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Suing Your Customers a Good Idea?

VB writes "Boycott-RIAA is running Fred von Lohmann's article which looks like the ideal answer to solving the P2P problem. He suggests setting up a payment system similar to SESAC, ASCAP, and BMI, collecting organizations for songwriters. This seems such an obvious solution and a great way to get artists paid and give listeners the right to listen to their favorite songs cheaply and keep them out of jail. Why wouldn't this work?"

36 of 305 comments (clear)

  1. Why? by spikestabber · · Score: 5, Insightful

    Because then the RIAA would not have control. Since when was this all about money?

    1. Re:Why? by kfg · · Score: 4, Insightful

      Because then the RIAA would not have control. Since when was this all about money?

      Since the purpose of control became the ability to extract money.

      KFG

    2. Re:Why? by spikestabber · · Score: 3, Insightful

      The RIAA seems to think having a monopoly is the only way. They're making enough money, CD sales are up yet again, so where is this entirely about money? It's greed. The more they make the more they want.

    3. Re:Why? by kfg · · Score: 5, Insightful

      The RIAA exists to serve the artists. . .

      Where on earth did you ever get that idea? The RIAA is the trade association of the record labels.

      Can they do anything without the RIAA's blessings?

      If 'their' recordings are the 'intellectual property' of an RIAA member, no.

      What they can do, in future, is not allow themselves to be bought into the system. The system, however, has created a very powerful, but false, impression that it is a necessary componant to record, release and sell music.

      It may still be a necessary componant to achieve fame in the music business, but I might also argue that those in the business for fame aren't people I would call artists.

      Go it alone. Raise your own money, take your own risks and make your own art. Own yourself. It gets cheaper and easier every day. Be happy with this whatever it brings in terms of money and fame.It's what the RIAA fears most.

      Fuck the 'industry' and the horse it rode in on. Music is about people.

      KFG

    4. Re:Why? by Anonymous Coward · · Score: 1, Insightful

      Yes, power and control is really what it's about. It has been all along. It's not just that people can produce their own movies and music. That's certainly true, but it is also about consumers having a choice about what they view or listen to and how they view and listen to it. That is what really scares content owners because it leaves them with no interest.
      I'm not a good mainstream example, but I find commercials amusing when I run across them because they've been almost wholly eliminated from my life for years already.
      But the bottom line is that they can't pay armies of lawyers forver and stay in business. In a war of attrition, they must lose and this seems to be the war they're waging.

    5. Re:Why? by kfg · · Score: 3, Insightful

      You are quoting a trade association marketing brochure. Not a fact.

      In point of fact one of the functions of the RIAA is to insure that the artist's First Amendment rights get assigned to the record labels.

      This is now done automatically, by law (since a sound recording has now been defined as a work for hire by the label).

      The artist is left with no more First Amendment rights to his own works than any random bum on the street.

      What that phrase really means is that they work to protect the record labels from actions against the content of the recordings they own, since this would cost the label money, not the artist.

      As the blurb notes there are associations to protect the rights of songwriters, but none to protect the rights of recording artists ( and usually to get a first record deal you have to sign away your songwriter's rights to the music publishing company owned by the record label).

      KFG

    6. Re:Why? by perlchild · · Score: 2, Insightful

      You seem to confuse the RIAA needing artists with the RIAA being interested in individual artists' well being.
      Most RIAA members extort so much money from artists, several artists either start their own company, or have tried to get the system rebuilt from the ground up, since the original basis for the system, record production, is now only one aspect of the marketing and success of an individual artist. That the RIAA members act as much as a bank loaning money to the artist for everything, and yet ultimately decides what the money is used for makes a strong case for a large push for change in the system.

      When RIAA members say they are protecting the artists, it's a large joke, because the one actor in this field from whom the artist should be protected, at least until the artist is a multimillionaire himself, is the RIAA member.

    7. Re:Why? by Moofie · · Score: 2, Insightful

      Ask Prince. And James Brown. And any number of other artists who had to fight tooth and nail against their record labels for permission to perform works that they composed and performed.

      The RIAA being about the 1st Amendment is like the Czech secret police being about Miranda rights.

      --
      Why yes, I AM a rocket scientist!
  2. The Obvious by z0ink · · Score: 3, Insightful

    Why wouldn't this work?

    Simply put, because RIAA doesn't want competition.

    --
    Steal This Sig
  3. Re:Just like an added tax to blanks by ari_j · · Score: 3, Insightful

    Is there a way for you to claim your artist redistribution royalties if you put your own music on the CD? Someone needs to fight that tax in the court system.

  4. Because this system by ProudClod · · Score: 4, Insightful

    doesn't allow the maximum of money to be squeezed out of the punter, and thus will be fought tooth and nail by the guys who are in charge of the "industry" - the RIAA et al. as opposed to the artists.

    --
    Gamers Europe - Gaming News. Reviews.
  5. Screw the corporate pigopolists. by Izago909 · · Score: 4, Insightful

    There is a reason that this sort of payment system is ludicrous. The recording industry already gets federal subsidies from our taxes to compensate them for the "inevitable" acts of copyright violation that every citizen already commits. Their lobby convinced the politicians that everyone is a pirate and the only way to stop it is to have the government reimburse them for it. They are already getting paid by us once; they shouldn't get to put their hand in the cookie jar a second time. As far as I'm concerned my taxes have already paid for any and all copyright violations, which gives me the legal right to do as I damn well please with p2p software.

    1. Re:Screw the corporate pigopolists. by Performaman · · Score: 5, Insightful

      I thought part of the US legal system was "Innocent untill proven guilty."
      Now I guess it's "Innocent untill proven broke."

      --

      I have gas, but my car uses petrol.
  6. Why wouldn't it work? by Tim+C · · Score: 4, Insightful

    Because lots and lots and lots of people are now used to getting music for free. They don't care enough about the artists to pay for it now, why would that change?

    1. Re:Why wouldn't it work? by Izago909 · · Score: 2, Insightful
      Because lots and lots and lots of people are now used to getting music for free. They don't care enough about the artists to pay for it now, why would that change?
      So the pirates are to blame for the price fixing and monopolistic behavior of the record industry? Are they also to blame for the fact that most pop/rock albums are released that have one or two good tracks and the rest filled with studio B sides? Recordings like "Best Of" compilations and Live recordings are pirated at a much, much lower rate than the average album.

      Your argument of "Won't anyone please think of the artists" would be much more paletable if the money for recodes went to the artists. Unfortunately, the reason the RIAA is a lot pissier than the artists is because the overwhelming majority goes to the corporations. When artists collect royalties for albums measured in cents, I don't think the RIAA is doing all of this because of their deep concern for their artists profits.
    2. Re:Why wouldn't it work? by Epistax · · Score: 4, Insightful

      I've donated money to many software projects. I've illegally downloaded software. I will continue to do both. By your logic, I don't think I exist.

    3. Re:Why wouldn't it work? by Kenja · · Score: 4, Insightful

      I sugjest that you tell your boss that your willing to work for free. Since you think my time isn't worth money I assume you think the same of yourself.

      --

      "Have you ever thought about just turning off the TV, sitting down with your kids, and hitting them?"
    4. Re:Why wouldn't it work? by Anonymous Coward · · Score: 1, Insightful

      Your condemning your favorite musicians to Walmart jobs and playing in bars on the weekends. You'll never hear their music under your system.

    5. Re:Why wouldn't it work? by Psychochild · · Score: 4, Insightful

      I can't let this pass.

      In short. Fuck those people at the record companies who make money and aren't even the people playing the music. And fuck those people with no musical talent riding MTV to fortunes of cash.

      And fuck the people that create their art out of love but won't ever be able to complete it because they have to work a day job to pay for rent and food. This statement is a natural extension of your philosophy.

      I hate to rely on stereotypes, but I took a look at your linked blog. Go graduate from school first, then we can talk about how much you think that all information should be free when you find your job options severely limited. Life's a lot harder than napping in class and doodling on your notebook.

      As a game developer that puts in 16 hour days to maintain and create games, I know how demanding it is to actually work at creating "art". Your suggestion simply doesn't work for games, since the market often demands the latest and greatest technology. A game in development for two years already has to worry about looking "old". A game in development longer because everyone had to hold down day jobs at McDonalds just isn't going to make it.

      A more constructive attitude is to say that you'll support the independents. Go find a local band that you like and buy their CD. Find a independent game you like and actually send in the shareware payment instead of playing it for free. Or, sign up for an independent online game for a few months and pay the subscription for a bit. You'll see a lot more useful change in the market than taking the "fuck the artist, I want my shit for free!" attitude. In fact, you're just guaranteeing that the only way an artist CAN make money is to join a large company that has the resources to sue people that have this attitude.

      Some thoughts from a struggling artist,

      --
      Brian "Psychochild" Green
      MMO developer's blog
  7. Why? by antiMStroll · · Score: 2, Insightful

    Why should entertainment product distributors (who this is really about) get special dispensation from technological advances? If the business model is built on an insecure foundation, change the model. Official goverment tithing on behalf of (foreign!) corporations who have yet to conclusively demonstrate harm from sharing is an appalling idea, one that shifts the relationship between citizens, corporations and governments.

  8. Why wouldn't this work? by lawngnome · · Score: 1, Insightful

    Why wouldn't this work? because lawsuits are expensive - look at sco.. hmm spend loads to collect $699 - it just dosent make sense.

  9. Re:Because... by DeepDarkSky · · Score: 4, Insightful

    I had a lot of things I wanted to say about this, but you've summarized it so concisely.

    The problem with the system of paying artists directly is that the people with the money in the middle that want to make a lot of money by leveraging a small investment (the artist) in order to harvest a large return (from the consumers, the masses, etc.) are not involved. And the problem with that, of course, is that the people with the money are also the people with influence and power in high places that can lobby and get laws passed to ensure that they continue to enjoy the ability to reap profits by acting as gatekeepers between the people and the things they want. As long as they keep control of that, they will make money.

    Ultimately, that's the sinister nature of the RIAA companies. But keep in mind that corporations exist for the purpose of making money. And there's no better way of making money and lots of it, and easily, by using these techniques to fully exploit all of us.

    If you thought the Matrix was merely futuristic and philosophical, then think of it a bit more - think of it as a metaphor for the system that we live in now. Think of the Matrix as the capitalistic system, think of the machines as the corporations. Then think of the people as....people. Think of the power they were harvesting as money....think of the "life" the Matrix was providing to the people in their pods as the music/movie being provided to us in return...
    We ARE in the Matrix, now, and have been as long as civilzation has been around.

  10. Suing your customers? by jfengel · · Score: 3, Insightful

    Well, in theory they're not suing their customers. "Customers" are people who pay for stuff. If you're "stealing music" or "infringing copyright", you're not their customer; they get more money out of you by suing you, because it's not like they want your continued goodwill.

    Of course practice is more complicated than theory, especially in the case of those who obtain music peer-to-peer as "free samples" and then go out and buy the album. And of course those who are just defending their constitutionally-guaranteed right to fair use (that is, the 71 minues of music you're entitled to download, but not the actual plastic of the disk, because your best friend already bought that, or maybe some guy in Ankara or Boise or somewhere named "kazaaliteuser").

  11. They own the market by rsilvergun · · Score: 2, Insightful

    they can do whatever the hell they want. They've got a monopoly. Scratch that, what they've got is even better. They control all the important distribution channels, but since there are plenty of small (mostly inconsequencial) channels available nobody prosecutes them. It's the best of both worlds. So yes, suing is good for them.

    Moreover, most people know what they're doing is illegal, and therefore think it's morally wrong. Nevermind who fscked up the whole system is. So when the shit hits the fan and people start getting sued, there isn't a lot of sympathy out there for them.

    Finally, people are lazy and dumb and don't care about anything until it affects them directly (and noticably). Get 100 people in a room and see how many know what copyright is, let alone that people are being sued over it. Most people I talk to only know downloading is illegal because they know the stuff is sold in stores and they're smart enough to know that if they're getting it free, something's wrong. I'm met tons of people paying a monthly fee to some 3rd rate Kazaa knockoff who think everything they download is perfectly legal because they 'pay' for it.

    --
    Hi! I make Firefox Plug-ins. Check 'em out @ https://addons.mozilla.org/en-US/firefox/addon/youtube-mp3-podcaster/
  12. Re:Maybe by ThogScully · · Score: 2, Insightful
    Maybe suing your customer is a good idea if it is a one-off customer and you don't expect to have any other customers. Ever.

    Maybe suing your customer is a good idea to make sure it is a one-off customer and to make sure you don't have any other customers. Ever.
    -N
    --
    I've nothing to say here...
  13. The recording industry is obsolete by Anonymous Coward · · Score: 2, Insightful

    The recording industry as we know it is obsolete. It was created out of a need of distribution when recording was first invented. That need simply no longer exists. I personally do not believe there is another business model that will maintain the status quo for the wealth that is pouring into this industry. Of course music will not go away, but will rather revert back to the system it was before, word of mouth, concerts, etc. With popularity driven wholly by the listeners, musical quality and diversity will increase, sparing us from no talent industry manufactured stars.

  14. Re:RIAA- superfluous? by Romeozulu · · Score: 4, Insightful

    And who would pay for all the marketing of the music? I know this is not a popular thing to bring up on Slashdot, but it takes a lot of money to market music. It's one of the reason bands want to sign a record deal, it's not just for the distribution, it's because the record company will promote the music. That doesn't come cheap in todays market.

    When a band gets an album cover on the front page of iTunes, do you think that's because it's good? No, it's because the record company paid for "placement", just like they do with the big posters in the windows of Tower Records. That stuff doesn't happen for free.

    We can all wish for some utopia world where the best music sells the most, but it doesn't work that way. If it did, Linux would be #1, not Windows.

  15. It's as good of an idea as by TykeClone · · Score: 2, Insightful

    suing you employer and still expect to have a job the next day.

    --
    A fine is a tax you pay for doing wrong and a tax is a fine you pay for doing all right.
  16. Could Be Worse by Bruha · · Score: 3, Insightful

    It's probably already happened too..

    RIAA Says you pirated music and shows the titles you pirated. Gives you 30 days to respond if you intend to pay or go to court. You dont respond so they consider their claim valid and hire a collection agency to begin a collection process. Of which they threaten your credit rating and such.

    I'm sure it will eventually happen and those who have agreed to pay who dont may face this situation.

  17. Re:RIAA- superfluous? by hiryuu · · Score: 3, Insightful
    And who would pay for all the marketing of the music? I know this is not a popular thing to bring up on Slashdot, but it takes a lot of money to market music.

    No, it takes a lot of money to market shitty music and make it appeal to the mindless by making it "seem" popular. Good music, like good books, can and does sell itself through word-of-mouth and mild exposure. People sharing what they like with friends* is a cheap, effective way for worthwhile stuff to get heard and spread around. Hell, how did Metallica ever get their fanbase but through fans passing around tapes?

    *(Note that this is not an endorsement, or even an accurate description, of P2P.)

    Remove the marketing dollars of the corporate labels, and "natural selection" will clear out a lot of the cruft from the stores and airwaves and make way for the good stuff. Less choice? Sure. But the percentage of good choices available will go up.

    --
    Karma: Excellent, but still won't get you laid.
  18. Re:RIAA- superfluous? by Osty · · Score: 2, Insightful

    No, it takes a lot of money to market shitty music and make it appeal to the mindless by making it "seem" popular. Good music, like good books, can and does sell itself through word-of-mouth and mild exposure. People sharing what they like with friends* is a cheap, effective way for worthwhile stuff to get heard and spread around.

    The problem is that shitty and good are subjective. What you find shitty, I might like, or vice versa, and yet we can still be friends (well, unless your friendships are so shallow that you can't be friends with someone who doesn't like the same music as you). Your analogy then breaks down, because you share with me music you think is good, and I just find it shitty. Not that marketing fixes this, or even does what it's supposed to do (introduce us to new bands and music, not just keep pushing the same ol' tripe), but word of mouth doesn't work much better.

    Remove the marketing dollars of the corporate labels, and "natural selection" will clear out a lot of the cruft from the stores and airwaves and make way for the good stuff. Less choice? Sure. But the percentage of good choices available will go up.

    What makes you think the good bands won't go away with the bad ones? What if my favorite band is deemed as "bad", and goes away? Do I not have the right to like whatever music I want? I find it funny that the average Slashdotter wails away time and again for choice (more web browsers, more operating systems, more linux distributions, more media players, more office suites, etc), but they can turn on a dime and beg for less choice. What makes you think your preferences will be the ones retained? "Crap" like boy bands, Britney Spears, etc, are proven money makers* so even if labels dropped most of their marketing they'd not go away.

    * Why does that crap** make so much money? It's because music's prime money-making demographic is teenage girls, and that crap music is targetted squarely at them.

    ** Obviously my usage of "crap" is subjective, reflecting my own tastes. For example, I also think most (read: all) techno/house/electronica/d&b/dance music is utter crap. If the revolution comes, I hope that tripe is right up their with Britney for removal. In fact, I can stand more Britney tunes than I can techno crap.

  19. Exploitation by einhverfr · · Score: 4, Insightful

    Exploitation of people exists in every system. Unfortunately I think it is in the nature of political systems. It certainly exists in Capitalism, but was worse in Feudalism and arguably worse in Soviet Communism.

    There will *always* be predatory people. It is *not* a function of the economic system but rather a function of the nature of human politics.

    The goal, IMO, is not to eliminate such exploitation but to make sure that a) the public good is defended and b) that there are checks and balances that prevent such exploitation from getting out of hand.

    Unfortunately, the RIAA has subverted the public good with very little discussion or debate, and to date, there are precious few checks and balances on that system.

    --

    LedgerSMB: Open source Accounting/ERP
  20. Re:Because... by gilgongo · · Score: 2, Insightful

    >You are free to go to a part of the world like
    >North Korea and "unplug yourself" from this evil
    >"Matrix" of capitalistic greed anytime you want to.
    >You just have to leave your computer at home :^)

    So you think that the existence of a country that's supposed to be an awful place is an excuse not to make your own country a better place to live?

    Jeesus - seems like things haven't got much better in the US since McCarthyism was around.

    --
    "And the meaning of words; when they cease to function; when will it start worrying you?"
  21. Re:Because... by DeepDarkSky · · Score: 2, Insightful

    North Korea is not better - they are also part of a Matrix, albeit a more overt one. I suppose I am a hypocrite for being judgmental about the things that allow me to live the very prosperous life style I lead.
    The "Matrix" I refer to in regards to the capitalistic system is very much the same as the one in the movie. Most people aren't aware they are in it (either by choice or not).
    Capitalism is not inherent good or evil. However, people can do "evil" tihngs because of capitalistm. There are countless stories of corporations, in order to improve the bottom line, do things that are immoral or downright illegal. Or to borrow from the gun lobby, "Capitalism doesn't commit crimes (or rip people off, or exploit third world cheap labor, or outsource jobs, people/corporations do)."
    So it is with RIAA - they do what they do because it is in their best interest to maximize profits. If they believe suing people will maximize their profits, they will do so. Look at SCO - they believe that at this point, suing people will make them money. They are in the business of making money, not of providing superior product. The same goes for Microsoft. Of course, the whole idea is supposed to be:
    1. provide superior product
    2. get more market share
    3. profit!

    But when you are in control (i.e. monopolistic), or if you are truly desperate and are no longer competitive (i.e. SCO), then you will seek out other means.

    And please let us not underestimate greed. Remember Enron?

  22. News? by aero2600-5 · · Score: 2, Insightful

    Copyright collective as a solution to the music p2p problem is not a new idea. Downhillbattle.org and the EFF have been saying that Voluntary Collective Licensing is the ideal solution for quite some time already. Even The Recording Industry Ass. Of America could get a piece of that money, even though it should go mostly to the artists.

    --
    Please stop hurting America -- Jon Stewart
  23. Re:RIAA- superfluous? by Oddly_Drac · · Score: 2, Insightful

    "Hell, how did Metallica ever get their fanbase but through fans passing around tapes?"

    And lost it as quickly for condemning the same.

    --
    Oddly Draconis
    Too cynical to live, too stubborn to die.