European DRM News
burgburgburg writes "Two new fronts opening in the battles over digital rights management. First: news.com is reporting how French authorities are investigating EMI France and music retailer Fnac over anticopying technology included on CDs that allegedly renders them unplayable on some systems. The investigation began after the Bureau of Competition's antifraud unit (DDCCRF) received complaints from a consumer group known as UFC-Que Choisir. Second: BusinessWeek reports that the EC is investigating Microsoft to make sure that they don't illegally dominate the field of digital rights management. Regulators have told Microsoft and its partner Time Warner that they are looking into their plan to acquire the company ContentGuard, which makes DRM software because of concerns that it will create or strengthen Microsoft dominance of the field."
For having the balls to stand up to the industry bigwigs.
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Article 2 is interesting....Here's a quote -
"Regulators put Microsoft and partner Time Warner on notice that it intends to investigate their plans to jointly acquire Bethesda (Md.)-based ContentGuard, which makes digital-rights-management (DRM) software to prevent music and movie piracy.
Call me crazy, but wouldn't each content company want their own DRM software? I mean, if you've got one lock, and a whole hell of a lot of people trying to open it, once it is open, you're screwed. Furthermore, content companies wouldn't want to pay a MS tax on each piece of content that is protected with MS-DRM. They'd be better off with their own DRM scheme......A monopoly in the DRM arena seems stupid at best - but am I wrong?
-thewldisntenuff
My MythTV HowTo
When is someone going to investigate region coding? its anti-competative and has absolutely nothing to do with copy protection.
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They will threaten to investigate, and the companies will pony up with protection money.. then all will be back to normal in the pursuit in the reduction of the citizens freedoms..
Its the way of the government...
---- Booth was a patriot ----
that joke is tired
If they ever perfect DRM people will just make an analog copy and take the one time (small) quality hit. I'm not even going to talk about bit-for-bit copys that the real pirates use. It's really just a way to lock in the consumer.
wanted: one clever sig,apply within
...and if corporations would sell things for their real value people wouldn't feel compelled to steal because we would have pretty much everything we could ever want...
Any CD that's copy protected shouldn't be called a CD. Simple enough...
Galileo: "The Earth revolves around the Sun!"
Score: -1 100% Flamebait
The regulators fight against market domination and the politicians influenced by those dominant companies want to legalize software patents. tglx
this wouldn't be around for very long. I doubt that's how it will work out, though. :-(
..."Contraband" by Velvet Revolver, a band newly formed by ex-members of Guns N' Roses and the former frontman of the Stone Temple Pilots, became a best seller in June despite heavy copy protection and a warning on the packaging.
(above excerpt from the USA today article.)
http://request-header.info
How about this?
Set the copyright system back to the default 14+14 years. If the record companies decide to use DRM on their stuff, make it illegal for them to apply for the 2nd 14 years. That way people can make backups of their stuff unhindered by sh*tty copy protection, and they get to make a little more money.
-=OR=-
Let them keep their Life+70 terms and DRM. In turn file sharing must be legalized and royalty-free sampling and public performance made legal for everyone who buys a CD.
Why yes I am paranoid! Thanks for asking!
It may be the point.
Tech industry hates DRM.
Microsoft has monopoly in DRM.
One crack, and everyone can copy music.
P2P creaters love it.
!! profit !!
I ripped a copy to my hard drive before it rendered itself unplayable.
I don't have time to search, but the consumer union UFC/Que Choisir previously won against record companies selling copyprotected CDs...
I guess this is some followup to this judgment
#include "coucou.h"
An analog signal is nessacary only for the step directly between the machine and us. Everything prior to that step, extending even to the speakers can be made digital and DRM'd. The increased quality of digital signals will push analog devices out of the market, and if MS, the *AA, etc. have their way, digital devices will be locked down with strong encryption-based DRM. So perfect DRM is possible, and by the time it comes analog copying will no longer be possible.
</paranoia>
This post written under Gentoo-linux with an SCO IP license.
I recently bought a CD from Fnac - "Face A/Face B" by Axelle Red. It says right on it that it incorporates copy-protection technology, though it also carries the official CD logo.
The results:
Linux: plays.
Windows: loads their CD player without asking, crashes system.
Car CD player: plays.
Portable Discman-style CD player: doesn't play. Each track plays about 9 seconds in then gets stuck in a loop skipping back a couple of seconds.
"My name is L...Laura..."
Sorry. Friday afternoon. A bit punchy.
...laura
It would need to be a massively coordinated effort to get a huge band's copy protected CD boycotted. You'd need mass targeted media, such as MTV or P. Diddy, to lead the charge. I figured it would be bad for them to lead the fight, and I doubt most people would care.
Your ethics of convenience stems from a world view built upon a foundation of sinking sand. What exactly is this "real" value you suggest? Whatever you decide is "fair," right? What makes you think that your idea of fair is better than someone else's idea of fair? Quit rationalizing theft and just accept the fact that in a free-market system the price of something is set by the level of demand for that thing.
What are you talking about? It's the same here in the good ol' U S of A!
main(0)
So shoplifting at the store is okay?
Did I say that?
Let Microsoft get the monopoly! If MS is controlling DRM technology, then it's sure to be completely insecure and easily hacked.
Still, I'm glad I've hung onto all my old LP's.
I figure by 2030 or so my 6-digit UID will be something to brag about.
FYI... the "value" I was talking about would be the cost of producing the item... period.
sans, profit.
After all if the parent poster wants to make a broad unrealistic statement about DRM and people stealing then isn't it only fair that I can reply with the same kind of broad unrealistic statement?
Both of these stories have already been covered by DRMBlog.
The EMI DRM story.
The Microsoft DRM story.
It's DGCCRF not DDCCRF
I may be missing something here, but is there anything new on the evil Microsoft master plan known as 'Palladium'? Is this ultimately what's under investigation?
Seems to me that Palladium is the uber-DRM trump card that Microsoft has up its sleeve - just far enough off that it doesn't warrant "investigation" (yet), but still close enough that it makes me worry for the future of personal computing.
I'll never set a foot inside one of the FNAC stores anyway. Two years ago I was a log-time fnac customer. About a year ago I bougt a 'protected' CD - Buscemi's 'Camino Real'. At that time I wasn't aware of the fact you shouldn't buy any audio CD without an official Philips logo on it. My problem was the CD refused to play on the Denon DVD-100 (part of my Denon mini hifi/home cinema set I bought ... at the very same FNAC). FNAC did not want to take the CD back, as the do not take back any opened CD or software package claiming this is to 'deter copying copyrighted material'. This is common practice at large retailers were I live. The Carrefour retail chain does it as well: they refuse to take back any CD or software. Carrefour even refuses to take back any pc you bought since these have a pre-loaded OS. So much even for the 'if you don't agree to this licince return the software and return it to get a refund-klick through agreement' I guess. But what can you do against this as a consumer? Go to small claims court and lose a lot of money over a CD? I have some confidence in Europe still.
Quit rationalizing theft and just accept the fact that in a free-market system the price of something is set by the level of demand for that thing.
I think that was in relation to supply if I'm not mistaken...
What is the fair value when the supply is for all practical purpose instantaneous and infintely repeatable?
I certainly don't rationalize theft, but I agree to a point. A good example would be companies that slap their label on an otherwise cheaply available product, then charge a premium for it. While demand may be there, it's an artificial demand created under false assumptions and lack of knowledge. Hopefully we'll outgrow that kind of ignorance some day, at least until people can learn to balance their wants and their income.
I do remember all the talk about how we all needed to ditch our tape players, because CDs lasted longer, and would eventually become far cheaper than tapes. Now they cost twice as much, and if you do buy one, it won't play in a player a couple years from now. Beautiful.
Microsoft has just released their much anticipated hands-free cordless mouse. Warning, it may hurt a little at first.
So how big a problem is this at this moment? On most supposedly-DRM'd albums the protection doesn't work most of the time; most of the people who want to play the CD are able to do so. Not to be a tinfoil-hat theorist, but why should the government step in now unless it's to set a precedent of some sort? i.e. "Software DRM is obviously not working, so we need hardwired anti-copying chips mandatory in all systems by 2010..."
I think that was in relation to supply if I'm not mistaken... What is the fair value when the supply is for all practical purpose instantaneous and infintely repeatable?
Only problem with that is...people still need to get paid. What you pay for a CD or Movie, doesn't just go to the artists. There are millions of workers living off of the money. Studio techs, salesmen, marketers(shudder), attorneys, IT workers, secretaries/clerks, warehouse workers, PHBs, etc... etc... etc...
If a company decides to sell something for a low price or starts losing tons of money to piracy, that lost revenue needs to be made up somewhere. It's not going to be the president of the company or the artist taking the paycut or losing their job. It's going to be Joe and his buddies, who drive forklifts and barely make enough to stay above the poverty line.
W.E.P.Please, oh please, I wish a US legislator would say this someday:
we do not permit a system which provides greater protection than the intellectual property rights themselves
followed by, "... and we've given you enough protection. In fact, we're thinking of repealing some if you don't go out and do what you said you would!"
Does anyone remember the legislative reason for the DMCA? The reason was to encourage copyright holders to increase the availability of music and video online to accelerate the transition to broadband lines. What happened? The entertainment companies got their law, and then started hunting down copyright infringers on websites, while meanwhile Napster arose, and then decentralized P2P, and then, yes, broadband adoption did begin to accelerate - the predicted effects did occur, but not because the media companies advantaged themselves of the protection the new law offered, but conversely, because citizens saw fit to break the law to achieve the ends the media companies promised in hearings publically and in closed sessions supposedly that they would implement.
With the same tongue-embedded-firmly-in-cheek tone one asks "How many mice does it take to screw in a lightbulb?" I ask, "How many times can the media industry lie to a Congresscritter before Congress screams, 'NO!'?"
I say to the hell with the lot of them! Nuke 'em all; and let god sort them out.
While I agree in theory theat Sony would love to do as you describe, this sentence is simply impossible:
analog speakers and mics will start to disappear from the market
There is no such thing as a "digital speaker" to be in opposition to an analog speaker. There are digital-grade speakers, which are constructed and optimized to play the frequency range of a CD, but they are no more digital than the speaker in your 1930's vintage RCA Victor. There are PCM-based speakers, but their utter output is still the same: air vibrates. Speakers are, and ever will be, an electromagnet attached to a material cone. Changes in the current loop of the magnet vibrate the cone and viola: sound! There's simply no other known way to produce sound mechanically from electricity.
Want to capture the sound? A 2 dollar inductor around the electromagnet will do the trick. Amplify, convert, record.
Then again, in 20 years people won't know how to build an amplifier. So I guess the media companies will become safer as time wears on.
France is just one member of the EU, you're forgetting about the other 24 members:
Austria,Belgium,Denmark,Finland,Germany,Greece, Ireland, Italy,Luxembourg,The Netherlands,Portugal,Spain, Sweden,United Kingdom,
Cyprus,Czech Republic,Estonia,Hungary,Latvia, Lithuania,Malta,Poland,Slovakia,Slovenia
Wendy Grossman has a short article on the back story of Microsoft and ContentGuard. The patent portfolio comes from Mark Stefik at Xerox PARC. http://www.theinquirer.net/?article=18130
Copy-protected audio CDs are much more present in Europe mostly because it is made of small, insulated markets where people are culturally much less litigious, and where the legal system often does not offer the possibility of class-action lawsuits.
Imagine launching a copy-protected CD on the US market and ending up with a 1 or 2 million people demanding damages.
This just shows how judicially insecure media companies feel on that subject.
When will people learn... Downloading music is NOT stealing, if it was they wouldn't have a copyright infringment law. They are two different things!
I'm waiting for someone to come up with a system for Integer Rights Management, where you can encode any integer (say, 3) in a way so that when decoded, the recipient will only be able to enjoy the integer, but not remember it or pass it on to others.
After that, I wonder how long it will take someone else to crack this system and write down the decoded integer for, say, time-shifting purposes.
Let's hope there are at least as many integers as there are works of art.
Want to capture the sound? A 2 dollar inductor around the electromagnet will do the trick. Amplify, convert, record.
Won't help much if the PCM loudspeaker's construction is tamper-evident, and the speaker feeds such evidence back to the DRM module on the player.
Set the copyright system back to the default 14+14 years.
How is the United States going to get out of the Berne Convention in order for that to happen? In addition, doesn't the Fifth Amendment prohibit Congress from taking private property such as so-called "intellectual property" for public use?
Hold on a second... ..a minute ago you were talking about supply-and-demand, and as soon as someone called you on that, then suddenly you argument morphs into a "but won't someone please think of the forklift operators!" argument.
:)
So, which is it? Are you gonna talk about supply-and-demand, and take your lumps when the obvious fact that supply of electronic data is infinite and inexhaustible is mentioned?
(Let's see... demand is fixed, and supply is infinite. What happens to price in this situation? This is Econ 101 stuff.)
Or are you gonna use a "Oh please thiiiink about the pooooor workers" argument... and take your lumps when we look into the treatment of non-MBAs and non-management workers by large corporations.
The bottom line is that only a very tiny percentage of what people pay for a CD is actually reflected in costs.
The artists who created the music get next-to-nothing, and the workers who manufacture and distribute the CDs get next to nothing... the bulk of the $17.99 cost of a CD is simply profit for people who contributed nothing.
Protecting the obscene ammounts of UNEARNED profits by middlemen who never created anything in thier lives, but who simply leech off of both artists and the public is not really something the public cares much about.
You can throw words like "theft" and "piracy" around all you like, but those words actually have specific dictionary meanings that in no way apply to the current situation.
No company ever LOST money because of song downloads... they simply didn't earn as much profit as they thought they would. If you view thier projections of future income as somehow something that company executives have a RIGHT to expect to recieve... then how about extenting that same courtesy to the lowly workers in that same company?
Ah.. no, but then, your argument will probably quickly morph back into the "free market" argument from before.
Gee, funny how the basic principles of economics only apply to arguments when they'd support the actions of our corporate overlords.... but as soon as free-market arguments would go against them, then suddenly logic and economic theory get thrown aside and we're back to the shrill shrieks of "THEFT!!" and "Pirate!!" and "Wont someone please think of the poor forklift operators!!"
So why is manufacturing and selling drugs illegal, if there is so much money to be made and a lot of people could live off it? The answer is simple: because drugs are detrimental to a society.
The same goes for monopolies, media cartels, price fixing and copyright laws that unfairly favor big corporations.
The problem in a lot of South American countries is that drug cartels are hugely profitable, and they just buy off the governments, so no real action will be taken against them.
A similar thing is happening in the US regarding media corporations.
Did you know you can fertilize your lawn with used motor oil?
That doesnt work, taking a car without the owners permission is theft, but you also have seperate laws to cover it - Grand Theft Auto.
I think, the matter is to get industry to pay EC in a try to settle.
Past investigation of Microsoft finished with exactly such a settlement
The Berne Conventions don't specify consistent copyright periods.
It's not consistent across classes of works, but for "literary and artistic works," such as musical compositions, Berne specifies at least life plus 50.
However, after having read the Berne Convention again, I did just find a way out of Berne that the government could use to punish major players in the U.S. entertainment industry should they go too far.
He has a clue.
Hold on a second... ..a minute ago you were talking about supply-and-demand, and as soon as someone called you on that, then suddenly you argument morphs into a "but won't someone please think of the forklift operators!" argument.
You sure that was me? Check again.
The artists who created the music get next-to-nothing, and the workers who manufacture and distribute the CDs get next to nothing... the bulk of the $17.99 cost of a CD is simply profit for people who contributed nothing.
I don't disagree, but that doesn't change the fact that when a company starts losing money, it isn't the guys up top that suffer. That isn't fair, I agree, but it is reality. The system must be changed.
Protecting the obscene ammounts of UNEARNED profits by middlemen who never created anything in thier lives, but who simply leech off of both artists and the public is not really something the public cares much about.So only people who create should make money? Only software developers should get paid, not the people who support software or ship software or sell software?
You can throw words like "theft" and "piracy" around all you like, but those words actually have specific dictionary meanings that in no way apply to the current situation.
Dictionary? Who cares? This is as ludicrous as Bill Clinton's definition of Oral Sex. Let's say we make it okay tommorow to copy anything you want from whoever you like. Who do you think will be the first to start making money off of it? I imagine it would be Corporations...
W.E.P.The same could be said for drugs. What you pay for your coke doesn't just go to the dealer. There are millions of workers living off of the money. Distributors, poor Coca farmers, the average dealer on the street, cartel bosses, etc... etc... etc... So why is manufacturing and selling drugs illegal, if there is so much money to be made and a lot of people could live off it? The answer is simple: because drugs are detrimental to a society.
Actually this is a wholely different question. The legality of drugs is a little arbitrary in my opinion and we could go on for quite a while on it's "affect" on society. Given that, I wasn't talking about potential jobs, I was talking about jobs that are currently being held.
The same goes for monopolies, media cartels, price fixing and copyright laws that unfairly favor big corporations. The problem in a lot of South American countries is that drug cartels are hugely profitable, and they just buy off the governments, so no real action will be taken against them. A similar thing is happening in the US regarding media corporations.
I totaly agree, but simply stealing a small percentage of their profits isn't going to change anything, it is just a convenient argument for people who want something for nothing. The enemy here really isn't them, it is the lawmakers who are supposed to protect this country from thi type of thing.
W.E.P.Don't forget, the total cost of supply includes the time invested by those who make the album, in addition to the per-item cost of album distribution (which we agree is effectively zero). That time must be paid for by somebody.
Some feel that the artist should just pay for the time out of his own opportunity cost -- on the assumption that the creative work will be a "loss leader" by means of selling other services. Or that the artist receives other indirect benefits that are sufficient incentive. This sometimes works, but I believe not generally enough; to encourage content development we should have a way to fund content development per se.
I don't care for the current idea of selling individual CD's either, because it unneccesarily retards consumption (by financially penalizing music ownership), and because it introduces an onerous regime of control for enforcement. I expect we are left with the need for a kind of tax or "rent", whereby consumers collectively pay into an agency which funds recording. I'd like to see how such an agency could be structured to promote more and better music development than the record labels we have today (and how the public could be convinced to pay into it).
Ok. I've read your entire post and here is what I have to say in response: I am not sure, if you have never done assembly language programming, system's programming, and worked on trying to implement security measures before that I can explain to you why DRM will never work no matter how hard they try to make it work.
I am not trying to talk down to you. This is not to say I am better than you or greater than you or god-like in my knowledge. Nor am I trying to make you mad/glad/happy/sad or anything else. I'm just trying to say that DRM will never work. Oh - it may work for a while. Maybe a few months - but then there will come workarounds and such at the least. And I've read up on DRM also and find it to be an interesting twist on older technology. But I will stand by my saying it won't keep the hackers out. I do not care how much they tout it to be impregnable, super collossus, made of Kryptonite, or whatever - it won't do it.
Now, by your very post you show that you do not get how a computer basically works. Sort of like how I understand how a car works but if my car breaks down I'd probably have to call a tow truck because I really don't want to actually DO the work (if you know what I mean) and probably do not have the right tools anyway. So I have some knowledge of cars (enough to be dangerous) but not a deep down knowledge of cars like a mechanic has.
Having said that, let me lay out some ground rules to go by and then look back at what you posted. You will (hopefully) see what I mean.
1. All computers run machine language. Zeros and ones.
2. All computers perform basically the same operations.
3. All compilers reduce instructions given to them to machine language eventually (either directly or through a linker or whatever).
4. On machines which have multitasking abilities, the CPU could care less what is going on. It is told to do X, then Y, then Z. It just executes the instructions given to it. (ie: It does not think per se and only does what it is told to do. Hardwired or otherwise.) If two programs are running it is the OS and not the CPU which makes the decisions on who gets to run when.
5. In order for there to be any semblance of normallacy between computers - all programs execute the same code. That is to say that the reason a JPEG image doesn't execute a program is only because as a program it contains meaningless garbage. Real programs, in order for them to run on your computer, must contain similar code which the CPU can recognize and execute.
5a. Thus, and therefore, you are doomed. Because you can not run an encrypted program unless the CPU recognizes this blob of meaningless garbage to actually be executable code. (Which is an oxymoronic statement because if the CPU recognizes encrypted programs as executable then people would only run encrypted programs which would make the encrpytion useless since everyone would know it.) Ever tried running a ZIP file without a ZIP decoder installed and without the auto-execute program as part of the ZIP file? It won't. The CPU goes "I don't know what kind of garbage you are trying to feed me, but I can't run it," and you get an error message from the OS (not the CPU). Thus, and therefore, all programs must follow a given path in order to be recognized as executable.
6. A debugger is a program which monitors all traffic from another program. The CPU could care less what the debugger is doing. The debugger catches all input and output as well as all other executions a program may perform. A watchdog is nothing more than a debugger with a different function. This means that a watchdog can, and will, catch all I/O that a program generates as well as all executions.
Ok - hopefully you have gotten this far. Now we just need to go one step further.
IF - we can run a watchdog program and capture the i/o and commands executed (Which: Why would Intel, the CPU, the OS, or anyone else care if we are running a program which acts like a debugger but really is catching all
Someone put a black hole in my pocket and now I'm broke.
Am I missing something important?
I appear to have a blog. Odd.
Whoops, "It definitely would have hit Slashdot" got stuck onto the wrong paragraph. It was supposed to be about private keys leaking.
-
- - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.