bill aimed at shutting down all P2P networks. IICA has been covered here on Slashdot with more information available here."