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Music Labels May Seek Higher Download Prices

punxking writes "Some of the big music labels are now clamoring to raise prices for digital music downloads. From the article: 'Music industry executives said introductory wholesale prices for digital tracks had been set low to stimulate demand for online music sales but the success of Apple's music store had prompted concern that they may now be too low.'" Relatedly, the BBC is reporting that iTunes is under investigation in Britain for charging disparities between the UK and the European continent.

79 of 446 comments (clear)

  1. Dupe City by blackmonday · · Score: 2, Funny

    This is getting ridiculous. Next article, please.

    1. Re:Dupe City by Skye16 · · Score: 3, Funny

      I concur. I think I need a replacement for Slashdot.

    2. Re:Dupe City by saderax · · Score: 4, Interesting

      Before the flamewars regarding dupes fly to far, let me just say that I usually find the articles mentioned in the different dupes have different details that usually allow for a better conversation. Not only do they stimulate conversation, but often better points are brought after contributors have had some time to think.

      ...That is, if you can filter out the many messages of karma whores and whiners hoping to get mod points for crying 'dupe.'

    3. Re:Dupe City by dcarey · · Score: 4, Funny

      Shoot, as long as slashdot is the de facto source for redundancy, how about we make a poll for the subject:

      Slashdot poll: Which article is better?
      1)iTunes downloads prices increasing article referenced here (yesterday)
      2)iTunes downloads prices increasing article referenced here (today's)
      3)the iTunes article dupe we'll see tomorrow.
      4) the iTunes article for when the prices actually change
      5) dupe slashdot article for #4
      6) dupe slashdot article for #4 AND #5.

      Come on guys. I know you can get on the same page.

      --

      -- (Score:i , Imaginary)

    4. Re:Dupe City by lucabrasi999 · · Score: 2, Funny
      Next article, please.

      I already saw the next article. It says something about Bill Gates being awarded British Knighthood.

    5. Re:Dupe City by tomhudson · · Score: 4, Funny
      Of course it's a dupe - this gives us all a second chance to post links to all sorts of torrent sites [tt] that still work ... just in case you missed them yesterday, or last week, or in January.

      And the people who really want to karma whore can cut-n-paste the highest-rated articles from yesterday (or the lowest-rated if you're into trolling).

      Maybe someone should just write a script that automatically posts ...

      THIS IS A DUPE
      This dupe story has been brought to you by the slushdot editors.
      Our motto: We don't do no stinking editing. This is the NEW new economy.
      If you complain too much, we'll bring back Michael Sims ... beatches!
      ... at the top of every story - it would be right most of the time.
    6. Re:Dupe City by Anonymous Coward · · Score: 2, Informative
    7. Re:Dupe City by sulli · · Score: 4, Funny

      Let me recommend Slashdot

      --

      sulli
      RTFJ.
    8. Re:Dupe City by maxwell+demon · · Score: 4, Funny

      I've just discovered that there's a site which looks just like slashdot at http://nodupes.slashdot.org. Given the name, maybe they don't have dupes.

      --
      The Tao of math: The numbers you can count are not the real numbers.
    9. Re:Dupe City by Skye16 · · Score: 2, Informative

      Nope, it wasn't a joke, but I am glad my dismay brought "the giggles" to others.

    10. Re:Dupe City by Holi · · Score: 4, Insightful

      Fine if it's a dupe then DON'T READ IT.

      Some of us may have missed the original and now there are no comments in this article except for replys to your stupid "IT'S a DUPE" post.

      If your not going to add anything worthwhile to the conversation then do us all a favor and don't comment.

      --
      Sorry, teleporters just kill you and then make a copy. A perfect, soul-less copy.
    11. Re:Dupe City by Kazymyr · · Score: 2, Funny

      RAIS: Redundant Array of Irrelevant Stories

      --
      I hadn't known there were so many idiots in the world until I started using the Internet -Stanislaw Lem
    12. Re:Dupe City by Pantero+Blanco · · Score: 2, Interesting

      "Kind of offtopic, but I found it amusing that in April of 2004, this movie [imdb.com] had the most illegal downloads. No irony there for sure."

      It's only ironic if you think swapping it is a sin...Otherwise it's just spreading the Word. It'd be amusing if the MPAA sued or prosecuted someone for distributing it...They'd lose what support they have.

  2. Costs? by BWJones · · Score: 4, Insightful


    Can I simply ask somebody who really knows? What are the costs associated with digital distribution versus printing and distribution of physical media? Is this simply a case of music labels being greedy? Come on now. This is an industry that simply does not get it. Music sales declined through the late 90's because the music that was being promulgated on us by the music labels sucked. Big time. Throughout the entire decade of the 90's, they waited for somebody else to innovate the digital distribution of music (Napster), and waited for Apple to do it right with the iTunes Music Store, and now they want to profit on top of all of others hard work. I guess it is a business model that works, but come on now, have some respect for what you do! Are you making a profit with iTunes with the current pricing scheme? It would certainly appear to be the case, so why are you now trying to increase prices? The cost of distribution through the Apple iTMS has not changed. Apple has not changed the terms for distributing music in your contracts. Apple is not making any more money on it than previously agreed. I guess we should not really be surprised though. Remember when CDs first came out? Remember the cost of a vinyl album at the time ($7)? Remember the cost of a CD at the time($12-15)? Remember the music industries promise that CD costs would drop when they became popular? Consider especially that shelf space could hold more CD's and the distribution costs for CDs were significantly less than they were for vinyl. Consider that the costs for pressing a CD were/are significantly less than those for vinyl. I would assume that there is an order of magnitude difference in the distribution costs for Internet delivery versus physical media delivery that would make Internet delivery significantly less expensive and thus more profitable.

    Here is a prediction: If the price for music increases right now for digital distribution, sales will fall and piracy will increase. Apple did the hard work of market research on what folks want to pay for music downloaded from the Internet and they concluded that .99 cents/song was the sweet spot where they could offer a service, make minimal profit from the songs themselves, and distribute most of the music profits to the music labels. Of course the iTMS should be considered a loss leader of sorts as it drives sales of iPods, but Apple themselves are making almost nothing on music sales specifically.

    --
    Visit Jonesblog and say hello.
    1. Re:Costs? by PortHaven · · Score: 2, Interesting

      Simply....MUSIC LABELS BEING GREEDY

      Example: I recently released a CD for a friend's band. Cost was about $1,500 for a 1,000 CDs...shipped. Now, RIAA presses in 100,000 to 1,000,000 of units. So I am wagering they are well under a $1.

      Now explain to me why I have to pay $12.49 - $21.95 for a single CD that cost under a $1? I would not mind if the artists saw $5 of that cost. But usually they are lucky if they see .25 cents.

    2. Re:Costs? by justforaday · · Score: 5, Funny

      One of the bennes is that he sees stories before they are actually published for the unwashed masses.

      I'm not a subscriber and I saw this story before it was posted... : p

      --
      I'll turn into a supernova and burn up everything. Well I'll turn into a black little hole and you'll turn into string.
    3. Re:Costs? by Fizzlewhiff · · Score: 2, Insightful

      I still pay between $12 and $15 for a new release CD. Record stores and bookstores have too big a markup so I get them at the large discount stores like Target. If I want to get ripped off really bad I'll shop at the mall. It is the same for buying clothes, shoes, and jewelry. Want to be over charged, shop at the mall. Why don't you kids get it?

      --

      'Same speed C but faster'
    4. Re:Costs? by SweetAndSourJesus · · Score: 2, Informative

      "...would be interested in a feature that allows us to filter subscribers comments from non subscribers"

      You mean like the one they already have?

      --

      --
      the strongest word is still the word "free"
    5. Re:Costs? by Ironsides · · Score: 3, Insightful

      Can I simply ask somebody who really knows? What are the costs associated with digital distribution versus printing and distribution of physical media? Is this simply a case of music labels being greedy?

      Well, for the labels the recuring cost of online distribution is zero. They suply the song, but the distributor pays all the bandwidth and associated costs. Their costs deal with producing the song and administration.

      Throughout the entire decade of the 90's, they waited for somebody else to innovate the digital distribution of music (Napster), and waited for Apple to do it right with the iTunes Music Store, and now they want to profit on top of all of others hard work.

      Remember, they own the music. Quite literaly in most cases. Unless an artist retained the rights, the Recording Companies own it. It is up to them to set the price.

      Are you making a profit with iTunes with the current pricing scheme? It would certainly appear to be the case, so why are you now trying to increase prices?

      To make more money, of course!

      The cost of distribution through the Apple iTMS has not changed. Apple has not changed the terms for distributing music in your contracts. Apple is not making any more money on it than previously agreed.

      Frequently when a new product comes out, a company will test the waters with various prices to find the one that maximizes their profits. Sometimes fewer sales at higher margins means more money. Sometimes more sales at lower margins means more money. They are trying to find the peak in that equation. Personally I think they should go lower. But that is up to them.

      Here is a prediction: If the price for music increases right now for digital distribution, sales will fall and piracy will increase.

      No argument here. But the main questing from the recording execs is, will sales fall so much as to offset the increase in revenue per song?

      Sure I'm analyzing this from a money grubbing point of view. But then again, that's what you have to do in order to understand what the labels are doing. They want to make more money.

      I personally won't buy lossy formats. I don't consider them good enough quality for what I listen to. (Classical) But many people will, especially for pop and rock. All this is, is a basic exercise in Econ 101.

      --
      Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
    6. Re:Costs? by QMO · · Score: 5, Funny

      The real reason they want to charge more is that it will increase the market value of piracy, thus the marketing value of piracy, but not substantially increase what they really lose from piracy.

      Example of their current arithmetic:
      1,000,000 songs at $0.50 each = $500,000

      but, if they charge more it suddnly becomes:
      1,000,000 songs at $0.75 each = $750,000

      Oh, no! Piracy has just gone up 50%!

      Just a thought.

      --
      Exam 4/C again. Maybe I'll do better this time.
    7. Re:Costs? by Joey7F · · Score: 2, Informative
      Now explain to me why I have to pay $12.49 - $21.95 for a single CD that cost under a $1? I would not mind if the artists saw $5 of that cost. But usually they are lucky if they see .25 cents.


      Because the MPAA believes that 12.50 to 22 dollars a CD is where the product of their volume and the price is a maximum.

      Price is dictated partially by price but also by demand (I would argue PURELY demand because if it costs you 100 bucks to build a nail, no one will pay that).

      That said, what CDs are you buying at 22 bucks? Best Buy and Circuit City routinely sell them at 12-16 bucks.

      --Joey
    8. Re:Costs? by nine-times · · Score: 5, Insightful
      ...Is this simply a case of music labels being greedy?...

      Not simply a case of greed. Record labels don't *want* online distribution methods to work. Sure, it saves them money. Whereas packaging and shipping used to cut into the price of a CD, no money needs to be spent to produce more copies of an digital/medium-less album.

      However, the fact that iTMS is working means that people aren't buying CDs, which is an indicator that the "music industry" is obsolete. The fact is, you can produce an album on your own and get it on iTMS, use internet/viral marketing for your promotion, and bypass major record labels altogether. We don't need them and there business model anymore, and they know it, but they don't want you to know it.

      Their big hope is to convince everyone that p2p sharing is immoral and online music stores are too expensive-- it would cost more than a CD and you don't even get a lossless copy or the medium or liner notes or anything. As long as they can scare us into sticking with medium-based distribution models, they still have a business.

      So what I'm suggesting is, this raising of prices is just sabotage.

    9. Re:Costs? by Macadamizer · · Score: 2, Insightful

      Just a question -- when you buy a box of Corn Flakes, are you concerned with how much the corn farmer gets? Or when you buy a car, how much the designer got paid? I know this is kinda flamebaitish, but it seems like everyone justifies that "CD's are too much" because the artists gets so little of each CD sold -- when in reality, the artists signed a contract agreeing to so much per CD sold -- if they didn't like it, as many others have pointed out, nobody held a gun to their heads to make then sign the contract...

      --

      "That's not even wrong..." -- Wolfgang Pauli
    10. Re:Costs? by 91degrees · · Score: 2, Insightful

      Now explain to me why I have to pay $12.49 - $21.95 for a single CD that cost under a $1? I would not mind if the artists saw $5 of that cost. But usually they are lucky if they see .25 cents.

      Now, hang on...

      You get a skilled songwriter to spend months of their lives writing songs. A skilled artist to write the cover. A musical genius to record and mix it, and removing any risk of total failure from the band, all for that $12.49.

      It's certainly true that the record industry does not play fair, but I don't think there's anything wrong with the band's percentage. The rest of the contract for a new signing are pretty onerous, but royalties are obvious things that the band has the right to negotiate.

    11. Re:Costs? by intradink · · Score: 2, Informative

      Digital distribution actually yields a very small margin. You have huge infrastructure costs (disk, redundancy, DR etc), bandwidth, DRM overheads. Then against every .99 cent track sold, you have to pay the majority to the labels, and most of the rest to several royalty organisations. Once you've gone through the pain of DRM'ing and built up a reasonable track catalogue, you risk having to do it all over again once bandwidth and consumer demands say that 128kbs isn't good enough and they want it at 192kbs, 256kbs, 320 kbs.... A time consuming, disk munching and budget sapping task. The initial investment is huge, with a payback in (at best 3-5) years, assuming that you've achieved a critical mass of content and managed to get enough people to buy it. Certainly not for the faint hearted or financially challenged. Also the Labels don't typically do deals with digital distributers in the same way as they do with physical stock (ie. buy 100k units and get a per unit discount). This is probably more down to the lack of maturity in the digital model - they are still working out how to do it, with little consensus or standards between the labels. As you said, Apple were clear from the start that iTMS would probably operate at a loss, and in effect be subsidised by selling iPods by the truckload. I suspect that the suggested increase in the cost of wholesale tracks is probably an effort to boost the current market (buy them while they are still cheap), rather than any real move to increase the cost.

    12. Re:Costs? by hackstraw · · Score: 2, Insightful

      However, the fact that iTMS is working means that people aren't buying CDs, which is an indicator that the "music industry" is obsolete. The fact is, you can produce an album on your own and get it on iTMS, use internet/viral marketing for your promotion, and bypass major record labels altogether. We don't need them and there business model anymore, and they know it, but they don't want you to know it.

      That is worth being bolded and repeated:

      However, the fact that iTMS is working means that people aren't buying CDs, which is an indicator that the "music industry" is obsolete. The fact is, you can produce an album on your own and get it on iTMS, use internet/viral marketing for your promotion, and bypass major record labels altogether. We don't need them and there business model anymore, and they know it, but they don't want you to know it.

      Music is thousands of years old. About as old as humans could first figure out how to hit two things together to make a sound. The music industry is less than 100 years old. Their need is gone, yet believe it or not music will survive without them. Just like diamonds are a new facet of love, love predated the need to pay "2 months salary" for a love rock, and love will keep going after the diamond industry.

      Music is best experienced live. Even if its "live" via LPs or whatever at a dance club or what have you, that is where the real money and human enjoyment is. All recordings have always been and always will be second to the live experience. Porn and to a lesser extent TV are pretty much the only entertainment means that are enjoyed alone.

      Their big hope is to convince everyone that p2p sharing is immoral and online music stores are too expensive-- it would cost more than a CD and you don't even get a lossless copy or the medium or liner notes or anything. As long as they can scare us into sticking with medium-based distribution models, they still have a business.

      Morals are so medieval. At least as far as I'm concerned, morals were only relevant when good people kill and torture bad people for the sake of being good like in the witch trials of Europe and early America. To me is immoral to take my hard earned money and give it to some record exec that I don't know. I pay for my music just like I pay for my television. In fact, its on the same bill. I have a cable broadband connection and cable TV. I pay about $45 a month for each TV and music, not including the thousands of dollars (many of it Sony) for electronic equipment to enjoy said entertainment.

      I also believe that its immoral to butcher fine music files and convert them to MP3s that have no internal integrity to ensure that the file is complete or not corrupt, but thats just me.

      I just hope that governments can stay out of this whole record label demise and let them simply fail like they should. They had their heyday, but we simply don't need these couple of companies out there to put our music on a half filled piece of plastic and an often void of relevant information piece of paper.

    13. Re:Costs? by nine-times · · Score: 4, Insightful
      You can spew crap about how evil the recording empire is, etc. etc. but at the end of the day, sharing copyrighted works is theft.

      No, theft is "theft". Distributing copyrighted material without permission of the copyright holder is "copyright infringement". And not all music distributed on p2p is even copyright infringement. Yes, in fact, some recordings are public domain, and some are posted on p2p networks by the musicians themselves.

      You can spew all the FUD about how inherently evil p2p networks are, but at the end of the day, p2p networks are morally neutral.

    14. Re:Costs? by Sloppy · · Score: 2, Insightful
      I'm tired of all this bitching about lossy compression being horrible and blah blah blah.
      I'm a metalhead/rocker and I don't mind listening to lossy formats at all. The problem is, even if I don't mind playing lossy-compressed files, it's unlikely that the format I want to play (or can play), and the format they're selling, are the same. So I would end up transcoding, and there's the artifacting from two lossy encodes. That's noticable, even if you're a half-deaf metalhead with a shitty car stereo, like me.

      And it's not just a question of what equipment you have, and uses of the music you can imagine, today -- there's the future too.

      So, even if one has lower standards than an "audiophile", lossy-compressed files are still a dubious purchase, unless they cost a whole lot less.

      Now having a 60 GB hard drive, I actually have the space to put my 8000 MP3/AAC files on my laptop. With lossless, you don't have that luxury.
      Yes, you do. You buy the music in lossless form and store it on your home fileserver's humungous RAID (which dwarfs your laptop's disk), or store the CDs inside big cardboard boxes. Then you lossy-encode it for use on your laptop, or your tiny portable player, or whatever. The problem with buying already-lossy-compressed files, is that you don't know that the player you'll have three years from now (much less 20 years from now) will play them. Unless you have lossless originals to work with, you're going to be transcoding. Or maybe you'll just buy the music again, like RIAA wants you to.
      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
    15. Re:Costs? by ScrewMaster · · Score: 2, Interesting

      You're right so far as you go, but don't forget that your comments really apply to a free-market situation where individual business entities set their own prices, and the purchaser is free to choose which seller provides him or her the best value. That is not the case with the oligopolistic, price-fixing "music industry" that we have now. People like music, yes, and they are willing to pay for it: but the free market forces that would otherwise provide a more realistic price structure don't exist. There really is little competitive pressure between the various member organizations of the RIAA ... the marketplace is sliced and diced years in advance.

      However, I agree with your advice: vote with your pocket and don't buy it. Much as I like music, I have to admit that I've only purchased a single new CD since 1987 or thereabouts. They just seemed like a rotten deal to me, even then, and my opinion hasn't changed one whit for the better. Neither has their product. I don't mind buying used discs, because I figure someone else already paid the RIAA tax on them, and I have the satisfaction of denying them yet another sale.

      --
      The higher the technology, the sharper that two-edged sword.
    16. Re:Costs? by shark72 · · Score: 2, Informative

      "Remember when CDs first came out? Remember the cost of a vinyl album at the time ($7)? Remember the cost of a CD at the time($12-15)? Remember the music industries promise that CD costs would drop when they became popular?"

      I remember CD prices being closer to $18 at launch in the early 80s, but we'll use your numbers. That $15 you remember paying in 1984 is $26 in today's dollars. The average price of a new CD is now south of $13, so that's a 50% price drop in the past 20 years. I only wish that all industries followed a similar trend -- that would mean that the average price of a new car would be less than $10,000 today!

      The rest of your post was spot on, though.

      --
      Sitting in my day care, the art is decopainted.
    17. Re:Costs? by Reene · · Score: 2, Insightful

      As far as I'm concerned, if someone copies and uses something I created (a painting or drawing for example) without permission or regard for my rights as its creator, even if it doesn't technically "cost" me anything monetarily, it is still theft. This has happened to me before, and I'll be damned if I didn't feel like I'd been stolen from. It seems that people only understand the concept of "intellectual property" once they've actually dealt in it and understood what the theft of IP can do to a person, not just monetarily but creatively.

      That said, no, intellectual property is not property, it is intellectual property. That is why it is called intellectual property and not just plain property. Now, while this term has been heavily abused by certain organizations and used to guilt people into buying overpriced crap on a sliver of silicone, it's still a valid term that refers to a perfectly valid state of being. If someone really thinks intellectual property is a load of FUD because it can't possibly be "property" in even an abstract sense, that strikes me as the equivilent of saying the Mona Lisa is only worth the canvas it's on and the paint that was used to make it. If anything is really the equivilent of shitting on the actual artists' rights it's that kind of thinking.

      All that said, yes, I do download copyrighted music without paying for it and I do occasionally share music with friends. However, I'm not justifying my actions; what I do is theft, barring special circumstances (like PD works or stuff released with the musicians' blessings, like with much of NIN's stuff). I don't try to deny it and I don't try to justify it by saying "well intellectual property isn't _really_ property so I'm not _really_ stealing anything!"

      Now, you (general you) may be unable to live with your actions without going on massive tirades to justify it and convince others what you're doing is not really stealing, but some/most of us don't really buy it. It's a piss-poor way of justifying your actions. I'm getting tired talk about how theft of IP doesn't "really" hurt anyone and talking about how the concept of IP only exists to crush the little guy etc etc ad nauseum. Bullshit. Try going through the process of creating something only to have someone rip you off and see how you feel about it.

      So, just curious...which one of us is spewing FUD, now?

      --
      "He does look a bit Oompa like, even if his Loompa is a bit off-kilter."
    18. Re:Costs? by shark72 · · Score: 2, Informative

      "We don't need them and there business model anymore, and they know it, but they don't want you to know it."

      Slashdotters have been claiming that the Internet will destroy the record industry since the days of the original Napster. I typically see "the record industry is already dead" or "it will happen real soon now" but that's just not happening. Do you have an estimate of when it will happen? Next year, five years from now, ten years from now?

      Unfortunately I don't think it's this simple, and Slashdotters who make this proclamation often forget a few things:

      • Apple has sold millions of songs via the iTMS. The vast majority of them are from signed labels, and Apple's top tracks and top albums tend to mimic retail sales of physical CDs. In the meantime, companies like Magnatune, which fit many Slashdotters' idea of the future of music, are flailing.
      • The Internet is not the exclusive domain of Slashdotters and unsigned acts. To wit, notice the record companies' jumping all over iTMS like it was the last chopper out of Saigon, and Universal's recent move to launch an online-only label. They can use the Internet, too, and they can hire smart people, too.

      But perhaps most importantly, I think the "The Internet will kill the record industry" crowd tend to see the Internet as a bit of a universal panacea. Make no mistake: many acts, both signed and unsigned, have done a great job of leveraging online distribution to build a fan base or to reach out to their fans when their label dropped them -- They Might Be Giants comes to mind. But the fact remains that:

      • The Internet will not front you the money to rent a recording studio, or build your own.
      • The Internet will not pay for your backup singers or session musicians.
      • The Internet will not pay for a talented engineer to make your music sound good. Music recorded by amateurs in a garage with a PC-based recording system generally tends to sound like... well, it was recorded in a garage.
      • The Internet will not give you the money to press thousands of copies of your CD and send them to radio stations. The Internet will not call those radio stations and get them to play your song.
      • The Internet will not arrange and promote your tour.
      • The Internet will not give you the money for co-op ads on the iTMS and other legimate download sites. While viral marketing can be useful, it is often no match for a record label that has actual cash to spend on online advertising.
      • In short, the Internet is a network. It transmits bits. It is not a substitute for talented producers, engineers, and marketers.

      Now, before you say "but I don't need any of that," keep in mind that if you choose the route of avoiding the record label and taking on all the responsibilities I've covered above (and God bless you if you do), you're essentially in competition with the record labels who will be taking those steps.

      As you can guess, my opinion differs from yours on the motives behind the record companies' talks of raising wholesale prices. Online distribution is a format change, nothing more. The record industry has survived a dozen format changes over the past century. Part of a format change is experimenting with the pricing model. Now, frankly, I think that their attempts to go north of $0.99 are completely fucking stupid, but they are doing what many businesses do in developing a pricing strategy: experiment.

      --
      Sitting in my day care, the art is decopainted.
  3. Slashdot raising subscription rates! by garcia · · Score: 4, Funny

    Slashdot and OSDN are clamoring to raise subscription rates!

    In a move that the OSDN bean-counters believe will give Slashdot and OSDN more cash on hand, Slashdot.org is announcing that they are raising subscription rates to $5.25 for 1000 pages of ad-free* viewing.

    More and more frequently Slashdot has been giving its readers the opportunity to read day old news AGAIN! The editors of the site claim that this is part of their overall marketing plan:

    Rob Malda (aka CmdrTaco) was quoted in the NYT (vampire sucking required) as saying, "well we give you TWICE the news in two days so we thought it was only right that our subscribers pay a little bit extra!"

    Zonk was quoted as saying, "well we give you TWICE the news in two days so we thought it was only right that our subscribers pay a little bit extra!"

    While Slashdot does have an e-mail link on their site to allow Slashdot subscribers to report these duplicates to the "Editor on Duty" the editors have admitted in secret taped conversations (on IRC) that the email address is bunk and goes to /dev/null... "How are we to justify raising subscription rates if the readers weren't getting the same old shit twice?"

    * - ad-free only refers to banner ads, not posts to the main page that are made to appear as "stories" when they are in all actuality advertisements (i.e. iPods)

  4. higher prices again? by justforaday · · Score: 4, Funny

    I thought they were just talking about doing this a few days ago...Greedy bastards...sheesh!

    --
    I'll turn into a supernova and burn up everything. Well I'll turn into a black little hole and you'll turn into string.
  5. Ha! by Anonymous Coward · · Score: 5, Funny

    Good luck pushing Wal*Mart. They've never bowed to a supplier. If they want to sell digital music at 25-cents a track, the music industry can just take it in the rear.

    1. Re:Ha! by e2d2 · · Score: 3, Funny

      Yeah but Wal*Mart would rather get their music from China anyway.

    2. Re:Ha! by SirChive · · Score: 4, Insightful

      Nope. The music industry is not just a supplier. They are a cartel that has a legal lock on an entire segment of our culture.

      They will charge Walmart the same as the other download services because they just don't care. If they drive customers away from downloads and back to physical media it doesn't matter. They own that too.

  6. Is this a joke? by cot · · Score: 4, Insightful

    They want us to download the songs with our network connections that we pay for, in lieu of them pressing CDs and printing inserts, and now we're supposed to pay MORE than you pay in a store for a CD? At $1 a track, it's already not a very good deal. For more than that, the only thing they'll be stimulating is a new resurgence in p2p.

    --

  7. dupe dupe dupe by aendeuryu · · Score: 3, Funny

    dupe dupe dupe
    they duped the URL (dupe dupe)
    they duped the URL (dupe dupe)
    they duped the URL...

    As I walk though
    Slashdot's world
    Nothing can stop
    These dupes of URLs...

    etc. etc.

  8. Do you? by AtariAmarok · · Score: 2, Funny

    Do you want to submit this one tomorrow and make it 3 days in a row? Or should I do it?

    --
    Don't blame Durga. I voted for Centauri.
  9. Can you say... by LordPhantom · · Score: 2, Funny

    ... Dupe? Perhaps they should start charging more so they can pay EDITORS to FILTER SUBMISSIONS..... oh wait....

  10. Pete and Repeat where in a boat..... by philkerr · · Score: 2, Interesting
    MP3 Download Prices to Rise?

    So, might as well post my old comment.

    I wonder if this push for a price increase is to put a dampner on the existing on-line players as they did with the CARP act a few years ago regarding streaming.

    The problem, as the established media companies see things, with these new electronic outlets they have problems excerting their marketing influences to pimp their latest one-hit manufactured artist.

    If they can put the breaks on things until *they* control the market then this is better for them. Its not really an issue concering margins as all the big players seem to be reporting big profits.

    1. Re:Pete and Repeat where in a boat..... by 99BottlesOfBeerInMyF · · Score: 2, Funny

      wonder if this push for a price increase is to put a dampner on the existing on-line players..

      Dampner is not a word in the English language. Damper is a word, as is dampener. A damper reduces oscillation. A dampener makes something moist. Some router vendors have introduced a feature called route flap damping. Other router vendors have introduced the rather silly route flap dampening. I really wish large companies would hire a few editors to review their products. Just FYI.

  11. Stealing music is bad, mkay? by Thud457 · · Score: 5, Funny
    Higher prices than "your immortal soul"?!!!! That's ridiculous!


    Oh, wait, there's legitmate places to download music online from?!!!


    Primitive peoples often think that you're stealing their soul when you photograph them.

    I make no guarentee of this post's relevancy to anything.

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

  12. In other words by AtariAmarok · · Score: 3, Interesting

    The discussions are different? In other words, one discussion might have a little more Apple bashing than the other. One discussion will have a goatse link, and the other will have a GNAA screed? In one, 89% of the posts are about whether piracy = theft. In the other, 91% of the posts are about whether piracy = theft. Yes, there really is a difference!

    --
    Don't blame Durga. I voted for Centauri.
    1. Re:In other words by Tongo · · Score: 5, Funny

      I don't come here for variety, I come here for redundancy.

    2. Re:In other words by AtariAmarok · · Score: 5, Funny
      "I don't come here for variety, I come here for redundancy."

      I don't come here for variety, I come here for redundancy.

      --
      Don't blame Durga. I voted for Centauri.
    3. Re:In other words by deeblite · · Score: 2, Funny

      I don't come here for variety, I come here for redundancy!

    4. Re:In other words by commodoresloat · · Score: 2, Funny

      Ditto!

  13. Aw hell... dupe reply by the_skywise · · Score: 3, Funny

    Well they have to raise prices!

    Because the cost of manufacturing has...

    Er... Because they have to hire more employees to handle the purchasing load...

    Er... Because the Britney Spears needs a new swimming pool for her poodle... yeah!

    Isn't it time we just declare the RIAA a monopoly and start regulating it because, obviously, there is no competition.

    (I'm reminded of that montage scene in Real Genius where more and more people don't show up to class and instead have tape recorders to record the lecture... eventually the professor stops coming to class and just has a tape to play to the tape recorders...)

  14. Even my reply is a dupe. by afstanton · · Score: 2, Insightful

    http://apple.slashdot.org/article.pl?sid=05/02/28/ 1738239&tid=141&tid=3 Can we please stop this nonsense?

    --
    Reject Fear - Embrace Hope
  15. Applesoft? by Renaissance+2K · · Score: 5, Funny

    The music industry loses all credibility the moment it says "Apple may become too powerful."

    Oh, so now Apple is trying to take over the world?

    What next? The Salvation Army?

    1. Re:Applesoft? by rob_squared · · Score: 2, Funny
      "What's next? The Salvation Army?"


      Well, I have heard about them having a militant wing...

      --
      I don't get it.
  16. Financial Genius, I tell you! by drakaan · · Score: 4, Insightful
    "Oh no! They're buying lots and lots and lots of music! Raise the price and stop them, stop them now!"

    These are the same people who are trying to say that piracy is the reason that they're not making wads of cash? Did they miss the whole supply/demand/equilibrium price part of economics class in high school (okay, some of them may have gone to college).

    Let's see. We have a product that is being sold at a price point that has people drooling, there are very low distribution costs, no need for shipping or inventory maintenance, and people can buy from home. Sounds good...*too* good...let's raise the prices and kill it off.

    asshats.

    --
    "Murphy was an optimist" - O'Toole's commentary on Murphy's Law
    1. Re:Financial Genius, I tell you! by vrtladept · · Score: 2, Insightful

      Well if they raise the price of online music, they automagically raise the number of money lost to piracy.

      10 Million songs stolen valued at $1 = 10 million lost

      10 Million songs stolen valued at $2 = 20 million lost

      Brilliant!

  17. Well, that explains a LOT! by Anita+Coney · · Score: 3, Funny

    The music industry thinks that because iTunes is a success, the prices must be too low. That explains why CDs sales are down. Every time people start buying them, the music industry raises prices. The music industry seems afraid of success, every time it gets close, they squash it.

    --
    If someone says he and his monkey have nothing to hide, they almost certainly do.
  18. Not just one, but TWO dupes in this article! by Harik · · Score: 4, Insightful

    The main "iTunes raising prices" is a dupe from yesterday, and "iTunes under investigation in the UK" is _ALSO_ a dupe from a recent article. Jesus christ, Taco, if this were a free-site and you were not getting PAID for it, I could see slacking off. But damnit, you have advertisers and subscribers. That implies a certain level of responsibility. Live up to it.

  19. Pretty soon... by l4m3z0r · · Score: 4, Informative

    Pretty soon they will give us what we have all been waiting for... A /. article whose primary source is another /. article.

    1. Re:Pretty soon... by Reignking · · Score: 3, Funny

      If that were to happen, would we be able to slashdot slashdot?

      --
      One man's Funny is another man's Offtopic.
  20. A dollar is too high by Sloppy · · Score: 3, Insightful
    A dollar is too high for a lossy-compressed, DRM-wrapped song. That's roughly in the same neighborhood as audio CDs. They need to either get the price down to, like, twenty or thirty cents, or keep the price where it is and start removing the disadvantage that make them inferior to CDs (i.e. sell un-DRMed FLAC-encoded files, plus offer some kind of free backup or free re-download-it-later service to make the information roughly as durable as CD media, also make them transferable).

    Or well, I guess there's a third option to make 99-cent downloads competitive: raise the price of CDs. ;-)

    The very idea that download prices are too low, is just ludicrous.

    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  21. Re:$0.99 too low? by Alien+Being · · Score: 2, Funny

    The bits are gold plated for high fidelity.

  22. Dupe posts by Darth+Maul · · Score: 4, Insightful

    It's a shame that all these dupe posts are getting modded down. It's about time the Slashdot editors actually see what a mess Slashdot has become. They seem to post a dupe every day now.

    Please, stop modding those posts down. This duplicate posting must stop.

    --
    --- witty signature
    1. Re:Dupe posts by fname · · Score: 2, Funny

      Seems appropriate that it's from the "they're-never-going-to-get-it dept." The editor should get a +1 Unintentionally Funny for his so-sad-it's-funny quip.

    2. Re:Dupe posts by poot_rootbeer · · Score: 2, Funny

      It's a shame that all these dupe posts are getting modded down. It's about time the Slashdot editors actually see what a mess Slashdot has become. They seem to post a dupe every day now.

      Please, stop modding those posts down. This duplicate posting must stop.

  23. Re:Heroine or heroin? by tomhudson · · Score: 2, Funny
    I think he really did mean the "heroine" model ... you know, about how hookers are better than drugs because they can always wash their crack and resell it.

    this is what the music companies are doing with degraded MP3s at a higher cost per song than the original album.

  24. Re:Costs? - COST DOES NOT AFFECT PRICE!! by BWJones · · Score: 2, Interesting

    You must have missed economics 102 then.

    There are other things to consider in "selling" a product. What the market will bear is largely a simplistic economic viewpoint that looks at discrete periods of time. This is a model that will get companies and individuals who advocate those models in trouble with examples like bubbles. Specifically, like those that occurred in the tech markets of the late 90s and the current real estate markets in some parts of the country.

    --
    Visit Jonesblog and say hello.
  25. Who's your daddy by fulldecent · · Score: 4, Funny

    I kind of like Walmart's discussions with the media industry a little better:

    Walmart: I think it's time you started selling me CD's for under $10
    Labels: That's some bullshit
    Walmart: I retail 4% of the GNP, if I stop selling CD's, you die
    Label: Ulth... fine, but-
    Walmart: But what?
    Label: ...um but nothing
    --

    -- I was raised on the command line, bitch

  26. Why does this remind me of ATMs by Bronz · · Score: 5, Interesting

    a) Started out "free" -- reasoning the bank didn't have to pay so many human tellers.
    b) Moved to a small fee for the operator of the ATM, which is understandable.
    C) Fee doubled when your bank realized it could charge you in addition to the charges of the ATM operator.
    D) Mext the fees nearly doubled to an average of $1.50 each side of the transaction (minus the "free" out of network uses you get per month).
    E) Finally -- we end up with bank plans where you can be charged to talk to a human teller.

    If we figure out where we went wrong with banks and ATMs it might help us not repeat the same mistake.

  27. Re:Costs? - COST DOES NOT AFFECT PRICE!! by MindStalker · · Score: 2, Interesting

    Of course and your absolutly right, except the part about selling something for pennies that cost dollars to make, noone would do this unless they are trying to liquidate their assets.

    Anyways of course we have no reason to complain when an industry raises its prices, we should then be complaining to the people who purchase at the higher price of course. On the otherhand if there is a monopoly on the item it can be illigal to bump the price too high. One could argue weither the MPAA is a monopoly, but as its not a essential service it really isn't the governments buisness.

    All in all most people here see rising music prices as a bad idea, and firmly beleive that the industry will lose money on it. But apparently the industry is willing to lose money and point to the P2Ps for blame.

  28. Now, let's be fair by Safety+Cap · · Score: 4, Funny

    I would point you to Slashdot Editor Training, where all Editors learn how to avoid dupes, perform thorough spell- and fact-checking, and (best of all) write well-crafted, bug-free code.

    --
    Yeah, right.
  29. Bingo by Hlewagastir · · Score: 4, Insightful

    You see, if they make it painful enough to buy tracks online, we'll all revert back to the old model of taking it up the rear at our local record store for a 25 cent chunk of plastic. Online music sales scare the crap out of the recording industry because they become obsolete the second somebody can simply make their music available online to whomever wants to download it. If recording industry can kill online music sales early, they won't slowly fade away into obscurity as recording artists choose other venues to promote their wares. iTunes has somehow, despite the industries best intentions, (through extremely high prices for what you're actually getting), become a viable alternative to the old way of getting music. Therefore, they raise the price even higher to discourage sales. If the price is high enough, people will return to the old business model.

  30. Redundant answer by squiggleslash · · Score: 3, Funny
    (Does it matter this is a dupe? I mean, you already know what the comments are going to be:)

    THis is just more evidence that the MPAA and Micro$oft are just out to screw the consumer vis they want us to pay more and more for their so-called "music" which is all Bri[tt]ney $Pears rubbish which they play over and over again on their network of Clearchannel radio stations thanks to payola IE LEGALIZED BRIBERY forcing everyone to download the music from the Internet using services like Kazaa and Morpheus anyway, whereas if the music industry eg the MPAA would just give music away on DRM-less MP3s at 384kbps (the MINIMUM I will accept, 314kbps AAC is TOTALLY UNACCEPTABLE, you can really hear the difference on top-end Sony equipment) and if they'd make the music actually WORTH LISTENING TO then they would be "getting it" and working in the new economy not the old economy. This is why personally I download all my music from dodgymp3s.ru where you pay a penny a megabyte which is much fairer because the money goes to the artists according to the website, well the bit left over after taxes and expenses and protection racket fees, rather than to the money grabbing record industry execs who spend all their money on cocaine and DVDs.

    Are you all with me? Yeah! Fight the fat cat record execs!

    --
    You are not alone. This is not normal. None of this is normal.
  31. Is the Slashdot Shuffle Playing Favorites? by saddino · · Score: 3, Funny

    saddino writes "Steven Levy at Newsweek is reporting that Slashdot seems to favor certain stories for dupes. Is Slashdot receiving kickbacks to promote certain companies? Slashdot denies it, of course, and Levy had the good sense to ask a mathematician and a cryptographer who explained it's probably just humans finding patterns where there are none."

  32. .99 by Lord_Dweomer · · Score: 2, Insightful
    The reason raising prices will hurt them more than it will help them is because of what it means when a product costs less than a dollar.

    For the vast majority of people who would be considering buying online music, anything less than a dollar is change not worth worrying about, so it is much more "disposable" than things that are priced more than a dollar. That is why retailers list things as .99 instead of 1.00.

    And while I know prices can never stay the same due to inflation, I have to say that the industry deserves no more out of this than they're getting. I'm using MY bandwidth that I pay for to get their product. They're not even providing me with the method to do so, Apple is.

    --
    Buy Steampunk Clothing Online!
  33. Re:Heroine or heroin? by inkey+string · · Score: 3, Insightful

    Except this never actually happens. I wouldn't expect slashdotters to have any first hand familarity with heroin or the drug trade, but let's just think this through in a few steps.

    1. Demand for heroin is extremely high.
    2. Supply for heroin is extremely limited.
    3. This lack of supply, coupled with extreme demand, will produce very high prices.
    4. Extremely large profits can be made easily in this trade, as there is a large volume of willing buyers with little "brand" loyalty, and a consistent "regional price" (compared to a "world price" in macroeconomics) due to easy (local) transport and a highly liquid market.

    So the major problem in the heroin chain is not selling (very deep liquid market relative to supply), but instead obtaining supply to sell.

    Now that we know this problem, ask yourself why dealers would choose to give away supply? Answer: they don't. There is no benefit to them, as there is already a large volume of willing buyers. There is only downside, namely the opportunity cost of not selling the damn stuff instead of giving it away.

    Too many people have this vision of a guy hanging aroung with a truck of heroin twiddling his thumbs wondering how to addict people and make cash. Doesn't quite work like that.

  34. Look at it this way by serutan · · Score: 4, Funny

    Think of the dupe as a remake of the original "classic" post.

  35. Not selling music "would mean nothing to them" by Rescate · · Score: 4, Interesting

    Wal-Mart Squeezing Record Labels to Cut CD Prices

    Posted by michael on Thursday October 14, @08:25AM
    from the win-win-situation dept.

    Raindance writes "RollingStone.com has a revealing article detailing how retail giant Wal-Mart is making loud noises about throwing its weight around in order to get significantly better bulk prices on CDs. Says one industry executive, 'This wasn't framed as a gentle negotiation, it's a line in the sand -- you don't do this, then the threat is [your product is dropped].' This is the first time a big player has attempted this sort of hardball move on the labels, and the labels may be forced to deal, as Wal-Mart sells 1 out of every 5 retail CDs. Monopoly one, meet monopoly two."


    Telling quote from the linked Rolling Stone article:

    Tensions are not as high now as they were last winter, but making sure Wal-Mart is happy remains one of the music industry's major priorities. That's because if Wal-Mart cut back on music, industry sales would suffer severely -- though Wal-Mart's shareholders would barely bat an eye. While Wal-Mart represents nearly twenty percent of major-label music sales, music represents only about two percent of Wal-Mart's total sales. "If they got out of selling music, it would mean nothing to them," says another label executive. "This keeps me awake at night."

    So, it seems as though Wal-Mart is playing chicken with the music labels, betting the labels will blink first. I would suppose if they can do this with physical media, they can do it with downloads as well.

  36. "Many in the music business fear Apple's clout" by Zhe+Mappel · · Score: 5, Interesting
    Good point. For Apple this is going to have serious immediate repercussions. From TFA:

    Many in the music business also expressed concern over Apple's growing clout. This stems from the fact that Apple's music store and player are not compatible with any others. One fear is that Apple will become too powerful if consumers continue to choose its digital music platform. Apple declined to comment.

    "One fear"? I'd say it's the main fear. The sticking point is not Apple's proprietary technology itself as much as how market share allows Apple to assert downward pressure on per-song pricing. The music biz wants to kneecap Apple. The goal is to force Apple to open the iPod/iTMS, distribute the platform's market share among any number of companies, and so get digital distribution fully under the music industry's thumb. Cartels like chattel, not coequals.

    The big question is: if Jobs refuses, will the labels start to defect from iTMS? Apple will have planned for this scenario and their response is going to be very interesting--it will tell us pointedly where the power truly lies.

  37. Re:This isn't the answer by symbolic · · Score: 2, Insightful


    P2P doesn't work to solve the problem. It only antagonizes, and what's worse, it provides the with the rope that they have used to slowly hang us- in the form of ever-restrictive laws that govern copyright and fair use. If you disagree with the price increase, don't "share" the music. Do what you'd do with any other product - just leave it. Let the RIAA wallow in its own muck until someone finally has a lightbulb moment, and "gets it".